Vito Palumbo

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Hľadať 1. júl 2016 · Ondrej Domov
Vytvoriť
Reklama · Stránka · Skupina · RÝCHLE HRY VIAC

Udalosť

VAŠE STRÁNKY

Základná umelecká šk… 2

Ondrej Veselý
Genesis of a Recorder Concerto
Tempus Vernum 1
by Dan Laurin
CONTACTS
Kungliga Musikaliska Akademien (The Royal Swedish Academy of
Music) has a yearly royal dinner in december, and I was having a
Adamuel Quente Jopek
pre-dinner cocktail in the bar at the Grand Hotel in Stockholm
where the dinner takes place. I wasn't alone: my wife, Anna
Erik van Hurina
Paradiso, was there, too, and she had just introduced me to one of
her friends, the manager of the Gävle Symfoniorkester, Beryl
Martin Jantula
Lunder. ...

Zobraziť viac Marek Puco Oravec

Peter Dombrovský
Páči sa mi to Komentovať Zdieľať

Genesis of a Recorder Concerto

Marc Yeats, Mateo Soto a 50 ďalších
52
Marek Belančat

Mia Wallace
6 zdieľaní VITO PALUMBO · 1. JÚL 2016

Zobraziť 5 ďalších komentárov

by Dan Laurin
Silvano Giuseppe Bernasconi davvero sei in Paradiso !!! 2
Páči sa mi to · Odpovedať · 1y
Kungliga Musikaliska Akademien (The Royal Swedish Academy of Music) has a yearly royal
Benjamin Staern Wow what a journey you have been through.
dinner
Looking forward in it!december, and I was having a
hearing pre-dinner
2 cocktail in the bar at the Grand Hotel in
Páči sa mi to · Odpovedať · 4h
Stockholm where the dinner takes place. I wasn't alone: my wife, Anna Paradiso, was there,
Rosa Angelinatoo,Daye
andMr.she hadMr
Laurin, just introduced
Palumbo may be ame heroto one of her friends, the manager of the Gävle
to you but he is a hero to we fans of Mr. Palumbo. I listen to
the concerto Symfoniorkester,
over and over and eachBeryl
time I Lunder. Always the freelancer, I couldn't keep my thoughts from
hear it differently.
Hearing things my ears missed before. It is a masterpiece
business and possible engagements,
and you present the masterpiece as no one else could. and I steered our conversation to one of my favourite
Thanks to thetopics:
both of you..
the lack of concertos for the recorder 2 and symphony orchestra: with the newly
Páči sa mi to · Odpovedať · 1h
designed, rather loud Eagle recorder there wouldn't be balance problems. To my great
surprise
Vito Palumbo Beryl
thank you took myRosa...
so much, lead and before dinner we had the framework for a possible
Páči sa mi to · Odpovedať · 1h
collaboration. Conversation continued at the dinner table as we were seated next to each
Zobraziťother
ďalšie (not
odpovede
a coincidence... can't be!), and I brought up the name of Vito Palumbo. I also
promised
Napíšte odpoveď...to mail some excerpts of Vito's music the next day, which I believe I didn't do
because I was too hungover. Anyway, Beryl later confirmed, that we had a deal consisting of
Napíšte komentár...
one first performance with Jaime Martin as conductor, and a recording some months later.
Ondrej Vesely
Používateľom Tomáš Vilček, Marek Pavlička a 9 ďalším sa páči HUDY.
'I'll write a grand recorder concerto for you!' the man in front of me said without the faintest
Novinky
HUDY trace of a smile on his lips. WeStránka
had had some nice, white wine from Puglia, and I almost had
sa mi páči
Messenger
Sponzorované to
· hit myself somewhere to see if I was really hearing what I thought I'd heard. I had no
Skratky Potrebujete doplniť money
lezeckú výbavu na stenu alebojust
na skalu ?
for a commission, a very optimistic thought that once the initial hurdle of
DOBROVOLNÍK G… 3 Lezecká sezóna se blíží, a proto jsme pro vás připravili trojnásobné nabití
convincing
vaší HUDYpartner karty na lezeckéVito Palumbo to write for me, the rest would somehow sort itself out. Now that
vybavení!
BURZA KNÍH ▲ ▲… 20+
Zobraziť preklad there was a possible date for a first performance I was getting a little bit nervous, because I
Contemporary Clas… 20+
knew that Vito preferred longer works with time to develop the material to its fullest. But he
Cesi a Slovaci zijici… 3
was so serious, Vito Palumbo. I just had to believe him.
Gitarová škola Turz… 6

