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Digi 002 Digi 002

FireWire-based Pro Tools Mini Studio with Integrated Control Surface FireWire-based Pro Tools Mini Studio with Integrated Control Surface

| S P E C I F I C AT I O N S |
A/D D/A
MW
Mac OS Windows
D IGI 002
Continuing a long tradition of excellence and
functionality — riding faders, tweaking plug-in
parameters, adjusting sends, monitoring levels,
innovation, Digidesign brings you Digi 002 — etc. — is accessible via the Digi 002 tactile
Sample Rate: Sample Rate:
• 44.1, 48, 88.2, 96 kHz • 44.1, 48, 88.2, 96 kHz
an astounding FireWire-based advance in mini interface, and/or via the Pro Tools LE software
Max Input: Max Output:
| F E AT U R E S | studio technology. With Digi 002, Digidesign’s interface. Digi 002 enables you to work however
• Inputs 1-4 (mic): +3 dBu • Main (1-2), Monitor, and Outputs (3-8): +18 dBu taken the best of both the traditional analog you choose, without compromise. For live applica-
• Inputs 1-4 (line): +18 dBu • Alt. –10 dBV Outputs: +4 dBV 18 CHANNELS OF I/O FEATURING: world and digital audio workstation technology tions, Digi 002 can be uncoupled from Pro Tools
• Inputs 5-8 (+4 mode): +18 dBu • Headphone Outputs: +15 dBu, 150 ohm load ■ 8 analog inputs with 4 mic and combined them into a power package via stand-alone mode, offering you a solid 4x2
Gain Range: THD+N: 1,3,4 pres with individual gain small enough to fit under your arm. Now digital mixer with four effects sends.
• Inputs 1-4: Mic Setting: +15 - +65 dB; • Main Outputs: <0.0016% (-95 dB) and high-pass filter; 48V Pro Tools LE can be engaged via both the
Line/DI Setting: +0 - +50 dB • Monitor Outputs: <0.0016% (-95 dB) phantom power enabled computer and/or the integrated control T HE I NS AND O UTS
• Inputs 5-8 – fixed +4 dBu or –10 dBV, -14 dB headroom • Outputs 3-8: <0.0023% (-93 dB) on channel pairs surface, giving you functional options and Digi 002 includes 8 channels of balanced analog
Mic E.I.N (unweighted): • Alt. –10 dBV Outputs: <0.0023% (-93 dB) flexibility never before available through I/O (four mic pres), 8 channels of ADAT optical I/O
■ 8 analog outputs; Outputs and 2 channels of S/PDIF I/O, for a total of 18
• Inputs 1-4: –126 dBu @ 65 dB gain, 150 ohm Dynamic range: 1,3,4 1 & 2 mirrored on 1/4” project studio products of any kind.
source, 20 Hz – 20 kHz • Main Outputs: 114 dB (A-weighted), TRS Monitor Output (with simultaneous channels of I/O — all of which are
THD+N: 112 dB (unweighted) Digi 002 provides the means to create every- easily accessible via the back panel. Digi 002 also
dedicated volume control),
• Inputs 1-4(mic): 0.004%, 62 dB gain 1,3 • Monitor Outputs: 112 dB (A-weighted), thing from top-notch demos to masterful features up to 96 kHz sample rate support; four
headphone output on 1/4”
• Inputs 1-4 (line): 0.004%, +17 dBu signal 1,3 110 dB (unweighted) TRS (with dedicated volume remixes to superb radio spots, all with 24-bit mic pres coupled with 48V phantom power; one
(minimum gain) • Outputs 3-8: 114 dB (A-weighted), control knob), and RCA- clarity and up to 96 kHz sample support. Its MIDI IN and two MIDI OUT ports for a total of
• Inputs 5-6: 0.002% @ +17 dBu input level 112 dB (unweighted) based –10 dBV fixed output analog, digital and MIDI capabilities enable 16 in/32 out MIDI channels; a separate unbalanced
• Inputs 7-8: 0.003% @ +17 dBu input level • Alt. –10 dBV Outputs: 98 dB (A-weighted), Digi 002 to handle a wide variety of I/O RCA-based, –10 dBV main input and output (for
Dynamic range: 1,2 95 dB (unweighted)
■ 8 channels of ADAT optical configurations, while dedicated monitor
I/O or 2 channels of optical recording from/to cassette decks or CD players);
