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ARCHITECTURAL TYPOLOGY READING LIST

Ackerman, James S., Palladio's villas, New York: Institute of Fine Arts,
New York University; 1967.

Ackerman, James S., Palladio. Penguin Books; 1966.

Alberti, Leon Battista, On the Art of Building in Ten Books. English


translation of De re aedificatoria, 1486; translated by Joseph Rykwert,
Neil Leach and Robert Tavernor. Cambridge, Massachusetts: The MIT
Press; 1989.

Alberti, Leon Battista, On Painting, Translated by Cecil Grayson,


Penguin Classics; 1991.

Alexander, Christopher, Notes on the Synthesis of Form. Cambridge,


Massachusetts: Harvard University Press; 1964.

Allsopp, Bruce, A Modern Theory of Architecture. London, Henley &


Boston: Routledge & Kegan Paul; 1977.

Argan, Giulio Carlo, `On the typology of architecture', Architectural


Design:12; 1963.

Argan, Giulio Carlo, Brunelleschi. Milano: Arnoldo Mondadori Editore;


1978.

Aristotle, Metaphysics. Translated by William D. Ross, Oxford; 1923.

Aristotle, Poetics. Translated by James Hutton. New York, London: W.


W. Norton&Company; 1982.

Arnheim, Rudolf, Art and Visual Perception. Berkeley and Los Angeles:
University of California Press; 1974 [1954].
Arnheim, Rudolf, The Dynamics of Architectural Form. Berkeley, Los
Angeles and London: University of California Press; 1977.

Banham, Reyner, Theory and Design in the First Machine Age. New
York: Praeger Publishers; 1960.

Bartoli, Maria Teresa, `Orthographia, Ichnographia, Scaenographia'. In


Studie documenti di Architettura: 8; Sept. 1978.

Bassler, Wolfgang, `Zum Begriff des Typus in Philosophie und


Psychologie', in Typus, Modell, Leitbild, edited by W. Meisenheimer,
Düsseldorf: Fachhochschule Düsseldorf; 1986.

Bechmann, Roland, Villard de Honnecourt. Paris: Picard; 1991.

Benton, Tim, `Villa Savoye and the Architects' Practice'. In Le


Corbusier, H. Allen Brooks, editor, Princeton: Princeton University
Press; 1987.

Berkeley, George, A Treatise Concerning the Principles of Human


Knowledge. Indianapolis: Hackett Publishing Company; 1982 [1710].

Bertalanffy, Ludwig von, Perspectives on General System Theory. New


York: George Braziller; 1975.

Blondel, François, Cours d'Architecture. Paris: Lambert Roulland; 1675-


1683.

Blunt, Anthony, Artistic Theory in Italy, 1450-1600. Oxford and New


York: Oxford University Press; 1962.

Boden, Margaret, The Creative Mind. London: Abacus; 1990.

Bois, Yve-Alain, Painting as Model. Cambridge: The MIT Press; 1990.

Booker, Peter Jeffrey, A History of Engineering Drawing. London:


Chatto&Windus; 1963.

Boucher, Bruce, Andrea Palladio. The Architect in his time. New York:
Abbeville Press Publishers; 1994.

Boullée, Etienne-Louis, Architecture. Essai sur l'art. Paris: Hermann;


1968.

Brady, Ronald H, `Form and Cause in Goethe's Morphology', in Goethe


and the Sciences: A re-appraisal. Edited by Frederick Amrine, Francis J.
Zucker and Harvey Wheeler. Holland: D. Reidel Publishing Company;
1987.

Branner, Robert, Gothic Architecture. London, New York: Prentice-Hall


International and George Braziller; 1961.

Broadbent, Geoffrey, Design in Architecture. London: David Fulton


Publishers; 1988.

Bryant, John, Systems Theory and Scientific Philosophy. Lanham:


University Press of America, Inc.; 1991.

Cancro, Cesare, Filosofia ed Architettura in Leon Battista Alberti,


Napoli: Morano Editore; 1978.