Zobraziť ďalšie...
Then followed an intense period of discussing music and how our lives reflected in our
Preskúmať
artistry. Vito had sent me some other works of his, and I noted, that he seemed to be moving
Udalosti 7
in new directions with every new work. The cello concerto impressed me very much, not only
Skupiny 3
because of its sheer beauty, but also because the composer was in complete control of much
Stránky
larger forms than I had ever thought myself being a part of. Much of our discussions touched
Zoznamy priateľov
this subject, and for me personally it became an obsession to have a work of grand
V tento deň 6 Hľadať
3x väčšia zľava na lezecké vybavenie
 Zobraziť ďalšie...
Vytvoriť
Reklama · Stránka · Skupina ·
3x väčšia zľava na lezecké vybavenie
dimensions, to be a part of a longer narrative; I wanted to develop skills I had never had use
Využite našu ponuku na výhodnejší nákup lezeckého matrošu! Platí aj pre nové re…
for before, to be able to carry a story Nakupovať
telling reflecting our own times and to present my own
HUDYSPORT.SK RÝCHLE HRY VIAC

Udalosť voice's role in a contemporary setting.

3

Páči sa mi toI think ofKomentovať

you and Anna always. This landscape you described is absolutely fantastic, Dan. I
Zdieľať

love the cold and the ice and the silence .. a poetic image that is always present in my mind. I
VAŠE STRÁNKY

Ian Pace can not wait to come to Sweden and enjoy this spectacle of nature. I am writing Základná
our concert!
umelecká šk… 2
1h·
Already in a few days I can send you the first pages of the score.
https://www.counterpunch.org/…/when-billy-graham-urged-nix…/ Ondrej Veselý

It was the
When Billy Graham firstNixon
Urged weeks to
of Kill
January. AnnaPeople
a Million and I was on our island in the archipelago, all quiet
Tempus Vernum 1

andPastor
The Press and America's cold More
and frozen.... and absolutely wonderful. Then the first three minutes of the concerto
CONTACTS
COUNTERPUNCH.ORG
arrived by internet. It all made a very strong impression on me, and I noted that Vito seemed
Adamuel Quente Jopek
to
Páči sa mi to move in a Komentovať
new direction with the Zdieľať
recorder concerto:
Erik van Hurina
4
Beautiful and moving - and dangerous...!
Martin Jantula
2 zdieľaní
I just wonder what you have in store for me....
Marek Puco Oravec
Michael Pace-Sigge As you do, being Christian, following the
gospel..
Vito sometimes could be very quiet while I nervously waited for the next pages to arrive. He
Peter Dombrovský
Páči sa mi to · Odpovedať · 28 min
was going through hard times in Italy, where the political situation was very unstable. Vito's
Napíšte komentár... Marek
work was causing him many problems and in the midst of a great work he also had toBelančat
face
everyday problems with sheer survival in a country beset with political scandals Mia
and Wallace
Eva Vydrova zdieľa odkaz.
budgetary cuts in the education area. His feeling of alienation accelerated with every new
43 min ·
revelation of immorality and fraud in a country where the concept of an Italian state means
nothing to a majority of the Italians. I had the feeling that Vito was withdrawing from society,
searching for a reason to exist through composing.

