JUNE 2018

A celebration of the
TRAILBLAZING
women of
SAUDI ARABIA

DRIVING
FORCE
HRH Princess Hayfa Bint Abdullah Al Saud
+41 21 642 32 66 | AUDEMARSPIGUET.COM
TO BREAK THE RULES,
YOU MUST FIRST MASTER
THEM.

THE VALLÉE DE JOUX. FOR MILLENNIA A HARSH,

UNYIELDING ENVIRONMENT; AND SINCE 1875 THE
HOME OF AUDEMARS PIGUET, IN THE VILLAGE OF
LE BRASSUS. THE EARLY WATCHMAKERS WERE
SHAPED HERE, IN AWE OF THE FORCE OF NATURE
YET DRIVEN TO MASTER ITS MYSTERIES THROUGH
THE COMPLEX MECHANICS OF THEIR CRAFT. STILL
TODAY THIS PIONEERING SPIRIT INSPIRES US TO
CONSTANTLY CHALLENGE THE CONVENTIONS OF
FINE WATCHMAKING.

ROYAL OAK
DIAMOND SET
IN TITANIUM
AND PLATINUM

AUDEMARS PIGUET POINTS OF SALE:

DUBAI | ABU DHABI | KUWAIT CITY | MANAMA | DOHA | CAIRO | RIYADH |
JEDDAH | AMMAN | MUSCAT
 41
Shine Bright
DRESS, TIBI; GLOVES,
VEX CLOTHING

94 Regulars 48 PULLING THE RIGHT STRINGS

A new non-invasive procedure
Down to Earth 12 CONTRIBUTORS offers a lunchtime lift
14 EDITOR’S LETTER 51 BEAUTY NEWS

PHOTOGRAPHY GUY AROCH, DARIO CATELLANI, JULIAN TORRES, ANH KIET DUONG
JUMPSUIT, SCARF (AROUND
WAIST), BOOTS, RICHARD QUINN; 19 LENS 52 NEW SCIENCE OF SKINCARE
SCARF, VERSACE 134 LAST LOOK The best technology and gadgets

Shop
26 TRENDS Technicolor
reigns supreme
32 CHECK ON IT Houndstooth
and gingham flip the
styling codes
Jewelry
59 CIRCLE BACK Hoop earrings
are anything but regular
64 BLOOMIN’ GORGEOUS
Dazzling timepieces

Features
Beauty 16 UPFRONT Saudi activist
41 SHINE BRIGHT Look to vivid Manal Al-Sharif on her
shades of blue and red hopes for the future
 The Queen of Cannes
٣٢
DRESS, ALEXANDRE VAUTHIER;
JEWELRY, CHOPARD
74 RUSH HOUR HRH Princess
Hayfa bint Abdullah Al Saud
is redefining boundaries
86 FASHION’S RADICALS
25 years of Viktor & Rolf
90 THE FINAL GOAL Could a
women’s football team be the key
to ultimate triumph in Saudi?
96 DOWN TO EARTH Billowing
silks and exuberant prints
104 ALL ABOUT AMAL Celebrated
humanitarian, barrister, and
wife of George Clooney
110 KINGDOM COME Saudi
Arabian fashion brands
Living
119 REMASTERED ELEGANCE
Rawan Alsahsah’s eclectic
Jeddah home
124 MOOD BOARD Going green
125 THE HEART OF THE CITY
Manhattan’s Mandarin
Oriental Hotel
On the cover
PHOTOGRAPHY BOO GEORGE
FASHION DIRECTOR KATIE
TROTTER HAIR TALAL TABBARA
MAKEUP PETROS PETROHILOS AT
STREETERS USING MAC COSMETICS
(LEFT) SHIRT, LAYEUR; PANTS,
BLUGIRL; SHOES, STUART
WEITZMAN; GLOVES, ELISABETTA
FRANCHI (RIGHT) DRESS,
BADGLEY MISCHKA COUTURE;
SCARF, STYLIST’S OWN
Craving
١٠
for Color
BAG, ROCHAS
126 INVISIBLE VENICE Escape the
crowds to the Venetian Lagoon
130 CASA DE KAHLO Channel
Frida’s maverick spirit
Arabic
5 EDITOR’S LETTER
6 VOICE OF SAUDI Fatima
Baashan, the first Saudi
woman to speak on behalf
of a government institution
8 TRENDS From It bags to lilac
10 CRAVING FOR COLOR Enter a
world of striking primary hues
16 IT GIRLS Three fashion
trailblazers share their lives
20 PARTIES Inside the Tom
Ford Blended Experience
28 RESTRAIN, REFLECT, RESTART
Focus on the health of your
mind, body, skin, and beyond
30 BOTTLING STORIES Christopher
Chong’s latest creation for Omani
fragrance house Amouage
32 THE QUEEN OF CANNES
No star shines brighter than
Caroline Scheufele
36 HEAT WAVE Set the
temperature to max
44 SAUDI WOMEN OF THE FUTURE
The Al Rushaid sisters offer
an intriguing glimpse into the
Kingdom’s destiny
48 TRUE ROMANCE Embrace
unabashed notions of romance
with Shanina Shaik
56 CENTER OF GRAVITY
Saudi actor Ahd Kamel is the
breakout star for the times
60 CULTURE This month’s roundup
9
 M ANUEL ARNAUT
Editor-in-Chief
Managing Editor
ALEXANDRIA GOUVEIA

Fashion Director Art Director

KATIE TROTTER DONNA WILLIAMS

Arabic Editor-at-Large
HALA KAWSARANI
Features Director
CATERINA MINTHE

Art Editor Beauty Editor

ZIYAAD BASSIER ALEXANDRA VENISON
Picture Editor Copy Editor
BJÖRN SCHÜTRUMPF CHRISTINE VAN DEEMTER
Executive Fashion Editor Arabic Translation Manager
CLAIRE CARRUTHERS AHMED ABDEL-FATTAH
Assistant to the Editor-in-Chief Editorial Coordinator
RESHMI RAVEENDRAN MOHAMMAD HAZEM REZQ

Contributors
NOURIAH AL SHATTI, GUY AROCH, DIRK BADER, SONIA BEDERE, CHRISTOPHER CAMPBELL, BOO GEORGE, DEANNA HAGAN,
LAUREN HASLAM, JACOB AND CARROL, BEN JACOBS, NATALIE LINES, RUDYA MARTINS, MANN, MARRIAM MOSSALLI, ZIGA
MIHELCIC, MISHA PINKHASOV, ALI SHARAF, KARL SIMONE, PHILIP SINDEN, GRAHAM TOOBY, JULIAN TORRES

Editorial Interns
TAWFIQ ALI, SREE LAKSHMI MANOJ, MADIHA SHEIKH, DANICA ZIVKOVIC

VOGUE.ME
Digital Editor
EMMA DAY
Online Writers
KHULOOD AHMED, KHAOULA GHANEM

Head of Digital Digital Advertising Operations

BOBBY NEMAEI DEAN MASCARENHAS

Arabic Translators
NIRMIN AL-AWADI, SUMMER GHANEM

MANAGEMENT & COMMERCIAL

SH ASHI MENON
CEO and Publisher
Chief Operating Officer
NICK GONZALEZ

Commercial Director (Print) Marketing & Events Director

RANA HATEM MICHELA SIMONE
Commercial Dept Office Manager Branded Partnership Producer
MANUSHKA SCHOEN BRIAN TIMMER
US Sales Representative Operations Executive
ALESSANDRO CREMONA RAZEL TRIÑOS

PRODUCTION & DISTRIBUTION

Print & Distribution Printing Pre-Press & Production
IMPRINT FZ LLC UNITED PRINTING HIRT & CARTER
& PUBLISHING
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Contributors‫المساهمون‬
SHANINA SHAIK
The Australian-born model
got an early start when she
signed her first contract at
age eight. She’s since worked
with Chanel, Tom Ford,
Stella McCartney, and Oscar
de la Renta and features in
this month’s True Romance
ALI SHARAF fashion editorial (p48 in
Photographing three Arab influencers (p16 in Arabic). “The shoot was a
Arabic) was one of the proudest moments of his delight,” she says. “There
career so far, says the Bahraini photographer. was such high energy in the
“These women stand out with their passion to room. I have family of Arab
push the boundaries of women’s fashion in the descent who have been deeply
region.” Sharif specializes in fashion, beauty, supportive of my career –
portrait, and lifestyle photography in the region, and now I am able to make
after studying in Manchester in the UK. them even prouder by being
featured in their beloved
home countries.”

BOO GEORGE
The Irish photographer behind
the cover photographs of HRH
Princess Hayfa bint Abdullah Al
Saud (p74) may have previously
shot stories in Zambia, Cuba,
Tanzania, and Chechnya, but he’s
never been anywhere like Saudi
Arabia, he says. “I thought the
Kingdom was very progressive and
extremely welcoming. I absolutely
loved the food, too! Meeting the
princess was an honor. She was an
absolute trouper on our shoot. It
was hot, windy, and dusty and she
didn’t complain once. I hope to be
back soon.” George has also shot
portraits of Victoria Beckham,
Helen Mirren, and Jamie Dornan,
as well as working with Hermès,
Louis Vuitton, Erdem, and Bulgari.

NATALIE LINES
As a self-taught illustrator and
photographer and co-founder of
Slate agency in Dubai, Natalie Lines
regularly works with luxury clients
to help develop their visuals and
storytelling. She illustrated Fatimah
Baeshen (p6 in Arabic), a “huge
inspiration to women globally,”
she says. “Baeshen represents the
growing diversity in Saudi leadership.
I was honored to illustrate such an
important figure.”

12
Editor’s Letter‫ﻛﻠﻤﺔ اﻟﺘﺤﺮﻳﺮ‬

Love
letter
This June, the month when Saudi women
will finally be able to take the wheel, Vogue
Arabia celebrates the exciting and progressive
changes transforming the Kingdom and,
by ripple effect, our region. We also honor
its incredible women in fashion, arts, and
diplomacy, whose work deserves worldwide

TO THE
Kingdom
recognition. Embodying this new era of
female empowerment is HRH Princess Hayfa
bint Abdullah Al Saud, this month’s cover star.
It was some three years ago that I first
met Her Royal Highness. A press release
announcing her solo art exhibition in New
York dropped into my inbox and I became
instantly captivated by her powerful work,
where icons from Arab culture are reinvented
with a colorful and surrealist touch. After
interviewing Princess Hayfa for a feature, we
worked together on a charity event in benefit
of UNICEF. This was the beginning of an
enduring friendship, even though we reside in different countries. HRH PRINCESS HAYFA
BINT ABDULLAH AL
As I got to know Princess Hayfa better, my admiration for her grew. A generous woman with a SAUD PHOTOGRAPHED
truly elegant and noble presence, she is the daughter of the late King Abdullah of Saudi Arabia. A BY BOO GEORGE
mother of three, the princess dedicates her life to her family and her art. Instead of being a cliché “stay-
at-home princess,” enjoying the perks of a privileged life, she invested in her studies and flourished as
an artist, with work exhibited on different continents.
I was deeply honored when Her Royal Highness decided to accept our invitation to grace our June
cover. As people from the region are aware, the ruling families of Arabia are extremely private, and
I am humbled by such an act of trust. The day we spent in the desert outside Jeddah, immortalized
through the lens of Boo George, was unique and of great meaning for the Arab world.
I could not end this letter without a very special thank you to Her Royal Highness Princess Reema
bint Bandar Al-Saud, who, besides inspiring us all with her open-minded spirit, was fundamental
to the success of our issue. Knowing that such extraordinary women are taking part in crafting the
future of the Arab world makes me look forward to the exciting times ahead.

Manuel Arnaut

14
Bigger
than
the
SKY
Manal Al-Sharif has campaigned endlessly to get full citizenship for Saudi
women, even getting arrested along the way. But with the Crown Prince
changing the rules, the activist has hope for the future
Words ALEXANDRIA GOUVEIA
 ‫في الواجهة‬Upfront

i
n May 2011, Manal Al-Sharif
got into the driving seat of a car.
With her brother beside her
and her son Aboudi in the back
seat, she drove through the city
of Khobar. However, there was
one problem – in Saudi Arabia,
women were forbidden to drive.
Al-Sharif was arrested and spent nine LEFT MANAL AL-SHARIF
days in prison. Her act of rebellion for her WITH HILLARY CLINTON,
#Women2Drive campaign was part of a 2012 RIGHT AL-SHARIF’S
MEMOIR DETAILS HER
much bigger mission for women’s rights ACTIVISM BELOW
in Saudi Arabia. She received threats and CELEBRATING THE CROWN
calls to be publicly lashed. “But everyone PRINCE’S REFORMS
knows that story,” stresses Al-Sharif
during our interview (she now resides
in Sydney), refusing to go over old news.
She is assertive, sharp, and has no time
for procrastination: “It’s more important
to talk about the future.” With Crown Prince Mohammad bin
Salman bin Abdulaziz Al Saud lifting the ban on women driving,
she has won one battle, but there’s still a long way to go.
“What excites me the most about the Crown Prince is that he is
younger than me,” says a hopeful Al-Sharif, who was born in 1979.
“He is 32. The vast majority of Saudis are under the age of 40.
Finally, we have a young leader who understands why we cannot
live in the 18th century. What’s interesting about his vision is that
he wants to raise the percentage of women in the workforce from
22% to 30%. This is such a positive movement. He is building More than 42% of the population of 33.5 million are women
a path to bigger things, including making women full citizens, – that’s half of society deprived of their basic rights, which means
which is what I’ve been striving for my whole life.” Al-Sharif ’s campaigning days are far from over. For now, she is
In a recent article for Time magazine, in which Al-Sharif wrote focusing on getting women in Saudi recognized as full citizens.
the cover story about the Crown Prince, she described his impact “This means abolishing male guardianship, allowing women to
as “cautious optimism” and declared enthusiasm at his Vision pass their nationality to their children, and criminalizing female
2030 plan to modernize the Kingdom. She wrote: “I want to genital mutilation.” Once this is achieved, she will continue to
see the changes lead to political reforms, even a constitutional persist: “You never finish campaigning. Even when you get your
monarchy and full freedom of expression. If MBS would do that, rights, you need to exercise them otherwise they will be taken
my hopes for a better Saudi Arabia are bigger than the sky.” away from you when you start taking them for granted.”
Having faced a backlash herself for daring to modernize the The next generation of Saudis will benefit the most from
Kingdom, Al-Sharif is all too aware of the challenges the prince will the reforms. “They will grow up
face. “Since they are trying to introduce reforms in a short period
of time, there is huge resistance toward the prince from radicals,” The day you differently to me,” enthuses Al-Sharif.
This group includes Manal’s first son,
she says, predicting that the situation will get worse before it gets are yourself, you Aboudi, 12, from her first husband.

are FREE. Once

better. “Hopefully, he has the right advisors and team. It’s a sensitive She now lives in Sydney with her
situation, but he will figure it out. It’s not rainbows and butterflies, second husband and their son, Daniel
but we should lead by giving hope. Things are changing.”
While the international media has focused on the lifting of the you know who Hamza, who is nearly four. What
does a mother who was named by
driving ban, Al-Sharif points out that the decision to allow women you are, you will Time magazine as one of the most
into football stadiums was just as significant, bringing to attention
a way of life for Saudi women that outsiders never knew existed. be unstoppable influential people in the world teach
her boys? “I encourage them to read,
“It changed the mentality toward women. Maybe outsiders to explore, and to learn right from
didn’t realize how private a society it was here,” she explains. wrong. The best thing you can do for your children is show them
“Allowing women to attend events like football is huge.” The next by action,” she says. “I always tell them to trust their hearts. It is
step, hopefully, is to get more women in the workplace, which about giving them the space to think for themselves. That’s what
would lead to a stronger economy and ultimately a stronger Saudi. people in my country need – the chance to think for ourselves. We
By giving women more opportunities to work and drive, they get are always told what to do and what to believe in.”
the chance to live their lives fully. “They can coordinate their lives While women in Saudi are her priority, Al-Sharif is a champion
– drive to work, take the kids to the park,” she explains. “It will for all, with some choice advice: “Never care about what others
change not only for women, but for their husbands, for society, say about you. Just be you. The day you are yourself, you are free.
for the economy.” Once you know who you are, you will be unstoppable.” ☐

17
 CANNES
ROUNDUP
Oh yes, they
Cannes!
WHAT’S ON

Relive all the

showstopping
RED CARPET
MOMENTS
FROM LEFT JESSICA
KAHAWATY, KENDALL
from the French
JENNER, DIALA MAKKI,
DAPHNE GROENEVELD,
Riviera on our
AND SHANINA SHAIK best-dressed list.

SKIN SAVIORS
Flip through our little black book of the best
facials in Dubai that are speedy enough to fit
RAMADAN EDIT
vogue.me

into your lunch break.

THE FASHION DESK
ROUNDS UP ITS EDIT
OF CONTEMPORARY
DESIGNS FEATURING
THE STARS AND MOON

FITNESS
FIEND
MEET MANAL
ROSTOM AND
MORE WOMEN
STAYING FIT
DURING THE
PHOTOGRAPHS ROSSELLA VANON

HOLY MONTH

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receive happenings across the Middle East first and fast @VogueArabia @VogueArabia @VogueArabia
 “THE DECISION TO LIFT THE
BAN ON WOMEN DRIVING
IS A STEP FORWARD IN OUR
QUEST TO ACHIEVE EQUALITY,
BALANCE, AND PEACE. EVERY
COUNTRY HAS EVENTS
THAT SHIFT THE COURSE OF
THE FUTURE,” SAYS SAUDI
DESIGNER MOHAMMED
KHOJA OF HINDAMME ON HIS
JACKET COMMEMORATING
THE HISTORIC DATE
JACKET, HINDAMME;
PANTS, SEMSEM AT THE
MODIST; SCARF, MOGA
HAIR AND MAKEUP BIANCA HARTKOPF AT MMG MODEL MONIKA AT MMG WITH THANKS TO FAUX CONSULTANCY

Shifting
GEARS
Now, more than ever, Saudi women are in charge of
where they’re heading and just how fast they’ll go
Lens‫ﻋﺪﺳﺔ‬
r emember the name Aiysha Hart because come
September 2018, it will be the one on everybody’s
lips. In that month alone, she will appear in the
anticipated movie version of Colette, alongside
Keira Knightley, as well as star as a 2 000-year-old vampire in the
screen adaptation of fantasy trilogy A Discovery of Witches.
You probably already recognize Hart – her eyebrows that rival
Cara Delevingne’s are hard to forget – since her talent and striking
looks from her British mother and Saudi father have allowed her
to take on varied roles culminating in an eclectic CV. She made
her film debut in the 2013 horror movie Djinn, which was shot in
Dubai. Her first leading role was portraying Mona, a young woman
targeted by her family for an honor killing, in the movie Honour
(2014), alongside Paddy Considine. “That film will always hold a
special place in my heart,” she says. “The subject matter meant so
The face
FILM
TO WATCH
British-Saudi actor Aiysha Hart is on a meteoric path
to stardom, breaking out of the mold along the way
Words ALEXANDRIA GOUVEIA
much to me; it felt like we were finally telling the stories of so many
girls who didn’t have the chance to tell their own.”
Hart is down to earth, funny, beautiful, and also smart. She
hasn’t picked roles to fast-track her career. Instead, she has
played the long game, choosing projects that have a worthy story
to tell – which brings us to her forthcoming role in Colette.
“I play a historical character called Polaire – a French-Algerian
singer and actor who was famous for her 40cm waist, snake-like
hips, and eccentric style,” she explains. “Polaire wins the title
role of Claudine in the play Claudine à Paris, based on a novel
by the French writer Colette, played by Keira Knightley.”
The film comes at an important time, amid the background of
the #MeToo movement. “Ultimately, it’s a coming-of-age story
about a woman taking ownership of her career,” she says. “The
theme of female authorship is at the core of the movie’s narrative,
20
and its celebration of women’s agency certainly
won’t be lost on a modern, ‘woke’ audience.”
She is passionate about equality in the
entertainment industry and is also a champion
for women’s rights in the Middle East. “It’s
often forgotten that throughout Islamic
history there has been a long tradition of
female freedom to pursue scholarship and
civic participation,” states the actor, who
also speaks Arabic. “I hope the developments
we see in Saudi Arabia over the next few
years will honor this heritage. The lift of the
driving ban will be instrumental in women’s
freedom of movement and a continuing
advance towards equal opportunities.”
Her mother worked hard to assimilate into Arab culture
while the family lived in Saudi Arabia. “It’s only with hindsight
that I can really appreciate how difficult it would’ve been to
understand and integrate into such a completely different
culture and religion, and she did it so amazingly well,” Hart says.
She identifies as both English and Arab. “My approach to life,
my opinions, and my beliefs have a unique duality born out of
a cross-cultural upbringing,” she says. “We had cultural aspects
of the Middle East mixed in with Western sensibilities. My
PHOTOGRAPHY PHILIP SINDEN
mother wasn’t bothered by having to wear the abaya but found
not being able to drive very difficult. It was a real obstacle to the
functioning of daily life. When I was younger I struggled with
certain rules, but as I got older I grew to respect that unity of two
diverse perspectives. It’s made me more well-rounded.”
 Mixed
ALEXANDER MCQUEEN

STELLA MCCARTNEY
TRE NDS

METALS
Strident metallics
make a surprising

VIVETTA
addition to Pre-Fall
2018’s lineup – it’s
high shine but not
as you know it

DIANE VON FURSTENBERG

TOME

EMILIO PUCCI
PACO RABANNE
CHANEL

21
 CAROLINA HERRERA “I DID HER
FIRST INTERVIEW EVER, BEFORE SHE
WAS EVEN IN FASHION. SHE USED TO
COME TO THE MET BALL FROM SOUTH
AMERICA, AND SHE ALWAYS HAD THE
MOST EXTRAORDINARY DRESSES
FROM PARIS THAT NOBODY ELSE
COULD FIND – AND HER OWN DESIGNS
REFLECT THAT KIND OF GLAMOUR. I
LOVED THE FINALE OF HER LAST SHOW,

Golden
WITH HER TRADEMARK WHITE COTTON J E W E L RY
SHIRTS AND BIG DINNER SKIRTS, LONG
WITH BRIGHT COLORS, WITH TRAINS
OF SILK. IT WAS VERY AMERICAN, LIKE
SOCIALITES SLIM KEITH OR CZ GUEST.”

LUCK
Van Cleef & Arpels celebrates 50
years of its Alhambra collection.

Preach!
The signature charm’s arching
silhouette, whose name recalls
DOC UM E NTARY the Spanish palace nestled in
the Sierra Nevada mountains,
represents the four-leaf clover.

PHOTOGRAPHS REX, IEVA SAUDARGAITÉ

It’s meant to bestow love, health,
and fortune upon its owner, who
includes everyone from Queen
The Gospel According to Rania to Haifa Wehbe. Now, this
TOM FORD “TOM HAS MANAGED TO BE WHAT EVERY DESIGNER André shines a light on a enduring design is offered in new
variations like gray mother-of-
WANTS TO BE: NOT ONLY A DESIGNER BUT A POET, AN ARTIST, A
FILMMAKER, A PERFUMER. HE DOESN’T FOLLOW ANYONE; HE MAKES life in fashion. André Leon pearl, diamonds, and pink gold.
HIS OWN RULES AND DOES WHAT HE WANTS TO DO. FOR ME, HE’S
ALWAYS ECHOED THE SOPHISTICATION OF THE 70S, WHEN DAZZLING, Talley tells tales – and talks
UNAPOLOGETIC, IN-YOUR-FACE GLAMOUR WAS AT ITS HEIGHT – BIANCA
JAGGER IN A WHITE SATIN SUIT, DIANA ROSS, STUDIO 54.” up his favorite designers
“Fashion’s been very good to me,” says André Leon
RALPH LAUREN “RALPH Talley, who is the subject of a new documentary
HAS, FOR 50 YEARS, BEEN
LISTENING TO NOBODY by Kate Novack, The Gospel According to André.
OTHER THAN HIMSELF The film – shot in Talley’s colonial house in New
WHILE REINTERPRETING York; his grandmother’s house in North Carolina,
AND REDEFINING DEFINITIVE where he was brought up; and out and about in
AMERICAN STYLE – LARGELY
AS VIEWED THROUGH THE Manhattan – rummages through everything else in
PRISM OF CINEMA. HIS his life, beginning with his precocious childhood.
COLLECTIONS AREN’T JUST It goes on to track his apprenticeship with Diana
COLLECTIONS – THEY’RE
EPIC NARRATIVES, Vreeland at the Metropolitan Museum’s Costume
AND THEY’RE ENTIRE Institute, his work at Andy Warhol’s Interview
LIFESTYLES: THE GREAT magazine, his Vogue years, and beyond. It’s a life at
GATSBY OR SOME FRENCH once glamorous, glittering, eventful, and colorful.
RIVIERA FANTASY OR THE
WILD WEST. WHO ELSE CUTS Here, Talley shares which American designers have
SUCH A BROAD SWATH?” stood his test of time.

22
 ‫ﻋﺪﺳﺔ‬Lens

City talk
C ULTUR E

Sharjah’s architecture triennial

announces its first curator
Launching in November 2019, in the emirate of Sharjah, the
Sharjah Architecture Triennial will offer a major platform
for architecture and urban dialogue spanning the Middle
East, North Africa, and South Asia. Sharjah has always been
something of an endearing little sister to Dubai.
Never one to compete with its counterpart’s
The triennial explores skyline, instead, it has forged a reputation of

the environmental, culture and industry at a human scale. Its newly

appointed curator, Adrian Lahoud, dean of the
social, economic, and School of Architecture at the Royal College of
Art in London, will oversee the first edition.
cultural EVOLUTIONS Sheikh Khalid Al Qasimi, the triennial’s

of Sharjah’s cityscapes chairman – who is also behind the fashion line

Qasimi – is confident in the appointment.
Citing his “deep commitment to addressing
challenging global questions, cross-disciplinary
perspectives, and nuanced understanding of the
MENASA urban context,” makes him the right choice for the
much sought-after appointment, states Sheikh Al Qassimi.
The chairman of the Sharjah Urban Planning Council
founded the triennial to explore the environmental, social,
economic, and cultural evolutions of its cityscapes within
TOP THE ATRIUM and around the wider region. Lahoud, who has spearheaded
OF THE RADISSON works like The Future Starts Here and The Architecture of
BLU RESORT
ABOVE SHARJAH Public Truth, is eager “to find ways of supporting an emerging
NATIONAL TRAVEL generation of architects, artists, and scholars.” It’s his and
& TOURIST AGENCY Sheikh Al Qassimi’s curiosity and interest in creating dialogue
RIGHT CORNICHE that should make this a marker on the international cultural
STREET AND
AL MUJARRAH calendar. Sharjaharchitecture.org
NEIGHBORHOOD

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23
Lens‫ﻋﺪﺳﺔ‬

D A N C E

BEHIND THE CURTAIN

The Royal Opera House Muscat announces a stellar 2018-19 season,
including operas La Traviata, Madama Butterfly, and the ballet Sleeping
Beauty. Among performances by Plácido Domingo, history will be made
with the world premiere of the Arab ballet Al Hamama Al Mutawwaqa,
based on the animal fables of Kalila and Dimna. Rohmuscat.org.om

Off the
ART

GRID
Star
JEW ELRY

Maliha Tabari describes Saudi artist Lulwah

Al Homoud’s work (above) as pioneering. The

SIGN
founder of Tabari Art Space has now opened
a solo exhibition at her gallery dedicated to
the artist’s work. Al Homoud’s calligraphic
language, expressed via black linen, wood, and
acrylic mediums, features abstract compositions
that build on traditional and geometric forms.
Saudi high jewelry The former King Saud University and Central
Saint Martins graduate studied the theoretical
label Nuun Jewels system of calligraphy that hails back to Egypt’s

WORDS ALEXANDRIA GOUVEIA PHOTOGRAPHY FRANCESCO SCOTTI AT MMG, INDIGITAL

unveils a sparkling Ahmed Moustafa. She’s had solo shows at
Sharjah Calligraphy Museum and Hafez
new ring Gallery Jeddah, among many international
group exhibitions. Along with the show
Saudi HRH Sheikha Nourah Al Faisal at Tabari Art
(above right) designs with the hand of Space, pick up
a master craftsman and the heart of a its limited-edition
wanderer. Her latest piece (right) is the publication of
constellation ring. The main diamond The Language
weighs 3.28kt and the 19kt white gold can of Existence.
be removed to adapt to the day or evening’s Featuring 25
style. “It’s a unique piece of high jewelry that may evolve into a future collection,” says portfolios with
the designer, who spends a lot of time in Paris – her flagship is located across from the 50 artworks,
Bristol Hotel. As for her own star sign, she’ll concede that she is a Capricorn while it retails for
gently tilting her head, “I’m not a believer in astrology but I have always looked up at US$18 000.
the night sky. There’s so much beauty.” Nuunjewels.com Tabariartspace.com

24
THE THREE-STORY
FA S HI ON

Paradise The new Saint

Laurent Middle

w
In designing the store,
East flagship store Vaccarello focused on a

hile online shopping might be contributing to
the demise of many bricks-and-mortar stores,
Saint Laurent defies the odds with its new
showstopping flagship in The Dubai Mall extension. The
boutique is the brand’s largest in the world, and makes a bold
statement in metal, marble, and concrete.
Spread across three floors, the store – the second in
Dubai (following the Mall of the Emirates) – is immediately
inviting, not least because it is the only shop in the mall with
a gold facade. Inside, the walls are clad in white and black
Carrara marble from Portugal, staying true to the brand’s
sleek aesthetic – not too surprising when you consider the
design was overseen by creative director Anthony Vaccarello. The
decor is timeless, allowing the pieces to be the real crowd pleasers.
While offering one of the widest selections of Saint Laurent products
in the world, the layout is clutter-free, resembling a modern fashion
museum with items on floating shelves. There are no mannequins in
sight and the clothes hang from rails next to a display of shoes and bags
to give the illusion of the complete look.
in The Dubai retail experience, offering
the customer more than just a stunning
Mall embraces place to shop. The vast seating areas on
Anthony Vaccarello’s the first floor, which is also home to the
accessories section, is a mini sanctuary
360-degree with tea, coffee, and water being served.
vision, delivering The second floor, accessed by way
of a floating marble staircase or a gold
a conceptual elevator, is home to the ready-to-wear
shopping experience collection and a secret VIP room behind
sliding mirror doors. The third floor,
accessed by elevator or its own mall
entrance, is dedicated to menswear.
The collection is so extensive that even the most seasoned Saint
Laurent fans will discover something new. This flagship store is the
only one in Dubai to sell the brand’s fragrance, with Le Vestiaire des
Parfums 6, 24, and 37 available. Also available is the Sunset Chain
bag in deep shiny embossed crocodile green leather. Exclusive for the
Middle East, it retails from US $2 290. Find the Saint Laurent store on
the ground floor of the new Fashion Avenue in The Dubai Mall

TOP
TRE NDS
TOD’S

ALEXANDER WANG

MIU MIU

DOLCE & GABBANA

handles
PRADA

TAKE IT TO THE TOP WHETHER

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TAKEN OFF), TOP HANDLE BAGS ARE OFFICIALLY
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25
 MAISON MARGIELA
CALVIN KLEIN
BULGARI
BACKPACK
ALL THINGS
MOCHI EARRINGS

Technicolor
DREAMS A lush rainbow has lit up the fashion
world, drenching the collections in a
kaleidoscopic pattern-play so dazzling that
resistance is futile. Embrace and enjoy
Compiled by CLAIRE CARRUTHERS
DOLCE & GABBANA

SARA BATTAGLIA PANTS

& OTHER STORIES

SWIMSUIT

WEILL CLUTCH

ALICE + OLIVIA SKIRT

CHARLOTTE OLYMPIA PUMPS
 ‫ﺻﻴﺤﺔ‬Trend
LOUIS VUITTON BAG

MISSONI
MOSCHINO

RONALD VAN DER

KEMP DRESS

MIRA MIKATI DRESS

AT NET-A-PORTER

BLAZÉ MILANO JACKET

SARAH’S BAG BOX

BAG AT FARFETCH
VERSACE

MISSONI
EARRINGS

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COLOR CODE DON’T LET HARD-AND-FAST RULES DICTATE

YOUR CHOICES. FROM THE RUNWAY TO THE STREET, HEAD-TO-
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HUED SEQUINS ARE ENJOYING AN UPLIFTING MOMENT

27
 Trend‫ﺻﻴﺤﺔ‬

THE TIE-UP
FENTY X PUMA VISOR

PETER PILOTTO
ADD A DRAWSTRING DETAIL TO YOUR WAIST, NECK, OR STRAPLINE
STELLA JEAN
POLO SHIRT
ELIZABETH & JAMES SKIRT
KENZO

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ISABEL MARANT
MOSCHINO CLUTCH

BAUM UND PFERDGARTEN JACKET

HIGH
Y/PROJECT

Performance
From coordinating tracksuits to drawstring nylons, the office
to gym to evening out craze continues with transitional
CÉLINE

pieces that merge performance with high fashion

28
 ISABEL MARANT

GUCCI
NORMA KAMALI
JACKET AND PANTS

PALM ANGELS
TRACK JACKET

FENTY X PUMA
AND PANTS

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FOOTWEAR GOALS
Swap sneakers for sporting soles with a sophisticated twist
PHOTOGRAPHS INDIGITAL

TOD’S RUBBER SOLE SANDALS PRADA SLING-BACK MULES MALONE SOULIERS VICTORIA BECKHAM SLING-BACK PUMPS
ROPE HEELS AT THE MODIST

29
DRESS, AWAKE AT
NET-A-PORTER; CAP,
DIOR; BAG, CÉLINE
 ‫اختاري‬Shop
DRESS, MARQUES’
ALMEIDA AT NET-A-
PORTER; BAG, SHOES,
DIOR; EARRINGS,
MARNI; STOCKINGS,
STYLIST’S OWN

A cool mix of
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CHECKon it
Photography MANN
Style CLAIRE CARRUTHERS

33
Shop‫اختاري‬
JACKET, MONSE AT
HARVEY NICHOLS;
EARRINGS, DIOR

34
DRESS, LOEWE; BAG, OFF-
WHITE AT BOUTIQUE 1;
BOOTS, GIVENCHY
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BLAZER, SEEN AT HARVEY
NICHOLS; TOP (WORN OVER
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AT BOUTIQUE 1

36
 SHIRT, PANTS,
BRACELET, BALENCIAGA
HAIR SOFIE BEGTRUP MAKEUP
TONI MALT AT THINGS BY PEOPLE
PHOTOGRAPHY ASSISTANT ABUZER
STYLE ASSISTANT DANICA ZIVKOVIC
RETOUCH IRENE VELWEISS MODEL
SOPHIE RASK AT LE MANAGEMENT
Style ‫أسلوب‬

LEFT ALAA BALKHY IN A

RAZAN ALAZZOUNI KAFTAN
AND WEARING A CARTIER
BALLON BLEU WATCH
RIGHT IN A KAFTAN FROM
NASIBA HAFIZ BELOW
ARTFULLY ARRANGED
FRAGRANCES BOTTOM IN
A LEOPARD-PRINT DRESS
BY NASIBA HAFIZ

Alaa Balkhy MIX AND MATCH

You won’t find Alaa Balkhy in a static uniform. Her looks
are a mélange of colorful separates and punchy prints. “My
perfect outfit is a mix of vintage, high-street, designer brands,

The Saudi designer and and regional labels,” says the founder and illustrator of fashion
brand Fyunka. “I’m buying more vintage lately because I’m into

illustrator of Fyunka injects the slow fashion movement.” The Saudi graphic designer, who
graduated from Pratt Institute in New York with a master’s in

her vintage wardrobe with design management, wrote her thesis on sustainability in fashion.
“I’m mindful of the things I buy because I don’t have space for

regional designers and the more clothes in my closet,” she laughs. “I’m not into trends unless
they are going to be relevant for the next 20 years. I kept all my

occasional luxury hit

monogram Fendi and Louis Vuitton pieces. Five years ago they
weren’t in style, but now I’ve brought them back out.”

Words NOURIAH AL SHATTI THROWBACK BAGS

“My first designer bag was a Louis Vuitton Takashi
Murakami monogram pochette,” says Balkhy. “I was
about 15 when the collection came out. I was familiar
with the brand because I saw it on Tahlia Street, where all
the fancy stores are in Jeddah. I went to buy it with my
Eid money but I was in for a surprise when I discovered
the price. Even though my mother doesn’t buy brands, she ended
up getting it for me.” The handbag that served as a marker into
adulthood was another Vuitton: a burgundy tote featuring
miniature monograms. “I saved up for it and got it for college,”
says Balkhy. “That bag meant so much to me. I bought it because
I really loved it.” More recently, small and structured bucket
bags have dominated her arsenal of accessories. “I have my eye
on the Loewe hammock bag and I love Mansur Gavriel for
its practicality.” Other standouts in her collection include a
sturdy half-moon shoulder bag and a boxy carryall by Dubai-
based labels Azra and Halm.

VINTAGE TREASURES
Flea markets in Brooklyn and cult boutique
The Break, nestled between Greenpoint and
Williamsburg, are where Balkhy scores her vintage
wares. “I love finding pieces that carry a story. I have LEFT ALAA BALKHY IN A FYUNKA
a mink fur coat with someone’s name stitched into the JACKET ABOVE COPPER AND MARBLE
ACCENTS IN HER HOME BELOW
lining,” she says. A quick Google search revealed that the WEARING A PAIR OF ZYNE BABOUCHES
previous owner’s husband was in the US Marines and that BELOW LEFT AN OVERSIZED CLUTCH
the couple met while on a boat to Cairo. A pearlescent top FROM SARAH’S BAG
handle bag is another prized possession. “I found it in a small
shop in Upstate New York. When I travel, it gets packed in my We shouldn’t
carry-on. It would break my heart if I ever lost it. Vintage is
shame people for
wearing the same thing
irreplaceable; I take care of them more than my newer pieces.”

