Professional Documents
Culture Documents
Renaissance: The Renaissance is a period in Europe, from the 14th to the 17th
century, considered the bridge between the middle Ages and modern history. It started
as a cultural movement in Italy in the Late Medieval period and later spread to the rest
of Europe, marking the beginning of the Early Modern Age.
Renaissance Architecture:
Renaissance architecture is the architecture of the period between the early
15th and early 17th centuries in different regions of Europe, demonstrating a
conscious revival and development of certain elements of ancient
Greek and Roman thought and material culture.
Renaissance architecture followed Gothic architecture and was succeeded
by Baroque architecture. Developed first in Florence, with Filippo Brunelleschi as
one of its innovators.
The style was carried to France, Germany, England, Russia and other parts of
Europe at different dates and with varying degrees of impact.
Renaissance style places emphasis on symmetry, proportion, geometry and the
regularity of parts as they are demonstrated in the architecture of classical
antiquity and in particular ancient Roman architecture.
Orderly arrangements of columns, pilasters and lintels, as well as the use of
semicircular arches, hemispherical domes, niches and aedicule replaced the
more complex proportional systems and irregular profiles of medieval buildings.
Mannerism: Mannerism encompasses a variety of approaches influenced by, and
reacting to, the harmonious ideals associated with artists such as Leonardo da
Vinci, Raphael, and early Michelangelo. Where High Renaissance art emphasizes
proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often
resulting in compositions that are asymmetrical or unnaturally elegant. Mannerism is
notable for its artificial qualities. Mannerism favors compositional tension and instability
rather than the balance.
The Holy Trinity:
The Holy Trinity is a fresco by the Early Italian Renaissance painter Masaccio. It
is located in the Dominican church of Santa Maria Novella, in Florence.
Trinity is noteworthy for its inspiration taken from ancient Roman triumphal
arches and the strict adherence to recently developed perspective techniques
The fresco had a transforming effect on generations of Florentine painters and
visiting artists. The sole figure without a fully realized three-dimensional
occupation of space is the majestic God supporting the Cross, considered an
immeasurable being.
The kneeling patrons represent another important novelty, occupying the viewer's
own space, "in front of" the picture plane, which is represented by the Ionic
columns and the Corinthian pilasters from which the feigned vault appears to
spring; they are depicted in the traditional prayerful pose of donor portraits, but
on the same scale as the central figures, rather than the more usual
'diminuation', and with noteworthy attention to realism and volume.
Church of Milan:
Milan Cathedral is the cathedral church of Milan, Italy dedicated to St Mary of
the Nativity. The Gothic cathedral took nearly six centuries to complete. It is
the 5th-largest church in the world and the second largest in Italy.
The plan consists of a nave with four side-aisles, crossed by a transept and then
followed by choir and apse. The height of the nave is about 45 meters, the
highest Gothic vaults of a complete church.
The roof is open to tourists which allows many a close-up view of some
spectacular sculpture that would otherwise be unappreciated. The roof of the
cathedral is renowned for the forest of openwork pinnacles and spires, set upon
delicate flying buttresses.
The cathedral's five broad naves, divided by 40 pillars, are reflected in the
hierarchic openings of the façade. Even the transepts have aisles.
Palace of Versailles:
The Palace of Versailles, or simply Versailles is a royal château in Versailles It
is also known as the château de Versailles.
The court of Versailles was the center of political power in France from 1682,
when Louis XIV moved from Paris, until the royal family was forced to return to
the capital in October 1789 after the beginning of the French Revolution.
Versailles is therefore famous not only as a building, but as a symbol of the
system of absolute monarchy of the Ancien Régime. This structure consists of:
State Apartments
King's Apartment
King's Private Apartment
Queen's Private Apartment
Chapels of Versailles
Royal Opera
Museum of the History of France
Advent of Steel:
Beginning in the 18th century the Industrial Revolution made fundamental
changes in agriculture, manufacturing, transportation and housing. Architecture
changed in response to the new industrial landscape. The weight of a multistory
building had to be supported principally by the strength of its walls.
Forged iron and milled steel began to replace wood, brick and stone as primary
materials for large buildings.
The mass production of steel was the main driving force behind the ability to
build skyscrapers during the mid-1880s.
Steel framing was set into foundations of reinforced concrete, concrete poured
around a grid of steel rods or other matrices to increase tensile strength in
foundations, columns and vertical slabs.
