Professional Documents
Culture Documents
The
Drama Review, 20, 83–94.
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The Semiotics of Theatre and Drama (Administrator)
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BURNS, ELIZABETH (1972) Theatricality: A Study of Conven-tion in the Theatre and in Social
Life. London: Longman.
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BENTLEY, ERIC (ed.) (1968) The Theory of the Modern Stage. Harmondsworth: Penguin.
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ECO, UMBERTO (1976) A Theory of Semiotics. Bloomington: Indiana U.P. (London: Macmillan,
1977.) ECO, UMBERTO (1977) ‘Semiotics of Theatrical Performance’. The Drama Review, 21,
107–17. ECO, UMBERTO (1978) ‘Possible Worlds and Text Pragmatics: Un drame bien parisien’.
In Versus (1978a), 5–72.
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GOFFMAN, ERVING (1959) The Presentation of Self in Everyday Life. New York: Doubleday.
GOFFMAN, ERVING (1961) Encounters. Harmondsworth: Penguin, 1972. GOFFMAN, ERVING
(1967) Interaction Ritual. New York: Doubleday. GOFFMAN, ERVING (1974) Frame Analysis.
Harmondsworth: Penguin. GOFFMAN, ERVING (1975) Replies and Responses. Urbino: Centro di
Semiotica e di Linguistica, Working Papers 46 47.
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The Semiotics of Theatre and Drama (Administrator)
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GREIMAS, A.J. and COURTÈS, J. (1978) Sémiotique: Dictionnaire raisonné et compare. Paris:
Hachette.
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JAKOBSON, ROMAN (1960) ‘Linguistics and Poetics’. In Thomas A.Sebeok (ed.), Style in
Language. Cambridge, Mass.: MIT Press, 355–77. JAKOBSON, ROMAN (1971a) Selected
Writings. II: Word and Language. The Hague: Mouton.
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The Semiotics of Theatre and Drama (Administrator)
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KOTT, JAN (1969) ‘The Icon and the Absurd’. The Drama Review, 14, 17–24.
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KOWZAN, TADEUSZ (1968) (trans.) ‘The Sign in the Theatre’. Diogenes, 61, 52–80.
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KRISTEVA, JULIA (1977) ‘Modern Theater Does Not Take (A) Place’. In Sub-stance (1977), 131–
4.
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MOLES, ABRAHAM (1958) (trans.) Information Theory and Esthetic Perception. Urbana:
University of Illinois Press, 1966.
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MUKAŘOVSKÝ, JAN (1932) (trans.) ‘Standard Language and Poetic Language’. In Garvin
(1964), 17–30.
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OHMANN, RICHARD (1971) ‘Speech, Action and Style’. In Seymour Chatman (ed.), Literary
Style. London: OUP, 241–54.
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PAVIS, PATRICE (1976) Problèmes de sémiologie théâtrale. Quebec: Les Presses de l’Université
du Québec. PAVIS, PATRICE (1978) ‘Remarques sur le discours théâtral’. In Degrés (1978).
PAVIS, PATRICE (1980a) Dictionnaire du Théatre. Paris: Editions Sociales. PAVIS, PATRICE
(1980b) ‘Vers une esthétique de la reception théâtrale’. In V.Bourgy and R.Durand (eds) La Relation
théâtrale. Lille: Presses de L’Université de Lille. PAVIS, PATRICE (1981) ‘Problems of a Semiotics
of Gesture’, in Poetics Today (1981). PEIRCE, CHARLES S. (1931–58) Collected Papers.
Cambridge, Mass.: Harvard U.P.
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REVZINA, O.G., and REVZIN I.I. (1975) ‘A Semiotic Experiment on Stage: The Violation of the
Postulate of Normal Communication as a Dramatic Device’. Semiotica, XIV, 3, 245–68.
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RUNCAN, ANCA (1977) ‘Propositions pour un approche logique du dialogue’. In Versus (1977),
13–26.
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SEARLE, JOHN R. (1969) Speech Acts: An Essay in the Philosophy of Language. Cambridge:
CUP. SEARLE, JOHN R. (ed.) (1971) The Philosophy of Language. London: OUP. SEARLE,
JOHN R. (1975a) ‘Indirect Speech Acts’. In Cole and Morgan (1975), 59–82.
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SOURIAU, ÉTIENNE (1950) Les Deux Cent Mille Situations dramatiques. Paris:
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SZONDI, PETER (1956) Theorie des modernen Dramas. Frankfurt: Suhrkamp Verlag.
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UBERSFELD, ANNE (1977) Lire le théâtre. Paris: Editions Sociales. URMSON, JAMES O.
(1972) ‘Dramatic Representation’ Philosophical Quarterly, 22, 333–43.
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VAN DIJK, TEUN A. (1975) ‘Action, Action Description and Narrative’, New Literary History, 6,
273–94.
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VAN DIJK, TEUN A. (1977) Text and Context: Explorations in the Semantics and Pragmatics of
Discourse. London:
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Versus (1977) 17: Théorie des mondes possibles et sémiotique textuelle. Versus (1978a) 19/20:
Semiotica testuale: mondi possibili e narratività. Versus (1978b) 21: Teatro e semiotica. Versus
(1979) 22: Teatro e comunicazione gestuale.
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