Professional Documents
Culture Documents
George Ngugi King’ara examines the role of the public broadcaster in Kenya and
explains why he believes it is failing to fulfill its mandate.
Three days after the launch of the public television station, Channel 2, my sister asked
me whether the new channel I had mentioned had gone on air. She had been waiting
to see the new types of programmes it would present. An ardent viewer of Kenya
Broadcasting Corporation (KBC) Channel 1, she had not noticed Channel 2, yet it sits
next to Channel 1 on the TV set programming notches. Apparently, nothing from the
newly-launched Channel 2 programmes stood out as she surfed the screen. She was
disappointed when I told her that the new channel is nothing but 24 hours of mainly
old American movies, documentaries and music videos. Imagine that, American
music videos! Stuff that we are used to watching on all the other TV channels, both
commercial and KBC.
I was equally disappointed, particularly when I learned that Channel 2 is what used to
be Metro TV, a public TV channel. In the article “In Battle for Viewers, TV Looking
to Niches” by Mwaniki Wahome, which appeared in the Daily Nation last year, I read
that “The Metro TV business model was not well crafted and fell short of the
programming that was expected... KBC had financial problems and could not manage
on its own because this is an expensive undertaking”. Also, that “Metro TV had
almost fizzled out until... clinching a deal with a Dubai-based ADL Holdings to form
Channel 2, which is expected to inject fresh entertainment menu and marketing
expertise”. According to the KBC managing director, David Waweru, the Dubai
partner would benefit with 70 percent of the revenue realised by Channel 2 for their
investment. Once more, I felt cheated by the public broadcaster, mainly for two
reasons.
Public broadcasting should be charged with the tasks of informing, educating and
entertaining the public. Hence, public broadcasting should function as a kind of public
trustee, ensuring that there is a balance in how the three important services are
delivered to the public. Seeing that all television stations in Kenya are heavily leaning
toward entertaining the audience, I would imagine that the only other existing public
channel should concentrate on the remaining two tasks. Nevertheless, I also realise
that given the constraints the new investors in Channel 2 might impose on the type of
programming aired on this channel, producers might be limited to airing just what the
new funders of the station required them to. (The Dubai partner has pumped 10-
million Kenya Shillings in new equipment and will spend more than 140-million
Kenya Shillings per year shopping for the right entertainment mix to quench the thirst
of their viewers.) In this respect, we might as well regard Channel 2 as just another
commercial station. Hence, we can expect this station’s production priorities to focus
more on market pressure and economic aspects than on cultural and educational
objectives.
But I suppose the producers at Channel 2 feel that they are playing within the rules of
the mandate that governs the nature of KBC broadcasting. Currently, the Kenya
Broadcasting Corporation is required by the Section 38 of the KBC Act to “conduct
its business according to commercial principles”, therefore Channel 2’s investments in
commercialism appear legitimate by the above act. However, we must remember that
in commercial television, the most important aspect of the operation is that production
is geared to the making of profit. Whatever sells most determines what is produced
regardless of its quality. In fact, even my 15-year-old nephew knows this because
when I complained about Channel 2 showing old American movies and music videos,
he was quick to say, “that is what people want to see”. He was correct, but I
interjected by saying that many more people want to see pornography on the public
broadcaster but you just don’t show them that.
The greatest problem is lack of vision about how the broadcaster can be self-sufficient
without having to sell out to foreigners. For, seriously, how different would the
programming line-up of Channel 2 be from that of the defunct Metro TV if both of
them relied on cheap programmes from abroad? I feel that times have come when we
can look for homegrown solutions to solving the public broadcaster’s programming
problems. The times when media houses complained that they couldn’t sustain their
programming diet through locally produced shows are gone. What is required is that
producers of the public broadcaster expand their horizons in discovering the available
talent in video production. Indeed, let KBC fully test the feasibility in meeting more
than the Raphael Tuju local content quota of broadcasting at least 20 percent and 30
percent of local content in radio and television, respectively.
I would like to quote John Doyle, television writer for The Globe and Mail, to sustain
my argument:
I could not have put it better than Doyle when referring to the responsibility and
centrality of stories in the cultural development of a given society. In modern-day
societies, broadcasting is an integral institution, an important means of
communicating values and ideals of cultural relevance. For this reason, entertainment,
education or information in television, for example, should be representative of
experiences, aspirations or dreams of the society within which broadcasting happens.
Indeed, therefore, the choice the directors of Channel 2 have made in turning the
station into an exclusively entertainment channel are fine. Nevertheless, the supposed
target audience of this channel, one “not driven by the usual content of news and
sports... the youth and women who are young with upward mobility... driven by
feature documentaries, soap operas, music and comedies”, according to a KBC
director, should be given the opportunity to enjoy a type of entertainment that might
be more relevant to their cultural contexts.
Such entertainment would be more responsive to the needs of the majority of Kenyan
viewers because it would give them the opportunity to learn more about this country
and the concerns of its people. As Arthur Lewis, a former reporter and producer with
the Canadian Broadcasting Corporation Television News and Current Affairs in
Ottawa, says, public broadcasting should be more responsive to the needs of the
public.
It should be about the public and must therefore reflect all the characteristics that
define the diversity of Kenya.