I am very concentrated on the ideas of a concerto... When I write it's always in this way... I
cannot wait to finish a first part of concerto to send you mp3 and score... The beginning is
lento, "abstract" is meaning a magical and surreal sound landscape... but I have a lot of ideas
to move all into a rhythmic way, choreographic orchestration, and then making a dialog
between orchestra and recorder.

Tobias RapčanThe
akoidea of a dialogue
Zlatíčko between
roka 2018 the orchestra and the recorder increasingly came to dominate
| Časpreženy.sk
our discussions.
Tobias Rapčan a súťažná The
fotografia do súťaže baroque
Zlatíčko concerto
roka 2018 v kategóriiaims at a rhetorical conflict between the soloist and
"kategória". Zapojte sa do súťaže aj vy a vyhrajte tak hodnotné ceny ..
the orchestra, where the last tutti always means returning to the now victorious first idea, or
CASPREZENY.AZET.SK
theme. An instrument like the recorder with its ancient repertory seems to be predestined to
Páči sa mi to
always Komentovať
tell this Zdieľaťidea was to let it play out differently by threatening
Vivaldian story, but Vito's
the very concept of the recorder being a modern instrument fit for a role together with an
Napíšte komentár...
orchestra. Hence he touches a very sensitive nerve with me by doing this: as a player I will
Ondrej Vesely 'talk' about my own possible defeat while performing.
Ďalšie príspevky
Novinky
I'm focused on the orchestration... On the ideas and their development. This is a new work
Messenger
for me, new aesthetic... More abstract... I cannot wait to finish a first part of the work... But I
Skratky
have to work hard... When it comes to music creation, you must have a natural way. There
DOBROVOLNÍK G… 3
are no teachings. No one can say how to create musical concepts in the world of sound. It is
BURZA KNÍH ▲ ▲… 20+
really a natural gift. I do not believe in the teaching of composition - even though I teach this,
Contemporary Clas… 20+
I do not believe in it. Now I have almost 5 min of music... But I care every particular above all
Cesi a Slovaci zijici… 3
the harmony. I have to "shave" a lot of my writing... Dan... I am very strict with myself... I
Gitarová škola Turz… 6
have to express myself well.
Zobraziť ďalšie...

Preskúmať To focus, to find the right 'words', is an obsession for both Vito and me.
Udalosti 7

Skupiny 3
I know very well what process you are talking about: to get rid of all those nice little ideas
Stránky
that actually have no importance at all for the work as such. I like the expression to 'shave' -
Zoznamy priateľov problem is, that many composers today would have nothing left if they tried your method!
V tento deň 6 Hľadať There is
Discipline is the most important factor in my playing - discipline and self-criticism.
 Zobraziť ďalšie... no other way to be honest.
Vytvoriť
Reklama · Stránka · Skupina · RÝCHLE HRY VIAC

Udalosť We often shared ideas independently.

Dan, I know you know me so well through what I write... the key words are honesty,
intelligence, sensitive and musicality... VAŠE STRÁNKY

Základná umelecká šk… 2

Gradually, we developed a common language: every section of new music was woven into the
Ondrej Veselý
story about being an artist, and our personalities sometimes were interchangeable.
Tempus Vernum 1

There is this very clear language that you speak to and with me - I never had this
CONTACTS
identification with any piece before... except for one piece by Bassano, a solo ricercare from
Adamuel Quente Jopek
1585: all of a sudden I felt that the composer was breathing with my lungs and articulating
with my tongue, as if he were talking to me through my own body. I liked the contact
Erik vanwith
Hurina

Bassano very much, and I was somehow sharing experiences with him, a man who must have
Martin Jantula
been dead for almost 400 years.
Marek Puco Oravec

The concerto is something different - but you also speak through my body and instrument.
Peter Dombrovský
Although your language is very difficult I also feel completely natural with it, and your
Marek Belančat
writing is so idiomatic that I asked you if you were a wind player as well, you remember?
What surprises me is the direct and uncomplicated communication I have with your work:
Mia Wallace
there is nothing in your style of writing that leaves me wondering what is going on or puzzled
in any way - the music flows so easy, and it is simple for me to follow even the most
sophisticated and complex relation between thought and colour of sound.