FIRST DIBS
“I have a habit of collecting more than twice
the first pieces by regional
designers,” says Balkhy. Her
archive includes a kaftan
and a teal floral overlay
from Jeddah-based label Sotra.
“It brings me joy that I can wear
something that was made in 2008
that still looks relevant,” says
the designer, who lives between
Jeddah and New York. “I have a
skirt by Razan Alazzouni that I
bought in 2011. It’s such a delicate FACE-FRAMING
piece. Sometimes, I pinch myself JEWELS
knowing that I have one of her To amplify and complete her
earlier designs.” New additions look, she gravitates towards earrings,
include a selection of separates by adorning her lobes with designs from
Lama Jouni, Nasiba Hafiz, and Shourouk, dramatic Oscar de la Renta
Faissal El-Malak. beaded tassels, Rachel Comey’s striking
geometric plexiglass designs, or emerald
ENSEMBLE green enamel styles from Lebanese brand
ENCORE Elsa O. “I have a lot of my mother’s old
“We shouldn’t shame clip-ons that look like oversized buttons.
people for wearing the I love these when I want to go for a classic
same thing more than look,” she says, flashing an ornate set of
once,” Balkhy feels. She breathes gold and pearl Christian Dior orbs.
new life into her outfits with
smart styling and accessorizing. “I have a black dress with PACKING FOR PARADISE
spaghetti straps by Nasiba Hafiz that I wear all the time. It’s Balkhy and her husband are heading to Bali
very versatile. Sometimes I’ll style it with a red blazer from this summer and she’s prepping her vacation
Mango or my Gap denim jacket.” She keeps her shopping wardrobe to embrace the island mood. “All my
sustainable by being mindful of her purchases. “I always think lighter Fyunka kaftans are coming with me. I’m
about how many times I’m going to wear it, instead of getting also taking my Nasiba Hafiz separates and my favorite
caught up in the whirlwind cycle of buying and purging. I love floral high-waisted Zimmerman shorts,” she says. In
that my nude Chanel slingback heels are worn-out because it addition to packing a scalloped bathing suit by Marysia
means I’m making use of them. They are so comfortable and I Swim, colorblock maillots from Flagpole, and beachwear
wear them almost every day.” Her royal blue Manolo Blahnik by Mara Hoffman, she’s making room in her Rimowa
Hangisi flats are another much loved pair. suitcase for Jacquemus’ La Bomba oversized sun hat. ☐

39
 SHINE
bright
Look to vivid shades of blue and red to rev up
your routine for the long hot summer ahead
Photography GUY AROCH Hair RUDY MARTINS Makeup DEANNA HAGAN
LIFT THE LID Work
baby blue shadow
across the eyelid and
up to the brow. Clash
with a bright rouge lip.
BODYSUIT, SCARF, VERSACE;
CAP, PAA
PREVIOUS PAGE
SHINE ON Keep the
base of your skin
seamless, adding a
dusting of highlighter
for a whimsical feel.
COAT, ISABEL MARANT ÉTOILE;
DRESS, STELLA MCCARTNEY;
WRAP, HAT, ERIC JAVITS
 ‫جمـال‬Beauty

LASH OUT Don’t be

afraid to play with
colored mascaras.
Apply alone for
beginners or clash
with a lip for the
ultimate statement.
DRESS, TIBI; GLOVES, VEX
CLOTHING

43
Beauty‫جمـال‬

GO UNDER Define
eyes with graphic
liner swept upwards
in a vivid shade.
Keep the top lid bare.
BODYSUIT, ALIX; EARRINGS,
EMILIO PUCCI

44
GET GLOSSY Let your
lips do the talking with
a vibrant shade of red
lipstick, finished with a
high-shine gloss.
COAT, IENKI IENKI
 THROWING SHADE
Ensure cheekbones
are contoured and
eyebrows are bold,
shaping the face to
add definition.
SUIT, VICTORIA VICTORIA
BECKHAM; BODYSUIT, ALIX

WORDS ALEXANDRA
VENISON STYLE KATIE
MOSSMAN NAILS DAWN
STERLING AT MAM NYC
USING CHANEL LE VERNIS
STYLE ASSISTANT
MALEEKA MOSS PROPS
ISAIAH WEISS MODEL LUZ
PAVON AT NEW YORK
MODEL MANAGEMENT
 ‫جمـال‬Beauty
1 MARC JACOBS BEAUTY
HIGHLINER GEL EYE CRAYON IN 1
1 ODY(SEA) 2 BY TERRY STYLO 2
BLACKSTAR IN MIDNIGHT OMBRÉ
3 SISLEY PARIS PHYTO-EYE
1 PAT MCGRATH 4 TWIST IN LAGOON
LABS DARK STAR 006
EYE KIT ULTRAVIOLET
BLUE PIGMENT 2
2 ILLAMASQUA EYE
SHADOW BRUSH 3 NARS LEAVE IT TO LINER
DUAL-INTENSITY EYE Get creative with
SHADOW IN ARCTURUS strokes of colorful
4 PAT MCGRATH LABS liner, working on
DARK STAR 006 EYE KIT
3
either the top or
CYBER CLEAR EYE GLOSS bottom lash lines.
PERFECT THE
IMPERFECTIONS Shades of blue will
Sweep powdered help the eye pop,
blue shadow across and play with
the lid and brow, different widths.
GET SWEEPING building up the color.
Working with an
Let the color rest, and
eyeshadow brush,
refrain from cleaning.
apply pigments with
one swipe across HOOD, SWEATSHIRT, CÉLINE
the lid and up to the 3
brow. Build up the
color until you have
created the desired
effect. Embrace the
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using a cotton bud to
clean the excess that
has dropped below
the lower lash line.

1 CHRISTIAN
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IN ROUGE LOUBOUTIN
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IN BONNE 3 KEVYN
AUCOIN THE EXPERT LIP
COLOR IN CARLIANA

SIMPLISTIC SKIN
Embrace the
foundation of base
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GET
2
to formulas that
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Apply a highlighter
to add a subtle
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THE
glowing look.
3

LOOK
RED ALERT There is a
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Mix things up by clashing
MARC JACOBS BEAUTY a glossy red lip with a blue
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GEL HIGHLIGHTER in a modern way.

47
PULLING THE RIGHT
 s
tand in a room of people. Can you tell
who has had cosmetic surgery? With
new advances in treatments, it is nearly
impossible to know – particularly when
going under the knife is increasingly
becoming a dated way to combat aging.
The British Association of Aesthetic
Plastic Surgeons reported a 44% decline
in female facelifts in 2017. Non-invasive and non-surgical
procedures, however, are on the rise, with the Silhouette
Soft lift now leading the way.
Thread lift treatments, which involve inserting a medical
suture under the skin through an incision and pulling it
out another, were once questionable. First popularized
in the early 2000s, they had a resurgence when Gwyneth
Paltrow detailed the process on her lifestyle website. At
the time, the threads were still susceptible to breakage
and difficult to remove. Side effects plagued patients,
including infections, breakage and, for pale patients, a
visible blue thread beneath the skin.
Even those who achieved lifted skin saw
their faces sag after a few months due to
Forget going everyday mannerisms like smiling.
With time, techniques improved. The
under the new Silhouette Soft is based on six years’
knife – a research and involves suture suspension. “It’s
non-invasive a non-surgical technique used to reposition
the skin to contour and define the look
threading of the face and neck,” says Dr Victoria
procedure Manning, who teaches the procedure and
treats patients from The Grace Belgravia in
offers a London. “We use the threads to reposition
lunchtime lift and add volume to the skin, leaving a more
rejuvenated look,” adds Dr Jaffer Khan,
founder and medical director at Nova
Words ALEXANDRA VENISON
Clinic by Aesthetics.
Unlike thread lifting of the past, the
components that make up Silhouette
Soft are resorbable, biocompatible, and biodegradable.
The material used in the procedure is created using
polylactic acid and looks like a string of sugar – which it
effectively is – studded with bidirectional cones. “It works
by anchoring the skin using different technologies, either
cones or barb sutures, which pass in one direction freely,
and when pulled in the other direction, engage the dermis
and cause a lifting effect,” explains Dr Khan.
After holding the skin in place long enough for scar tissue
to provide the lift, the thread dissolves. “It has dual lift
and collagen regenerating effects,” says Dr Manning. “By
repositioning the tissues, Silhouette Soft then stimulates
Type 1 collagen fibers, which are flexible and malleable, to
provide a nuanced and natural looking result.” The instant
PHOTOGRAPH TRUNK ARCHIVE
effect is a tighter and lifted silhouette. With sagging jowls
eliminated, the patient’s appearance is revitalized. One
Dubai-based patient in her early fifties visited ZO Skin
Centre to have eight threads inserted – across the upper
cheekbones, lower cheekbones, jowls, and one on either
‫جمـال‬Beauty
We use the THREADS
to reposition and add
volume to the SKIN, leaving
a more rejuvenated look
side across her neck. “The results were immediate and I
was extremely pleased,” she says. “It’s been a year since I
had the procedure and the effect is still present.” At her
one-year checkup, her surgeon, Dr Francisco de Melo,
recommended she have two more threads inserted at the
jowl line to maintain the effect. “I will definitely continue
to use this method to avoid surgery,” she says, adding that
the Silhouette Soft procedure continues to evolve with
advances in thread technology.
There are also different forms of thread lifting for other
areas of the body, including the bust and buttocks. The
procedures are still in the very early phases and are only
used when there is limited sagging, or alongside other
procedures, such as liposuction.
As for the pain barometer, there is minimal discomfort.
The procedure is only slightly invasive, as the threads
are inserted through tiny incisions. “Despite very little
bruising, I always advise patients that their face will
feel a bit sore for a few days after the procedure but it’s
nothing that can’t be managed with over-the-counter
analgesia,” says Dr Manning. “There is no scarring after
the treatment, and it can be successfully used for all areas
of the face and neck,” adds Dr Khan.
Like with every cosmetic treatment, results can differ.
“The outcome depends on the thickness of the skin, so
we always recommend a consultation to ensure a person
is the best candidate for the Silhouette Soft lift,” explains
Dr Khan. Describing the ideal cases, Dr Manning says,
“We can start treating patients at an earlier age to prevent
signs of aging. Patients start from their mid-30s and go up
to mid-60s. What they share is mild skin sagging, jowls,
and loss of contour and definition.”
The Silhouette Soft lasts anywhere from six to 18
months, with results improving within the first three to
four months due to the stimulation of collagen fibers.
Dr Manning believes in managing expectations: “I always
remind patients that we have sutures, not a magic wand.
They are delighted with their results and usually come
back before the effects wear off to repeat the procedure and
perpetuate the results.” Starting at AED3 500 per thread,
with Dr Khan saying an average patient would require
four threads. As results and techniques improve, and
more doctors look to Silhouette Soft for its incomparable
results, it is undoubtedly defining itself as the facelift of
the future. ☐
49
 Powerful digital motor.
Designed for fast drying.
shop.dyson.ae
 ‫جمـال‬Beauty

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51
Beauty‫جمـال‬
THE NEW
SCIENCE OF
skincare
For your future face, look to technology and gadgets
to achieve glowing results Words ALEXANDRA VENISON
S
kincare and anti-aging are part of an ever-evolving market. From
procedures to gadgets, the latest innovations are offering results like
never before. By penetrating the dermis with light, lasers,
vibration, heat, and micro-needling, active ingredients work more
efficiently. Handheld, user-friendly gadgets are not just reserved for
your dermatologist’s office anymore. Skincare is getting personal,
too. Understanding your DNA and not just your skin type arms you with the
knowledge to combat wrinkles, dark spots, and a dull complexion.
GET PERSONAL
Gain a deeper understanding
of your skin with brands that
cater to your individual needs
ALLÉL
Enter the power of prediction. Founded in Sweden
by doctors Anne Wetter and Elisabet Hagert, Allél
looks to 16 genetic markers in the five key drivers
of aging: structure, energy, pigmentation, defense,
and sensitivity. With up to 60% of aging depending
on genetic factors, this DNA analysis can offer you
a head start in the battle against it. Allél, which is
based in Switzerland, uses advanced technology to
determine your skin profile, starting with a DNA
test. A simple swab from the inside of your cheek,
52
done at a partner clinic, is sent to the Allél lab
for evaluation. After about a week, you’ll receive
your results, as well as a consultation focusing on
your lifestyle and signs of aging. A personalized
Allél Skin Genetic System is then put together for
you, including a face serum and cream, alongside
nutritional supplements. The system lasts three
months, after which you can order individual
products as you need. From AED 7 500. Allel.com
IOMA PARIS
Personalization is taken to the next level at
Ioma, which uses technology to diagnose your
individual concerns, and its signature face cream
has more than 40 000 possible formulas. Using
the Ioma Sphere 2 diagnostic device, which tests
for dehydration, fine lines, wrinkles, redness,
bacterial activity, excess sebum, and dark spots,
six photographs are taken of your face – using
different lights, microscopy, and two probes for
further accuracy. The outcome is instant, with the
Ioma technician talking you through your results,
and your personalized Ma Crème face cream
processed in just a few seconds. You also receive
eight serums to complement your regime. Ioma
records your skin information with each analysis
so it can constantly update and reformulate your
products. From AED 760. Ioma-paris.com
Beauty‫جمـال‬
1

TOOL UP
No time? No
excuse. These
tech tools offer
results from
the comfort 2

1
of your home
FOREO UFO
Sheet masking has officially been
reinvented. Foreo’s latest device
brings together a host of technologies,
beginning with LED light therapy.
Red light offers anti-aging properties,
green brightens, and blue helps combat
acne. Cryotherapy and thermotherapy,
partnered with T-sonic pulsations,

2
allow the ingredients to penetrate skin 3
more deeply. It takes 90 seconds and is
controlled via an app.

PANASONIC IPL HAIR

REMOVAL DEVICE
Intense pulsed light removes You simply move the tip of the device

unwanted facial hair. The multiple
wavelengths heat up the cells at the
base of the follicle, damaging them to
the point where the hair can’t regrow.
It’s most effective on pale skin with
5
across your skin, choosing from two
functions – normal or heated – to help
with optimal absorption of product.
GLOPRO

3
dark hair. The device also stimulates
the shedding of dead cells, helping to
brighten and even out the skin.
4 by roughly 1% a year in your 20s. This is
DR DENNIS GROSS
SKINCARE SPECTRALITE
EYECARE PRO
The eyes are the first to show signs of
aging. Dr Dennis Gross has developed
an at-home device that uses therapeutic
light to stimulate collagen production,
thereby helping to firm and even out
MICRONEEDLING
REGENERATION TOOL
Collagen production begins to decrease
where microneedling can be helpful. The
treatment, which was previously reserved
for your dermatologist’s office, uses tiny,
sterile needles to puncture the skin,
stimulating the natural healing response.
GloPro’s user-friendly tool works with
the power of red light and VibroTactile
stimulation, which lets your favorite

4
skin tone. You wear it for three creams and serums absorb more easily.
minutes a day and can see results 5
in two weeks.
PHOTOGRAPHS GETTY

NURSE JAMIE
TRIANGLE FACIAL TOOL
Use this sonic face massager
with your usual skincare products.

54
FACE IT
The best futuristic facials across the
Middle East that combat impurities,
aging, and everything in-between
SYNERGY+ FACIAL
WHERE: Lespirit Medical Clinic, Dubai
The facial begins with “vacuum bubble cleansing,”
which combines serums and a “vacuum” cleaning
off dead skin cells. Then the Oxy-G peel exfoliates,
followed by Q-Polar radiofrequency, which plumps
and regenerates the skin. A nutrient infusion is
then applied with ultrasound technology.
From AED 3 500. Lespritclinic.com
FRACTIONAL CO2 LASER PEEL
WHERE: The Clinics, Saudi Arabia
This laser treatment is one of the latest
advancements in non-surgical skincare. Featuring
the longest wavelength of all the lasers currently
on the market, it can be safely used on darker skin
types, and close to the delicate areas of the eyelids
and mouth. The customizable peel targets deep
wrinkles, sun damage, and uneven skin tone.
From AED 500. The-clinics.com
BBL FOREVER FACIAL
WHERE: Dermapro Clinic, Lebanon
Working with broadband light energy in as little
as 15 minutes, this facial improves the overall look
of your skin. Using innovative light technology, the
appearance of brown sun and age spots and red
blemishes can be improved in a single session.
From AED 1 800. Dermapro.me
LED LIGHT MASK
WHERE: Clinica Joelle, Abu Dhabi
Color light therapy has many benefits, and the
wavelengths can be adapted to your skin. Blue
light kills bacteria to help combat acne; red light
stimulates collagen; and green light improves the
appearance of wrinkles while brightening the skin.
From AED 500. Clinicajoelle.com
55
 HELLO
H Y D R AT I O N
Clinique makes a splash with formulas that offer moisture all day long
Photography PETER RICHWEISZ

GET GLOWING
Simple skincare? Yes, it
exists. Dramatically Different
Moisturizing Lotion+ is your key
to all-day hydration. It absorbs
quickly and with just one small
pump, you will experience
daylong moisture. By simply
massaging the silky, penetrating
formula into your skin, you will
increase moisture retention and
help make the dermis resistant to
outside influences. The clinically
proven lotion helps improve
skin texture within one week, as
well as enhancing the moisture
barrier by up to 54% in eight
weeks. Use it morning and
evening after cleansing and
exfoliating. It also works as the
perfect prep for makeup.

56
VOGUE PARTNERSHIP

HIT REFRESH
Clinique Moisture
Surge 72-Hour Auto
Replenishing Hydrator
has been updated to offer
double the hydration.
The energizing gel
cream draws upon auto-
replenishing technology
with caffeine, aiding the
dermis in developing its
own internal water source.
It plumps the skin using
hyaluronic acid fragments
and activated aloe water,
locking in moisture by
creating a thin mesh on
the surface. It helps boost
moisture by up to 152%,
so you can expect a
healthy-looking glow all
day long. It’s allergy tested
and 100% fragrance free,
so even those with sensitive
skin can experience its
gamechanging properties.
 COURSES
World-class fashion education in
the heart of central London
www.condenastcollege.ac.uk
Photography: Dan Williams, Hair & Make-up: Bethany Rich, Model: Kanani Abdillahi

NEW!
MA Fashion Media
Programmes
Starting
October 2018
Dress: Kage, Boots: Gina, Earrings: Elsa O

IMAGE
STYLED BY
BA degree students
at the Condé Nast
College of Fashion
& Design
 CIRCLE
back
From avant garde shoulder-grazers in twisted metals to elegant
multi-stone designs, new hoops are anything but regular
Photography HASSE NIELSEN Compiled by CLAIRE CARRUTHERS
 EARRINGS, BECCA JEWELLERY;
T-SHIRT, HELMUT LANG;
SHIRT, ELLERY; PANTS, KHAITE
PREVIOUS PAGE MOLDED GOLD
EARRING, CORNELIA WEBB HOOP
EARRING, MARIA BLACK; TOP,
MM6 BY MAISON MARGIELA

60
 ‫ﻣﺠﻮﻫﺮات‬Jewelry
CAROLINA NEVES
MULTI-STONE CIRCLE
EARRINGS IN 18KT GOLD

Micro Y/PROJECT SPIRAL

PEARL EARRINGS

Stones
VS
Modern
Pearls IPPOLITA NOVA
Minimalistic PEARL EARRINGS IN
18KT GOLD
shapes take on
artful adornment –
choose your tribe

NOOR FARES
SPIRAL MOON
RAINBOW EARRINGS
MICHELLE FANTACI HOOP
EARRINGS WITH EMERALDS
TASAKI DANGER
TRIBE EARRINGS IN
YELLOW GOLD WITH
FRESHWATER PEARLS

Mixed Metals
Yellow gold, rose, and silver – why KOVA ROSE AND WHITE
GOLD HOOP EARRINGS
choose when you can have all three? AT FARFETCH

POMELLATO
TANGO KOVA ROSE
CHARLOTTE EARRINGS AND WHITE
CHESNAIS IN ROSE GOLD HOOP
RICOCHE EARRING GOLD WITH EARRINGS AT
DIAMONDS FARFETCH
 HOOP EARRING, ALL BLUES;
EARRINGS, ORIT ELHANATI; RING,
BUKKEHAVE; SHIRT, HELMUT
LANG; COAT, FREYA DALSJØ

Silver
LININGS
Not a gold girl? Try a pair
of streamlined silver hoops

CAROLINA BUCCI
FLORENTINE FINISH
EXTRA LARGE
ASHERALI KNOPFER HOOP EARRINGS
GIULIA DOUBLE HOOP

Out of
EARRING IN 18KT WHITE
GOLD WITH DIAMONDS

ORBIT
Multi-hoop FOUNDRAE ORBIT PAVE
EARRINGS IN 18KT GOLD
styles for playful OSCAR DE LA
mixing and RENTA MODERN
TWIST HOOP
matching EARRINGS

OCTAVIA
ELIZABETH
GABBY HOOPS
IN 18KT YELLOW TASAKI ABSTRACT STAR
GOLD WITH EARRING IN WHITE GOLD
DIAMONDS
ISAIAH GARZA
DOUBLE HOOP
EARRINGS IN
14KT GOLD WITH
FRESHWATER
PEARLS

62
 STYLE METTE KROGSGAARD HAIR LINE BILLE AT SCOOP ARTISTS MAKEUP GITTE GULDHAMMER AT SCOOP ARTISTS SET DESIGN NATHALIE SCHWER
PHOTOGRAPHY ASSISTANT SIMON THOMSEN MODEL ANNIE TICE AT OUI MANAGEMENT

ACNE STUDIOS;
EARRINGS, SARA

JACKET (AROUND
RAUN; POLO NECK,
RING, FREDERIKKE
GOLD AND DIAMOND

WAIST), SPORTMAX
BALENCIAGA; SKIRT,
ROBERTSSON; WHITE
RING, CHOPARD; SILVER

63
‫ﻣﺠﻮﻫﺮات‬Jewelry
HARRY WINSTON MINI
TWIST IN 18KT WHITE
GOLD AND BRILLIANT-
CUT DIAMONDS

DIOR GRAND BAL PLUME

VAN CLEEF & ARPELS

MARGUERITE SECRET
WATCH IN WHITE AND
YELLOW GOLD, DIAMONDS,
AND SAPPHIRES

Bloomin’
Gorgeous
Florals have been given an update with these dazzling
timepieces offering an ultra-luxe feminine statement
Photography OWEN SILVERWOOD Set design WILLIAM FARR
 ‫مجوهرات‬Jewelry

CHANEL “L’ESPRIT
DU LION” SECRET
BERYL WATCH

BULGARI SERPENTI
MISTERIOSI

GLENN SPIRO REVEAL

IN 18KT GOLD, DIAMONDS
AND RUBIES

GRAFF MASTERGRAFF FLORAL TOURBILLON

65
 VOGUE PARTNERSHIP

Motion
Motion
in time
The bold and empowered
woman, who isn’t afraid of
adventure, is the inspiration
behind the luxe creations
of Richard Mille
Photography MANN
 WATCH, RICHARD MILLE
RM 07-01 AUTOMATIC
LADIES JADE LIMITED
EDITION WITH WHITE
CERAMIC AND WHITE GOLD
OPEN LINK BRACELET
DRESS, ALESSANDRA
RICH AT OUNASS

67
 WATCH, RICHARD MILLE
RM 017 TOURBILLON IN
RED GOLD WITH PRINCESS
CUT DIAMONDS
TOP, OSMAN AT BOUTIQUE 1
 VOGUE PARTNERSHIP

WATCH, RICHARD MILLE RM 07-01 AUTOMATIC LADIES WITH GEM-SET CARBON TPT®
DRESS, ALESSANDRA RICH; EARRINGS, SIMONE ROCHA; GLOVES, STYLIST’S OWN

69
 VOGUE PARTNERSHIP

WATCH, RICHARD MILLE RM 037 AUTOMATIC LADIES WITH BLUE CERAMIC

SHIRT, PETAR PETROV

70
 WATCH, RICHARD MILLE RM
07-01 AUTOMATIC LADIES WITH
RED GOLD MEDIUM SET CASE
AND RED GOLD BRACELET
DRESS, Y PROJECT;
SUNGLASSES, SAINT LAURENT
RICHARD MILLE BOUTIQUES
IN RIYADH AND JEDDAH AND
AROUND THE REGION IN
DUBAI, ABU DHABI, BEIRUT
AND ISTANBUL
STYLE CLAIRE CARRUTHERS
MAKEUP TONI MALT MODEL
EWELINA AT MMG MODELS CAR
NOSTALGIA CLASSIC CARS SHOT
ON LOCATION AT ACTION
FILMZ STUDIO ALL WATCHES
COURTESY OF AHMED
SEDDIQI & SONS
V
u
G
June 2018
 A driving FORCE of
ambition, bold fashion,
and INSPIRATIONAL
mantras lead the way
RUSH
hour
At the dawn of a new era,
HRH PRINCESS HAYFA
BINT ABDULLAH AL SAUD
is redefining the boundaries
of what it means to be
a Saudi woman
Photography BOO GEORGE Fashion director KATIE TROTTER Words MANUEL ARNAUT
 ‫؛‬SLOUCHYZ ‫عباءة من‬
SH STUDIOS ‫فستان من‬
FASHION EXCLUSIVES ‫لدى‬
ABAYA, SLOUCHYZ;
DRESS, SH STUDIOS AT
FASHION EXCLUSIVES

75
 It is one of those unlucky days, definitely not ideal for
a photo shoot. The wind blows vigorously and the
dancing sands of the desert of Dhahban, 50 minutes
outside Jeddah, paint the sky brown. This doesn’t seem
to worry HRH Princess Hayfa bint Abdullah Al Saud,
whose firm voice I overhear from the private area where
she is being prepped for her first-ever magazine cover.
“People think that princesses are spoilt and that we live
in an ivory tower. Let’s not forget I’m a Bedouin,” she
declares amusedly, ready to face the sandstorm.
Although we’ve known each other for three years, it
is only the second time I’ve met with the princess face
to face. She looks exactly as I remember. Her hair is still
black as the feathers of a raven and her unique perfume
– a combination of scents difficult to identify – fills the
room. But more than any physical features, it is her true
regal aura that I remember the most. While speaking
or walking towards the sand dune where photographer
Boo George awaits us, the princess exudes a natural
assertiveness and grace that remind us that she is, in
fact, a real royal.
It was important to our parents that we did not
think we were DIFFERENT from others. My father
had a saying: ‘We are FROM THE PEOPLE, and the
people are from us’
Even for a foreigner, the weight of the princess’s regal
blood is evident just by driving around her hometown,
Jeddah. Her father was King Abdullah, and the city
holds a number of important buildings that remind of
his legacy, including King Abdullah Sports City, also
nicknamed The Shining Jewel, and King Abdullah
Economic City. Besides grandiose real estate, it was also
during his period on the throne, from 2005 until 2015,
that women gained the right to vote for municipal
councils and to compete for the first time in the 2012
Summer Olympic Games in London.
“In some ways, my father was like any father – he
loved his children and felt very close to us,” shares
the princess when asked about growing up in a royal
76
household. “He loved to play games with us, to tell
jokes, to ask us about our days… He had a tremendous
presence. We knew there were boundaries, and he
could communicate this to us without speaking. I was
close to him and knowing that he had a vital role in our
country made me respect him even more. But it was
important to our parents that we did not think we were
special or different from others.” She adds firmly, “My
father had a saying: ‘We are from the people, and the
people are from us.’ We knew we had a lot and we were
privileged, but at the same time we had to remain down
to earth and humble.”
Maybe inspired by the example of her entrepreneurial
father, the princess defies clichés and enjoys an active
and full life. Not relying on an army of nannies, she
is seriously involved in the education of her three
young children, the result of her 2005 marriage
to Prince Abdulaziz Bin Nawaf Bin Abdulaziz.
She also dedicates herself to her successful career
as painter, something she conquered with effort
and perseverance.
When the wind wins us over and we are obliged to
pause the shoot, we share a coffee in the majilis of the
desert property. After offering me dates and desserts,
Princess Hayfa takes me back to her younger days,
when, at the age of nine, she was swept away for the
first time by an art piece. It was a painting by her older
sister, Princess Noura, who passed away tragically, and
it featured an enigmatic creature, half woman, half
lion. “I remember looking at this image and finding
it fascinating,” she says with nostalgia. Later, it was
Salvador Dalí that grabbed the princess’s heart. “I
found his surrealist work to be thrilling. He got me
right away!”
It was only after graduating high school that Princess
 ‫؛ بنطال‬LAYEUR ‫قميص‬
STUART ‫؛ أحذية‬BLUGIRL
‫؛ قفازات‬WEITZMAN
ELISABETTA FRANCHI
SHIRT, LAYEUR; PANTS,
BLUGIRL; SHOES, STUART
WEITZMAN; GLOVES,
ELISABETTA FRANCHI
 ‫؛‬SLOUCHYZ ‫عباءة من‬
SH STUDIOS ‫فستان من‬
FASHION EXCLUSIVES ‫لدى‬
ABAYA, SLOUCHYZ; DRESS,
SH STUDIOS AT
FASHION EXCLUSIVES
 When I started PAINTING seriously most of my
family thought it was a joke. They said I was in a phase.
The phase has lasted almost TWO DECADES

LIFE IN COLOR PRINCESS HAYFA’S SURREALIST STYLE IS BOLD, DRAMATIC, AND INSPIRED BY THE ARAB CULTURE

79
BADGLEY ‫فستان من‬
‫؛‬MISCHKA COUTURE
‫يخص‬
ُّ ‫وشاح‬
‫منسقة األزياء‬
DRESS, BADGLEY
MISCHKA COUTURE;
SCARF, STYLIST’S OWN
 Hayfa started contemplating a serious career in the arts.
In the searing summer of 2000, she met with Saudi
artist Mona Al-Qasabi; an encounter that changed her
life forever. “Mona Al-Qasabi was really the starting
point. After she taught me how to mix colors, I began
to paint seriously. Most of my family thought it was a
joke. They said I was in a phase. The phase has lasted
almost two decades.”
Years later, while studying painting at the Academy
of Art University at San Francisco Art School (she
graduated in 2015), the royal started to feel confident
enough to slowly share her work with the world. And
as in any other “normal” household, it was in the
palace that she found her biggest supporters, but also
her toughest critics. “In one of my earlier portraits of
my dad, in 2008, I showed him a picture of the piece
when it was almost done. He said, ‘It doesn’t look like
me. The nose is wrong,’” she laughs. “He began to give
me lots of feedback, and I fixed it in front of him. By
the time it was finished, it looked nothing like him.
Even my sister said there was almost no resemblance
anymore. I guess the moral of the story is that it’s hard
to please your family!”
My kids think it’s really COOL that their mother is a PAINTER
This small setback didn’t slow down the young artist,
who continued to perfect her signature surrealist style,
where vibrant colors paint dramatic scenes, many
times blinking the eye to elements of Arab culture.
Since 2016, Princess Hayfa has shown her work in
well-attended group and solo shows, both in Jeddah
and New York. For the exhibition See, involving 30
leading Saudi artists, she donated 15 paintings, with
the proceeds benefiting the Ebsar Foundation for the
visually impaired. Also in Jeddah, at Roshan gallery,
the artist showcased more than 200 paintings, covering
15 years of her work. In her debut New York City
venture, 25 daring pieces were on display at Stellan
Holm gallery, with net proceeds of the sales benefiting
Child Mind Institute, a non-profit organization that
supports children and families struggling with mental
health issues. “My family is very loving and supportive.
It was actually my husband who helped me find my
way to art school,” Her Royal Highness concludes, as
she realizes that the strong wind outside is now a softer
breeze, allowing us to resume the shoot. “Now my kids
think it’s really cool that their mother is a painter.”
As I approach the styling rail carefully curated by
Vogue Arabia’s fashion director and the princess’s
personal stylist, I realize that part of the wardrobe
could also fit one of the royal’s surrealist paintings. A
red embroidered kaftan by Badgley Mischka reminds
me of Alice in Wonderland’s Queen of Hearts. An
opulent Oscar de la Renta tulle skirt, to be paired
with a hat with a generous brim, promises a sculptural
couture-inspired silhouette. Is it on purpose or a happy
coincidence? Before I have time to inquire, it is a sleek
white blouse and pants look, combined with a white
veil and black leather gloves, that makes its way to the
dressing room.
We are now back to the heart of the desert, where
the team and a vintage red convertible awaits the
princess. This will be the cover shot, and magic will
have to happen. As the royal takes the driver’s seat
and confidently places her hand on the wheel, we
experience one of those rare moments in life when
you are struck by the conviction that something
meaningful is unfolding in front of your eyes. While
in other countries women have been driving cars for
decades, it is on the 24th of this month that Saudi
women will officially be allowed to drive for the first
time. This decision – along with other brave moves
such as allowing women into football stadiums and
lifting a 35-year ban on public movie theaters – is
part of the transformative set of reforms established
by the government, who is aiming to modernize the
country by 2030. Nevertheless, having an illustrious
female member of the royal family gracing the cover of
a magazine – and driving – will set an unprecedented
example for the region and the world. Calling it an
extreme act of bravery is nothing but fair.
Later that evening, Princess Hayfa and Prince
Abdulaziz invite the team to gather for a much-
deserved meal. Over a plate of sashimi, the conversation
gravitates towards women’s place in the new Saudi
society. “In our country, there are some conservatives
who fear change. For many, it’s all they have known,”
the princess justifies. “Personally, I support these
changes with great enthusiasm.” And how does Her
Royal Highness digest the fact that in the Western
world, many are pointing out that these changes
are coming too late? “It’s easy to comment on other
people’s societies and think that your own society is
superior, but people must remember that each country
is specific and unique,” she says. “We have strengths
and weaknesses but, invariably, it’s our culture, and it’s
better to try to understand it than to judge it.”
By the time we finish dinner, we walk towards the
valet of that Jeddah hot spot, where an overwhelming
collection of shiny luxury cars is parked in front of us.
Before the goodbyes, I can’t hold a last question, and
wonder if, any time soon, it will be the princess driving
the prince home. “Yes, I would love to drive,” she smiles.
“But never in rush hour.”
81
 In our country, there are some CONSERVATIVES
who FEAR change. Personally, I support these changes
with great ENTHUSIASM

REALITY CHECK STRONG PORTRAITS AND LANDSCAPES ALSO INSPIRE THE PRINCESS WHO EXHIBITED IN SAUDI ARABIA, DUBAI, AND THE UNITED STATES

82
 ‫؛‬SLOUCHYZ ‫عباءة من‬
SH STUDIOS ‫فستان من‬
FASHION EXCLUSIVES ‫لدى‬
ABAYA, SLOUCHYZ; DRESS,
SH STUDIOS AT
FASHION EXCLUSIVES
‫؛ تنورة‬HEKAYAT ABAYA ‫عباءة من‬
‫؛ قبعة‬OSCAR DE LA RENTA ‫من‬
ELISABETTA FRANCHI ‫من‬
ABAYA, HEKAYAT ABAYA; SKIRT,
OSCAR DE LA RENTA; HAT,
ELISABETTA FRANCHI
HAIR TALAL TABBARA MAKEUP
PETROS PETROHILOS AT STREETERS
USING MAC COSMETICS PRODUCTION
SNAP14 PHOTOGRAPHY
ASSISTANT MARK LINCOLN FASHION
COORDINATOR ARAM KABBANI
FASHION ASSISTANTS MOHAMMAD
HAZEM REZQ, DANICA ZIVKOVIC
PRODUCTION COORDINATOR
JUMANA ZAHID DIGITAL TECH BROR
IVEFELDT RETOUCHING STUDIO RM
SHOT ON LOCATION AT DEERATNA
‫؛ قبعة من‬LAYEUR ‫قميص من‬
ELISABETTA FRANCHI
SHIRT, LAYEUR; HAT,
ELISABETTA FRANCHI

85
86
PHOTOGRAPH ELLEN VON UNWERTH STYLE SIMON ROBINS HAIR ROMINA MANENTI
MAKEUP RÉGINE BEDOT MODEL SARAH STEPHENS
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exhibition at the Kunsthal museum in Rotterdam follows its debut

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in Melbourne at the National Gallery of Victoria. The designers –

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– express with controlled enthusiasm delight at having their work Each is dressed
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on display in their home country, within arm’s reach of friends in some of the
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and family. Those who speak the Viktor & Rolf language are brand’s most iconic
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people interested in art and design, and in the Netherlands, the couture designs cut to
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net is thrown wide. After all, this is the country that gave birth to scale and even feature hair
he

Rembrandt, Vermeer, Bosch, Van Gogh, Mondrian, and Appel. and makeup that perfectly
“Not just fashionistas,” quips Snoeren. One such client is Dutch mimic the former runway look.
fas

Princess Mabel of Orange-Nassau. For her wedding to Prince Friso, Visitors are spoilt for choice to
hi

the duo created a dress with 264 bows. The princess gave the honor point out a standout work. There are
on

of opening the exhibition and loaned her gown for the occasion. the duvet coats and boudoir sheet evening
sy

“It was great to walk through it with her,” says Horsting, his voice dresses from Bedtime Stories (FW15 ready-
s
tem

softening at the memory of what was surely a bittersweet moment.
The royal love story ended when the prince passed away following a
ski accident in 2013.
Curated by Thierry-Maxime Loriot, the exhibition displays early
and new works, stage costumes like the bubblegum pink baby doll
dress with ruff collar worn by Madonna at Miami Art Basel, and
some 60 couture pieces. There are also 25 handmade porcelain dolls
to-wear), the Dutch folk costumes from The
Fashion Show (FW07 ready-to-wear) originally
showcased splayed open with clumsy steel rigs, and the
Red Carpet Dressing (FW14 Couture) looks that featured
dresses made of red carpet.
One of the pleasures of seeing a Viktor & Rolf show is to
observe how the anticipation builds with precision and repetition
 ABOVE A HANDMADE PORCELAIN DOLL IN A
MADE-TO-MEASURE DRESS FOR THE EXHIBITION
RIGHT THE FW07 READY-TO-WEAR SHOW BELOW
A MODEL WALKS THE SS16 COUTURE RUNWAY

– a crescendo of notes that are perfectly dissimilar. Sometimes,

the designers star in their show, as was the case when they
dressed model Maggie Rizer with nine layers of fabric, live.
Regardless, from the lot of pulled pieces, unfurls a team spirit,
and one can’t help but cheer. “When we walk through the
exhibition and see the highlights, we see unity,” the designers
nod. “Even in the very first film we did – in Hyères in 1993
– all the elements were already there; maybe a little vague,
but they were there,” they comment, referring to their hat
trick win at the lauded international festival for fashion
and photography.
All the stories and their parts are crafted from their atelier in
Amsterdam, a 17th century house once belonging to the city’s
mayor – two portraits of him and his wife still hang on the walls.
A team of eight to 15 petites mains creates everything in-house.
“The talent is hard to find,” they comment. “Not only to find
people who can work with their hands but those who love to do
it.” It’s a fair statement. Some of the couture pieces – like the
red carpet dresses – can take up to 300 hours to execute. Sitting
inside their atelier, they look out onto the English courtyard
garden. There are hardly any hedges, but there is a tree, a little
pond, and some birds fluttering about. “There’s a crane who
comes and sits in the middle of the pond like a king and eats all
the frogs,” they remark.
Having met while studying at the Arnhem Academy of Art
and Design, Horsting and Snoeren started working together
right after graduation. “It’s almost like a gift from God, that you
have found something that you can share,” says Horsting of their

88
 THE FW15 COUTURE
WEARABLE ART SHOW
RIGHT THE DESIGNERS
AT THEIR FW13 COUTURE
SHOW BELOW RIGHT
VIKTOR HORSTING AND
ROLF SNOEREN

Our talent was not making the nicest trendy

clothes, at the most AFFORDABLE prices
SS05 READY-TO-WEAR

lasting partnership. “Our work is

a celebration of our friendship.
We are business partners, but it’s
a creative marriage.”
PHOTOGRAPHS WAYNE TAYLOR INSTALLATION VIEW OF VIKTOR&ROLF: FASHION ARTISTS AT THE NATIONAL GALLERY OF VICTORIA

In 2015 the strain of the system,

with its hamster wheel of endless
deadlines, threatened the duo’s
scrupulous work ethic. They the show is the real work,” they stress.
speak of the realization that When they want to look back on their
“there is more to life than work” work, they prefer to do it via a show video.
FW17 COUTURE

and the need to enforce boundaries. It was “We can be quite hardcore conceptualists
announced that the ready-to-wear line, launched and a lot of times we see the end result when
in 2003, would close. “I was kind of forced to we start,” they state. Horsting expresses that
because it made me unhappy,” remarks Horsting. after a show he can experience a dip in moral.
“We both felt like our talent was not making “I feel irritable. I need to be quiet. A show takes
the nicest trendy clothes, at the most affordable a lot of energy and there is a great deal of people
FW08 READY-TO-WEAR

prices.” The designers stress that their private life around you. Afterward, we need to recharge
is very far removed. “We’re fascinated by hype, our batteries.”
but at the same time we don’t understand it. The Is the downtime used to strategize the next 25
parties, the whole social aspect, we don’t really do years? “We started so young,” they contemplate.
that.” They both love to read. On the desk lies a worn “We were always thinking about the next five years
copy of Sea of Poppies by Amitav Ghosh. Horsting and what we wanted to achieve; at a certain moment it became
meditates and travels – this summer he will visit the Amazon – overwhelming.” Horsting started yoga teacher training as a
while Snoeren prefers to go to the gym and stay close to home. means to canalize it all. “It made me realize that I didn’t want
Apart from the exhibition launch, the biannual couture to think about the next 25 years. It makes me unhappy. We
shows are major affairs for the duo, who describe themselves want to be grateful for now. We hope it will last.” Viktor &
as introverts. “As much as we like editorials, a collection ends Rolf: Fashion Artists 25 Years is on at the Kunsthal museum in
when the show ends. For us, the clothes are just a performance, Rotterdam until September 30 ☐