By assembling a framework of steel girders, architects and builders could
suddenly create tall, slender buildings with a strong steel skeleton. The rest of
the building's elements - the walls, floors, ceilings, and windows were suspended
from the load-bearing steel. This new way of constructing buildings is
called column-frame construction.
The steel weight-bearing frame allowed not just for taller buildings, but much
larger windows, which meant more daylight reaching interior spaces. Interior
walls became thinner creating more usable floor space.
Henry Labrouste:
Henri Labrouste (1801-1875) has long been recognized as one of the most
important architects of 19th century. He studied from École Royale des Beaux-
Arts in 1819.He went on to win the Grand Prix de Rome itself in 1824 with his
design for a Court of Appeals building.
Labrouste moved away from the Romantic school which dominated architectural
thought in the 1830s, instead running his own workshop and instructing students
in the use of new materials, building’s function, and in the art of combining
minimalism with an appreciation for classical ornament.
Labrouste took part in the design of many constructions and buildings, from
hotels to tombs and monuments. However it is undoubtedly for his two
spectacular reading rooms in Paris that Labrouste is most often recognized,
namely the Sainte-Geneviève Library and what is now known as the Salle
Labrouste in the Nationale de France Library.
The innovations of these constructions exist in Labrouste’s use of iron, an
industrial material whose potential for both elegance and functionality is
exemplified in these libraries.
Sainte-Geneviève Library:
Sixteen iron columns running down the center of the room divide this vast interior
into two barrel-vaulted naves
Attention remains on the room’s primary purpose of learning and study.
Remaining focused upon creating an intellectual and stimulating atmosphere,
Labrouste also incorporated gas lighting into the building.
Through such innovations, the Sainte-Geneviève seems to embody Labrouste’s
belief that functionality, when built with artistry, is the most expressive and
beneficial form of decoration.
Great Exhibition London:
The Great Exhibition of the Works of Industry of all Nations or The Great
Exhibition, sometimes referred to as the Crystal Palace Exhibition held
in Hyde Park, London, from 1 May to 11 October 1851.
It was the first in a series of World's Fair exhibitions of culture and industry that
became popular in the 19th century and was a much anticipated event.
The Great Exhibition was organized by Henry Cole and Prince Albert, husband of
the reigning monarch, Queen Victoria.
It was attended by numerous notable figures of the time, including Charles
Darwin, Samuel Colt, members of the Orléanist Royal Family and the
writers Charlotte Brontë, Charles Dickens, Lewis Carroll, George Eliot and Alfred
Tennyson.
A special building, nicknamed The Crystal Palace was built to house the show. It
was designed by Joseph Paxton with support from structural engineer Charles
Fox.
The building was architecturally adventurous, drawing on Paxton's experience
designing greenhouses. It took the form of a massive glass house, 1851 feet long
by 454 feet wide and was constructed from cast iron-frame components
and glass.
From the interior, the building's large size was emphasized with trees and
statues. This served, not only to add beauty to the spectacle, but also to
demonstrate man's triumph over nature.
The building was later moved and re-erected in an enlarged form at Sydenham in
south London, an area that was renamed Crystal Palace. It was destroyed by fire
on 30 November 1936.
It was held during the year of the 100th anniversary of the storming of the
Bastille, an event considered symbolic of the beginning of the French Revolution.
The fair included a reconstruction of the Bastille and its surrounding
neighborhood, but with the interior courtyard covered with a blue ceiling
decorated with fleur-de-lys and used as a ball room and gathering place.
The 1889 Exposition covered a total area of 0.96 km2. It was claimed that the
railway carried 6,342,446 visitors in just six months of operation.
The main symbol of the Fair was the Eiffel Tower, which served as the entrance
arch to the Fair.
The exhibition will be famous for four distinctive features. In the first place, for its
buildings, especially the Eiffel tower and the Machinery Hall; in the second place,
for its Colonial Exhibition, which for the first time brings vividly to the appreciation
of the Frenchmen that they are masters of lands beyond the sea; thirdly, it will be
remembered for its great collection of war material.
Eiffel Tower:
Alexandre Gustave (1832 –1923) was a French civil engineer and architect. A
graduate of the prestigious École Centrale des Arts ET manufactures of. He is
best known for the world-famous Eiffel Tower, built for the 1889 Universal
Exposition in Paris, and his contribution to building the Statue of Liberty in New
York after his retirement from engineering, Eiffel concentrated his energy on
research into meteorology and aerodynamics, making important contributions in
both fields.