Am I really honest here... This is by far the most difficult piece I have ever encountered. Well,
to express a complicated emotion, the tools must be adequate. Complexity of expression
means complex techniques. Anyhow, Vito seemed to be telling his story through me, and I
told mine through his music. This strangely and in a way symbiotic relation grew stronger
and stronger, and it was based on a shared understanding of expressions like alienation,
loneliness, harassment and loss. We share the experience of being outsiders as artists, of
looking for a road to acceptance of what we do. Vito lives in the beautiful Apulian countryside
in a self induced inner exile with his music as a window to the world. For me, my choice of
instrument has meant a constant questioning of what I am doing and a position far away
from the established musical stage. My wish to make music with a large orchestra

It is a really sad story. My voice never interacts with the calm and harmonious strings, I can't
belong anywhere, I will always be alone, in my own world.
That is a very true picture of me, Vito. You see me. You understand who I am.
Ondrej Vesely But the beauty of the drama is eternal: This is what I am: just a voice, and there is nothing I
can do about it. You made a portrait of me, Vito!
Novinky

Messenger
Vito agreed. But it also was a self-portrait:
Skratky
DOBROVOLNÍK G… 3
Yes Dan, it's a sad story... Your voice will be outside the orchestra... without being a
BURZA KNÍH ▲ ▲… 20+
contrast... This is what I'm living through now, and I transfer to you this unsettled feeling of
Contemporary Clas… 20+
mine. No words can express this better than what I can make with these sounds...
Cesi a Slovaci zijici… 3

Gitarová škola Turz… 6

I can't help noting the words 'without being a contrast'; I understand this as living a parallel
Zobraziť ďalšie...
life with others yet never being a part of a community. In the concerto this manifests itself
Preskúmať more clearly if we look at the orchestra as a platonic metaphor for society: every player seems
Udalosti 7
to share a common goal with the others, understanding the necessity to work together to
Skupiny 3
achieve success without personal interest. Next to this beautiful and morally satisfying scene
Stránky
you see me and Vito on a parallel course without ever entering this idealised community.
Zoznamy priateľov

V tento deň 6 Hľadať

The concerto is in one big movement, with a calm section in the middle. Some would call it
 Zobraziť ďalšie... classical, referring to the sonata of the late 1700s. Vito is extremely conscious about his own
Vytvoriť position stylistically speaking, and his works sometimes can be seen as very elaborate and
Reklama · Stránka · Skupina · RÝCHLE HRY VIAC

Udalosť finely crafted variations based on known forms, like the sonata and the sonatina, and in this
case the concerto.

My way of construction is similar to a spider web, 'lattice' in Italian. Then in the

VAŠE expansion of
STRÁNKY

this revised form of 'sonata' I have an idea of three-dimensional space more than linear (as
Základná umelecká šk… 2

happened in classicism). Then I converge and overlap sound layers and textures of different
Ondrej Veselý
styles that culminate in the central movement.
Tempus Vernum 1

It often occurred to me, that Vito had a very deep understanding of ancient music, which
CONTACTS
sometimes serves as a point of reference for his own creativity: in the sonata for recorder and
Adamuel Quente Jopek
harpsichord he uses a Bach passacaglia theme as starting point for one of the movements.
Erik van Hurina

Early music and Greek mythology give me the raw materials. In my music, I use archetypes
Martin Jantula
as a source of light, but I transform them and filter all in a process based on my feelings.
Marek Puco Oravec

It also occurred to me, that Vito talked about all music as contemporary in one way or
Peter Dombrovský
another, to which I can only add, that all performances take place in the present, making the
Marek
music performed contemporary at least philosophically speaking. The phraseology inBelančat
the
recorder concerto is quite classical: phrases are rhetorical in the sense that they Mia
seem to refer
Wallace
to what what just being said as well as presenting new cells of musical gestures. This is very
clear at the very beginning from the moment the recorder enters, and I hear this as a baroque
feature in a modern disguise.