89
 MUNIRA AL HAMDAN
WEARS DRESS, MARNI; PANTS,
STYLIST’S OWN; SHOES, CHRISTIAN
LOUBOUTIN; EARRINGS, WAFA BY
WAFA FARAH AZAB WEARS
JACKET, REEMAMI; SHIRT, STYLIST’S
OWN; SKIRT, ALICE + OLIVIA;
EARRINGS, ELSA O SAJA KAMAL
WEARS JACKET, BOTTEGA
VENETA; DRESS, SACHIN & BABI;
SNEAKERS, SWEAR
The
Great changes are afoot in
Saudi – could a women’s
football team be the key
to ultimate triumph?
Photography JACOB AND CARROL
Words BEN JACOBS
ootball may be called the beautiful game, but when
it comes to gender equality, there has always been an
ugly side to it. Nowhere is this more apparent than
in Saudi Arabia, where young girls aren’t allowed to
openly play football at grassroots or elite level. Up
until January this year, women couldn’t even enter
football stadiums, but as the Kingdom slowly grants more rights
to them, a professional female team perhaps isn’t too far away.
Saudi footballers Saja Kamal and Munira Al Hamdan have
been campaigning for a team since they took up the sport. “A
recognized Saudi female national team is getting close,” Al
Hamdan says. “We can’t rush it, though, but knowing we have
HRH Princess Reema Bint Bandar, deputy president of Saudi
Arabia’s Sport Authority, on our side, really helps.”
“If I were to take a wild guess, I would say we might have an
official team by 2019,” adds Kamal, a self-professed rebel who
final
oal
– with silvery-blonde bleached hair, piercings, and tattoos – is
certainly not your typical Saudi woman. “One challenge is even
if we get a team, there may still be a debate as to whether young
female footballers can be televised or photographed. Families
will also take some convincing that football is a legitimate career
choice for their daughters,” she says. “We also need domestic
clubs first before we can compete properly on the international
stage, otherwise there might not be enough players to even start
a national team.”
Kamal holds two world records, having climbed Mount
Kilimanjaro last June to take part in the highest-altitude
football match, and then journeying to Jordan’s Dead Sea in
April this year to play in the lowest-elevation game as part of
two initiatives by the non-profit organization Equal Playing
Field, which promotes sports development for girls and women
around the globe.
91
 FARAH AZAB
WEARS COAT,
LELLOUE; DRESS,
INGIE PARIS; BELT,
MARNI; SNEAKERS,
REEBOK; EARRINGS,
WAFA BY WAFA
Entry for WOMEN is hopefully a sign that we
will be able to PLAY on the pitches soon. It is the
FIRST stage of acceptance
“Princess Reema alerted me to Equal Playing Field and it
was a natural fit,” explains Juventus supporter Kamal. “I have
been involved in football since I was four. It has been my true
passion and something I have never lost. Equal Playing Field
allowed me to travel to Kilimanjaro and the Dead Sea and play
in two world record matches as well as network with other
players from all around the world. The experience made me
even more determined to start a Saudi national team. I was
just as good as all the other internationals in Jordan, yet they
all had caps and I am not even recognized by my country. My
drive now is to make life easier for the next generation of Saudi
female footballers.”
Equal Playing Field’s Jordan quest was endorsed by former
Fifa presidential candidate Prince Ali bin Al Hussein and
former vice-captain of the Jordan women’s national football
team Farah Azab, who is now a Dubai resident. Prince Hussein
92
has been pivotal in promoting gender equality in football. He
was the main force behind bringing the Fifa U-17 Women’s
World Cup to Jordan in 2017, while last April the region
hosted the AFC Women’s Asian Cup, with Japan beating
Australia 1-0 to lift the trophy. The 42-year-old also built a US
$1.5 million pitch in Ghor Al Safi – a closed community near
the Dead Sea – allowing Equal Playing Field to break its latest
world record.
“Jordan is leading the way in the Middle East with promoting
women’s football,” says the prince, who hasn’t ruled out
running again for Fifa president. “Football should be available
to both sexes. It is a game that unifies, not divides, so it’s sad to
think half of the population are denied access to it in certain
parts of the world. Equal Playing Field aims to address this
and helping them break a record to do so was a natural and
important partnership. There is unfortunately still a stigma in
the Middle East in certain countries or communities around
young girls openly playing sport. We must always be respectful
of Arab culture, but we also can’t have double standards. If
football is fine for a boy to play in Jordan or Saudi Arabia, why
can’t it be for a girl?”
Azab believes Saudi Arabia’s General Sports Authority can
learn a lot from Prince Hussein. Since he took charge of the
Jordan Football Association in 1999, she’s noticed a significant
shift in the profile of the Jordanian
women’s national team, who remain
on course to qualify for the 2019 Fifa
Women’s World Cup in France. If
they succeed, it will be their first-ever
appearance at the tournament.
“Women’s football in Jordan is still
quite new,” says Azab. “The national
team was only founded in 2005. Back
then we had a 33-year-old goalkeeper
and me and my teammates were just 15. We are now the top-
ranked team out of all the Arab nations and ninth overall in
Asia. We dream of reaching the World Cup; a very realistic
goal.” Prince Hussein has been a tireless supporter of the team
and campaigned against Fifa’s 2007 ban against players wearing
the hijab. The ban was lifted in 2014. “Muslim women all over
the world should be grateful to the Prince since that debate
transcended sport. It was about basic rights and dignity,”
Azab remarks.
Back in Saudi Arabia, the men’s team will be off to the Fifa
World Cup in Russia this month, having dramatically qualified
for their fifth tournament courtesy of a Fahad Al Muwallad
wonder goal in a 1-0 victory over Japan last September. No
women were allowed into the King Abdullah Sports City
Stadium to watch that game – but in January they were finally
granted access to games in Jeddah, Riyadh, and Damman.
 SAJA KAMAL
WEARS DRESS,
DIANE VON
FURSTENBERG;
HEELS, STUART
WEITZMAN; TIGHTS,
STYLIST’S OWN

93
 “To a non-Saudi, entry for women into stadiums probably
looks inconsequential, but it’s a monumental move,” says Kamal.
“It shows women are being given basic rights to watch football. It
involves us and is hopefully a sign that we will be able to play on
the pitches soon. It is the first stage of acceptance.” It is thought
Saudi Arabia has aspirations to one day host a Fifa World Cup
but could only convince the governing body by guaranteeing
both sexes will be able to enjoy the tournament and enter
stadiums to watch games. The success of the men’s team is thus
compelling the Kingdom to give women more access to sport Sport in Saudi Arabia is clearly moving in the right
by putting Saudi Arabian football firmly in the global spotlight. direction. Last year, Jeddah hosted the Kingdom’s first
Negative press could set a potential bid back decades. official football tournament for women, featuring six
Perhaps more significantly, the positive change seen over teams competing at a private school in front of an all-
the past five months is also female audience. (The country also
down to a more liberal Crown introduced a women’s basketball
Prince. Prince Mohammad bin
Salman bin Abdulaziz Al Saud The more people question our tournament for universities last
November, as well as hosting its first-
has implemented encouraging basic right to CHOOSE who ever women’s squash tournament.)

we are, the more resolved we

social reforms as part of the
Vision 2030 program, which
aims to grant more freedom to
Saudi women and follows the
historic decision to allow Saudi
women to drive. This will allow
potential female football teams
to get easily around the country
to play matches. “Being able
to drive frees us,” smiles Al
Hamdan. “We don’t have to
save half of our salary just to
pay a driver. We can be more
productive. It is also great to
think I can get in a car and go
and watch a football game with
my entire family.”
To the outside eye, these might
all seem like small steps, but it
become to FIGHT for change constitutes significant progress
since 2012, the year Saudi women
participated in the Olympic Games
MUNIRA AL for the first time. Track athlete
HAMDAN
WEARS KAFTAN, Sarah Attar and 16-year-old judoka Wojdan Shahrkhani
LELLOUE; EARRINGS, arrived in London as heroes and role models, but back
SACHIN & BABI home they were trending under an unsightly hashtag on
Twitter. “There was such a backlash over the girls who
went to London creating perhaps more negatives than
positives,” Kamal says. “Sarah Attar was verbally abused
and a disgusting hashtag went viral on social media.
That’s not OK. These are inspiring women playing sport.
They are doing nothing wrong and no one has the right
to degrade them.” She does think that things are slowly
moving in the right direction in the Kingdom, though.
“It’s six years on from those Games and there is much
more pride about putting girls in the cultural hijab on the
world stage. It is a chance to showcase our heritage. The
next step is simple: for Saudi women to play sport without
fear of abuse. I think we’re getting there, especially in
football. There is definitely an increasing acceptance that
women can and should play the beautiful game. As a sex
we are defined by so much more than just hair or makeup,
or in Saudi the burqas that cover this. We can be doctors,
economists, lawyers, geologists, and even footballers. The
more people question our basic right to choose who we are,
the more resolved we become to fight for change.” ☐

94
 SAJA KAMAL WEARS ABAYA, BEDOUIN; TOP, SKIRT,
STELLA MCCARTNEY; FEATHERED DRESS, LELLOUE; SHOES,
TOMMY HILFIGER FARAH AZAB WEARS COAT, DRESS,
BOTTEGA VENETA; SHOES, SALVATORE FERRAGAMO
STYLE SAMANTHA FRANCIS HAIR AND MAKEUP ATHINA
DOUTIS SHOT ON LOCATION AT KOORA DOME, DUBAI
DOWN

TO

EARTH
Billowing silks and exuberant prints fall into sharp relief against a sea of sand
Photography DARIO CATELLANI Style GEORGE CORTINA
 ‫رداء وفستان من‬
‫؛ وشاح من‬ETRO
‫؛ حذاء طويل‬HERMÈS
‫الساق (تنتعله العارضة‬
)‫في معظم اإلطالالت‬
RICHARD QUINN ‫من‬
CLOAK, DRESS, ETRO;
SCARF, HERMÈS; BOOTS
(WORN THROUGHOUT),
RICHARD QUINN
DRIES ‫توب وتنورة من‬
‫؛ حزام‬VAN NOTEN
VICKI TURBEVILLE ‫من‬
TOP, SKIRT, DRIES VAN
NOTEN; BELT, VICKI
TURBEVILLE
VERSACE ‫توب من‬
TOP, VERSACE

99
MARC JACOBS ‫فستان من‬
DRESS, MARC JACOBS

100
‫؛‬LOUIS VUITTON ‫بلوزة من‬
DOLCE & ‫«ليغينغز» من‬
‫؛ وشاح‬GABBANA
HERMÈS ‫من‬
BLOUSE, LOUIS VUITTON;
LEGGINGS, DOLCE &
GABBANA; SCARF, HERMÈS
‫«جمبسوت» من‬
DOLCE & GABBANA
JUMPSUIT, DOLCE
& GABBANA
HAIR MARKI SHKRELI AT
BRYANT ARTISTS USING
MARKI HAIRCARE MAKEUP
KANAKO TAKASE AT
STREETERS USING LAURA
MERCIER NAILS MARISA
CARMICHAEL USING DIOR
SET DESIGN SPENCER
VROOMAN ON SET JN
PRODUCTION MODEL
SASKIA DE BRAUW AT DNA
MODEL MANAGEMENT
ERIKA ‫توب من‬
‫؛ وشاح‬CAVALLINI
HERMÈS ‫من‬
TOP, ERIKA CAVALLINI;
SCARF, HERMÈS

103
DRESS, JOHANNA ORTIZ;
SHOES, CHRISTIAN
LOUBOUTIN; EARRINGS,
VAN CLEEF & ARPELS

104
ALL
ABOUT
She’s a celebrated
humanitarian, high-
powered barrister, mother
of twins, and fashion
icon – who happens to be
married to a man named
George Clooney

AMAL
Photographs ANNIE LEIBOVITZ Words NATHAN HELLER
 sudden late snow is
falling, bright with just
a touch of magic, as
the automatic gate to
Aberlash House opens.
Footprints lead a few
steps down a long drive,
between a row of trees,
and climb to a small
colonnaded entryway.
Amal Clooney swings
open the front door and
gathers me inside.
“I feel as if I know you already,” she says oddly, setting a latch
against the cold. Tall, poised, and – unexpectedly for someone often
seen in somber barrister’s robes – funny, Clooney is an easy host, and
dashes off to hang my coat. She wears a red thigh-length Giambattista
Valli sweater, jeans, and leopard-print boots she picked up years ago
in Capri. A side table, lit by a simple lamp, bears silver-framed black-
and-white photos of her with her husband, George, and friends.
The two of them bought this house, set on a tiny island in the
Thames called Sonning Eye, around the time they married, and
then spent their honeymoon here, camping out in the unfurnished
rooms. Last June, Amal gave birth to twins, Ella and Alexander, and
since then the house – much like the Clooneys
themselves – has grown giddy with the trappings
of first parenthood. As WOMEN
Many people first encountered Amal Clooney
in 2014, on her engagement to George. By then, we may not
though, she had already built a notable career as a
be a minority,
but there is a
London barrister in international human rights
law – the system through which some of the
world’s slipperiest transnational villains, such as
ISIS, can be held accountable in court. Recently BOND that we
she has tried to help young women approach all share. It is a
bond of shared
similarly unconventional paths in law.
If the standard model for Hollywood marriage
is either celebrity pairing or quiet consortship (a
spouse outside the limelight), Amal Clooney experience
quickly flouted such customs. She was not a
celebrity, yet she rose to fame’s conventions and constraints. At the
same time, she remained carefully herself. “She’s the professional, and
I’m the amateur,” says George, who’s done a share of humanitarian
work on his own. “I get to see someone at the absolute top of their
game doing their job better than anybody I’ve ever seen.”
Even with fairy dust settling atop the Clooneys’ union (they
married in Venice; she wore an empyrean off-the-shoulder Oscar
de la Renta dress), Amal’s hard, sometimes disturbing work remains
a major part of their shared lives. On the afternoon I stop by, she is
showing around Nadia Murad, a 25-year-old Iraqi refugee she has
invited to the house, and whose experiences informed Clooney’s
highest-profile legal battle to date. Clooney introduces us, then peers
around her vast, lovely home looking perplexed.
“Where would you like to sit?” she asks, gesturing with a mug of
espresso. (Two years ago, she and George tried to go on a healthy
eating cleanse. “It was hard to give up the espresso first thing in the
106
morning,” she recalls. “We’re like, aren’t we supposed to be feeling
amazing?” They bailed on day 11 of three weeks.)
Murad and I settle into a book-laden room, and Clooney goes
to make tea. Murad is a Yazidi: a member of a Kurdish-speaking
ethnoreligious minority that follows a faith entirely its own and, as
a result, has been virulently targeted by ISIS. In August 2014, ISIS
fighters killed six of her brothers and her mother and kept her captive.
She managed to escape and made it to a refugee camp. Through a
German refugee program, she began a new life in Stuttgart and started
telling her story in the West.
In 2016, Murad met Clooney, who took on the Yazidis’ plight. Over
months, Clooney interviewed other refugees and survivors, building a
case that could carry through the international justice system.
“Not many people stepped up to help as she did,” Murad confides
now, through a translator, as Clooney fusses in the kitchen. “I was
surprised that someone like her – a successful lawyer with a strong
record – would help us. We’re a very small community.”
The Yazidi case brought Murad and her lawyer to the floor of the
UN, in September 2016. Progress followed incrementally. In late 2016,
the German supreme court authorized an arrest warrant against a high-
ranking ISIS commander. In 2017, following a second presentation by
Clooney, the UN Security Council resolved to establish an investigative
team to collect evidence about ISIS’s actions in Iraq. “It tells victims that
they may finally have their day in court,” Clooney wrote in an opinion
piece following the resolution. “Justice is now,
finally, within reach.”
Questions of destiny and volition have
trailed Clooney through her life. Her mother,
Baria Alamuddin, is a well-known political
journalist, but her first ambition was to be a
lawyer. (Her university had no law course.)
Amal’s father, Ramzi Alamuddin, was vice
president of the Universal Federation of Travel
Agents’ Association, which consults with the
UN, so the family was often on the move. For
a while, they lived in Paris. By the time Amal,
their second daughter together, was born, they
had returned to Beirut. Because the birth came
during a lull in Lebanon’s civil war, her father
named her Amal – Arabic for “hope.”
When Amal was still a child, the family left Lebanon again,
for London, and later settled in a Buckinghamshire house with a
swimming pool. Extended family often visited, and the kids were left
alone to make their own fun. “Amal was the youngest, and because
of that always got shafted,” recalls Tarek Miknas, a cousin who
was near the same age as Amal. “If we were to put together a music
band to entertain the family after dinner, my brother might get two
instruments, her sister would get lead singer, I’d get the guitar, and she
would get something like the triangle.” Clooney excelled in school but
was not one to skulk in libraries. “I wanted to do well academically,”
she recalls. “But it was equally important to do things” – she chuckles
– “in an effortless manner.”
Also, like the other women in her family, Clooney saw no
contradiction in being serious and chic, and used to raid her mother’s
closet. Upon graduating from St Hugh’s College, Oxford, she
went to the US for New York University’s LLM program and did
 WITH YAZIDI HUMAN RIGHTS ACTIVIST
NADIA MURAD. CLOONEY WEARS SWEATER,
FENDI; EARRINGS, BELADORA

an externship with Sonia Sotomayor, then a judge for the Second on and the superhuman
Circuit. She left school with a job at the prestigious firm Sullivan & work that she was doing.
Cromwell. She was part of the defense team for Enron’s lead auditor I was taken with her from
but also took on pro bono criminal cases. “I cared more about the the moment I saw her.”
outcome of those cases than my paid cases,” she says. “And that made They became friends;
me think, well, why am I not doing more of that kind of work?” they stayed in touch. By the
In 2004, she applied for a one-year clerkship at the International time she saw Miknas, their
Court of Justice, the criminal judicial organ of the UN in The Hague. friendship was seeming like
Friends in her circle tended to regard this as insane but the post thrilled something more. “It felt
her, and she went on to spend a year working on the war-crimes trial like the most natural thing
of the former president of Yugoslavia Slobodan Miloševic. “She gets in the world,” she says.
into the granular detail,” says Philippa Webb, one of two fellows with “Before that experience, I
whom Clooney shared a Peace Palace office in The Hague. “But she had always hoped there
also has a deeper reflection on what this is doing to the development could be a love that was
of the law.” overwhelming and didn’t
Much of her work also centered on the mistreatment of women. require any weighing or
“As women we may not be a minority, but there is a bond that we decision-making.” Now she
all share,” Clooney said in a speech a year and a half ago. “It is not felt she’d found it, on the
a bond of geography. Or religion. Or culture. It is a bond of shared strangest of flukes.
experience – experiences that only women go through, and struggles “It’s the one thing in life
that only women face.” ABOVE AMAL AND GEORGE CLOONEY AT THIS YEAR’S MET that I think is the biggest
One day in 2013, Clooney’s cousin Miknas was passing through GALA, WHICH SHE CO-CHAIRED WEARING RICHARD QUINN determinant of happiness,
London and suggested that the two of them get dinner. “She’s like, and it’s the thing you have
‘Oh, this is great. I have so much to tell you,’” he recalls. When they the least control over,” she says. “Are you going to meet this person?
caught up at a restaurant in town, he asked her for her news. “She’s I was 35 when I met him. It wasn’t obvious that it was going to
like, ‘Eh – I don’t want to talk about it yet. Tell me about you,’” he happen for me. And I wasn’t willing or excited about the idea of
recalls. Miknas did, and then the conversation circled back to her. getting married or having a family in the absence of that.”
She balked, strangely: shyness was unlike his cousin. Finally she goes, George, in his 50s, had reached a similar place. “If you know
‘Well, look. There’s a bit of a romance brewing.’” anything about my crazy life, you know that I’d pretty much
PHOTOGRAPHS GETTY

Some months before, Amal had come along with a friend to George committed to the idea of never marrying again,” he says. (He was
Clooney’s house on Lake Como, in Italy. “Of course she was beautiful,” married to the actor Talia Balsam for a few years in his late 20s and
George says. “But I also thought she was fascinating, and I thought she early 30s.) “But I started dating Amal, and I immediately knew that
was brilliant. Her life was incredibly exciting – the clients she was taking something was very different.” When they went with friends on a

107
safari trip in Africa, George had one of those epiphanies that arrive in
the interstices of a life.
“Some giraffes walked up to her,” he recalls. “They just came out
of the blue. I took a picture of her, and she was smiling. I said to my
buddy Ben, ‘You know, I think I should ask her to marry me.’ And
Ben said, ‘I think that’s a good idea.’”
Amal’s friends and family members say that nothing about her
changed after the marriage: she maintained her in-the-moment
balance between immersive work and intimate friendships. She
wasn’t, after all, a star or a politician in the public eye. She was a
woman with a fully realized adult life who, almost overnight, became
a celebrity of inordinate privilege.
Much changed as a result. “We definitely do more things in our
home to ensure privacy in a context where we can’t otherwise get it,”
Clooney concedes. “But that whole side – invasions of privacy and
paparazzi, all of that – has happened because of something so happy
I
and so important in my life.”
n Sonning-on-Thames, the Clooney residence is, literally and
figuratively, the biggest thing around. Abutting the house is a
small, glass-covered garden room full of citrus trees. Beyond that
is a pool, and a glass-fronted pool house decorated as a lounge
– “the party zone,” Clooney says. In the back of the room is a
photo booth that produces twin copies of every print: one copy goes
home with the guests, and the other goes up on the bulletin board
here. “You can tell the ones that are from 3am,” Clooney says with a
chuckle. “Then there are ones that are just, like, George in a hat.”
From time to time, the pool house becomes a workspace. Both
Amal and George have offices upstairs. She mainly works from home
these days, so the office is well equipped. Yet, having only one desk, it’s
ill suited to collaboration, which is increasingly required. For the past
couple of years, Clooney has been writing a book with Philippa Webb,
her Hague officemate, now on the faculty of King’s College London.
The book is called The Right to a Fair Trial in International Law – “a
real page-turner!” she says – and is ambitious: it seeks to synthesize a
full canon of international court literature to create a sort of practical
manual for lawyers and judges across the world. Clooney and Webb
have collaborated on articles before and in a couple of days they’ll
begin a writing intensive, as they do from time to time: Webb comes
to Sonning, they commandeer a table in the pool house, and Clooney
stress-nibbles unholy amounts of sour candy. They write from early
morning until night. “We say this time we’ll finish the book, but our
husbands are skeptics,” Clooney says. “They’ve heard that before.”
We head inside, where the twins have woken up from a nap. Their
nanny brings over Alexander; he gives a big grin as Clooney draws him
up into her arms.
“Hi, Mummy’s love!” she exclaims, swooping him through the
I always hoped there could be LOVE
that was overwhelming and didn’t require
any WEIGHING or decision-making
108
air. Not even a year old, Alexander looks exactly like George in a way
plain to everybody in the world but his father. (George has finally
conceded, possibly, a slight – extremely slight – resemblance around
the eyebrows.) Ella, people generally agree, looks like her mother
(“Thank God,” George has said).
Balancing motherhood and career is a work in progress – and that’s
even for a woman sustained by unusual wealth, with a nanny, a chef, an
assistant, and other household staffers. At the moment, “quality time”
is in the morning. “Between six and eight in the morning we get to
have them in our bed – I don’t schedule any calls before eight,” she says.
“When I was nursing, it was much more complicated, because there
are two. I had all manner of weird cushions and pillows and machines.”
Alexander goes back to his sister. Soon a FaceTime call flashes across
her phone. Clooney flops back on the couch cushions and answers.
It is George. “Hello, my love!” Amal exclaims. “How’s everything?”
“Fine,” he replies, in a happy, tired way that seems to suggest any
concerns are not worth bringing up. “Everything’s fine.” He is back in
Los Angeles, on a break from shooting a commercial. He is dressed in
literal shining armor.
They check in; he asks about “the knuckleheads” (the twins). This is
the first time since their birth that he’s been away, and the separation,
Amal later tells me, has nagged at him more than he’d expected. Then
she has to sign off to prepare for a work call. They gaze affectionately
at each other through the screen.
“Goodbye, my love,” she says as the app goes dark.
As of late March, Clooney is back in the US – she has work to
do at the UN, and she is co-teaching a human rights law course as
a visiting Columbia professor – but her attention has been turned
State-side for other reasons, too. In the wake of the shooting of 17
people in Parkland, Florida, she and George donated half a million
dollars to the student-led March for Our Lives in Washington, DC.
Both Clooneys attended the march. The donation is by no means
their first philanthropic project together. In 2016, George and Amal
launched the Clooney Foundation for Justice, which aims to help do,
on the community level, a version of what Amal does in court. Last
year, it partnered with UNICEF to support seven Lebanese schools
serving 3 000 Syrian refugees. In the longer term, it is working on
a comprehensive global trial-monitoring program – like election
monitoring, except for courts – called TrialWatch.
For such reasons, Clooney is optimistic about the exercise of global
justice. Yet she says that free speech is more, not less, imperiled than
it was when she began to practice. “Governments can’t get away as
easily with taking someone out into the street and shooting them,”
she says. “But they can get away fairly easily with using the court
system to throw someone in prison. The same things keep happening
again, and that’s the tragedy.” Outside, the snow has stopped at last.
“We had genocide in Bosnia and then again in Rwanda. Somehow,
the system has not evolved to a place where these
atrocities are being prevented, nor are they even
being properly addressed afterward.” It is only when
the guilty of the world are dragged into the light of
the judicial process, she thinks, that young women
like Murad will be able to live in safety. “There’s a lot
of work still to be done,” Clooney says. ☐
 SWEATER, OSCAR DE LA
RENTA; PANTS, FRAME;
BOOTS, BURBERRY; EARRINGS,
LORRAINE SCHWARTZ
STYLE TONNE GOODMAN
HAIR ORLANDO PITA FOR
ORLANDO PITA PLAY MAKEUP
CHARLOTTE TILLBURY FOR
CHARLOTTE TILBURY SET
DESIGN MARY HOWARD
Established
or up-and-
coming, these
are the Saudi
Arabian fashion
brands built to
last – and the
remarkable
women driving
them forward

K in gd om
 FROM LEFT DANEH BUAHMAD, ALJAWHARAH
“SADEEM” ABDULAZIZ ALSHEHAIL, SHAD ALSHUHAIL,
ARWA AL BANAWI, NORA AL SHAIKH, LAYLA MOUSSA

C om e
Photography DIRK BADER Words CATERINA MINTHE

111
A R WA A L B A N AW I
Three years in the making, Arwa Al Banawi’s eponymous line is founded
on tailored suits and athleisure pieces like tees and hoodies. She says,
“Female empowerment is the message behind the brand while Arabic
calligraphy is also part of its identity; it speaks to young women from the
Arab world.” Her muse, #thesuitablewoman, as Al Banawi refers to her,
is very much in her own image – seductively androgynous, independent,
and confident – though she humbly describes her as a woman she aspires
to be and one that most women can relate to. Silhouettes are boxy,
masculine, and oversized, perhaps an influence from her own closet that
includes her father’s Gianni Versace blazers from the 80s and 90s. Her
fabrics are sourced from Italy, Japan, and India – count cotton, silk, satin
velvet, viscose, and even sadu as her go-tos – and the clothes are cut and
sewn in a small workshop in Milan and at her atelier in Dubai. “The suits
I design are made for the businesswoman on the go. She wants to look
effortless and cool,” she says. Social political issues inspire her and she is
sensitive to her surroundings. Her upcoming collection, Beduwins, looks
to Saudi Arabia’s culture to spotlight customs the public doesn’t typically
see. “Going to the farm in the winter, getting fresh goat’s milk and eggs…
are the norm in our society.” With her signature edge, she manifests young
Saudi girls’ roots along with the Western world she’s been exposed to.
SADEEM
The label was founded by Aljawharah “Sadeem” Abdulaziz Alshehail
in 2016. “It’s a sustainable brand – all the pieces are designed to be
timeless and can be customized,” states the statuesque creative. Hers is a
label for the eco-conscious, sophisticated woman who collects timeless
pieces to be dressed up or down. Her commitment to holistic living
extends to her closet, which is filled with slow-fashion brands, regional
talents, and vintage pieces handed down from her mother. The Sadeem
label also focuses on innovative, recycled, and non-toxic fabrics. “I’ve
been sourcing my textiles from factories in Japan and Italy that employ
ethical labor laws, renewable energy, and waste and water reduction
management,” she says. The clothes are made across New York, Dubai,
and at her own studio in Riyadh. Alshehail’s imagery research is rooted
in feeling but don’t take her for a consummate romantic – even though
her muses include “silver-screen sirens and historical heroines.” Sadeem
reflects forward-thinking changes in the Kingdom – no lofty dreams
here. “Social, environmental, and economic developments motivate
me,” she says. “Witnessing the current progress in Saudi Arabia and the
many positive initiatives taking place give me a great sense of pride and
motivation. I am filled with enthusiasm, and my next collection’s theme
is dedicated to my country.”
113
L AY L A M O U S S A
“Rooted in antiquity and brought to life
with a contemporary twist,” is how Layla
Moussa describes her eponymous line
of made-to-measure coats and kaftans.
She creates for unique-minded, strong,
modern women, much like herself. In the
36 years since she launched her brand, she
has wholly dedicated herself to shining
a light on artisanal craft. The former
antique dealer and interior designer
discovered early on that her real passion
has always been textiles. “I collected
all sorts of vintage and contemporary
fabrics in abundance for spaces that
I would design,” she says, motioning
that her take on luxury is artistic
knowledge. “Fabric is an interesting
medium to work with and I am always
searching for different kinds.” She adds
that the textiles chosen are determined
according to the design. “There is no
limit to what I use,” she insists. Jackets
are embroidered in gold thread and
kaftans decorated with paisley. She
furthers that the secret to beautiful
embroidery lies in the manipulation
of the threads. Her embroiderers split
silk and cotton threads to achieve
various thicknesses and also experiment
with unconventional cords like jute.
All the clothes are crafted by master
embroiderers and tailors in her ateliers
in Jeddah and Beirut. It is no surprise
that her own go-to brands include Jean
Paul Gaultier, Prada, and Louis Vuitton
during the Marc Jacobs era – all known
for celebrating rich grandeur. “Every
brand is the reflection of its designer.
When I am producing a simple kaftan
or an intricate couture piece, besides the
design, the quality is paramount. From
experience, only quality survives. This is
what I wish to be remembered for.”
DANEH
Seven years ago, Daneh Buahmad set out to create a line of clothes
with flattering cuts. “Comfort chic with edge,” she says of her brand,
which is imbued with simplicity and attention to detail. “It’s important
to me how much wear a woman will get out of the clothes. I design
for professionals who are on the go.” She makes clothes from cotton,
viscose, Tencel, and jacquard sourced from Turkey, Italy, the UK, and
Japan. She stresses her love of textiles, “It’s a weakness of mine. I can
get lost in another world when choosing a white fabric.” Her fashion
inspirations include Alexander Wang, Acne, and Junya Watanabe.
“The list goes on and on,” she laughs, adding that Bianca Jagger,
Debbie Harry, and Khaleeji stars from the 70s are among her muses.
Some of her most popular pieces are those that prominently showcase
her heritage and strike a balance between tradition and innovation.
The thobe jumpsuit (above), has been reissued for several seasons now.
“Each jumpsuit is inspired by a different kind of thobe, from a different
region,” she says. For pre-fall, the Daneh vibe is translated to relaxed
shirt dresses and trench coats in gingham, cotton, and flannel with
Nineties appeal that feels familiar and informal. Based between Dubai
and Saudi – Buahmad hails from Dhahran – she says, “Saudi is home.
There’s a warmth to my country that is hard to explain sometimes.”
115

NORA AL SHAIKH
“By now, the industry is aware that the current fashion cycle is dated
and ineffective. Small designers simply can’t continue churning out
collections for the sake of presenting something new,” pronounces Nora
Al Shaikh. She produces three collections a year: Ramadan, pre-fall,
and resort. Her prescience to focus on mid-season or bridge collections
has served her well. The brand reaches retailers at a time when they are
looking for something new. At its core, the label creates contemporary
clothes that translate to different cultures, yet maintain a distinctly
Saudi attitude in terms of proportions and juxtaposition of materials
HAIR LUCINDA GILL, EMINA JAHIC AT NSTYLE BEAUTY LOUNGE MAKEUP KIM PONGOS, JOVAN NIKOLIC AT SEPHORA SHOT ON LOCATION AT THE 118, DOWNTOWN DUBAI
like fine brushed cottons and techno textiles. “The infrastructure
and resources like factories and fabric vendors weren’t available to us
when we began,” recalls Al Shaikh of launching her brand in 2012. “As
a Gulf designer, I also had to convince retailers that my designs can
meet international standards and that there is a market for them.” She
established a network of boutiques like Sid and Cugini in Saudi Arabia.
“I wanted to focus on growing sustainably, as opposed to creating a lot
of hype and not generating sales.” Hailing form Riyadh, Al Shaikh and
her atelier are now based in Jeddah. Some items are produced outside,
while a team of two dozen pattern makers and seamstresses ensures it
remains Made in the Kingdom of Saudi Arabia.
H E R FA H
BY NAEEMA
Aunt and niece design duo Naeema and
Shad Alshuhail launched Herfah by
Naeema in 2015, but their fashion heritage
started long beforehand. “My aunt has
been dressing women and defining fashion
and luxury in the region since the 80s,”
explains Shad. With a deep understanding
of the market and existing relationships
with local artisans, a ready-to-wear label
was born to celebrate Saudi craftsmanship
and heritage in a contemporary way. The
signature farwas – floor-length oversized
coats Bedouins wear in the desert – are
among the pieces intended to “defy
trends.” Designs are embellished with
sadu and embroidery details by artisans
in Qassim. During a recent trip to Ta’if,
the seeds were planted to develop a
relationship with new artisans. “Our aim
is to generate sustainable employment for
these women. Their techniques have been
practiced for generations,” Shad says. “Our
customers appreciate beauty and quality
but are conscious of their impact. They’re
selective and make a long-term investment
to preserve and even pass down clothes.”
The duo enforces its support of ethical
fashion. “I believe that our choices matter
and make a difference,” states Shad. Raised
in the oasis of Al-Hassa, in the Eastern
Province, the young Shad defines herself
as a 21st century nomad. “I’m mostly on a
plane between Dubai, Riyadh, and Beirut.
Home is wherever my mother is.”

117
 FAS HI O N

BEAUTY

CULTURE

R UN WAY

.me
Follow us at
@VOGUEARABIA
 Remastered
elegance
Photography ABDULRAHMAN BAYASHOUT
Words ALEXANDRIA GOUVEIA

Rawan Alsahsah’s eclectic Jeddah home is a warm

reflection of her creative personality
 s
Living ‫حياة‬
THE LIGHT-FILLED DINING ROOM,
WITH A TABLE OF ALSAHSAH’S OWN
DESIGN BELOW A PERSIAN RUG
ANCHORS THE NEUTRAL LIVING
ROOM FILLED WITH CLASSIC PIECES
My tropical ZEN GARDEN is like a
MINI BALI. I enjoy walking barefoot on
the grass and meditating there
120
he may be in possession of what many
women can only ever dream of – a
large bespoke walk-in shoe closet – yet
Saudi Arabian interior designer Rawan
Alsahsah is quick to point out she’s still prone to bouts of
indecisiveness. The standalone room has floor-to-ceiling
white cabinets featuring decorative glass doors to exhibit
her immaculate collection of 100-plus shoes. “As every
woman says: I have nothing to wear. I kept saying I had
no shoes so I kept buying more,” she shares about her
stunning collection, which is displayed with attention
and care like treasured style artefacts. “I have more than
100 pairs of shoes so I decided to build a cabinet that
lights up and shows all of them, protected behind a
glass door.”
Alsahsah moved into her 14-room, two-story villa
in September last year and remastered the property to
reflect her aesthetic and personality. Her home is located
in an upmarket residential area in Al
Khaldiah district in Jeddah, where
she worked tirelessly to transform
the property into a place she could
call home.
Inspired by the chic Parisian
homes she admired while living
in the City of Lights, the personal
project saw her start by expanding
the main entrance and replacing
the wooden door for a metal and
glass alternative to let in more
light and give a view of the front
garden. Alsahsah also knocked out
the wall between the kitchen and
the dining room, creating an airy
open-plan space looking out to the
verdant back garden. “I set about
redesigning everything, from the
ceilings to the walls, floors, and
doors,” she explains. The result is
an eclectic mix of classic, art deco,
and contemporary design.
Alsahsah, who is the founder and
senior designer of RIS, one of the
leading architecture and interior
design firms in the Middle East,
believes that interiors should reflect
their owner’s personality. It’s clear
ABOVE AND LEFT
THE LIVING AREAS ARE
FILLED WITH FURNITURE
AND LIGHTING FROM
ALSAHSAH’S FAVORITE
DESIGNERS, INCLUDING
KELLY WEARSTLER,
JONATHAN ADLER, AND
LINDSEY ADELMAN,
WITH RUGS BY IWAN
MAKTABI. SHE COLLECTS
ART AND SOUVENIRS
ON HER TRAVELS
RIGHT ALSAHSAH
HAD A VINTAGE RED
MERCEDES-BENZ SAWN
IN HALF AND PUT IN THE
GARDEN FOR A THEMED
PARTY BELOW
GUESTS ARE WELCOMED
THROUGH GLASS DOORS
INTO A HALLWAY FILLED
WITH VINTAGE AND
COLLECTED PIECES
Living ‫حياة‬

she applied this foresight when designing her own home. reflecting on the experience,
While she lives alone with her house staff, her cozy and she says, “It let me go full force
welcoming abode is rarely empty. “I’m a social person and explore my creativity.” She
and I enjoy hosting and entertaining friends and family,” returned to Saudi Arabia in
she says. “My nephews and niece have sleepovers every 2013 and founded RIS, whose

I’m a
weekend so they have their own room.” portfolio includes work for
When not having her younger family over, she loves hotels, office spaces, residential
to throw themed parties and dinners, turning her
kitchen into an entertainment area, and treating friends
properties, and medical centers,
as well as architecture – the firm social person
to live music from her white piano, which stands in the is behind one of the mosques at and I enjoy
HOSTING and
living room. When the weather is right, the party moves King Faisal Specialist Hospital
outside to her lush garden for barbecues. As you walk in Jeddah.
across the manicured lawn and past the palm trees, the
garden’s showstopping piece reveals itself – a vintage red
Alsahsah prides herself on
designs that are “functional, entertaining
Mercedes-Benz sawn in half and projecting from a wall. superior, and elegant,” which is friends and
family
“I installed it there for a themed party last month,” she evident throughout her home
says, beaming, “and decided to keep it.” – from oriental wallpaper on
Balancing her playful nature, the designer is a big fan the bedroom walls to the dark
of feng shui, which is evident in her peaceful, tropical blue kitchen with checkered
Zen garden. “It’s like a mini Bali,” she shares. “I enjoy floors, and bright Persian rugs in the living room and
walking barefoot on the grass and meditating there.” hallway. The layout is bold and assorted yet it works,
Alsahsah graduated from Petra University in 2000 creating a harmonious and homely ambience.
with a BA in interior architecture, before moving Her passion for travel and adventure is also apparent
to Washington DC to train as a junior designer. By throughout. There’s a sense that every item in the home
2004, she had founded her own interior design studio, has a story to tell. “I have furniture and lighting from
partnering with an architect for three years. That Kelly Wearstler, Jonathan Adler, Lindsey Adelman,
business relationship ended in 2011. Cathartically and other American and European brands, and rugs

122
 THE FEMININE BEDROOM FEATURES
ORIENTAL WALLPAPER AND SOFT
TOUCHES OF PINK AND BRONZE
BELOW ALSAHSAH DESIGNED THE
BATHROOM VANITY OPPOSITE HER
BESPOKE SHOE WARDROBE

from Iwan Maktabi,” she says, preferring to mix brands

to create a unique identity. “I have some vintage and
antique pieces that I’ve been collecting plus I designed
some of the furniture pieces, like the dining table, dining
buffet, and the master dresser. The art and accessories
are from my shop and everywhere I travel.”
There’s no doubt the successful businesswoman
is incredibly happy in her home. “I just love every
room,” she says. “Each one has a different mood – but
the garden is my favorite.” While satisfied in what is
currently her only property, Alsahsah plans to extend
her energy further. “In the next five years, I wish to live
in a different place every month. Each one in somewhere
cultured and by the sea… ☐
Living ‫حياة‬

1
Putting Riyadh
ON THE MENU
2
THREE CULINARY GEMS TO
TRY IN THE SAUDI CAPITAL

SPAZIO With Saudi

royals, US presidents,
and Arab superstars as
fans, Spazio is the place to
be and be seen. The fine-
dining Italian restaurant is
located on the 77th floor

4
of the Kingdom Tower
skyscraper. If you’re feeling
brave, walk along the sky
bridge. Spazio77.com

10 3
LOEWE

9
THE GLOBE
The Globe is the
signature restaurant
at Al Faisaliah Hotel,

8
and also one of Riyadh’s
VICTORIA BECKHAM

most spectacular. Go
for European cuisine
and the best views of
the Kingdom’s first city.
Alfaisaliahhotels.com

5
7

GET minted
MOOD B OARD

NOZOMI With
Going green has never been so its award-wining

6
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opulent when paired with accents straight from London’s
of black and gold Knightsbridge to the heart
PHOTOGRAPHS INDIGITAL

