Professional Documents
Culture Documents
Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .
http://www.jstor.org/page/info/about/policies/terms.jsp
.
JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of
content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms
of scholarship. For more information about JSTOR, please contact support@jstor.org.
University of California Press is collaborating with JSTOR to digitize, preserve and extend access to
Representations.
http://www.jstor.org
Texts,Traces, Trash:
The Changing Media
of Cultural Memory
Stored Energy:
Renaissance Concepts of the Letter
124 REPRESENTATIONS
This topos can be found even in our chastened and disabused times. In his
book Truthand Method,Hans-Georg Gadamer writes,
In thematerialprocessof culturaltransmission, has a singularstatus.The re-
[writing]
maindersand ruinsofpastlives,ofbuildings, oftools,theequipmentoftombs-allofthis
is shakenand erodedbythestormsof time.Written texts,however,iftheycan be deci-
pheredand read,containa purespiritthatspeakstous in an eternalpresence.The artof
readingand understanding writtentracesis likea magicart. .. in whichspaceand time
are suspended.In knowinghow to read whatis transmitted, we are partakingof and
achievingthepurepresenceofthepast.4
126 REPRESENTATIONS
Renaissance poets and scholars never believed that a lost life could
actuallybe restored,but theywere firmly convincedthatthelifeof the spiritcould
be coded in lettersand keptin storeforlaterages. Shakespeare could stillpromise
his lover:
Yourpraiseshallstillfindroom
Evenin theeyesofall posterity
Thatwearthisworldouttotheendingdoom.15
Swiftdoes not end here. "What is then become of those immense bales of
paper," he asks, "which must needs have been employed in such numbers of
books?" (45). His answeris that"books,likemen theirauthors,have no more than
one wayof cominginto the world,but thereare ten thousand to go out of it,and
returnno more" (45). In theirmaterialform,theydisappear silentlyand contin-
uously,abused in public lavatoriesand burned in ovens, patched to the windows
of bawdyhouses and reused as lampshades. Textual tracesin themselveshave no
chance of "surviving";withoutculturalinstitutions of memorizingand continuous
appreciation,books are doomed to perishinstantly. The assumptionthatthe mes-
sage stored in lettersand restoredat a later period is stillpresentaftera lapse of
timefailsfor Swifteven as he is writing:"That what I am going to say is literally
true this minute I am writing:what revolutionsmay happen before it shall be
ready foryour perusal, I can byno means warrant"(45).
A centurylater,Charles Lamb reflectedin a similarvein on the ephemerality
of writtenwords. In an essaywiththe title"DistantCorrespondents,"he writesto
a friendin Sydney,Australia,knowingthat what he writeswill be received ten
monthslater: "It is no easy effortto set about a correspondence at our distance.
The wearyworldof watersbetweenus oppresses the imagination.It is difficult to
128 REPRESENTATIONS
"Weare notimpotent-wepallidstones.
"Notall ourpoweris gone-not all our fame-
"Notall themagicofour highrenown-
"Notall thewonderthatencirclesus
thatinus lie-
"Notall themysteries
"Notall thememories thathangupon
"Andclingaroundaboutus as a garment, . "22
130 REPRESENTATIONS
Letterand Litter,or,
Traces and Trash
132 REPRESENTATIONS
Notes
134 REPRESENTATIONS