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The chosen periods in this paper is the renaissance during the 16th century and the
contemporary period of 20th century (Ackerman 12). The Renaissance period was marked by the
spread of cultural movements and the renew of art characterized the period (Lowry 21). The period
period. The emergence of technological approaches led to the development of art and architecture
(Szalapaj 11). The complexity of architecture marked this period with more sophisticated
6equipment.
Palazzo Farnese
The choice of this building was facilitated by the fact that this was one of the most complex
structures during this time of Renaissance Rome. Different architects did its design, and its
completion marked a beginning of a new painting period (Gamrath 27). It was one of the buildings
It was among the most beautiful palace in Rome during the renaissance period. Its
construction started in 1514 and completed at the end of 16th century. Antonio Sangallo was the
architect who initiated the development of Palazzo Farnese, continued by Michelangelo, and
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finished by Giacomo Della Porta while Alessandro commissioned the building (Gamrath 27). It
was owned by one of the famous families in Rome, and currently, it houses the French Embassy
in Rome.
The building was owned by a famous family in Italy as an imposing palace. It housed
different Cardinals from its construction. After the death of Cardinal Odoardo Farnese, the building
remained virtually uninhabited for about twenty years. When it was regained, Palazzo Farnese
homed Queen Christina, but she proved to be the worst tenant because her unruly servant had
stolen the silvers, paintings, and tapestries as well as smashing doors for firewood. In the 18th
century, Borbone family of Naples acquired the building, but they also spoiled the status of the
palace including the collections (Gamrath 29). Currently, the building is home to the France
Embassy to Rome.
The building had a unique architectural design that was attractive during this period.
Michelangelo decorated the façade overlooking the palace where the central balcony was carved
(Ching 12). The rear façade overlooking Giulia represented the most elegance architectural
competence.
The choice of this building was facilitated the new look and its integrated ideas. It
represents a paradigm shift from the traditional apartment that incorporated heavy architectural
work. The idea was to ease architectural work by fabricating identical modular units and creatively
arranging them (Hacker 12). They are then connected using cables.
intended for the World Exposition of 1967. The design was created to experiment alternative
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housing for densely populated areas. It was constructed through prefabricated units aimed at
reducing the cost of housing as well as introducing a new housing topology. The new design
incorporated the quality of rural homes to urban areas (Hacker 13). Safdie integrated the idea of
prefabrication and re-thinking of an apartment in the creation of Habitat '67. The idea was
completed from 354 identical units that were pre-fabricated and referred to units/boxes. These
modules were stacked in different combinations and used cables to connect them. They were
accessible through pedestrian streets and bridges. Its construction commenced in 1967 and
completed two years later. Safdie was the lone architect of this classical building.
The purpose of this building was to increase housing units in densely populated areas. As
such, its principles basis was residential housing. Since then, it has minimally used for residential
purpose. However, in an interview, Safdie said that he was planning to gift the house to Canadian
Museum to be made open to the public (Hacker 13). The building was in 2009 designated as a
heritage building.
The new architectural work broke the traditional feature of the orthogonal high rise and the
geometrical configuration of apartments. In this design, the prefabricated modules were stacked
each box one step behind the immediate neighbor. The design was ingenious, and it provided each
module unit/box a roof garden, good flow of air, and effective natural lighting. These qualities of
the apartment had been inhibited in the traditional buildings (Hacker 13). The architectural design
of Habitat '67 was the pioneer of double-housing topology which gave economic apartments of the
new era.
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Conclusion
There has been a considerable and significant change between renaissance in the 16th
century and the 20th century. Ideologically, there is a massive transformation in the way people
used to think of the renaissance period and contemporary period. In construction, new complex
architectural work is evident during the modern period. The emergence of technology giving rise
to new approaches and mechanisms of doing things have facilitated this transformation. The
philosophy of renaissance period was mostly based on morals and ethics. On the other hand, the
modern conception is complex and revolves around human nature, social, political, and economic
basis. The aspect of globalization has led to transformation and massive difference between the
two periods.
The materials used in the two periods have changed significantly because of the
technological advancements. For instance, in there is a considerable change in the materials used
in the construction of the two buildings. The Palazzo Farnese was built from ordinary materials,
and its architectural design was not complex while the Habitat '67 used pre-fabricated elements
and modules connected through cables. The plans in these periods have also changed.
During the Renaissance period, the complex designs were made for the famous families
and the wealthy class. However, in the contemporary period, the complex apartments were
constructed to accommodate more people in densely populated areas hence a considerable change
in the functions.
The form in the mode of architecture has also changed from the material, design outlook,
and societal concern. The renaissance period considered wealthy class while in the contemporary,
Work Cited
Ackerman, James S. "Architectural practice in the Italian Renaissance." Journal of the Society of
Ching, Francis DK. Architecture: Form, space, and order. John Wiley & Sons, 2014.
Gamrath, Helge. "The History of a Success in the Italian Renaissance: The Farnese Family c. 1400-
Hacker, Sally D., and Robert S. Steneck. "Habitat Architecture and the Abundance and Body‐Size‐
Szalapaj, Peter. Contemporary architecture and the digital design process. Routledge, 2014.