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1 BRUBECK SPIRAL CHANDELIER BY DELIGHTFULL 2 CELESTE CONSOLE BY BOHINC place to go if you adore
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9 FRACTAL SIDEBOARD BY GINGER & JAGGER 10 VITRAIL OVAL MIRROR BY INGA SEMPÉ cod. Nozomisaudi.com

124
 ‫حياة‬Living

The heart

THE PRESIDENTIAL SUITE

WITH ITS RESPLENDENT
SKYLINE VIEWS RIGHT
THE WELLNESS POOL
BOTTOM RIGHT
PRIVATE DINING AT ASIATE
At Manhattan’s
Mandarin
The beauty of New York is that it Oriental
is always moving – there is always
a vibe. Even on a chilly Monday Hotel, a New
morning, with the birds chirping in York State of
Central Park, the dawn sun warms
up the city as it slowly rises, peeking mind comes
through the iconic skyline. with a taste of

of the CITY
Located around the corner of the
park, the Mandarin Oriental New
the East
York hotel shines in all its East-
meets-West modern design glory.
While the building is striking, it’s the views of the vibrant city
and the Hudson River below that are the biggest attraction.
Opened in November 2003, the hotel has 248 rooms and
suites – all with exquisite vistas – as well as a 1 300 sqm spa.
For a taste of the best the hotel has to offer, check into the When city life overwhelms, recharge at the serene spa, which
Presidential Suite (245 sqm) on the 53rd floor. Floor-to- comprises six treatment rooms and a varied menu of services.
ceiling windows let the natural light flood in. The suite has a Similar to the Middle East, the vitality pools and steam rooms
large master bedroom with an opulent en suite complete with are separated into men’s and women’s. On the same floor is the
oversized bath and a glass-enclosed steam shower. The room 22m lap pool with views of the Hudson – and if you want to
also has a study, dining area, and kitchen should you wish to take a quick jog around
dine-in, but it is doubtful that will be on your agenda with the Central Park, a personal
hotel next to Per Se and Masa, which both have three stars in trainer will join you.
the 2018 Michelin Guide. Exceptional hotel service
Culinary excellence has long been a part of the Mandarin and a stellar location on
Oriental experience and with 21 Michelin stars awarded to 14 of the city’s Columbus Circle
its establishments throughout the years, delicious dining options are the big draws for those
are endless. Modern American food with an eastern twist can staying in the Mandarin
be enjoyed in Asiate. For a romantic experience, ask for the Oriental New York, but
corner table. The Aviary NYC, tucked away on the 35th floor it is the hotel’s ability to
with direct views of Columbus Circle and Central Park, was reflect the exuberance of
WORDS MADIHA SHEIKH

conceptualized by three-Michelin-starred Chicago duo Grant the Big Apple that means
Achatz and Nick Kokonas. Located parallel to The Aviary NYC they return. From US$ 845
is an intimate speakeasy, The Office NYC. It is accessed via a Mandarinoriental.com/
hidden walkway and oozes with early 20th century nostalgia. new-york ☐

125
Invisible
VENICE

Escape the crowds of the biennale’s galas and exhibitions to the

Venetian Lagoon’s oasis of serene style and native sustenance
Words MISHA PINKHASOV
i
‫حياة‬Living

n Invisible Cities, novelist Italo Calvino describes a

meeting arranged by an Arab trader between Marco
Polo and Kublai Khan. Like Scheherazade, the
Venetian explorer charms the Mongol emperor with
story after fantastic story of the cities he’s seen. When
the Great Khan asks his guest why he never speaks
of his native Venice, Polo answers: “Every time I
describe a city, I am saying something about Venice.”
Cities have as many versions as there are people
to tell them. One’s Paris is extravagant and romantic, another’s
is pouty and poetic. Nowhere is this more apparent than Venice,
whose empire knew it could conquer more with seduction
than intimidation. The Renaissance predecessor to New York,
Singapore, and Dubai –Venice is enchantment.
Never more so than in summer. Amid the light glinting off
the Grand Canal’s gondolas and the Lido’s beaches, for more
than a century Venice has hosted its celebrity and fashion-packed
biennales and film festival. This summer is no different, with
headliners of architecture, theater, dance, and cinema filling the
city from April to November.
Which also creates a problem: La Serenissima is anything but.
Venice is drowning in its glory, swamped by the love of visitors
in the tens of millions. They overwhelm the resident population,
now a quarter of its former size. It is no wonder the title of this
year’s architecture biennale is FREESPACE.
But there is another Venice: a native’s Venice invisible to the
crowds on Piazza San Marco. A few minutes ride in a mahogany
speedboat from the red carpets and black-tie balls, you’ll have
hidden treasures to yourself, sleep in elegant simplicity, and dine
in private utopias surrounded by silent, endless skies. It reminds
us that the Queen of the Adriatic is neither the only, nor even
the original star to light the lagoon, whose northern reaches offer
cultural and culinary riches.
The Veneti settled Torcello island around 1 500 years ago, two
centuries before the Venetian Republic. Its importance as a trading
center still resonates in the towering 11th-century cathedral with
gold-leaf and glass mosaics influenced by Anatolia, the Levant, and
beyond. On Torcello’s lush farms and estates, grand palaces and
public buildings stood, before they were relocated stone by stone to
Venice. Here, in the sculpture-filled garden of a villa, Gianluca and
Matteo Bisol discovered three vines of rare, rich Dorona grapes –
the “Golden Grape” – thought lost forever in the flood of 1966.
“My father was surprised to see grapes grow in soil soaked with
seawater,” Matteo Bisol remembers. “We knocked on the door
and the owner gave us a tour. That’s when we saw the Dorona
vines.” That discovery became Venissa, a Michelin-star restaurant
anchoring a concept of simple, sustainable luxury dedicated to
enriching the local culture, cuisine, and ecosystem. In a 15th
century convent on neighboring Mazzorbo island, Venissa is a
walled paradise of grape and vegetable gardens, gourmet dining,
and a design hotel. Working with local artisans, they created an
installation of 60 gold-leaf Murano glass bottles for the 2017 art
biennale’s Luxus pavilion.
Venissa’s chef, Francesco Brutto, a native of nearby Treviso,
creates dishes rooted in local ingredients and tradition. Finely
crusted sardines drizzled with vinegar-marinated onions provide
a posh take on meals that fishermen pickled for long trips at
sea. Amberjack, shellfish, rabbit, and beetroot are other staples

127
Living ‫حياة‬
in Brutto’s flavorful, colorful cooking. Nothing goes to waste.
“The restaurant throws away less than my family of three,” Bisol
says, explaining how whole fish becomes reductions and sauces,
and how vegetable peels roasted with squid ink make dramatic,
delicious chips.
Over a wooden footbridge, on Burano island, Venissa’s Casa
Burano comprises renovated homes tucked in narrow lanes beside
the locals. Thirteen casual-chic rooms offer canopy beds, vast
bathrooms, and one unexpected luxury: the privilege to discover
the island after hours. A popular excursion from Venice, Burano
is known for exquisite lace and bright-colored
When
houses. It hasn’t escaped its sister’s buzz. But
with few accommodations, by teatime the
masses have left it to its relaxed residents. Spend
the night and you’re one of them. you stay
In the morning, explore the lagoon’s polished overnight,
you eat fish
jade backwaters. Flamingos, swans, and pelicans
flock between tall grasses and far horizons.
Channels accessible only by rowboat give rare
glimpses of fishermen’s shacks, crowded only from the
with crab traps and smiling cats, protected from LOCAL
Instagrammers by neighborly devotion.
Back in Burano’s lace museum, see how this CATCH
delicate nature inspired masterpieces born
500 years ago from the intricacy of Arabian and fresh
embroidery and fretwork. Originally a hobby produce
for noblewomen, it drew the attention of
Leonardo da Vinci. Louis XIV was crowned from the
in Burano lace and brought its artisans to teach
their rivals in Alençon and Chantilly. Today,
farmers
Emilia Burano, one of the most respected names
in this most venerated home of the craft, furnishes clients like Uma
Thurman and the Sultan of Brunei with translucent cashmere
shawls embroidered with silk, and bed, bath, and table linens for
private jets, yachts, and hotels including Venice’s Cipriani.
Creative director Lorenzo Ammendola recalls humbler days,
playing outside the exclusive Locanda Cipriani restaurant while his
Exploring the Venice Architecture Biennale
IN A CITY WHERE EVERY SQUARE METER IS METICULOUSLY
PLANNED, THE VENICE ARCHITECTURE BIENNALE STUDIES
THE CONCEPT OF FREE SPACE, QUESTIONING IT AND ITS
QUALITY WITH OPEN SPACES AND VIA THE ABSENCE
OR APPLICATION OF ARCHITECTURE. THE 63 NATIONAL
PAVILIONS INCLUDE FIRST-TIME PARTICIPATING COUNTRIES
SAUDI ARABIA AND LEBANON. DON’T MISS THESE
EPHEMERAL STRUCTURES, OPEN UNTIL NOVEMBER 25 IN
THE GIARDINI AND ARSENALE VENUES. LABIENNALE.ORG
FAR LEFT AND
ABOVE THE LEBANESE
PAVILION LEFT THE
SAUDI PAVILLION
RIGHT ROBIN HOOD
GARDENS IN LONDON
128
grandmother sold her stitchings from a folding table to glamorous
foreign customers. Today, it’s Ammendola’s family who welcome
diners at their own waterfront gourmet restaurant, Riva Rosa,
where one very special table for two overlooks Burano’s rooftops
in complete privacy.
“I work with my heart in the past and my head in the future,”
Ammendola says over lunch of scallops, artichoke, and risotto (his
grandmother’s recipe), describing Emilia Burano’s perhaps most
unpredictable collaboration: with Aston Martin. “We share a
passion for handmade,” he says, “and a knowledge of how Aston
Martin clients live. It’s about capturing the emotional essence
of high-performance luxury rather than making a derivative of
automotive design.” They refine the cotton seven times, sourced
from a small farm near Giza, Egypt, where the workers wear white
to minimize the risk of imperfections.
That collaboration led to others – a supercar body with Alfa
Romeo, hotel interiors, exterior styling for mega-yachts – and
the creation of Loram Design studio. “I had to differentiate the
business because I couldn’t do all that in the name of the lace,”
Ammendola explains, “but I could not have done any of it without
what lacemaking taught me about detail and aesthetics.”
As tourists wait for the departing vaporetti, pink twilight falls
and the forest of souvenir stands disappears and sandwich shops
switch off their lights. The piazzas gurgle quietly around trattoria
tables, music, and neighborhood gossip echoing down the black-
glass canals, although Ammendola says things used to be more
vibrant here. Despite tourism’s bounty, like Venice, Burano faces
the challenge of people leaving to live on terra firma, as islanders
call the mainland.
But the enterprising spirit of the Venetian lagoon has deep roots
and, like their ancestors, people like Ammendola and Venissa’s
Bisol family see a city of opportunity. “The businesses now mainly
cater to day-trippers,” Matteo Bisol says. “But when you stay
overnight, you eat fish from the local catch and fresh produce from
the local farmers. You contribute to life here. A new restaurant has
opened. It gives people a reason to stay. In Venice, you add to the
problem,” he says. “Here, you help solve one.” ☐
SPECIAL PROJECTS FORTE MARGHERA WILL HOST EVENTS
MASTERMINDED BY RINTALA AND EGGERTSSON ARCHITECTS THAT
INVITE THE PUBLIC TO MOVE FREELY WITHIN THE SPRAWLING SPACE.
MEANWHILE, THE APPLIED ARTS PAVILION IN THE SALE D’ARMI IN
THE ARSENALE FOCUSES ON SOCIAL HOUSING WITH THE ROBIN HOOD
GARDENS. COMPLETED IN 1972, IT IS THE FRUIT OF A COLLABORATION
BETWEEN THE BIENNALE AND THE V&A MUSEUM IN LONDON. THE V&A
ACQUIRED A PORTION OF THE ESTATE, BRINGING IT TO VENICE TO STUDY
THE BRUTALIST SOCIAL HOUSING PROJECT.
PHOTOGRAPHS ALAMY, GETTY, REX,
 1

2
3

8
1 PIAZZA SAN MARCO 2 RIVA
ROSA WATERFRONT RESTAURANT
3 VENISSA RESTAURANT AND
ACCOMMODATION ON THE
ISLAND OF MAZZORBO 4 THE
BELMOND HOTEL CIPRIANI
5 SANTA FOSCA ON TORCELLO
ISLAND 6 THE LACE MUSEUM
IN BURANO 7 VENICE HAS 177
CANALS SNAKING THROUGH
THE CITY 8 CASA BURANO
COMPRISES FIVE HOUSES ONCE
OCCUPIED BY FISHERMEN AND
LACE MAKERS
4

7 6

5
XXXXXXXXXXXXXXXXXXXXXXXXX
 CACTI CUTLERY
CHANNEL MEXICO’S
SAGUARO CACTUS WITH
HAT’S OFF MISSONI’S THIS BONE CHINA PLATE
SUPERSIZED, RAINBOW BY MEMO PARIS
HUED WIDE-BRIMMED
WOVEN HAT HAS ALL THE
JOIE DE VIVRE THAT KAHLO MAKE IT A
HERSELF ENCAPSULATED MEDALLION LAYER
GOLD IN THE FORM
OF CHUNKY CHAINS
AND VIBRANT
STONES. PENDANT BY
GRIPOIX PARIS
FOR THE LOVE OF
FRIDA THE ONLY
FEMALE ARTIST WHOSE
IMAGE IS INSTANTLY
RECOGNIZABLE ALL
OVER THE WORLD.
Fashion’s FRIDA ON THE BENCH,
1939, PHOTOGRAPH BY
longtime muse NICKOLAS MURAY

is the subject
of a major new
exhibition
DEVOTED TO
DHELA FOUNDER at the V&A
DANIELLA HELAYEL
HAS MADE in London –
EXUBERANT COLOR
AND EFFORTLESS Frida Kahlo:
DESIGN HER
SIGNATURE. KAFTAN Making Herself
BY DHELA Up. Channel
her maverick
spirit with
color and print

PHOTOGRAPHS INDIGITAL, NICKOLAS MURAY PHOTO ARCHIVES, FRIDA KAHLO: MAKING

HER SELF UP, 16 JUNE – 14 NOVEMBER 2018. SPONSORED BY GROSVENOR BRITAIN &
GREEN WITH
ENVY TREAT
LOBES TO MONICA
VINADER’S NEW
SIREN CLIMBER
EARRINGS IN 18KT
GOLD VERMEIL
AND GREEN ONYX
IRELAND COMPILED BY CLAIRE CARRUTHERS
GEMSTONES

JOIN THE CULT THERE’S NO SIGN OF

CULT GAIA’S POPULARITY WANING JUST

Casa de Kahlo
YET. THE GO-WITH-EVERYTHING IT BAG IS
AN INVESTMENT PIECE YOU CAN’T IGNORE

130
 ‫دﻟﻴﻞ‬Index
RAY OF LIGHT SWAP ARTIST IN RESIDENCE WITH A LOVE FOR COLOR NOT UNLIKE KAHLO’S, MODERNIST ARTIST GEORGIA O’KEEFFE CAPTURED VARIOUS
CLASSIC WHITE FOR EXOTIC BLOOMS DURING A SOJOURN TO HAWAII IN 1939. ON DISPLAY UNTIL OCTOBER 28 AT THE NEW YORK BOTANICAL GARDENS
TURQUOISE AND ADD
THESE PILLAR CANDLES
TO YOUR INTERIOR, BY
CRATE & BARREL

A HAPPY HOME BREATHE NEW LIFE INTO STARK INTERIORS WITH TALATA’S LEAF PRINT CABINET

DOLCE & GABBANA

FEELING BLUE INSPIRED

RUFFLE RIOT BY 17TH AND 18TH CENTURY
SIT IT OUT THIS FIFTIES FAVORITE IS WITH ITS FOLKLORIC DESIGN, THIS MURANO GLASS
MAKING A COMEBACK, JUST IN TIME FOR EMBROIDERY AND CARAFE WILL BRIGHTEN
SUMMER. ACAPULCO CHAIR BY MEXA DESIGN MULTI-RUFFLE DETAIL, UP ANY TABLE SETTING. LA
THIS AJE DRESS IS DOUBLE J HOUSEWIVES AT
VACAY READY, MODA OPERANDI
AT BOUTIQUE 1

MATERIAL MADNESS
LIKE THE LOVABLE
PROGGY MAT, LOEWE’S
NEW SHOULDER BAG IS A
RIOT OF MIXED FABRICS,
ARTFULLY RUGGED EDGES,
PATTERN, AND PRINT
IN HER
SHOES
WITH ITS
VINE-WRAPPED
HEEL AND FLORAL RUGS TO RICHES ADD PANTONE’S HAPPIEST
EMBELLISHMENT, HUE TO LIVING SPACES AND REAP THE FENG
DOLCE & GABBANA’S SS18 SHUI BENEFITS. SELLARSBROOK YELLOW RUG
SANDALS ARE A MUST BY SUZANNE SHARP AT THE RUG COMPANY
 VOGUE PARTNERSHIP

N EW DAW N
In this auspicious month, Saudi Arabia’s Arkad energy services company is
investing in the next generation of female business leaders

A
rkad is the largest Saudi Arabian-established
and owned energy services company, providing
construction and engineering services, and
researching and developing groundbreaking
new technologies. The company is at the
forefront of the energy sector and is constantly seeking out
new and emerging markets globally. Arkad’s success and proven
track record are driven by its people, with a strong ethos of
developing and nurturing talent.
Arkad prides itself on its values of integrity, respect, discipline,
excellence, working sustainably, and working together. These
values are in line with the Kingdom’s Vision 2030, which includes
increasing women’s participation in the workforce from 22% to
30%. This, in turn, will grow their economic participation.
Arkad board member Dr Lina Noureddin, who has 20
years’ experience overseeing major projects in the Saudi energy
sector, is passionate about getting more Saudi women into the
workforce. Here’s her story:
 VOGUE PARTNERSHIP

On the
“From a young age, I dreamed of achieving big things, and
I want other women to do the same. So why Saudi Arabia?
GROUND
People ask me about the Kingdom’s ambitious Vision 2030 NORAH ALOTAIBA IS A
strategy, and what it means for future generations of talented PLANNING ENGINEER AT ARKAD.
Saudi women. The answer is clear: Saudi Arabia is opening up, SHE SHARES HER JOURNEY
and more females are getting the sorts of opportunities that
were unthinkable just a generation ago. What do you do? I am a planning
Aramco recently appointed Lynn Laverty Elsenhans as its first engineer at Arkad E&C, helping
female board member. This is a major milestone for a company plan some of the biggest oil and
that has always strived to empower female business leaders and gas engineering projects across
will surely pave the way for more Saudi Arabia.
senior women over the coming Who is your personal hero?
years. Last year, the Saudi Stock Nabilah Al-Tunisi, who is also
Exchange appointed Sarah Al- known as the Iron Lady. She was
Suhaimi as its first female chair. recently recognized as one of the
At a local level, we are beginning 25 most influential women in project
to benefit from the heavy management globally. She inspires
investment in skills and training me through her deep knowledge,
provided by the Kingdom for our hard work, and dedication.
female workforce. At Arkad, the What is your proudest moment
total workforce now comprises at Arkad? We recently reached 1
more than 15% females and we 000km of fully automatic pipelines
intend to grow that number welded on our current projects
significantly over the coming in Saudi Arabia. Knowing that I
years. Arkad has a future leaders am playing a part in the future of
program, where we identify the
next generation of female business Every day, I see our Saudi Arabia’s energy infrastructure
makes me immensely proud.
leaders and invest in their careers FEMALEWORKERS Where do you see yourself in five

doing things people

through education, training, and
mentoring programs.
We are proud to work closely
with local government and
industry bodies such as the Saudi
said would never be
possible inside the
years? I want my career to progress
until I am in a position to help other
talented female engineers break into
the industry.
What advice would you give

Kingdom
Council of Engineers, who work young women trying to become
tirelessly with universities and engineers? Never give up! If I can
businesses to skill up the next do it, so can you.
generation of female engineers.
But we know that there is more work to do. I want to
encourage more female role models in the Kingdom that
people can look up to and learn from. It is for that reason that
I recently welcomed Hana Al Zuhair, executive vice president
at the Prince Sultan Bin Abdulaziz Women Development
Fund, to our office to address employees. It was an inspiring
and unforgettable day for all men and women at Arkad, and we
intend to roll out more of these motivational initiatives in the
coming months.
Every day I see our female workers doing things people said
would never be possible inside the Kingdom. They are smart,
entrepreneurial, and dedicated. They live Arkad’s promise:
structured for success.
As Arkad continues to grow and fly the Saudi flag across the
world, I am confident that our female workforce will continue
to grow and develop, to create a prosperous future for all.”

133
Last look‫اإلطاللة األخيرة‬

i l d.
d w Or
ft a ON.
n
h so O ea
bot he M the s
Be like t . Or I C K S O N
u st torm R I A E R
J e s VICTO
th

PHOTOGRAPHY GRAHAM TOOBY STYLE CLAIRE CARRUTHERS SET DESIGN LAUREN HASLAM

‫ي‬ ‫مثل ا كون‬

‫ة‬ ‫ق‬ ‫ رقي‬،‫لقمر‬
‫م‬ ‫ا‬ ‫أو العا وج‬
‫م‬ ‫ت‬ ‫؛‬ ‫ حة‬،‫ڤيكتور صفة‬
ً ‫يا إريك أو الب اما‬
‫سون حر‬
CUT-OUT PUMP,
CÉLINE

134
 COLOURING
BOOK

by Iain R Webb

ON SALE NOW
 ‫ﻛﺘاب ﻃﺒﺦ عاﺋلة‬
‫ﻣيسوﻧي‬
‫طارحاً تفاصيل دافئة من قلب‬
‫عائلة ميسوني‪ ،‬جمع فرانشيسكو‬
‫ماكاباني ميسوني‪ ،‬ابن أنجيال‬
‫ميسوني‪ ،‬كتاب الطبخ المنزلي المعاصر‬
‫والحديﺚ‪ .‬يضمّ الكتاب مجموعة واسعة‬
‫من األطباق اإليطالية وعدداً من وصفات‬
‫العائلة المميزة‪ .‬وإلضفاء لمسة خاصة‬
‫يعرض الكتاب صوراً فريدة وأد ّلة على‬
‫ذكريات تنتمي إلى عائلة ميسوني‪ .‬نتوقع‬
‫أن تحصد األطباق شهرة أزياء ميسوني‬
‫عليّة ﻛﺘاب للﺠمﻊ‬ ‫المحبوكة‪assouline.com .‬‬
‫تكريماً لخمسة وثالثين عاماً‬
‫من الصداقة بين بروسبر أسولين‬
‫وعزالدين علية‪ ،‬أعادت دار أسولين نشر‬
‫الكتاب الفخم الذي أصدرته عام ‪ ١٩٩٢‬ليلقي‬
‫نظرة حميمة على الكيمياء السرية التي‬
‫أدت إلى ابتكار مجموعة المصمّ م لصيﻒ‬
‫‪ .١٩٩٢‬يقدّم الكتاب تصويراً عميقاً للعرض‬ ‫استرخي خالل شهور الصيﻒ واستمتعي بقراءة‬
‫من البداية إلى النهاية‪ ،‬وتفاصيل يصعب في‬
‫العادة الخوض فيها‪assouline.com .‬‬
‫ما اخترناه لك من كتب جديدة‬
‫آﻧي ليﺒوﻓيﺘﺰ‪:‬‬
‫اﻷعوام اﻷولى‪،‬‬
‫‪١٩٨٣-١٩٧٠‬‬
‫هذا الدليل المختار يلقي الضوء على‬
‫المعرض في مﺆسسة ‪LUMA‬‬
‫في أرل الذي يقدّم مجموعة‬
‫فريدة من بورتريهات صوّرتها‬
‫ليبوفيتز وترسم مشاهد ثقافية‪.‬‬
‫ويضمّ الدليل أكثر من ثمانية آالف‬
‫صورة التقطتها مصوّرة ﭬوغ‬
‫ﺣﻜمة ﻛوﻛو‬ ‫الشهيرة‪ ،‬متتبعاً عملها بين عامي‬
‫ﺷاﻧيل‬ ‫‪ ١٩٧٠‬و‪taschen.com .١٩٨٣‬‬
‫تساءلي عمّ ا كانت ستفعله‬
‫واجهت‬
‫ِ‬ ‫كوكو شانيل ك ّلما‬
‫مأزقاً أو أقلقتك أسئلة الحياة‪ .‬فكري‬
‫في طريقة تصرّف المصمّ مة الرائدة‪.‬‬
‫ويمكنك اللجوء إلى هذا الكتاب صغير‬
‫الحجم الذي يسمح لك بالدخول إلى‬
‫عالم كوكو شانيل‪ .‬محتف ًال بجرأتها‬
‫وشغفها بعملها يكرّم «كتاب الجيب‬
‫عن حكمة كوكو شانيل» ميراث‬
‫المصمّ مة عارضاً مجموعة ساحرة‬
‫الصورة‪INDIGITAL :‬‬

‫من عباراتها الملهمة التي تمنح أيامك القوة‪ .‬هو كتاب يجب أن يقتنيه‬
‫العارفون في شﺆون الموضة‪ .‬منشورات هاردي غرانت على ‪shopbop.com‬‬
 ‫‪Culture‬ثقافة‬
‫مشهد من فيلم «مبنى الدولة»‪.‬‬

‫«ثالثية الخيال العلمي» لالريسا صنصور‬

‫أسفل الفنانة الريسا صنصور‬ ‫بقيمـــة الفنـــون ورســـالتها‪،‬‬
‫وكذلـــك تعزيـــز الحركـــة‬
‫الفنيـــة الســـعودية محليـــاً‬
‫وعالميـــاً ودعـــم اإلنتـــاج‬
‫اإلبداع ــي المحل ــي وتوس ــيع‬
‫مســاحته‪ .‬والخطــوة المهمــة‬
‫التـــي لمســـناها هـــي أثـــر‬
‫الشـــراكات مـــع المراكـــز‬
‫من مجموعة «تطوّر‬
‫اإلنسان»‪ .‬أسفل من‬
‫والمعاهــد اإلقليميــة والدوليــة‬
‫مجموعة «صحراء فاران»‬ ‫ذات االختص ــاص واالهتم ــام‪،‬‬
‫والت ــي صنع ــت الدبلوماس ــية‬
‫الثقافيـــة وفعّ لـــت أدوارهـــا داخـــل األوســـاط الدوليـــة ذات العالقـــة‪،‬‬
‫فضـــال عـــن تكويـــن منظومـــة اتصـــال حديثـــة حـــول العالـــم مـــع‬ ‫ً‬
‫المبدعيـــن والفنانيـــن»‪.‬‬
‫ضم ــن برام ــج معه ــد مس ــك للفن ــون يق ــام ف ــي يوني ــو الج ــاري‬
‫العــرض العالمــي لفيلــم الواقــع االفتراضــي «إطاللــة نحــو الســعودية»‬
‫ف ــي المنت ــدى العالم ــي للواق ــع االفتراض ــي ف ــي سويس ــرا‪« .‬الفيل ــم‪،‬‬
‫الـــذي أخرجـــه ماتيـــو لونـــاردي‪ ،‬يعتمـــد تقنيـــة الواقـــع االفتراضـــي‪،‬‬
‫ويحكـــي قصّ ـــة مجتمـــع يزخـــر بالتنـــوع فـــي مســـاحة جغرافيـــة‬
‫واســعة‪ .‬فقــد ســعى الفيلــم إلــى أن يشــمل كافــة مناطــق المملكــة‬
‫بالتصويــر والتســجيل‪ .‬وهــو يعمــل علــى إعــادة رســم صــور المجتمــع‬
‫الس ــعودي بمنظ ــور جي ــل جدي ــد م ــن الفناني ــن المعاصري ــن‪ .‬وت ــم‬
‫إعــداده فــي اســتديوهات موزعــة علــى أنحــاء المملكــة إلبــراز المالمــح‬
‫االجتماعيـــة فيهـــا وبمختلـــف أطيافهـــا‪ .‬يُجـــدد هـــذا العمـــل الرؤيـــة‬
‫نظمت دار النمر للفن والثقافة في مركزها في‬ ‫ّ‬ ‫ح ــول المش ــهد الثقاف ــي ف ــي المنطق ــة بعي ــون ش ــباب وش ــابات م ــن‬
‫بيروت معرضاً للفنانة الريسا صنصور بعنوان‬ ‫الســعودية تقودهــم قراءاتهــم ومالحظاتهــم اليــوم إلــى هــذا التصــور‬
‫«ثالثية الخيال العلمي» يجمع ثالثة من أفالم الفنانة‬ ‫ال ــذي يُحاك ــي أعل ــى مس ــتويات األعم ــال الفني ــة الحديث ــة‪ .‬وق ــد س ــبق‬
‫أن ت ــم التعري ــف به ــذا الفيل ــم ف ــي مع ــرض «آرت دب ــي» قب ــل إطالق ــه‬
‫الفلسطينية التي دفعها خيالها إلى االستلهام‬
‫علــى المســتوى الدولــي خــالل «المنتــدى العالمــي للواقــع االفتراضــي»‬
‫من هبوط نيل أرمسترونغ على سطح القمر‬ ‫بسويس ــرا ف ــي يوني ــو ‪.»20١8‬‬
‫لتصوير‪ ،‬في ما يشبه الحلم‪ ،‬غزو نساء فلسطينيات‬
‫الفضاء في فيلم «هجرة إلى الفضاء» (‪ .)٢٠٠٩‬وفي‬
‫فيلم «مبنى الدولة» (‪ ٩‬دقائق‪ )٢٠١٢ ،‬يظهر ممثلون‬
‫حقيقيون بين صور مرسومة بواسطة الكومبيوتر‪،‬‬
‫ويعرض الفيلم ح ًال لمسألة الدولة الفلسطينية على‬
‫شكل ناطحة سحاب! أما فيلم «في المستقبل‬
‫أكلوا من أرقى أنواع الخزف» (‪ ٢٩‬دقيقة‪ ،)٢٠١٦ ،‬وهو‬
‫أحدث أعمال صنصور‪ ،‬فيطرح دور الخرافة في‬
‫تركيب التاريخ والحقيقة والهوية الوطنية‪ .‬يتح ّول‬
‫الفقدان والهوية واالنتماء والشقاء في أعمال‬
‫صنصور مشاهد جميلة مذهلة ساخرة‪ ،‬تبتعد‬
‫بالمتلقين‪ ،‬بذكاء فني مبدع‪ ،‬عن فجاعة اإلحساس‬
‫ّ‬
‫والمركبة رؤى بديلة‬ ‫بالعجز‪ .‬كأن المشاهد المتخ ّيلة‬
‫وإن كانت أحالماً وأوهاماً وأفالم خيال علمي‪.‬‬

‫‪64‬‬
 ‫من أعمال الفنان أحمد‬
‫ماطر‪ :‬أعلى من مجموعة‬
‫«مغناطيسية»‪ .‬أسفل من‬
‫مجموعة «إضاءات»‬

‫اإلنســـان المباشـــرة جســـدياً‬

‫جعلتنـــي فـــي مواجهـــة شرســـة‬
‫مـــع الضعـــف واأللـــم‪ .‬واالحتـــكاك‬
‫اليوم ــي م ــع األش ــخاص ف ــي إط ــار‬
‫مهنتـــي حملنـــي إلـــى منطقـــة ال‬
‫تع ــرف الحي ــاد‪ ،‬إم ــا االنكس ــار تمامــاً‬
‫أو ع ــدم االكت ــراث‪ ،‬وه ــو م ــا ل ــم يك ــن‬
‫فـــي حســـاب هويـــة مبـــدع تتكـــوّن‬
‫وتنمـــو»‪.‬‬
‫انش ــغل الطبي ــب الفن ــان بتصوي ــر‬
‫التحـــوّالت الحضاريـــة والعمرانيـــة‬
‫والتعبي ــر ع ــن آثاره ــا ف ــي المجتم ــع‪.‬‬
‫فهــل الحنيــن هــو الدافــع أم التوثيــق‬
‫أم نقـــد الـــذات؟ «لألمكنـــة حكاياتهـــا‬
‫الت ــي تحتف ــظ بهويته ــا القديم ــة‪ .‬ل ــن‬
‫نك ــون رهائ ــن الم ــدن المس ــتحدثة‬
‫والطارئ ــة الت ــي ال تتك ــئ عل ــى تاري ــخ‬
‫يُعبّـــر عـــن جـــزء مـــن مكونـــات‬ ‫أو ذاكــرة يمكــن مــن خاللهــا أن نط ـوّر ونعيــد البنــاء‪ .‬الثقافــة العربيــة‬
‫المجتمـــع‪ ،‬وكان التعاطـــي الفنـــي‬ ‫ال تجان ــب حقيقته ــا عندم ــا تعط ــي للحني ــن مس ــاحة ف ــي حركته ــا‪،‬‬
‫محصـــوراً فـــي مســـاحة معينـــة‪،‬‬ ‫وينبغــي علــى هــذا الحنيــن أن يســاير الحاضــر ويســتلهم المســتقبل‪.‬‬
‫بينم ــا تكـ ـرّس الرؤي ــة الف ــنّ ف ــي‬ ‫إنن ــا ننه ــض م ــن التغن ــي بالماض ــي لتحمّ ــل مس ــؤولية استش ــراف‬
‫الح ــراك المحل ــي وتجعل ــه ركي ــزة‬ ‫المســتقبل وتطويــع قــدرات الحاضــر لنكــون علــى جانــب مــن الصــواب‬
‫أساس ــية ف ــي العي ــش والتق ــدم‪.‬‬ ‫ف ــي كل تحــوّالت تقودن ــا إل ــى إش ــراقة جدي ــدة‪ .‬ال ش ــك أن التحــوّل‬
‫أن ــا متفائ ــل بالمس ــتقبل وخاص ــة‬ ‫الحض ــري والعمران ــي أح ــد أش ــكال التق ـدّم‪ ،‬ويج ــب أن يك ــون بهوي ــة‬
‫فـــي مـــا يتعلّـــق باإلبـــداع وأهلـــه‬ ‫تتمســك باإلنســان أو ًال‪ .‬أشــتغل فــي هــذا المنحــى‬ ‫واضحــة وطبيعــة ّ‬
‫وجمهـــوره»‪.‬‬ ‫وأق ــرأ أبع ــاد تل ــك التحـ ـوّالت ف ــي مالم ــح الم ــكان وأعي ــد النظ ــر ف ــي‬
‫مــن تنظيــم مهرجــان نيويــورك‬ ‫مـــا يمكـــن أن يكـــون صالحـــاً للتوثيـــق والتســـجيل والتدقيـــق عبـــر‬
‫للفنـــون واألفـــالم العربيـــة إلـــى‬ ‫الصــورة وأمانتهــا المهمــة فــي هــذه المرحلــة‪ .‬هــذا العمــل لــن يكــون‬
‫مشـــاركة الســـعودية للمـــرة‬ ‫نق ــداً ذاتيــاً بق ــدر م ــا ه ــو ش ــهادة يقدّمه ــا إنس ــان الم ــكان قب ــل أن‬
‫األول ــى ف ــي بينال ــي العم ــارة ف ــي‬ ‫تحكيه ــا الص ــورة»‪.‬‬
‫فينيســـيا‪ ،‬مـــن يحـــدّد خطـــوات‬ ‫إنشـــاء معهـــد مســـك واالهتمـــام بـــدوره وأنشـــطته اعتـــراف‬
‫المعه ــد وإنجازات ــه؟ «هن ــاك فري ــق‬ ‫بأهمي ــة الف ــن ف ــي نهض ــة المجتم ــع‪ .‬وه ــو م ــا يؤك ــد علي ــه ماط ــر‪« ،‬ال‬
‫عمـــل متكامـــل يعمـــل وفـــق‬ ‫ننهض من التغ ّني‬ ‫ـس جوان ــب الحي ــاة المختلف ــة داخ ــل‬ ‫ش ــك أنّ النهض ــة الحديث ــة تم ـ ّ‬
‫منهجيـــة «مؤسســـة مســـك‬ ‫المجتم ــع وتغ ّي ــر منهجي ــة وس ــلوكيات اقتصادي ــة ومعيش ــية‪ .‬ه ــذا‬
‫الخيّري ــة» وتح ــت مجل ــس إدارته ــا‬ ‫لتحمل‬
‫بالماضي ّ‬ ‫الح ــراك الجدي ــد ف ــي مؤسس ــات الدول ــة يت ــرك أث ــراً ف ــي المعطي ــات‬
‫الـــذي يُجيـــز كافـــة المقترحـــات‬ ‫الت ــي كان ــت متاح ــة ويس ــتدعي تجهي ــز المتلق ــي للمعطي ــات الحديث ــة‪،‬‬
‫المناســـبة‪ .‬إنّ جميـــع الفعاليـــات‬ ‫مسؤولية استشراف‬ ‫مث ـ ًـال عل ــى مس ــتوى الثقاف ــة والفن ــون اآلث ــار إيجابي ــة تعك ــس التن ــوع‬
‫التـــي تـــم تنفيذهـــا تأتـــي ضمـــن‬ ‫والقـــدرات الجماليـــة التـــي لـــم ُتكـــن مســـتثمرة النحصـــار األدوات‬
‫البرنامـــج الدولـــي المعلـــن عنـــه‬ ‫المستقبل‬ ‫والوســـائل‪ .‬اليـــوم نـــرى احتفـــاء األفـــراد بقدراتهـــم وأســـاليب‬
‫فـــي نيويـــورك ينايـــر ‪ ،20١8‬ووفـــق‬ ‫تعبيره ــم وه ــم يُواكب ــون مرحل ــة افتت ــاح المتاح ــف ودور الس ــينما‬
‫رؤيــة «مســك للفنــون»‪ ،‬وقــد ســبقتها خطــوات تنســيقية الختيارهــا‬ ‫وخشـــبات المســـرح‪ .‬هـــذه البـــالد المتراميـــة والمتنوعـــة جغرافيـــاً‬
‫وإقرارهـــا مـــن قبـــل مجلـــس إدارة المعهـــد‪ .‬ويشـــمل البرنامـــج‬ ‫ـس العال ــي بالف ــن‪ .‬والي ــوم بوج ــود رؤي ــة‬ ‫ومناخي ـاً ل ــم يغ ــب عنه ــا الح ـ ّ‬
‫مس ــارات مختلف ــة‪ ،‬فتنطل ــق الفعالي ــات م ــن الس ــعودية أو ًال ث ــم ف ــي‬ ‫المملكـــة ‪ 2030‬فـــإنّ كل الوســـائل أصبحـــت فـــي المتنـــاول إلبـــراز‬
‫ع ــدد م ــن المحط ــات اإلقليمي ــة والدولي ــة كدب ــي وباري ــس ونيوي ــورك‬ ‫الفنـــون بكافـــة ألوانهـــا وأطيـــاف منتجيهـــا‪ .‬ولـــم يكـــن الفـــن فـــي‬
‫ول ــوس أنجلي ــس ففينيس ــيا وغيره ــا‪ .‬وته ــدف ه ــذه الفعالي ــات ف ــي‬ ‫الس ــعودية قائم ـاً عل ــى فئ ــة مح ــددة أو ش ــكل فن ــي بعين ــه؛ ب ــل كان‬
‫المقـــام األول إلـــى إبـــراز إرث المملكـــة وإثـــراء معـــارف المجتمـــع‬ ‫متح ــركاً كالفن ــون الش ــعبية والموس ــيقى والتش ــكيل‪ ،‬ولك ــن بم ــا‬
 ‫‪Culture‬ثقافة‬

‫أحمد ماطر المدير التنفيذي لمعهد مسك للفنون‪ ،‬أول معهد من نوعه في المملكة العربية‬
‫وط ْرح األسئلة واإلشارة إلى التح ّوالت‪ ،‬وبالفن الذي‬ ‫ً‬
‫وسيلة للتعبير َ‬ ‫السعودية‪ ،‬فنان آمن بالصورة‬
‫يتجاوز الحدود ليتح ّول لغة مشتركة‬

