( rt ia : THE AMERICAN INSTITUTE OF ARCHITECTS RAMSEY/SLEEPER ARCHITECTURAL | | STANDARDS ~~ AN ABRIDGMENT OF THE SEVENTH EDITIONEDITORIAL ADVISORY BOARD. Chairmen John R. Hoke, Jr, AIA American Institute of Architects Washington, D.C. Stephen A. Kliment, FAIA John Wiley & Sons, Inc. New York, New York Members Marvin |. Adleman, ASLA Landscape Architecture Program Cornell University Ithaca, New York Joseph W. Albert II, AIA Milwaukee School of Engineering Milwaukee, Wisconsin James Ambrose, RA, PE School of Architecture University of Southern California Los Angeles, California Kurt Brandle, Dr. Ing., AIA College of Architecture and Urban Planning University of Michigan ‘Ann Arbor, Michigan ‘Alan Chimacoff, AIA Principal, The Hillier Group Princeton, New Jersey Former Director, Graduate Program School of Architecture Princeton University Princeton, New Jersey Kent Davidson, AIAS National President American Institute of Architecture Students Washington, D. C. George Dombek School of Architecture Florida A&M University Tallahassee, Florida Sylvan Eldringhoft, ASID, IEMA College of Human Ecology Kansas State University Manhattan, Kansas. Benjamin Evans, FAIA, FIES College of Architecturé and Urban Studies Virginia Polytechnic institute Blacksburg, Virginia Gilbert M. Glaubinger, AIA Gilbert M. Glaubinger, Architects Fairfax City, Virginia Anthony Johns Department of Built Environmental Studies ‘Morgan State University, Baltimore, Maryland Edgar A. Lebert Department of Architecture University of Washington Seaitle, Washington Ralph W. Liebing, RA, CPCA Building Commissioner, Hamilton County Cincinnati, Ohio Vivian Lofiness Department of Architecture Camegie-Mellon University Pitsburgh, Pennsylvania Richard Peters, FAIA Department of Architecture University of California, Berkeley Berkeley, California James €. Ruddock Onondaga Community College Syracuse, New York Ronald C. Stein Grand Rapids Junior College Grand Rapids, Michigan David W. Tobias, AIA Vice President of Academic Affairs Boston Architectural Center Boston, Massachusetts Craig R. Weber Queensborough Community College Bayside, New York Wilbur E. Yoder, AIA Rhode Island School of Design Providence, Rhode IslandTHE AMERICAN INSTITUTE OF ARCHITECTS RAMSEY/SLEEPER ARCHITECTURAL STANDARDS STUDENT EDITION ABRIDGED FROM THE SEVENTH EDITION ROBERT T. PACKARD, AIA SEVENTH EDITION EDITOR STEPHEN A. KLIMENT, FAIA STUDENT EDITION EDITOR JOHN WILEY & SONS NEW YORK CHICHESTER BRISBANE TORONTO — SINGAPORE WILEY| | } | This Student Edition was abridged from the Seventh Editon of Architectural Graphic Standards. The drawings, tables, data, and other information inthis book have been obtained from many sources, Including government organization rade ars: lations, supplies ef building materials and professional architects or arch {ectural firms. The American Insitute of Architects (AIA, the Architectural Graphic Standards Commitee of the AIA, and the publisher have meds {very reasonable efor to make this reference work accurate and authoritative, but lo not warrant, and assume no ibility fo, the accuracy or completes, ofthe text or its fitness fr any particular purpose. i the responsiblity af set apply ther professional knowledge inthe use of information conta inthis book, to consult the original sources for additonal information fen aporopriate, and If they themselves are not professional architects to cence an architect when appropriate Copyright © 1989 by John Wiley & Sons, Ine: All rights reserved. Published simultaneously in Canada, Reprociction or translation of any part of this work beyond that permite by Section 107 of 108 of the 1976 United States Copyright Act wheat te Permission of the copytight owner Is unlawful. Requests lor permsson