I noticed while working with my part that there always were elements of recognition in every
phrase….! It gives a wonderful, mystic coherence to everything in my part. The keyword for
me as a player is 'recognition'.

To my great surprise Vito then invoked a composer I never thought would have entered our
discussion: Richard Wagner. One of the fundamental principles of Wagner's understanding
of the 'Gesamtkunstwerk' is the use of 'fixed' thematic material which is used to describe a
person or a feeling. The presence on stage of a person (supported by his musical 'tag') could
be simultaneously accompanied by someone else's 'tag', for example an adversary not
present, creating a tension or a subconscious understanding of the drama. The 'tag' was
named 'Leitmotif' by Wagner. The prospect of ambiguity, for parallel story-telling and
confusion, reenters the musical stage after decades of boring music which was the result of
Enlightenment art theory and its quest for transparency and simple truths.

With its powerful identity, a Leitmotif is like a clear message. And I pulverize this theme,
motive or cell in every way in my development and in the expansion of the material. It is not
a mathematical approach but intuitive and instinctive; it is very natural, not mechanic, I
strive to maintain the Leitmotif's identity and to keep it recognizable, but it never returns in
its initial shape. I always let a theme disintegrate to a certain level, in a dense web of
overlapping textures. This happens also in the recorder concerto.

Vito's explanation helped me in my daily work with his music:

I understand. It explains places in my part where the motives in phrases appear to be similar,
yet are entirely different. Rhetorically this is fascinating, and as a player I never feel 'lost' in
the development of my phrases.

Speaking rhetorically this is like being in a constant state of 'confutatio' without noticing it:
the ongoing, very delicate redefinition of ideas leeds us to believe that we do understand our
position and who we are, when the truth is, that what seemed to be familiar and safe has
turned into a treacherous quagmire. Wittgenstein would have loved this. TheHľadať
responsibility
of the composer to chose a method for expressing his or her ideas clearly is an underrated
topic. There MUST be a relation between what is being said and how to say it.
RÝCHLE HRY VIAC

In this way I justify the use of the large forms in our contemporary time. Many works of
composers nowadays are just composed by juxtaposing musical material. My idea is to create
a living, independent organism. More than a system, it is a living organismVAŠE
in which each
STRÁNKY

part contributes to the whole, Základná umelecká šk… 2

Ondrej Veselý
Again I could connect to the importance of ancient thinking in Vito's world:
Tempus Vernum 1

Vito…. you're my hero! Aristotle talks about the tragedy as a form with a kind of 'physis', a
CONTACTS
living organism, where certain elements have to be present - and then the art form takes on
Adamuel Quente Jopek
its own life.
Erik van Hurina

The discussion of Aristotle and his relation to 'nature' (in this case physis) and 'art' (as in
Martin Jantula
techne) is far more complicated than I managed to express in this email, but let's leave the
subject for now. Marek Puco Oravec

Peter Dombrovský
In my opinion, the slower middle section is the core of the composition. It grows out of the
Marek
first part, with long, sustained chords that gradually suggests a tonal context. This Belančat
happens
so slowly that the listener probably won't notice it happening, and the effect is stunning.
Mia Wallace
However, there are elements of disturbing dissonance lingering in the recorder, which never
succeeds with becoming a part of the texture.