‫ينضـــوي معهـــد مســـك للفنـــون تحـــت مظلـــة «مؤسســـة مســـك‬

‫الخيّريـــة» التـــي أسســـها ولـــي العهـــد الســـعودي األميـــر محمـــد‬
‫ب ــن س ــلمان‪ ،‬ويتطلّ ــع كم ــا‪ ،‬يق ــول مدي ــره التنفي ــذي الطبي ــب الفن ــان‬
‫أحم ــد ماط ــر «إل ــى أن يك ــون مرك ــزاً رائ ــداً لثقاف ــة الف ــن واإلب ــداع‬
‫ف ــي المملك ــة العربي ــة الس ــعودية‪ ،‬وإلنت ــاج األعم ــال الفني ــة‪ ،‬الحديث ــة‬
‫منه ــا ف ــي ش ــكل خ ــاص‪ ،‬ورعايته ــا وانتش ــارها‪ ،‬وتمكي ــن أصح ــاب‬
‫المواهـــب المبدعـــة بصفتهـــم ركيـــزة أساســـية فـــي المجتمـــع‪،‬‬
‫وصقـــل تجاربهـــم وتوســـيع رقعـــة حضورهـــم والتعريـــف بهـــم‬
‫األخــرى‪ ،‬والتبــادل‬ ‫عالمي ـاً‪ .‬كمــا نســعى إلــى توثيــق الصــالت بالتجــارب ُ‬
‫المعرفــي مــع تنفيــذ برامــج تعليميــة خاصــة بالفنــون فــي دور التعليــم‬
‫العام والعالي»‪.‬‬
‫أهــداف المعهــد هــذه تثــري رحلــة أحمــد ماطــر كفنــان‪ ،‬وال تبعــده‬
‫ُ‬
‫انتقلـــت‪،‬‬ ‫عـــن طريـــق شـــغفه األول‪ ،‬بـــل «بالعكـــس تمامـــاً‪ ...‬لقـــد‬
‫قب ــل أن أتسـ ـلّم قي ــادة المعه ــد‪ ،‬إل ــى مفه ــوم صناع ــة الف ــن ال ــذي‬
‫ه ــو مفه ــوم غائ ــب ع ــن وس ــطنا المحل ــي‪ .‬تجارب ــي الس ــابقة تحم ــي‬
‫اهتماماتـــي الفنيـــة وال تفصلهـــا عـــن عملـــي كمديـــر تنفيـــذي ألول‬
‫معه ــد للفن ــون م ــن نوع ــه ف ــي المملك ــة»‪.‬‬
‫هـــذه التجـــارب الســـابقة التـــي ذكرهـــا ماطـــر‪ ،‬تجـــاوزت حـــدود‬
‫الســـعودية لتقـــدّم أعمالـــه فـــي معـــارض ومتاحـــف حـــول العالـــم‪.‬‬
‫«يج ــب أن تس ــتعرض حاج ــة اإلنس ــان‪ ،‬الت ــي ه ــي ف ــي المق ــام األول‬
‫حاجت ــك‪ ،‬لتج ــد نفس ــك ف ــي محف ــل العالمي ــة متج ــاوزاً الح ــدود‪ .‬إمّ ــا‬
‫أن تحص ــر نفس ــك ف ــي قال ــب مح ـدّد وضم ــن مجموع ــة مغلق ــة‪ ،‬أو أن‬
‫توس ــع تطلعات ــك وآفاق ــك‪ .‬أس ــتطيع أن أس ــمّ ي ع ــدداً م ــن الفناني ــن‬ ‫ّ‬
‫الســعوديين الذيــن أثــروا التجربــة الفنيــة فــي المملكــة‪ ،‬لكنهــم آثــروا‬
‫العزل ــة بينم ــا كان ــت التطلع ــات تناش ــدهم تج ــاوز الح ــدود والحرك ــة‬
‫المحلي ــة‪ .‬عم ــل الفن ــان المثاب ــر ينتم ــي إل ــى أمكن ــة كثي ــرة‪ ،‬وه ــذا م ــا‬
‫أجته ــد في ــه وألجل ــه»‪.‬‬
‫وهن ــا نع ــود إل ــى البداي ــات لنس ــأل الفن ــان ع ــن مص ــادر إلهام ــه‪.‬‬
‫«الطبيعـــة البكـــر فـــي جنـــوب المملكـــة حيـــث نشـــأت جذبتنـــي إلـــى‬
‫عوال ــم تعبي ــر مختلف ــة ووس ــائل مغاي ــرة لق ــراءة الحي ــاة أو ابتكاره ــا‪.‬‬
‫فرضـــت الصـــورة نفســـها مـــن وحـــي الواقعـــي والتقليـــدي إلـــى‬
‫مس ــتوى متقـ ـدّم ف ــي التعبي ــر والق ــراءة‪ .‬وق ــد كان ــت التجرب ــة غي ــر‬
‫متطـ ـوّرة بحك ــم البع ــد ع ــن المرك ــز ونق ــص األدوات والتقني ــات‪ ،‬إال‬
‫أنّ دراســـتي الطـــب كان لهـــا دور الفـــت فـــي تحوّلـــي إلـــى الفنـــون‬
‫المعاصـــرة‪ .‬القـــراءات العلميـــة البحتـــة واالنغمـــاس فـــي معانـــاة‬

‫‪62‬‬
‫ثقافة‪Culture‬‬

‫الصفحة المقابلة‬
‫تسنيم السلطان‬
‫بعدسة طارق‬
‫المقدّم‪ .‬إلى اليمين‬
‫صورة التقطتها‬
‫تسنيملصحيفة‬
‫نيويورك تايمز‬
‫وتصدّرت الصفحة‬
‫األولى‪ .‬إلى اليسار‬
‫تسرد المصوّرة‬
‫قصص نساء‬
‫سعوديات‪ ،‬هذه‬
‫لمحة من قصة‬
‫المصمّ مة سارة‪.‬‬
‫أسفل عروس‬
‫بعدسة تسنيم‬

‫مــع الزمــالء حــول هــذا الموضــوع تحديــداً‪ ،‬وهــو أن‬
‫الصــور التــي تغطــي حدثـاً مــن منطقتنــا وتصــل إلــى‬
‫الصفحــة األولــى فــي صحيفــة مثــل نيويــورك تايمــز‬
‫تكــون عــن اليمــن أو العــراق أو ســوريا وتنقــل‬
‫أهــوال الحــروب والنزاعــات‪ ،‬لكــن هــذه صــورة‬
‫مختلفــة وبعيــدة عــن أمــواج اآلالم فــي العالــم‬
‫العربــي‪ .‬كمــا أنهــا صــورة لنســاء مــن الشــعب‬
‫بعيــدة عــن الصــور النمطيــة التــي ّ‬
‫تمثلنــا دومـاً‪ .‬هــذا‬
‫مــا أســعد بــه‪ ،‬هــو أننــا لــم نظهــر فــي مظهــر‬
‫الضحايــا أو األشــرار‪ .‬مثلتنــا نســاء يســتمتعن‬ ‫هذا زمننا نحن النساء‬
‫بوقتهــن وبالتغييــر الحاصــل»‪.‬‬
‫ً‬
‫يمكــن أن تطــرح صــور تســنيم نقــدا لوضــع مــا‬ ‫فلنقطف ثمار جهودنا‬
‫فــي بلدهــا‪ ،‬لكنهــا تهــبّ للدفــاع عنــه وعــن ثقافتــه‬
‫فــي مواجهــة النقــد الجاهــل‪« .‬ألننــي ولــدت فــي الغــرب‪ ،‬ثــم عــدت إلــى الشــرق‬
‫األوســط‪ ،‬أنــا ابنــة الثقافــة الثالثــة‪ ،‬شــرقية وغربيــة‪ ،‬لكننــي أيضـاً غيــر منســجمة وال‬
‫منتميــة‪ .‬ال أعيــش أزمــة هويــة‪ ،‬بــل أكتشــف هويتــي‪ .‬لهذا يمكــن أن تطــرح صورتي‬
‫نقــداً لوضــع مــا فــي بلــدي‪ ،‬لكننــي فــي أحيــان كثيــرة ال أقبــل أن ينتقــد بلــدي مــن ال‬
‫يعرفــه ولــم يعــش فيــه‪ .‬أصبــح مدافعــة‪ ،‬وأحــاول حمايــة الثقافتيــن وتقريــب وجهات‬
‫النظــر‪ .‬أصبــح وســيطاً بيــن الثقافتيــن‪ ،‬وهــذا مــا يظهــر فــي عملــي‪ .‬أقـدّم شــروحاً‪،‬‬
‫وأكتشــف أن الكثيرين يشــاركونني الرأي نفســه واإلحســاس نفســه‪ .‬نكتشــف‬
‫ونتمســك‬
‫ّ‬ ‫أمــوراً كثيــرة متشــابهة‪ ،‬هنــاك أيضـاً أمــور كثيــرة تتحـدّى مــا كنــا نعرفــه‬
‫بــه علــى أنــه الصــح بعينــه أو الخطــأ بعينــه»‪.‬‬
‫المســتقبل يفتح يديه لتســنيم‪« .‬أكتشــف العالم اآلن‪ ،‬فقد أرســلتني النيويورك‬
‫تايمــز أخيــراً إلــى جنــوب أفريقيــا لتصويــر الغواصيــن‪ ،‬كمــا أتابــع مشــروعاً فــي‬
‫الكويــت‪ .‬مــا عــدت المصـوّرة الموجــودة فــي الســعودية والتــي تتعاون معهــا الصحف‬
‫والمجــالت كلمــا احتاجــت إلــى صــور مــن هنــاك‪ ،‬بــل أحظــى اآلن بدعــم منصّ تيــن‬
‫مهمتيــن عالمي ـاً‪ ،‬نيويــورك تايمــز وناشــيونال جيوغرافيــك‪ ،‬وهــو أمــر رائــع»‪.‬‬
‫نســاء يتعلّمــن القيــادة وأخريــات قبــل دخولهــن إحــدى الحفــالت التــي أصبحت تنظم‬
‫العروســين‪ ،‬كيــف التقيــا‪ ،‬واللحظــة التــي قــررا‬
‫فيهــا االرتبــاط‪ .‬هكــذا تعلّمــت التوثيــق واكتشــاف‬
‫ثقافــات مختلفــة‪ .‬ثــم بعــد خمــس ســنوات‪ ،‬بــدأت‬
‫مشــروعي الشــخصي وهــو ســرد قصــص حــب‬
‫ســعودية ‪ .Saudi Tales of Love‬تقدّمــت إلــى‬
‫برنامــج التصويــر الفوتوغرافــي الوثائقــي العربــي‪،‬‬
‫الممـوّل بالشــراكة بيــن آفــاق ومؤسســة األمير‬
‫كالوس ومؤسســة ماغنــوم‪ ،‬بهــدف تطويــر‬
‫قــدرات مصوّريــن مــن العالــم العربــي‪ .‬شــرحت‬
‫أننــي مطلّقــة تصـوّر حفــالت الزفــاف وأننــي أحــاول‬
‫أن أكتشــف الحقيقــة األبديــة (حقيقــة مــا بعــد‬
‫الــزواج)‪ .‬أص ـوّر قصص ـاً تعيشــها النســاء فــي كل‬
‫المجتمعــات‪ ،‬قصــص المتزوجــات والمطلّقــات‬
‫واألرامــل‪ ،‬لكنهــا فــي الســعودية مجبولــة بتحديــات ال تواجههــا النســاء فــي أي‬
‫مــكان آخــر»‪ .‬هــذه الســرديات الحميمــة‪ ،‬كقصــص الحــب األولــى‪ ،‬وتجــارب الــزواج‬
‫تحوّلــت صــوراً تســعى تســنيم إلــى جمعهــا فــي كتــاب سينشــر فــي ‪ ١٥‬صالــة فنيــة‬
‫حــول العالــم‪.‬‬
‫شــغل هــذا المشــروع تســنيم قبــل بدايــة التغييــر فــي الســعودية‪ .‬وهــي منــذ‬
‫بدايــة رحلتهــا المهنيــة تســعى إلــى أن تكــون الكاميــرا التــي تصـوّر بهــا أداة للتغييــر‬
‫االجتماعــي‪« .‬حيــن أصـوّر النســاء وهن يدخلن الســينما للمــرة األولى بعد عشــرات‬
‫أوثــق لحظــة تاريخيــة‪ ،‬لكننــا لــن نشــعر‬ ‫األعــوام علــى إقفــال صــاالت العــرض‪ ،‬نعــم ّ‬
‫بهــذا التغييــر إال بعــد عشــرة أعــوام‪ .‬الصــور المؤثــرة هــي تلــك التــي تظهــر مــا يــدلّ‬
‫علــى وضــع غريــب‪ ،‬كاألماكــن التــي ال يجتمــع فيهــا النســاء والرجــال‪ ،‬والنســاء‬
‫قبــل أن يســمح لهــن بقيــادة الســيارة برغــم ضــرورة التن ّقــل مــن دون الحاجــة‬
‫إلــى اآلخريــن‪ .‬هــذه الصــور التــي توثــق مــا تعيشــه المــرأة الســعودية تص ـوّر واقع ـاً‬
‫وتطــرح أســئلة»‪.‬‬
‫الصــور التــي نشــرتها صحيفــة نيويــورك تايمــز فــوق اســم تســنيم وأظهــرت‬
‫الصــورة ‪TAREK MOUKADDEM‬‬

‫تتــوق تســنيم إلــى التغييــر الموعــود الــذي تبــدو مالمحــه واضحــة‪« .‬التغييــر األهــم‬
‫هــو إزالــة أبــرز العوائــق التــي تعترض المــرأة الســعودية وتجعلها مضطــرة لالعتماد‬ ‫توثــق مــا تعيشــه المــرأة الســعودية‪ .‬طلبنــا مــن المصـوّرة الشــابة أن‬ ‫فــي المملكــة‪ّ ،‬‬
‫علــى غيرهــا‪ .‬إذا تح ّقــق هــذا األمــر ســتتراكم إنجــازات النســاء الســعوديات ألنهــن‬ ‫تصــف لنــا شــعورها عنــد رؤيــة صورتهــا تشــغل الصفحــة األولــى مــن صحيفــة بحجم‬
‫يبدعــن ويحلّقــن برغــم كل التحديــات‪ ،‬فكيــف إذا زال أصعــب العوائــق علــى دربهــا؟»‪.‬‬ ‫نيويــورك تايمــز وهــي مــا زالــت فــي الثانيــة والثالثيــن‪« .‬ســأنقل لــك نتيجــة نقاشــي‬

‫‪6١‬‬
‫ولــدت تســنيم الســلطان فــي الواليــات‬
‫المتحــدة األميركيــة ونشــأت فــي بريطانيــا‪.‬‬
‫كانــت طفلــة فــي التاســعة حيــن حملــت‬
‫الكاميــرا ثــم قــررت أن التصويــر هــو الهوايــة‬
‫التــي تعبّــر عنهــا‪ .‬وقــد حــرص والداهــا‬
‫األكاديميــان علــى أن يبقــى التصويــر هوايــة‬
‫فحســب‪ ،‬ودفعاهــا إلــى التركيــز علــى‬
‫الدراســة‪ ،‬فتخصّ صــت فــي األدب اإلنكليــزي‬
‫واللســانيات ثــم نالــت مــن جامعــة بورتالنــد‬
‫فــي الواليــات المتحــدة شــهادة ماجســتير‬
‫فــي اللســانيات االجتماعيــة واألنتروبولوجيا‪.‬‬
‫«أكببــت علــى الكتــب التــي صنعــت معرفتــي‬
‫وعلّمتنــي طــرح األســئلة‪ .‬لكــن منصّ ــات‬
‫التواصــل االجتماعــي والملــل وانتقالــي إلــى‬
‫الســعودية دفعتنــي كلّهــا إلــى اللجــوء إلــى‬
‫الكاميــرا لتوثيــق حياتــي»‪.‬‬
‫روت الســلطان حياتهــا فــي الســعودية‬
‫باللقطــات المصـوّرة‪ ،‬وظهــرت بصمتهــا عبــر‬
‫رؤيتهــا للمشــاهد التــي تتحـوّل صــوراً‪« .‬لكل‬
‫مص ـوّرة بصمتهــا»‪ ،‬تشــرح‪« .‬التصويــر كمــا‬
‫أراه هــو ســرد‪ ،‬البعــض يعتبــره صحافــة‪،‬‬
‫والبعــض اآلخــر فــن‪ .‬أنــا يهمّ نــي أن أســرد‬
‫حكايــة‪ .‬ويجــب أن تحـرّك الصــورة المشــاعر‬
‫والفضــول‪ .‬أعتبــر أننــي نجحــت إذا حرّكــت‬
‫وأثــرت فيــه وجعلتــه‬ ‫مشــاعر المتلّقــي(ة)‪ّ ،‬‬
‫يطــرح أســئلة ويبحــث عــن معرفــة المزيــد»‪.‬‬
‫وألجــل الصــورة التــي تحــرّك الفضــول‬
‫وتطــرح األســئلة تتجــاوز تســنيم العوائــق‪،‬‬
‫وتعتــرف بــأن الصعــاب التــي تواجههــا‬
‫كمص ـوّرة بعكــس مــا قــد يظ ّنــه الكثيــرون‬
‫غيــر مرتبطــة بكونهــا امــرأة‪« .‬هــذا زمننــا‪،‬‬
‫نحــن النســاء‪ ،‬وأنــا فخــورة بأننــا نقطــف ثمار‬
‫جهودنــا وطموحنــا‪ .‬ومــا تعبــت منــه بصراحــة‬
‫هــو الســؤال المتكــرّر‪ :‬هــل ألنــك امــرأة‬
‫عربيــة تواجهيــن تحديــات مهنيــة هائلــة؟ بــل‬
‫ألننــي امــرأة ُتفتــح لــي األبــواب‪ .‬أص ـوّر فــي‬
‫الشــارع والبيــت وخلــف األبــواب المغلقــة‪.‬‬ ‫تروي المص ّورة السعودية تسنيم السلطان حكايات تح ّرك الفضول ألنها‬
‫ويتسـ ّنى لــي الدخــول إلى حيــث ال يمكن أن‬
‫عرف بانغالقه‪ ،‬وهو يشهد اآلن فجرا ً جديدا ً بقلم ‪HALA KAWSARANI‬‬ ‫تص ّور مجتمعاً ُ‬
‫يدخــل رجــل‪ .‬كمــا أنّ التحــاور مــع «الضحايا»‬
‫أســهل ألن البــوح المــرأة أســهل‪ ،‬وهنــا ال‬
‫أريــد أيضـاً أن أرســم صــورة نمطيــة أخــرى‪.‬‬
‫لكننــي ســأعطيك مثــا ًال‪ ،‬لقــد ص ـوّرت حف ـ ًال غنائي ـاً حضــره ســبعة آالف رجــل‪ .‬وال‬ ‫تشــعّ عينــا تســنيم الســلطان ذكا ًء ورغب ـ ًة فــي اقتنــاص المشــاهد واللحظــات‪.‬‬
‫يمكــن لرجــل أن يص ـوّر حف ـ ًال يضــمّ ســبعة آالف امــرأة‪ .‬ص ـوّرت احتفــاالت خاصــة‬ ‫انطلقنــا مــن حكايــة الصــورة التــي التقطتهــا لنســاء مجتمعــات فــي مهرجــان ثقافــي‬
‫برجــال ونســاء وأطفــال وعجائــز‪ .‬ونعــم ثمــة قصــص تطــرح تحديــات‪ ،‬لكننــي‬ ‫فــي الريــاض وتصــدرّت الصفحــة األولــى مــن جريــدة نيويــورك تايمــز فــي طبعتهــا‬
‫أواجههــا بجــرأة وأســعى دوم ـاً إلــى النجــاح»‪.‬‬ ‫الدوليــة لننتقــل إلــى الحديــث عــن معنــى التصويــر وهدفــه‪.‬‬
‫صـوّرت تســنيم حفــالت زفــاف خالل خمســة أعوام‪«.‬أحببــت فكرة الحــدث الرائع‬ ‫الشــغف الــذي يلــوح فــي صــور تســنيم يع ّبــر عــن نفســه فــي كالمهــا عــن التصويــر‬
‫الــذي يســتم ّر يومـاً ويبقــى مــن أبــرز الذكريــات‪ .‬صـوّرت أكثــر مــن مئتــي زفــاف فــي‬ ‫الــذي تقــول إنــه «أداة لرفــض الصــور النمطيــة واستكشــاف القضايــا االجتماعيــة‪،‬‬
‫ً‬
‫واحــد وعشــرين بلــدا‪ ،‬مــن الســعودية إلــى المكســيك‪ ،‬إلــى بلــدان العالــم المختلفــة‪.‬‬ ‫خصوصـاً الجندريــة منهــا‪ .‬أنــا ســعودية والســرديات الحميمــة فــي مجتمعــي ليســت‬
‫وفــي كل زفــاف ســردت بصــوري قصــة مختلفــة‪ .‬أردت أن أعــرف كل شــيء عــن‬ ‫متاحــة لآلخريــن‪ ،‬لــذا قــررت أن أكتشــفها وأكشــفها لآلخريــن مــن خــالل صــوري»‪.‬‬

‫‪60‬‬
 ALEXA ‫معطف من‬
‫؛ قرطان من‬CHUNG
PAUL SMITH
COAT, ALEXA CHUNG;
EARRINGS, PAUL SMITH
 ‫أعلى اليمين عهد كامل‬
‫في مشهد من فيلمها‬
‫«حرمة» (‪ .)2012‬أسفل‬
‫اليمين عهد في مشهد‬
‫من فيلم «وجدة» للمخرجة‬
‫هيفاء المصنور‪ .‬في‬
‫الوسط مشهد آخر من‬
‫فيلم «حرمة»‪ .‬من اليسار‬
‫ملصق مسلسل الجريمة‬
‫التشويقي «كوالتيرال»‬

‫كاري موليغــان بأنهــا «لطيفــة وعنيفــة»‪ ،‬وتتحــدث أيضــاً‬

‫بشــغف عــن شــخصية فاطمــة الالجئــة التــي تؤديهــا فــي‬
‫المسلســل ‪ -‬تقــول عنهــا باعتــزاز إنهــا «مناضلــة»‪.‬‬
‫عندمــا بــدأت رحلتهــا فــي عالــم األفــالم والتلفزيــون‪،‬‬
‫نعتهــا الجميــع بأنهــا طائشــة ‪ -‬تقــول باســم ًة‪« :‬فتــاة مــن‬
‫بــالد ليــس فيهــا ســينما‪ .‬إال أنَّ الســنوات مـرَّت‪ ،‬وهــا نحــن‬
‫اليــوم هنــا»‪ ،‬وتقصــد بكلمــة «هنــا» شــمال غــرب لنــدن‪ ،‬حيــث‬
‫ـرر‬
‫ـكل متكـ ٍ‬ ‫تعتبــر هــذه المدينــة موطنـاً لهــا‪ ،‬إذ تزورهــا بشـ ٍ‬
‫منــذ أن كانــت طفلــة صغيــرة‪ .‬وهــي تعيــش بالقــرب مــن‬
‫منتــزهٍ‪ ،‬مقابــل شــارع آبــي رود‪ ،‬حيــث يعبــر الناس الشــارع‬
‫جعلتني ّ‬
‫كل المحن التي‬
‫كل يــوم إلعــادة ابتــكار صــورة غــالف ألبــوم فرقــة البيتلــز‬
‫الشــهير‪ ،‬وهــو منظ ـ ٌر يضحكهــا علــى الــدوام‪.‬‬
‫واجهتها ممثلّة أشد براعة‬
‫تعمــل عهــد حاليــاً علــى تنفيــذ دوبــالج عــدة أعمــال‪،‬‬
‫ومشــروع تجــاري‪ ،‬كمــا تغــوص فــي تفاصيــل فيلمهــا‬
‫وفهماً للواقع وأوسع معرف ًة‬ ‫مــن أداء دور مديــرة المدرســة‬
‫الشــريرة‪ ،‬لكنــي ســرعان مــا‬
‫الجديــد‪ ،‬وهــو‪ ،‬كمــا تشــرح‪« ،‬فيلــم درامــي يشــبه فيلــم‬ ‫أحببتهــا‪ .‬فعلــى ســبيل التغييــر‪ ،‬لــم‬
‫ســينما باراديــزو‪ .‬أكتــب النــص حاليـاً‪ .‬أشــعر باإللهــام!»‪ ،‬وتــردف بالقــول‪« :‬يحمــل‬ ‫أكــن الضحيــة‪ ،‬بــل كنـ ُـت أقــود األحــداث»‪ .‬تقــول عهــد إن أحــد أشـ ّـق المصاعــب التــي‬
‫آن معـاً‪ ،‬تقــوم إلــى‬ ‫عنــوان «أنــا وســائقي»‪ ،‬ويــدور حــول قصــة حلــوة ومريــرة فــي ٍ‬ ‫يواجههــا الممثــل هــي الوصــول إلــى الجانــب اإلنســاني فــي الشــخصية‪ ،‬ومــن ثــمّ‬
‫ح ـ ٍّد مــا علــى نشــأتي وعالقتــي بســائقي الســوداني‪ .‬لقــد كان جــزءاً مــن حياتــي؛‬ ‫إطــالع الجمهــور عليــه‪ .‬والصعوبــة األخــرى هــي القــدرة علــى التعامــل مــع الرفــض‪.‬‬
‫تنســيق ‪ DAVID NOLAN‬شــعر ‪ MIKE O’GORMAN‬مكياج ‪ MICHELLE DACILLO‬موقع التصوير ‪ THE CHESS CLU‬في لندن‬

‫ـاق طــوال‬ ‫ومنــذ نحــو ‪ 12‬عامـاً‪ ،‬علمــت بنبــأ وفاتــه‪ ،‬وأدركــت أننــي تعاملــت معــه كأنــه بـ ٍ‬
‫عمــري‪ ،‬وهــذا الفيلــم تكريــم لــه»‪.‬‬
‫َّ‬
‫جــز ٌء كبي ـ ٌر مــن قصــة عهــد كامــل تخللتــه الخســارة وفقــدان األح ّبــة‪ ،‬ولكنهــا‬
‫مــع ذلــك تبقــى متزنــة ومتفائلــة‪ .‬تقــول‪« :‬أشــعر بالســعادة ألننــي أعشــق مهنتــي‪.‬‬
‫عندمــا كنــت صغيــرة‪ُ ،‬طـ ِـرح علـ َّـي الســؤال‪’ :‬أنــتِ مــن عائلــة محترمــة‪ ،‬لمــاذا اختــرتِ‬
‫بعــد مــرور ‪ 13‬عام ـاً علــى عملهــا فــي هــذا القطــاع‪ ،‬تعتبــر الرفــض اآلن معلمهــا‬
‫مجــال الفــن؟‘«‪ ،‬إال أنَّ العقليــة فــي الســعودية تتغيــر‪ .‬أ َّمــا فــي مــا يتعلــق بعمــل‬
‫المخرجــات األكثــر جذبــاً لألنظــار فــي‬‫ِ‬ ‫النســاء فــي الســينما‪ ،‬فتصــرِّح بأنهــن‬
‫المنطقــة‪ .‬تقــول‪« :‬علينــا أن نــروي قصصنــا‪ ،‬حاجتنــا لذلــك أقــوى بكثيــر مــن حاجــة‬
‫الرجــال‪ .‬كثيــرات رحلــن وال نعــرف أســماءهن‪ ،‬يُشــار إليهــن فقــط بلقــب أم فــالن‬
‫وأم فــالن‪ .‬كانــت جدتــي تــروي القصــص والحكايــات‪ .‬والطريقــة التــي روت بهــا‬
‫قصتهــا ومــا عانتــه ال تذهــب هبــا ًء هكــذا ببســاطة‪ ،‬بــل يجــب أن يتــمَّ تناقلهــا»‪ .‬وفــي‬
‫ختــام حديثهــا‪ ،‬قالــت عهــد‪« :‬أحــبُّ أن أشـبّه نفســي بالشــجرة؛ فكونــي ســعودية‬
‫ـكان أســتطيع‬ ‫هــو جــز ٌء مــن هويتــي‪ ،‬لكنــي تفرَّعــت‪ ،‬واآلن أريــد أن أكــون فــي مـ ٍ‬
‫مــن خاللــه الوصــول إلــى العالــم أجمــع»‪☐ .‬‬
‫تســتذكر تجــارب األداء التــي خاضتهــا وتبعهــا صمــتٌ مطبــق‪ ،‬وتلــك األوقــات التــي‬
‫ـوب فيهــا‪ ،‬أو إن كانــت سـ ّنها أكبــر مــن الــالزم‪.‬‬‫تســاءلت فيهــا مــا إن كان غيــر مرغـ ٍ‬
‫الرســامة‪ ،‬فأنــت محصِّ لــة اإلبــداع‪.‬‬
‫وعــن ذلــك تقــول‪« :‬كممثلــة‪ ،‬أنــت األداة‪ .‬وبخــالف َّ‬
‫فــي مجــال التمثيــل‪ ،‬يجــب ألّا يتأثــر الممثــل بالنقــد»‪.‬‬
‫َ‬
‫ِّ‬
‫المحَ ــن التــي واجهتهــا ممثلـ ًة أفضــل وأكثــر معرفـ ًة‪.‬‬ ‫كل ِ‬ ‫األكبــر‪ ،‬تقــول‪« :‬جعلتنــي ُّ‬
‫عندمــا تكونيــن مبتدئــة‪ ،‬تربطيــن كل الســحر والفتنــة بتلــك المهنــة‪ ،‬إال أنَّ الواقــع‬
‫أصعــب مــن ذلــك بكثيــر‪ .‬إن تمكنــتِ مــن العيــش مــع الواقــع‪ ،‬فأنــتِ تقدميــن علــى‬
‫ذلــك ألســباب وجيهــة»‪.‬‬
‫هــذا ال يعنــي أنَّ مسلســل «كوالتيــرال»‪ ،‬وهــو مسلســل جريمــة تشــويقي‬
‫تــدور أحداثــه فــي غضــون أربعــة أيــام‪ ،‬لــم يقــدم لهــا خبــرات هائلــة‪ .‬وتتذكــر كيــف‬
‫كان المخــرج الحائــز جوائــز عــدة‪ ،‬الســير ديڤيــد هيــر‪ ،‬مرتبــكاً لــدى مقابلتهــا‪ ،‬إذ لــم‬
‫يســبق أن كتــب عــن شــخصية عربيــة مــن قبــل‪ .‬ومــن واقــع تأثرهــا بتلــك المجاملــة‬
‫اللطيفــة‪ ،‬أدركــت أنهــا كانــت تعمــل مــع الفريــق المناســب‪ .‬وتصــف عهــد الممثل ـ َة‬

‫‪58‬‬
ALEXA ‫فستان من‬
‫؛ قرطان من‬CHUNG
PAUL SMITH
DRESS, ALEXA CHUNG;
EARRINGS, PAUL SMITH
 ‫مركــــز‬
‫تخطت‬‫بعدما ّ‬
‫عقبات هائلة‪ ،‬باتت‬
‫قاعــات المحاكــم» بــد ًال مــن ذلــك‪ .‬ثــم أوقفــت دراســتها فــي‬ ‫الممثلة السعودية‬‫ُ‬ ‫ألول وهلــة‪ ،‬ربمــا يخيــب ظــنّ جمهــور الفنانــة عهــد كامــل‬
‫الجامعــة المرموقــة بعــد فصـ ٍـل دراسـ ٍّـي واحــد‪ .‬تقــول باســم ًة‪:‬‬ ‫َ‬
‫النجمة‬ ‫عهد كامل‬ ‫جــرّاء مشــهدها األول فــي مسلســل «كوالتيــرال» الــذي‬
‫َّ‬
‫«أردت أن أكــون فنانــة»‪ .‬وبعــد رحيــل والدتهــا‪ ،‬شــعرت عهــد‬ ‫ُ‬ ‫َ‬ ‫أنتجتــه شــبكة نتفليكــس لصالــح قنــاة بــي بــي ســي البريطانيــة‪.‬‬
‫بــأن القــدر يدفعهــا إلــى أن تصبــح أكثــر اســتقاللي ًة‪ .‬وعــن توقهــا‬ ‫الصاعدة التي ّ‬
‫يشع‬ ‫فخــالل المشــهد تنهــض الممثلــة الســعودية‪ ،‬التــي تلعــب دو َر‬
‫إلــى الحريــة تقــول‪« :‬لــم أرغــب فــي البقــاء بالســعودية؛ كان أمــراً‬ ‫بريقها‬ ‫ـرآب تغمرهــا‬
‫الجئــة عربيــة‪ ،‬تدعــى فاطمــة آصــف‪ ،‬مــن أرضيــة مـ ٍ‬
‫مؤلم ـاً وحســب»‪.‬‬ ‫األوســاخ‪ ،‬وتلـ ُّـف ســريعاً وشــاحاً حــول رأســها‪ ،‬بينمــا تشــير‬
‫بعــد ذلــك‪ ،‬التحقــت عهــد بكليــة بارســونز للتصميــم‪ ،‬حيــث‬ ‫إلــى المحققــة الجنائيــة (التــي تلعــب دورهــا الممثلــة كاري موليغــان‬
‫تصوير ‪PHILIP SINDEN‬‬
‫درســت فــن الرســوم المتحركــة‪« .‬كرهتــه»‪ ،‬تقــول ضاحكـ ًة قبل‬ ‫المُ رشــحة لنيــل جائــزة األوســكار) بأنهــا ال تتحــدث اإلنجليزيــة‪.‬‬
‫بقلم ‪CATERINA MINTHE‬‬
‫ً‬ ‫ً‬ ‫ً‬
‫أن تــردف‪« :‬كان مجــاال منعــزال جــدا‪ ،‬لكنــي أحبَّبــت بارســونز»‪،‬‬ ‫شــهور مــن التخمينــات التــي دارت حــول الــدور الــذي‬ ‫ٍ‬ ‫وبعــد‬
‫مشــير ًة إلــى أنهــا تفوقــت فــي دروس الفنــون الحــرّة‪ ،‬وعلــم‬ ‫تلعبــه فــي المسلســل‪ ،‬تبــدو شــخصيتها كمــا لــو كانــت صامتــة‪.‬‬
‫االجتمــاع‪ ،‬وتاريــخ الفــن‪ .‬وكان مشــروع تخرجهــا عبــارة عــن‬ ‫وبطبيعــة الحــال‪ ،‬فــإن هــذا الصمــت هــو جــزء أصيــل مــن تكويــن‬
‫فيلــم وثائقــي مدتــه ‪ 30‬دقيقــة تخلَّلتــه فواصــل مــن رســوم‬ ‫الشــخصية التلفزيونيــة‪ .‬ومــع توالــي ظهورهــا خــالل أحــداث‬
‫ً‬ ‫ُ‬
‫متحركــة‪ .‬تقــول‪« :‬أردت منــح الســعوديات صوت ـا‪ ،‬إال أننــي لــم أجــد ســوى أربــع‬ ‫المسلســل‪ ،‬يتعـرَّف المشــاهدون إلــى امــرأة مع ّقــدة تتكلــم العربيــة بصــوتٍ حــاد‬
‫صديقــات مســتعدات للتح ـدّث»‪ .‬وكانــت تلــك المــر َة األولــى التــي تقــف فيهــا عهــد‬ ‫وواثــق؛ فــي حيــن أنَّ لغتهــا اإلنجليزيــة هــي فــي الواقــع واضحــة‪ ،‬بــل حتــى دافئــة‬
‫خلــف الكاميــرا‪ ،‬وكانــت بالفعــل لحظــة مفصليــة فــي حياتهــا‪ .‬تقــول‪« :‬بعــد التخ ـرّج‪،‬‬ ‫كل البعــد عــن الرتابــة والجمــود‪ .‬وخــالل اللحظــات األولــى‪ ،‬ســواء تكلمــت‬ ‫وبعيــدة َّ‬
‫ـرت‪:‬‬‫ـدت إلــى نقطــة البدايــة مجــدداً‪ ،‬لــذا فكـ ُ‬
‫ـعرت كمــا لــو أننــي قــد عـ ُ‬‫وبطريقــة مــا‪ ،‬شـ ُ‬ ‫أم ظلّــت صامتــة‪ ،‬فــإن عهــد كامــل تجعــل المشــاهدين يتســمَّ رون فــي مكانهــم؛‬
‫لمــاذا ال أجــرِّب دراســة األفــالم؟»‪.‬‬ ‫حيــث إن «أول ممثلــة ســعودية علــى اإلطــالق» تلعــب دور البطولــة فــي مسلســل‬
‫بســبب الحظــر الــذي كان مفروضـاً علــى دور الســينما فــي الســعودية‪ ،‬لم تنشــأ‬ ‫لشــبكة نتفليكــس تتحــدث بعينيهــا؛ نظراتهــا ثاقبــة ولهــا وقــع آســر فــي النفوس‪.‬‬
‫عهــد علــى مشــاهدة األفــالم بالمعنــى التقليــدي للكلمة‪ .‬تقــول‪« :‬كان ثمــة تلفزيون‪،‬‬ ‫تقــول ضاحك ـ ًة‪« :‬لــم أتخيــل أبــداً أن يأتــي يــومٌ أُجــري فيــه مقابل ـ ًة مــع ڤــوغ»‪.‬‬
‫وقــد شــاهدت الكثيــر مــن األفــالم المصريــة‪ .‬وكان أول فيلــم شــاهدته فــي صالــة‬ ‫وهــو تصريــحٌ واقعــي تمامـاً؛ فرحلتهــا كانــت مليئــة بالتحد ّيــات التــي صادفــت خاللهــا‬
‫ســينما فــي لنــدن هــو فيلــم ديــك تريســي‪ .‬كانــت مادونــا مــن فناناتــي المفضــالت‪،‬‬ ‫ً‬ ‫الكثيــر مــن المط ّبــات ‪ -‬إذ تخلَّلتهــا فتــرات مــن الحيــرة والشــك‪ ،‬كمــا عانــت أحزان ـا‬
‫أر ِّد ُد أغنياتهــا ليــل نهــار‪ ،‬األمــر الــذي أفــزع والــديّ ‪ ،‬فلــم يــرق لــه ســماعي أر ِّد ُد أغنية‬ ‫متكــررة‪ .‬وتســتذكر عهــد‪ ،‬التــي ولــدت فــي الريــاض عــام ‪ ،1980‬الفتــاة الوحيــدة بيــن‬
‫’مثــل العــذراء‘!»‪ .‬وبعــد التحاقهــا بأكاديميــة نيويــورك لألفــالم‪ ،‬ومــع خــوض أولــى‬ ‫أربــع صبيــان‪ ،‬أنهــا كانــت «طفلــة مشاكســة»‪ .‬انتقلــت أســرتها إلــى جــدة عندمــا‬
‫تجاربهــا فــي عالــم الســينما‪« ،‬اســتحوذ عليهــا» ذلــك األمــر‪ .‬تقــول مســتذكر ًة‪:‬‬ ‫كانــت فــي الســابعة مــن عمرهــا‪ ،‬وفــي الرابعــة عشــرة عاشــت مأســاة رحيــل‬
‫ً‬ ‫ً‬
‫«كنــت أعمــل ‪ 14‬ســاعة متواصلــة دون أن أنظــر إلــى الســاعة‪ ،‬وكان ذلــك أمــرا غيــر‬ ‫والدهــا بســبب مــرض الســرطان‪ .‬وبعــد ذلــك بخمــس ســنوات‪ ،‬رحلــت والدتهــا‬
‫ـبوق بالنســبة إلــي»‪ .‬وخــالل تعلُّمهــا أصــول اإلخــراج واإلنتــاج‪ ،‬التقطــت عــدوى‬ ‫ٍ‬ ‫ـ‬ ‫مس‬ ‫أيضـاً بســبب المــرض ذاتــه‪ .‬تقــول‪« :‬كانــت مرحلــة المراهقــة قاســية‪ ،‬عانيــت خاللهــا‬
‫حــبّ التمثيــل‪ ،‬لكنهــا لــم تكــن مســتعدة للحديــث عــن شــغفها الجديــد عالني ـة‪ً.‬‬ ‫فقــدان األح ّبــة وكثيــراً مــن األحــزان»‪.‬‬
‫تقــول‪« :‬لــم أبــدأ التمثيــل إال بعــد زواجــي‪ ،‬فتحــت مظلــة الرجــل كان األمــر مقبــو ًال‬ ‫فــي الســابعة عشــرة‪ ،‬التحقــت عهــد بجامعــة كولومبيــا فــي نيويــورك‪ .‬تقــول‪:‬‬
‫طالمــا أنــه ال يمانــع»‪.‬‬ ‫«بعــد وفــاة والــدي‪ ،‬لــم تكــرر أمــي علــى مســامعي تلــك األحاديــث التقليديــة ‪ -‬مــن‬
‫ـل عــرض ألول مــرة فــي ذلــك الوقــت‬ ‫بالعــودة إلــى العــام ‪ ،2012‬أثــار فيلــمٌ طويـ ٌ‬ ‫قبيــل عليــكِ أن تتزوجــي‪ ،‬ابحثــي عــن الرجــل المناســب‪ .‬وبذلــك اعتــدت االعتمــاد‬
‫فضــول المنطقــة والعالــم‪ ،‬وهــو فيلــم وجــدة‪ .‬وعــن دورهــا فــي هــذا الفيلــم الروائــي‬ ‫َ‬ ‫علــى نفســي»‪ .‬رحلتهــا فــي اكتشــاف الــذات قامــت علــى التجربــة والخطــأ؛ فخــالل‬
‫الطويــل الــذي تــم تصويــره فــي الســعودية تقــول‪« :‬كنـ ُـت منزعجــة بعــض الشــيء‬ ‫غر َمــت بالدرامــا التــي تشــهدها‬ ‫ُ‬
‫دراســتها التمهيديــة للتخصــص فــي المحامــاة «أ ِ‬