on {further information should be addressed othe Permissions Department, john Wiley & Sons, Ine. brary of Congress Cataloging in Publication Data: Ramsey, Charles Goorge, 1964-1963. Architectural gaphic standards), Ramsey/leeper architectural graphic standards Robot T, Packard, 7th edition editor —Student ed. abridged fom the 70h 0./Stephen A. Kliment, student edition editor Pom. ‘At head of tiles The American Institute of Architects. Bistography:p, Includes index ISBN 0-471-62060-2 (pbk 1. Building Details—Drawings. |. Sleeper, Harold Reeve, 1893-1960. “I, Packard, Rober T. Il Kliment, Stephen A 1. American Istiute of Architects V. Title TH2301-R36 1989) 8.26053, 721'.022'2—de19 cP Printed in the United States of America 10987654321GENERAL PLANNING AND DESIGN DATA Design Elements 2 Recreation 21 Transportation 35 Environmental Factors 49 SITEWORK Land Planning and Site Development 64 Site Development 92 Paying and Surfacing 95 Site Improvements 98 Playground Equipment Landscaping 103 Walls and Fences 107 Fire Protection 111 Marine Work 112 102 CONCRETE Concrete Formwork Cast-n-Place Concrete Concrete Reinforcement 120 Concrete Foundations 122 Expansion and Construction Joints Precast Concrete 124 Architectural Concrete 132 4 7 123 MASONRY Masonry Accessories Unit Masonry 138 Stone 150 Arches 160 Fireplaces 161 136 CONTENTS ow 83 @ 113 7 135 METALS General Information 166 Structural Metal Framing Metal Joists 170 Metal Decking 172 Lightgauge Metal Framing Metal Fabrication 176 165 169 174 WOOD Modular Planning, Insulation 182 Wood Trusses 183 Light Wood Framing, Rough Carpentry 196 Heavy Timber 201 Prefabricated Structural Wood Finish Carpentry 209 Architectural Woodwork 213 180 181 186 207 THERMAL AND MOISTURE PROTECTION Roofing Systems 216 Metal Roofing 219 Roof Specialties 223 Preformed Wall and Roof Panels Shingles and Roofing Tiles 233 Cladding and Siding 237 : ‘Asphalt and Composition Shingles | 239 Flashing 240 i Roof Accessories Insulation 251 Waterproofing Systems Sealants 256 215 229 249 253vi Contents © DOORS AND WINDOWS 259-13. SPECIAL CONSTRUCTION 369 Entrances and Storefronts 260 Design Elements 370 Glazing 264 Air Supported Structures 376 Hardware 266 Underground Structures 377 Metal Doors 272 Integrated Assemblies 378 Metal Windows 281 Special Purpose Rooms 380 Special Doors 287 Seismic Design 382 Window Walls 289 Prefabricated Buildings 386 Wood Doors anc! Windows 293 a i ‘14 CONVEYING SYSTEMS 387 3 FINISHES 299 Elevators 388 Gypsum Wallboard 300 Moving Stairs and Walks 394 Lath and Plaster 306 Tile 312 Terazzo 313 p Acoustical Treatment 314 ‘15 MECHANICAL 395 Finish Flooring 317, Plumbing 396 Wood Flooring 320 Plumbing Fixtures 403 Wall Coverings 321 Fite Protection 406 HVAC 407 Air Distribution 416 SPECIALTIES 322 Compartments and Cubicles 323 @ Flagpoles 325 ‘IG ELECTRICAL 422 Identifying Devices * 326 Materials and Methods 423 Lockers 327 Service and Distribution 425 Panitions 328 Communications 430 Pedestrian Control 329 Lighting 434 Postal Specialties 330 Special Systems 440 Access Floors 332 Storage Shelving 333 Louvers 334 : Toilet and Bath Accessories 335 ‘17 METRIC (SI) UNITS IN Wardrobe Specialties 337 DESIGN AND CONSTRUCTION 443 General information 444 11 EQUIPMENT 339 Metric Dimensions 451 Athletic Equipment 340 ons cling 455) Ecclesiastical Equipment 341 Mesic Conversion Tebicsia450) Laundry Equipment 342 Library Equipment 343 Residential Equipment 345 APPENDIX 466 Economic Factors 467 Standards 469 12 FURNISHINGS 349 Drafting Techniques 473 Cabinets and Storage 350 Building Accessories 352 Furniture 353, Graphic Methods 477 Mathematical Data 487 INDEX 491Jn the fall of 1932, the lowest point of the Great Depression, 1 joined the House of Wiley and