Carpiceci, Alberto Carlo, L'Architettura de Leonardo. Indageni e ipotesi


su tutta l'opera di Leonardo architetto. Firenze: Bonechi editore; 1978.

Carpo, Mario, `Ancora su Serlio e Delminio. La teoria archittetonica, il


metodo e la riforma dell'imitazione'. In Sebastiano Serlio, Sesto
Seminario Internazionale di Storia dell'Architettura, Christof Thoenes,
editor. Milano: Electa; 1987.

Cassirer, Ernst, The Philosophy of Symbolic Forms. New Haven and


London: Yale University Press; 1955.
Chastel, André, `The Problem of Leonardo's Architecture in the Context
of his Scientific Theories'. In Leonardo da Vinci. Engineer and Architect.
Montreal: The Museum of Fine Arts; 1987.

Choisy, Auguste, Histoire de l'Architecture. Paris: Editions Vincent,


Fréal & Cie.; 1954.

Chomsky, Noam, Syntactic Structures. The Hague: Mouton; 1957.

Chomsky, Noam, Topics in the Theory of Generative Grammar. The


Hague, Paris: Mouton; 1966.

Collins, Peter, Changing Ideals in Modern Architecture. Kingston and


Montreal: McGill-Queen's University Press; 1965.

Colquhoun, Alan, `Typology and Design Method'. In Essays in


Architectural Criticism: Modern Architecture and Historical Change.
Cambridge and London: The MIT Press; 1981.

Conrads, Ulrich, Programs and manifestoes on 20th century


architecture. Cambridge: The MIT Press; 1989.

Curtis, William, Le Corbusier: Ideas and Forms. 1986.

Drexler, Arthur, Ludwig Mies van der Rohe. New York: George
Braziller; 1960.

Durand, Jean-Nicolas-Louis, Précis des leçons d'architecture données a


l'École Royale Polytechnique. Paris: Firmin Didot; 1819.

Edwards, Paul; editor.The Encyclopedia of Philosophy. New York: The


Macmillan Company & The Free Press; 1967.

Egenter, Nold, `Il primitivo storico ed il primitivo nell'antropologia


culturale'. In Studi e documenti di architettura:15; March 1988.
Eisenman, Peter, `From Object to Relationship II: G. Terragni'.
Perspecta:13-14; 1972.

Eisenman, Peter, `Notes on Conceptual Architecture. Towards a


Definition'. Casabella: 359-360; 1971.

Eisenman, Peter, House X. New York: Rizzoli; 1982.

Eisenman, Peter, Houses of Cards. New York: Oxford University Press;


1987.

Eisenman, Peter, The Formal Basis of Modern Architecture. Ph.D.


dissertation; 1963.

Eisler, Rudolf, Handwörterbuch der Philosophie. Berlin: Ernst Sigfried


Mittler und Sohn; 1913.

Emerton, Norma E., The Scientific Reinterpretation of Form. Ithaca and


London: Cornell University Press; 1984.

Ferrater Mora, José, Diccionario de Filosofía. Madrid: Alianza Editorial;


1979.

Filarete, Antonio Averlino (detto il), Trattato di architettura, Anna Maria


Finoli and Liliana Grassi, editors. Milano: Edizioni Il Polifilo; 1972.

Fleisher, A., grammatical architecture? In Environment and Planning B,


vol. 19; 1992.

Focillon, Henri, The Life of Forms in Art. New York: Zone Books; 1989.

Frankl, Paul, Die Entwicklungsphasen der neueren Baukunst. Leipzig


und Berlin: B.G. Teubner; 1914. English translation as Principles of
Architectural History. The Four Phases of Architectural Style, 1420-
1900, Translated and edited by James F. O'Gorman. Cambridge,
Massachusetts: The MIT Press; 1968.
Frommel, Christoph Luitpold, `Reflections on the Early Renaissance
Drawings'. In The Renaissance from Brunelleschi to Michelangelo. The
Representation of Architecture, edited by Henry A. Millon and Vittorio
Magnago Lampugnani. Milan: Bompiani; 1994.