The lyrical passage is the most elegant and other-worldly beauty I have ever met. Finally
there is a contemporary beauty of incomparable, refined power... just like a calm sea after the
storm, and a lingering sixth.... The last two minutes is absolute magic, but the flute remains
more and more in its own world where previously it was constantly commenting and
imitating the orchestra, sometimes just with variation technique. But at the end, it keeps
another identity, more independent, where the surroundings are so incredibly caressing and
calm. I like very much the clashes of different modi, with major-related, almost tonal chord
progressions juxtaposing the atonal world of the recorder. I think of a clash of cultures....The
wonderful, incredibly beautiful waves of major in the orchestra and dissonances in the
recorder is so expressive. And clashes of minor and major at the same time (Scriabin...?
Prometheus?) is painful and beautiful at the same time.

I cannot free myself from the thought that the composer is playing with the musical
awareness of the listeners in the slow section of the concerto. Recognition of ideas and
concepts help us to connect to our understanding of 'the world', in this case represented by
the recorder concerto. After a very complex and difficult opening of the work, the slow
section offers an almost 'traditional' set of harmonic progressions where the listener (and the
players!) can find an almost meditative peace where the future (if important at all...) is
foreseeable. But little by little, the notion of a more pronounced disharmony makes itself
present: the voice of the recorder never manages to sing the major third which defines the
major mode, whereas the orchestra, the surrounding society (if you will) represents an ideal
picture of peace and happiness.

The slow section is so beautiful and fragile... something like this never ever was a part of my
instrument's repertoire before, and I feel that I have to grow a lot as an artist to make justice
to this enormous painting...

The third part of the concerto would be the last one. I was starting to worry about the
perspective of a romantic concerto finale where the soloist is supposed to master whatever
comes in his or her way.

Hľadať
What do you have in mind for a finale....? Technically speaking I am at my limit with some
passages that you have in the first part. There are some articulated arpeggi in fast triplets that
are really quick, and faster, articulated passages is something I can't do maintaining a good
RÝCHLE HRY VIAC
and rich sound.

Vito tried his best to comfort me:

VAŠE STRÁNKY

Dan, I have great ideas for the final .. no more technically complex. But imagineZákladná
... great shots
umelecká šk… 2

of the entire orchestra with "reflections" in PP, artificial made with the orchestration and
Ondrej Veselý
very sharp dynamic contrasts...In fact, Dan, I want to go over everything and say new things
about the tonality, the atonality, the noise... I want a synthesis, but in a poetic way...
Tempus Vernum 1

CONTACTS
At first I believed him:
Adamuel Quente Jopek

The new part is so strong...! I love the rhythmical chords and the high definitionErik
of van
meter and
Hurina

puls. The transformation from the lyrical passage is a master piece, and I can't wait to know
Martin Jantula
more of the concerto... I gives me such a pleasure to practise your music, and to have this
music in my soul also when I don't work with it. It has become a part of me now.Marek
I hear many
Puco Oravec

elements from before appearing which creates such a unity of form and expression.... I am so
Peter Dombrovský
curious about the last section!
Marek Belančat

But the Truth revealed itself: Mia Wallace

I go on for the last 10 minutes of volcano activity...

The last section opens with a desperately happy, acrobatic dance accompanied by mocking
woodwinds shadowing the soloist with dissonant imitations. When listening to the
computerised version for the first time I remember thinking 'this can't end well'. The
recorder seems to believe that it has to prove itself with evermore complicated tricks to
convince - but the psychology of losing makes itself more articulated in the solo voice as the
piece progresses. But it wasn't my battle only; it became clear to me that Vito was going
through a very difficult period in his life, and that this wasn't my story alone.

I listened again and again.... The sorrow of the last 4 minutes is so deep and fundamental
that I feel worried about you....! Are you more or less ok, Vito?

I just had to ask.