soon learned that there had been published in May a promising new book. Martin Matheson, then Manager of Marketing, had persuaded Charles George Ramsey, AIA, author of an earlier Wiley textbook, and his younger col- league, Harold Reeve Sleeper, FAIA, to develop their ideas and prepare the plates for what became Architectural Graphic Stan- dards. Subsequently, Matheson directed the design and layout of the book and personally oversaw is production and manufacture. ‘The immediate acceptance and success of Architectural Graphic Standards extended fae beyond its anticipated audience of archi. tects, builders, draftsmen, engineers, and students, Interior design «ers, realestate agents and brokers, homeowners, insurance under- writers, and lovers of fine books are all among its known users and admirers. Soon after the publication of Architectural Graphic Standards suggestions and requests came from many enthusiastic readers, which called for changes and additions. Inevitably, the decision ‘was made to publish a second edition which was almost 25, percent larger. It appeared in 1936, a short time after the first Recovery from the Great Depression had begun when the second PUBLISHER’S NOTE edition came out, and the demand for Architectural Graphic Stan- dards increased. To serve its users’ growing needs work soon began on a third edition which, when published in 1941, was almost twice as large as the original edition. Further editions were released, refiecting new materials, new design approaches, and new construction methods. All this led to dramatic increases in the bulk of the book. But as bulk grew, so did price—to the point that most students could no longer afford to have their own copy until alter graduation. John Wiley &,Sons recognized this, and realizing thatthe full proiessional edition had much init that was not essential tothe typical studio, drafting, and related courses, decided to produce 2 special edition for students, one which would provide vital information, ata price students could afford, Here is the result of that effort. | am confident it will meet students’ demands and greatly increase the already large family of friends and users of Ramsey & Sleeper’s great work W. BRADFORD WILEY Chairman John Wiley & Sons, Inc.Architectural Graphic Standards stands today at the pinnacle of the architects relerence world. Harnessed by the American Insti- tute of Architects, hundreds of architectural and consulting firms have contributed their wealth of experience—sharing plans, sec tions, details, knowledge of new and traditional materials, and how they come together ina building—by means of painstakingly prepared drawings that are reproduced in this book. ‘When Architectural Graphie Standards first appeared in 1932, it comprised a slim 233 pages. It was the work ofa single architec tural ofice. Four years later, a second edition was published, with 25 percent more material. Following the end of World War 11, the suppressed demand for building exploded, and along with itcame a great surge of new matecals, new products, new methods for designing buildings, and new techniques for erecting them. “Architectural Graphic Standards became part of this surge. In 1951, by then in its fourth edition, the book had 614 pages, ‘emerging as an inseparable companion to architects in the United States and throughout the world. ‘Although Architectural Graphic Standards was designed princi- pally asa too! for practicing architects, it also gained wide accep- tance in schools of architecture over the course of its first six editions. By the time, however, that the 785-page seventh edition was published in 1981, cost pressures had pushed the price out of the range of most students. Knowing that there was no substitute, students made do as best they Could—lining up forthe few copies (on library reserve; finding dog-eared, cannibalized copies handed down through generations of students; or investing in their own, copy atthe expense of three square meals or that important struc tures text, John Wiley & Sons and the American Institute of Architects have always Viewed their purpose as filing the needs of students, ‘as well as professionals and became concerned about the growing difficulty students had in gaining access to this important work Wiley and the AIA therefore decided to publish an abridged, less expensive edition uniquely for students, while preserving as uch of the most relevant content as possible. SCerentel bss waka ic in slit could go. To identify what material should be retained, wwe set suidelines for sélecting it and chose who should apply those guidelines. This process took three stages. The first stage was at the 1907 “Grassroots” convocation of chapter leaders of the American Institute of Architecture Students (AIAS)—a forurm at which we listened to students’ concerns and ideas about Graphic Standards. Stage two was a broad-based, highly structured, written survey of architecture school faculty. A total of 277 professors responded PREFACE to a detailed eight-page questionnaire which sought answers to such questions asthe current use, classroom assignment and own ership of Graphic Standards, andthe ranking of contents by degree of importance to each surveyed professors course. The survey revealed a definite scale of usefulness ofthe full edition in the Schools. General planningiesign and sitework ranked first, fol- lowed closely by the major materils—wood, masonry, concrete, and metals, At the lower end of the scale were such items as equipment, electrical, special construction, and conveying 5)3- tems tn Sage thee, we invited a select Editorial Advisory Board to make specific page-by-page recommendations. The board was chosen to fellect a wide range of interess—large schools and small ones; two-year technical colleges and four-year land more) professional schools; teachers and students; design versus techn- ‘al emphasis; west, east, north, and south. Many of the board's members were chosen from the group which had taken part in the earlier survey. Each member identified those pages he or she felt should be retained, and those which could be omited ‘without jeopardizing the book’ value tothe student. The gue- lines we offered the board were these: 1. Is the material required for design studio drawing of site plans, buildings, and interiors? 2, Is the material required for drafting construction details and {or learning drafting conventions and symbols? 3. Is the material easily accessible in library reference books (or course texts? 4, All else being equal, preserve glaphic material over text and tables John Ray Hoke, Jr, AIA, publisher of the American Institute fof Architects Press, and I chaired the Editorial Advisory Board, |Aswe tabulated board members’ individual preferences, we foun te our satisfaction a remarkable degree of consensus, ‘Moreover, many on the board—which took its assignment very serioushh—volunteeced comments, and | want to share some of these with you: To meet students’ need for in-depth materials, steer them to supplementary sources found in any schoo! library. For exam- ple: Mechanical and Electrical Equioment for Buildings, by Stein, Reynolds, and MeGuiness; the materials design handbooks pub= lished by the American Institute of Steel Construction, the Amer= ‘can Institute of Timber Construction, the American Concrete Insti= tute, the Brick Insitute of America, and others; the general edition ‘of Architectural Graphic Standards; key building codes; andPreface the Parkar”Ambrose series, especially Simplified Engineering for Architects and Builders —Create a ready reference, not a comprehensive encyclopedic Focus on the visual elements. AllofusatJohn Wiley andat the American Insttteof Architects hope students will prize this unique edition, It is designed to provide that facial basis for solving design problems which is the estential stock-in-vade ofa good professional ‘Numerous people contributed to this Student Edition. On the Wiley side, Caro! Beasley, publisher, championed the idea early, conceived and organized the broad-based survey of faculty mem- bers, encouraged input from student leaders, and successfully enlisted the suppor of John Wiley’ top management to invest Inthe project; Robert | Fletcher, general manager of production, took this book on as 2 special, personal project; Lisa Culhane and julie Harington understood that without good market= there ate no customers, Many others provided valuable sup- 5 STEPHEN A. KUIMENT, FAIA, Editor John Wiley & Sons, In.2 Anthropometric Data INTRODUCTION To. Thastren om wwe emer ete a ae ne ll: 2% ANTHROPOMETRIC DATA, erator et Sheena eho oper or Si coc, ‘be nae the ite = ie than mapas ee pee aa SAFETY INFORMATION ie Rearcencenny sn wl neve of a tnt ga Baca eponsee Seearn oT uf cath Se ae 1 DESIGN ELEMENTSAnthropometric Data. 3 DESIGN ELEMENTS 14 Work Stations: Standing 1 DESIGN ELEMENTSWork Stations: Seated 5 DESIGN ELEMENTS 1Space Usage DESIGN ELEMENTS ‘1 DESIGN ELEMENTSVertical Movement 9 SON? EG \ XE 504 yr Se \ <) od \\, \ DESIGN ELEMENTS10 Furniture Arrangements BED sizes Sales = wr Dost ed ee 2 an FREES. RECTANGULAR TABLES (IN) SQUARE TABLES UN) ROUND TABLES (IN) za] 4 30x30] 9 20 2 af 4 z Fz} os Ex sxe 7 a Tae 2 EE sor] 8 | a no 2 @ 5 z ere tes te a = Fe 2 ,Oe 4D ret "OD &#Get Pe LER. eS te CVNG-ROGH FURNITURE 1 DESIGN ELEMENTSResident 11 [Fae Ste | enecr oven] | _ 4 H eo a “Reese Fee a [esi Ser | susie ‘esone si i | ft oak acer NOTE Conor Sot ig an wth atone crores Shi cing ti fon wc ie i H Stands andtypeol wack wil eactaee of sexe | [1] H i a fay |e ' ee fl | al " me — HINGED DOORS HINGED 0 a nores RESIDENTIAL STORAGE 1. No close biol door shouts oxen 2 1 pan Lgest'door stack'n pocket and sing coors ae SHELVING Stnderd sheng sac re 6, 8,10, and 12 athough shelving upto 18 In dap ied {oy last shoving. Showing may eather ta oF estab 2 All lose doors shout allow easy sees to tp ‘eter 2. Doors for child's closet cn be wed attack oor, cholkbourds, oF miro 4. Consider uso ‘of hina dors for stra fitings DRAWERS Typ dances ara from, 16 t0 28 in Soop 12 to 3 nme, are 215 Bin dam orc ‘tee bul ia canewore wns my be ot, Sonsier 3 ‘natal or mole paste, 5. Walcinelowats should propel vented anit a CABINETS AND CUPBOARDS Cabinets may bo bult 8. Fle an st ih wc adept ws Sian ete onbetoon vin heen 7, canna of slost varie with door yoo ake a AD nwa er wet, and may Be ited th Figne nol doorealow is%mmnmumotcnt SECTION saren Storr, gs an sll an er rs {o be cuore! at one, pocet sides 100% slain —-«GMELVES WITH SHOE RACKS UNDER. eos SB red Ng dars slowing Wy hinged Wa hung eases uss are 2 CLOSETS Standard closet depth is 24 t9 3D in. for SSF a ‘Sting and 16 020, ones 282. BOXES Clos storage ftings sith a owes an Sarena cov be use or pplementl or escns STORAGE REQUIREMENTS BEDROOM Allow 4 19 6 ft of hanging soace ase Parson, Slim 12'n. of hanging space tor € aut, 12 ‘itr sess or 8 pars oF pm InGetoet wit 129 18 1 dee Seles Supplement orgy nino shoe ay be ae BATHROOMS & mirord wall eabinet to in dees istypielbehvoom storoe,sopenenta by pace or plo of soup, toothpaste a oe oletes GARDEN AND AUTOMOTIVE SUPPLIES Typically nage or ore sn ure for serdon, automat fone, and outdoor tumurn “Sheds shoud be [oeked forconvenan a RSE. ‘oes Senabioin moet eee of te cousty q in peer LEANING EQUIPMENT lot eat 249 ie ‘shel KITCHEN/DINING See pages on itein planing for fecommendatorns = " ositen | ee Sree eau eed am mes seer Sethe ceaete aia nee ane Ta Bon Sed Spun Jc: Hug ie, FAIA Wate, 2 DESIGN ELEMENTS 112 Residential Kitchens KITCHEN SPACE PLANNING See Sprott lon een tee, A all atta ce sg re = ence Eaten) ane Tela shy no tote we []-Cee [eo Balrd} | i aoe Se] fj PB L Be én & le fel Dor . ae Oo tote [— leo] ecleol zero ] af ot fo a [ pet jo +e! 0 q esl Io Dee ii zat "+ oy co 22 5 1, or anipmen at hoe, eet Vela, Jeo wo vous), P80 oem so srr ce DESIGN ELEMENTSResidential Kitchens 13 KITCHEN WORK CENTERS 2 residential Kitchen may be corscered in trms of the items tht are most wed inconnetion wih exch the ther two contr, I is rsommended, therfore Ghee intconnected ware contara Ay Band Cy of ante {har thes ener ination be convania tach of ‘tome nt Each oncompanae 2 aint pha of : the other ay betwen thems The etigerear BREE eyed seoe sould be rented for The function of the sink cantar are most common to tanta bat Tocntedmeor the eiry apd the one Ear na he dring se REFRIGERATOR CENTER SINK CENTER RANGE CENTER [RECEIVING AND FOOD PREPARATION) {F000 PREPARATION, CLEANING, AND [eOOKING AND SERVING) Pree sr for mir ang ining bowls; ctr CLEANUP Provide song ter pot, potholdes, tying pars ote tat tans ade Sole ed pn tes, Prove sore or weryaay ds, nar, reer, cokig tn gly cone Senin Sisal gea nits coved wom, Seay Sates tae; Selo Sen ron 9a Sant and mlarean tere ES Usistgrie Sree sat nt dnran, “TMP Sit an Sipe RE tos one etna boricon inte dor under enced sin. a go 4 { jes toh t jO O} L108 ° 2 Ted at ot 2 2m o-a8' a2 0 1" iar cosy i tom sos otk, expo enapmat rig sn nea tongue Ly Ld 3 ee nt jean eesn the ene of he = 4 minimum = 16° mira tw er ato bre te fen unttarne nd twtumetthe Ds ‘Garen Cutout cane ofthe ~ ewan rtveen thie of chip ener of eval aan acd a ang KITCHENS FOR THE HANDICAPPED counter, ns pesto avoid ald Provide cook: a 4 Bn, dame wil commas fur weschair Boe ka aed corres Raph Sh 3) onl o Wort ty meld ee avon farts Ini ay be ard 36m splot worst love shuld prety be v0 at Storage concerations tor the wheat bike sede 01093, Opon at ozn nec" open onan door 2 7 in to fst Side fac of abou for Dos par an ven ote nator ccarcse anus bya inom ofr athowah unt Veta eee a ahi i fe ste rangi, Seeotn none feorng wequred, th meer on bottom ate‘ccabe, Ohtwaters ood ht gud ether be ou of fach of wh indootoudoor cupet i prefered, tut ofeait wo oUF Be font ond, ‘Bar ate! Rar sawing mourtod te the bck af tesco Ooo ee ‘sey eoewor te Roundtable ith deta bate ae prefered. 4 Soorsin eatin east provides asus gE ecapebia Kees” opece i neceaty under snk ameter wi "ssammagat two wheecha uses; for food an ions 6 Foe, AS Hug oben, FAIA Wann. DESIGN ELEMENTS 114 Residential Laundries y [83] oo 3 sano 4 [6 8 OO + LAUNDRIES FoR THE HANDICAPPED. 1 DESIGN ELEMENTSResidential Bathrooms 15 ES AND CLEARANCES Wario [27 ae a 1 a B Baer Ea ww 7 % @ © w Teor i Fa w e = Brower a oe 38 = Gi = Ta 0" a = w r oy z = iterate! | (ands) isan) Tub aware) | a z r a ot alt oe + Sever aoe, Sorel sar eS : dol] a Under ink Insulate pipes to DESIGN ELEMENTS ‘116 Counters and Seating AVERAGE CAPACITIES PER PERSON Toner 1 Galera 12.15 “Terao [one ‘Limetroprfeoies ap | a-18 Tn | Alcor ining eos ‘iano, Re rinse cee oh eateaureerts may arom adnied spectre GENERAL DESIGN CRITERIA 1 Sar sang 66 i, minimum prween ble, Bin adr we TI ae 2, Digora sting 38m mim tae cts 3. a stn 30" ar Se wal and Alter aero dona od enone) 9 ° © 200000000 Be |zare Sp abo ig ate a se at freer ema = = ? d oo0c00a0g a 7 a eustz = | oes = o r mean 9} qt ‘A Seat back wo setback: 8-0" t9 8:2" di oo lo Sosa * Poem aerate an ji@ 2 e Ruemecdrenivmmgncemimse. O° ) lo o ° ° ‘oO - eet Bist ‘Bound tables are usually recommended anly for searing on” ar Ebenare or more a Gece ee mene Fore 7 I DOSOGOG000000 than Tor fae nie th wlenpend bana 9 me Fleverion, ih fh dh SES hc aa Saale “al and srangumet ated by the typeof Ste btarg ars. Sui ern sande i Car ts Rave ee Same oS 1 DESIGN ELEMENTS.Theater Design Criteria. 17 ‘THEATER DESIGN CRITERIA The phonon of seating ass in poses of aseriy ‘ould ile the fallownycorsrtians FICIENCY, The floor are effcincy in equa per te function of te row spacing, the erage char wsth"and the Sea location Dot Feat rain See towing pens or uthor dco: ono hese fotors, tery IF wr Tt F isa ie venere = average sat with Cn) "+ row terow spain ad) fn) 1 vera gale with Un) (2 with Siypeal ive terave number of Sets arom pet fine sles or Tewer-int tent leyaut to 16 Sorseove wares a wereR BOARD. aa = s = aif POSSE Lane gle IMETER BOARD. — TP Siidene— eee late a a 25 — te - li waren Levet 2-ef fh ; error nor ever FIN 12! LONGITUDINAL SECTION, 25 YARD POOL Swimming poo! eansity requirements vary fom one leaity to enothe: fuggened by the American Public Health Assocation chook loca regulations. The following is BENSeiiMWERS —— pomuuta ZONE “AY ving ares dtined by 104 radius fom ding board or platform, SeRerion 12 avers per boaté; 23 in mater, the res on sor. Or allow 300 2 fof poo! water surface per bos Swimming att: 28 ta , per svimenee Based on voluro isplaced by each Srimme [4S square of verge ht) and adjated by the samber of simmers (ing poo! at ane fine, (23 total swimmers. Nonswirmer wee, 10. f. per peron. Based on volume dislced by peOn [0/2 aren allowed per swimmer) an adjusted by number not using weter-50% Tin some pools with lige number of aonswinmets, lige may be a high 9s 75% H 2 x Oro PUBLIC SWIMMING POOL CAPACITY : RECREATION34 50 Meter Competitive Swimming Pool |eit Vehicles 35 (GENERAL NOTE Each DESIGN VEMICLE in Groups| and re $erTutensns For aurkingpurpons, both compact sea dat es weirs Group Turn endont 8, RisandCareshown on pege 52 DESIGN VEHICLE —— Fes gett ige et| + [os w Men ei" iu v Heer ats ss ahi Eeben tee ihe Whine Fe BF Stemang one £8 Se Surana ae 8 Swany saa ey: $ oe ey Leg ie ie ee t @ Mia Whevbaw 10-0" Be hse ont oe Om Svan ar es 88 Semon ses a3 : Fx 0" Eta er ‘ie ea: a the rae Bp a 8 OF gwen wont B0 a Shey ar ee 98 Svoherg Se oe & oa oe LARGE VEHICLE DIMENSIONS* vanes tanera tw] wipte!_ {0} OVERHANS REAR ite or =o ca Poe eeeeLeneee---e--eee-eCCEEECELUH ee eo wou TSEC Seale Se , a ee Raced v0 eer 4 i a oe Bion BP Sretats one es Seni ee Se Suurang er ae ore BE 8 Overeng sce os Bimeuee eg P van ea “Erato rg CaS AY VN i TRANSPORTATION36 Miscellaneous Vehicle Dimensions 1 TRANSPORTATIONab ce $2 Residential Garages and Carports 37 | \ \ V ae] op ace fang eae t = facet scene q Q [ecormas.ontel rfenmecmecl | g-sm TWO-CAR GARAGE ONE-GAR GARAGE, NOTES: Gans my be eu 0 pri, et ‘bewwan al wats an oe vil lo to prone ‘Sia aectpetorshy aint ay (EEE EEE — Se Nous voor verona C A cassigegreme BATEKE eere- Two es t COMPACT Gan GARAGE 1:12" te 9" necesmry fram top of pening to een al sling dors ‘SLIDING DOORS op BMY OPENING NOTE: For multiple a eit hinged door, srgag 10 one or both sds, hinged in or out and ed for er more eas 62" to” nacaery fom top of opening Yo celia. HINGES DOORS WIDTHS OF GARAGE HINGED DOORS, rg eo [re | a0 wa ae eee oo we | vo") 2a" ay i UiFT BOORS-MOST WIDELY USED -AUTOMATIC OPTIONAL a k ime: 66", 6 10", 70", 76" a 8 Unter pomty 4'"0° waesnihcsometins #6" er 3-0" Pow de ALAS HUGH sa FAVA Wann, oe IL eron TRANSPORTATION38 Driveways me Deas & Orme i Oho ree | so] we pro] we Vimo aee Tae Tao Tae 1 TRANSPORTATION