Fry, Roger, Vision and Design. Oxford University Press; 1981[1920].

Gandelsonas, Mario, `From Structure to Subject: The Formation of and


Architectural Language'. Published in P. Eisenman, House X. New York:
Rizzoli; 1982.

Garroni, Emilio, `The Language of Architecture', published in Signs,


Symbols and Architecture, G. Broadbent, R. Bunt, Ch. Jencks, editors.
Chichester: John Wiley & Sons; 1981.

Gerbel, Karl and Peter Weibel, editors, Proceedings of Ars Electronica'


94, vol. 1. Wien: PVS Verleger; 1994.

Gero, John, `Design Prototypes: A Knowledge Representation Schema


for Design'. In AI Magazine, Winter 1990.

Gigch, John P. van , System Modelling and Metamodelling. New York:


Plenum Press; 1991.

Gombrich, Ernst, Art and Illusion. London: Phaidon Press; 1959.

Gombrich, Ernst, The Sense of Order. London: Phaidon Press; 1979.

Goodman, Nelson, Languages of Art. Indianapolis/Cambridge: Hackett


Publishing Company, Inc.; 1976.

Guillaume, Jean, `Leonardo and Architecture'. In the Catalogue of the


exhibition Leonardo da Vinci. Engineer and Architect, edited by Paolo
Galluzi. The Montreal Museum of Fine Arts; 1987.

Hawkes, Terence, Structuralism and Semiotics. Routledge: London,


England; 1977.

Heath, Tom, Method in Architecture. Chichester: John Wiley & Sons;


1984.

Hegel, Georg Wilhelm Friedrich. Ästhetik. Berlin: Augbau-Verlag; 1955.

Herrmann, Wolfgang. Gottfried Semper. In Search of Architecture.


Cambridge: The MIT Press; 1984.

Herrmann, Wolfgang, Laugier and eighteenth century french theory.


London: A. Zwemmer Ltd.; 1962.

Herrmann, Wolfgang, The Theory of Claude Perrault. London: A.


Zwemmer Ltd.; 1973.

Hersey, George and Richard Freedman, Possible Palladian Villas (Plus


a Few Instructively Impossible Ones). Cambridge and London: The MIT
Press; 1992.

Hildebrand, Adolf, Das Problem der Form in der bildenden Kunst.


Strassburg: Heitz & Mündel; 1910.

Hofstadter, Douglas R., `Metamagical Themas. Variations on a theme as


the essence of imagination'. In Scientific American:October, 1982.

Hofstadter, Douglas R., Gödel, Escher, Bach. Basic Books: The


Harvester Press; 1979.

Holberton, Paul, Palladio's Villas. Life in the Renaissance Countryside.


London: John Murray Publishers; 1990.

Hübsch, Heinrich, In welchem Style sollen wir bauen? Karlsruhe: Chr.


Fr. Müller Hofbuchhandlung und Hofbuchdruckeren; 1828. English
translation, In What Style Should we Build?. The German Debate on
Architectural Style. Introduction and translation by Wolfgang Herrmann.
Santa Monica: Getty Center for the History of Arts and the Humanities;
1992.

Husserl, Edmund, Origin of Geometry: An Introduction. New York:


Nicolas Hays, 1978.

Jones, John Chris, Design Methods. New York: Van Nostrand Reinhold;
1992.

Jung, C. G., The Collected Works of C.G. Jung. Volume 9, Part I.


London: Routledge & Kegan Paul; 1969.

Kagis McEwen, Indra, Socrates' Ancestor. An Essay on Architectural


Beginnings. Cambridge: The MIT Press; 1993.

Kaufmann, Emil, Architecture in the Age of Reason. New York: Dover


Publications; 1968 [1955].

Kemp, Martin, `The Inventions of Nature and the Nature of Invention'.