‫‪56‬‬
 GIVENCHY ‫سترة من‬
‫؛ زينة‬HAUTE COUTURE
‫للرأس وقالدة من‬
HEATHER HUEY
JACKET, GIVENCHY HAUTE
COUTURE; HEADPIECE,
CHOKER, HEATHER HUEY
PROENZA ‫فستان وحذاء من‬
ELIE ‫ ؛ قرطان من‬SCHOULER
SAAB HAUTE COUTURE
DRESS, SHOES, PROENZA
SCHOULER; EARRINGS, ELIE
SAAB HAUTE COUTURE
HAIR EDUARD BRAVO, KENDALL
DORSEY AT FACTORY DOWNTOWN
MAKEUP CAROLINA DALI
AT THE WALL GROUP NAILS
KANA KISHITA AT ATELIER
MANAGEMENT CASTING JYM
BENZING STYLE ASSISTANTS
MALEEKA MOSS, TREVOR
MCMULLAN LOCATION GO
STUDIOS, NEW YORK CITY MODEL
SHANINA SHAIK AT IMG MODELS

54
SAINT ‫فستان من‬
‫؛ نظارة شمسية‬LAURENT
ALAIN MIKLI ‫من مجموعة‬
ALEXANDRE VAUTHIER ‫و‬
‫غطاء َشب ََكي لمقدمة‬
HEATHER HUEY ‫الرأس من‬
DRESS, SAINT LAURENT;
VEIL, HEATHER HUEY;
SUNGLASSES, ALAIN MIKLI X
ALEXANDRE VAUTHIER

53
ELIE SAAB ‫فستان من‬
‫؛‬HAUTE COUTURE
‫؛‬BULGARI ‫قرطان من‬
ROGER VIVIER ‫حذاء من‬
DRESS, ELIE SAAB
HAUTE COUTURE;
SHOES, ROGER VIVIER;
EARRINGS, BULGARI;
ZUHAIR ‫فستان من‬
MURAD HAUTE
‫؛ «ليغينغز» من‬COUTURE
‫؛ قرطان‬ARMANI PRIVÉ
SAINT LAURENT ‫من‬
DRESS, ZUHAIR MURAD
HAUTE COUTURE;
LEGGINGS, ARMANI PRIVÉ;
EARRING, SAINT LAURENT
 ‫عــروض األزيــاء‪ .‬ومــن خــالل عملهــا‪ ،‬تقــدم للفتيــات المســلمات اللواتــي يحلمــن‬
‫بالعمــل كعارضــات أزيــاء مثــا ًال يُحتــذى بــه‪.‬‬
‫“خــالل صبــاي‪ ،‬كان مــن النــادر رؤيــة عارضــة أزيــاء مــن أصــول مختلطــة‪ ،‬أو‬
‫ســمراء‪ ،‬أو آســيوية‪ .‬وقــد كافحـ ُـت كثيــراً حتــى بلغــت مــا كنـ ُـت أصبــو إليه فــي مجال‬
‫عــروض األزيــاء‪ .‬فقــد كان العمــالء يحجمــون عــن التعاقــد معــي ألنهــم ظنــوا أننــي‬
‫ال أنتمــي إلــى قطــاع المشــترين أو القـرّاء‪ .‬وبكيــت كثيــراً حتــى نجحــت فــي الحصول‬
‫علــى عمــل”‪.‬‬
‫وثابــرت شــايك فــي عملهــا حتــى حفــرت لنفســها اســماً وحققــت نجاحـاً رائعـاً‬
‫فــي مهنتهــا‪ ،‬منــذ أن شــاركت فــي إعــالن دعائــي فــي أســتراليا حيــن كانــت فــي‬
‫الثامنــة مــن عمرهــا –إلــى أن ســارت علــى منصــة عــرض ڤيكتوريــا ســيكريت عــام‬
‫‪ –2011‬فكانــت أول عارضــة مــن أصــول ســعودية تســتعين بهــا هــذه العالمــة – حتــى‬
‫قيــل إنهــا تربــح ‪ 10‬مالييــن دوالر أمريكــي ســنوياً‪.‬‬
‫وعــن ذلــك تقــول شــايك‪“ :‬كان اشــتراكي فــي عــرض ڤيكتوريــا ســيكريت‬
‫نقطــة تحــول فــي مشــواري‪ .‬كنــت أريــد أن أكــون جــزءاً مــن هــذا العــرض منــذ‬
‫أن كنــت طفلــة صغيــرة‪ .‬ولــم أتوقــف عــن المحــاوالت حتــى تعاقــدوا معــي‪ .‬فــكان‬
‫حلم ـاً تحــول إلــى حقيقــة”‪ .‬وتملــك العارضــة‪ ،‬البالغــة مــن العمــر ‪ 27‬عام ـاً‪ ،‬جــدو ًال‬
‫حافـ ًال باألنشــطة بعــد تعاونهــا مــع عالمــة تصميــم مالبــس الســباحة بيتــش بانــي‪.‬‬
‫وتقــول بســعادة‪“ :‬ســتطلق العالمــة المجموعــة هــذا الصيــف”‪ ،‬وتســتطرد قائلـ ًة‪:‬‬
‫“لقــد صممــت اإلطــالالت‪ ،‬التــي كانــت مثيــرة لالهتمــام حقـاً وســاعدتني علــى إدراك‬
‫أنــه عمــل أتمنــى أن أقــوم بــه كثيــراً”‪ .‬كمــا ســتظهر شــايك فــي برنامــج ’موديــل‬
‫ســكواد‘‪ ،‬وهــو مسلســل ترفيهــي وثائقــي مــن برامــج الواقــع تعرضــه قنــاة ‪!E‬‬
‫ويتابــع حيــاة العارضــات الشــهيرات واألكثــر ظهــوراً علــى منصــات العــروض‪ .‬وبهــذا‬
‫الزفــاف‪ ،‬ومجموعــة األزيــاء‪ ،‬والبرنامــج التلفزيونــي ‪ -‬يعتبــر هــذا العــام مذهـ ًال بــكل‬
‫المقاييــس بالنســبة لزوجــة دي جيــه روكــوس‪.‬‬
‫تتذكــر شــايك يــوم زفافهــا بابتســامة عريضــة قائل ـة‪“ :‬أفضــل ذكــرى لــي فــي‬
‫خالل صباي‪ ،‬كان من النادر رؤية عارضة أزياء من‬
‫ُ‬
‫كافحت‬ ‫أصول مختلطة‪ ،‬أو سمراء‪ ،‬أو آسيوية‪ .‬وقد‬
‫كثيراً حتى بلغت ما ُ‬
‫كنت أصبو إليه‬
‫إلى اليسار العروسان بعد‬
‫انتهاء مراسم الزفاف الذي‬
‫أقيم على شواطئ جزر‬
‫الباهاما في األعلى شانينا‬
‫شايك أثناء حفل زفافها‬
‫إلى اليمين العروس‬
‫ترتدي فستاناً من الدانتيل‬
‫صممته لها خصيصاً دار رالف‬
‫آند روسو‬
‫“أُمضــي وقتـاً رائعـاً أثنــاء محاولتــي االعتيــاد علــى الحيــاة الزوجيــة”‪ ،‬بهــذه الكلمــات‬
‫بــدأت العارضــة شــانينا شــايك حديثهــا‪ ،‬فيمــا تتوهــج بشــرتها البرونزيــة وتتــأأل‬
‫عيناهــا اللوزيتــان ببريــق اعتدنــا أن نــراه فــي أعيــن العشــاق حديثــي الــزواج‪ ،‬الذيــن‬
‫يســتمتعون بأيــام شــهر العســل‪“ .‬أنــا ســعيدة‪ ،‬وأشــعر بالحمــاس‪ ،‬والحــب‬
‫الغامــر‪ ،‬وأتطلــع للمرحلــة التاليــة فــي حياتــي كزوجــة”‪.‬‬
‫تزوجــت شــايك مــن غريغــوري أنــدروز (المل ّقــب بـ”دي جيــه روكوس”) الشــهر‬
‫الماضــي فــي حفــل زفــاف مذهــل علــى الطريقــة البوهيميــة أقيــم علــى جزيــرة‬
‫إلوثيــرا بمنطقــة جــزر الباهامــا‪ .‬وحضــر الحفــل عــدد مــن األصدقــاء وأفــراد العائلــة‪،‬‬
‫ومنســقي أغانــي‬ ‫ّ‬ ‫إلــى جانــب العارضــات الشــهيرات‪ ،‬والمنتجيــن الموســيقيين‪،‬‬
‫الــدي جيــه‪ .‬وقــد تألقــت فــي هــذا الحفــل العارضــة المولــودة فــي كاليفورنيــا وإحــدى‬
‫“مالئكــة” ڤيكتوريــا ســيكريت‪ ،‬الجميلــة جاســمين توكس‪ ،‬بفســاتين مــن توقيع‬
‫زيمرمــان صممــت لهــا خصيصــاً‪ ،‬فيمــا ارتــدت نيكــول ويليــام‪ ،‬وصيفــة العــروس‬
‫والتــي اشــتهرت علــى الشاشــة الصغيــرة‪ ،‬فســتاناً مــن توقيــع مايــكل كوســتيللو‪.‬‬
‫وارتــدت العــروس فســتاناً مــن الدانتيــل مكشــوف الظهــر أبــرز قوامهــا الرشــيق‬
‫كانــت قــد صممتــه لهــا خصيص ـاً دار رالــف آنــد روســو‪ ،‬فــي حيــن عقصــت شــعرها‬
‫للخلــف فــي خصــالت مموجــة كانــت تتطايــر برقــة لأمــام‪ ،‬فكانــت تســريحة بســيطة‬
‫ال تخلــو مــن األناقــة وتليــق تمامـاً بحفــل زفــاف علــى الشــاطئ‪.‬‬
‫أمــا العريــس‪ ،‬الــذي ارتــدى بذلــة توكســيدو ســوداء مــن تــوم فــورد‪ ،‬فقــد حظــي‬
‫بصحبــة رائعــة مــن ألمــع النجوم‪ ،‬منهــم الممثل إيڤــان روس‪ ،‬والمنتج الموســيقي‬
‫داالس أوســتن‪ .‬وألن العريــس يعمــل فــي مجــال الترفيــه‪ ،‬فقــد تولّــى مســؤولية‬
‫إذاعــة أغانــي هــذا االحتفــال أحــد نجــوم الــدي جيــه – وهــو جوزيــف ســايمونز‬
‫المعــروف بلقــب “ريــڤ رن” لكونــه أحــد مؤسســي فريــق الهيــب هــوب الشــهير‬
‫ران‪-‬دي إم ســي‪.‬‬
‫ً‬
‫ذلــك اليــوم هــي ســيري فــي الممــر نحــو زوجــي الجديــد‪ ،‬فيمــا‬
‫رســمت المناظــر الطبيعيــة الرائعــة لجــزر الباهامــا خلفيــة‬
‫مذهلــة”‪ .‬وتضيــف‪“ :‬أمــا االحتفــال الــذي أقيــم بعــد عقــد مراســم‬
‫الزفــاف فــكان مفعمــاً بالبهجــة والمــرح‪ .‬فقــد قادتنــا فرقــة‬
‫راقصــة مــن جــزر الباهامــا نحــو حلبــة الرقــص‪ ،‬مــا أثــار حمــاس‬
‫وكان الحبيبــان قــد أقامــا حفــل الخطوبــة علــى نفــس‬
‫جميــع ضيوفنــا”‪.‬‬
‫الجزيــرة فــي ديســمبر ‪ ،2015‬بعــد عالقــة بينهمــا اســتمرت عامـاً‬
‫تقريبـاً‪ .‬ويســكن هــذه الجزيــرة ابــن عــم أنــدروز‪ ،‬المغنــي لينــي‬
‫كراڤيتــز‪ .‬ولــم تحضــر الحفــل صديقتهمــا المشــتركة باريــس‬
‫هيلتــون‪ ،‬التــي كان لهــا دور كبيــر فــي تعــارف أنــدروز وشــايك‬
‫خــالل إحــدى حفــالت كوتشــيال‪“ .‬لدينــا صــورة رائعــة لهــذه‬
‫األمســية الخاصــة‪ .‬فقــد كانــت معنــا بينمــا كان روكــوس يعــزف‬
‫الموســيقى‪ ،‬وقــد انجــذب أحدنــا إلــى اآلخــر تلقائي ـاً”‪.‬‬
‫وقــد رقــص الثنائي‪ ،‬اللــذان يجمعهما حب الموســيقى‪ ،‬للمرة‬
‫األولــى مع ـاً كزوجيــن علــى مزيــج مــن أغنيتيــن‪“ :‬إليكتريــك”‬
‫أللينــا بــاراز‪ ،‬و”ريممبــر ذا تايــم” لمايــكل جاكســون‪ .‬وتقــول‬
‫شــايك‪ ،‬التــي ال تــزال تنظــر إلــى الموســيقى كهوايــة فقــط‪ ،‬إنها‬
‫لــم تتعلــم بعــد أيـاً مــن مهــارات زوجهــا الموســيقية علــى جهــاز‬
‫الــدي جيــه‪“ .‬أود أن أتعلــم‪ .‬وفــي الوقــت الحالــي‪ ،‬يســاعدني‬
‫زوجــي علــى تحســين قوائــم األغانــي التــي أســتمع إليهــا”‪.‬‬
‫وبمــا أنهــا ال تنــوي التخلّــي عــن منصــات العــروض واالتجــاه‬
‫إلــى عالــم الموســيقى‪ ،‬تتمســك العارضــة الجميلــة المولــودة في‬
‫ملبــورن ألم مــن جــذور ليتوانيــة وأســترالية وأب مــن أصــول‬
‫باكســتانية وســعودية‪ ،‬بالمجــال الــذي برعــت فيــه‪ :‬أال وهــو‬
‫‪50‬‬
‫فستان من‬
FRANCESCO
SCOGNAMIGLIO
‫؛‬HAUTE COUTURE
‫قرطان من‬
BULGARI
DRESS, FRANCESCO
SCOGNAMIGLIO
HAUTE COUTURE;
EARRINGS, BULGARI

49
 ‫حذرك‬
‫ِ‬ ‫تخ ّلي عن‬
‫المعتاد في اختيار‬
‫إطالالتك مع هذه‬
‫ِ‬
‫األفكار الرومانسية‬
‫الجريئة‪ ،‬فهذه‬
‫األزياء تستحق أن‬
‫نهيم بها عشقاً‬
‫‪KARL SIMONE‬‬‫تصوير‬
‫تنسيق أزياء‬
‫‪CHRISTOPHER CAMPBELL‬‬

‫معطف وتوب وبنطلون‬

‫من ‪AZZARO HAUTE‬‬
‫‪COUTURE‬؛ حذاء من‬
‫‪SAINT LAURENT‬‬
‫‪COAT, TOP, PANTS, AZZARO‬‬
‫‪HAUTE COUTURE; SHOES,‬‬
‫‪SAINT LAURENT‬‬
 ‫النســاء اللواتــي ينبغــي تقديرهــن؛ اآلالف منهــن يمكــن أن يتبــوأن المقاعــد األولــى‪،‬‬ ‫ُركــز علــى التصميــم فــي‬ ‫مشــروع ي ِّ‬
‫ٍ‬ ‫مجــال إبداعــي‪ ،‬إال أنَّ إطــاق‬
‫ٍ‬ ‫لهــا دخــول‬
‫لكــن مــن حُ ســن حظنــا أننــا نعيــش فــي زمـ ٍـن تــدرك فيــه القيــادة أننــا بحاجـ ٍة إلــى‬ ‫الســعودية برهــن أنــه أمــ ٌر ليــس بالســهل‪ ،‬تقــول‪« :‬كان االعتقــاد الســائد أنَّ‬
‫المزيــد مــن النســاء فــي الحكومــة وفــي قطــاع األعمــال»‪.‬‬ ‫التصميــم هوايــة وليــس مهنــة‪ ،‬ولكــن مــع افتتــاح رافلــز‪ ،‬بــدأ النــاس يدركــون أنــه‬
‫خــال ذاك النضــال‪ ،‬كان هنــاك دومــاً مخــرجٌ ‪ .‬تقــول وفــاء‪« :‬كان عليــكِ فقــط‬ ‫[أي التصميــم] يمكــن أن يــد َّر األمــوال؛ وأنــه باإلمــكان الحصــول علــى شــهادة فــي‬
‫أن تجــدي المخــرج المناســب لــكِ ‪ .‬لــم تكــن األبــواب موصــدة حقـاً‪ ،‬وإال لمــا ك َّنــا فــي‬ ‫الموضــة أو التصميــم الغرافيكــي»‪.‬‬
‫المــكان الــذي نحــن فيــه اليــوم‪ .‬بعــض النســاء استســلمن‪ ،‬لقــد كــنَّ متشــائمات‬ ‫األخــت الكبــرى هنــاء هــي مَــن تعتنــي ببقيــة أخواتهــا‪ ،‬فتجلــب العديــد مــن‬
‫كل شــي ٍء ببســاطة‪ ،‬فــي حيــن كانــت األخريــات عاقــدات العــزم‬ ‫وتخلّيــن عــن ِّ‬ ‫األوشــحة وتضبطهــا اســتعداداً لجلســة التصويــر‪ ،‬ثــمَّ تــو ِّزع الحلــوى بعــد ذلــك‪.‬‬
‫ـاب لــم يقرعنــه إلــى أن وجــدن البــاب الــذي ســيقود إلــى االعتــراف‬ ‫ولــم يتركــن أي بـ ٍ‬ ‫حديثهــا عــذبٌ ‪ ،‬وهــي شــديدة الفصاحــة‪ ،‬وتراعــي للغايــة شــعور اآلخريــن‪ ،‬وفــي‬
‫نمكــن أنفســنا ونبنــي نظامـاً يناســبنا‪ .‬مــا زلنــا شــابات‬ ‫بجهودهــن وتقديرهــا‪ .‬نحــن ِّ‬ ‫حيــن أنَّ األخــوات ال يح ّبــذن الحديــث عــن عاقتهــن بالحجــاب‪ ،‬إال أنَّ هنــاء تعتــز‬
‫ونتم َّنــى تحقيــق المزيــد‪ ،‬وبالمعــدل الــذي نمضــي بــه‪ ،‬أنــا علــى يقينــن بأننــا ســنصل»‪.‬‬ ‫بارتــداء الحجــاب ألنهــا تفخــر بانتمائهــا إلــى الســعودية‪ ،‬وألنــه يُضفــي لمسـ ًة أنثويــة‪.‬‬
‫وتشــير إلــى أنَّ النســاء يصبحــن جــزءاً هام ـاً ومؤثــراً فــي اقتصــاد البلــد‪ ،‬مــع كثيــر‬ ‫تقــول مبتســم ًة‪« :‬جميــع َمــن هــنَّ فــي عمــري يجــب أن يظهــرن بمظهــر الئــق»‪.‬‬
‫األســر تديرهــا النســاء مالياً‪.‬‬ ‫مــن األمهــات األرامــل والمطلقــات وأكثــر مــن ‪ %20‬مــن ُ‬ ‫أســرتها وبلدهــا يعنيــان لهــا الكثيــر‪ ،‬وتأخــذ وقتهــا للتفكيــر بإجاباتهــا؛ فــا تتســرع‬
‫تقــول‪« :‬اإلحســاس الــذي تشــعرين بــه اآلن هــو الســعادة والتطلــع إلــى أمـ ٍـر لــم‬ ‫مؤسســة صــاالت كوليكشــن وبعدمــا أطلقــت محت ـرَف التصميــم‬ ‫أبــداً‪ .‬وبصفتهــا ِّ‬
‫نعتقــد يومـاً أنــه ســيحصل»‪.‬‬ ‫الداخلــي الخــاص بهــا منــذ ثاثــة عقــود مــن الزمــن‪ ،‬فقــد شــاركت هنــاء التــي تبلــغ‬
‫حــان وقــت المغــادرة ‪َ -‬قدِمــت مشــاعل بالطائــرة من لنــدن وأختاها األكبر ســناً‬ ‫اآلن ‪ 51‬عامـاً فــي مشــاريع إقليميــة ودوليــة ال تعـ ُّد وال تحصــى‪ .‬أمَّا بالنســبة للتغيرات‬
‫قلقتــان عليهــا‪ ،‬وهــي تحتــرم مشــاعرهما ولكــن مــن الواضــح أنهــنَّ يســتمتعن‬ ‫التــي تنتظرهــا البــاد‪ ،‬تأمــل أن تحصــل المــرأة الســعودية علــى مــا تســتحقه ومــا‬
‫برفقــة بعضهــن البعــض ويســارعن إلــى مائــدة العشــاء فيما بعــد‪ُ .‬ترى‪ ،‬مــا المكان‬ ‫كانــت تعمــل علــى تحقيقــه‪« :‬يس ـرُّني أننــا جــز ٌء مــن هــذا‪ .‬أتمنــى أن نجنــي ثمــار‬
‫الراقــي مــن فئــة الخمســة نجــوم الــذي ســتتناول فيه بنــات الرشــيد الطعــام الليلة؟‬ ‫انتظارنــا طــوال تلــك الســنوات»‪.‬‬
‫الملــح‪ ،‬وهــو مطعــم شــعبي مقــام علــى شــاحنة)‪.‬‬ ‫يضحكــن‪ .‬إنــه مطعــم ‪( SALT‬أي‪ِ :‬‬ ‫المــرح وتســريحة شــعرها المميــزة ونبرتهــا الحياديــة‪ ،‬تفــرض‬ ‫بوجههــا ِ‬
‫وذلــك علــى عكــس الصــورة النمطيــة المأخــوذة عن المــرأة الســعودية‪☐ .‬‬ ‫ً‬
‫مشــاعل نفســها بوصفهــا االبنــة عالميــة األفــق للعائلة؛ إذ تبلــغ ‪ 31‬عامـا‪ ،‬وهي أصغر‬
‫بعقـ ٍد كامــل مــن أقــرب شــقيقة لهــا‪ ،‬وخاضــت تجاربهــا مــع العالم بشــكل مختلف‪.‬‬
‫بدايـ ًة‪ ،‬التحقــت بمدرســة داخليــة فــي أوروبــا في حيــن أن إخوتها نشــأوا فــي مدينة‬
‫الخبــر والتحقــوا بمــدارس حكوميــة‪ .‬وهــي أيضــاً تمتلــك نفــس النزعــة الرياديــة‪،‬‬ ‫ُ‬
‫وقــد عملــت فــي مجــاالت شــملت‪ :‬التمويــل‪ ،‬والنشــر‪ ،‬والنفــط والغــاز‪ ،‬والصيرفــة‪،‬‬
‫والموضــة‪ .‬وحاليـاً تمتلــك صالــة هايســت غاليــري فــي لنــدن‪ ،‬وهــي شــريكة صديقتها‬
‫إيكاترينــا ماليشــيڤا فــي عامــة إيــكات ســوتس‪ ،‬وهــي عامــة متخصِّ صــة فــي إنتــاج‬
‫بــذالت الـــ«كات ســوت» الضيقــة اللصيقــة علــى الجســم (كانــت مشــاعل وصيفــة‬
‫ماليشــيڤا فــي حفــل زفافهــا علــى أميــر هانوڤــر إرنســت أوغســت الخامــس الــذي‬
‫أقيــم العــام الفائــت)‪ .‬وفــي تلــك الصالة‪ ،‬تشــعر مشــاعل أخيــراً بالرضى وتعمــل اآلن‬
‫علــى جلــب معرضهــا األحــدث‪ ،‬بعنــوان «بوليفونــي»‪ ،‬إلــى دبــي خــال شــهر ينايــر‬
‫المقبــل‪ .‬تقــول‪« :‬اســتغرق األمــر وقت ـاً طوي ـ ًا ألتحلَّــى بالشــجاعة الكافيــة للقيــام‬
‫بمــا كنـ ُـت أح ُّبــه بعيــداً عــن قيــود القوالــب المهنيــة التقليديــة»‪ ،‬وتضيــف‪« :‬ربمــا أمتلــك‬
‫مهــاراتٍ فــي مجــاالت أخــرى ولكنهــا هبــة وامتيــاز حقيقيــان أن يحصــل المــرء علــى‬
‫فرصــة االســتمتاع بمــا يقــوم بــه َّ‬
‫كل يــوم»‪.‬‬
‫وفــي حيــن أنَّ التغييــرات االجتماعيــة التــي تطــرأ علــى المملكــة هائلــة‪ ،‬إال أنَّ‬
‫التحد ّيــات التــي تواجــه المــرأة مــا تــزال كثيــرة‪ .‬تقول مشــاعل‪« :‬إنها مســتوى آخر‬

‫تنســيق أزيــاء ‪ VASIL BOZHILOV‬تصفيــف الشــعر والمكيــاج ‪ AMANDA KAY‬و‪ GIUSI MERTOLI‬موقــع التصوير مركز مرايا للفنون بالشــارقة‬
‫مــن االضطهــاد»‪ ،‬وتضيــف‪« :‬علينــا إثبــات جدارتنــا فــي بيئــة أقســى بكثيــر»‪ .‬إذ يتوجّ ب‬
‫ضعفــي الرجــل‬
‫ّ‬ ‫علــى المــرأة أن تكــون جيــدة‬
‫ُنظــر إليهــا علــى أنهــا مســاوية لــه ‪ -‬وتــردف‬ ‫لي َ‬
‫نحن فخورات‬ ‫بالقــول‪« :‬وهــو أم ـ ٌر رائ ـ ٌع بفضــل جيــل النســاء‬
‫المتعلِّمــات»‪ .‬مــع إشــارة وفــاء إلــى أنَّ ‪ %٦8‬مــن‬
‫للغاية بما يحدث‪،‬‬ ‫حملــة الشــهادات العليــا فــي البــاد هــنَّ مــن‬
‫النســاء‪ ،‬إال أ َّنــه مــا يــزال عليهــن المشــاركة في‬
‫فالدولة بأسرها‬ ‫قيــادة عجلــة التغييــر‪.‬‬
‫ّ‬
‫تحث على التق ّدم‬ ‫تقــول وفــاء‪« :‬مــن أهــم أولويــات الحكومــة‬
‫وضــع النســاء فــي الصــدارة»‪ .‬وتضيــف‪« :‬النســاء‬
‫وتوقنا إلى التغيير‬ ‫اللواتــي بــرزن إلــى اآلن فعلــن ذلــك بجهودهــن‬
‫الشــخصية‪ ،‬فقــد عملــن بجــد‪ ،‬إال أنَّ األمــر‬
‫هناء الرشيد‬ ‫يزداد‬ ‫سيســتغرق جي ـ ًا‪ .‬مــا يــزال هنــاك اآلالف مــن‬
 ‫وفاء الرشيد‪.‬‬
‫إلى اليمين مشاعل الرشيد‬
‫معــارض للفنــون ومطاعــم»‪ .‬وتضيــف هنــاء‪« :‬وكان كل مــا يتطلبــه هــذا التغييــر هــو‬
‫اإلرادة السياســية»‪.‬‬
‫ح ّققــت الدكتــورة وفــاء الرشــيد‪ ،‬علــى مــدى أعوامهــا الثمانيــة واألربعيــن‪ ،‬أهدافـاً‬
‫أثــرت ســيرتها الذاتيــة المبهــرة‪ .‬فقــد حصلــت علــى درجــة الدكتــوراه فــي العاقــات‬
‫الدوليــة والدبلوماســية‪ ،‬ودرســت فــي عدة معاهــد وجامعات مرموقــة منها جامعة‬
‫هارفــارد‪ ،‬ومعهــد نيويــورك للتمويــل‪ ،‬وكليــة لنــدن لاقتصــاد‪ ،‬وجامعــة أوكســفورد‪.‬‬
‫وتولــي وفــاء لتمكيــن المــرأة عنايــة كبــرى فــي مجــال عملهــا المتشــعّ ب‪ ،‬منــذ‬ ‫ُ‬
‫عملهــا فــي برنامــج األمــم المتحــدة اإلنمائــي لمــدة تســع ســنوات حتــى منصبهــا‬
‫كمســاعدة فــي منظمــة اليونســكو بباريس‪ .‬وأثنــاء عملها في المجــال المصرفي‪،‬‬
‫أول قســم اســتثماري للنســاء‪ ،‬فــي المصــرف الــذي كان يحمــل‬ ‫أسســت وفــاء َ‬
‫ً‬
‫اســم البنــك الســعودي األمريكــي‪ .‬وتقــول‪« :‬كنــت دوم ـا مــن المناصِ ــرات لحقــوق‬
‫المــرأة‪ ،‬وأعمــل علــى االرتقــاء بوضعهــا»‪ .‬وأحــدث مــا قامــت بــه فــي هــذا الصــدد هــو‬
‫إنشــاء معهــد رافلــز للتصميــم فــي الريــاض‪ ،‬والــذي أسســته باالشــتراك مــع أفراد‬
‫عائلتهــا كمــا أنشــأت مؤسســة رافلــز التعليميــة‪ .‬وتقــول وفــاء بنبــرات قويــة تائــم‬
‫مظهرهــا الجــاد‪« :‬عندمــا بلغــت األربعيــن‪ ،‬قــررت أن أكــون مديــرة نفســي‪ .‬لم أشــأ‬
‫ـتحق هــذا المنصــب»‪.‬‬ ‫أن أكــون ابنــة المديــر‪ ،‬كنــت أريــد أن أثبــت للجميــع أننــي أسـ ّ‬
‫والمدرســة هــي أول معه ـ ٍد أكاديمـ ّـي لتعليــم التصميــم فــي منطقــة الشــرق‬
‫األوســط وشــمال إفريقيــا‪ ،‬حيــث يمكــن للنســاء أن يدرســن أيضـاً تصميــم األزياء‬
‫والمجوهــرات‪ ،‬ووســائل التواصــل البصــري‪ ،‬وكذلــك تســويق األزيــاء والمتاجــرة‬
‫بهــا‪ ،‬والديكــور الداخلــي‪ ،‬وتصميــم األلعــاب‪ .‬وفــي حيــن تؤمــن وفــاء أ َّنــه كان مقـدَّراً‬
‫مــع هــذه التغييــرات التــي ال تشــمل فقــط اإلصاحــات الثقافيــة مثــل رفــع الحظــر‬
‫عــن قيــادة النســاء للســيارات وتخفيــف القيود على مابســهن والواليــة عليهن‪ ،‬بل‬
‫وتحقيــق التنــوع االقتصــادي ومكافحــة للفســاد‪ ،‬يقــدم آل الرشــيد نموذجـاً يمكــن‬
‫ـتدل مــن خالــه علــى مــا ستشــهده الســعودية فــي الســنوات المقبلــة‪.‬‬ ‫أن نسـ ّ‬
‫تشــعر الشــقيقات بالتفــاؤل إزاء مســتقبل الســعودية تحــت قيــادة ولــي العهد؛‬
‫وتتبــدى ســعادتهن وحماســتهن عبــر عبــارات األمــل واالرتيــاح التــي يعبّــرن‬
‫عنهــا بتحفــظ جليــل‪ .‬تقــول وفــاء‪« :‬منــذ عشــر ســنوات‪ ،‬عندمــا كان يســألني‬
‫النــاس مــا الــذي تحتاجــه البلــد كــي تتغيــر‪ ،‬كنــت أجيــب‪ :‬معجــزة»‪ .‬وتســتطرد قائلـ ًة‪:‬‬
‫«اليــوم‪ ،‬أؤمــن بــأن المعجــزات يمكــن أن تتحقــق‪ .‬ولــو كان أحدهــم قــد قــال لــي‬
‫بأنــه ســيحدث‪ ،»...‬هنــا يتهــدج صوتهــا‪ ،‬وتصمــت الشــقيقات فــي محاولــة لمغالبــة‬
‫مشــاعرهن‪ .‬وتؤيــد هنــاء رأيهــا قائلـ ًة‪« :‬لــم أتخيــل هــذا قــط‪ .‬نحــن نعيــش أحداثـاً‬
‫تاريخيـاً‪ .‬ونحــن فخــورات للغايــة بذلــك‪ ،‬فالدولــة بأســرها تحـ ّـث علــى المزيــد وترغــب‬
‫فــي المزيــد‪ ،‬ونتــوق حقـاً إلــى التغييــر‪ .‬وكنــا دائمـاً نظــن أن ذلــك ســيحدث فــي زمــن‬
‫أطفالنــا أو أحفادنــا‪ .‬بيــد أننــا كنــا نعلــم أن التغييــر قــادم ولكنــه كان بطيئ ـاً للغايــة‪.‬‬
‫ونحــن ســعيدات بأنــه يحــدث فــي حياتنــا‪ ،‬فقــد كان حلمـاً بعيــد المنــال‪ ،‬وكانــت تقــف‬
‫أمــام تحقيقــه كثيـ ٌر مــن العقبــات مثــل الثقافــة االجتماعيــة»‪ .‬ولعــل هــذه التغييــرات‬
‫الجذريــة فــي البــاد قــد أتــت كإحــدى المفاجــآت التــي قــد تحــدث بيــن عشـيّة وضحاها‬
‫بالنســبة إلــى ســائر دول العالــم‪ ،‬ولكــن فــي الســعودية‪ ،‬كان كل مواطــن يســتعد‬
‫لهــا منــذ ســنوات‪ .‬تقــول وفــاء‪« :‬كانــوا يع ـدّون لهــا خلــف األبــواب المغلقــة‪ ،‬وفــي‬
‫اللحظــة التــي أُعلنــت فيهــا التغييــرات‪ ،‬كان الــكل مســتعداً‪ .‬وفجــأة‪ ،‬تــم افتتــاح‬
‫‪٤٦‬‬
‫رغــم نشــأتهن فــي بيئــة واســعة‬ ‫تقدم الشقيقات من‬ ‫من اليسار وفاء وهناء‬
‫الثــراء‪ ،‬إال أن الشــقيقات آل رشــيد‬ ‫ً‬
‫صورة‬ ‫أسرة آل رشيد‬ ‫ومشاعل الرشيد‪ .‬العمل‬
‫الفني فلورنسا‪-‬بغداد (‪)201٦‬‬
‫لســن أبــدا ممــن يعتمــدن علــى‬ ‫ً‬ ‫للفنان تيمو ناصري ويضمّ ه‬

‫ثــراء عائلتهــن‪ .‬وبجانــب مــا يتمتعــن‬ ‫مثيرة للتأمل عن‬ ‫معرض ’الحروف بين النجوم‘‬
‫في مركز مرايا للفنون في‬

‫بــه مــن امتيــازات عديــدة بــا شــك‪،‬‬ ‫مستقبل السعودية‬ ‫الشارقة‪ .‬المقعد للفنانة جمال‬
‫طيارة بارودي‪ ،‬مجلس (‪)2013‬‬
‫فإنهــن يعشــن حيــاة يغمرهــا الحــب‪،‬‬
‫ويحظيــن بالدعم واالســتقالية كذلك‪.‬‬
‫الذي يعتقدن أن النساء‬
‫وهــن جميعــاً يــدرن أنشــطتهن‬ ‫سيقدنه يوماً ما‬
‫التجاريــة الخاصــة‪ ،‬والتــي ُتعنــى بمجــال‬
‫اإلبــداع – مــن أولــى شــركات التصميــم‬ ‫تصوير ‪ZIGA MIHELCIC‬‬
‫الداخلــي التــي تؤسســها امــرأة فــي‬ ‫بقلم ‪CHRISTINE VAN DEEMTER‬‬
‫الســعودية‪ ،‬إلــى إنشــاء أكبــر معهــد‬
‫للفنــون بالريــاض‪ ،‬فضــ ًا عــن إطــاق‬
‫عامــة لتصميــم القفاطيــن‪ ،‬وتشــييد صالــة فنيــة فــي لنــدن‪.‬‬
‫تجلــس ثــاث مــن الشــقيقات فــي دائــرة‪ ،‬يأكلــن الحلــوى التــي قدمتهــا لهن‬
‫شــقيقتهن الكبــرى هنــاء التــي تضحــك قائل ـ ًة‪« :‬ال أســتطيع أن أتح ـرّك مــن‬
‫دون الشــوكوالته!»‪ .‬فيمــا تبــدو بجــاء العاقــة القويــة التي تجمــع بينهن‪ ،‬حيث‬
‫كل منهــن‬ ‫تتدخــل هنــاء‪ ،‬ووفــاء‪ ،‬ومشــاعل فــي الحــوار الدائــر فقــط لتدعــم ٌ‬
‫رأي األخــرى أو تثنــي عليــه‪ ،‬مــع إحســاس بالفخــر بمــا حققتــه كل منهــن‪.‬‬
‫لقــد أســس والدُهــن‪ ،‬عبــد اهلل رشــيد الرشــيد‪ ،‬مجموع ـ َة الرشــيد التــي‬
‫تملــك حصصــاً ضخمــة فــي شــركات وطنيــة وعالميــة تعمــل فــي مجــاالت‬
‫اإلنشــاءات‪ ،‬والهندســة‪ ،‬والعقــارات‪ ،‬والتكنولوجيــا‪ .‬ونظــراً لنشــأتهن فــي‬
‫عائلــة ســعودية مســلمة ومعتدلــة تعيــش فــي أكثــر الــدول تمييــزاً بيــن‬
‫الجنســين فــي العالــم‪ ،‬فقــد رســخ الوالــدان فــي نفــوس أبنائهما فكــرة أنهم‬
‫«مختلفــون»‪ .‬وتوضــح وفــاء‪« :‬لــم يرغبــا فــي تصنيــف النــاس علــى أســاس‬
‫’محافــظ‘‪ ،‬لــذا قــاال لنــا إننــا مختلفــون ألننــا نســافر كثيــراً ولدينــا تجــارب تختلــف‬
‫عــن أقراننــا‪ .‬وعلّمانــا ليــس فقــط أن نظــل دائمـاً علــى اتصــال بالواقــع‪ ،‬بــل وأن‬
‫نحلــم بــأن نكــون أفضــل ممــا نحــن عليــه‪ .‬وقدمــا لنــا دعم ـاً هائ ـ ًا‪ ،‬مــا جعلنــا‬
‫أكثــر قــوة أيضـاً»‪ .‬وتوافــق مشــاعل علــى كامهــا بإيمــاءة برأســها‪ ،‬وتقــول‪:‬‬
‫«غرســت والدتنــا فينــا مشــاعر االســتقالية فيمــا ألهمنــا والدنــا أن نواصــل‬
‫ســعينا ونبــذل المزيــد مــن الجهــد»‪.‬‬
‫يع ّد األشــقا ُء الســتة –وهم‪ :‬هناء‪ ،‬وســناء‪ ،‬ووفاء‪ ،‬وياســمين‪ ،‬ومشــاعل‪،‬‬
‫وأخوهــم رشــيد (الــذي تشــير إليه شــقيقاته المحبــات بمــودة باســم «الولد»)‪،‬‬
‫الخ َبــر الواقعــة فــي المنطقــة الشــرقية المطلّــة علــى‬ ‫والذيــن نشــأوا فــي مدينــة ُ‬
‫الخليــج العربــي‪ -‬خيـ َر َمــن يمثــل أبنــاء الســعودية كدولــة حديثــة‪ ،‬إذ يمكننا من‬
‫خالهــم أن نلقــي نظــرة علــى مســتقبل المملكــة حيــن تتحقــق اإلصاحــات‬
‫الطموحــة التــي دعــا إليهــا ولــي العهــد األمير محمد بن ســلمان بن عبــد العزيز‬
‫آل ســعود –والمعروفــة باســم رؤيــة ‪ -2030‬وتتمكــن مــا يقــرب مــن ‪ 1٤‬مليــون‬
‫امــرأة مــن تحقيــق كل مــا يطمحــن إليــه فــي الحيــاة مــع احتــرام ثقافــة الدولــة‬
‫واالحتفــاء بهــا؛ دولــة تتيــح لجميــع ســكانها اإلســهام فــي مســار التنميــة‪.‬‬
٤٤
 VÉRONIQUE ‫فستان من‬
STUART ‫؛ صندل من‬LEROY
‫؛ قرطان من‬WEITZMAN
‫؛ قالدة‬LIZZIE FORTUNATO
‫؛ سوار‬NECTAR NECTAR ‫من‬
‫؛ منشفة‬SASKIA DIEZ ‫من‬
HERMÈS ‫من‬
DRESS, VÉRONIQUE
LEROY; SANDALS, STUART
WEITZMAN; EARRINGS,
LIZZIE FORTUNATO; CHOKER,
NECTAR NECTAR; CUFF,
SASKIA DIEZ; TOWEL, HERMÈS