The Eiffel Tower is a wrought iron tower on the Champ de Mars in Paris,
France. It is named after the engineer Gustave Eiffel. Constructed in 1889 as the
entrance to the 1889 World's Fair, it was initially criticized by some of France's
leading artists and intellectuals for its design, but has become a global cultural
icon of France The tower is the tallest structure in Paris.
The tower is 324 meters (1,063 ft.) tall about the same height as an 81-storey
building. Its base is square, 125 meters (410 ft.) on a side. During its
construction, the Eiffel Tower surpassed the Washington Monument to become
the tallest man-made structure in the world.
The tower has three levels for visitors, with restaurants on the first and second.
The top level's upper platform is 276 m (906 ft.) above the ground, the highest
accessible to the public in the European Union.
The puddled iron of the Eiffel Tower weighs 7,300 tons, and the entire structure,
including non-metal components, is approximately 10,000 tons.
Ferro Concrete: Concrete reinforced with steel. Ferroconcrete, or ferrocrete, was a
composite building material made from the combination of concrete andiron that was
molecularly bonded to produce a substance with exceptional resistance to wear and
tear. The material was used primarily in the construction of roads and walkways, but
also for reinforced bunkers and building foundations.
Auguste Perret:
Auguste Perret (1874 –1954) was a French architect and a world leader and
specialist in reinforced concrete construction. In 2005, his post-World War
II reconstruction of Le Havre was declared by UNESCO one of the World
Heritage Sites.
Perret worked on a new interpretation of the neo-classical style. He continued to
carry the banner of nineteenth century rationalism after Viollet-le-Duc. His efforts
to utilize historical typologies executed in new materials were largely eclipsed by
the younger media-savvy architect Le Corbusier, Perret's one-time employee,
and his ilk.
From 1940 Perret taught at the École des Beaux-Arts. He won the Royal Gold
Medal in 1948 and the AIA Gold Medal in 1952.
Alliance Square: This square originally called Saint Stanislas Square is part of the
architectural unity commissioned by Stanislas from Emmanuel Héré, to be built on the
site of the Duke's kitchen garden. A baroque fountain by the sculptor Cyfflé, which to
begin with, was meant to stand in the center of the semicircle on Carrière Square was
finally installed here. It is a symbol of the alliance in 1756 between the Austro-
Hungarian Empire and France and is the origin of the name of the square.
Stanislas Square: Considered the most beautiful royal square in Europe and high point
of Nancy’s outstanding collection of 18th century monuments, on UNESCO’s World
Heritage List. A magnificent example of Classical French architecture, built by
Emmanuel Héré, it is surrounded by the wrought-iron worker Jean Lamour’s finely
worked railings with gold highlights. The Square’s majestic fountains are by Barthélemy
Guibal. Famous buildings surrounding the square include the City Hall, the Theatre-
Opera House, and Fine Arts Museum. The magnificent buildings round the square are
classical in style. The City Hall takes up the whole of the south side. The facade above
the main entrance is decorated with the coats of arms of both Stanislas and the town of
Nancy. The present day Grand Hotel and the Opera House stand on the east side.
Victor Horta:
Victor Horta (1861 –1947) was a Belgian architect and designer and he is
known as “the key European Art Nouveau architect." Horta is considered one of
the most important names in Art Nouveau architecture.
With the construction of his Hôtel Tassel in Brussels in 1892-3, he is sometimes
credited as the first to introduce the style to architecture from the decorative arts.
He joined the Department of Architecture at the Royal Academy of Fine Arts in
Ghent. In 1884 Horta won the first Prix Godecharle to be awarded for
Architecture as well as the Grand Prix in architecture on leaving the Royal
Academy.
He focused on the curvature of his designs, believing that the forms he produced
were highly practical and not artistic affectations.
Hôtel Tassel-
The Hotel Tassel is a town house built by Victor Horta in Brussels for the
Belgian scientist and Professor Emile Tassel in 1893–1894. It is generally
considered as the first true Art Nouveau building, because of its highly innovative
plan and its groundbreaking use of materials and decoration.
The first town house built by Victor Horta was the Maison Autrique. This dwelling
was already innovative for its application of a novel 'Art Nouveau' decorative
scheme.