In the Catalogue of the exhibition Leonardo da Vinci. Engineer and
Architect, edited by Paolo Galluzi. Montreal: The Museum of Fine Arts;
1987.

Kemp, Martin, The Science of Art. Optical themes in western art from
Brunelleschi to Seurat. New Haven and London: Yale University Press;
1990.

Kepes, Gyorgy, Language of Vision. Chicago: Paul Theobald; 1947.

Keuls, Eva C., Plato and Greek Painting. Columbia Studies in the
Classical Tradition, vol. 5. Leiden: E.J. Brill; 1978.

Klotz, Heinrich, Von der Urhütte zum Wolkenkratzer. München: Prestel-


Verlag; 1991.

Knapp, Bettina L., Archetype, Architecture, and the Writer.


Bloomington: Indiana University Press; 1986.

Koestler, Arthur, The Act of Creation. London: Arkana; 1989.

Koffka, Kurt, Principles of Gestalt Psychology. New York: Harcourt,


Brace and Co.; 1935.

Koning H. and J. Eizenberg, `The language of the prairie: Frank Loyd's


Wright prairie houses'. In Environment and Planning B, vol. 8, 1981.

Kruft, Hanno-Walter, Geschichte der Architekturtheorie. München:


Verlag C.H. Beck; 1991.

Kuhn, Thomas S., The Structure of Scientific Revolutions. Chicago: The


Universisty of Chicago; 1962.

Laugier, Marc-Antoine, Essai sur l'architecture. Bruxelles: Pierre


Mardaga, éditeur; 1979.

Lavin, Sylvia, Quatremère de Quincy and the Invention of a Modern


Language of Architecture. Cambridge and London: MIT Press, 1992.

Lawrence, Arnold Walter, Greek Architecture. New Haven and London:


Yale University Press; 1983.

Lawson, Bryan, How Designers Think. London: Butterworth


Architecture; 1988.

Le Corbusier, Vers une architecture. Paris: Les éditions G. Crès et Cie;


1923.

Lefebvre, Henri, The production of space. Oxford and Cambridge:


Blackwell; 1974.

Licklider, Heath, Architectural Scale. London: The Architectural Press;


1965.
Lotz, Wolfgang, Studies in Italian Renaissance Architecture. Cambridge:
The MIT Press; 1977.

Lücke, Hans-Karl, `Alberti, Vitruvio e Cicerone'. In the Catalogue of the


exhibition on Leon Battista Alberti, edited by Joseph Rykwert and Anne
Engel, Milano: Olivetti/Electa; 1994.

Luporini, Cesare, La mente di Leonardo. In Biblioteca Storica del


Rinascimento, vol. 2, Firenze: G. C. Sansoni Editore; 1953.

Marani, Pietro C., `Leonardo e Leon Battista Alberti'. In the Catalogue


of the exhibition on Leon Battista Alberti, edited by Joseph Rykwert and
Anne Engel, Milano: Olivetti/Electa; 1994.

March, Lionel, `The Logic of Design and the Question of Value'. In The
Architecture of Form, L. March, editor. Cambridge; 1976.

Martí Arís, Carlos, Las variaciones de la identidad. Barcelona:


Ediciones del Serbal; 1993.

Mauro, Tullio de, `Tipologia'. In Casabella: 509/510; Jan.-Feb. 1985.

Melling, David J., Understanding Plato. Oxford and New York: Oxford
University Press; 1987.

Millon, Henry A., `Models in Renaissance Architecture'. In The


Renaissance from Brunelleschi to Michelangelo. The Representation of
Architecture, edited by Henry A. Millon and Vittorio Magnago
Lampugnani. Milan: Bompiani; 1994.

Mitchell, William, Computer-aided Architectural Design. New York:


Van Nostrand Reinhold; 1977.

Mitchell, William, The Logic of Architecture. Cambridge,


Massachusetts: The MIT Press; 1990.
Murray, Peter, The Architecture of the Italian Renaissance. New York:
Schocken Books; 1986 [1963].