Oh Dan, yes... more or less ok... One day I'll speak about my experiences in this period...
nothing really worrying - at least I think -. I'm pouring everything into my music... You are a
great sensitive musician and you can feel everything in the music... I'm so happy for this.
Now I'm going on... I'm opening new scenes, new landscape of my soul and I'm trying to go in
deep to research sound colours in my instrumentation...This concerto is the deep expression
of my being in this moment... All my emotions, suffering, movements of my soul... condensed
in this music. You can feel everything and more... This concert is my gift to you and surely I'll
write more in the future... Now I'll go ahead with the work.

Meanwhile, I had begun studying the work every day. The daily confrontation with music of
such high technical difficulty became an obsession, and although my progress was very, very
slow, I never thought that the complexity of it all would prove too much for me. Naivety is a
blessing.

I can almost play the first four minutes now. It is a great feeling to finally learn more about
music and myself. I have longed for this for many, many years - but I had no idea to what
extent I could be personally involved in any piece of art till now. To see some of Caravaggio's
paintings 'live' for the first time was also revelatory: Davide, cold, beautiful, young,
Hľadať
triumphant, with Goliath's chopped-off head, the life-less eyes, bad teeth... and the painter's
self portrait! I had to leave the room in Villa Borghese, just couldn't take in the immense
dimensions of the work.
RÝCHLE HRY VIAC

Then, finally:

Dear Dan, I'm finishing the last measures of our concerto... Tomorrow I'll VAŠE
sendSTRÁNKY
you, I think,
the whole concerto... I am excited! Only 2 measures left... Základná umelecká šk… 2

Ondrej Veselý
And the following day:
Tempus Vernum 1

I have The Concerto!!!!!! I'm so happy!! A toast of Primitivo di Manduria!! Tomorrow I'll
CONTACTS
send you the mp3.. and then I'll start to prepare all the material for you. Now I go to bed...I'm
Adamuel Quente Jopek
very tired!
Erik van Hurina

For me, the work had just begun.

Martin Jantula

I listened over and over again to the concerto. It IS a masterpiece, Vito. I Marek Puco Oravec

hope that I can present it in a fine way - I feel a great responsibility to you
Peter Dombrovský
and the work, and I don't want to fail....! I also begun practising the
concerto again after some weeks with other music: we go to Japan shortly, but Marek Belančat

before that I'll have to go to Stavanger in Norway and Lingen in Germany with Mia Wallace
completely different programs - a sign of really bad planning on my side.

I am so inspired and thankful to you that it is difficult to express. I am 53 years old now, and
I can't see more than another 10-12 years on stage - and to have this fantastic work as a part
of these years will be a gift from God.

Páči sa mi to Komentovať Zdieľať Uložiť

Marc Yeats, Mateo Soto a 50 ďalších

52

6 zdieľaní 8 komentárov

Vito Palumbo with my greatest gratitude...Dan. 2

Páči sa mi to · Odpovedať · 1y

Christofer Elgh Very nice and interesting reading...!

2
Páči sa mi to · Odpovedať · 1y

Vito Palumbo This is all the story of my Recorder Concerto for Dan, all our mail, all our thoughts: an
osmosis at various levels while I was writing this work every day.
4
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Christofer Elgh Super! 2

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Christofer Elgh Yes,composing every day is life! Would be nice to meet you...i talked to Francesco Moretti
some weeks ago about you maybe seminarier later on together with Dan...i think it would be interesting...
3
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Silvano Giuseppe Bernasconi davvero sei in Paradiso !!!

2
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Benjamin Staern Wow what a journey you have been through. Looking forward hearing it!
2
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Rosa Angelina Daye Mr. Laurin, Mr Palumbo may be a hero to you but he is a hero to we fans of Mr.
Palumbo. I listen to the concerto over and over and each time I hear it differently. Hearing things my ears
missed before. It is a masterpiece and you present the masterpiece as no one else could. Thanks to the
both of you..
2
Páči sa mi to · Odpovedať · 1h

Rosa Angelina Daye odpovedala · 2 odpovede · približne pred hodinou Hľadať

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