CYNDIA ‫تصفيف الشعر‬

LUCIA PICA ‫ مكياج‬HARVEY
STEEL‫ و‬BELLHOUSE ‫إنتاج‬
‫ األعمال‬PRODUCTIONS
IDEA DIGITAL ‫الفنية الرقمية‬
KARLY ‫ العارضتان‬IMAGING
LINEISY MONTERO‫ و‬LOYCE
‫سترة وتنورة وحزام من‬
‫؛ قميص‬BOTTEGA VENETA
‫؛ نظارة‬EQUIPMENT ‫من‬
‫؛‬ELIE SAAB ‫شمسية من‬
CÉLINE ‫قرطان من‬
JACKET, SKIRT, BELT, BOTTEGA
VENETA; SHIRT, EQUIPMENT;
SUNGLASSES, ELIE SAAB;
EARRINGS, CÉLINE

42
 EMILIA ‫فستان من‬
‫؛ وشاح من‬WICKSTEAD
‫؛ قرطان وقالدة‬HERMÈS
ELIZABETH ‫مطلية بالذهب من‬
‫؛ قالدة مرصَّ عة‬AND JAMES
NECTAR ‫بعدة أحجار من‬
‫؛ قالدة ذات سلسلة‬NECTAR
‫؛ قرطان مزينان‬H SAMUEL ‫من‬
‫بالشراريب (ترتديهما العارضة‬
‫؛ خاتم‬ELIE SAAB ‫كقالدة) من‬
‫؛ توربان‬PEBBLE LONDON ‫من‬
‫خاص بمنسقة األزياء‬
GOWN, EMILIA WICKSTEAD;
SCARF, HERMÈS; EARRINGS, GOLD-
PLATED CHOKER, ELIZABETH
AND JAMES; MULTISTONE
CHOKER, NECTAR NECTAR; CHAIN
NECKLACE, H SAMUEL; TASSEL
EARRING (WORN AS PENDANT),
ELIE SAAB; RING, PEBBLE
LONDON; TURBAN, STYLIST’S OWN

41
 ‫سترة وكنزة وقميص‬
‫؛ حذاء‬GUCCI ‫وتنورة من‬
‫؛ حقيبة من‬CÉLINE ‫من‬
‫؛ نظارة شمسية‬MARNI
‫؛ خاتم‬POMELLATO ‫من‬
AURÉLIE BIDERMANN ‫من‬
JACKET, SWEATER, SHIRT,
SKIRT, GUCCI; SHOES,
CÉLINE; BAG, MARNI;
SUNGLASSES, POMELLATO;
RING, AURÉLIE BIDERMANN
‫«جمبسوت» وحزام‬
‫؛‬BOTTEGA VENETA ‫من‬
GABRIELA ‫صندل من‬
‫ على موقع‬HEARST
‫؛‬MATCHESFASHION.COM
CÉLINE ‫قرطان من‬
JUMPSUIT, BELT, BOTTEGA
VENETA; SANDALS,
GABRIELA HEARST AT
MATCHESFASHION.COM;
EARRINGS, CÉLINE

39
‫فستان وبنطلون وصندل من‬
‫؛ توربان من‬MARC JACOBS
‫ لصالح‬STEPHEN JONES ‫تصميم‬
‫؛ خاتم (في اليد‬MARC JACOBS
VICTORIA ‫اليمنى) من تصميم‬
LA ‫ لصالح‬DURRER-GASSE
‫؛ خاتم‬GALERIA ELEFANTE
‫(في اليد اليسرى) من تصميم‬
MEROLA ‫ لدى‬BOUNKIT
DRESS, PANTS, SANDALS, MARC
JACOBS; TURBAN, STEPHEN
JONES FOR MARC JACOBS;
RING (RIGHT HAND), VICTORIA
DURRER-GASSE FOR LA GALERIA
ELEFANTE; RING (LEFT HAND),
BOUNKIT AT MEROLA
 ‫معطف وتوب وبنطلون‬
‫؛‬CÉLINE ‫وحذاء وقرطان من‬
‫؛‬ELLIOT RHODES ‫حزام من‬
‫؛‬CARVEN ‫حقيبة من‬
ELIZABETH ‫قالدة من‬
‫؛ سوار من‬AND JAMES
DINOSAUR DESIGNS
COAT, TOP, PANTS, SHOES,
EARRINGS, CÉLINE; BELT,
ELLIOT RHODES; BAG,
CARVEN; NECKLACE,
ELIZABETH AND JAMES;
CUFF, DINOSAUR DESIGNS

37
‫؛ تنورة‬CHARVET ‫قميص من‬
‫وسترة (أسفل الذراع) من‬
‫؛ حزام من‬ROBERTO CAVALLI
‫؛ صندل من‬ELLIOT RHODES
‫؛ نظارة‬STELLA MCCARTNEY
NO 21 ‫شمسية من مجموعة‬
‫؛ قرطان من‬LINDA FARROW‫و‬
ANA KHOURI ‫مجموعة‬
‫؛ خواتم‬NARCISO RODRIGUEZ ‫و‬
‫؛ حقيبة‬PEBBLE LONDON ‫من‬
‫خاصة بمنسقة األزياء‬
SHIRT, CHARVET; SKIRT, JACKET
(UNDER ARM), ROBERTO CAVALLI;
BELT, ELLIOT RHODES; SANDALS,
STELLA MCCARTNEY; SUNGLASSES,
NO 21 X LINDA FARROW; EARRINGS,
ANA KHOURI X NARCISO
RODRIGUEZ; RINGS, PEBBLE
LONDON; BAG, STYLIST’S OWN

‫أناقتك خالل الصيف‬

ِ ‫حافظي على‬
‫وفي أشد األجواء ح ّراً مع هذا المزيج‬
،‫الجريء الغني باألقمشة الغريبة‬
‫ واأللوان المبهجة‬،‫والطبعات الصاخبة‬
VENETIA SCOTT ‫تصوير وتنسيق أزياء‬
 ‫فستان من ‪AZZARO‬؛‬
‫مجوهرات من ‪CHOPARD‬‬

‫;‪DRESS, AZZARO‬‬
‫‪JEWELRY, CHOPARD‬‬

‫تصفيفالشعر‬
‫‪MARTIN-CHRISTOPHER‬‬
‫من صالون ‪JOHN‬‬
‫‪ BARRETT NYC‬مكياج‬
‫‪ ISMAEL BLANCO‬العارضة‬
‫‪JASMINE TOOKES‬‬

‫ممثلــة فــي دورة العــام الفائــت مــن المهرجــان‪ .‬وهــذا العــام‪ ،‬قدَّمــت الجوائــز إلــى‬ ‫بحمــاس شــديدٍ‪ ،‬حيــث كر ُ‬
‫َّســت إلهامــي لواحــدة‬ ‫ٍ‬ ‫جديــ ٍد لهــا‪ .‬كان تحديــاً ُ‬
‫قبلتــه‬
‫الفائزيــن‪ :‬الممثلــة األســترالية إليزابيــث ديبيكــي والممثــل البريطانــي جــو ألويــن‪ .‬وأنا‬ ‫مــن أهــم جوائــز صناعــة األفــام علــى اإلطــاق‪ .‬وفــي العــام التالــي‪ ،‬خــال الحفــل‬
‫علــى يقيـ ٍـن أنــه ســيكون لهمــا مســتقبل زاهــر‪.‬‬ ‫الختامــي للمهرجــان‪ ،‬تــمَّ الكشــف عــن جائــزة الســعفة الذهبيــة الجديــدة أمــام‬
‫مــا هــي أفالمــك المفضلــة ومــن هم الممثلــون المفضلون لديــكِ فــي كل األوقات؟‬ ‫العالــم بالشــكل الــذي ال تــزال تحتفــظ بــه إلــى اليــوم‪ .‬ومنــذ العــام ‪ُ ،2014‬تصنــع الجائزة‬
‫أفضلهــم من الممثلين فهــم‪ :‬جوليان‬ ‫َّ‬
‫المفضــل هــو ذهــب مــع الريح‪ ،‬أ َّمــا مَن ّ‬ ‫فيلمــي‬ ‫مــن ذهــب التعديــن المنصــف «فيرماينــد» [وهــو الذهــب الــذي يتــم التنقيــب عنــه فــي‬
‫مــور‪ ،‬وماريــون كوتيــار‪ ،‬وجورج كلوني‪ ،‬وكيت بانشــيت‪ ،‬وكريســتوف والتز‪.‬‬ ‫المناجــم بطريقــة مراعيــة لألخــاق والســلوكيات المهن ّيــة]‪ ،‬كجــزء مــن رحلتنــا نحــو‬
‫تضم مابســي‬ ‫بالنســبة لألزيــاء‪ ،‬كيــف تســتعدين لمهرجــان كان الســينمائي؟ ُّ‬ ‫الفخامةالمستدامة‪.‬‬
‫للمهرجــان نحــو ‪ 25‬فســتاناً طوي ـ ًا‪ ،‬و‪ 30‬إطالــة نهاريــة‪ ،‬و‪ 15‬فســتاناً رســمياً‪ ،‬و‪30‬‬ ‫ابتكــرتِ جائــزة للنجــوم الصاعدين‪ ،‬فهل هناك فائز بعينه تفخرين بمســيرته؟‬
‫زوجـاً مــن األحذيــة‪ ،‬لكنــي ال أرتديهــا جميعهــا! وتســاعدني ّ‬
‫منســقة أزيــاء إال أننــي‬ ‫أعتـ ُّز بهــم جميعـاً وخصوصـاً ديــان كروغــر‪ ،‬التــي كانــت راعيــة جائــزة شــوبارد هــذا‬
‫أنــا َمــن يُقـرِّر مــاذا ســأرتدي! ☐‬ ‫العــام‪ .‬وقــد ربحــت هــذه الجائــزة فــي العــام ‪ ،2003‬كمــا تــمَّ تكريمهــا بجائــزة أفضــل‬

‫‪35‬‬

‫عندما تعرفون أنَّ أعداداً هائلة من الناس يقومون بأعمال التنقيب الستخراج الذهب‬
‫من الوديان والتال‪ ،‬وغالباً في ظروف غير آمنة‪ ،‬فمن األفضل أن تفعلوا شيئاً حيال ذلك‬
‫الطبيعــة األم منــذ مليــار عــام‪ ،‬أم ألماســة صُ ن ِعــت فــي غضــون ســاعة؟ أعتقــد أن‬
‫اإلجابة واضحة‪...‬‬
‫شــوبارد هــي الشــريك الرســمي لمهرجــان كان الســينمائي منــذ العــام ‪.1998‬‬
‫فمــا الــذي جعلكــم تؤمنــون بــأن هــذه العالقــة هــي األنســب للعالمة؟ أنا عاشــقة‬
‫لألفــام وشــغوفة بهــا‪ ،‬وهــذه العاقــة طويلــة األمــد مــع مهرجــان كان الســينمائي‬
‫قريبــة جــداً إلــى قلبــي‪ .‬وبوصفنــا شــريكاً رســمياً‪ ،‬ال نصنــع فقــط جائــزة الســعفة‬
‫الذهبيــة‪ ،‬بــل ابتكرنــا أيضـاً جائــزة «شــوبارد تروفــي» فــي العــام ‪ 2001‬لكي نشــجّ ع من‬
‫خالهــا مواهــب التمثيل الشــابة‪.‬‬
‫ـام تبتكــر شــوبارد نحــو ‪ 70‬قطعــة للســجادة الحمراء‪ .‬كيف تطـوِّرون‬ ‫كل عـ ٍ‬‫فــي ِّ‬
‫كل عــام منذ ‪ ،2007‬نأخــذ على عاتقنا تحدي‬ ‫هــذه الكميــة الهائلــة مــن التصاميم؟ في ِّ‬
‫ابتــكار عــد ٍد مــن قطــع المجوهــرات الراقيــة يتطابــق مــع عــدد دورات المهرجــان‪.‬‬
‫وهــذا العــام لدينــا مجموعــة كاملــة مؤلفــة مــن ‪ 71‬ابتــكاراً بفضــل العمــل الــدؤوب‬
‫والمتفانــي الــذي تقــوم بــه ورش المجوهــرات الراقيــة التابعــة للــدار‪ .‬ومجموعــة‬
‫الســجادة الحمــراء لهــذا العــام مســتوحاة مــن أســفاري وأحامــي‪ .‬عامـاً بعــد عــام‬
‫أجــوب العالــم‪ ،‬وتشـ ِّـكل هــذه الرحــات مصــدر إلهـ ٍ‬
‫ـام دائـ ٍـم لــي‪.‬‬
‫كيــف كانــت تجربــة إعــادة ابتــكار الســعفة الذهبيــة؟ بــدأ األمــر برمتــه فــي العــام‬
‫‪ 1997‬عندمــا التقيــت بييــر ڤيــوت‪ ،‬مديــر مهرجــان كان الســينمائي فــي ذلــك الوقــت‪،‬‬
‫وبينمــا كنـ ُـت أتفحَّ ــص تصميم الجائــزة المعروضة فــي مكتبه‪ ،‬دعانــي البتكار تصميم‬
‫«جمبسوت» من‬
‫‪ELIE SAAB‬؛ مجوهرات‬
‫من ‪CHOPARD‬‬
‫;‪JUMPSUIT, ELIE SAAB‬‬
‫‪JEWELRY, CHOPARD‬‬
‫وكانــت تلــك بدايــة صناعــة المجوهــرات فــي شــوبارد‪.‬‬
‫مــا الدوافــع وراء التــزام شــوبارد بابتــكار مجوهــرات مســتدامة‪ ،‬باســتعمال‬
‫ذهــب مســتخرج بطــرق أخالقيــة تمامــاً؟ خــال حفــل األوســكار فــي العــام‬
‫المؤسســة والمديــرة اإلبداعيــة لعامــة إيكــو إيــج‪،‬‬ ‫ِّ‬ ‫‪ ،2012‬عندمــا التقيـ ُـت ليڤيــا فيــرث‪،‬‬
‫ســأَلَتني مــن أيــن يأتــي ذهبنــا‪ ،‬أجبتهــا علــى الفــور‪« :‬مــن البنــك!» إال أنَّ ســؤال‬
‫ُ‬
‫ليڤيــا كان أعمــق مــن ذلــك‪ ،‬إذ س ـلَّط الضــوء علــى قضيــة إنســانية مهمــة‪ .‬وعندمــا‬
‫تعرفــون أنَّ هنــاك ماييــن مــن العمّ ــال والعامــات واألطفــال يقومــون بأعمــال‬
‫التنقيــب الســتخراج الذهــب مــن الوديــان والتــال‪ ،‬غالبـاً فــي ظــروف غيــر آمنــة‪ ،‬وال‬
‫يســتطيعون الحصــول علــى مقابــل عــادل لقــاء عملهــم‪ ،‬فمــن األفضــل أن تفعلــوا‬
‫شــيئاً حيــال ذلــك‪ .‬ومــن تلــك النقطــة‪ ،‬صمَّ مـ ُـت علــى مباشــرة مبــادرة للتغييــر‪ ،‬ليــس‬
‫فقــط تغييــر شــوبارد كشــركة وعامــة‪ ،‬بــل أيض ـاً الصناعــة بكاملهــا‪ .‬ومــن خــال‬
‫وضــع االســتدامة فــي صميــم اهتمــام عامتنــا واســتعمال ذهــب مســتخرج بطــرق‬
‫أخاقيــة بنســبة ‪ %100‬فــي جميــع ابتكاراتنــا‪ ،‬اعتبــاراً مــن شــهر يوليــو هــذا العــام‪ ،‬فإننــا‬
‫نقــدم أنفســنا كقــادة فــي صناعتنــا وكشــركة تريــد حق ـاً إحــداث فــرق فــي عالــم‬
‫المجوهــرات والســاعات الفاخــرة‪.‬‬
‫مــا رأيــك فــي الصيحــة الجديــدة القائمــة علــى اســتعمال ألماســات مطــوّرة‬
‫مخبري ـاً فــي المجوهــرات؟ ســأجيب علــى هــذا الســؤال بســؤال‪ :‬هــل تعتقديــن‬
‫تفضــل الحصــول علــى هديــة مــن حبيبهــا مرصعــ ًة بألماســة صنعتهــا‬ ‫أن المــرأة ِّ‬
 ‫أقــدم كارل‪-‬فريدريــك علــى فعــل الشــيء نفســه ولكــن فــي صناعــة الســاعات فــي‬ ‫تقتــرب الســاعة مــن الســابعة مســاءً‪ ،‬وقــد بــدأ الضيــوف بالتوافــد إلــى هــذه الڤيــا‬
‫ســونڤيلييه حينمــا أســس مصنعـاً للســاعات الراقيــة فــي فلورييــه فــي العــام ‪.1996‬‬ ‫الخاصــة التــي يغلّفهــا الغمــوض وتقــع أعلــى هضبــة تحيط بها ميــاه البحر المتوســط‬
‫هــل اعتــدتِ التم ـرُّد علــى األمــر الواقــع إذا كنــتِ تريديــن القيــام بشــي ٍء آخــر؟‬ ‫الزرقــاء الصافيــة‪ .‬تــزدان األجــواء بالظــال الورد ّيــة الرقيقــة بينما تعــزف فرق ٌة ضخمة‬
‫كنــت شــغوفة علــى الــدوام بمــا أفعلــه‪ .‬وعندمــا تكونيــن شــغوفة‪ ،‬فأنــتِ دائمــاً‬ ‫ُ‬ ‫أغنيــة ‪( Fly Me to the Moon‬طِ ــر بــي إلــى القمــر)‪ ،‬مــا يضفــي علــى هــذه األمســية‬
‫ُ‬
‫صادفت‬ ‫أفضــل القــول بأننــي جريئــة‪ .‬ففــي العــام ‪ 1997‬على ســبيل المثــال‪،‬‬ ‫متمـرِّدة! ِّ‬ ‫المفعمــة بالرقــي والمقامــة علــى هامــش مهرجــان كان الســينمائي طابعاً شــبيهاً‬
‫مجموع ـ ًة اســتثنائية وعاليــة الجــودة مــن األلماســات النــادرة ذات اللــون الــوردي‬ ‫بأجــواء سلســلة أفــام جيمــس بونــد‪ .‬أ َّمــا قواعــد اللبــاس المتفــق عليهــا فهــي‪:‬‬
‫الداكــن‪ ،‬وأعجبــت بهــا بشــدة‪ .‬وعلــى الفــور اشــتريتها رغــم إننــي لــم أكــن أعــرف‬ ‫األســود مــع األلمــاس بالطبــع؛ ففــي نهايــة المطــاف نحتفــي الليلــة بالحفــل الســري‬
‫كيــف سأســتعملها‪ .‬ويــوم الثالــث والعشــرين مــن ديســمبر فــي ذلك العــام‪ ،‬وصلت‬ ‫الســنوي الــذي تقيمــه عامــة شــوبارد‪.‬‬
‫الفاتــورة إلــى مكتــب والــدي‪ ،‬ولــم يكــن ســعيداً بذلــك‪ .‬وعلــى العشــاء‪ ،‬بقــي بعيــداً إلى‬ ‫ربمــا تكــون بطاقــات الدعــوة إلــى هــذا الحفــل‪ ،‬الــذي تحضــره نجمــاتٌ المعــاتٌ مثل‬
‫حـ ٍّد مــا‪ ،‬وانتهــى بــه األمــر محـ ِّذراً إ َّيــاي بالقــول‪« :‬مــن األفضــل أن يكــون لديــكِ فكــرة‬ ‫جوليــان مــور ولوبيتــا نيونغــو وكينــدال جينــر‪ ،‬هــي األكثــر طلبـاً من بيــن كل الحفات‬
‫حســنة حــول مــا ســتفعلينه بأحجــاركِ الفظيعــة!» وانتهــى بــي المطاف باســتعمال‬ ‫ـكل هــذا فليــس إال المديرة‬ ‫التــي تقــام علــى هامــش المهرجــان‪ .‬أ َّمــا العقــل المد ِّبــر لـ ِّ‬
‫تلــك األحجــار فــي مجموعــة «هــوت جوايــري ال ڤــي إن روز»‪ ،‬وحققــت نجاحـاً كبيــراً‪.‬‬ ‫اإلبداعيــة والرئيســة الشــريكة لــدار شــوبارد‪ ،‬كاروليــن شــوفولي‪ ،‬والتــي رحَّ بــت‬
‫أن شــوبارد ال تــزال خاضعــة للملكيــة العائليــة حتــى اليــوم‪.‬‬ ‫مــن المذهــل حق ـاً َّ‬ ‫فــي وقــتٍ الحــق بأصدقــاء العامــة القادميــن مــن الصيــن وروســيا وغيرهمــا مــن‬
‫فمــا هــي فوائــد ذلــك؟ شــوبارد شــركة عائليــة مســتقلّة‪ ،‬وهــذه إحــدى نقــاط قوتنــا‬ ‫البلدان البعيدة‪.‬‬
‫األساســية‪ .‬إنهــا نعمــة مــن عــدة جوانب‪ :‬فنحن غيــر ملزمين بتقديم تقاريــر لغيرنا‪،‬‬ ‫كارن وكارل‬ ‫ِ‬ ‫مــن‬ ‫ٍّ‬
‫كل‬ ‫ابنــة‬ ‫هــي‬ ‫هــذه‬ ‫ألمانيــا‬ ‫فــي‬ ‫المولــودة‬ ‫األعمــال‬ ‫ســيدة‬
‫لذلــك نحــن أحــرار فــي فعــل مــا نريــد‪ ،‬كمــا أننــا مرنيــن للغايــة‪ ،‬لــذا يمكننــا التأقلــم‬ ‫شــوفولي الثالــث‪ ،‬اللذيــن قامــا فــي العــام ‪ 1963‬بشــراء الــدار التــي ال تــزال حتــى اليوم‬
‫ســريعاً مــع مختلــف الظــروف‪ .‬نتم َّنــى أنــا وأخــي ووالداي أن نســتمر على هــذا النحو‪.‬‬ ‫تحافــظ علــى كيانهــا كشــركة عائليــة‪ .‬وفــي حيــن ينصــبّ تركيــز أخيهــا الرئيــس‬
‫بصفتــكِ المديــرة اإلبداعيــة للعالمــة‪ ،‬مــا الــذي يُلهمــكِ ؟ أســافر كثيــراً‪ ،‬األمــر الــذي‬ ‫الشــريك كارل فريدريــك علــى المنتجــات الرجاليــة‪ ،‬تتولَّــى هــي مســؤولية المنتجــات‬
‫ـوم مختلفـاً عــن اآلخــر‪ .‬وأنــا محظوظــة بلقــاء العديــد مــن النــاس مــن‬ ‫يجعــل َّ‬
‫كل يـ ٍ‬ ‫النســائية مــن شــوبارد‪ ،‬ومــن ضمنهــا مجموعــات الســجادة الحمــراء «ريــد كاربــت»‬
‫ً‬
‫ثقافــات مختلفــة –فضـا عــن مشــاهدة مناظــر‬ ‫كارولين شوفولي‬
‫التــي ترتــدي قطعهــا ألمــع نجمــات هوليــوود‪.‬‬
‫طبيعيــة عديــدة واالطــاع علــى فنــون متباينــة‪-‬‬ ‫وعلــى ســطح فنــدق مارتينيــز الشــهير فــي‬
‫ومــن هنــا أســتم ُّد اإللهــام‪.‬‬ ‫قلــب مدينــة كان‪ ،‬والــذي تتخــذه العامــة مق ـ ّراً‬
‫هــل تؤمنيــن بــأن المجوهــرات يجــب أن‬ ‫ـرأة المفعمــة‬ ‫لهــا خــال المهرجــان‪ ،‬تطلعنــا المـ ُ‬
‫تجــاري الصيحــات الرائجــة‪ ،‬أم تفضليــن بــد ًال‬ ‫بالحيويــة والنشــاط‪ ،‬التــي تعيــد تشــكيل عالــم‬
‫مــن ذلــك ابتــكار تصاميــم ال يخفــت بريقهــا‬ ‫المجوهــرات‪ ،‬علــى أســرار رحلتهــا تلــك‪.‬‬
‫مــع الزمــن؟ أؤمــن بــأنَّ قطعــة المجوهــرات‬ ‫كيــف تو ّزعيــن المهــام بينــك وبيــن أخيــكِ ؟‬
‫يجــب أن ُتك َتنــز إلــى مــا ال نهايــة‪ .‬يجــب أن‬ ‫يضمّ نــا مكتــبٌ واحــد ونعمــل ســوياً بتعــاون‬
‫يعجبــكِ التصميــم نفســه وليــس تصنيفه ضمن‬ ‫نفضــل اتخــاذ‬ ‫لصيــق‪ .‬أحيانــاً نتناقــش‪ ،‬إال أننــا ِّ‬
‫الموديــات «الكاســيكية» أو «اإلبداعيــة»‪.‬‬ ‫القــرارات مع ـاً والعمــل كفريــق فــي مــا يتعلــق‬
‫الصيحــات تأتــي وتذهــب‪ ،‬فــي حيــن تبقــى‬ ‫بتطويــر العمــل‪ ،‬واالســتراتيجية العالميــة‬
‫المجوهــرات‪.‬‬ ‫للعامــة‪ ،‬واإلنتــاج‪ ،‬والتوزيــع‪ ،‬والتصاميــم‬
‫مــا هــي أروع قطعــة مجوهــرات مــن بيــن‬ ‫الجديــدة‪ ،‬والمنتجــات الجديــدة‪.‬‬
‫المجموعــة التــي تمتلكينهــا؟ هــي أول‬ ‫ظ ّلــت عائلتــكِ لعقــود عديــدة‪ ،‬وال تــزال‪،‬‬
‫قطعــة صممتهــا بنفســي‪ ،‬وهــي قــادة «هابــي‬ ‫جــزءاً مــن صناعــة المجوهــرات‪ .‬فهــل لــكِ‬
‫كاون» التــي صممتهــا علــى شــكل مهــرّج‬ ‫أن تطلعينــا علــى جانــب مــن ذكرياتــكِ األولــى‬
‫مــزوَّد بمفاصــل‪ ،‬بينمــا يــزدان بطنــه بترصيــع‬ ‫المقترنــة بهــذه الصناعة؟ خال التســعينيات‪،‬‬
‫األلماســات المتحركــة وغيرهــا مــن األحجــار‬ ‫عندمــا انضممـ ُـت إلــى الشــركة مــع أخــي‪ ،‬أعــاد‬
‫الكريمــة الملوَّنــة‪ .‬وتــمَّ إنتاجهــا فــي بــادئ‬ ‫كل منــا ترجمــة إرث العائلــة بطريقتــه الخاصــة‪،‬‬ ‫ٌ‬
‫األمــر كقطعــة فريــدة مــن نوعهــا لمجموعتــي‬ ‫أعــدت ابتــكار تقاليــد بفورتســهايم فــي‬ ‫ُ‬ ‫إذ‬
‫الشــخصية‪ ،‬ثــمَّ قــاد ذلــك إلــى إطــاق خــط‬ ‫صياغــة المجوهــرات عبــر إطــاق مجموعــات‬
‫المجوهــرات «هابــي ديامونــدز» في العــام ‪،1985‬‬ ‫المجوهــرات الراقيــة «هــوت جوايــري»‪ ،‬بينمــا‬

‫‪33‬‬
 ‫فستان من ‪ALEXANDRE VAUTHIER‬؛‬
‫مجوهرات من ‪CHOPARD‬‬

‫;‪DRESS, ALEXANDRE VAUTHIER‬‬

‫‪JEWELRY, CHOPARD‬‬

‫في مهرجان كان السينمائي العريق الذي يحظى بحضور ألمع األسماء‬
‫في عالم الشهرة‪ ،‬ليس ثمة نجمة ّ‬
‫تشع أكثر من كارولين شوفولي‬
‫‪RAQUEL MARTINS‬‬ ‫بقلم‬ ‫‪SONIA BEDERE‬‬ ‫تنسيق‬ ‫‪JULIAN TORRES‬‬ ‫تصوير‬
‫ﺟﻤـﺎل‪Beauty‬‬