• Inputs 1-4: >101 dB (A-weighted), 98 dB (unweighted) Frequency Response: and headphone outputs allow you to keep and an Alternate Source Input for monitoring tape
S/PDIF I/O
• Inputs 5-8: >108 dB (A-weighted), 105 dB (unweighted) 5 • +0.15 / -0.5 dB, 20 Hz – 20 kHz a close ear on progress — there’s no need or CD players at the touch of a button.The Digi
• Alt Source Inputs: >99 dB (A-weighted), Output Impedance: ■ 2 channels of S/PDIF I/O for an additional small format mixer. 002 also offers a convenient headphone jack on
97 dB (unweighted) • 50 ohms on RCA connectors the front panel.
Frequency Response: What really sets Digi 002 apart, though,
Dimensions ■ Alternate Source Input is software and hardware access to the
• +0.15 / -0.5 dB, 20 Hz – 20 kHz for direct monitoring of Every signal that hits Digi 002 travels throughout
• W = 18.9 in /48.3 cm intuitive power of Pro Tools. Borrowing
Input Impedance: –10 dBV audio equipment the system in 24-bit luxury. Sample rates extend
• D = 17.1 in /43.5 cm the same technology found in Digidesign’s
• Inputs 1-4 (XLR): 2 kohm (tape players, CD players, etc.) up to 96 kHz, and a >108 dB dynamic range
• H = 6.1 in /15.6 cm Control|24, Digi 002’s array of touch-
• Inputs 1-4 (1/4"): 10 Mohm further ensures the sonic quality of your end
Weight: 15 lbs, 3.2 oz /6.9 kg ■ 24-bit/96 kHz converters, sensitive faders, rotary encoders and LCD
FireWire cable
results. Whether you are working with raw audio,
up to >108 dB Dynamic scribble strips gives you tactile and visual MIDI, or a combination of the two, Digi 002 and
• 6-pin to 6-pin, 12 ft / 3.7 m Range and >98 dB command over nearly every Pro Tools LE
(0.002%) THD+N Pro Tools LE work together seamlessly to allow
1 Measurement made using balanced connectors 3 Measured relative to level at 1 kHz feature and parameter, including plug-in you to optimize your time and creativity.
2 ADC measured -60 dBFS method with a gain setting such 4 Measured with digital input at -60 dBFS @ 1 kHz ADDITIONAL FEATURES: manipulation.
that +18 dBu = 0 dBFS at S/PDIF output 5 Measured using "+4" setting Digi 002 ships with the latest Pro Tools LE
■ 8 touch-sensitive motorized With the Digi 002, audio, MIDI and control software, giving you more power and flexibility
faders surface information is passed over a single than ever before, including support for up to
■ 8 motion-sensitive rotary FireWire (or, IEEE 1394) cable, so you just 32 simultaneous audio tracks.
encoders used for pan/send/ plug in and go. Once up and running, all
meter/plug-in control
■ 10 scribble strips for track
name, pan, send, fader,
plug-in values and timeline
position
■ Transport control
12/02. Digidesign, Digi 002, Control|24, Pro Tools, Pro Tools LE, and RTAS are trademarks or registered trademarks of Avid Technology, Inc., ■ MIDI I/O – 1 IN port, 2
©
or its subsidiaries or divisions. Mac OS is a registered trademark of Apple Computer, Inc. Windows is a registered trademark of Microsoft Corp. All OUT ports (16 channels in,
other trademarks contained herein are the property of their respective owners. All features and specifications subject to change without notice. 32 channels out)
U.S.A. England Benelux Latin America (Miami)
■ Footswitch for QuickPunch
1.800.333.2137 44.01753.658496 31.0.73.687.2031 1.305.971.4075 control
or 1.650.731.6300
France Italy
Pacific (Australia)
www.digidesign.com 33.1.41.49.40.10 39.02.577897.1
61.3.5428.7780 A division of Avid
www.avid.com Germany Asia (Japan)
49.811.5520.555 81.3.3505.7963 A division of Avid 2001 Junipero Serra Blvd. | Daly City, CA 94014-3886 | www.digidesign.com | Tel 650.731.6300 | Fax 650.731.6399
PM 175
Alt Input routes Alt Input routes Mono Monitor output Monitor mute

