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BEL SEEM, 6 EGTRAHANER TARO ANKE AEE TM, 2m. © Marija Gimbutas, The Language of the Goddess. p.316, #XL—- RAHA HARARE, FEMA LT DL — ta EAC SG, de BR HE — 85 BER “HE AL", Sarah Nelson, “Diversity of the Upper Paleolithic" Venus Figurines and Archeological Mythology,” in Gender in Cross-Cultural Perspective, ed. Caroline Brettell & Carolyn Sargent pI © Anne Baring & Jules Cashford. The Myth of the Goodess: Evolution of an Image. ® Gay Robins, Women in Ancient Egypt, p. 311. @ Diana Darke, Guide to Aegean and Mediterranean Turkey (London: Michael Haag, 1989), p, 80; A, Frova, “La Statua de Artemide Efesia a Caesarea Maritima,” Bollentino d’ Arte, vol. XLV I, no. 4(1962), pp. 305—313, F Al % Ai ar AAT SAHNI, BY RM, “KARA AE’ Palazzo dei Conservatori), "KSEE (Villa Albani FM th BIRCH, ERASE, MRM AAT ® Athenaeus, The Deipnosophists, trans. Charles Burton Gulick (Cambridge, Mass.: Harvard University Press, 1959), vol Vi. pp. 185 —187, © John J. Winkler, The Constraints of Desire: The Anthropology of Sex and Genderin Ancient Greece, p. 190. © Mary R. Lefkowitz, Women in Greek Myth, p. 57, ® David Biale, Eros and the Jews: From Biblical Israel to Contemporary America, p.27. ® KML The Book of the Knight La Tour-Landry, trans. from the original Frenchinto English in the reign of Henry ¥I, ed. ‘Thomas Wright, p. 49. @ Dante, The Divine Comedy, trans. Dorothy Sayers (Baltimore: Penguin Books, 1955), vot. 2, p. 250, © Shari L. Thurer, The Myths of Motherhood: How Culture Reinvents the Good Mother, p. 83. © Catherine of Siena, The Dialogue, trans, Suzanne Noffke, PP. 179 — 180. Juliana, A Book of Showings to the Anchoress Julian of Norwich, pt. two, ed. Edmund Colledge and James Walsh, p. 592, @ Nicholas love, “The Myrrour of the Blessyd Life of Christ," in The Oxford Book of Late Medieval Verse and Prose, p. 9. © 1 Satia and Robert Bernen, Myth and Religion in European Painting, 1270-1700, p. 172. 35He EFL: TB IBN AR FTA SAMI ALAR OH OE NE RR DE OF bY ARIE 2H Ee 41, = & it WAR AF KAGE b S, Ws 3h A CE REA AL SLE BEFLF(Q 100-45 Jeg, 2 EBL ERIE AYE Ba He ‘e(Agues Sorel) t.7 i (% PERE — FLFLBE s AIR AIF BS Fi URS ho ABE BENG CEE BE HH FL 85 ak (Be FM es HS HRwoe heae OBR, EUR RE ARI. ZERO A) CNenEA eh eM The Virgin of Melun)inj geet, (Ie He (ae emit, HLA. PR RAF BP WT, (APSE AES. WAAR EI 7H ILA SAHA 5 YHA RARE EAE FL IE RIF PE CARL ek «Ly PPP IE APR PL Bs AE, HTML, TSA T Hee | 25 ME AMohan Huizinga, 1872—1945)sk He 5 HY PE A FERC BE ml A CREE AIR | same eyimsa “SCZ PAN IT CFE A HERR.” BLEA(Anne Hollan | BERR GH H der Aid yt iE HEBER EAC ELA, “FRA EAR | HERE”, (ESATA. Fle, FURR BS THE, Hy BAA IDE LE. 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FL TER ed EIR, EASE REDD FEMME TER. AME, ATA SMT, FLAIR TE BERN AAS HI, HT COM AR. iE AA MaMLKAHLE, BELBARRE RADA, RASAKH ERs DA, 2% © Johan Huizinga, The Waning of the Middle Ages, p.159. © Romi.La Mytholgoie du Sein, p.29. OPE, p30. Pierre Champion, La Dame de Beauté,Agnés Sorel, p.39 © Agnolo Firenzuola, Of the Beauty of Women.trans.Clara Bell, p.76, © Ann Hollander, Seeing Through Clothes, pp.188— 189, 203—~ 204 OER RH HAW Lynne Lawner) ii OA 8b UW BH He he AAT wR EAA EL ak AMGAHUR AH REALE EER CREB BAL OLALH MRE ECE RH IL SRM Paris Bordone)s} (HAA LMM TST SABA GLAM), (Palma Vecchionsh Ck AM WAN MEM HERA AA 5 F FHF Giulio Romano)s Ci HI MIAME F SHIEK AAT), HL Lynne Lawner, Religion and the Decline of Magic, pp.445 — 446. @ Anne Llewellyn Barstow, Witcheraze:A New History of the European Witch Hunts, p.144 @ Margaret L.King, Women of the Renaissance, pp.144,146. ® Louise Labé,Ocuvres Complétes.ed Enzo Giudici, p.148, © Pierre de Ronsard,Les Amours.ed.Henri et Catherine Weber,p.72. © Philippe Erlanger,Diane de Poitiers:Deesse de la Renaissance, p.206, © Ibid, p.193. © Cited in Yvonne Knibiehler & Catherine Fouquet,L’ Histoire des Méres, p.86. © Cited in Judith Brown, Immodest Acts:The Life of a Leshian Nun in Renaissance Italy, p.167. SF }(Edward Shorter) RRMA ARH IE, UH MOWER, 19M OHKELE LL EKA A 9%, +#] Edward Shorter,The Making of the Modern Family, p.81 Cited in William Manchester,A World Lit Only by Fire, p.68. \ Joan Kelly Gadol,"Did Women Have a Renaissance? " in Becoming Visible:Women in European History.ed.Renate Bridenthal and Claudia Koonz, p.160. 105BA RRENIFL PS: HEME Wy ik % (11 BR BE 2 PR {71 BA BR a RAR AE HE TEA HY A (8) BLE A Re 4 yi ~ ASAE aE As EK PT Hs RS, 4Lit, 3 — RUB ZR 17 teenuth, 4754(Simon Schama) WIE, Je PORE”. 158146, ARE REP ior, peor Tee SR ATITRL , dE APTI BR eB AR De ee a Se BES . I & Be HH] Se: 1a AE, APN JRA, AM BOE. BREA. AIP aeHS RAL, SEMEN CED MAHOMET, BYU HL A , ERE EMB IR We CEM OE BEPLAPT DALAL: 5 SET PEL BE Ce AIMS RE ARAN LAAT AIL i BTR Be LEM FL BS AI TE bel, DAD ti eine sb ATS: FR, AURA LEA — A SELEAT PERI BB AME 4 UAT TARE TEE AA FH AD PSPUAE ie CEN (UL AEA A AIL 4dr I kate. JERSE, AIT SF. 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