Newell, Allen and Herbert A. Simon, Human Problem Solving. New


Jersey: Prentice Hall Inc.; 1972.

Norberg-Schulz, Christian, Intentions in Architecture. Oslo:


Universitetsforlaget; 1963.

Oechslin, Werner, `Emouvoir-Boullée and Le Corbusier'. In


Daidalos:30; December, 1988.

Oechslin, Werner, `Premises for the Resumption of the Discussion of


Typology'. In Assemblage: 1; October 1986.

Oechslin, Werner, `Symmetry-Eurythmy or: Is Symmetry Beautiful?' In


Daidalos: 15; March, 1985.

Oxman, Robert M. and Rivka E. Oxman, `Refinement and Adaptation:


Two Paradigms of Form Generation in CAAD'. In CAAD Futures `91,
Gerhard Schmitt, editor. Wiesbaden: Vieweg; 1992.

Palladio, Andrea, I Quattro Libri dell'Architettura. Venetia; 1570.

Panofsky, Erwin, Idea: A Concept in Art Theory. Translated by Joseph J.


S. Peake. Columbia: University of South Carolina Press; 1968 [1924].

Panofsky, Erwin, Meaning in the Visual Arts. Penguin Books; 1993


[1955].

Parker, D. M. and Deregowski, J.B. Perception and artistic style.


Amsterdam, The Netherlands: North-Holland; 1990.

Patterson, Richard, Image and Reality in Plato's Metaphysics.


Indianapolis: Hackett Publishing Company; 1985.
Pérez-Gómez, Alberto, Architecture and the Crisis of Modern Science.
Cambridge and London: The MIT Press; 1992.

Perrault, Claude, Ordonnance des cinq espèces de colonnes selon la


méthode des Anciens, Paris: Jean Baptiste Coignard; 1683. English
translation Ordonnance for the Five Kinds of Columns after the Method
of the Ancients, translated by Indra Kagis McEwen, Santa Monica: The
Getty Center for the History of Art and the Humanities; 1993.

Perrault, Claude, Vitruve, Les dix livres d'architecture. André Dalmas,


Les Libraires Associés; 1965.

Piaget, Jean, Le Structuralisme. Paris: Presses Universitaires de France;


1968.

Plato.The Republic. Translated by A. D. Lindsay, London: J.M. Dent


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Pollitt, Jerry John, The Ancient View of Greek Art. Criticism, History
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Popper, Karl R. Objective Knowledge. Oxford: Clarendon Press; 1972.

Quatremère de Quincy, Antoine, Encyclopédie Méthodique. Paris; 1788-


1825.

Quatremère de Quincy, Antoine, Essai sur la nature, le but et les moyens


de l'imitation dans les Beaux-arts. Bruxelles: Archives d'Architecture
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Quitzsch, Heinz, Gottfried Semper. Praktische Äesthetik und politischer


Kampf. Braunschweig, Wiesbaden: Friedr. Vieweg & Sohn; 1962.

Rasmussen, Steen Eiler, Experiencing Architecture. Cambridge: The


MIT Press; 1959.
Reichlin, Bruno, `Tipo e tradizione del Moderno'. In Casabella:509-510,
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Rosenfeld, Myra Nan, `Sebastiano Serlio's Contributions to the Creation


of the Modern Illustrated Architectural Manual'. In Sebastiano Serlio,
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Rossi, Aldo, L'Architettura della città. Padova: Marsilio Editori; 1966.

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Ruskin, John, The Nature of Gothic. A Chapter of the Stones of Venice.


Edited by William Morris. New York and London: Garland Publishing,
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Steadman, Philip, The Evolution of Designs. Cambridge: Cambridge


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Szambien, Werner, `Durand and the continuity of tradition'. In The


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Szambien, Werner, Jean-Nicolas-Louis Durand, 1760-1834. De


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