Digi 002
to Pro Tools input 7-8 directly to Monitor output
Headphone Jack

Mic pre controls Headphone volume and output

Multi-purpose scribble displays Channel view switches

Console view switches

Multi-purpose, velocity-sensitive rotary encoders Status indicators

Specialized function keys for


Solo/Mute/Rec enable buttons Pro Tools and Standalone mode

Touch-sensitive, 100mm motorized faders

Transport, navigation, and mode settings

Master fader button

track’s pan/send or plug-in parameters, taking cy from input to output. Stand-alone mode was sample player along with a host of samples to get
S ELF -C ONTROLLED advantage of scribble strips, rotary encoders and designed to function much like Pro Tools LE you started.Then, to tweak your sounds, you have
If you’ve ever handled a Control|24, you’ll buttons in a horizontal orientation. Also, since mode, thereby providing a familiar feel and routing Waves’ Renaissance Collection (EQ, Compressor,
recognize the look and feel of Digi 002’s integrated the analog monitoring section and headphone system, as well as the robust quality inherent in and Reverb), IK’s AmpliTube, and Digidesign’s
control surface; if you haven’t, you’ll be entirely jacks are built-in to Digi 002, there is no need Digidesign products. D-Fi, D-fx, and Maxim to choose from. Plus, if
pleased with the fluidity, flexibility and layout at to introduce external mixers. you so choose, several of the Development Partner
In its regular operating mode, Digi 002 works with
your disposal. Each of Digi 002’s eight channel plug-ins included offer competitive packages that
Connecting Digi 002 to your computer is as simple any FireWire-enabled system to give you some
strips include a motorized, touch-sensitive, 100mm allow you to upgrade to their larger plug-in
as plugging in a FireWire cable, which facilitates serious creative power; you’re not restricted to
fader, a user-definable scribble strip, a multi- bundles and packages to add even more sonic
the flow of all audio streams, MIDI data and bulky, desktop CPUs. And your sessions are equally
function rotary encoder, and select switches.This sculpting power to your system.
Pro Tools control data between Digi 002 and viable in your own studio and in a professional
design enables you to control volume, pan, sends, your PC or Mac. (For Windows XP users, Pro Tools TDM studio, sharing the same interface T HE B OTTOM L INE
plug-ins, transport, and more right from the unit. Digi 002 works with leading 1394 (FireWire) and, in many respects, the same functionality. Digi 002 represents a truly revolutionary break-
Each and every adjustment is reflected in the controller cards. For more information, visit through on several levels. No other single product
Pro Tools LE software interface — and vice versa www.digidesign.com/compato.) F REE B UNDLED P LUG - INS on the market combines tactile control surface
— so you can instantly move back and forth as As if combining a Pro Tools workstation, control technology with digital audio interfacing and
needs and comfort demand. D IGI 002 UNPLUGGED surface, and live digital mixer weren’t enough, for software production prowess like Digi 002 does.
A major benefit of Digi 002 is its flexible personality. a limited time, Digi 002 also comes packed with a Equally significant, no other product prepares you
Through its tactile interface, Digi 002 offers a
Carry Digi 002 to a gig and use it as a stand-alone potent array of powerful plug-ins to get you started as effectively to make the transition from an all-
comprehensive means of accessing and manipulating
4x2 digital mixer, complete with four effects sends creating right out of the box — over US $2,200 in-one home/project solution to a professional DAW
Pro Tools LE parameters. In Console View, Digi 002
(two internal, two external), EQ, dynamics, delay, worth of plug-ins to be exact. Aside from the wide environment. And, no other product can touch the
allows you to view a single channel parameter on
reverb, and snapshot recall. As a stand-alone mixer, assortment of DigiRack plug-ins included with value of Digi 002 — at $2,495, it is far and
each scribble strip for all tracks (i.e. pan position,
Digi 002’s manual functionality and pure signal Digi 002, you also receive Native Instruments away the best investment you can make for a
send status, insert assignment, etc.). Switch to
path remain intact while offering near-zero laten- Pro-52 synth and IK Multimedia’s SampleTank SE solution of its kind.
Channel View and all the scribble strips show a single
Digi 002 Digi 002
FireWire-based Pro Tools Mini Studio with Integrated Control Surface FireWire-based Pro Tools Mini Studio with Integrated Control Surface

| S P E C I F I C AT I O N S |
A/D D/A
MW
Mac OS Windows
D IGI 002
Continuing a long tradition of excellence and
functionality — riding faders, tweaking plug-in
parameters, adjusting sends, monitoring levels,
innovation, Digidesign brings you Digi 002 — etc. — is accessible via the Digi 002 tactile
Sample Rate: Sample Rate:
• 44.1, 48, 88.2, 96 kHz • 44.1, 48, 88.2, 96 kHz
an astounding FireWire-based advance in mini interface, and/or via the Pro Tools LE software
Max Input: Max Output:
| F E AT U R E S | studio technology. With Digi 002, Digidesign’s interface. Digi 002 enables you to work however
• Inputs 1-4 (mic): +3 dBu • Main (1-2), Monitor, and Outputs (3-8): +18 dBu taken the best of both the traditional analog you choose, without compromise. For live applica-
• Inputs 1-4 (line): +18 dBu • Alt. –10 dBV Outputs: +4 dBV 18 CHANNELS OF I/O FEATURING: world and digital audio workstation technology tions, Digi 002 can be uncoupled from Pro Tools
• Inputs 5-8 (+4 mode): +18 dBu • Headphone Outputs: +15 dBu, 150 ohm load ■ 8 analog inputs with 4 mic and combined them into a power package via stand-alone mode, offering you a solid 4x2
Gain Range: THD+N: 1,3,4 pres with individual gain small enough to fit under your arm. Now digital mixer with four effects sends.
• Inputs 1-4: Mic Setting: +15 - +65 dB; • Main Outputs: <0.0016% (-95 dB) and high-pass filter; 48V Pro Tools LE can be engaged via both the
Line/DI Setting: +0 - +50 dB • Monitor Outputs: <0.0016% (-95 dB) phantom power enabled computer and/or the integrated control T HE I NS AND O UTS
• Inputs 5-8 – fixed +4 dBu or –10 dBV, -14 dB headroom • Outputs 3-8: <0.0023% (-93 dB) on channel pairs surface, giving you functional options and Digi 002 includes 8 channels of balanced analog
Mic E.I.N (unweighted): • Alt. –10 dBV Outputs: <0.0023% (-93 dB) flexibility never before available through I/O (four mic pres), 8 channels of ADAT optical I/O
■ 8 analog outputs; Outputs and 2 channels of S/PDIF I/O, for a total of 18
• Inputs 1-4: –126 dBu @ 65 dB gain, 150 ohm Dynamic range: 1,3,4 1 & 2 mirrored on 1/4” project studio products of any kind.
source, 20 Hz – 20 kHz • Main Outputs: 114 dB (A-weighted), TRS Monitor Output (with simultaneous channels of I/O — all of which are
THD+N: 112 dB (unweighted) Digi 002 provides the means to create every- easily accessible via the back panel. Digi 002 also
dedicated volume control),
• Inputs 1-4(mic): 0.004%, 62 dB gain 1,3 • Monitor Outputs: 112 dB (A-weighted), thing from top-notch demos to masterful features up to 96 kHz sample rate support; four
headphone output on 1/4”
• Inputs 1-4 (line): 0.004%, +17 dBu signal 1,3 110 dB (unweighted) TRS (with dedicated volume remixes to superb radio spots, all with 24-bit mic pres coupled with 48V phantom power; one
(minimum gain) • Outputs 3-8: 114 dB (A-weighted), control knob), and RCA- clarity and up to 96 kHz sample support. Its MIDI IN and two MIDI OUT ports for a total of
• Inputs 5-6: 0.002% @ +17 dBu input level 112 dB (unweighted) based –10 dBV fixed output analog, digital and MIDI capabilities enable 16 in/32 out MIDI channels; a separate unbalanced
• Inputs 7-8: 0.003% @ +17 dBu input level • Alt. –10 dBV Outputs: 98 dB (A-weighted), Digi 002 to handle a wide variety of I/O RCA-based, –10 dBV main input and output (for
Dynamic range: 1,2 95 dB (unweighted)
■ 8 channels of ADAT optical configurations, while dedicated monitor
I/O or 2 channels of optical recording from/to cassette decks or CD players);
• Inputs 1-4: >101 dB (A-weighted), 98 dB (unweighted) Frequency Response: and headphone outputs allow you to keep and an Alternate Source Input for monitoring tape