However the floor plan and spatial composition of the Maison Autrique remained
rather traditional. On the deep and narrow building plot the rooms were
organized according to a traditional scheme used in most Belgian town houses at
that time. It consisted of a suite of rooms on the left side of the building plot
flanked by a rather narrow entrance hall with stairs and a corridor that led to a
small garden at the back.
Horta made the maximum of his skills as an interior designer. He designed every
single detail; door handles, woodwork, panels and windows in stained
glass, mosaic flooring and the furnishing. Horta succeeded in integrating the
lavish decoration without masking the general architectural structures.
Hotel Solvay:
The Hôtel Solvay is a large Art Nouveau town house designed by Victor Horta on
the Avenue Louise in Brussels. The house was commissioned by Armand Solvay, the
son of the wealthy Belgian chemist and industrialist Ernest Solvay.
For this wealthy patron Horta could spend a fortune on precious materials and
expensive details. Horta designed every single detail; furniture, carpets, light fittings,
tableware and even the doorbell. He used expensive materials such as marble, onyx,
bronze, tropic woods etc.
For the decoration of the staircase Horta cooperated with the
Belgian pointillist painter Théo van Rysselberghe.
12 Rue de Turin:
True Construction: True construction relates to the term a form of construction which
is something between traditionalist and modernist architecture.
Hendrik Petrus Berlage:
Hendrik Petrus Berlage (1856 –1934) was a prominent Dutch architect.
Berlage was born in Amsterdam. He studied architecture at the Zurich
Institute of Technology between 1875 and 1878 after which he traveled
extensively for 3 years through Europe.
Berlage was influenced by the Neo-Romanesque and of the combination
of structures of iron seen with brick of the Castle of the Three Geckos.
Considered the "Father of Modern architecture" in the Netherlands and the
intermediary between the Traditionalists and the Modernists.
Jachthuis St. Hubertus-
This building is also called Hunting Lodge St. Hubert was in 1914 designed
by architect Hendrik Petrus Berlage.
The whole building is built of brick , inside often glazed , and slate . Berlage
designed not only the building but also the interior. Everything in the interior is
matched: the tiles, lamps, furniture and even the crockery and cutlery are
designed to detail by Berlage.
The tower in the middle of the building is a cross displayed. The large stained-
glass windows in the hall give the story of Hubertus. Lobby, dining room, library
and tea room have different color themes that symbolize the stages in the life of
Hubert.
The building is very luxurious performed. The windows on the ground floor can
sink in their entirety in the basement wall, just like in old trains.
Chicago School:
Chicago's architecture is referred to as the Chicago School. The style is also known
as Commercial style. In the history of architecture, the Chicago School was
a school of architects active in Chicago at the turn of the 20th century.
They were among the first to promote the new technologies of steel-frame construction
in commercial buildings, and developed a spatial aesthetic which co-evolved with
parallel developments in European Modernism.
The Home Insurance Building is generally noted as the first tall building to be supported,
both inside and outside, by a fireproof metal frame. It was constructed in 1884 in Chicago.
William Le Baron Jenney was the architect.
The Chicago Building or Chicago Savings Bank Building was built in 1904-
1905. It is located at 7 W. Madison Street, Chicago.
It was designed by architectural firm Holabird & Roche, it is an early and highly
visible example of the architecture. The building's features characterize this style
through the use of large "Chicago windows", metal frame construction, distinctive
bays, and terra cotta cladding.
The combination of the north side projecting bay windows, and the east side
rectangular "Chicago windows" with movable sashes is representative of the two
typical Chicago school window types.
The building is prominently located on the southwest corner of State Street and
Madison Street, with visibility increased by an offset in the alignment of State
Street. The building was designated a Chicago landmark on March 26, 1996. In
1997, it was converted to a dormitory for the School of the Art Institute of
Chicago.
Louis Sullivan:
Louis Henry Sullivan (September 3, 1856 – April 14, 1924) was
an American architect, and has been called the "father of skyscrapers" and
"father of modernism".
He is considered by many as the creator of the modern skyscraper, was an
influential architect and critic of the Chicago School, was a mentor to Frank Lloyd
Wright, and an inspiration to the Chicago group of architects who have come to
be known as the Prairie School.
He studied at Massachusetts Institute of Technology and École des Beaux-Arts.
Prudential Building, also known as the Guaranty Building and Sullivan Centre are
his famous work.
Organic Architecture: