Hempel's Decorative Manual

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HEMPEL Code of Practice HEMPEL Code of Practice
HEMPEL's Protective & Decorative Paints

Code of Practice No. 96.02 Surface Preparation of Concrete
Surface preparation of concrete

Summary of surface preparation of dust and other loosely adhering solid Sealing and filing
concrete: contaminants. Major imper fections in the concrete
• A description on how to prepare a must be repaired with concrete or with
concrete surface prior to the appli- Vacuum clean with a heavy duty type cement mor tar. Minor imper fections,
cation of decorative coatings industrial vacuum cleaner to provide an cracks and crevices may be repaired with
• Adequate and proper surface prepa- essentially dust-free surface. water-borne or solvent-borne fillers. Full
ration of concrete is directly related skim coats of filler may be applied to
to the service life of any coating sys- Sur face Preparation of smooth- smooth the surface. Only one full coat
tem applied on top of the concrete poured Concrete of filler should be specified since the
By broom cleaning, vacuum cleaning, air filler constitutes the weakest part of the
This code of practice deals with the fol- blast cleaning, water cleaning and steam paint system. Application of primer/seal-
lowing types of concrete: cleaning. Broom cleaning consist of ers before and after application of filler
• cementitious fibre boards sweeping the surface with a clean in- is essential to ensure good intercoat
• Smooth-poured concrete dustrial stiff bristled broom or similar. adhesion. In principle clear sealers have
Sweepings must be removed from the better penetration and dust binding prop-
The following international standards are immediate work area. erties than pigmented sealers.
referred to:
• ASTM D 4258-83 Standard Practice Vacuum cleaning with heavy duty type Surface Preparation of Previously
for Sur face Cleaning Concrete for of equipment is recommended to pro- Coated Concrete:
Coating vide a dust-free surface. High pressure fresh water washing is
• ASTM D 4259-88 Standard Practice recommended to remove loosely adher-
for Abrading Concrete Air blast cleaning is cleaning the surface ing paint, dust and other surface con-
• ASTM D 4263-83 Standard Test with a compressed air stream through taminants. Detergent may be added to
Method for Indicating Moisture in Con- a blasting nozzle held about 0.5 metre the water to remove grease. Rinse with
crete by the Plastic Sheet Method from the surface. It is intended to re- fresh water if detergent has been used.
move debris, dust, dirt, loosely adher- Hard scraping and grinding may be re-
New concrete ing laitance and concrete from walls and quired to remove old non-adhering paint.
Before sur face preparation can take ceilings and to provide a dust-free sur- Major imper fections in the concrete
place the concrete must be fully cured. face. must be repaired with concrete or with
This takes 28 days at 20 deg. C for nor- cement mortar. Apply one coat of primer
mal Portland Cement and 14 days at Water cleaning is intended to remove sealer compatible with the old paint sys-
20 deg. C for rapidly hardening Portland dust, dirt and water soluble surface con- tem. If lifting of the edges is observed
cement. At higher temperatures curing taminants. Use a stream of clean fresh after application of a primer/sealer, fur-
membranes such as wax emulsions are water and scrub with a stiff-bristled ther scraping is necessary, or perhaps
used to retard the evaporation of water brush. Steam cleaning is intended for the entire paint system must be re-
so as to ensure complete curing of the removal of heavy deposits of oil and moved. Minor imperfections, cracks and
concrete. The water content of the con- grease. crevices may be repaired with water-
crete should be 4% w/w or less prior to borne or solvent-borne fillers.
the application of coatings. The tensile Steam cleaning consists of cleaning the
strength of the concrete should be mini- sur face with a jet of high pressure
mum 1.2 MN/m2 (174psi) for the ap- steam, sufficient to remove contami-
plication of decorative coatings in light- nants. Detergents may be added to the
duty ser vice. water where required for the removal of
oil and grease.
Surface preparation of cementitous
fibre boards Acceptance: The surfaces shall be free
Broom clean with a clean industrial stiff- of oil, grease, loosely adhering concrete
bristled broom to remove most surface and other contaminants.
Note: This code should not be used without reference to the relevant Product Data -sheet and
Material Safety Data Sheet, copies of which are available from HEMPEL upon request
Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/015/30/HEMPEL In-house/KLS Digital
Code of Practice 1 Code of Practice 2


Code of Practice No. 96.02 Surface Preparation of Concrete
Surface preparation of concrete

Summary of surface preparation of dust and other loosely adhering solid Sealing and filing
concrete: contaminants. Major imper fections in the concrete
• A description on how to prepare a must be repaired with concrete or with
concrete surface prior to the appli- Vacuum clean with a heavy duty type cement mor tar. Minor imper fections,
cation of decorative coatings industrial vacuum cleaner to provide an cracks and crevices may be repaired with
• Adequate and proper surface prepa- essentially dust-free surface. water-borne or solvent-borne fillers. Full
ration of concrete is directly related skim coats of filler may be applied to
to the service life of any coating sys- Sur face Preparation of smooth- smooth the surface. Only one full coat
tem applied on top of the concrete poured Concrete of filler should be specified since the
By broom cleaning, vacuum cleaning, air filler constitutes the weakest part of the
This code of practice deals with the fol- blast cleaning, water cleaning and steam paint system. Application of primer/seal-
lowing types of concrete: cleaning. Broom cleaning consist of ers before and after application of filler
• cementitious fibre boards sweeping the surface with a clean in- is essential to ensure good intercoat
• Smooth-poured concrete dustrial stiff bristled broom or similar. adhesion. In principle clear sealers have
Sweepings must be removed from the better penetration and dust binding prop-
The following international standards are immediate work area. erties than pigmented sealers.
referred to:
• ASTM D 4258-83 Standard Practice Vacuum cleaning with heavy duty type Surface Preparation of Previously
for Sur face Cleaning Concrete for of equipment is recommended to pro- Coated Concrete:
Coating vide a dust-free surface. High pressure fresh water washing is
• ASTM D 4259-88 Standard Practice recommended to remove loosely adher-
for Abrading Concrete Air blast cleaning is cleaning the surface ing paint, dust and other surface con-
• ASTM D 4263-83 Standard Test with a compressed air stream through taminants. Detergent may be added to
Method for Indicating Moisture in Con- a blasting nozzle held about 0.5 metre the water to remove grease. Rinse with
crete by the Plastic Sheet Method from the surface. It is intended to re- fresh water if detergent has been used.
move debris, dust, dirt, loosely adher- Hard scraping and grinding may be re-
New concrete ing laitance and concrete from walls and quired to remove old non-adhering paint.
Before sur face preparation can take ceilings and to provide a dust-free sur- Major imper fections in the concrete
place the concrete must be fully cured. face. must be repaired with concrete or with
This takes 28 days at 20 deg. C for nor- cement mortar. Apply one coat of primer
mal Portland Cement and 14 days at Water cleaning is intended to remove sealer compatible with the old paint sys-
20 deg. C for rapidly hardening Portland dust, dirt and water soluble surface con- tem. If lifting of the edges is observed
cement. At higher temperatures curing taminants. Use a stream of clean fresh after application of a primer/sealer, fur-
membranes such as wax emulsions are water and scrub with a stiff-bristled ther scraping is necessary, or perhaps
used to retard the evaporation of water brush. Steam cleaning is intended for the entire paint system must be re-
so as to ensure complete curing of the removal of heavy deposits of oil and moved. Minor imperfections, cracks and
concrete. The water content of the con- grease. crevices may be repaired with water-
crete should be 4% w/w or less prior to borne or solvent-borne fillers.
the application of coatings. The tensile Steam cleaning consists of cleaning the
strength of the concrete should be mini- sur face with a jet of high pressure
mum 1.2 MN/m2 (174psi) for the ap- steam, sufficient to remove contami-
plication of decorative coatings in light- nants. Detergents may be added to the
duty ser vice. water where required for the removal of
oil and grease.
Surface preparation of cementitous
fibre boards Acceptance: The surfaces shall be free
Broom clean with a clean industrial stiff- of oil, grease, loosely adhering concrete
bristled broom to remove most surface and other contaminants.
Note: This code should not be used without reference to the relevant Product Data -sheet and
Material Safety Data Sheet, copies of which are available from HEMPEL upon request

HEMPEL’s Protective & Decorative Paints

Code of Practice No. 96.03 Surface preparation - wood
Surface preparation - wood

Summary of surface preparation - Woodwork previously treated Paint systems
wood: If the existing varnish/paint is adhering
• Bare wood: Round off edges. Sand well then the following surface prepara- Wood penetrants
paper to smooth surface; dust off. tion is recommended: Will penetrate and impregnate the surface of the wood and make a good key for
Seal knots, wipe oily spots with sol- subsequent coats.
vent. Wash thoroughly with a suitable deter-
• Primed/varnished/painted wood in gent to remove contaminants. Please Woodstains
good condition: Wash down with a note that oil and grease can be difficult These systems will impregnate and colour the top 1-3 mm of the wood. The grains
suitable detergent and allow to dry. to see. Rinse with fresh water and allow in the wood will therefore still be visible. The normal system consist of a clear
Sand to remove loose material and to dry. If necessary, scrape and sand- sealer succeeded by 2-3 coats of the woodstain itself. Woodstains allow the wood
to flatten the surface. Remove dust. paper thoroughly loose paints, dust off 96.03 Cleaning to “breathe”.
• If old varnish or paint is in a poor and touch up with paint.
condition, complete removal of the Varnishes
existing system is necessary. Re- These systems provide a “watertight” system with only little penetration into the
move by flame cleaning or a suitable Please consult code of practice no. wood. They are normally clear and the grains will therefore also be visible. The
paint remover. Rinse with fresh wa- 96.23 on compatibility to ensure that normal system consists of 3 coats of varnish, where the first coat is to be diluted.
ter, allow to dry, sand, and remove the new and old paint systems are com-
dust. patible. Paints
These systems hide completely, i.e. it is impossible to see the nature of the
New woodwork substrate. The normal system consists of a primer, an undercoat and a topcoat.
“Dry” for internal woodwork means max. Flame clean e.g. with a gasflame or use
12% moisture content (by weight) of the a paint remover. It is important to re-
wood. move all loose material and preferably For specific questions please contact your nearest HEMPEL representative.
remove all existing varnish/paint in or-
“Dry” for external woodwork means max. der to obtain a smooth and even finish.
15-18% moisture content by weight. For 96.03 "Hot air" gun
well ventilated constructions max. 20%
can be accepted. Different types of wood
The same type of surface preparation
For some types of wood a grainfiller may applies no matter which type of wood is
be required. The filler should be com- treated:
patible with the paint system to avoid The exemptions are woodtypes which
delamination. are especially oily: They have to be wiped
with solvents and allowed to dry prior to
Major cracks and imperfections to be paint application.
filled once or more. Nails and other
metal sur faces to be overcoated must
be sealed separately with a suitable Wood impregnated with tar-containing
primer prior to applying the full system. wood preser vatives will sometimes
Grade of sandpaper to be chosen in bleed through subsequent coats. This
accordance with the finish desired. cannot be avoided.
Note: This code should not be used without reference to relevant Product Data Sheet and
Material Safety Data Sheet, copies of which are available from HEMPEL upon request.
Code of Practice 1 May 1997 Code of Practice 2


Code of Practice No. 96.03 Surface preparation - wood
Surface preparation - wood

Summary of surface preparation - Woodwork previously treated Paint systems
wood: If the existing varnish/paint is adhering
• Bare wood: Round off edges. Sand well then the following surface prepara- Wood penetrants
paper to smooth surface; dust off. tion is recommended: Will penetrate and impregnate the surface of the wood and make a good key for
Seal knots, wipe oily spots with sol- subsequent coats.
vent. Wash thoroughly with a suitable deter-
• Primed/varnished/painted wood in gent to remove contaminants. Please Woodstains
good condition: Wash down with a note that oil and grease can be difficult These systems will impregnate and colour the top 1-3 mm of the wood. The grains
suitable detergent and allow to dry. to see. Rinse with fresh water and allow in the wood will therefore still be visible. The normal system consist of a clear
Sand to remove loose material and to dry. If necessary, scrape and sand- sealer succeeded by 2-3 coats of the woodstain itself. Woodstains allow the wood
to flatten the surface. Remove dust. paper thoroughly loose paints, dust off 96.03 Cleaning to “breathe”.
• If old varnish or paint is in a poor and touch up with paint.
condition, complete removal of the Varnishes
existing system is necessary. Re- These systems provide a “watertight” system with only little penetration into the
move by flame cleaning or a suitable Please consult code of practice no. wood. They are normally clear and the grains will therefore also be visible. The
paint remover. Rinse with fresh wa- 96.23 on compatibility to ensure that normal system consists of 3 coats of varnish, where the first coat is to be diluted.
ter, allow to dry, sand, and remove the new and old paint systems are com-
dust. patible. Paints
These systems hide completely, i.e. it is impossible to see the nature of the
New woodwork substrate. The normal system consists of a primer, an undercoat and a topcoat.
“Dry” for internal woodwork means max. Flame clean e.g. with a gasflame or use
12% moisture content (by weight) of the a paint remover. It is important to re-
wood. move all loose material and preferably For specific questions please contact your nearest HEMPEL representative.
remove all existing varnish/paint in or-
“Dry” for external woodwork means max. der to obtain a smooth and even finish.
15-18% moisture content by weight. For 96.03 "Hot air" gun
well ventilated constructions max. 20%
can be accepted. Different types of wood
The same type of surface preparation
For some types of wood a grainfiller may applies no matter which type of wood is
be required. The filler should be com- treated:
patible with the paint system to avoid The exemptions are woodtypes which
delamination. are especially oily: They have to be wiped
with solvents and allowed to dry prior to
Major cracks and imperfections to be paint application.
filled once or more. Nails and other
metal sur faces to be overcoated must
be sealed separately with a suitable Wood impregnated with tar-containing
primer prior to applying the full system. wood preser vatives will sometimes
Grade of sandpaper to be chosen in bleed through subsequent coats. This
accordance with the finish desired. cannot be avoided.


Code of Practice No. 96.04 Surface Preparation - Metal
Surface Preparation - Metal

Summary of Surface Preparation - 2. All water soluble salts and welding Surface Preparation, Metal Sprayed steel. The best result is obtained by
Metal: smoke should be removed during the Steel corundum abrasive with a grain size of
• Relevant metal surfaces above process. If no oil or grease is Metal sprayed coatings should be maximum 0.5 mm propelled by a
• The cleaning process present, salts and welding smoke overcoated as soon as possible to avoid pressure of maximum 4 bar.
• Sur face preparation for the relevant should be removed by fresh water zinc and aluminium salts forming on the
metal surfaces hosing or steam cleaning. It might surface. In that case no further surface
be necessar y to scrub to remove preparation are required. Surface Preparation, Stainless Steel
Areas of use welding smoke. 1. All oil and grease must be removed
The relevant metal surfaces for paint 3. Abrasive blasting to achieve the re- If already weathered, high pressure hos- by cleaning with a detergent/emul-
application and thereby surface prepa- quired cleanliness and surface pro- ing and removal of zinc/aluminium salts sifier free of chlorides followed by
ration are: file. For certain areas, power tool by stiff brushes or in severe cases by clean fresh water hosing. Alterna-
cleaning may be sufficient. A surface abrasive blasting is required. tively, steam cleaning followed by
• Mild steel preparation grade of "Sa 2 1/2 ac- thorough fresh water washing is ac-
• Galvanised steel cording to ISO 8501-1:1988 and a Surface Preparation, Aluminium ceptable.
• Metal sprayed steel sur face profile of Rz = 40-80 mi- The surface preparation of aluminium 2. Stainless steel has to be treated simi-
• Stainless steel crons/1.6-3.2 mils are generally rec- is similar to that of steel, with the larly to mild steel when heavy duty
• Aluminium ommended. following comments: systems are specified, i. e. by abra-
4. Dust should be carefully removed sive blasting. However it is important
In this Code of Practice, steel means from all surfaces prior to paint appli- Aluminium is vulnerable to chloride that the abrasives are free of zinc,
mild steel, high tensile, unalloyed steel cation, e.g. by vacuum cleaning. attack and liquids of a pH value above iron and chlorides. Suitable
and low alloyed steel. 8.5. Therefore the detergent must be a abrasives are corundum and ordinary
neutral solvent, free of chlorides and silica sand.
To ensure a clean surface acceptable Surface Preparation, Galvanized chlorinated solvents.
for coating the cleaning processes must Steel Note: Abrasive blasting may be neces-
be per formed in this particular order: The procedure of surface preparation on Furthermore, the abrasive material must sary depending on the purpose for coat-
galvanised steel is as follows: be free of chloride, copper, nickel and ing and the coating system.
• Removal of oil/grease
• Removal of salts 1. Removal of loose metal, burnt-in zinc
• Removal of mill scale/rust/old paint ash and burnt-in flux by grinding. This
systems is done by using an orbital grinder,
• Removal of dust cup wheels, abrasive paper, which-
ever is the most suitable.
Why prepare the surface? 2. Removal of oil and grease and zinc
Evaluations of paint failures have shown, salts using pure steam or a steam/
that approximately 85% of the failures hot water mixture with an addition of
are caused by insufficient surface prepa- a mild alkaline cleaner.
ration. For this reason alone, it is obvi- After steam cleaning, carry out high
ous that surface preparation is critical. pressure fresh water hosing, prefer-
ably hot, with detergent added, fol-
Surface Preparation, Steel lowed by fresh water hosing.
1. All oil and grease must be removed 3. Abrasive sweep blasting to establish
by cleaning with a suitable deter- a surface profile in the galvanized
gent/emulsifier followed by fresh coating and remove zinc corrosion
water hosing. products.
Note: This code should not be used without reference to the relevant product Data Sheet and


Code of Practice No. 96.04 Surface Preparation - Metal
Surface Preparation - Metal

Summary of Surface Preparation - 2. All water soluble salts and welding Surface Preparation, Metal Sprayed steel. The best result is obtained by
Metal: smoke should be removed during the Steel corundum abrasive with a grain size of
• Relevant metal surfaces above process. If no oil or grease is Metal sprayed coatings should be maximum 0.5 mm propelled by a
• The cleaning process present, salts and welding smoke overcoated as soon as possible to avoid pressure of maximum 4 bar.
• Sur face preparation for the relevant should be removed by fresh water zinc and aluminium salts forming on the
metal surfaces hosing or steam cleaning. It might surface. In that case no further surface
be necessar y to scrub to remove preparation are required. Surface Preparation, Stainless Steel
Areas of use welding smoke. 1. All oil and grease must be removed
The relevant metal surfaces for paint 3. Abrasive blasting to achieve the re- If already weathered, high pressure hos- by cleaning with a detergent/emul-
application and thereby surface prepa- quired cleanliness and surface pro- ing and removal of zinc/aluminium salts sifier free of chlorides followed by
ration are: file. For certain areas, power tool by stiff brushes or in severe cases by clean fresh water hosing. Alterna-
cleaning may be sufficient. A surface abrasive blasting is required. tively, steam cleaning followed by
• Mild steel preparation grade of "Sa 2 1/2 ac- thorough fresh water washing is ac-
• Galvanised steel cording to ISO 8501-1:1988 and a Surface Preparation, Aluminium ceptable.
• Metal sprayed steel sur face profile of Rz = 40-80 mi- The surface preparation of aluminium 2. Stainless steel has to be treated simi-
• Stainless steel crons/1.6-3.2 mils are generally rec- is similar to that of steel, with the larly to mild steel when heavy duty
• Aluminium ommended. following comments: systems are specified, i. e. by abra-
4. Dust should be carefully removed sive blasting. However it is important
In this Code of Practice, steel means from all surfaces prior to paint appli- Aluminium is vulnerable to chloride that the abrasives are free of zinc,
mild steel, high tensile, unalloyed steel cation, e.g. by vacuum cleaning. attack and liquids of a pH value above iron and chlorides. Suitable
and low alloyed steel. 8.5. Therefore the detergent must be a abrasives are corundum and ordinary
neutral solvent, free of chlorides and silica sand.
To ensure a clean surface acceptable Surface Preparation, Galvanized chlorinated solvents.
for coating the cleaning processes must Steel Note: Abrasive blasting may be neces-
be per formed in this particular order: The procedure of surface preparation on Furthermore, the abrasive material must sary depending on the purpose for coat-
galvanised steel is as follows: be free of chloride, copper, nickel and ing and the coating system.
• Removal of oil/grease
• Removal of salts 1. Removal of loose metal, burnt-in zinc
• Removal of mill scale/rust/old paint ash and burnt-in flux by grinding. This
systems is done by using an orbital grinder,
• Removal of dust cup wheels, abrasive paper, which-
ever is the most suitable.
Why prepare the surface? 2. Removal of oil and grease and zinc
Evaluations of paint failures have shown, salts using pure steam or a steam/
that approximately 85% of the failures hot water mixture with an addition of
are caused by insufficient surface prepa- a mild alkaline cleaner.
ration. For this reason alone, it is obvi- After steam cleaning, carry out high
ous that surface preparation is critical. pressure fresh water hosing, prefer-
ably hot, with detergent added, fol-
Surface Preparation, Steel lowed by fresh water hosing.
1. All oil and grease must be removed 3. Abrasive sweep blasting to establish
by cleaning with a suitable deter- a surface profile in the galvanized
gent/emulsifier followed by fresh coating and remove zinc corrosion
water hosing. products.
Note: This code should not be used without reference to the relevant product Data Sheet and


Code of Practice No. 96.11 Brush Application
Brush Application
Summary of Brush application: Please note that the outline of runs and Equipment
• For small and irregular surfaces sagging will only become visible a few A lot of factors affect the choice of a brush.
• Well suited for first coat of primer minutes after application. It may then • The form and quality
• Labour intensive be too late to remove them, and sand- • The length of the bristles
ing of the dry paint will be required. • The composition of the bristles
Area of use Normally, a flat brush with long bristles A brush can be made of different kinds of bristle. The best brushes are made from
• Small and irregular surfaces, pylons, or a round or oval brush is used on larger animal hairs. If the hairs are mixed with synthetic bristles, it improves the wear
rods, lattice structures, small dia- areas as they can contain a relatively resistance.
meter pipes, doors, railings, wood- large volume of wet paint.
work, etc. To get good wearing and a good alkali resistance, a brush made of nylon is recom-
• Stripe coating - areas where the A broad, flat brush is used for smooth- mended. However, the finish will not be as good as with a brush made of animal
specified film thickness cannot be ening. For areas which are difficult to bristle.
obtained by spray application only reach an angular brush can be used.
• Interior areas with poor ventilation Special brushes with split-end bristles provide the best possible levelling.
• Touch up - normally relatively small Advantages
areas Brush application tends to displace Cleaning of brushes
• Marginally prepared surfaces (with dust, and to some extent even moisture. Brushes which have been used for solvent-borne coatings should be cleaned with
slight dust, rust and dampness) This makes the brush well-suited for solvent or special tool cleaner (please consult the relevant Product Data Sheet).
application of the first coat of primer. Subsequently the hairs of the brush should be rubbed with soft soap or detergent
Furthermore, brush application, when followed by rinsing with lukewarm water.
Principle done correctly is not surpassed by any
The principle of paint application with a other application method when painting If the brush has been used for water-borne coatings, it needs to be cleaned by
brush is to “work” the paint physically rough and pitted surfaces. thorough rinsing with water as soon as possible. Further, cleaning can be done in
into the pits, pores and cavities of the the same way as mentioned above with soap or detergent and lukewarm water. So
substrate. At the same time, dust and Limitations called "brush restorers" are used to restore bristles with dried and cured paint.
surface humidity to a certain extent will The greatest limitation to br ush
be dispersed into the wet paint. application is that the method is slow
and therefore labour intensive. As a
general rule, it is possible for the
How to use a Brush individual to paint 100 sqm during a
To obtain a suf ficient, even film working day of 8 hours.
thickness, it is often necessary to apply
two coats or more. This is ensured by When application is to be done by brush
"laying" the paint on the surface instead on areas where appearance is of
of "dragging" it around with a lot of importance, one should choose paints
action in the wet paint. The paint should that are specially developed for brush
be applied and distributed with a few application. Not all paint types are suited
strokes. If the flow is not satisfactory, for application by br ush. Paints
dilution with appropiate thinner may be applicable in a dry film thickness of 80
necessary (please consult the relevant micron or more (high build paints), are
Product Data Sheet). not suitable.
Note: This code should not be used without reference to the relevant Product Data Sheet and
Code of Practice 1 May 1997 1996 Code of Practice 2


Code of Practice No. 96.11 Brush Application
Brush Application
Summary of Brush application: Please note that the outline of runs and Equipment
• For small and irregular surfaces sagging will only become visible a few A lot of factors affect the choice of a brush.
• Well suited for first coat of primer minutes after application. It may then • The form and quality
• Labour intensive be too late to remove them, and sand- • The length of the bristles
ing of the dry paint will be required. • The composition of the bristles
Area of use Normally, a flat brush with long bristles A brush can be made of different kinds of bristle. The best brushes are made from
• Small and irregular surfaces, pylons, or a round or oval brush is used on larger animal hairs. If the hairs are mixed with synthetic bristles, it improves the wear
rods, lattice structures, small dia- areas as they can contain a relatively resistance.
meter pipes, doors, railings, wood- large volume of wet paint.
work, etc. To get good wearing and a good alkali resistance, a brush made of nylon is recom-
• Stripe coating - areas where the A broad, flat brush is used for smooth- mended. However, the finish will not be as good as with a brush made of animal
specified film thickness cannot be ening. For areas which are difficult to bristle.
obtained by spray application only reach an angular brush can be used.
• Interior areas with poor ventilation Special brushes with split-end bristles provide the best possible levelling.
• Touch up - normally relatively small Advantages
areas Brush application tends to displace Cleaning of brushes
• Marginally prepared surfaces (with dust, and to some extent even moisture. Brushes which have been used for solvent-borne coatings should be cleaned with
slight dust, rust and dampness) This makes the brush well-suited for solvent or special tool cleaner (please consult the relevant Product Data Sheet).
application of the first coat of primer. Subsequently the hairs of the brush should be rubbed with soft soap or detergent
Furthermore, brush application, when followed by rinsing with lukewarm water.
Principle done correctly is not surpassed by any
The principle of paint application with a other application method when painting If the brush has been used for water-borne coatings, it needs to be cleaned by
brush is to “work” the paint physically rough and pitted surfaces. thorough rinsing with water as soon as possible. Further, cleaning can be done in
into the pits, pores and cavities of the the same way as mentioned above with soap or detergent and lukewarm water. So
substrate. At the same time, dust and Limitations called "brush restorers" are used to restore bristles with dried and cured paint.
surface humidity to a certain extent will The greatest limitation to br ush
be dispersed into the wet paint. application is that the method is slow
and therefore labour intensive. As a
general rule, it is possible for the
How to use a Brush individual to paint 100 sqm during a
To obtain a suf ficient, even film working day of 8 hours.
thickness, it is often necessary to apply
two coats or more. This is ensured by When application is to be done by brush
"laying" the paint on the surface instead on areas where appearance is of
of "dragging" it around with a lot of importance, one should choose paints
action in the wet paint. The paint should that are specially developed for brush
be applied and distributed with a few application. Not all paint types are suited
strokes. If the flow is not satisfactory, for application by br ush. Paints
dilution with appropiate thinner may be applicable in a dry film thickness of 80
necessary (please consult the relevant micron or more (high build paints), are
Product Data Sheet). not suitable.
Code of Practice 1 May 1997 1996 Code of Practice 2


Code of Practice No. 96.12 Roller application
Roller application
Area of use Advantages Cleaning of rollers • Lamb's wool - has long pile and is
The roller is well suited for broad even Roller application is much faster than Rollers which have been used for sol- well-suited for rough surfaces.
surfaces. All edges, corners etc. must brush application, but is still much more vent-borne coatings should be cleaned
be painted by brush in order to ensure labour intensive than e.g. airless spray with solvent or special tool cleaner • Mohair - has a shorter pile and is
proper protection and hiding. application. As a rule of thumb it is pos- (please consult the relevant product generally used on smooth sur faces
sible to paint 200-300 sqm by roller data sheet). Subsequently the pile of the where it leaves less of an “orange
Principle during a working day of 8 hours per indi- roller should be rubbed with soft soap peel” effect than do lamb's wool roll-
The paint absorbed in the roller will be vidual. or detergent followed by rinsing with ers.
spread over the sur face rather than lukewarm water.
"worked" into the sur face. This is the The roller is cost effective and a mobile • Nylon and Dynel are comparatively
explanation for the poor penetration of tool and can be used for most decora- 96.11 The Roller If the roller has been used for water- low cost synthetic substitutes for
paint by roller application. tive paints. borne coatings, it needs to be cleaned lamb's wool and mohair. They are
by thorough rinsing with water as soon hard-wearing and well-suited for most
How to use a roller as possible. Further cleaning can be types of paint.
Before taking a new roller into use, it is Limitations done in the same way as mentioned
a good idea to wash it with fresh water . An important limitation for roller appli- above with soap or detergent and luke- • Plastic foam rollers are cheap, but
This should prevent piles from the roller cation is that the paint will be applied in warm water. not very stable. They tend to result
to get stuck in the paint film. Roller ap- an uneven, thin film with a substantial in poor film formation.
plication will often give a slightly textured number of minor misses and pinholes Equipment
finish depending on the quality and vis- unless several passes are made. There are many different kinds of roll- Special types of rollers are available in
cosity of the paint, and the type of roller. ers and the main factors that affect the abundance giving many variations of fin-
For completely smooth finishes use a The penetration/wetting obtained by the choice of roller are the material which ishes. Try out the roller before starting
short nap roller, and/or dilute the paint first primer coat will usually be poor. If a the pile is made of, the length of the on a major job to assess the final
slightly. proper primer/sealer is not used, poor pile and the overall effect desired. apperance of the paint film.
adhesion of the paint system to the 96.11 Roller on Film
Sometimes air can be worked into the substrate may be the result.
paint film by the roller. This may later
cause air bubbles in the paint film. Avoid
by diluting the paint slightly.
96.11 Film against the Light
Material Safety Data Sheet, copies of whichi are available from HEMPEL upon request.


Code of Practice No. 96.12 Roller application
Roller application
Area of use Advantages Cleaning of rollers • Lamb's wool - has long pile and is
The roller is well suited for broad even Roller application is much faster than Rollers which have been used for sol- well-suited for rough surfaces.
surfaces. All edges, corners etc. must brush application, but is still much more vent-borne coatings should be cleaned
be painted by brush in order to ensure labour intensive than e.g. airless spray with solvent or special tool cleaner • Mohair - has a shorter pile and is
proper protection and hiding. application. As a rule of thumb it is pos- (please consult the relevant product generally used on smooth sur faces
sible to paint 200-300 sqm by roller data sheet). Subsequently the pile of the where it leaves less of an “orange
Principle during a working day of 8 hours per indi- roller should be rubbed with soft soap peel” effect than do lamb's wool roll-
The paint absorbed in the roller will be vidual. or detergent followed by rinsing with ers.
spread over the sur face rather than lukewarm water.
"worked" into the sur face. This is the The roller is cost effective and a mobile • Nylon and Dynel are comparatively
explanation for the poor penetration of tool and can be used for most decora- 96.11 The Roller If the roller has been used for water- low cost synthetic substitutes for
paint by roller application. tive paints. borne coatings, it needs to be cleaned lamb's wool and mohair. They are
by thorough rinsing with water as soon hard-wearing and well-suited for most
How to use a roller as possible. Further cleaning can be types of paint.
Before taking a new roller into use, it is Limitations done in the same way as mentioned
a good idea to wash it with fresh water . An important limitation for roller appli- above with soap or detergent and luke- • Plastic foam rollers are cheap, but
This should prevent piles from the roller cation is that the paint will be applied in warm water. not very stable. They tend to result
to get stuck in the paint film. Roller ap- an uneven, thin film with a substantial in poor film formation.
plication will often give a slightly textured number of minor misses and pinholes Equipment
finish depending on the quality and vis- unless several passes are made. There are many different kinds of roll- Special types of rollers are available in
cosity of the paint, and the type of roller. ers and the main factors that affect the abundance giving many variations of fin-
For completely smooth finishes use a The penetration/wetting obtained by the choice of roller are the material which ishes. Try out the roller before starting
short nap roller, and/or dilute the paint first primer coat will usually be poor. If a the pile is made of, the length of the on a major job to assess the final
slightly. proper primer/sealer is not used, poor pile and the overall effect desired. apperance of the paint film.
adhesion of the paint system to the 96.11 Roller on Film
Sometimes air can be worked into the substrate may be the result.
paint film by the roller. This may later
cause air bubbles in the paint film. Avoid
by diluting the paint slightly.
96.11 Film against the Light
Material Safety Data Sheet, copies of whichi are available from HEMPEL upon request.


Code of Practice No. 96.13 Airspray Application
Airspray Application
Summary of Airspray application: The recommended atomisation pressure Safety:
• Airspray can produce the finest pos- is 0.2-0.5 MPa (2-5 atm.).
sible finish • Observe local safety regulations and the safety instructions given by suppliers
• Faster than brush and roller applica- Low viscosity of the paint may result in of equipment and paint.
tion but not as fast as airless spray. low film thicknesses and risk of sagging.
• The result is dependent on the vis- However, high viscosity may result in or- • Never smoke, eat or drink while painting.
cosity of the paint ange peel and poor levelling. If needed,
thin down the paint according to the • Avoid inhalation of possible solvent vapours or paint mist and contact with skin
Area of use guidelines given in the product data and eyes. Wear mask and goggles.
Airspray is for large volume applications sheet.
and for areas where a very fine finish is • Always take precautions against the risk of fire or explosions, ensure areas are
required. well ventilated.
Advantages
Principle This method of atomisation can produce Airspray equipment should only be operated by skilled operators.
The principle of airspray is that the finest possible of finish - that is,
atomisation is created by fine jets of when carried out by a skilled craftsman. Cleaning
compressed air breaking up the paint The method is faster than brush and The gun should be taken apart at the end of each day, and the aircap and fluid tip
into tiny droplets and which are carried roller application, but not as fast as air- should be cleaned with an appropriate solvent.
and directed towards the substrate. less spray application.
Do not store the gun in a bucket of solvent at the end of the day. This can cause
Some 500-600 times as much air as scale deposits or other foreign material deposits that could clog air parts and dry
paint is used for atomisation and the Limitations out the packings, causing the gun to leak.
air tends to bounce off the surface to It may be difficult to get a sufficient wet
be painted carr ying a considerable film thickness on corners and sharp Equipment
amount of the paint particles with it. edges. With this application method Different types of equipment are available, where the main difference is the way
there is a tendency that paint will bounce the spray gun is fed with paint. This can be done by force of gravity, by suction or by
How to use Airspray back. pressure.
When spraying, the gun must be held at
a right angle to the substrate and at a Another drawback is the considerable Feeding from a pressurised paint pot is the fastest method, but also requires the
distance of approximately 20-30 cm (2/ amounts of spray fog resulting in higher most extensive equipment.
3 -1 foot). Too close a distance will cause loss of paint than by other application
wave formation and too far a distance methods. The spray fan is very sensi- The result is dependent on the viscosity of the paint, proper adjustment of the
will cause dryspray. tive to wind and the method is only used spray gun, spraying distance and speed.
indoors in paintshops.
Overlap with half of the spray fan. Please also consult manufacturer's instructions for use.
Airspray paint application is not recom-
If the air pressure is too high, the paint mended for high build coatings with wet
will bounce of the sur face and in the film thicknesses in excess of 75-100
middle of the spraying fan the paint will micron. The finish will be wavy and un-
be blown away. Excessive spraydust and even. Airless spray application is sug-
dry spray will also occur. gested for high build coatings.
Too low pressure will result in poor at-

omisation of the paint and poor film for-
mation.
Note: IThis code should not be used without reference to the relevant Product Data Sheet and


Code of Practice No. 96.13 Airspray Application
Airspray Application
Summary of Airspray application: The recommended atomisation pressure Safety:
• Airspray can produce the finest pos- is 0.2-0.5 MPa (2-5 atm.).
sible finish • Observe local safety regulations and the safety instructions given by suppliers
• Faster than brush and roller applica- Low viscosity of the paint may result in of equipment and paint.
tion but not as fast as airless spray. low film thicknesses and risk of sagging.
• The result is dependent on the vis- However, high viscosity may result in or- • Never smoke, eat or drink while painting.
cosity of the paint ange peel and poor levelling. If needed,
thin down the paint according to the • Avoid inhalation of possible solvent vapours or paint mist and contact with skin
Area of use guidelines given in the product data and eyes. Wear mask and goggles.
Airspray is for large volume applications sheet.
and for areas where a very fine finish is • Always take precautions against the risk of fire or explosions, ensure areas are
required. well ventilated.
Advantages
Principle This method of atomisation can produce Airspray equipment should only be operated by skilled operators.
The principle of airspray is that the finest possible of finish - that is,
atomisation is created by fine jets of when carried out by a skilled craftsman. Cleaning
compressed air breaking up the paint The method is faster than brush and The gun should be taken apart at the end of each day, and the aircap and fluid tip
into tiny droplets and which are carried roller application, but not as fast as air- should be cleaned with an appropriate solvent.
and directed towards the substrate. less spray application.
Do not store the gun in a bucket of solvent at the end of the day. This can cause
Some 500-600 times as much air as scale deposits or other foreign material deposits that could clog air parts and dry
paint is used for atomisation and the Limitations out the packings, causing the gun to leak.
air tends to bounce off the surface to It may be difficult to get a sufficient wet
be painted carr ying a considerable film thickness on corners and sharp Equipment
amount of the paint particles with it. edges. With this application method Different types of equipment are available, where the main difference is the way
there is a tendency that paint will bounce the spray gun is fed with paint. This can be done by force of gravity, by suction or by
How to use Airspray back. pressure.
When spraying, the gun must be held at
a right angle to the substrate and at a Another drawback is the considerable Feeding from a pressurised paint pot is the fastest method, but also requires the
distance of approximately 20-30 cm (2/ amounts of spray fog resulting in higher most extensive equipment.
3 -1 foot). Too close a distance will cause loss of paint than by other application
wave formation and too far a distance methods. The spray fan is very sensi- The result is dependent on the viscosity of the paint, proper adjustment of the
will cause dryspray. tive to wind and the method is only used spray gun, spraying distance and speed.
indoors in paintshops.
Overlap with half of the spray fan. Please also consult manufacturer's instructions for use.
Airspray paint application is not recom-
If the air pressure is too high, the paint mended for high build coatings with wet
will bounce of the sur face and in the film thicknesses in excess of 75-100
middle of the spraying fan the paint will micron. The finish will be wavy and un-
be blown away. Excessive spraydust and even. Airless spray application is sug-
dry spray will also occur. gested for high build coatings.
Too low pressure will result in poor at-

omisation of the paint and poor film for-
mation.
Note: IThis code should not be used without reference to the relevant Product Data Sheet and


Code of Practice No. 96.14 Airless Spray Application
Airless Spray Application

Summary of Airless Spray applica- It is preferable to reduce viscosity by Safety:
tion: warming up the paint rather than by thin- Airless spray equipment is working with paint under high pressure. If you aim at
• High pressure spraying ning - as thinning will increase the risk yourself or others the high pressurised paint may penetrate the skin and cause
• The fastest method among most of the paint sagging (running). serious injury.
common application methods
Allows application of coats with high The atomisation and the spray pattern • Therefore never aim the spray gun at your self or others.
film thickness and paint with high are determined by the pressure, the noz-
viscosity zle size and by the viscosity of the paint. • When spraying avoid any kind of sparks. This must include sparks induced by
static electricity. Use conductive painthoses and grounded air- and hydraulic
Areas of use hoses.
Airless spray is ideal for application to Advantages
large areas. Greater quantities of paint can be • Never smoke, eat or drink while painting.
applied with a more confined spray
Principle pattern and less over-spray because • Stay clear of movable parts.
The principle of airless spray is that the little paint fog is produced and there is
atomisation of the paint takes place due very little rebounce of paint. • Keep equipment in proper working condition, change work nozzles, and clean
to the sudden release of high pressure, filters of regular intervals.
when paint is forced through a small Airless spray allows application of high
nozzle. There is no air involved in the film thickness per coat and high viscosity • Never dismantle equipment, nozzle etc. unless you are sure that the pressure
atomisation. products. has been relieved and safety devices are in function.
How to use Airless Spray Airless spray is much faster than air • Never leave spray equipment, nozzles etc. under pressure and without safety
The idea behind airless spray applica- spray. However, it will not provide the devices in function.
tion is to obtain a uniform paint film same fine finish. As a rule of thumb, it
without voids or holidays, and to secure is possible to cover 700-1200 sqm per • Observe local safety regulations and the safety instructions given by suppliers
the best possible adhesion to substrate. working day of 8 hours, per individual of equipment and paint.
when using airless spray.
When spraying, the gun should be held Airless spray equipment should only be operated by skilled operators.
at right angles and at a distance of ap-
proximately 30 cm (1 foot) to the Limitations Cleaning
substrate. Try to maintain a fan width Airless Spray application relies on atomi- To maintain an airless spray system you must ensure that all system components
of 20-30 cm (40-50º fan angle) and sation of the paint. "Dry spray" may re- are clean and check for and replace worn or damaged components that might fail
move the gun at a constant speed. Re- sult in a coarse paint finish. "Overspray" under pressure.
lease the trigger at the turning point of is semi dried paint which attaches to
each pass. adjacent areas. Both may result in in- To clean the system, replace the coating material and flush with appropriate sol-
sufficient film formation. Avoid by adjust- vent. After removing the nozzle tip, flush the system by spraying the solvent into a
The result obtained from airless spray ing the distance of nozzle to substrate container. When the solvent looks clean, the system has been purged of paint
application depends on the viscosity of and paint under less windy conditions. material. Special attention needs to be given to cleaning of the nozzle tip and the
the paint. The main factors which affect . system filters. The nozzle tip and tip filter screen should be cleaned with solvent
the viscosity is: and rags and can be immersed in a bucket of solvent. It may be necessary to use
• Temperature of the paint a small tool to scrape paint of the tip. The tool can be a small brush or wooden pick
• Quantity of thinner added to the but not a metal object or scraper, which can damage the tip.
paint.
Please also refer to manufacturer's instructions.


Code of Practice No. 96.14 Airless Spray Application
Airless Spray Application

Summary of Airless Spray applica- It is preferable to reduce viscosity by Safety:
tion: warming up the paint rather than by thin- Airless spray equipment is working with paint under high pressure. If you aim at
• High pressure spraying ning - as thinning will increase the risk yourself or others the high pressurised paint may penetrate the skin and cause
• The fastest method among most of the paint sagging (running). serious injury.
common application methods
Allows application of coats with high The atomisation and the spray pattern • Therefore never aim the spray gun at your self or others.
film thickness and paint with high are determined by the pressure, the noz-
viscosity zle size and by the viscosity of the paint. • When spraying avoid any kind of sparks. This must include sparks induced by
static electricity. Use conductive painthoses and grounded air- and hydraulic
Areas of use hoses.
Airless spray is ideal for application to Advantages
large areas. Greater quantities of paint can be • Never smoke, eat or drink while painting.
applied with a more confined spray
Principle pattern and less over-spray because • Stay clear of movable parts.
The principle of airless spray is that the little paint fog is produced and there is
atomisation of the paint takes place due very little rebounce of paint. • Keep equipment in proper working condition, change work nozzles, and clean
to the sudden release of high pressure, filters of regular intervals.
when paint is forced through a small Airless spray allows application of high
nozzle. There is no air involved in the film thickness per coat and high viscosity • Never dismantle equipment, nozzle etc. unless you are sure that the pressure
atomisation. products. has been relieved and safety devices are in function.
How to use Airless Spray Airless spray is much faster than air • Never leave spray equipment, nozzles etc. under pressure and without safety
The idea behind airless spray applica- spray. However, it will not provide the devices in function.
tion is to obtain a uniform paint film same fine finish. As a rule of thumb, it
without voids or holidays, and to secure is possible to cover 700-1200 sqm per • Observe local safety regulations and the safety instructions given by suppliers
the best possible adhesion to substrate. working day of 8 hours, per individual of equipment and paint.
when using airless spray.
When spraying, the gun should be held Airless spray equipment should only be operated by skilled operators.
at right angles and at a distance of ap-
proximately 30 cm (1 foot) to the Limitations Cleaning
substrate. Try to maintain a fan width Airless Spray application relies on atomi- To maintain an airless spray system you must ensure that all system components
of 20-30 cm (40-50º fan angle) and sation of the paint. "Dry spray" may re- are clean and check for and replace worn or damaged components that might fail
move the gun at a constant speed. Re- sult in a coarse paint finish. "Overspray" under pressure.
lease the trigger at the turning point of is semi dried paint which attaches to
each pass. adjacent areas. Both may result in in- To clean the system, replace the coating material and flush with appropriate sol-
sufficient film formation. Avoid by adjust- vent. After removing the nozzle tip, flush the system by spraying the solvent into a
The result obtained from airless spray ing the distance of nozzle to substrate container. When the solvent looks clean, the system has been purged of paint
application depends on the viscosity of and paint under less windy conditions. material. Special attention needs to be given to cleaning of the nozzle tip and the
the paint. The main factors which affect . system filters. The nozzle tip and tip filter screen should be cleaned with solvent
the viscosity is: and rags and can be immersed in a bucket of solvent. It may be necessary to use
• Temperature of the paint a small tool to scrape paint of the tip. The tool can be a small brush or wooden pick
• Quantity of thinner added to the but not a metal object or scraper, which can damage the tip.
paint.
Please also refer to manufacturer's instructions.


Code of Practice No. 96.15 Hopper spray gun application
Hopper spray gun application

Summary of hopper spray gun At the back of the spray gun an air hose Cleaning:
application: is fitted which is connected to a small Clean the unit thoroughly after each use. When the hopper is emptied of mate-
• The function of a hopper spray gun compressor. 220 litres of air per minute rial, run fresh water through the system. Dismantle the hopper if necessary
• The application method is used for and 2-3 bar air pressure is enough to and clean it separately inside and outside. Thorough cleaning after each use
application of various coatings, plas- spray most materials. The air supply can will ensure continued and reliable operation.
ters and renders be adjusted on the gun.
• This code of practice is referring to Safety:
small hand held guns typically with a How to use the hopper gun Never aim the spray gun at yourself or others.
6 litre hopper Hold the gun with both hands, and em- Never smoke, eat or drink while painting.
ploy round movements with both arms. Never dismantle equipment unless you are sure that the air pressure has been
Area of use Ensure a continuous material flow by relieved.
The hopper spray gun is a versatile piece keeping the trigger pulled. Overlap into Observe local safety regulations and the safety instructions given by suppliers
of equipment for civil/building projects. previously coated areas while they are of equipment and paint.
It is ideal for the application of e.g. wa- still wet, and if possible avoid applica-
ter-borne textured coatings with or with- tion in direct sunshine to minimise the
out aggregate, spray plasters, fillers and risk of a patchy finish. Stop only for
cement rendering. A hopper spray gun longer periods at corners, cornices etc.
is especially suited for the application
on ceilings and walls/facades. Different patterns can be obtained by
varying the nozzle size, the distance of
Principle the nozzle from substrate, and by ad-
The hopper spray gun is a normal spray justing the air supply. Increasing the air
gun with an air nozzle and fitted with an supply results in a smoother finish. Too
orifice plate. Changing the orifice size high air pressure may result in the ag-
is easily done by turning the orifice plate. gregate separating from the binder (liq-
There are normally 4 different orifice uid part) of the material. Completely
sizes to choose between, 3, 5, 7 and smooth surfaces can be obtained by
10 mm. In order to obtain an optimum using a broad knife just after applica-
finish for aggregate containing textured tion of coatings containing fine or no
coatings, the selected orifice should be aggregate at all.
at least twice the size of the largest ag-
gregate grains. By changing the distance Limitations
between the air nozzle and the orifice Make sure that the material to be
plate, the volume of material that goes sprayed is well mixed with a uniform
through the spray gun can be control- consistency, thick enough to only just
led. On top of the gun a hopper or fun- allow a continuous flow into the spray
nel is fitted. The hopper contains the gun. If the material is too thin, this will
material to be sprayed. The material is result in sagging and running and the
transported to the spray gun by the force desired texture and wet film thickness
of gravity. cannot be achieved.


Code of Practice No. 96.15 Hopper spray gun application
Hopper spray gun application

Summary of hopper spray gun At the back of the spray gun an air hose Cleaning:
application: is fitted which is connected to a small Clean the unit thoroughly after each use. When the hopper is emptied of mate-
• The function of a hopper spray gun compressor. 220 litres of air per minute rial, run fresh water through the system. Dismantle the hopper if necessary
• The application method is used for and 2-3 bar air pressure is enough to and clean it separately inside and outside. Thorough cleaning after each use
application of various coatings, plas- spray most materials. The air supply can will ensure continued and reliable operation.
ters and renders be adjusted on the gun.
• This code of practice is referring to Safety:
small hand held guns typically with a How to use the hopper gun Never aim the spray gun at yourself or others.
6 litre hopper Hold the gun with both hands, and em- Never smoke, eat or drink while painting.
ploy round movements with both arms. Never dismantle equipment unless you are sure that the air pressure has been
Area of use Ensure a continuous material flow by relieved.
The hopper spray gun is a versatile piece keeping the trigger pulled. Overlap into Observe local safety regulations and the safety instructions given by suppliers
of equipment for civil/building projects. previously coated areas while they are of equipment and paint.
It is ideal for the application of e.g. wa- still wet, and if possible avoid applica-
ter-borne textured coatings with or with- tion in direct sunshine to minimise the
out aggregate, spray plasters, fillers and risk of a patchy finish. Stop only for
cement rendering. A hopper spray gun longer periods at corners, cornices etc.
is especially suited for the application
on ceilings and walls/facades. Different patterns can be obtained by
varying the nozzle size, the distance of
Principle the nozzle from substrate, and by ad-
The hopper spray gun is a normal spray justing the air supply. Increasing the air
gun with an air nozzle and fitted with an supply results in a smoother finish. Too
orifice plate. Changing the orifice size high air pressure may result in the ag-
is easily done by turning the orifice plate. gregate separating from the binder (liq-
There are normally 4 different orifice uid part) of the material. Completely
sizes to choose between, 3, 5, 7 and smooth surfaces can be obtained by
10 mm. In order to obtain an optimum using a broad knife just after applica-
finish for aggregate containing textured tion of coatings containing fine or no
coatings, the selected orifice should be aggregate at all.
at least twice the size of the largest ag-
gregate grains. By changing the distance Limitations
between the air nozzle and the orifice Make sure that the material to be
plate, the volume of material that goes sprayed is well mixed with a uniform
through the spray gun can be control- consistency, thick enough to only just
led. On top of the gun a hopper or fun- allow a continuous flow into the spray
nel is fitted. The hopper contains the gun. If the material is too thin, this will
material to be sprayed. The material is result in sagging and running and the
transported to the spray gun by the force desired texture and wet film thickness
of gravity. cannot be achieved.


Code of Practice No. 96.82 Defects and Solutions
Defects and solutions

The following defects and solu- Brushmarking Drying problems • Solution
tions are described: Although mainly visible in glossy Lack of drying is usually caused by one Remove by brushing down, do not wash
• Bleeding finishes, br ushmarks are usually of the following causes: off. Repair any damage which may be
• Blistering present in the undercoat or primer and Contamination, such as wax or grease causing water ingress. Surfaces should
• Brushmarking may not be seen until the gloss finish is on the sur face; Addition of unsuitable not be sealed or painted in alkyd or
• Chalking applied, when it is too late for an easy material for thinning, such as paraffin, solvent based systems until
• Cissing remedy. oil, kerosene or slow drying thinners; efflorescence ceases. Whilst efflore-
• Drying problems Painting in adverse conditions such as scence is present, porous emulsion
• Efflorescence • Solution during cold weather or when moisture paints are recommended.
• Flaking Can be minimised by careful application 96.82 Chalking is condensing on the surface; Applying
of undercoats and thinning slightly if paint over a previous coat which is not Flaking
there has been solvent loss from the dry. This results from the splitting and lifting
Bleeding paint before application, causing the of a paint coat or paint system due to
Shows as a sur face discolouration. paint to thicken up. With water thinned • Solution loss of adhesion. This can be due to
Caused by an underlying colour or stain paints brushmarking can be caused by If the paint does not dry, it has to be one or more causes, such as;
which gradually migrates through a newly overbrushing or inadequate thinning, removed by solvent wash or with a paint 1. Paint being applied on top of a
painted sur face. This can be caused by particularly on very absorbent surfaces. remover. Drying problems are greatly chalking substrate or other powdery
Bitumen, Creosote, Water-Staining, Substrate should be sanded well back, reduced when paint is applied to clean surface.
Nicotine and pigmentation in previous if in a rough condition, and sealed ap- sur faces under reasonable weather 2. Using a primer which is unsuitable
coatings. propriately if porous. conditions with the appropriate thinner for the surface, such as underbound,
used, where necessar y. If possible, over-thinned primer or one liable to
• Solution Chalking increase ventilation and the temperature degrade on cement/alkaline
All affected paint should be stripped off This is a powdery residue formed on a 96.82 Blistering of the substrate. Sur faces should be surfaces.
and the cause of bleeding sealed off with paint finish when the surface begins to cleaned with detergent or solvent 3. Painting on old, poor quality paint
an appropriate sealer. After effective erode from exposure to the weather. washed. which can become brittle and fail
sealing, re-paint according to the Chalking is not usually considered a rapidly once disruption occurs.
appropriate specification. defect unless it occurs prematurely. A 4. Moisture penetrating into wood
good gloss paint may soon begin to Efflorescence causing movement which cannot be
Blistering chalk if used over a porous surface, e.g. It is recognisable as a white crystalline tolerated by the paint system.
Takes place due to poor adhesion caused by the non-use of a primer or deposit of water soluble salts which may
between a paint and the surface. It may sealer, or over-thining of previous coats form on new plaster, cement render and
be caused by sur face dampness or resulting in insufficient sealing of the brick caused by dr ying out of the • Solution
excessive atmospheric moisture when substrate. Chalking of surfaces can also structure. Efflorescence may also form Flaking paint and adjacent areas of
painting. Dampness in the surface may be evident where a saponifiable coating blisters in a paint film with no visible suspected badly adhering paint should
be due to moisture retained in the has been used and has degraded, i.e. salts. Also, efflorescence salt may be be removed completely. When repaint-
plaster or wood, or moisture migrating by chemical attack. attached to the back of the paint film, ing, care should be taken to provide a
from an adjacent structure. 96.82 Brushmarking causing no visible disruption, but dry surface free from powdery particles
• Solution weakening adhesion and remaining a and a sur face well sealed. Ensure
• Solution Light chalking can be removed by threat to future decoration. correct sealers/primers are used.
All defective paint must be removed. washing with water and detergent, and
Surfaces must be cleaned, made sound, the surface is then repainted normally.
then treated as new and painted Heavy surface chalking must be brushed
according to specification. off and a sealer applied to bind the
surface before painting.
Note: This code should not be used without reference to the relevant Product Data Sheet and 96.82 Bleeding


Code of Practice No. 96.82 Defects and Solutions
Defects and solutions

The following defects and solu- Brushmarking Drying problems • Solution
tions are described: Although mainly visible in glossy Lack of drying is usually caused by one Remove by brushing down, do not wash
• Bleeding finishes, br ushmarks are usually of the following causes: off. Repair any damage which may be
• Blistering present in the undercoat or primer and Contamination, such as wax or grease causing water ingress. Surfaces should
• Brushmarking may not be seen until the gloss finish is on the sur face; Addition of unsuitable not be sealed or painted in alkyd or
• Chalking applied, when it is too late for an easy material for thinning, such as paraffin, solvent based systems until
• Cissing remedy. oil, kerosene or slow drying thinners; efflorescence ceases. Whilst efflore-
• Drying problems Painting in adverse conditions such as scence is present, porous emulsion
• Efflorescence • Solution during cold weather or when moisture paints are recommended.
• Flaking Can be minimised by careful application 96.82 Chalking is condensing on the surface; Applying
of undercoats and thinning slightly if paint over a previous coat which is not Flaking
there has been solvent loss from the dry. This results from the splitting and lifting
Bleeding paint before application, causing the of a paint coat or paint system due to
Shows as a sur face discolouration. paint to thicken up. With water thinned • Solution loss of adhesion. This can be due to
Caused by an underlying colour or stain paints brushmarking can be caused by If the paint does not dry, it has to be one or more causes, such as;
which gradually migrates through a newly overbrushing or inadequate thinning, removed by solvent wash or with a paint 1. Paint being applied on top of a
painted sur face. This can be caused by particularly on very absorbent surfaces. remover. Drying problems are greatly chalking substrate or other powdery
Bitumen, Creosote, Water-Staining, Substrate should be sanded well back, reduced when paint is applied to clean surface.
Nicotine and pigmentation in previous if in a rough condition, and sealed ap- sur faces under reasonable weather 2. Using a primer which is unsuitable
coatings. propriately if porous. conditions with the appropriate thinner for the surface, such as underbound,
used, where necessar y. If possible, over-thinned primer or one liable to
• Solution Chalking increase ventilation and the temperature degrade on cement/alkaline
All affected paint should be stripped off This is a powdery residue formed on a 96.82 Blistering of the substrate. Sur faces should be surfaces.
and the cause of bleeding sealed off with paint finish when the surface begins to cleaned with detergent or solvent 3. Painting on old, poor quality paint
an appropriate sealer. After effective erode from exposure to the weather. washed. which can become brittle and fail
sealing, re-paint according to the Chalking is not usually considered a rapidly once disruption occurs.
appropriate specification. defect unless it occurs prematurely. A 4. Moisture penetrating into wood
good gloss paint may soon begin to Efflorescence causing movement which cannot be
Blistering chalk if used over a porous surface, e.g. It is recognisable as a white crystalline tolerated by the paint system.
Takes place due to poor adhesion caused by the non-use of a primer or deposit of water soluble salts which may
between a paint and the surface. It may sealer, or over-thining of previous coats form on new plaster, cement render and
be caused by sur face dampness or resulting in insufficient sealing of the brick caused by dr ying out of the • Solution
excessive atmospheric moisture when substrate. Chalking of surfaces can also structure. Efflorescence may also form Flaking paint and adjacent areas of
painting. Dampness in the surface may be evident where a saponifiable coating blisters in a paint film with no visible suspected badly adhering paint should
be due to moisture retained in the has been used and has degraded, i.e. salts. Also, efflorescence salt may be be removed completely. When repaint-
plaster or wood, or moisture migrating by chemical attack. attached to the back of the paint film, ing, care should be taken to provide a
from an adjacent structure. 96.82 Brushmarking causing no visible disruption, but dry surface free from powdery particles
• Solution weakening adhesion and remaining a and a sur face well sealed. Ensure
• Solution Light chalking can be removed by threat to future decoration. correct sealers/primers are used.
All defective paint must be removed. washing with water and detergent, and
Surfaces must be cleaned, made sound, the surface is then repainted normally.
then treated as new and painted Heavy surface chalking must be brushed
according to specification. off and a sealer applied to bind the
surface before painting.
Note: This code should not be used without reference to the relevant Product Data Sheet and 96.82 Bleeding

HEMPEL’s Protective & Decorative Paints HEMPEL’s Protective & Decorative Paints
Code of Practice No. 96.23 Code of Practice No. 96.23
Compatibility Compatibility
Summary of Compatibility: Summary of Compatibility:
• Selection of maintenance coating system • Selection of maintenance coating system
Selection of maintenance coating system Selection of maintenance coating system

An important consideration especially related to repainting on top of another An important consideration especially related to repainting on top of another
intact system is that of compatibility. intact system is that of compatibility.
The table below provides guidelines for the selection of maintenance coating The table below provides guidelines for the selection of maintenance coating
systems. systems.
or e*
or e*
-b n
-b n
at
at
ne
ne
e
ne
e
e
ne
nt tha
nt tha
rn
rn
rn
rn
ne
ne
-b n
-b n
o
o
or
or
er io
er io
o
o
o
o
pc
pc
lve re
lve re
lve y*
lve y*
or
or
-b
-b
-b
-b
-b
-b
lve lic
lve lic
at ls
at ls
So olyu
So olyu
to
to
So lkyd
So lkyd
nt
nt
nt
nt
nt
nt
So pox
So pox
W mu
W mu
So cr y
So cr y
lve
lve
w
w
E
A
E
P
A
A
Ne
Ne
Emulsion Emulsion
Water-borne OK NR NR NR NR Water-borne OK NR NR NR NR
Alkyd Alkyd
Old topcoat
Old topcoat
Solvent-borne OK1 OK1 NR NR NR Solvent-borne OK1 OK1 NR NR NR
Acrylic Acrylic
Solvent-borne OK NR OK NR NR Solvent-borne OK NR OK NR NR
Epoxy* Epoxy*
Solvent-borne OK2 OK2 OK2 OK2 OK2 Solvent-borne OK2 OK2 OK2 OK2 OK2
Polyurethane* Polyurethane*
Solvent-borne OK2 NR OK1 OK2 OK2 Solvent-borne OK2 NR OK1 OK2 OK2
* two-component * two-component
OK = Recommended NR = Not recommended OK = Recommended NR = Not recommended
The above table is indicative only. Paint application should never be based on The above table is indicative only. Paint application should never be based on
these indications alone but should also be based on practical application of a these indications alone but should also be based on practical application of a
limited area of the actual substrate. limited area of the actual substrate.
Furthermore the existing paint should be sound with good adhesion and the exist- Furthermore the existing paint should be sound with good adhesion and the exist-
ing coating surface should be properly cleaned with an appropiate cleaning agent. ing coating surface should be properly cleaned with an appropiate cleaning agent.
Note 1: Roughening of the old surface may be necessary to ensure saticfactory Note 1: Roughening of the old sur face may be necessary to ensure saticfactory
adhesion during service. adhesion during service.
Note 2: If the overcoating interval has been exceeded or if it is an old coating, Note 2: If the overcoating interval has been exceeded or if it is an old coating,
roughening of the surface will along with other surface preparation be roughening of the surface will along with other surface preparation be
necessary to ensure good adhesion. necessary to ensure good adhesion.
Note: This code should not be used without reference to the relevant Product Data Sheet and Note: This code should not be used without reference to the relevant Product Data Sheet and
Material Safety Data Sheet, copies of which are available from HEMPEL upon request. Material Safety Data Sheet, copies of which are available from HEMPEL upon request.
Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/012/30/HEMPEL In-house/KLS Digital Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/012/30/HEMPEL In-house/KLS Digital

Compatibility Compatibility
Summary of Compatibility: Summary of Compatibility:
• Selection of maintenance coating system • Selection of maintenance coating system
Selection of maintenance coating system Selection of maintenance coating system

An important consideration especially related to repainting on top of another An important consideration especially related to repainting on top of another
intact system is that of compatibility. intact system is that of compatibility.
The table below provides guidelines for the selection of maintenance coating The table below provides guidelines for the selection of maintenance coating
systems. systems.
or e*
or e*
-b n
-b n
at
at
ne
ne
e
ne
e
e
ne
nt tha
nt tha
rn
rn
rn
rn
ne
ne
-b n
-b n
o
o
or
or
er io
er io
o
o
o
o
pc
pc
lve re
lve re
lve y*
lve y*
or
or
-b
-b
-b
-b
-b
-b
lve lic
lve lic
at ls
at ls
So olyu
So olyu
to
to
So lkyd
So lkyd
nt
nt
nt
nt
nt
nt
So pox
So pox
W mu
W mu
So cr y
So cr y
lve
lve
w
w
E
A
E
P
A
A
Ne
Ne
Emulsion Emulsion
Water-borne OK NR NR NR NR Water-borne OK NR NR NR NR
Alkyd Alkyd
Old topcoat
Old topcoat
Solvent-borne OK1 OK1 NR NR NR Solvent-borne OK1 OK1 NR NR NR
Acrylic Acrylic
Solvent-borne OK NR OK NR NR Solvent-borne OK NR OK NR NR
Epoxy* Epoxy*
Solvent-borne OK2 OK2 OK2 OK2 OK2 Solvent-borne OK2 OK2 OK2 OK2 OK2
Polyurethane* Polyurethane*
Solvent-borne OK2 NR OK1 OK2 OK2 Solvent-borne OK2 NR OK1 OK2 OK2
* two-component * two-component
OK = Recommended NR = Not recommended OK = Recommended NR = Not recommended
The above table is indicative only. Paint application should never be based on The above table is indicative only. Paint application should never be based on
these indications alone but should also be based on practical application of a these indications alone but should also be based on practical application of a
limited area of the actual substrate. limited area of the actual substrate.
Furthermore the existing paint should be sound with good adhesion and the exist- Furthermore the existing paint should be sound with good adhesion and the exist-
ing coating surface should be properly cleaned with an appropiate cleaning agent. ing coating surface should be properly cleaned with an appropiate cleaning agent.
Note 1: Roughening of the old surface may be necessary to ensure saticfactory Note 1: Roughening of the old sur face may be necessary to ensure saticfactory
adhesion during service. adhesion during service.
Note 2: If the overcoating interval has been exceeded or if it is an old coating, Note 2: If the overcoating interval has been exceeded or if it is an old coating,
roughening of the surface will along with other surface preparation be roughening of the surface will along with other surface preparation be
necessary to ensure good adhesion. necessary to ensure good adhesion.

HEMPEL’s Protective & Decorative Paints Quality test of sealers

Code of Practice No. 96.31
Quality of sealers
Summary of quality of sealers: • Pigmented or coloured water- How is a sealer quality tested in Adhesion
• The areas of use borne sealer practice? This method is used for evaluating the
• The differences between Sealers Mostly known as primer/sealer for The most important tests to identify the inner cohesive strength and adhesion
• The Sealer test in practice interior or exterior use. Coloured, flat, quality of a Sealer are the following: to substrate. Plastic tape Tesa-film 122
alkali resistant, primer/sealer, with is used for the test. The outermost 20
Purpose of quality test good adhesion to gypsum, plaster, Penetration cm of a piece of tape of approximately
The purpose of making a quality test of and masonry substrate in general. Good penetration results in a saturated 50 cm is firmly applied to the surface
sealers is to make sure that the per- Recoatable with water- or solvent- sur face showing no visible paint film with the finger nail. Then a sudden and
formance is acceptable to fulfil the re- borne systems. formed. However, bad penetration re- violent pull is made at the loose end
quirements of the subsequently applied sults in formation of a visible film formed perpendicularly at right angles to the sur-
paint system. • Clear solvent-borne sealer on the surface. The penetration proper- face. Result: The tape test has not been
Mostly known as binder/sealer for ties can also be assessed by Consump- passed when some surface material/
exterior use. Extra good penetration tion Calculations (see Hempel's code of sealer is adhering to the tape.
Areas of use properties with good adhesion to practise no. 96.21).
The sealers are used on porous sur- most masonry substrates. Transpar-
faces such as concrete, plaster, gypsum ent, glossy, alkali resistant, all-round Dustbinding characteristics Non volatile or solids contents
and masonry materials. They are used binder/sealer. Recoatable with wa- Presence of dust or chalk on the sur- These are stated on the Product Data
on both interior and exterior surfaces. ter- or solvent-borne systems. face is detected by drawing a black cloth Sheet. High solids materials saturate
of cotton approximately 20 cm across the substrate surface using less mate-
What is a sealer? • Pigmented or coloured solvent- the surface. The presence of dust or rial compared to material with low sol-
A sealer is a dustbinding paint applied borne sealer chalking is considered significant if the ids content.
to a cleaned mineral sur face, such as Mostly known as primer/sealer for cloth shows white or off-white colour and
concrete, plaster, gypsum, and masonry. exterior use. Extra good penetration if the dust keeps coming off after a cou-
In general, it is done to secure a good, properties with good adhesion to ple of rubs at the same spot.
water repellent basis for a decorative or most masonry substrates. Coloured,
protective paint system. glossy, alkali resistant, all-round For further information please contact
primer/sealer. Recoatable with wa- your nearest HEMPEL dealer.
ter- or solvent-borne systems.
Different sealers
There are several different types of Seal- • Clear epoxy-based sealer
ers. The type to use depends on the sur- Mostly known as epoxy sealer for ex-
face, the type of solvent in the subse- terior use. However, also suitable as
quent paint system (water-/solvent- e.g. sealer for concrete floors and
borne) and the resistance to humidity, walls. Transparent, highly water and
abrasion, chemicals, etc.: chemical resistant and forms a
tough, abrasion resistant sur face.
• Clear water-borne sealer Recoatable with solvent-borne sys-
Mostly known as binder/sealer for tems.
interior or exterior use. Transparent,
alkali resistant, economy binder/ This means that all the different Seal-
sealer with good adhesion to gypsum ers have their own purpose according
and plaster. Recoatable with water- to which subsequent paint system will
or solvent-borne systems. be used on top of the Sealer.
Note: This code should not be used without reference to the relevant Product Data Sheet
and Material Safety Data Sheet, copies of which are available from HEMPEL upon request.

HEMPEL’s Protective & Decorative Paints Quality test of sealers

Code of Practice No. 96.31
Quality of sealers
Summary of quality of sealers: • Pigmented or coloured water- How is a sealer quality tested in Adhesion
• The areas of use borne sealer practice? This method is used for evaluating the
• The differences between Sealers Mostly known as primer/sealer for The most important tests to identify the inner cohesive strength and adhesion
• The Sealer test in practice interior or exterior use. Coloured, flat, quality of a Sealer are the following: to substrate. Plastic tape Tesa-film 122
alkali resistant, primer/sealer, with is used for the test. The outermost 20
Purpose of quality test good adhesion to gypsum, plaster, Penetration cm of a piece of tape of approximately
The purpose of making a quality test of and masonry substrate in general. Good penetration results in a saturated 50 cm is firmly applied to the surface
sealers is to make sure that the per- Recoatable with water- or solvent- sur face showing no visible paint film with the finger nail. Then a sudden and
formance is acceptable to fulfil the re- borne systems. formed. However, bad penetration re- violent pull is made at the loose end
quirements of the subsequently applied sults in formation of a visible film formed perpendicularly at right angles to the sur-
paint system. • Clear solvent-borne sealer on the surface. The penetration proper- face. Result: The tape test has not been
Mostly known as binder/sealer for ties can also be assessed by Consump- passed when some surface material/
exterior use. Extra good penetration tion Calculations (see Hempel's code of sealer is adhering to the tape.
Areas of use properties with good adhesion to practise no. 96.21).
The sealers are used on porous sur- most masonry substrates. Transpar-
faces such as concrete, plaster, gypsum ent, glossy, alkali resistant, all-round Dustbinding characteristics Non volatile or solids contents
and masonry materials. They are used binder/sealer. Recoatable with wa- Presence of dust or chalk on the sur- These are stated on the Product Data
on both interior and exterior surfaces. ter- or solvent-borne systems. face is detected by drawing a black cloth Sheet. High solids materials saturate
of cotton approximately 20 cm across the substrate surface using less mate-
What is a sealer? • Pigmented or coloured solvent- the surface. The presence of dust or rial compared to material with low sol-
A sealer is a dustbinding paint applied borne sealer chalking is considered significant if the ids content.
to a cleaned mineral sur face, such as Mostly known as primer/sealer for cloth shows white or off-white colour and
concrete, plaster, gypsum, and masonry. exterior use. Extra good penetration if the dust keeps coming off after a cou-
In general, it is done to secure a good, properties with good adhesion to ple of rubs at the same spot.
water repellent basis for a decorative or most masonry substrates. Coloured,
protective paint system. glossy, alkali resistant, all-round For further information please contact
primer/sealer. Recoatable with wa- your nearest HEMPEL dealer.
ter- or solvent-borne systems.
Different sealers
There are several different types of Seal- • Clear epoxy-based sealer
ers. The type to use depends on the sur- Mostly known as epoxy sealer for ex-
face, the type of solvent in the subse- terior use. However, also suitable as
quent paint system (water-/solvent- e.g. sealer for concrete floors and
borne) and the resistance to humidity, walls. Transparent, highly water and
abrasion, chemicals, etc.: chemical resistant and forms a
tough, abrasion resistant sur face.
• Clear water-borne sealer Recoatable with solvent-borne sys-
Mostly known as binder/sealer for tems.
interior or exterior use. Transparent,
alkali resistant, economy binder/ This means that all the different Seal-
sealer with good adhesion to gypsum ers have their own purpose according
and plaster. Recoatable with water- to which subsequent paint system will
or solvent-borne systems. be used on top of the Sealer.
Note: This code should not be used without reference to the relevant Product Data Sheet
and Material Safety Data Sheet, copies of which are available from HEMPEL upon request.


Code of Practice No. 96.32 Quality of fillers
Quality of fillers
Summary of quality of fillers: Pigmented epoxy filler All-round water-borne filler • Sanding properties - the applied and
• The area of use Mostly known as epoxy filler for exterior Mostly known as putty filler for interior/ dry filler must have easy sanding
• Differences between Fillers use. It is a very hard, impact and chemi- exterior use. Has excellent smoothing properties. This means that exces-
• The Filler tests in practice cal resistant material when cured. It can and filling properties. Can be applied in sive force should not be required in
be applied in a dry film thickness of up a dry film thickness of up to 1000 mi- order to achieve a smooth surface
Purpose of quality test to 10 mm without cracking. Can be crons without cracking. Has a wet-edge using appropriate sanding paper.
The purpose of making a quality test of recoated with solvent-borne primer/seal- of approximately 20 minutes at 25°C. Also there should be no or only little
Fillers is to make sure that the perform- ers and is the preferred filler for epoxy Recoatable with water-borne or solvent- material left on the sanding paper.
ance is acceptable to fulfil the require- and polyurethane systems. borne systems.
ments of the subsequently applied paint • Scrub resistance - is tested by fin-
system. High quality water-borne filler ger rubbing with and without water
Pigmented epoxy grout Mostly known as putty filler for exterior on the dried film.
Area of use Mostly known as solvent-free epoxy use. Has excellent smoothing and deep
The fillers are used on porous, uneven grout. It is a ver y hard, impact and filling properties. Can be applied in a An economic filler will typically de-
surfaces such as concrete, plaster/ gyp- chemical resistant material when cured. dry fim thickness of up to 1000 microns posit filler material on the finger. In
sum and masonry to repair imperfec- This 3-component material can be ap- without cracking. Has a wet-edge of ap- cases where there is only very little
tions in the substrate. plied in a dry film thickness of up to 30 proximately 20 minutes at 25°C. Suit- binder material in the filler, the dried
mm without cracking. Can be recoated able for exterior exposure for a limited film can be partly removed by rub-
They are used on both interior and exte- with solvent-borne primers/sealers and period of time. Can be recoated with bing the filler sur face with the hand
rior sur faces normally on top of a is the preferred grout for epoxy and poly- water-borne or solvent-borne systems. without any wetting of the surface.
Primer/Sealer or binder/sealer which urethane systems.
forms a good basis for the filler. How is a filler quality tested in prac- • Penetration of water - is measured
tice? by splashing water on to the dry filler
What is a filler? Solvent-borne filler The most important tests to identify the surface. If the water is totally ab-
A Filler is a thick paint applied on top of Mostly known as putty, knifing- or block- quality of a Filler are the following: sorbed, the film is very porous. This
a suitable primer/sealer or binder/ filler. This filler is thixotropic and is will indicate that it is an economic
sealer to a clean surface, such as con- smooth and easy to apply. It can be ap- • Application properties - are checked type suited for interior use only.
crete, plaster, gypsum, masonr y and plied in a dry film thickness of up to 1 by applying the filler with the appli-
wood. This is done to secure a good, mm without cracking. Accepts a wide cation tools indicated on the prod- If the water is not absorbed but is
smooth and even sur face which forms range of solvent- and water-borne top- uct data sheet of the product. The partly or fully repelled by the dry filler
the basis for a decorative or protective coats. time for good workability is measured film, it will indicate that the film is
paint system. indicating the wet-edge time. The not porous and can be used for ex-
workability must be easy and show terior use.
Economic water-borne filler good smoothing as well as filling
Different fillers Mostly known as putty filler for interior properties.
There are several different fillers avail- use. Has excellent smoothing and fill-
able. Their uses depend on the type of ing properties. Can be applied in a dry • Cracking - is measured by applying
surface, the type of solvent in the sub- film thickness of up to 500 micron with- the filler on a non-absorbent
sequent paint system (water-/solvent- out cracking. Has a wet-edge of approxi- substrate, e.g. a piece of plastic, in
borne) and the resistance to e.g. water mately 10 minutes at 25°C. Recoatable excessive film thicknesses. When
migration, abrasion, chemicals etc. with water-borne systems. the film starts cracking, the dry film
layer is measured by e.g. a slide ruler For additional information please con-
with 1 mm indication. tact your nearest HEMPEL Dealer
Code of Practice 1 January 1997 Code of Practice 2


Code of Practice No. 96.32 Quality of fillers
Quality of fillers
Summary of quality of fillers: Pigmented epoxy filler All-round water-borne filler • Sanding properties - the applied and
• The area of use Mostly known as epoxy filler for exterior Mostly known as putty filler for interior/ dry filler must have easy sanding
• Differences between Fillers use. It is a very hard, impact and chemi- exterior use. Has excellent smoothing properties. This means that exces-
• The Filler tests in practice cal resistant material when cured. It can and filling properties. Can be applied in sive force should not be required in
be applied in a dry film thickness of up a dry film thickness of up to 1000 mi- order to achieve a smooth surface
Purpose of quality test to 10 mm without cracking. Can be crons without cracking. Has a wet-edge using appropriate sanding paper.
The purpose of making a quality test of recoated with solvent-borne primer/seal- of approximately 20 minutes at 25°C. Also there should be no or only little
Fillers is to make sure that the perform- ers and is the preferred filler for epoxy Recoatable with water-borne or solvent- material left on the sanding paper.
ance is acceptable to fulfil the require- and polyurethane systems. borne systems.
ments of the subsequently applied paint • Scrub resistance - is tested by fin-
system. High quality water-borne filler ger rubbing with and without water
Pigmented epoxy grout Mostly known as putty filler for exterior on the dried film.
Area of use Mostly known as solvent-free epoxy use. Has excellent smoothing and deep
The fillers are used on porous, uneven grout. It is a ver y hard, impact and filling properties. Can be applied in a An economic filler will typically de-
surfaces such as concrete, plaster/ gyp- chemical resistant material when cured. dry fim thickness of up to 1000 microns posit filler material on the finger. In
sum and masonry to repair imperfec- This 3-component material can be ap- without cracking. Has a wet-edge of ap- cases where there is only very little
tions in the substrate. plied in a dry film thickness of up to 30 proximately 20 minutes at 25°C. Suit- binder material in the filler, the dried
mm without cracking. Can be recoated able for exterior exposure for a limited film can be partly removed by rub-
They are used on both interior and exte- with solvent-borne primers/sealers and period of time. Can be recoated with bing the filler sur face with the hand
rior sur faces normally on top of a is the preferred grout for epoxy and poly- water-borne or solvent-borne systems. without any wetting of the surface.
Primer/Sealer or binder/sealer which urethane systems.
forms a good basis for the filler. How is a filler quality tested in prac- • Penetration of water - is measured
tice? by splashing water on to the dry filler
What is a filler? Solvent-borne filler The most important tests to identify the surface. If the water is totally ab-
A Filler is a thick paint applied on top of Mostly known as putty, knifing- or block- quality of a Filler are the following: sorbed, the film is very porous. This
a suitable primer/sealer or binder/ filler. This filler is thixotropic and is will indicate that it is an economic
sealer to a clean surface, such as con- smooth and easy to apply. It can be ap- • Application properties - are checked type suited for interior use only.
crete, plaster, gypsum, masonr y and plied in a dry film thickness of up to 1 by applying the filler with the appli-
wood. This is done to secure a good, mm without cracking. Accepts a wide cation tools indicated on the prod- If the water is not absorbed but is
smooth and even sur face which forms range of solvent- and water-borne top- uct data sheet of the product. The partly or fully repelled by the dry filler
the basis for a decorative or protective coats. time for good workability is measured film, it will indicate that the film is
paint system. indicating the wet-edge time. The not porous and can be used for ex-
workability must be easy and show terior use.
Economic water-borne filler good smoothing as well as filling
Different fillers Mostly known as putty filler for interior properties.
There are several different fillers avail- use. Has excellent smoothing and fill-
able. Their uses depend on the type of ing properties. Can be applied in a dry • Cracking - is measured by applying
surface, the type of solvent in the sub- film thickness of up to 500 micron with- the filler on a non-absorbent
sequent paint system (water-/solvent- out cracking. Has a wet-edge of approxi- substrate, e.g. a piece of plastic, in
borne) and the resistance to e.g. water mately 10 minutes at 25°C. Recoatable excessive film thicknesses. When
migration, abrasion, chemicals etc. with water-borne systems. the film starts cracking, the dry film
layer is measured by e.g. a slide ruler For additional information please con-
with 1 mm indication. tact your nearest HEMPEL Dealer
Code of Practice 1 January 1997 Code of Practice 2

Quality of emulsions Quality of emulsions

Summary of quality emulsions: 1. very quickly with less than 20 scrubs, Summary of quality emulsions: 1. very quickly with less than 20 scrubs,
• Make sure that the hiding power and then the paint is only suited for ar- • Make sure that the hiding power and then the paint is only suited for ar-
colour stability are acceptable eas with no wear e.g. ceilings. colour stability are acceptable eas with no wear e.g. ceilings.
• Classification of areas to be painted 2. after approx. 6-800 scrubs then it is • Classification of areas to be painted 2. after approx. 6-800 scrubs then it is
and their differences suited for interior use with some wear and their differences suited for interior use with some wear
• There are 3 simple tests to make a i.e. living rooms and for exterior use • There are 3 simple tests to make a i.e. living rooms and for exterior use
quality test of an emulsion in practice with low to medium weather expo- quality test of an emulsion in practice with low to medium weather expo-
sure. sure.
Purpose of quality test 3. after min. 2000 scrubs then the paint Purpose of quality test 3. after min. 2000 scrubs then the paint
The purpose of making a quality test of is well suited for exterior walls fully
96.33 Scrub Test The purpose of making a quality test of is well suited for exterior walls fully
96.33 Scrub Test
emulsions is to make sure that the hid- exposed to the weather. emulsions is to make sure that the hid- exposed to the weather.
ing power and colour stability are accept- ing power and colour stability are accept-
able to fulfil the requirements. able to fulfil the requirements.
Test of hiding Test of hiding
Areas of use Apply the emulsion to a thick piece of Areas of use Apply the emulsion to a thick piece of
In order to get a good quality paint job clear plastic; let it dry thoroughly and In order to get a good quality paint job clear plastic; let it dry thoroughly and
the first step is to identify the areas to hold it against the light: the first step is to identify the areas to hold it against the light:
be painted and their different in require- be painted and their different in require-
ments. Below are a few examples of the 1. If you can see through the film then ments. Below are a few examples of the 1. If you can see through the film then
most common areas. the hiding power is poor and you will most common areas. the hiding power is poor and you will
• Ceilings: The only requirements are need several coats and thus more • Ceilings: The only requirements are need several coats and thus more
colour stability and resistance to paint to hide old paint and/or obtain 96.33 Test of Hiding colour stability and resistance to paint to hide old paint and/or obtain 96.33 Test of Hiding
smoke from cigarettes/cigars/cook- an even colour. smoke from cigarettes/cigars/cook- an even colour.
ing and humidity 2. If you cannot see through then the ing and humidity 2. If you cannot see through then the
• Interior walls in living rooms: require paint will hide in 1-2 coats, thus sav- • Interior walls in living rooms: require paint will hide in 1-2 coats, thus sav-
colour stability, wear-resistance and ing not only on the quantity of paint colour stability, wear-resistance and ing not only on the quantity of paint
good washability. On previously used but also on the labour cost in- good washability. On previously used but also on the labour cost in-
painted surfaces a good hiding power volved. painted surfaces a good hiding power volved.
is needed. 3. Bend the plastic and observe to what is needed. 3. Bend the plastic and observe to what
• Interior walls in kitchens: scrub re- extent the paint will fall off or stay • Interior walls in kitchens: scrub re- extent the paint will fall off or stay
sistance for cleaning, resistance on. This will illustrate the flexibility sistance for cleaning, resistance on. This will illustrate the flexibility
against cooking oils and detergents, of the paint. This is not important against cooking oils and detergents, of the paint. This is not important
ease of cleaning, etc. for normal application on plaster or ease of cleaning, etc. for normal application on plaster or
• Exterior walls: weather resistance, concrete but might be important on • Exterior walls: weather resistance, concrete but might be important on
i.e. scrub resistance against e.g. e.g. wood. i.e. scrub resistance against e.g. e.g. wood.
sandstorms and rain showers, resist- 96.33 Weather Test sandstorms and rain showers, resist- 96.33 Weather Test
ance against sunlight, etc. ance against sunlight, etc.
Weather test Weather test
How is an emulsion tested in prac- Apply the emulsion on 2 wooden boards. How is an emulsion tested in prac- Apply the emulsion on 2 wooden boards.
tice Expose one to the sun for 21 days (500 tice Expose one to the sun for 21 days (500
Presented below are 3 simple tests you hours), and keep the other one inside. Presented below are 3 simple tests you hours), and keep the other one inside.
can do yourself. These will give you a Compare the 2 boards: can do yourself. These will give you a Compare the 2 boards:
good idea of the per formance of the good idea of the per formance of the
emulsion on the 3 key areas: Wear, hid- 1. If they look alike then the paint has emulsion on the 3 key areas: Wear, hid- 1. If they look alike then the paint has
ing and weather. good resistance against the sunlight ing and weather. good resistance against the sunlight
2. If there is a noticeable difference the 2. If there is a noticeable difference the
Scrub test paint is degrading in the sun and will Scrub test paint is degrading in the sun and will
Apply the emulsion on coated carton. soon lose its protective properties Apply the emulsion on coated carton. soon lose its protective properties
Let it dry thoroughly. Rub it with a wet also regarding the scrub resistance. Let it dry thoroughly. Rub it with a wet also regarding the scrub resistance.
nail brush. If the emulsion disappears: nail brush. If the emulsion disappears:
Quality of emulsions Quality of emulsions

Summary of quality emulsions: 1. very quickly with less than 20 scrubs, Summary of quality emulsions: 1. very quickly with less than 20 scrubs,
• Make sure that the hiding power and then the paint is only suited for ar- • Make sure that the hiding power and then the paint is only suited for ar-
colour stability are acceptable eas with no wear e.g. ceilings. colour stability are acceptable eas with no wear e.g. ceilings.
• Classification of areas to be painted 2. after approx. 6-800 scrubs then it is • Classification of areas to be painted 2. after approx. 6-800 scrubs then it is
and their differences suited for interior use with some wear and their differences suited for interior use with some wear
• There are 3 simple tests to make a i.e. living rooms and for exterior use • There are 3 simple tests to make a i.e. living rooms and for exterior use
quality test of an emulsion in practice with low to medium weather expo- quality test of an emulsion in practice with low to medium weather expo-
sure. sure.
Purpose of quality test 3. after min. 2000 scrubs then the paint Purpose of quality test 3. after min. 2000 scrubs then the paint
The purpose of making a quality test of is well suited for exterior walls fully
96.33 Scrub Test The purpose of making a quality test of is well suited for exterior walls fully
96.33 Scrub Test
emulsions is to make sure that the hid- exposed to the weather. emulsions is to make sure that the hid- exposed to the weather.
ing power and colour stability are accept- ing power and colour stability are accept-
able to fulfil the requirements. able to fulfil the requirements.
Test of hiding Test of hiding
Areas of use Apply the emulsion to a thick piece of Areas of use Apply the emulsion to a thick piece of
In order to get a good quality paint job clear plastic; let it dry thoroughly and In order to get a good quality paint job clear plastic; let it dry thoroughly and
the first step is to identify the areas to hold it against the light: the first step is to identify the areas to hold it against the light:
be painted and their different in require- be painted and their different in require-
ments. Below are a few examples of the 1. If you can see through the film then ments. Below are a few examples of the 1. If you can see through the film then
most common areas. the hiding power is poor and you will most common areas. the hiding power is poor and you will
• Ceilings: The only requirements are need several coats and thus more • Ceilings: The only requirements are need several coats and thus more
colour stability and resistance to paint to hide old paint and/or obtain 96.33 Test of Hiding colour stability and resistance to paint to hide old paint and/or obtain 96.33 Test of Hiding
smoke from cigarettes/cigars/cook- an even colour. smoke from cigarettes/cigars/cook- an even colour.
ing and humidity 2. If you cannot see through then the ing and humidity 2. If you cannot see through then the
• Interior walls in living rooms: require paint will hide in 1-2 coats, thus sav- • Interior walls in living rooms: require paint will hide in 1-2 coats, thus sav-
colour stability, wear-resistance and ing not only on the quantity of paint colour stability, wear-resistance and ing not only on the quantity of paint
good washability. On previously used but also on the labour cost in- good washability. On previously used but also on the labour cost in-
painted surfaces a good hiding power volved. painted surfaces a good hiding power volved.
is needed. 3. Bend the plastic and observe to what is needed. 3. Bend the plastic and observe to what
• Interior walls in kitchens: scrub re- extent the paint will fall off or stay • Interior walls in kitchens: scrub re- extent the paint will fall off or stay
sistance for cleaning, resistance on. This will illustrate the flexibility sistance for cleaning, resistance on. This will illustrate the flexibility
against cooking oils and detergents, of the paint. This is not important against cooking oils and detergents, of the paint. This is not important
ease of cleaning, etc. for normal application on plaster or ease of cleaning, etc. for normal application on plaster or
• Exterior walls: weather resistance, concrete but might be important on • Exterior walls: weather resistance, concrete but might be important on
i.e. scrub resistance against e.g. e.g. wood. i.e. scrub resistance against e.g. e.g. wood.
sandstorms and rain showers, resist- 96.33 Weather Test sandstorms and rain showers, resist- 96.33 Weather Test
ance against sunlight, etc. ance against sunlight, etc.
Weather test Weather test
How is an emulsion tested in prac- Apply the emulsion on 2 wooden boards. How is an emulsion tested in prac- Apply the emulsion on 2 wooden boards.
tice Expose one to the sun for 21 days (500 tice Expose one to the sun for 21 days (500
Presented below are 3 simple tests you hours), and keep the other one inside. Presented below are 3 simple tests you hours), and keep the other one inside.
can do yourself. These will give you a Compare the 2 boards: can do yourself. These will give you a Compare the 2 boards:
good idea of the per formance of the good idea of the per formance of the
emulsion on the 3 key areas: Wear, hid- 1. If they look alike then the paint has emulsion on the 3 key areas: Wear, hid- 1. If they look alike then the paint has
ing and weather. good resistance against the sunlight ing and weather. good resistance against the sunlight
2. If there is a noticeable difference the 2. If there is a noticeable difference the
Scrub test paint is degrading in the sun and will Scrub test paint is degrading in the sun and will
Apply the emulsion on coated carton. soon lose its protective properties Apply the emulsion on coated carton. soon lose its protective properties
Let it dry thoroughly. Rub it with a wet also regarding the scrub resistance. Let it dry thoroughly. Rub it with a wet also regarding the scrub resistance.
nail brush. If the emulsion disappears: nail brush. If the emulsion disappears:
Quality of textures Quality of textures

Summary of quality of textures: The test is performed by applying the Summary of quality of textures: The test is performed by applying the
• The area of use Texture to a wooden panel in a high film • The area of use Texture to a wooden panel in a high film
• A description of textures thickness and placing the panel verti- • A description of textures thickness and placing the panel verti-
• Test of Texture in practice cally. If the sagging starts after a few • Test of Texture in practice cally. If the sagging starts after a few
minutes, and hereby changing the sur- minutes, and hereby changing the sur-
Purpose of quality test face pattern, the quality is not good Purpose of quality test face pattern, the quality is not good
The purpose of making a quality test of enough. The purpose of making a quality test of enough.
Textures is to make sure that the per- Textures is to make sure that the per-
formance is acceptable to fulfil the re- formance is acceptable to fulfil the re-
quirements of service life and appear- Patterns quirements of service life and appear- Patterns
ance. A good texture will be able to provide a 96.34 Sagging ance. A good texture will be able to provide a 96.34 Sagging
variety of patterns depending on the variety of patterns depending on the
What is a texture? methods of application: Roller, spray, What is a texture? methods of application: Roller, spray,
A Texture is a paint with or without ag- spray and levelling, etc. A Texture is a paint with or without ag- spray and levelling, etc.
gregate of different grades.The aggre- gregate of different grades.The aggre-
gate is added to achieve a textured fin- Lower quality textures will only provide gate is added to achieve a textured fin- Lower quality textures will only provide
ish. Some textures are just thick paints. soft rounded patterns. It is therefore a ish. Some textures are just thick paints. soft rounded patterns. It is therefore a
When applied with e.g. a textured roller, good idea to make a test application to When applied with e.g. a textured roller, good idea to make a test application to
the finish becomes textured. Normally evaluate the final apperance. the finish becomes textured. Normally evaluate the final apperance.
the Texture is applied in rather thick the Texture is applied in rather thick
coats of paint (30-5000 micron). Flexibility coats of paint (30-5000 micron). Flexibility
A poor textured paint may crack during A poor textured paint may crack during
Area of use drying. Area of use drying.
The purpose of applying textures is to The purpose of applying textures is to
create a textured sur face for mainly To test the texture for cracking apply the 96.34 Flexibility create a textured sur face for mainly To test the texture for cracking apply the 96.34 Flexibility
decorative purposes. The texture must texture on a thick piece of plastic. After decorative purposes. The texture must texture on a thick piece of plastic. After
also be water resistant like any other full drying bend the plastic. The good also be water resistant like any other full drying bend the plastic. The good
paint and have sufficient flexibiIity. texture will follow the movements of the paint and have sufficient flexibiIity. texture will follow the movements of the
plastic without cracking and without fall- plastic without cracking and without fall-
What makes a quality texture? ing off. What makes a quality texture? ing off.
The most important tests to identify the The most important tests to identify the
quality of a texture are the following: quality of a texture are the following:
Water resistance Water resistance
Sagging The texture must be water resistant like Sagging The texture must be water resistant like
Since textured paints are often applied any other paint.This can be checked by Since textured paints are often applied any other paint.This can be checked by
in heavy coats, poor textures have a ten- applying the texture on an asbestos in heavy coats, poor textures have a ten- applying the texture on an asbestos
dency to sag. It is therefore important panel at a high film thickness and in the dency to sag. It is therefore important panel at a high film thickness and in the
that it can hold itself together, meaning desired pattern. After dr ying overnight that it can hold itself together, meaning desired pattern. After drying overnight
that it does not slide down vertical sur- immerse the panel in water. The low that it does not slide down vertical sur- immerse the panel in water. The low
faces resulting in a uneven and unat- quality product will star t to dissolve faces resulting in a uneven and unat- quality product will star t to dissolve
tractive finish. However, sagging can within 24 hours while the high quality 96.34 Water resistance tractive finish. However, sagging can within 24 hours while the high quality 96.34 Water resistance
also be caused by excessive thinning ! product will remain intact. also be caused by excessive thinning ! product will remain intact.

Quality of textures Quality of textures

Summary of quality of textures: The test is performed by applying the Summary of quality of textures: The test is performed by applying the
• The area of use Texture to a wooden panel in a high film • The area of use Texture to a wooden panel in a high film
• A description of textures thickness and placing the panel verti- • A description of textures thickness and placing the panel verti-
• Test of Texture in practice cally. If the sagging starts after a few • Test of Texture in practice cally. If the sagging starts after a few
minutes, and hereby changing the sur- minutes, and hereby changing the sur-
Purpose of quality test face pattern, the quality is not good Purpose of quality test face pattern, the quality is not good
The purpose of making a quality test of enough. The purpose of making a quality test of enough.
Textures is to make sure that the per- Textures is to make sure that the per-
formance is acceptable to fulfil the re- formance is acceptable to fulfil the re-
quirements of service life and appear- Patterns quirements of service life and appear- Patterns
ance. A good texture will be able to provide a 96.34 Sagging ance. A good texture will be able to provide a 96.34 Sagging
variety of patterns depending on the variety of patterns depending on the
What is a texture? methods of application: Roller, spray, What is a texture? methods of application: Roller, spray,
A Texture is a paint with or without ag- spray and levelling, etc. A Texture is a paint with or without ag- spray and levelling, etc.
gregate of different grades.The aggre- gregate of different grades.The aggre-
gate is added to achieve a textured fin- Lower quality textures will only provide gate is added to achieve a textured fin- Lower quality textures will only provide
ish. Some textures are just thick paints. soft rounded patterns. It is therefore a ish. Some textures are just thick paints. soft rounded patterns. It is therefore a
When applied with e.g. a textured roller, good idea to make a test application to When applied with e.g. a textured roller, good idea to make a test application to
the finish becomes textured. Normally evaluate the final apperance. the finish becomes textured. Normally evaluate the final apperance.
the Texture is applied in rather thick the Texture is applied in rather thick
coats of paint (30-5000 micron). Flexibility coats of paint (30-5000 micron). Flexibility
A poor textured paint may crack during A poor textured paint may crack during
Area of use drying. Area of use drying.
The purpose of applying textures is to The purpose of applying textures is to
create a textured sur face for mainly To test the texture for cracking apply the 96.34 Flexibility create a textured sur face for mainly To test the texture for cracking apply the 96.34 Flexibility
decorative purposes. The texture must texture on a thick piece of plastic. After decorative purposes. The texture must texture on a thick piece of plastic. After
also be water resistant like any other full drying bend the plastic. The good also be water resistant like any other full drying bend the plastic. The good
paint and have sufficient flexibiIity. texture will follow the movements of the paint and have sufficient flexibiIity. texture will follow the movements of the
plastic without cracking and without fall- plastic without cracking and without fall-
What makes a quality texture? ing off. What makes a quality texture? ing off.
The most important tests to identify the The most important tests to identify the
quality of a texture are the following: quality of a texture are the following:
Water resistance Water resistance
Sagging The texture must be water resistant like Sagging The texture must be water resistant like
Since textured paints are often applied any other paint.This can be checked by Since textured paints are often applied any other paint.This can be checked by
in heavy coats, poor textures have a ten- applying the texture on an asbestos in heavy coats, poor textures have a ten- applying the texture on an asbestos
dency to sag. It is therefore important panel at a high film thickness and in the dency to sag. It is therefore important panel at a high film thickness and in the
that it can hold itself together, meaning desired pattern. After dr ying overnight that it can hold itself together, meaning desired pattern. After drying overnight
that it does not slide down vertical sur- immerse the panel in water. The low that it does not slide down vertical sur- immerse the panel in water. The low
faces resulting in a uneven and unat- quality product will star t to dissolve faces resulting in a uneven and unat- quality product will star t to dissolve
tractive finish. However, sagging can within 24 hours while the high quality 96.34 Water resistance tractive finish. However, sagging can within 24 hours while the high quality 96.34 Water resistance
also be caused by excessive thinning ! product will remain intact. also be caused by excessive thinning ! product will remain intact.


Code of Practice No. 96.35 Quality of enamels
Quality of enamels
Summary of quality of enamels: Cheap enamels will often have poor hid- Please note that the drying time is also However, if good quality raw materials
• The areas of use ing power, and more expensive enam- dependent on temperature of the sub- have been used to formulate the paint,
• The Enamel test in practice els may have better hiding power. strate and ventilation. At 20°C and suf- it is possible to reduce the tendency to
ficient ventilation, an enamel should be yellow. There is no direct relationship
How to determine the quality of The hiding power is determined by the dry to touch within max. 7-8 hours. between tendency to yellow and price -
enamels amount of colouring pigments in the except for real non-yellowing enamels,
The quality of an enamel can be deter- product. As colouring pigments are some Paint film appearance which will be significantly more expen-
mined on the following properties: of the most expensive raw materials in Enamels are normally smooth finishes. sive as compared to the traditional ones.
• Hiding power the enamel, there is a direct relation- If the paint has not been manufactured
• Drying time ship between hiding power and price. 96.33 Test of Hiding properly it may contain large particles Enamels will yellow when exposed to the
• Final paint film appearance of undispersed pigments or other con- following conditions:
• Colour and gloss level Test of hiding power taminants which will detract from the • Inside “dark” rooms where the sur-
• Tendency to yellow Apply the enamel by brush to a glass decorative appearance. faces are not exposed to sunlight.
panel or a thick piece of transparent • When exposed to elevated tempera-
plasticboard. Let it dry thoroughly and Test of paint film appearance tures for extended periods.
What is an enamel? hold it against the light. Apply the paint in a low and even film • When exposed to tobacco smoke and
Enamels are top coats formulated with thickness on a smooth substrate. Allow other pollutants.
alkyd, epoxy, polyurethane or other type • If you can see through the paint film the paint to dry and evaluate the appear-
of binder. They can be formulated to give then the hiding power must be con- ance. Test on yellowing tendency (and col-
different properties with regard to dry- sidered poor and you will need to our and gloss stability)
ing time, tendency to yellow, gloss level, apply two coats or more. Therefore Please be aware that there is a distinct
hiding power and colour. more paint is required to hide the difference between dust coming from Apply the enamel on 3 panels (wooden
substrate and/or obtain an even col- the air/room and contaminants from the boards, glass or steel panels). Allow the
our. 96.33 Weather Test paint. The paint should form a nice and paint to dry and cure for 2 days.
Alkyd enamels smooth film without coarse particles in
The following will only describe quality • If you are not able to see through the film. Expose one outside in direct sunlight.
tests of alkyd enamels, but most of the the påint film, then the paint will hide Keep the other panel inside in a normally
tests will also be relevant for other in one or two coats and thereby you Colour and gloss lit room. Place the third panel in a
enamels: will save not only on the quantity of Enamels can be formulated to different drawer. After 21 days (500 hours) com-
paint used but also on the labour gloss levels and in different colours. pare the 3 panels.
Alkyds are normally solvent-borne, but cost and time involved. • If the panel which has been exposed
water-borne alkyds can also be formu- It is important that you get the product outside has lost gloss and has faded,
lated. Alkyds will dry and cure first by Drying time with the colour and gloss level you de- it has probably been formulated with
evaporation of the solvents and secondly As stated before, enamels will dry not sire. The colour and the gloss level of low quality raw materials. This must
by a chemical reaction between the coat- only by evaporation of solvent, but also the product are stated in the product be taken into consideration if the
ing and oxygen from the air. by a chemical reaction between the paint data sheet. product is for exterior use.
and oxygen from the air. • If the panel which has been left in
Properties of alkyd enamels Some alkyd enamels are sold as white, the drawer for 21 days has yellowed
In the following we will go through the The paint should stay open long enough but when applied they appear yellow! - It considerably the coating will also
different properties of alkyd enamels. for the paint to flow together to form a is also important that the paint, after it yellow when you use it indoors.
This should help you choosing the prod- uniform film. It should also dr y fast has been applied, retains its colour and
uct that fit your requirements. enough to avoid dirt pick up. gloss for a reasonable length of time. From the foregoing you may get the im-
pression that enamels are very tricky
Hiding power (opacity) Test of drying If the enamel has been formulated with and that it is extremely dif ficult to
Hiding power is the ability of the paint Apply the paint to a panel of wood, steel, cheap, low-quality pigments it may loose choose the right product. This is not the
to cover or hide the substrate. It is a glass etc. Allow the solvents to evapo- it’s colour and gloss when exposed to case.
proper ty that is especially important rate. Touch the paint with a finger at sun light.
when you want to change the colour of intervals of half an hour. When the paint Our intention with this code of practice
a substrate. no longer feels tacky, it is dry to touch. Tendency to yellow has been to inform you of the fact, that
All alkyd enamels will yellow when ex- there is as direct relationship between
posed in certain environments. The yel- quality and price. And we have tried to
lowing is only a cosmetic problem and suggest a few simple tests which you
Note: This code should not be used without reference to the relevant Product Data Sheet and will not detract from the protective value can use to compare different products
Material Safety Data Sheet, copies of which are available from HEMPEL upong request. of the coating. and evaluate the quality.


Code of Practice No. 96.35 Quality of enamels
Quality of enamels
Summary of quality of enamels: Cheap enamels will often have poor hid- Please note that the drying time is also However, if good quality raw materials
• The areas of use ing power, and more expensive enam- dependent on temperature of the sub- have been used to formulate the paint,
• The Enamel test in practice els may have better hiding power. strate and ventilation. At 20°C and suf- it is possible to reduce the tendency to
ficient ventilation, an enamel should be yellow. There is no direct relationship
How to determine the quality of The hiding power is determined by the dry to touch within max. 7-8 hours. between tendency to yellow and price -
enamels amount of colouring pigments in the except for real non-yellowing enamels,
The quality of an enamel can be deter- product. As colouring pigments are some Paint film appearance which will be significantly more expen-
mined on the following properties: of the most expensive raw materials in Enamels are normally smooth finishes. sive as compared to the traditional ones.
• Hiding power the enamel, there is a direct relation- If the paint has not been manufactured
• Drying time ship between hiding power and price. 96.33 Test of Hiding properly it may contain large particles Enamels will yellow when exposed to the
• Final paint film appearance of undispersed pigments or other con- following conditions:
• Colour and gloss level Test of hiding power taminants which will detract from the • Inside “dark” rooms where the sur-
• Tendency to yellow Apply the enamel by brush to a glass decorative appearance. faces are not exposed to sunlight.
panel or a thick piece of transparent • When exposed to elevated tempera-
plasticboard. Let it dry thoroughly and Test of paint film appearance tures for extended periods.
What is an enamel? hold it against the light. Apply the paint in a low and even film • When exposed to tobacco smoke and
Enamels are top coats formulated with thickness on a smooth substrate. Allow other pollutants.
alkyd, epoxy, polyurethane or other type • If you can see through the paint film the paint to dry and evaluate the appear-
of binder. They can be formulated to give then the hiding power must be con- ance. Test on yellowing tendency (and col-
different properties with regard to dry- sidered poor and you will need to our and gloss stability)
ing time, tendency to yellow, gloss level, apply two coats or more. Therefore Please be aware that there is a distinct
hiding power and colour. more paint is required to hide the difference between dust coming from Apply the enamel on 3 panels (wooden
substrate and/or obtain an even col- the air/room and contaminants from the boards, glass or steel panels). Allow the
our. 96.33 Weather Test paint. The paint should form a nice and paint to dry and cure for 2 days.
Alkyd enamels smooth film without coarse particles in
The following will only describe quality • If you are not able to see through the film. Expose one outside in direct sunlight.
tests of alkyd enamels, but most of the the påint film, then the paint will hide Keep the other panel inside in a normally
tests will also be relevant for other in one or two coats and thereby you Colour and gloss lit room. Place the third panel in a
enamels: will save not only on the quantity of Enamels can be formulated to different drawer. After 21 days (500 hours) com-
paint used but also on the labour gloss levels and in different colours. pare the 3 panels.
Alkyds are normally solvent-borne, but cost and time involved. • If the panel which has been exposed
water-borne alkyds can also be formu- It is important that you get the product outside has lost gloss and has faded,
lated. Alkyds will dry and cure first by Drying time with the colour and gloss level you de- it has probably been formulated with
evaporation of the solvents and secondly As stated before, enamels will dry not sire. The colour and the gloss level of low quality raw materials. This must
by a chemical reaction between the coat- only by evaporation of solvent, but also the product are stated in the product be taken into consideration if the
ing and oxygen from the air. by a chemical reaction between the paint data sheet. product is for exterior use.
and oxygen from the air. • If the panel which has been left in
Properties of alkyd enamels Some alkyd enamels are sold as white, the drawer for 21 days has yellowed
In the following we will go through the The paint should stay open long enough but when applied they appear yellow! - It considerably the coating will also
different properties of alkyd enamels. for the paint to flow together to form a is also important that the paint, after it yellow when you use it indoors.
This should help you choosing the prod- uniform film. It should also dr y fast has been applied, retains its colour and
uct that fit your requirements. enough to avoid dirt pick up. gloss for a reasonable length of time. From the foregoing you may get the im-
pression that enamels are very tricky
Hiding power (opacity) Test of drying If the enamel has been formulated with and that it is extremely dif ficult to
Hiding power is the ability of the paint Apply the paint to a panel of wood, steel, cheap, low-quality pigments it may loose choose the right product. This is not the
to cover or hide the substrate. It is a glass etc. Allow the solvents to evapo- it’s colour and gloss when exposed to case.
proper ty that is especially important rate. Touch the paint with a finger at sun light.
when you want to change the colour of intervals of half an hour. When the paint Our intention with this code of practice
a substrate. no longer feels tacky, it is dry to touch. Tendency to yellow has been to inform you of the fact, that
All alkyd enamels will yellow when ex- there is as direct relationship between
posed in certain environments. The yel- quality and price. And we have tried to
lowing is only a cosmetic problem and suggest a few simple tests which you
Note: This code should not be used without reference to the relevant Product Data Sheet and will not detract from the protective value can use to compare different products
Material Safety Data Sheet, copies of which are available from HEMPEL upong request. of the coating. and evaluate the quality.

Product
HEMPEL Product Data
Data
HEMPEL’S URETHANE GLOSS VARNISH 02220
Description: HEMPEL’S URETHANE GLOSS VARNISH 02220 is a quick-drying clear urethane alkyd
varnish.
Area of use: Interior and Exterior
Substrate: Wood.
PHYSICAL CONSTANTS:
Colours/Shade nos: Transparent/00000

Finish: Gloss
Volume solids: 46%
Theoretical spreading rate: 18.4 m²/litre - 25 micron
738 sq.ft./US gallon - 1 mil
Flash point: 38°C/100°F
Specific gravity: 0.9 kg/litre - 7.5 lbs/US gallon
Dry to touch: 2-3 hours at 20°C/68°F
V.O.C.: 428 g/litre - 3.6 lbs/US gallon
The physical constants are subject to normal manufacturing tolerances.

Further reference is made to "Explanatory Notes".
APPLICATION DETAILS:
Application method: Flat varnish brush Airless spray

Thinner (max. vol.): 08230 (1st coat 20% 2nd coat 10% 3rd coat none)
Cleaning of tools: THINNER 08230
Indicated film thickness, dry: 25 micron/1.0 mil
Indicated film thickness, wet: approx. 50 micron/2 mils
Recoat interval, min: 6 hours (20°C/68°F)
Recoat interval, max: 2 days (20°C/68°F)
If the maximum recoating interval is exceeded, rub down the surface to ensure
adhesion.
Surface condition: The surface should be stable, firm, dry and free of contaminants like dust, old paint, dirt,
oil, grease and algae. The moisture content of the wood should not exceed 16%.
Remarks: Do not apply under humid conditions or at temperatures below 5°C.

Drying data is given on the assumption that proper ventilation and relative humidity
below 65 % is provided.
It is advisable to saturate the dry surface with HEMPEL'S WOOD PRESERVATIVE 02350
which contains an active fungicide preventing the premature rotting of wood.
Note: HEMPEL'S URETHANE GLOSS VARNISH 02220 is for professional use only.
Safety: Handle with care. Before and during use, observe all safety labels on packaging and
paint containers, consult HEMPEL Material Safety Data Sheets and follow all local or
national safety regulations. Harmful or fatal if swallowed; immediately seek medical
assistance if swallowed. Avoid inhalation of possible solvent vapours or paint mist, as
well as paint contact with skin and eyes. Apply only in well ventilated areas and ensure
that adequate forced ventilation exists when applying paint in confined spaces or when
the air is stagnant. Always take precautions against the risks of fire and explosions.
This Product Data Sheet supersedes those previously issued. For definition and scope, see explanatory notes to applicable Product
Data Sheets. Data, specifications, directions and recommendations given in this data sheet represent only test results or experience
obtained under controlled or specially defined circumstances. Their accuracy, completeness or appropriateness under the actual
conditions of any intended use of the Products herein must be determined exclusively by the Buyer and/or User. The Products are
supplied and all technical assistance is given subject to HEMPEL's GENERAL CONDITIONS OF SALES, DELIVERY AND SERVICE, unless
otherwise expressly agreed in writing. The Manufacturer and Seller disclaim, and Buyer and/or User waive all claims involving, any
liability, including but not limited to negligence, except as expressed in said GENERAL CONDITIONS for all results, injury or direct or
consequential losses or damages arising from the use of the Products as recommended above, on the overleaf or otherwise. Product
data are subject to change without notice and become void five years from the date of issue.
Reissued by: HEMPEL PAINTS (QATAR) W.L.L. & Page 1 of 1

HEMPEL PAINTS (EMIRATES) L.L.C. May 2002 - 0222000000
Product
HEMPEL Product Data
Data
HEMPEL'S URETHANE FLAT VARNISH 02280
Description: HEMPEL'S URETHANE FLAT VARNISH 02280 is a one-pack, quick drying, urethane
modified alkyd varnish, with excellent weathering properties.
.
Area of use: Interior and exterior
Substrates: Wood.
PHYSICAL CONSTANTS:
Colours/Shade nos: Transparent / 000000

Finish: Flat and smooth
Volume solids: 45%
Theoretical spreading rate: 18.0 m²/litre - 25 micron*
Flash point: 38°C
Specific gravity: 0.9 kg/litre
Dry to touch: 4 hours (10°C) 2 hours (20°C) 1 hours (40°C)
*The theoretical spreading rate has been calculated for the stated volume solids and dry
film thickness. A practical spreading rate will depend on the actual dry film thickness, the
nature of the substrate, and the relevant consumption factor.
Application method: Flat varnish bush.

Thinner (max. vol.): 08230 (1st coat 20% 2nd coat 10% 3rd coat none)
Indicated film thickness, dry: 25 micron
Indicated film thickness, wet: 55 micron
Recoat interval, min: 5 hours (10°C) 2 hours (20°C) 1 hours (40°C)
Recoat interval, max: 4 days (10°C) 2 days (20°C) 1 day (40°C)
Surface condition: The surface should be stable, firm, dry and free of contaminants like dust, old paint, dirt,
oil, grease and algae. The moisture content of the wood should not exceed 16%.

Drying data is given on the assumption that proper ventilation and relative humidity
Note: HEMPEL'S URETHANE FLAT VARNISH 02280 is for professional use only.
SAFETY: Handle with care. Before and during use, observe all safety labels on packaging and

Product
HEMPEL Product Data
Data
HEMPEL'S WOOD PRESERVATIVE 02350
Description: HEMPEL'S WOOD PRESERVATIVE 02350 is a transparent wood preservative based on
drying oils. Good penetration into new and old wood. The product contains biocide to
prevent growth of fungus and mould.
Area of use: Interior and Exterior: Wooden structures regularly exposed to high humidity or sunlight.
Substrates: Wood.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 9%
Theoretical spreading rate: Not relevant (see REMARKS below)
Flash point: 42°C
Dry to touch: 8 hours (20°C)

Further reference is made to "Explanatory notes".
Application method: Brush Dipping
Thinner (max. vol.): None None
Cleaning of tools: THINNER 08230 or 08110
Recoat interval, min: 24 hours (20°C) (see REMARKS below)
Recoat interval, max: None
Surface condition: The surface should be stable, firm, dry and free of contaminants like dust, dirt, oil,
grease and fungus.
Remarks: HEMPEL'S WOOD PRESERVATIVE 02350 should be applied wet-on-wet until full
saturation is obtained. Wipe off any excess material to avoid a glossy surface after
drying. The consumption will depend on the ability of the wood to absorb the
preservative, but a guideline for practical coverage will be 3-5 m2/litre in the case of
rough wood and 4-6 m2/litre in the case of dressed wood. HEMPEL'S WOOD
PRESERVATIVE 02350 is most effectively applied by brush. Cut ends should, if possible,
be dipped. Drying data is given on the assumption that proper ventilation is provided.
Recoating with products dissolved in white spirit may take place after 24 hours (20°C).
For optimum protection overcoat with HEMPEL'S WOODSTAIN 02450.
Note: HEMPEL'S WOOD PRESERVATIVE 02350 is for professional use only.
national safety regulation. Harmful or fatal if swallowed; immediately seek medical

HEMPEL PAINTS (EMIRATES) L.L.C. May 2002 - 0235000000CS001
Product
HEMPEL Product Data
Data
HEMPEL'S WOOD STAIN 02450
Description: HEMPEL'S WOOD STAIN 02450 is a durable, oil-based wood stain for protection of all
types of wood. The product contains biocides to prevent growth of fungus and mould.
Contains UV filter to reduce the degrading effect of the sunlight.
Area of use: Interior and Exterior: Wooden structures regularly exposed to high humidity or sunlight.
Substrates: Wood.
PHYSICAL CONSTANTS:
Colours/Shade nos: Transparent/00000 or according to HEMPEL's colour card
Finish: Flat
Volume solids: 37%
Flash point: 42°C

Application method: Brush Dipping
Thinner (max. vol.): None None
Recoat interval, min: 8 hours (20°C)
Surface condition: The surface should be stable, firm, dry and free of contaminants like dust, sand, loose
old paint, dirt, oil, grease and algae. The moisture content of the wood should not
exceed 16 %. Avoid cleaning or grinding of the surface with steel wool or similar as this
may cause rust stains.
Wood preserver: New wood (except teak and vacuum impregnated wood) and bare spots of previously
treated wood should be saturated with HEMPEL'S WOOD PRESERVATIVE 02350.

The consumption will depend on the ability of the wood to absorb HEMPEL'S WOOD
STAIN 02450, but a guideline for practical coverage is 5-10 m2/litre in the case of rough
and absorbing wood and 10 -20 m2/litre in the case of dressed wood.
HEMPEL'S WOOD STAIN 02450 is most effectively applied by brush. Drying data is
given on the assumption that proper ventilation is provided. Apply 1 or more coats to
obtain the desired colour and a uniform appearance.
Please note that the shade becomes darker after repeated treatment.
Note: HEMPEL'S WOOD STAIN 02450 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S COLOUR VARNISH 02500
Description: HEMPEL'S COLOUR VARNISH 02500 is a quick-drying, clear urethane varnish. The
product is available in many attractive colours and is used for interior and exterior
decoration of wood. Contains UV filter to reduce the degrading effect of the sunlight.
Area of use: Interior and Exterior: Windows and door frames, skirting, furniture, etc.
Substrates: Wood.
PHYSICAL CONSTANTS:
Colours/Shade nos: Transparent/00000 or according to HEMPEL's colour card
Finish: Glossy
Volume solids: 46%
Flash point: 38°C
film thickness.
A practical spreading rate will depend on the actual dry film thickness, the nature of the
substrate and the relevant consumption factor.

Further reference is made to "Explanatory notes"
Application method: Flat varnish brush
Thinner (max. vol.): 1st coat (20%) 2nd coat (10%) 3rd coat (None)
Surface condition: The surface should be stable, firm, dry and free of contaminants like dust, old paint,
dirt, oil, grease and algae. The moisture content of the wood should not exceed 16 %.
Wood preserver: New wood (except teak and vacuum impregnated wood) and bare spots of previously
treated wood should be saturated with HEMPEL'S WOOD PRESERVATIVE 02350.

Drying data is given on the assumption that proper ventilation is provided. Apply one or
more coats to obtain the desired colour and a uniform appearance.
Please note that the shade becomes darker after repeated treatments.
Note: HEMPEL'S COLOUR VARNISH 02500 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S PARQUET VARNISH 05250
Description: HEMPEL'S PARQUET VARNISH 05250 is a one-component moisture curing, clear
polyurethane varnish. The product is easy to apply and has good adhesion to wood. It
gives a flexible but hard glossy surface, resistant to normal wear on wooden floors. It is
ideal in kitchens and other areas where spillages of foodstuff and domestic cleaning
agents may occur.
Area of use: Interior: New or previously varnished parquet floors and other wooden items such as
stairs, handrails, windows, doors, etc.
Substrates: Wood.
PHYSICAL CONSTANTS:
Colours/Shade nos.: Transparent/00000
Finish: Glossy
Volume solids: 35%
Flash point: 26°C
Dry to touch: 1 hour (20°C)
film thickness.
Application method: Flat varnish brush Air Spray
Thinner (max. vol.): 08880 (5%) 08880 (5%)
Recoat interval, max.: 48 hours (20°C)
Surface condition: The surface should be stable, firm, dry and free of contaminants like dust, loose
varnish, old paint, dirt, oil and grease. The moisture content of the wood should not
exceed 16 %.

more coats to obtain the desired colour and uniform appearance. To obtain a very
smooth finish, light sandpapering between varnish coats is recommended. If maximum
recoating interval is exceeded, careful sandpapering of the surface is recommended in
order to ensure intercoat adhesion.
Note: HEMPEL'S PARQUET VARNISH 05250 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S POLYURETHANE LACQUER 05570
CURING AGENT 95370
Description: HEMPEL'S POLYURETHANE LACQUER 05570 is a two-component polyurethane varnish

with high gloss and excellent weathering properties.

Substrates: Wood
PHYSICAL CONSTANTS:
Colours/Shade nos: Transparent
Finish: High-gloss
Volume solids: 50%
Theoretical spreading rate: 16.7m2/litre - 30 micron*
Flash point: 27°C
Specific gravity: 1.0kg/litre
Fully cured: 7 days
film thickness.
Application method: Flat varnish brush Conventional spray

Thinner (max. vol.): 08080 (5%) 08080 (15%)
Cleaning of tools: HEMPEL'S THINNER 08080
Mixing ratio: Base 05579:Curing Agent 95370 5.4:1 (volume)
Pot life: 4 hours (20°C)
Recoat interval, max: 3 days (20°C)
Surface condition: The surface shall be dry and free from dust, grease and oil. The moisture content of the
wood should not exceed 16%.
Remarks: Drying data is given on the assumption that proper ventilation and relative humidity
For use on other substrates than wood contact your HEMPEL representative.
Note: HEMPEL'S POLYURETHANE LACQUER 05570 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPADUR SEALER 05970
CURING AGENT 95950
Description: HEMPADUR SEALER 05970 is a concrete sealer for porous substrates. It is low in
viscosity with good penteration properties.
Recommended use: For saturation of well cleaned concrete surfaces before application of pigmented paints.
Must be applied in such an amount that the surface is just saturated. HEMPADUR
SEALER 05970 is especially developed for use under heavy duty paint systems and
chemical resistant coatings.
Service temperatures: Related to substrate and subsequent coat. HEMPADUR SEALER 0597 itself resists the
following temperatures:
Dry: In water:
Maximum: 140°C/284°F 60°C/140°F
Availability: Subject to confirmation.
PHYSICAL CONSTANTS:
Colours/Shade nos: Transparent / 00000
Finish: Flat
Volume solids: 52%
Theoretical spreading rate: Not relevant (See REMARKS below)
Specific gravity: 1.0 kg/litre - 8.3 lbs/US gallon
Dry to touch: 2-4 hours at 20°C/68°F
Fully cured: 7 days at 20°C/68°F
V.O.C.: 431 g/litre - 3.6 lbs/US gallon
Further reference is made to "Explanatory Notes" in the Hempel Book.
Mixing ratio for 05970: Base 05979 : Curing agent 95950 4 : 1 by volume
Application method: Airless spray Brush
Thinner (max.vol.): 0845 (10%) 0845 (10%)
Pot life: 8 hours (20°C/68°F)
Nozzle orifice: .017"-.021"
Nozzle pressure: 100 bar/1450 psi (Airless spray data are
indicative and subject to adjustment)
Cleaning of tools: HEMPEL'S TOOL CLEANER 99610
Indicated film thickness, dry: Not relevant
Indicated film thickness, wet: Not relevant (See REMARKS below)
Recoat interval, min: 6 hours (20°C/68°F)
Remarks:
Film thicknesses/ HEMPADUR SEALER 05970 is used for saturation of the absorbent concrete surface
consumption: Therefore a practical theoretical spreading rate cannot be calculated. For
practical purposes, approx. 14 m²/litre (570 sq.ft./US gallon) is indicated depending on
the surface roughness, porosity of the concrete, and the application method.
Appearance: In any case a glossy surface must not appear and such a surplus of HEMPADUR SEALER
0597 must be removed by sanding before painting takes place.
Note: HEMPADUR SEALER 05970 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S EPOXY SEALER 05990
CURING AGENT 95040
Description: HEMPEL'S EPOXY SEALER 05990 is a two-component polyamide cured epoxy

binder/sealer for porous substrates not previously coated. Has a low viscosity and
excellent penetration properties. Also for use under epoxy/polyurethane coating
systems.
Area of use: Interior and exterior: Foundations, floors, walls and ceilings.
Substrates: Concrete, masonry, cement rendering, gypsum boards, etc.
PHYSICAL CONSTANTS:
Finish: Flat (when penetration into substrate has taken place)
Volume solids: 29%
Flash point: 25°C
Dry to touch: 10 hours (10°C) 4 hours (20°C) 1 hour (40°C)

Mixing ratio for 05990: Base 05999 : Curing agent 95040
4 : 1 by volume
Application method: Brush Airless spray
Thinner (max.vol.): 08450 (5%) 08450 (5%)
Recoat interval, min: 10 hours (10°C) 4 hours (20°C) 1 hour (40°C)
Recoat interval, max: None None None
Surface condition: The surface should be stable, firm, dry and free of dust, sand, loose old paint, laitance,
dirt, grease and oil.
Remarks: Use only where application and curing can proceed at temperatures above 10°C.
A theoretical sprading rate cannot be calculated. For practical purposes, approximately
10 m²/litre is indicated depending on the surface roughness, porosity of the concrete,
extent of thinning and application method. The sealer is intended to saturate the surface
- any surplus to be removed, preferably when the sealer is still wet. Drying data is given
on the assumption that proper ventilation is provided.
Note: HEMPEL'S EPOXY SEALER 05990 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPEL'S BINDER/SEALER 06600
Description: HEMPEL'S BINDER/SEALER 06600 is a well penetrating, clear acrylic product with
water-proofing properties for old stone and masonry. For this purpose, two coats are
often necessary.
As a binder/sealer for porous substrates such as concrete, plaster and whitewashed
surfaces.
For use under solvent-borne as well as water-borne coating systems.
Area of use: Interior and exterior: Walls, ceilings, partitions etc.
Substrates: Concrete, masonry, cement rendering, plaster, stone and white-washed surfaces, etc.
PHYSICAL CONSTANTS:
Finish: Glossy
Volume solids: 20%
Flash point: 38°C
Dry to touch: 15 minutes (20°C)

Application method: Brush/roller Conventional spray Airless spray
Thinner (max.vol.): 08230 (50%) 08230 (50%) 08230 (50%)
Recoat interval, min: 30 minutes (20°C)
Remarks: A theoretical spreading rate cannot be calculated. For practical purposes, approximately
10 m²/litre is indicated depending on the surface roughness, the porosity of the
concrete, the extent of thinning and the application method. When the product is used
as a sealer, it is intended to saturate the surface - any surplus to be removed, preferably
when the sealer is still wet.
Drying data given is on the assumption that proper ventilation is provided.
Note: HEMPEL'S BINDER/SEALER 06600 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S BINDER/SEALER 09810
Description: HEMPEL'S BINDER/SEALER 09810 is an economic water-borne acrylic binder/sealer
with good penetrating and dust binding properties.
For use under solvent-borne as well as water-borne coating systems.
Area of use: Interior and exterior: Walls, ceilings, partitions, etc.
Substrates: Concrete, masonry, cement rendering, plaster, wood, etc.
PHYSICAL CONSTANTS:
Colour/Shade nos: Transparent/00000
Finish: Semi-flat
Volume solids: 29%
Flash point: > 66°C
Dry to touch: 2 hours (10°C) 1 hour (20°C) 30 minutes (40°C)

Application method: Brush/roller Conventional spray
Thinner (max. vol.): Fresh water (10%) Fresh water (5%)
Cleaning of tools: Fresh water
Remarks: Use only when application and drying can proceed at temperatures above 5°C, preferably
above 10°C.
A theoretical spreading rate cannot be calculated. For practical purposes, approximately
10 m²/litre is indicated depending on the surface roughness, the porosity of the
concrete, the extent of thinning and the application method. The sealer is intended to
saturate the surface - any surplus to be removed, preferably when the sealer is still wet.
Note: HEMPEL'S BINDER/SEALER 09810 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S METAL PRIMER 12070
Description: HEMPEL'S METAL PRIMER 12070 is an anticorrosive primer based on alkyd resin.
Substrates: Steel, Iron
PHYSICAL CONSTANTS:
Colours/Shade nos: Red / 60150
Finish: Flat
Volume solids: 40%
Theoretical spreading rate: 10m2/litre - 40 micron*
Flash point: 38°C
Dry to handle 16 hours (10°C) 8 hours (25°C) 4 hours (40°C)
film thickness.
Application method: Airless spray Brush Conventional spray
Thinner (max. vol.): 08230/08110 (5%) 08230/08110 (5%) 08230/08110 (15%)
Cleaning of tools: THINNER 08230/08110

Recoat interval, max: 10 days (10°C) 5 days (25°C) 2 days (40°C)
Surface condition: The surface has to be free of mill scale, grease and oil, loose rust, old paint and other
contaminants.
HEMPEL'S NAVI WASH 99330 is recommended for degreasing. Abrasive cleaning (Sa 2
minimum) is the preferred surface preparation method.
Note: HEMPEL'S METAL PRIMER 12070 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPEL'S PRIMER/UNDERCOAT 22460
Description: HEMPEL'S PRIMER/UNDERCOAT 22460 is an alkyd intermediate coat for steel work and
a primer for non-metallic surfaces.
Area of use: As an interior and exterior primer and intermediate coat in alkyd systems.
Substrates: Woodwork, timber, fibre-board, sealed masonry surfaces in dry rooms and primed
steelwork.
PHYSICAL CONSTANTS:
Colours/Shade nos: White/10000
Finish: Flat
Volume solids: 55%
Flash point: 38°C
film thickness.
substrate, and the relevant consumption factor.

Thinner (max.vol.): 08230 or 08110 (5%) 08230 (15%) 08230 (5%)
Indicated film thickness dry: 40 micron
indicated film thickness wet: 75 micron
Surface condition: The surface should be stable, firm, dry and free of dust, sand, loose old paint, dirt,
grease and oil. It is recommended to apply HEMPEL'S PRIMER/UNDERCOAT 22460
prior to the specified filling procedure.
Filling: HEMPEL'S ACRYLIC FILLER 38900.
Remarks: Drying data given is on the assumption that proper ventilation is provided.
Note: HEMPEL'S PRIMER/UNDERCOAT 22460 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S CONTEX SEALER 26600
Description: HEMPEL'S CONTEX SEALER 26600 is an alkali resistant, acrylic primer/sealer. Excellent
penetration and dust binding properties on mineral substrates. Especially developed for
use in HEMPEL'S CONTEX anticarbonation systems.
Area of use: Exterior: Walls.
Substrates: Concrete, masonry, cement rendering, asbestos, etc.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 29%
Theoretical spreading rate: 9.7 m2/litre - 30 micron*
Flash point: 38°C
*The theoretical spreading rate has been calculated for application on a primed and
smooth surface. The actual rates may differ significantly as the sealer is intended to be
applied on rough and porous substrates. The actual rates will also depend on the extent of
thinning, the application method and the relevant consumption factor.

Application method: Airless spray Brush/roller
Thinner (max. vol.): 08080 (15%) 08080 (15%)
Nozzle orifice: .017"-.021"
Nozzle pressure: 100 bar/1450 psi
(Airless spray data are indicative and subject to adjustment)
Recoat interval, min: 2 hours (10°C) 1 hour (20°C) 30 minutes (40°C)
Remarks: Drying data is given on the assumption that proper ventilation is provided.
Note: HEMPEL'S CONTEX SEALER 26600 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S ACRYLIC PRIMER/SEALER 26630
Description: HEMPEL'S ACRYLIC PRIMER/SEALER 26630 is a solvent-borne alkali resistant acrylic
primer/sealer with excellent penetration and dust binding properties. For use under
solvent-borne as well as under water-borne coatings.
Substrates: Concrete, masonry, cement rendering, plaster, wood, etc.
PHYSICAL CONSTANTS:
Colour/Shade nos: White/10000
Finish: Flat
Volume solids: 33%
Theoretical spreading rate 11.0 m2/litre - 30 micron*
Flash point: 38°C
*The spreading rate has been calculated theoretically for application onto a primed and
smooth surface. The actual rates may differ significantly as the primer/sealer is intended to
be applied to rough and porous substrates. The actual rates will also depend on the extent
of thinning, the application method and the relevant consumption factor.

Thinner (max. vol.): 08080 (15%) 08080 (30%)
Remarks: Drying data given is on the assumption that proper ventilation is provided.
Note: HEMPEL'S ACRYLIC PRIMER/SEALER 26630 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S PRIMER/SEALER 28830
Description: HEMPEL'S PRIMER/SEALER 28830 is a pigmented water-borne primer/sealer with
excellent sealing and binding properties.
Substrates: Concrete, masonry, cement rendering, plaster, etc.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 26%
*The spreading rate has been calculated theoretically for application onto a primed and
smooth surface. The actual rates may differ significantly as the primer/sealer is intended to
be applied to rough and porous substrates. The actual rates will also depend on the extent
of thinning, the application method and the relevant consumption factor.

Recoat interval, minimum: 4 hours (10°C) 2 hours (20°C) 1 hour (40°C)
Recoat interval, maximum: None None None
Remarks: Use only where application and drying can proceed at temperatures above 5°C,
preferably above 10°C.
Note: HEMPEL'S PRIMER/SEALER 28830 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S EPOXY FILLER 35230
CURING AGENT 95130
Description: HEMPEL'S EPOXY FILLER 35230 is a two-component, high solid epoxy filler. It is a very
hard, impact and chemical resistant material when cured. It can be applied in a dry film
thickness of up to 10 mm without cracking. The product is easy to work with and has
excellent filling properties. Can be recoated with solvent-borne primers/sealers and is
the preferred filler for epoxy and polyurethane systems.
Area of use: As a repair filler or levelling compound for interior and exterior areas.
Substrates: Concrete, steel and other rigid materials.
PHYSICAL CONSTANTS:
Colours/Shade nos: Off-white/11630
Finish: Flat
Volume solids: 98%
Flash point: 25°C
Ready to sand: 16 hours (20°C)

3 : 1 by volume
Application method: Spatula, broad knife, steel trowel
Thinner (max. vol.): Do not dilute (when used as skimcoat, 5% THINNER 08450 is recommended)
Cleaning of tools: TOOL CLEANER 99610 or THINNER 08450
Recoat interval, max: 30 days (20°C) (see REMARKS below)
dirt, grease and oil. It is recommended to apply an epoxy primer/sealer prior to the
specified filling procedure.
The dry film thickness will be determined by the depth of crevices, blow-holes or the
degree of surface irregularities. The practical spreading rate will alter accordingly.
If the maximum recoating interval is exceeded, roughening of the surface is necessary.
Note: HEMPEL'S EPOXY FILLER 35230 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S EPOXY GROUT 35930
CURING AGENT 95030
POWDER 97930
Description: HEMPEL'S EPOXY GROUT 35930 is a three-component, solvent-free epoxy grout. It is a

very hard, impact and chemical resistant material when cured. Can be applied in a dry
film thickness of up to 30 mm without cracking. The product is easy to work with and
has excellent filling properties. Can be recoated with solvent-borne primers/sealers and
is the preferred grout for epoxy and polyurethane systems.
Area of use: As a repair grout interior and exterior.
Substrates: Concrete.
PHYSICAL CONSTANTS:
Colours/Shade nos: Opaque/09990
Finish: Semi-flat
Volume solids: 100%

Mixing ratio for 35930: Base 35939 1.0 kg
Curing agent 95030 0.6 kg
Powder 97930 8.5 kg
Mixing of the 3 components requires powerful mechanical mixing equipment. Mix Base
35939 with Curing Agent 95030 and stir. Then slowly add Powder 97930 while stirring.
Continue stirring until homogeneity is obtained. Protect the powder against moisture
before mixing.
Application method: Spatula, filling knife, steel trowel
Thinner (max. vol.): Do not dilute
Pot life: 30 minutes (20°C)
specified filling procedure.
Remarks: Use only where application and curing can proceed at temperatures above 5°C and
preferably below 35°C. The dry film
thickness will be determined by the depth of crevices or the degree of surface
irregularities. The practical spreading rate will alter accordingly.
Note: HEMPEL'S EPOXY GROUT 35930 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S CONTEX FILLER 36610
Description: HEMPEL'S CONTEX FILLER 36610 is an acrylic-based filler, thixotropic in appearance and
content. It is a knifing filler which is smooth and easy to apply. The high solids content
ensures excellent workability, smoothing and filling properties. Accepts a wide range of
solvent and water-borne topcoats.
Area of use: Interior and exterior.
Substrates: Concrete, cement rendering, masonry, gypsum boards and wood.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 59%
Theoretical spreading rate: 5.9 m²/litre - 100 micron (when used as a skim coat) (see REMARKS below)
Flash point: 23°C
Dry to touch: 6 hours (10°C) 3 hours (20°C) 1½ hours (40°C)
Dry to handle: 12 hours (10°C) 6 hours (20°C) 3 hours (40°C)
Ready to sand: 48 hours (10°C) 24 hours (20°C) 12 hours (40°C)

dirt, grease and oil. It is recommended to apply a primer/sealer prior to the specified
filling procedure. Touch-up with primer/sealer on areas repaired with filler can be done
prior to application of topcoats.
Remarks: The dry film thickness will be determined by the depth of the crevices, blowholes or the
degree of surface irregularities.
The practical spreading rate will be altered accordingly.
Drying data is given on the assumption that proper ventilation is provided.
Note: HEMPEL'S CONTEX FILLER 36610 is for professional use onlly.

HEMPEL PAINTS (EMIRATES) L.L.C. May 2002 - 36610-11630CS002
Product
HEMPEL Product Data
Data
HEMPEL'S PUTTY FILLER 38820
Description: HEMPEL'S PUTTY FILLER 38820 is an economical, water-borne filler with good
smoothing properties. Recoatable with water-borne or solvent-borne coatings.
.
Area of use: Interior; Dry rooms: Walls, ceilings, partitions, etc.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 52%

filling procedure. Touch-up with primer/sealer on areas repaired with filler is
recommended prior to application of topcoats.
Remarks: Use only where application and drying can proceed at temperatures above 5°C.
Not recommended in rooms with high humidity such as bathrooms, kitchens, etc.
degree of surface irregularities. HEMPEL'S PUTTY FILLER 38820 is not recommended for
deep filling. Avoid applying at excessive film thickness.
The practical spreading rate will alter accordingly.
Note: HEMPEL'S PUTTY FILLER 38820 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPEL'S ACRYLIC FILLER 38830
Description: HEMPEL'S ACRYLIC FILLER 38830 is a water-borne filler with excellent smoothing and
filling properties. Can be topcoated with water-borne or solvent-borne systems.
Substrates: Concrete, masonry, cement rendering, plaster, gypsum boards, etc.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 46%

degree of surface irregularities.
The practical spreading rate will alter accordingly.
Note: HEMPEL'S ACRYLIC FILLER 38830 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPEL'S SPATTER FINISH 38860
Description: HEMPEL'S SPATTER FINISH 38860 is a water-borne emulsion coating. The product
has non-drip properties. The final appearance is determined by the application method.
Different patterns can be obtained by using different application tools. Overcoating with
solvent-borne or water-borne coatings is recommended to obtain best possible finish and
washability.
Substrates: Concrete, cement rendering, plaster, gypsum boards, etc.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 54%
Theoretical spreading rate: 2.2 - 5.0 m²/litre (dependent upon the density of the design/pattern) - 100/ 250
micron*
film thickness.
Application method: Conventional spray Hopper gun Air-mix spray
Thinner (max. vol.): None None None
Sealing: Transparent: HEMPEL'S BINDER/SEALER 09810

Opaque: HEMPEL'S ACRYLIC PRIMER/SEALER 26630
Remarks: Use only where applicaton and drying can proceed at temperatures above 5°C, preferably
above 10°C.
Other primers or subsequent coats may be specified.
Note: HEMPEL'S SPATTER FINISH 38860 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S SPRAY FILLER 38880
Description: HEMPEL'S SPRAY FILLER 38880 is a water-borne acrylic filler for smoothing and
levelling. The product is especially formulated for spray application.
Substrates: Concrete, masonry, cement rendering, plaster, asbestos, etc.

PHYSICAL CONSTANTS:
Colours/Shade nos: Opaque/09990
Finish: Flat
Volume solids: 62%
*The theoretical spreading has been calculated for the stated volume solids and dry film
thickness.
Application method: Airless spray Air spray
Thinner ( max. vol.): None None
Nozzle orifice: .031"
degree of surface irregularities. Drying data given is on the assumption that proper
ventilation is provided.
Note: HEMPEL'S SPRAY FILLER 38880 is for professional use only.

Product
HEMPEL Product Data
Data
Description: HEMPEL'S ACRYLIC FILLER 38900 is a high-grade, flexible water-borne acrylic filler. The
high solids content ensures excellent workability, smoothing and filling properties. Ideal
for filling joints in gypsum boards. Can be used as a repair filler or for full skim-coat
application. HEMPEL'S ACRYLIC FILLER 38900 can be overcoated with solvent-borne or
water-borne coatings without use of a primer/sealer.
Substrates: Concrete, masonry, gypsum boards, plaster, asbestos, wood, etc.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 61%
Theoretical spreading rate: 6.1 m²/litre - 100 micron (when applied as a skim coat)*
film thickness.

filling procedure.
Remarks: Use only where applicaton and drying can proceed at temperatures above 5°C, preferably
above 10°C.
Note: HEMPEL'S ACRYLIC FILLER 38900 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPADUR HI-BUILD 45230
CURING AGENT 95040
Description: HEMPADUR HI-BUILD 45230 is a two-component high-build epoxy coating which forms a
tough film resistant to water, impact and abrasion.
Substrates: Steel and concrete
PHYSICAL CONSTANTS:
Colours/Shade nos: White/10000, Offwhite/11630 and Grey/10A03
Finish: Semi-flat and smooth
Volume solids: 61%
Theoretical spreading rate: 6.1m2/litre - 100 micron*
Specific gravity: 1.4kg/litre (11.7Lbs/US Gallon)
Dry to handle 40 hours (10°C) 16 hours (25°C) 8 hours (40°C)
film thickness.
Mixing ratio for 45230: Base 45239 : Curing Agent 95040 3:1 by volume
Application method: Airless spray Brush Roller
Thinner (max. vol.): 08700 (5%) 08700 (5%) 08700 (5%)
Recoat interval, max: 2 months (10°C) 1 month (25°C) 8 days (40°C)
Surface condition: The surface has to be free of mill scale, grease and oil, loose rust, old paint and other
contaminants.
HEMPEL'S NAVI WASH 99330 is recommended for degreasing. Abrasive cleaning (Sa 2
minimum) or by mechanical cleaning (St 3 minimum) are the preferred surface
preparation methods.
Filling: As per specification
Sealing: As per specification

Note: HEMPADUR HI-BUILD 45230 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPEL'S EPOXY TEXTURE 45450
CURING AGENT 95210
Description: HEMPEL'S EPOXY TEXTURE 45450 is a two-component, high-solids epoxy product, which
is specially formulated to be applied by spray to obtain a textured surface with different
patterns. When topcoated with polyurethane finishes, a high-grade system, suitable for
outdoor exposure is obtained.
Area of use: Interior and exterior: Ceilings and walls.
Substrates: Concrete, masonry, cement rendering, plaster, etc.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 56 %
Flash point: 12°C
film thickness.

9 : 1 by volume
Application method: Hopper gun Airless spray
Thinner (max. vol.): 08450 (5%) 08450 (5%)
Pot life: 6 hours (10°C) 3 hours (20°C)
Surface condition: The surface should be stable, firm, dry and free of dust, sand loose old paint, laitance,
specified filling procedure. Touch-up with primer/sealer on areas repaired with filler is
Filling: HEMPEL'S EPOXY FILLER 35230
Sealing: HEMPEL'S EPOXY SEALER 05990
Other sealer/filler types may be specified. Drying data given is on the assumption that
proper ventilation is provided.
Note: HEMPEL'S EPOXY TEXTURE 45450 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPEL'S CONTEX SMOOTH 46600
Description: HEMPEL'S CONTEX SMOOTH 46600 is an alkali resistant, acrylic topcoat in HEMPEL'S
CONTEX anticarbonation system. The product is water-repellent, but allows water vapour
from the substrate to pass through the paint film. Has a smooth flat finish.
PHYSICAL CONSTANTS:
Colours/Shade nos: White/10000 or according to HEMPEL's colour card
Finish: Flat
Volume solids: 43%
Flash point: 25°C
film thickness.
Thinner (max. vol.): 08080 (5%) 08080 (5%)
Nozzle orifice: 0.017"-0.021"
Filling: HEMPEL'S CONTEX FILLER 36610.
Sealing: HEMPEL'S CONTEX SEALER 26600 or HEMPEL'S ACRYLIC PRIMER/SEALER 26630.
Remarks: Drying data is given on the assumption that proper ventilation is provided. To obtain the
best result, follow HEMPEL's recommended painting specifications for HEMPEL'S
CONTEX anticarbonation system. Please also see HEMPEL'S product information for
HEMPEL'S CONTEX 46600.
Note: HEMPEL'S CONTEX SMOOTH 46600 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPEL'S W/B CONTEX SMOOTH 48600
Description: HEMPEL'S W/B CONTEX SMOOTH 48600 is a waterborne alkali resistant pure acrylic
topcoat in HEMPEL'S W/B CONTEX anticarbonation system. The product is
water-repellent, but allows water vapour from the substrate to pass though the paint
film.
Substrates: Concrete, masonry, cement rendering, asbestos, polyurethane foam, etc.
PHYSICAL CONSTANTS:
Colours/Shade nos: White/10000 or according to HEMPEL's colour card.
Finish: Semi flat
Volume solids: 49%
Flash point: >66°C
film thickness.
Nozzle orifice: 0.023"-0.025"
Nozzle pressure: 150-180 bar / 2200-2600 psi
Filling: HEMPEL'S CONTEX FILLER 36610 or HEMPEL'S ACRYLIC FILLER 38900.
Sealing: HEMPEL'S PRIMER SEALER 28830.
preferably above 10°C. Other sealer/Filler types may be specified. Drying data is given
on the assumption that proper ventilation is provided.
Note: HEMPEL'S W/B CONTEX SMOOTH 48600 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S SMOOTH TEXTURE 48740
Description: HEMPEL'S SMOOTH TEXTURE 48740 is a high-build, water-borne coating. The product
has non-drip properties and different patterns can be obtained by combining different
application tools. Must be recoated to obtain desired colour and gloss.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 57%
film thickness.
Application method: Brush/roller Air-mix spray/Airless spray
Thinner (max.vol.): None None
indicated film thickness, wet: 180 micron
Recoat interval, max None None None
Filling: HEMPEL'S CONTEX FILLER 36610 or HEMPEL'S ACRYLIC FILLER 38900

preferably above 10°C. Other sealer/filler types may be specified.
Note: HEMPEL'S SMOOTH TEXTURE 48740 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPEL'S GLOSS ENAMEL 52040
Description: HEMPEL'S GLOSS ENAMEL 52040 is a superior alkyd topcoat available in a wide range
of colours. The product is ideally suited for kitchens and bathrooms, doors, window
frames, furniture and woodwork in general. Also ideal for metal surfaces. Approved
according to SASO standard 472-1986, gloss enamel for interior and exterior surfaces.
Substrates: Metal surfaces, woodwork, fibre-boards, etc.
PHYSICAL CONSTANTS:
Finish: High gloss
Volume solids: 46%
Flash point: 38°C
film thickness.
Thinner (max. vol.): 08230 or 08110(5%) 08230 (15%) 08230 (5%)
grease and oil. It is recommended to apply a primer prior to the specified filling
procedure. Touch-up with primer on areas repaired with filler is recommended prior to
application of topcoats.
Primer: On ferrous metal: HEMPALIN PRIMER 12050

On wood: HEMPEL'S ALKYD UNDERCOAT 22460
Remarks: Other primer/filler types may be specified.

Note: HEMPEL'S GLOSS ENAMEL 52040 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S FLAT ENAMEL 52060
Description: HEMPEL'S FLAT ENAMEL 52060 is a superior alkyd topcoat. The product is ideally
suited for kitchens and bathrooms, doors, window frames, furniture and woodwork in
general. Also ideal for metal surfaces.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 40%
Flash point: 38°C
Dry to touch: 2 hours (20°C )
film thickness.

grease and oil. It is recommended to apply a primer/sealer prior to the specified filling
procedure. Touch-up with primer/sealer on areas repaired with filler is recommended

On wood: HEMPEL'S PRIMER/UNDERCOAT 22460

Note: HEMPEL'S FLAT ENAMEL 52060 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S SEMI-GLOSS ENAMEL 52080
Description: HEMPEL'S SEMI-GLOSS ENAMEL 52080 is a superior alkyd topcoat. The product is
ideally suited for kitchens and bathrooms, doors, window frames, furniture and
woodwork in general. Also ideal for metal surfaces.
PHYSICAL CONSTANTS:
Finish: Semi-gloss
Volume solids: 46%
Flash point: 38°C
film thickness.
Thinner (max. vol.): 08230 or 08110 (5%) 08230 (15%) 08230 (5%)
application of topcoats

On wood: HEMPEL'S PRIMER/UNDERCOAT 22460

Note: HEMPEL'S SEMI-GLOSS ENAMEL 52080 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S METALLIC PAINT 52410
Description: HEMPEL'S METALLIC PAINT is a superior alkyd topcoat. The product is highly pigmented
with micaceous iron oxide (MIO) to provide a special metallic textured finish.
PHYSICAL CONSTANTS:
Colours/Shade nos: Black/12650 - Light grey/12660
Finish: Flat
Volume solids: 55%
Flash point: 41°C
film thickness.

Application method: Brush/roller
Thinner (max. vol.): 08230 or 08110(5%)
grease and oil. It is recommended to apply a primer/sealer prior to the specified filling
procedure. Touch-up with primer/sealer on areas repaired with filler is recommended


Note: HEMPEL'S METALLIC PAINT 52410 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPALUX* GLOSS 52940
Description: HEMPALUX GLOSS 52940 is a superior alkyd topcoat with improved colour retention.
The product is ideally suited for doors, window frames, furniture and woodwork in
general where a high quality finish is required. Also ideal for primed metal surfaces. The
product has excellent hiding power and is easy to apply.
PHYSICAL CONSTANTS:
Finish: High gloss
Volume solids: 43%
Flash point: 33°C
film thickness.
application of topcoats.
Note: HEMPALUX GLOSS 52940 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPALUX®SEMI-GLOSS 52980
Description: HEMPALUX SEMI-GLOSS 52980 is a superior alkyd topcoat with improved colour
retention. The product is ideally suited for doors, window frames, furniture and
woodwork in general where a high quality finish is required. Also ideal for primed metal
surfaces. The product has excellent hiding power and is easy to apply.
PHYSICAL CONSTANTS:
Finish: Semi-gloss
Volume solids: 48%
Flash point: 38°C
film thickness.
Thinner (max. vol.): 08230 or 08110 (5%) 08230 (15%) 08230 (5%)
application of topcoats
Note: HEMPALUX SEMI-GLOSS 52980 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPATHANE* ENAMEL 55100
CURING AGENT 95370
Description: HEMPATHANE ENAMEL 55100 is a two-component, acrylic polyurethane enamel with

excellent gloss and colour retention. The product has good resistance to water, impact
and abrasion. Easy to clean.
Area of use: Interior and exterior: Walls.
PHYSICAL CONSTANTS:
Finish: High-gloss
Volume solids: 52%
Flash point: 31°C
Dry to touch: 4-5 hours (20°C)
Fully cured: 7 days at 20°C
film thickness.
Thinner (max. vol.): 08080 (5%) 08080 (25%) (see REMARKS below)
Pot life: 2 hours (20°C) ½ hour (40°C)
Filling: HEMPEL'S EPOXY FILLER 35230.
Sealing: HEMPEL'S EPOXY SEALER 05990.
Remarks: Drying data is given on the assumption that proper ventilation is provided. When applying
HEMPATHANE ENAMEL 55100 by spray, thinning is recommended to obtain the best
possible finish. The necessary amount of thinning will depend on the actual conditions.
Note: Curing agent 95370 is sensitive to moisture. Store in a dry place and keep cans tightly
closed until use. Open cans with caution due to possible high pressure. Even small
traces of water in the mixed paint will reduce pot life and result in film defects.
HEMPATHANE ENAMEL 55100 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPATHANE* TOPCOAT 55210
CURING AGENT 95370
Description: HEMPATHANE TOPCOAT 55210 is a two-component, acrylic polyurethane coating with

good gloss and colour retention. The product has good resistance to water, impact and
abrasion. Easy to clean.
PHYSICAL CONSTANTS:
Finish: Semi-gloss
Volume solids: 52%
Flash point: 25°C
Fully cured: 7 days at 20°C
film thickness. A practical spreading rate will depend on the actual dry film thickness, the
nature of the substrate and the relevant consumption factor.
Thinner (max. vol.): 08080 (5%) 08080 (25%) (see REMARKS below)
Pot life: 2 hours (20°C) ½ hour (40°C)
Filling: HEMPEL'S EPOXY FILLER 35230.
Sealing: HEMPEL'S EPOXY SEALER 05990.
Remarks: Drying data is given on the assumption that proper ventilation is provided. When applying
HEMPATHANE TOPCOAT 55210 by spray, thinning is recommended to obtain the best
possible finish. The necessary amount of thinning will depend on the actual conditions.
Note: Curing agent 95370 is sensitive to moisture. Store in a dry place and keep cans tightly
closed until use. Open cans with caution due to possible high pressure. Even small
traces of water in the mixed paint will reduce pot life and result in film defects.
HEMPATHANE TOPCOAT 55210 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPATEX* ENAMEL 56360
Description: HEMPATEX ENAMEL 56360 is an acrylic finishing coat with good resistance to UV light.
Has good colour and gloss retention. Ideal as a topcoat in HEMPATEX and HEMPADUR
systems. Can be used on alkaline substrates. Available in a wide range of colours.
PHYSICAL CONSTANTS:
Finish: Semi-gloss
Volume solids: 32%
Flash point: 25°C
Dry to touch: 3-4 hours (20°C)
film thickness.
Thinner (max. vol.): 08080 (5%) 08080 (15%)
Filling: HEMPEL'S CONTEX FILLER 36610 or HEMPEL'S ACRYLIC FILLER 38900.
Sealing: HEMPEL'S ACRYLIC PRIMER/SEALER 26630.
Remarks: Drying data is given on the assumption that proper ventilation is provided. As HEMPATEX
ENAMEL 56360 is a thermoplastic product, prolonged direct contact at temperatures
above approx. 40°C may cause film indentation. When the temperature drops below, the
mechanical strength is recovered.
Note: HEMPATEX ENAMEL 56360 is for professional use only.

HEMPEL PAINTS (EMIRATES) L.L.C. May 2002 - 5636010000C0013
Product
HEMPEL Product Data
Data
HEMPEL'S CONTEX FINE 56610
Description: HEMPEL'S CONTEX FINE 56610 is an alkali resistant, acrylic topcoat in HEMPEL'S
CONTEX anticarbonation system. The product is water-repellent, but allows water vapour
from the substrate to pass through the paint film. The product has an attractive fine
granular textured finish.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 57%
Flash point: 25°C
film thickness.
Application method: Conventional spray Hopper Gun Brush/roller (small areas)
Thinner (max. vol.): 08080 (5%) 08080 (5%) 08080 (15%)
Filling: HEMPEL'S CONTEX FILLER 36610.
Intermediate coat: HEMPEL'S CONTEX SMOOTH 46600.
Note: HEMPEL'S CONTEX FINE 56610 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S CONTEX MEDIUM 56620
Description: HEMPEL'S CONTEX MEDIUM 56620 is a topcoat in HEMPEL'S CONTEX anticarbonation
system. The product is water-repellent, but allows water vapour from the substrate to
pass through the paint film. HEMPEL'S CONTEX MEDIUM 56620 has an attractive
medium granular texture.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 61%
Flash point: 25°C
film thickness.
Application method: Conventional spray Hopper Gun Brush/roller (small areas)
Thinner (max. vol.): None 08080 (5%) 08080 (15%)
Recoating interval, max: None
Filling: HEMPEL'S CONTEX FILLER 36610
Intermediate coat: HEMPEL'S CONTEX SMOOTH 46600.
Note: HEMPEL'S CONTEX MEDIUM 56620 is for professional use only.

Product
HEMPEL Product Data
Data
HEMUCRYL* ENAMEL 58100
Description: HEMUCRYL ENAMEL 58100 is a water-borne acrylic-based paint. It dries to a
non-yellowing and glossy finish with excellent colour and gloss retention.
Area of use: Interior and exterior: Walls, ceilings, roofs and primed structural steel.
Substrates: Concrete, masonry, cement rendering, asbestos and steel.
PHYSICAL CONSTANTS:
Finish: Glossy
Volume solids: 42%
film thickness.
Thinner (max. vol.): Fresh water (5%)
Filling: Interior: HEMPEL'S PUTTY FILLER 38820
Exterior: HEMPEL'S CONTEX FILLER 36610 or
For use on buildings, the relatively high resistance to diffusion of water vapour and
carbon dioxide should be taken into account.
Note: HEMUCRYL ENAMEL 58100 is for professional use only.

Product
HEMPEL Product Data
Data
HEMUCRYL* TOPCOAT HI-BUILD 58230
Description: HEMUCRYL TOPCOAT HI-BUILD 58230 is a water-borne acrylic based paint. It dries to a
non-yellowing and semi-flat finish and has excellent colour retention. It has low dirt
pick-up and good weathering properties and good washability.
Area of use: Interior and exterior: Walls, ceilings, roofs and primed structural steel.
Substrates: Concrete, masonry, cement rendering, asbestos and steel.
PHYSICAL CONSTANTS:
Finish: Semi-flat
Volume solids: 42%
Dry to touch: 1½ hours (20°C)
film thickness.

For use on buildings, the relatively high resistance to diffusion of water vapour and
carbon dioxide should be taken into account.
Note: HEMUCRYL TOPCOAT HI-BUILD 58230 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S ACRYLIC EGGSHELL EMULSION 58260
Description: HEMPEL'S ACRYLIC EGGSHELL EMULSION 58260 is a water-borne, acrylic-based paint
with excellent colour and gloss stability giving a silk gloss finish. The product is
washable, has good water repellence and adhesion to aged alkyd paints is good.
Substrates: Concrete, masonry, cement rendering, plaster, woodwork, etc.

PHYSICAL CONSTANTS:
Colours/Shade nos: White/10000 or pastel colours according to HEMPEL's colour card
Finish: Semi-gloss
Volume solids: 36%
Dry to touch: 2 hours (20°C) 1 hour (40°C)
film thickness.

Application method: Brush/roller Airless spray
Thinner (max. vol.): None Fresh water (5%)
Recoat interval, max: None None
Note: HEMPEL'S ACRYLIC EGGSHELL EMULSION 58260 is for professional use.


Product
HEMPEL Product Data
Data
HEMPEL'S SILK EMULSION 58330
Description: HEMPEL'S SILK EMULSION 58330 is a water-borne quality coating. The coating is
washable and has a silk gloss and smooth finish.
Area of use: Interior and exterior: Walls, ceilings, partitions.
Substrates: Concrete, masonry, cement rendering, gypsum boards, asbestos, etc.
PHYSICAL CONSTANTS:
Colours/Shade nos: White/10000 or according to HEMPEL'S colour card
Finish: Semi-gloss
Volume solids: 28%
film thickness.
Thinner (max. vol.): Fresh water (20%) Fresh water (10%) Fresh water (5%)

Exterior: HEMPEL'S ACRYLIC FILLER 38830 or

Opaque: HEMPEL'S PRIMER/SEALER 28830
Other sealer/filler types may be specified.
Note: HEMPEL'S SILK EMULSION 58330 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S WALL VARNISH 58440
Description: HEMPEL'S WALL VARNISH 58440 is a waterborne acrylic coating. The product is
transparent and is available as a clear coat or in pearlished finishes. The product has
good resistance to ultraviolet light.
Area of use: Interior and Exterior: Walls, ceilings partitions etc.
PHYSICAL CONSTANTS:
Colours/Shade nos: Clear/00000 or pearlescent colours
Finish: Glossy
Volume solids: 35%
film thickness.
Further reference is made to "Explanatory notes"
Thinner (max. vol.): (None)
Cleaning of tools: Fresh Water
Surface condition: The surface should be stable, firm, dry and free of contaminants like dust, old paint,
dirt, oil, grease and algae.
Undercoat: HEMPEL'S FLAT EMULSION 58710, HEMPEL'S WALLART 58470 or according to
specification.
more coats to obtain the desired colour and a uniform appearance.
As the product is transparent, the resulting colour will depend on the colour of the
substrate.
Note: HEMPEL'S WALL VARNISH 58440 is for professional use only.

HEMPEL PAINTS (EMIRATES) L.L.C. May 2002 - 5844000000CR001
Product
HEMPEL Product Data
Data
HEMPEL'S WALLART 58470
Description: HEMPEL'S WALLART 58470 is a water-borne, acrylic based, decorative coating. It has
been developed specifically for creating decorative effects, such as; marbling, sponging,
rag-rolling .
Area of use: Interior: Walls.
Substrates: Concrete, masonry, gypsum boards, cement rendering etc.
PHYSICAL CONSTANTS:
Finish: Semi-flat
Volume solids: 31%
Dry to touch: 2 hour (20°C) 1 hour (40°C)
film thickness.
substrate, the pattern/effect selected, the skill of the applicator and the relevant
consumption factor.

Application method: Brush/roller/sponge/rag/spatula depending on desired finish.
Undercoat: HEMPEL'S FLAT EMULSION 58710

Overcoating: To obtain a glossy finish a clear coat of HEMPEL'S WALL VARNISH 58440 may be
applied.
Other undercoats may be specified.
Note: HEMPEL'S WALLART 58470 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S SILK TEXTURE 58540
Description: HEMPEL'S SILK TEXTURE 58540 is a water-borne paint, which has an excellent
light-textured finish. The product is flexible and has non-drip properties. The final
apperance is determined by the application method. Different patterns can be obtained
by using various types of textured rollers.
PHYSICAL CONSTANTS:
Finish: Semi-flat
Volume solids: 45%
film thickness.

Application method: Textured rollers
Thinner (max. vol.): None
Note: HEMPEL'S SILK TEXTURE 58540 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S EMULSION 58610
Description: HEMPEL'S EMULSION 58610 is an economic, water-borne, decorative coating, which has
a flat and smooth finish.
Area of use: Interior: Walls, ceilings, partitions.
Substrates: Concrete, masonry, woodwork.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 42%
film thickness.

Filling: HEMPEL'S PUTTY FILLER 38820.

Note: HEMPEL'S EMULSION 58610 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S ACRYLIC GLOSS EMULSION 58650
Description: HEMPEL'S ACRYLIC GLOSS EMULSION 58650 is a water-borne, high-grade acrylic
finishing coat. It is washable and has excellent gloss and colour retention. Ideally suited
in a humid climate, has excellent water-repellency, and will permit water vapour from the
substrate to pass through the paint film.
Substrates: Concrete, masonry, woodwork, cement rendering, asbestos, etc.
PHYSICAL CONSTANTS:
Finish: Glossy
Volume solids: 33%
film thickness.
Thinner (max. vol.): None Fresh water (5%) Fresh water (5%)
Other sealer/filler types may be specified. To obtain full hiding power when changing
colour, it is recommended to apply HEMPEL'S FLAT EMULSION 58710 as an undercoat
in the desired colour.
Note: HEMPEL'S ACRYLIC GLOSS EMULSION 58650 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S RUSTIK-2 58660
Description: HEMPEL'S RUSTIK-2 58660 is an acrylic water-borne coating, which contains marble
stones. Has an old rustic and textured finish. The final appearance is determined by the
application method. Different patterns can be obtained by combining different
application tools. Overcoating with solvent-borne or water-borne coatings is
recommended to obtain the desired finish.
PHYSICAL CONSTANTS:
Colours/shade nos: White/10000
Finish: Flat
Volume solids: 81%
Theoretical spreading rate: 0.4 m²/litre - 2 mm*
film thickness.

Application method: Trowel: Stainless steel trowel. Plastic trowel to obtain desired pattern (on very smooth
surfaces, apply one coat of HEMPEL'S FINE TEXTURE 58850 before application of
HEMPEL'S RUSTIK-2 58660)
Recoat interval, min: 4 days (20°C) 2 days (40°C)
Filling: HEMPEL'S FILLER 36610 or HEMPEL'S ACRYLIC FILLER 38900
Note: HEMPEL'S RUSTIK-2 58660 is for professional use only.

Product
HEMPEL Product Data
Data
Description: HEMPEL'S RUSTIK-3 58670 is an acrylic water-borne coating, which contains marble
recommended to obtain desired finish.
PHYSICAL CONSTANTS:
Colours/shade nos: White/10000
Finish: Flat
Volume solids: 81%
film thickness.

surfaces apply one coat of HEMPEL'S FINE TEXTURE 58850 before application of
HEMPEL'S RUSTIK-3 58670)

Product
HEMPEL Product Data
Data
Description: HEMPEL'S RUSTIK-5 58680 is a vinyl-based, water-borne coating, which contains marble
recommended to obtain desired finish.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 81%
film thickness.

surfaces, apply one coat of HEMPEL'S FINE TEXTURE 58850 before application of
HEMPEL'S RUSTIK-5 58680).

Product
HEMPEL Product Data
Data
HEMPEL'S FLAT EMULSION 58710
Description: HEMPEL'S FLAT EMULSION 58710 is a water-borne quality coating. It complies with
SASO's Standard for exterior emulsion paints (470-1986) and Federal Standard
(TT-P-29).
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 41%
film thickness.

Exterior: HEMPEL'S ACRYLIC FILLER 38830 or
Note: HEMPEL'S FLAT EMULSION 58710 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S SUPER FINE TEXTURE 58770
Description: HEMPEL'S SUPER FINE TEXTURE 58770 is a water-borne paint, which gives a very fine
grain-textured finish for decorative and protective effect on facades and exterior walls.
Substrates: Concrete, asbestos-cement, cement rendering, and other building materials.

PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 42%
Dry to touch: 6 hours (10°C) 3 hours (20°C) 1½ hours (40°C)
film thickness.
Filling: Interior: HEMPEL'S ACRYLIC FILLER 38900
Other sealer/filler types may be specified. Drying data given is on the assumption that
sufficient ventilation is provided.
Note: HEMPEL'S SUPER FINE TEXTURE 58770 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S ROOF COATING 58810
Description: HEMPEL'S ROOF COATING 58810 is a high-build acrylic coating. It forms a durable
elastomeric membrane with excellent flexibility and water-proofing properties. The
appearance is slightly textured.
Area of use: Exterior: Roofs.
Substrates: Concrete, masonry, woodwork, tiles, steel, PU foam, etc.
PHYSICAL CONSTANTS:
Finish: Semi-flat
Volume solids: 54%
Dry to touch: 6 hours (10°C) 3 hours (20°C) 1 hour (40°C)
film thickness.

Recoat interval, min: 6-12 hours (10°C) 3-6 hours (20°C) 1-3 hours (40°C)
Surface condition: The surface should be stable, firm, dry and free of dust, sand, loose old paint,
sealer/primer, laitance, dirt, grease and oil. It is recommended to apply a primer/sealer
prior to the specified filling procedure. Touch-up with primer/sealer on areas repaired
with filler is recommended prior to application of topcoats.
Filling: Mix 2-3 parts of sand to 1 part of HEMPEL'S ROOF COATING 58810 to fill small cracks
in the concrete. For large holes and cracks, HEMPEL'S EPOXY GROUT 35930 is
recommended.
Sealing: On concrete: HEMPEL'S ACRYLIC PRIMER/SEALER 26630
On ferrous metal: HEMPALIN PRIMER 12050
Note: HEMPEL'S ROOF COATING 58810 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S MULTI TEXTURE 58840
Description: HEMPEL'S MULTI TEXTURE 58840 is a high-build, water-borne acrylic coating. The
product has non-drip properties and different patterns can be obtained by combining
different application tools.
PHYSICAL CONSTANTS:
Colour/Shade nos: White/10000 or according to HEMPEL'S colour card
Finish: Flat
Volume solids: 56%
film thickness.

Application method: Brush/roller Conventional spray Air-mix spray/Airless spray
Filling: HEMPEL'S FILLER 36610 or HEMPEL'S ACRYLIC FILLER 38900
Note: HEMPEL'S MULTI TEXTURE 58840 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPEL'S FINE TEXTURE 58850
Description: HEMPEL'S FINE TEXTURE 58850 is a water-borne acrylic-based coating. Has a fine
granular texture. Different patterns can be obtained by using various application tools.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 62%
film thickness.

Application method: Brush/roller Conventional spray Air-mix spray
When topcoating with semi-gloss to high-gloss finishes, spray application is
recommended to obtain the best possible aesthetic appearance to an even overall
effect.
Note: HEMPEL'S FINE TEXTURE 58850 is for professional use only.


Product
HEMPEL Product Data
Data
HEMPEL'S MEDIUM TEXTURE 58860
Description: HEMPEL'S MEDIUM TEXTURE 58860 is a water-borne acrylic-based coating. Has a
medium granular texture. Different patterns can be obtained by using various application
tools.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 65%
film thickness.

Filling: Filling is normally not required.
preferably above 10°C. Other sealer types may be specified.
effect.
Note: HEMPEL'S MEDIUM TEXTURE 58860 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S COARSE TEXTURE 58870
Description: HEMPEL'S COARSE TEXTURE 58870 is a water-borne acrylic-based coating. Has a
coarse granular texture. Different patterns can be obtained by using various application
tools.
Area of use: Interior and exterior: Walls, ceilings partitions.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 64%
Theoretical spreading rate: 2.1 m/litre - 300 micron*
film thickness.

Further reference is made to "Explanatory Notes" in the Hempel Book.
Filling: Filling is normally not required.
preferably above 10°C. Other sealer types may be specified.
effect.
Note: HEMPEL'S EMULSION 58870 is for professional use only.

Product
HEMPEL Product Data
Data
HEMPEL'S ACRYLIC EMULSION 58910
Description: HEMPEL'S ACRYLIC EMULSION 58910 is a water-borne, high-grade acrylic finishing coat
providing a sheen finish. It is washable and has low dirt pick-up properties. Complies
with Federal Standard (TT-P-19C) in terms of service life. It contains fungicides to prevent
growth of fungus and mould. The product has excellent resistance to rain and sunlight
and excellent colour stability.
Substrates: Concrete, cement rendering, masonry, gypsum boards and wood.
PHYSICAL CONSTANTS:
Finish: Flat
Volume solids: 29%
Dry to touch: 2 hours (10°) 1 hour (20°C) 30 minutes (40°C)
film thickness.
Thinner (max. vol): Fresh water (20%) Fresh water (10%) Fresh water (5%)
Note: HEMPEL'S ACRYLIC EMULSION 58910 is for professional use only.


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HEMPEL

HEMPEL's Protective & Decorative Paints

Surface preparation of concrete

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/015/30/HEMPEL In-house/KLS Digital

Code of Practice 1 Code of Practice 2

HEMPEL's Protective & Decorative Paints

Surface preparation of concrete

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/015/30/HEMPEL In-house/KLS Digital

Code of Practice 1 Code of Practice 2

HEMPEL’s Protective & Decorative Paints

Surface preparation - wood

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/004/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 Code of Practice 2

HEMPEL’s Protective & Decorative Paints

Surface preparation - wood

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/004/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 Code of Practice 2

HEMPEL’s Protective & Decorative Paints

Surface Preparation - Metal

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/011/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 Code of Practice 2

HEMPEL’s Protective & Decorative Paints

Surface Preparation - Metal

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/011/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 Code of Practice 2

HEMPEL's Protective & Decorative Paints

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/007/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 1996 Code of Practice 2

HEMPEL's Protective & Decorative Paints

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/007/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 1996 Code of Practice 2

HEMPEL’s Protective & Decorative Paints

96.11 Film against the Light

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/006/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 Code of Practice 2

HEMPEL’s Protective & Decorative Paints

96.11 Film against the Light

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/006/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 Code of Practice 2

HEMPEL’s Protective & Decorative Paints

Too low pressure will result in poor at-

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/002/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1996 Code of Practice 2

HEMPEL’s Protective & Decorative Paints

Too low pressure will result in poor at-

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/002/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1996 Code of Practice 2

HEMPEL's Protective & Decorative Paints

Airless Spray Application

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/008/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 Code of Practice 2

HEMPEL's Protective & Decorative Paints

Airless Spray Application

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/008/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 Code of Practice 2

HEMPEL's Protective & Decorative Paints

Hopper spray gun application

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/003/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 Code of Practice 2

HEMPEL's Protective & Decorative Paints

Hopper spray gun application

Issued by HEMPEL’S MARINE PAINTS A/S · 97·05/003/30/HEMPEL In-house/KLS Digital

Code of Practice 1 May 1997 Code of Practice 2

HEMPEL's Protective & Decorative Paints

Hempel's Decorative Manual

Hempel's Decorative Manual