S/PDIF I/O
• Inputs 5-8: >108 dB (A-weighted), 105 dB (unweighted) 5 • +0.15 / -0.5 dB, 20 Hz – 20 kHz a close ear on progress — there’s no need or CD players at the touch of a button.The Digi
• Alt Source Inputs: >99 dB (A-weighted), Output Impedance: ■ 2 channels of S/PDIF I/O for an additional small format mixer. 002 also offers a convenient headphone jack on
97 dB (unweighted) • 50 ohms on RCA connectors the front panel.
Frequency Response: What really sets Digi 002 apart, though,
Dimensions ■ Alternate Source Input is software and hardware access to the
• +0.15 / -0.5 dB, 20 Hz – 20 kHz for direct monitoring of Every signal that hits Digi 002 travels throughout
• W = 18.9 in /48.3 cm intuitive power of Pro Tools. Borrowing
Input Impedance: –10 dBV audio equipment the system in 24-bit luxury. Sample rates extend
• D = 17.1 in /43.5 cm the same technology found in Digidesign’s
• Inputs 1-4 (XLR): 2 kohm (tape players, CD players, etc.) up to 96 kHz, and a >108 dB dynamic range
• H = 6.1 in /15.6 cm Control|24, Digi 002’s array of touch-
• Inputs 1-4 (1/4"): 10 Mohm further ensures the sonic quality of your end
Weight: 15 lbs, 3.2 oz /6.9 kg ■ 24-bit/96 kHz converters, sensitive faders, rotary encoders and LCD
FireWire cable
results. Whether you are working with raw audio,
up to >108 dB Dynamic scribble strips gives you tactile and visual MIDI, or a combination of the two, Digi 002 and
• 6-pin to 6-pin, 12 ft / 3.7 m Range and >98 dB command over nearly every Pro Tools LE
(0.002%) THD+N Pro Tools LE work together seamlessly to allow
1 Measurement made using balanced connectors 3 Measured relative to level at 1 kHz feature and parameter, including plug-in you to optimize your time and creativity.
2 ADC measured -60 dBFS method with a gain setting such 4 Measured with digital input at -60 dBFS @ 1 kHz ADDITIONAL FEATURES: manipulation.
that +18 dBu = 0 dBFS at S/PDIF output 5 Measured using "+4" setting Digi 002 ships with the latest Pro Tools LE
■ 8 touch-sensitive motorized With the Digi 002, audio, MIDI and control software, giving you more power and flexibility
faders surface information is passed over a single than ever before, including support for up to
■ 8 motion-sensitive rotary FireWire (or, IEEE 1394) cable, so you just 32 simultaneous audio tracks.
encoders used for pan/send/ plug in and go. Once up and running, all
meter/plug-in control
■ 10 scribble strips for track
name, pan, send, fader,
plug-in values and timeline
position
■ Transport control
12/02. Digidesign, Digi 002, Control|24, Pro Tools, Pro Tools LE, and RTAS are trademarks or registered trademarks of Avid Technology, Inc., ■ MIDI I/O – 1 IN port, 2
©
or its subsidiaries or divisions. Mac OS is a registered trademark of Apple Computer, Inc. Windows is a registered trademark of Microsoft Corp. All OUT ports (16 channels in,
other trademarks contained herein are the property of their respective owners. All features and specifications subject to change without notice. 32 channels out)
U.S.A. England Benelux Latin America (Miami)
■ Footswitch for QuickPunch
1.800.333.2137 44.01753.658496 31.0.73.687.2031 1.305.971.4075 control
or 1.650.731.6300
France Italy
Pacific (Australia)
www.digidesign.com 33.1.41.49.40.10 39.02.577897.1
61.3.5428.7780 A division of Avid
www.avid.com Germany Asia (Japan)
49.811.5520.555 81.3.3505.7963 A division of Avid 2001 Junipero Serra Blvd. | Daly City, CA 94014-3886 | www.digidesign.com | Tel 650.731.6300 | Fax 650.731.6399
PM 175

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