‫ـﺎل ﻣــﻦ الﺒﺮاﻋــﺔ الﻔﻨﻴــﺔ إلــﻰ الﻌﻼﻣــﺔ‪ .‬وﻋــﻦ ذلــﻚ ﻳقــول‪:‬‬ ‫إدﺧــﺎل ﻣﺴــﺘوىً ﻋـ ٍ‬ ‫ﻫﺎﺟــﺮ الﻤﺪﻳــ ُﺮ اﻹبﺪاﻋــﻲ لــﺪار الﻌﻄــور الﻌُﻤﺎﻧﻴــﺔ الﻔﺎﺧــﺮة ‘أﻣــواج’‪ ،‬الﻤلﻬــمُ‬
‫»لــم أﻛــﻦ أﻋــﺮف أيﱠ ﺷــﻲ ٍء ﻓــﻲ ذلــﻚ الﺤﻴــﻦ‪ ،‬وﻻ ﺣﺘــﻰ راﺋﺤــﺔ الﻐﺎردﻳﻨﻴــﺎ‬ ‫ﻛﺮﻳﺴــﺘوﻓﺮ ﺗﺸــوﻧﻎ الﻤولــو ُد ﻷبوﻳــﻦ ﺻﻴﻨﻴﻴــﻦ ﻓــﻲ ﻫوﻧــﻎ ﻛوﻧــﻎ‪ ،‬إلــﻰ‬
‫راو للقصــﺺ ولــﺪيﱠ ﻓﻜــﺮة أؤﻣــﻦ بﻬــﺎ‪ ،‬وﻛﺎن لﺬلــﻚ‬ ‫أو الﻴﺎﺳــﻤﻴﻦ‪ ،‬ولﻜﻨــﻲ ٍ‬ ‫الوﻻﻳــﺎت الﻤﺘﺤــﺪة ﺧــﻼل الﺴــﺒﻌﻴﻨﻴﺎت‪ .‬ﻳقــول‪» :‬أدﻳــﻦ ﻷبــويﱠ بﺎلﻜﺜﻴــﺮ‪ ،‬ﻷﻧﻨــﻲ‬
‫أﻫﻤﻴﺔ أﻛﺒﺮ«‪.‬‬ ‫أﻋــﺮف أﻧﻬﻤــﺎ ﻗﺎﻣــﺎ بﺬلــﻚ ﻷﺟلــﻲ«‪ ،‬وﻳــﺮدف‪» :‬ﻛﺎﻧــﺖ أﻣﺮﻳــﻜﺎ ﻣﻌﺮوﻓــﺔ بﺄﻧﻬــﺎ‬
‫ً‬
‫وﻣــﺎ ﻓﻌلــﻪ ﺗﺸــوﻧﻎ أﻧــﻪ ﻗلــﺐ ﻋﻼﻣــﺔ الﻌﻄــور رأﺳ ـﺎ ﻋلــﻰ ﻋقــﺐ‪ ،‬وابﺘﻜــﺮ‬ ‫أرض الﻔــﺮص‪ .‬أﻋﺘقــﺪ أنﱠ الﻨــﺎس ﻣــﺎ زالــوا ﻳﻨﻈــﺮون إلﻴﻬــﺎ ﻋلــﻰ أﻧﻬــﺎ الﻤــﻜﺎن‬
‫ﻧﻤوذﺟــﺎً ﻣﺒﻨﻴــﺎً ﻋلــﻰ رواﻳــﺔ القصــﺺ والﺤﻜﺎﻳــﺎت‪ .‬ﻳقــول‪» :‬ابﺘﻜــﺮت ﺷــﻴﺌﺎً‬ ‫الــﺬي ﺗﺘﺤقــﻖ ﻓﻴــﻪ اﻷﺣــﻼم«‪.‬‬
‫ابﺘــﻜﺎر ﻣﺮﺗﺒــﻂ بﺎلﻔصــﻞ‬
‫ٍ‬ ‫ﱞ‬
‫ﻓــﻜﻞ‬ ‫ﻛﺎن ﻓصــ ًﻼ ﻓــﻲ رواﻳــﺔ‪ ،‬إن ﺻــﺢﱠ الﺘﻌﺒﻴــﺮ‪،‬‬ ‫ﻳقـ ﱡﺮ ﺗﺸــوﻧﻎ‪ ،‬الــﺬي وﺻــﻞ إلــﻰ ﺣــﻲ لور إﻳﺴــﺖ ﺳــﺎﻳﺪ ﻓــﻲ ﻣﺪﻳﻨــﺔ ﻧﻴوﻳورك‬
‫الﺬي أروﻳﻪ«‪.‬‬ ‫‪-‬وﻫــﺬا الﺤــﻲ أﺷــﺒﻪ بﺒوﺗقــﺔ ﻳﻨصﻬــﺮ ﻓــﻲ ﻣﺤﻴﻄﻬــﺎ الﻤﻬﺎﺟــﺮون‪ ،‬ﻓــﻲ ذلــﻚ‬
‫وﻳﺸـ ﱢـﻜ ُﻞ لقــﺎء الﺸــﺮق والﻐــﺮب ﺟــﺰءا ﻣﻦ ﺟوﻫــﺮ ‘أﻣــواج’ ﻣﻨﺬ الﻌــﺎم ‪،١٩٨٣‬‬
‫ً‬ ‫الوﻗــﺖ‪ -‬بــﺄنﱠ ﻋﻨصــﺮ الﺰﻣــﻦ ﻛﺎن ﺣﺎﺳــﻤﺎً ﻓــﻲ رﺣلﺘــﻪ اﻹبﺪاﻋﻴــﺔ‪ .‬وﻋــﻦ ذلــﻚ‬
‫ﻋﻨﺪﻣــﺎ ﺗــمﱠ إﻃــﻼق الﻌﻼﻣــﺔ‪ ،‬ﺣﻴــﺚ ﺗــم ابﺘــﻜﺎر أول ﻋﻄـ ٍـﺮ لﻬــﺎ ﻓــﻲ بﺎرﻳــﺲ‪ ،‬وﻗــﺪ‬ ‫ﻳقــول‪» :‬ﻓﺘﺤــﺖ أﻣﺮﻳــﻜﺎ وﻧﻈﺎﻣﻬــﺎ الﺘﻌلﻴﻤــﻲ ﻋﻴﻨـ ّـﻲ ﻋلــﻰ الﻌﺎلــم‪ .‬ﻋﻨﺪﻣــﺎ ﻛﻨـ ُـﺖ‬
‫ﻛﻞ ﻣــﻦ بﺎرﻳــﺲ وﻏــﺮاس‪» .‬ﻛﺎن للﻌﻄــﺮ‬ ‫أﻧﺠــﺰت دوﻣ ـﺎً ﻋﻤلﻬــﺎ اﻹبﺪاﻋــﻲ ﻓــﻲ ﱟ‬ ‫ﻓــﻲ ﻫوﻧــﻎ ﻛوﻧــﻎ‪ ،‬ﺗﻌلﱠﻤــﺖ ﻋﺒــﺮ الﺤﻔــﻆ والﺘﻜــﺮار‪ ،‬وﻓﺠــﺄ ًة أﺻﺒﺤـ ُـﺖ ﻓــﻲ ﻋﺎلـ ٍـم‬
‫ﺟوﻫــﺮه اﻷﺳﺎﺳــﻲ ولﻜــﻦ ﻣــﺎ ﻓﻌلﺘــﻪ ﻫــو‬ ‫ﻛﺎن ﻣــﻦ الﻤﻬــم ﻓﻴــﻪ الﺘﻌﺒﻴــﺮ ﻋــﻦ الــﺮأي والﺘﻔﻜﻴــﺮ ﺧــﺎرج الصﻨــﺪوق‪ .‬وﻗــﺪ‬
‫ﺻﻨﻌــﺖ ﻋﻼﻣــﺔ‪ .‬لقــﺪ ﺣﺎولــﺖ ﻋﻼﻣــﺎت‬ ‫ُ‬ ‫أﻧﻨــﻲ‬ ‫ﺗو ﱠﻗــﻊ الﻨــﺎس أن أﻛــون ﺟﻴــﺪاً ﺟــﺪاً ﻓــﻲ اﻷرﻗــﺎم ﻷﻧﻨــﻲ ﺻﻴﻨــﻲ‪ ،‬إﻻ أﻧﻨــﻲ لــم‬
‫ﻋﺪﻳــﺪة ﻓــﻲ دول ﻣﺠلــﺲ الﺘﻌــﺎون الﺨلﻴﺠﻲ‬ ‫أردت الﺨــﺮوج ﻻﺳﺘﻜﺸــﺎف الﻌﺎلــم‪.‬‬ ‫أﻛــﻦ ﻣﻬﺘﻤـﺎً بﻬــﺎ‪ .‬لــم أﻫﺘــم بﺎلﺪرﺟــﺎت‪ُ ،‬‬
‫ﻓﻌــﻞ ذلــﻚ ولــم ﺗﺴــﺘﻄﻊ‪ ،‬إﻻ أنﱠ الوﺻﻔــﺔ‬ ‫ﻣﻨــﺬ ﻛﻨـ ُـﺖ ﺻﻐﻴــﺮاً‪ ،‬ﻛﺎﻧــﺖ لــﺪيﱠ ﺧﻄــﺔ ﻣﺨﺘلﻔــﺔ«‪.‬‬
‫بﺴــﻴﻄﺔ للﻐﺎﻳــﺔ‪ :‬ألّﺎ ﻳﺘﺪﺧــﻞ الﻤﺎلﻜــون‬ ‫ﺗﻔـوﱠق ﺗﺸــوﻧﻎ ﻓــﻲ الﻔﻨــون‪ ،‬وأﻣﻀــﻰ أربــﻊ ﺳــﻨواتٍ ﻓــﻲ الﺪراﺳــﺔ الﺜﺎﻧوﻳــﺔ‬
‫واﻹدارة ﻓــﻲ الﻌﻤلﻴــﺔ اﻹبﺪاﻋﻴــﺔ‪ .‬ﺗلــﻚ ﻧﻌﻤــﺔ‪،‬‬ ‫ـﻴﺮة ذاﺗﻴــﺔ ﺗﺆﻫّ لــﻪ للﻌﻤــﻞ ﻓــﻲ ﻣﺠــﺎل اﻷزﻳــﺎء والﻤوﺿــﺔ‪ ،‬وﻛﺎن‬ ‫وﻫــو ﻳﺒﻨــﻲ ﺳـ ً‬
‫إذ لــم أﺗﻌــﺮض لﺘﺤ ـ ﱟﺪ ﻋلــﻰ اﻹﻃــﻼق«‪.‬‬ ‫ﻳﺤلــم بﺎلﺪراﺳــﺔ ﻓــﻲ ﻛلﻴــﺔ بﺎرﺳــوﻧﺰ الﻤﺮﻣوﻗــﺔ للﺘصﻤﻴــم‪ ،‬إﻻ أنﱠ والﺪﻳــﻪ ﻛﺎﻧــﺎ‬
‫ﺟــﺎء ﻋﻄــﺮ ﺗﺸــوﻧﻎ اﻷﺣــﺪث ﱢ‬
‫ﻣﺘﺄﺛــﺮاً‬ ‫ﻣﻌﺎرﺿﻴــﻦ بﺸــﺪة لﺨﻴــﺎره ذاك‪ .‬ﻳقــول‪» :‬بﺎلﻨﺴــﺒﺔ إلــﻰ الﻤﻬﺎﺟﺮﻳــﻦ الصﻴﻨﻴﱢﻴــﻦ‬
‫بﺤﺮﻛــﺔ آﻧــﺪي وارﻫــول الﻔﻨﻴــﺔ وﻛﺬلــﻚ‬ ‫ﻛﻞ ﺷــﻲ ٍء ﻣــﻦ أﺟــﻞ ﺣﻴــﺎ ٍة أﻓﻀــﻞ‪ ،‬لــم ﻳﻜــﻦ ﺗصﻤﻴــم‬ ‫الﺬﻳــﻦ ﺗﺨلﱠــوا ﻋــﻦ ﱢ‬
‫بﺎلﻄﺮﻳقــﺔ الﺘــﻲ اﺳــﺘﺨﺪم ﻓﻴﻬــﺎ ﻣﻈﺎﻫــﺮ‬ ‫اﻷزﻳــﺎء ﺧﻴــﺎراً ﻣﻄﺮوﺣ ـﺎ«‪ً.‬‬
‫الﺤﻴــﺎة لﻴﺒــﺪع ﻣــﻦ ﺧﻼلﻬــﺎ أﺟﻤــﻞ ﻣــﺎ ﻓﻴﻬــﺎ‪،‬‬ ‫بــﺪ ًﻻ ﻣــﻦ ذلــﻚ‪ ،‬درس ﺗﺸــوﻧﻎ ذو الﺸــﺨصﻴﺔ الﻤﺴــﺘقلﱠﺔ والﻤلﻬﻤــﺔ‬
‫أﻻ وﻫــو ﻋﻄــﺮ ﺗﻤﻴﱢــﺰه ﻣﻜوﻧــﺎت رﺋﻴﺴــﻴﺔ‬ ‫اﻷدبَ الﻤقــﺎرن ﻗﺒــﻞ أن ﻳﻨﺘقــﻞ إلــﻰ لﻨــﺪن‬
‫ﺗﻀــم بﺮاﻋــم الﻜﺸــﻤﺶ اﻷﺳــود‬ ‫لﻨﻴــﻞ درﺟــﺔ الﻤﺎﺟﺴــﺘﻴﺮ ﻓــﻲ الﻔﻨــون‪ ،‬وﻫﻨــﺎك‬
‫واﻷلﺪﻳﻬﻴــﺪ والﻌــﺮق ﺳــوس‪ ،‬ﻣﻤﺰوﺟــ ًﺔ‬ ‫ﻛﺎن للﻌﻄﺮ ﺟوﻫﺮه اﻷﺳﺎﺳﻲ ﺳلﻔﺎً‬ ‫ﺗﻌــﺮﱠف إلــﻰ ﻋﺎلــم اﻷوبــﺮا‪ » .‬ﻛﺎﻧــﺖ اﻷوبــﺮا‬
‫ﻣــﻊ الﺒﺨــور وﺧﺸــﺐ الصﻨــﺪل والﺒﺘﺸــول‪،‬‬ ‫ﺣِ ﻜــﺮاً ﻋلــﻰ اﻷﺛﺮﻳــﺎء‪ ،‬وﻫــو ﻣــﺎ لــم أﻛــﻦ ﻋلﻴــﻪ‪.‬‬
‫لﺘﺴــﺘﺤﻀﺮ ﺣقﺒــ ًﺔ ﻣﻨصﺮﻣــﺔ ﻣﻐلّﻔــﺔ‬ ‫ُ‬
‫ﺻﻨﻌﺖ ﻋﻼﻣﺔ‬ ‫ولﻜﻦ ﻣﺎ ﻓﻌلﺘﻪ ﻫو أﻧﻨﻲ‬ ‫ـﺪت ﻧﻔﺴــﻲ أﺗﻌﺎﻣــﻞ ﻣــﻊ ﻣﻐﻨـ ّـﻲ‬ ‫وﻓﺠـ ً‬
‫ـﺄة‪ ،‬وﺟـ ُ‬
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‫بﺎلﻐﻤــوض وﻣﺸــﺒّﻌﺔ بﺎلﺘــﺮف‪ .‬وربﻤــﺎ‬ ‫اﻷوبــﺮا وأﻫﺘــمّ بﻤقﺎﻣﺎﺗﻬــم الصوﺗﻴــﺔ‪ .‬ﻋﺮﻓـ ُـﺖ‬
‫أﻋــﺎده ﻋﻄــﺮه اﻷﺣــﺪث ﻫــﺬا‪ ،‬الــﺬي ﻳﺤﻤــﻞ‬ ‫ﻋلــﻲ ﺗﺠﺮبﺘﻬــﺎ«‪.‬‬
‫بــﺄن ﱠ‬
‫اﺳــم ‘إﻣﻴﺘﻴﺸــﻦ’ ]أي‪ :‬ﻣﺤــﺎﻛﺎة[‪ ،‬بﺎلﺰﻣــﻦ‬ ‫ﻗــﺎم ﺗﺸــوﻧﻎ بﺰﻳــﺎرة أﺣــﺪ الﻤﺤﺘﺮﻓﻴــﻦ‪ ،‬والــﺬي ﱠ‬
‫أﻛــﺪ لــﻪ أﻧــﻪ ﻳﻤﺘلــﻚ‬
‫إلــﻰ الــوراء ﺣﻴــﺚ ذﻛﺮﻳــﺎت ﻃﻔولﺘــﻪ ﻓــﻲ‬ ‫ﻋﻄﻮر‬ ‫ﻣوﻫﺒــﺔ ﻓﺮﻳــﺪة‪ ،‬لﻜﻨــﻪ أوﺿــﺢ أنّ اﻷﻣــﺮ ﺳــﻴﺘﻄلﺐ ﻋِقــﺪاً ﻣــﻦ الﻌﻤــﻞ‬
‫ﺣــﻲ لــور إﻳﺴــﺖ ﺳــﺎﻳﺪ‪ .‬ﻓقــﺪ ﻗــﺎل‪» :‬ﻛﺎن‬
‫الوﻗــﺖ ﻣﻨﺎﺳــﺒﺎً أﻣﺎﻣــﻲ ﻷﺟﻌــﻞ ﻫــﺬا الﻌﻄــﺮ‬
‫اﻟﺼﻴﻒ‬ ‫الــﺪؤوب ﻗﺒــﻞ أن ﻳُﺴــﻤﺢ لــﻪ بــﺎﻷداء أﻣــﺎم الﺠﻤﻬــور‪ .‬ﻳقــول ﱢ‬
‫ﻣوﺿﺤـﺎً‪» :‬لــم‬
‫ﻳﻜــﻦ الﺘﻔﺎﻧــﻲ ﻣﺸــﻜل ًﺔ ﻋلــﻰ اﻹﻃــﻼق بﺎلﻨﺴــﺒﺔ إلــﻲ«‪ ،‬وﻳﻀﻴــﻒ‪» :‬ﻃﺒﻴﻌﺘــﻲ‬
‫وﻷﺧﺒــﺮ الﻌﺎلــم‬‫ﻣﺮﺗﺒﻄ ـﺎً بﺴــﻴﺮﺗﻲ الﺬاﺗﻴــﺔ‪ُ ،‬‬ ‫اﺳــﺘﺤواذﻳﺔ للﻐﺎﻳــﺔ‪ ،‬ولﻬــﺬا الﺴــﺒﺐ ﻫﻨــﺎك أﻣــو ٌر أبــﺮع ﻓﻴﻬــﺎ بﺸــﺪة‬
‫بﺄﻧﻨــﻲ ﻓﺨــو ٌر بﺈرﺛــﻲ«‪.‬‬ ‫ـﻜﻞ ﻣــﺎ أﻗــوم بــﻪ‪ ،‬وإن‬ ‫وأﺧــﺮى ﻻ أﻗﺘــﺮب ﻣﻨﻬــﺎ ﻣﻄلق ـﺎً‪ .‬أﺧﻄــﻂ دوﻣ ـﺎً لـ ﱢ‬
‫أﻣــﺎ ﻋــﻦ ﺣﻜﺎﻳــﺔ اﻻﺳــم ﻓﻴقــول‪» :‬ﻫﻜــﺬا‬ ‫لــم أﺻــﻞ إلــﻰ ﻫﺪﻓــﻲ ﻳﺨﻴــﺐ أﻣلــﻲ وأﺻﺒــﺢ ﻗــﺎدراً ﻋلــﻰ ﺗﺪﻣﻴــﺮ ﻧﻔﺴــﻲ«‪.‬‬
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‫وﺿﻌــﺖ‬ ‫لــﺖ إلــﻰ اﺳــم ‘إﻣﻴﺘﻴﺸــﻦ’‪،‬‬ ‫ﺗوﺻﱠ ُ‬ ‫اﺳــﺘلﺰم اﻷﻣــﺮ أن ﻳﺘﻌ ـﺮّض ﺗﺸــوﻧﻎ لﺨﻴﺒــﺔ أﻣـ ٍـﻞ أﺧــﺮى ﻓــﻲ إﺣــﺪى‬
‫ﻧﻔﺴــﻲ ﻣــﻜﺎنَ أولﺌــﻚ الﺬﻳــﻦ وﺻلــوا‬ ‫الﻤﺴــﺎبقﺎت ﺣﺘــﻰ ﻳﺨﺒــﺮه ﻣﺪرﱢبــﻪ أﻧــﻪ ﻳﺤﺘــﺎج إلــﻰ اﺳــﺘﺮاﺣﺔ‪ ،‬وإلــﻰ‬
‫إلــﻰ ﻣﺪﻳﻨــﺔ ﻧﻴوﻳــورك ﻓــﻲ الﺴــﺒﻌﻴﻨﻴﺎت‪،‬‬ ‫اﺳﺘﻜﺸــﺎف الﻌﺎلــم‪ ،‬ﺛــمﱠ الﻌــودة بﻌــﺪ ذلــﻚ‪ .‬وﻋــﻦ ذلــﻚ ﻳقــول‪» :‬ﻛﻨـ ُـﺖ‬
‫واﺳــﺘقﻴﺖ اﻹلﻬــﺎم ﻣــﻦ وارﻫــول‪،‬‬ ‫ُ‬ ‫أﻋﻴــﺶ ﻓــﻲ ﻋﺰلــﺔ‪ ،‬وبﺒﺴــﺎﻃﺔ لــم أﺳــﺘﻄﻊ الﻤواﺻلــﺔ ﻋلــﻰ الﻤﻨــوال ذاﺗــﻪ‬
‫واﺳــﺘودﻳو ‪ ،٥٤‬وﺣقﺒــﺔ دﻳﺴــﻜو وﺳــﻂ‬ ‫ـﻤﻌﺖ أنﱠ ‘أﻣــواج’ ﺗﺒﺤــﺚ‬‫بﻴــﻦ الﻤوﻫﺒــﺔ والﻤــﺎل«‪ .‬وﻳــﺮدف‪» :‬ﻛﻨـ ُـﺖ ﻗــﺪ ﺳـ ُ‬
‫الﻤﺪﻳﻨــﺔ‪‘ .‬إﻣﻴﺘﻴﺸــﻦ’ ﻫــو الﻌﻄــﺮ الــﺬي‬ ‫ﻋــﻦ أﺣ ـ ٍﺪ ﻣــﻦ ﻋﺎلــم الﻔﻨــون لﺘﻌﻴﻴﻨــﻪ ﻓــﻲ ﻣﻨصــﺐ الﻤﺪﻳــﺮ اﻹبﺪاﻋــﻲ لﻬــﺎ‪،‬‬
‫ﻗــﺪ ﺗﻀﻌــﻪ ﺷــﺎبﺔ ﺗﺸــﺒﻪ بﻴﺎﻧــﻜﺎ ﺟﺎﻏــﺮ ﻓــﻲ‬ ‫لــﺬا بﺈﻣﻜﺎﻧﻜــم ﻋلــﻰ اﻷرﺟــﺢ القــول إﻧــﻪ ﻗــﺪ وﺟــﺪ أﺣﺪﻧــﺎ اﻵﺧــﺮ ﻓــﻲ الوﻗــﺖ‬
‫ﺷــﺒﺎبﻬﺎ‪ ،‬ﻣﻨﺪﻓﻌـ ًﺔ بﻄﺎبــﻊ الــﺮوك آﻧــﺪ رول‪،‬‬ ‫‪ RASASI SOTOOR WAAW‬‬ ‫الﻤﻨﺎﺳــﺐ«‪.‬‬
‫الصــور ‪JULIET DUNNE‬‬

‫بﺠــﺮأة ﻣــﻊ ﺟﺮﻋــﺔ ﻣــﻦ الﺘﻤ ّﻴــﺰ‪ .‬بﺒﺴــﺎﻃﺔ‬ ‫‪ RASASI DHANELOUDH‬‬ ‫ﻣــﺎ أﺛــﺎر اﻫﺘﻤــﺎم ﺗﺸــوﻧﻎ ﻋلــﻰ وﺟــﻪ الﺨصــوص ﻛﺎن ﺣقﻴقــﺔ أﻧﻬــم‬
‫‪AL NAFEES  CHRISTIAN‬‬
‫إﻧــﻪ ﻓــﻦﱞ ﻳﺤﺎﻛــﻲ الﺤﻴــﺎة«‪☐ .‬‬ ‫‪DIOR LUCKY‬‬ ‫لــم ﻳﺮﻏﺒــوا ﻓــﻲ ﺗوﻇﻴــﻒ أي أﺣ ـ ﱟﺪ ﻣــﻦ ﻋﺎلــم الﻌﻄــور بﺎلﺘﺤﺪﻳــﺪ بﺤﺜ ـﺎً ﻋــﻦ‬

‫‪٣١‬‬
‫أحدث ابتكار‬
‫ُيبدعه كريستوفر‬
‫تشونغ لصالح دار‬
‫العطور ُ‬
‫العمانية‬
‫’أمواج‘ يستحضر‬
‫ذكريات طفولته‬
‫بقلم ‪KATIE TROTTER‬‬
‫ﺟﻤﺎل‪Beauty‬‬

‫اﻟﻌﻨﺎﻳﺔ ﺑﺎﻟﻮﺟﻪ‬
‫ﺗﻘﻮل أﺧﺼﺎﺋﻴﺔ اﻟﺘﺠﻤﻴﻞ رﻳﺒﻴﻜﺎ ﺗﺮﻳﺴﺘﻮن‪،‬‬
‫ﻣﺆﺳﺴﺔ ﻋﻴﺎدة رﻳﺒﻴﻜﺎ ﺗﺮﻳﺴﺘﻮن‬
‫إﺳﺘﺘﻴﻜﺲ ﻓﻲ دﺑﻲ“ ’ﺧﻼل ﺷﻬﺮ رﻣﻀﺎن‪،‬‬
‫ﻳﺠﺐ أن ﺗﺘﺠﻨﺒﻲ ﻋﻼﺟﺎت اﻟﻮﺟﻪ اﻟﻤﺠﻬﺪة‚‬
‫واِﺳﺘﺨﺪﻣﻲ ﺑﺪ ًﻻ ﻣﻨﻬﺎ ﺗﻠﻚ اﻟﺘﻲ ﺗﻐﺬي ﺑﺸﺮﺗﻚ‬
‫وﺗﺮﻃﺒﻬﺎ©‪ ،‬وﺗﻀﻴﻒ“ ’ﻳﻌﺘﺒﺮ اﻟﺘﺨﻠّﺺ ﻣﻦ‬ ‫ ‪CHANEL HYDRA BEAUTY‬‬
‫ﺳﻤﻮم اﻟﺠﺴﻢ ﻣﻦ اﻟﻤﻤﺎرﺳﺎت اﻷﺳﺎﺳﻴﺔ‬ ‫‪MASQUE DE NUIT AU CAMÉLIA‬‬
‫ ‪AESOP IN TWO MINDS FACIAL‬‬
‫ﺧﻼل ﺷﻬﺮ رﻣﻀﺎن‪ ،‬وﻳﻤﻜﻦ أن ُﺗﻄﺒﻘﻲ ذﻟﻚ‬ ‫‪THE BODY SHOP  TONER‬‬
‫أﻳﻀﺎً ﻋﻠﻰ ﺑﺸﺮﺗﻚِ ﻣﻦ ﺧﻼل ّ‬
‫ﻣﻨﻈﻔﺎت‬ ‫‪ALMOND MILK BODY YOGURT‬‬
‫اﻟﻮﺟﻪ©‚ ﺟﺮﺑﻲ ﻣﺴﺘﺤﻀﺮﻫﺎ‬ ‫ ‪NUFACE TRINITY FACIAL‬‬
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‫اﻟﻤﻨﻈﻒ ﻫﺎﻳﺪرا ﻓﻴﺸﺎل )اﻟﺬي‬ ‫‪BEANBODY  TONING DEVICE‬‬
‫‪COFFEE SCRUB‬‬
‫ﻳﺘﻢ ﺗﻄﺒﻴﻘﻪ ﻓﻲ ﺳﺖ ﺧﻄﻮات(‬
‫ﻟﺘﻘﺸﻴﺮ اﻟﺒﺸﺮة‪ ،‬ﻛﻤﺎ ﻳﺤﺘﻮي‬
‫ﻋﻠﻰ ﻣﺴﺘﺨﻠﺼﺎت‚ وﺑﻌﺪ إزاﻟﺔ‬ ‫ﺗﺠ ّﻨﺒﻲ ﻋﻼﺟﺎت اﻟﻮﺟﻪ اﻟﻤﺠﻬﺪة‬
‫اﻟﺸﻮاﺋﺐ واﻟﺨﻼﻳﺎ اﻟﻤﻴﺘﺔ ﻣﻦ‬
‫اﻟﺒﺸﺮة‪ ،‬ﺗﺘﻐﻠﻐﻞ ﻣﻀﺎدات اﻷﻛﺴﺪة‬ ‫ّ‬
‫ورﻛﺰي ﻋﻠﻰ ﺗﻨﻘﻴﺔ اﻟﺒﺸﺮة وﺗﺮﻃﻴﺒﻬﺎ‬
‫وأﺣﻤﺎض اﻟﺒﺒﺘﻴﺪ واﻟﻬﻴﺎﻟﻮروﻧﻴﻚ ﻓﻲ‬
‫أﻋﻤﺎﻗﻬﺎ‪ ،‬ﻣﺎ ﻳﻤﻨﺤﻚِ ﻧﺘﺎﺋﺞ ﻃﻮﻳﻠﺔ اﻷﻣﺪ‚‬

‫اﻟﻠﻴﺎﻗﺔ اﻟﺒﺪﻧﻴﺔ‬
‫أن ﺗﺼﻮﻣﻲ ﻻ ﻳﻌﻨﻲ أن ﺗﺘﻮﻗﻔﻲ ﻋﻦ ﻣﻤﺎرﺳﺔ‬
‫ﻧﺸﺎﻃﻚِ اﻟﺮﻳﺎﺿﻲ‚ وﻓﻲ ﻫﺬا اﻟﺼﺪد‪ ،‬ﺗﻘﻮل‬
‫ﻣﺎﻛﺴﻴﻦ راﺳﻞ‪ ،‬اﻟﺸﺮﻳﻜﺔ اﻟﻤﺆﺳﺴﺔ ﻓﻲ‬
‫ذا ﺟﻴﻢ دﺑﻲ“ ’ﻋﻠﻴﻚِ إﻣﺎ ﻣﻤﺎرﺳﺔ اﻟﺮﻳﺎﺿﺔ ﻓﻮر‬
‫ﺑﺪء اﻟﺼﻴﺎم ﺻﺒﺎﺣﺎً‪ ،‬أو ﻗﺒﻴﻞ اﻹﻓﻄﺎر ﻣﺴﺎءً‚‬
‫أﻣﺎ ﻣﻤﺎرﺳﺔ اﻟﺮﻳﺎﺿﺔ ﻓﻲ ﻣﻨﺘﺼﻒ اﻟﻨﻬﺎر‬
‫ﺗﻤﺜﻞ ﻣﺸﻜﻠﺔ ﻟﺒﻌﺾ‬ ‫دون ﺷﺮب اﻟﻤﺎء ﻓﻘﺪ ّ‬
‫اﻟﺴﻴﺪات©‚ وﻟﻜﻦ ﻻ ﺗﺘﺨﻠّﻲ ﻋﻦ ﺗﻤﺎرﻳﻨﻚ‬
‫اﻟﺮﻳﺎﺿﻴﺔ اﻟﻤﻌﺘﺎدة ﺑﻞ ﻗﻠﻠﻲ ﻣﻦ ﺷﺪﺗﻬﺎ‬
‫ﺑﻨﺴﺒﺔ ¯‪ ±‬إﻟﻰ ¯®‪ ‚٪‬وﻣﻦ اﻟﻤﻬﻢ ﺷﺮب اﻟﻤﺎء‬
‫‪LIPOLISS FIRMING BODY‬‬
‫ﻃﺒﻌﺎً‪ ،‬إﻻ أن راﺳﻞ ﺗﻘﻮل إن اﻟﺠﺴﻢ أﻗﻮى‬
‫ﻣﻤﺎ ﺗﻌﺘﻘﺪﻳﻦ“ ’ﻗﺪ ﻳﻔﺎﺟﺌﻨﺎ ﺟﻤﻴﻌﺎً ﺑﻤﺎ ﻫﻮ‬
‫ﻗﺎدر ﻋﻠﻴﻪ©‚‬
‫ﺻﺤﺔ اﻟﻔﻢ‬
‫ﺗﻌﺘﺒﺮ راﺋﺤﺔ اﻟﻔﻢ اﻟﻜﺮﻳﻬﺔ ﻣﻦ اﻟﻤﺸﺎﻛﻞ‬
‫اﻟﺸﺎﺋﻌﺔ ﺧﻼل اﻟﺼﻴﺎم‚ وﺗﺸﺮح أﺧﺼﺎﺋﻴﺔ‬
‫ﺗﻘﻮﻳﻢ اﻷﺳﻨﺎن‪ ،‬اﻟﻤﻘﻴﻤﺔ ﻓﻲ دﺑﻲ‪ ،‬اﻟﺪﻛﺘﻮرة‬
‫رﺷﺎ اﻟﻤﺒﺎرك“ ’ﻳﻠﻌﺐ اﻟﻠﻌﺎب دوراً ﻣﻬﻤﺎً ﻓﻲ‬
‫ ‪ANNE SEMONIN‬‬ ‫ﺣﻤﺎﻳﺔ ﻓﻤﻚِ واﻟﺤﺪ ﻣﻦ ﻧﻤﻮ اﻟﺒﻜﺘﻴﺮﻳﺎ‚ وﻳﻌﻮد‬
‫‪SPOTLIGHT  SERUM‬‬ ‫اﻟﺴﺒﺐ اﻟﺮﺋﻴﺴﻲ ﻟﺮاﺋﺤﺔ اﻟﻔﻢ اﻟﻜﺮﻳﻬﺔ إﻟﻰ‬
‫‪TEETH WHITE STRIPS‬‬ ‫اﻧﺨﻔﺎض ﺗﺪﻓﻖ اﻟﻠﻌﺎب أﺛﻨﺎء اﻟﺼﻴﺎم©‚ ﻟﺬا‬
‫ ‪MARVIS STRONG MINT‬‬ ‫أوﻟﻲ ﻣﺰﻳﺪاً ﻣﻦ اﻻﻫﺘﻤﺎم ﻟﻨﻈﺎﻓﺔ ﻓﻤﻚِ أﺛﻨﺎء‬
‫‪MOUTHWASH‬‬
‫اﻟﺼﻴﺎم‪ ،‬واِﺷﺮﺑﻲ اﻟﻤﺎء ﺑﻐﺰارة ﺑﻌﺪ اﻹﻓﻄﺎر‬
‫ﻟﻠﺘﺨﻠﺺ ﻣﻦ ﻫﺬه اﻟﻤﺸﻜﻠﺔ‚ ﻛﻤﺎ ﺗﻘﺘﺮح‬
‫رﺷﺎ ﺗﻨﻈﻴﻒ أﺳﻨﺎﻧﻚِ ﺑﺎﺳﺘﺨﺪام اﻟﺨﻴﻂ‬
‫وﺗﻨﻈﻴﻒ ﻟﺴﺎﻧﻚِ ﺑﺄداة ﻛﺸﻂ أو ﻓﺮﺷﺎة‬
‫أﺳﻨﺎن أﺧﺮى‚ وﺗﺨﺘﺘﻢ ﺣﺪﻳﺜﻬﺎ ﻗﺎﺋﻠ  ًﺔ“ ’ﺑﻌﺪ‬
‫اﻹﻓﻄﺎر‪ ،‬ﺗﻨﺸﻂ اﻟﻐﺪد اﻟﻠﻌﺎﺑﻴﺔ ﺳﺮﻳﻌﺎً‪،‬‬
‫وﻳُﺼﺒﺢ ﻣﻌﺪل إﻓﺮاز اﻟﻠﻌﺎب ﻃﺒﻴﻌﻴ ﺎً©‚‬

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 ‫ﺑﻠﻴﺎﻗﺘﻚ‬
‫ِ‬ ‫ﺧﻼل ﺷﻬﺮ رﻣﻀﺎن اﻟﻤﺒﺎرك‪ ،‬اﺗﺒﻌﻲ ﻧﻬﺠﺎً ﺻﺤ ّﻴﺎً ﺷﺎﻣ ًﻼ ﻋﺒﺮ اﻻﻫﺘﻤﺎم‬
‫ﺑﻘﻠﻢ ‪ALEXANDRA VENISON‬‬ ‫وﺷﻌﺮك‬
‫ِ‬ ‫ﺑﺸﺮﺗﻚ‬
‫ِ‬ ‫اﻟﺬﻫﻨﻴﺔ واﻟﺒﺪﻧﻴﺔ‪ ،‬وﺗﻌﺰﻳﺰ ﺟﻤﺎل‬

‫اﻻﻋﺘﻨﺎء ﺑﺎﻟﺸﻌﺮ‬ ‫اﻟﺼﺤﺔ اﻟﻌﺎﻣﺔ‬

‫اﺣﺮﺻﻲ ﻋﻠﻰ ﺗﺮﻃﻴﺐ ﺑﺸﺮﺗﻚِ ﻣﺴﺎءً‪ ،‬وأﻳﻀﺎً‬ ‫ﺗﺆﻛ‪¹¹‬ﺪ اﻟﺪﻛﺘ‪¹¹‬ﻮرة ﻟﻤﻴ‪¹¹‬ﺲ ﺣﻤ‪¹¹‬ﺪان‪ ،‬ﻣﺆﺳﺴ‪¹¹‬ﺔ‬
‫ﺧﺼﻼت ﺷﻌﺮكِ … ﺗﻘﻮل ﺳﺎرة ﺷﻤﺲ اﻟﺪﻳﻦ‬ ‫ﻋﻼﻣ‪¹¹‬ﺔ ﻣﺴ‪¹¹‬ﺘﺤﻀﺮات اﻟﺠﻤ‪¹¹‬ﺎل اﻹﻣﺎراﺗﻴ‪¹¹‬ﺔ‪ ،‬ﺷ‪¹¹‬ﻔﺎ‹‬
‫ﻣﻦ ﻣﺘﺠﺮ ﻣﺴﺘﺤﻀﺮات اﻟﺘﺠﻤﻴﻞ رﻳﺒﻴﺮ ﻛﻴﺮ‹‬ ‫›ﻳﻌﻤ‪¹¹‬ﻞ اﻟﺠﺴ‪¹¹‬ﻢ ﺧ‪¹¹‬ﻼل ﻓﺘ‪¹¹‬ﺮة اﻟﺼﻴ‪¹¹‬ﺎم ﻋﻠ‪¹¹‬ﻰ‬
‫›أﺳﺘﺨﺪم داﺋﻤﺎً ﺣﻤﺎم ﻛﺮﻳﻢ ﻟﻠﺸﻌﺮ ﻳﺘﻜﻮن‬ ‫اﻟﺘﺨﻠّ‪¹¹‬ﺺ ﻣ‪¹¹‬ﻦ اﻟﺴ‪¹¹‬ﻤﻮم‪ ،‬ﻟﻴ‪¹¹‬ﺲ ﻋﺒ‪¹¹‬ﺮ اﻟﻜﻠﻴﺘﻴ‪¹¹‬ﻦ‬
‫ﻣﻦ ﻣﺰﻳﺞ ﻣﻦ اﻷﭬﻮﻛﺎدو اﻟﻜﺮﻳﻤﻲ وزﻳﺖ ﺟﻮز‬ ‫واﻟﻜﺒ‪¹¹‬ﺪ ﻓﺤﺴ‪¹¹‬ﺐ‪ ،‬ﺑ‪¹¹‬ﻞ وﻣ‪¹¹‬ﻦ داﺧ‪¹¹‬ﻞ اﻟﺨﻼﻳ‪¹¹‬ﺎ أﻳﻀ ‪¹‬ﺎً‪،ª‬‬
‫اﻟﻬﻨﺪ‪ …ª‬وﺗﺸﺮح ﻗﺎﺋﻠ ًﺔ‹ ›اِﺧﻠﻄﻲ اﻻﺛﻨﻴﻦ ﻣﻌﺎً‪،‬‬ ‫وﺗﻀﻴ‪¹¹‬ﻒ‹ ›ﻛﻤ‪¹¹‬ﺎ ﻳﺘﺨﻠ‪¹¹‬ﺺ اﻟﺠﺴ‪¹¹‬ﻢ ﻣ‪¹¹‬ﻦ اﻟﺨﻼﻳ‪¹¹‬ﺎ‬
‫ ‪CHRISTOPHE ROBIN‬‬
‫وﺿﻌﻲ اﻟﻤﺰﻳﺞ ﻋﻠﻰ ﺧﺼﻼت ﺷﻌﺮكِ وﻓﺮوة‬ ‫‪CLEANSING MASK WITH‬‬ ‫اﻟﻘﺪﻳﻤ‪¹¹‬ﺔ واﻟﻌﻠﻴﻠ‪¹¹‬ﺔ… وﻳُﻌﺘ َﻘ‪¹¹‬ﺪ أن اﻟﺼﻴ‪¹¹‬ﺎم اﻟﻤﻨﺘﻈ‪¹¹‬ﻢ‬
‫رأﺳﻚِ ‪ ،‬ﺛﻢ ﻏﻄﻲ رأﺳﻚِ ﺑﻐﻄﺎء اﻻﺳﺘﺤﻤﺎم‬ ‫‪ORIBE CLEANSING  LEMON‬‬ ‫ﻳﻤﻜ‪¹¹‬ﻦ أن ﻳﻄﻴ‪¹¹‬ﻞ اﻟﻌﻤ‪َ ¹¹‬ﺮ وﺣﻴﻮﻳ‪َ ¹¹‬ﺔ اﻟﺠﺴ‪¹¹‬ﻢ‬
‫واُﺗﺮﻛﻴﻪ ﻟﻤﺪة ﺳﺎﻋﺔ ﻗﺒﻞ ﻏﺴﻞ اﻟﺸﻌﺮ‪…ª‬‬ ‫& ‪CRÈME FOR MOISTURE‬‬ ‫ﻟﻌﺸ‪¹¹‬ﺮﻳﻦ ﺳ‪¹¹‬ﻨﺔ‪ …ª‬وﻳﻌ‪ّ ¹¹‬ﺪ اﺳ‪¹¹‬ﺘﻌﻤﺎل ﻣﻨﺘﺠ‪¹¹‬ﺎت‬
‫‪HAIR RITUEL  CONTROL‬‬
‫وﺗﻘﻮل ﺳﺎرة أﻳﻀﺎً إن ﻫﺬا اﻟﻤﺰﻳﺞ ﻳﺴﺎﻋﺪ‬ ‫‪BY SISLEY REVITALIZING‬‬
‫اﻟﺠﻤ‪¹¹‬ﺎل اﻟﻄﺒﻴﻌﻴ‪¹¹‬ﺔ ﺿﺮورﻳ‪¹¹‬ﺎً ﺧ‪¹¹‬ﻼل ﻫ‪¹¹‬ﺬه اﻟﻔﺘ‪¹¹‬ﺮة…‬
‫ﻓﻲ ﻋﻼج ﺗﺴﺎﻗﻂ اﻟﺸﻌﺮ…‬ ‫‪ FORTIFYING SERUM‬‬ ‫وﺗﻘﺘ‪¹¹‬ﺮح ﻟﻤﻴ‪¹¹‬ﺲ أن ﺗﺴ‪¹¹‬ﺘﺨﺪﻣﻲ ﻛﺮﻳﻤ‪¹¹‬ﺎً ﻣﺮﻃﺒ‪¹¹‬ﺎً‬
‫‪BYREDO INCENSE CANDLE‬‬ ‫ﺷ‪¹¹‬ﺪﻳﺪ اﻟﻜﺜﺎﻓ‪¹¹‬ﺔ ﻣﺮﺗﻴ‪¹¹‬ﻦ ﻳﻮﻣﻴ‪¹‬ﺎً وأن ﻳﻀﻤّ ‪¹¹‬ﻪ روﺗﻴﻨ‪¹¹‬ﻚِ‬
‫اﻟﻤﻌﺘ‪¹¹‬ﺎد ﻟﻠﻌﻨﺎﻳ‪¹¹‬ﺔ ﺑﺎﻟﺒﺸ‪¹¹‬ﺮة… وﻋ‪¹¹‬ﻦ ذﻟ‪¹¹‬ﻚ ﺗﻘ‪¹¹‬ﻮل‹ ›أرى‬
‫اﻟﺒﺸ‪¹¹‬ﺮة اﻟﺼﺤﻴ‪¹¹‬ﺔ اﻣﺘ‪¹¹‬ﺪاداً ﻟﻠﺼﺤ‪¹¹‬ﺔ اﻟﺠﺴ‪¹¹‬ﻤﺎﻧﻴﺔ…‬
‫اﻟﺼﺤﺔ اﻟﺬﻫﻨﻴﺔ‬ ‫ﻟ‪¹¹‬ﺬا ﺗﻨﺎوﻟ‪¹¹‬ﻲ‪ ،‬ﻋﻨ‪¹¹‬ﺪ اﻹﻓﻄ‪¹¹‬ﺎر‪ ،‬ﺟ‪¹¹‬ﺰرة ﻃﺎزﺟ‪¹¹‬ﺔ وﻋﺼﻴ‪¹¹‬ﺮ‬
‫اﻟﺴ‪¹¹‬ﺒﺎﻧﺦ‪ ،‬ﻓﻬﻤ‪¹¹‬ﺎ ﻳﻐﺬﻳ‪¹¹‬ﺎن ﻣﻌﺪﺗ‪¹¹‬ﻚِ اﻟﻔﺎرﻏ‪¹¹‬ﺔ‬
‫ﺗﻘ‪¹¹‬ﻮل اﻟﺪﻛﺘ‪¹¹‬ﻮرة ﺻﺎﻟﺤﺔ أﻓﺮﻳ‪¹¹‬ﺪي‪ ،‬أﺧﺼﺎﺋﻴﺔ ﻃﺐ‬ ‫وﻳﺠﻌﻼﻧﻬ‪¹¹‬ﺎ ﺗﺘﻘﺒ‪¹¹‬ﻞ اﻟﻄﻌ‪¹¹‬ﺎم ﺷ‪¹¹‬ﻴﺌﺎً ﻓﺸ‪¹¹‬ﻴﺌﺎً… وﻳﻤﻜﻦ‬
‫اﻟﻨﻔ‪¹¹‬ﺲ اﻟﺴ‪¹¹‬ﺮﻳﺮي ﻓ‪¹¹‬ﻲ ﻋﻴ‪¹¹‬ﺎدة ﻻﻳ‪¹¹‬ﺖ ﻫ‪¹¹‬ﺎوس‬ ‫أن ﻳﻤﻨﺤ‪¹¹‬ﻚِ ﻓﻴﺘﺎﻣﻴ‪¹¹‬ﻦ ›أ‪ ª‬واﻟﻤﻌ‪¹¹‬ﺎدن اﻟﺘ‪¹¹‬ﻲ ﺗﺰﺧ‪¹¹‬ﺮ‬
‫أراﺑﻴ‪¹¹‬ﺎ‹ ›ﺷ‪¹¹‬ﻬﺮ رﻣﻀ‪¹¹‬ﺎن ﻓﺘ‪¹¹‬ﺮة ﻣﺜﺎﻟﻴ‪¹¹‬ﺔ ﻟﻠﺘﺄﻣّ ‪¹¹‬ﻞ‬ ‫ﺑﻬ‪¹¹‬ﺎ اﻟﺨﻀ‪¹¹‬ﺮاوات ﻋﻨﺎﺻ‪¹¹‬ﺮ اﻟﺒﻨ‪¹¹‬ﺎء اﻷﺳﺎﺳ‪¹¹‬ﻴﺔ ﻟﺨﻼﻳ‪¹¹‬ﺎ‬
‫اﻟﺮوﺣ‪¹¹‬ﻲ وﺗﺪﻋﻴ‪¹¹‬ﻢ أواﺻ‪¹¹‬ﺮ اﻟﺘﺮاﺑﻂ اﻟﻌﺎﺋﻠ‪¹¹‬ﻲ‪ ،‬وﻓﻴﻪ‬ ‫أﻛﺜ‪¹¹‬ﺮ ﺻﺤ‪ً ¹¹‬ﺔ ﻟﺒﺸ‪¹¹‬ﺮﺗﻚِ …‬
‫ﺗﻜﺜ‪¹¹‬ﺮ اﻟﺼﺪﻗ‪¹¹‬ﺎت وﻳﺘﻨﺎﻣ‪¹¹‬ﻰ اﻟﺸ‪¹¹‬ﻌﻮر ﺑﺎﻻﻣﺘﻨ‪¹¹‬ﺎن‬
‫ﺑﻴ‪¹¹‬ﻦ اﻟﻨ‪¹¹‬ﺎس‪ ،ª‬وﺗﻀﻴ‪¹¹‬ﻒ‹ ›ﻧﻌﻠ‪¹¹‬ﻢ ﻣ‪¹¹‬ﻦ واﻗ‪¹¹‬ﻊ‬ ‫ ‪RITUALS PRECIOUS AMBER FRAGRANCE‬‬
‫‪MOON JUICE POWER DUST  STICKS‬‬
‫دراﺳ‪¹¹‬ﺘﻨﺎ ﻟﻌﻠ‪¹¹‬ﻢ اﻟﻨﻔ‪¹¹‬ﺲ اﻹﻳﺠﺎﺑ‪¹¹‬ﻲ أﻧﻬ‪¹¹‬ﺎ ﻛﻠّﻬ‪¹¹‬ﺎ‬ ‫‪THE BEAUTY CHEF  HERBAL SUPPLEMENT‬‬
‫ﻣﻜﻮﻧ‪¹¹‬ﺎت أﺳﺎﺳ‪¹¹‬ﻴﺔ ﻟﻠﺴ‪¹¹‬ﻌﺎدة‪…ª‬‬ ‫‪HYDRATION INNER BEAUTY BOOST‬‬
‫وﻗ‪¹¹‬ﺪ ﻳﺴ‪¹¹‬ﺘﻐﺮق ﺗﺨﻠّ‪¹¹‬ﺺ ﺟﺴ‪¹¹‬ﻤﻚِ ﻣ‪¹¹‬ﻦ‬
‫اﻟﺴ‪¹¹‬ﻤﻮم ﻓﺘ‪¹¹‬ﺮة ﺛﻼﺛ‪¹¹‬ﺔ إﻟ‪¹¹‬ﻰ أرﺑﻌ‪¹¹‬ﺔ أﺳ‪¹¹‬ﺎﺑﻴﻊ‪،‬‬
‫وﻫ‪¹¹‬ﻮ ﻣ‪¹¹‬ﺎ ﻳﺘﻄﻠ‪¹¹‬ﺐ اﻧﻀﺒﺎﻃ ‪¹‬ﺎً وإرادة ذاﺗﻴ‪¹¹‬ﺔ‪ ،‬إﻻ أن‬
‫ﻟ‪¹¹‬ﻪ آﺛ‪¹¹‬ﺎراً إﻳﺠﺎﺑﻴ‪¹¹‬ﺔ ﺗﻨﻌﻜ‪¹¹‬ﺲ ﻋﻠﻴ‪¹¹‬ﻚِ ﺑﺼﻔ‪¹¹‬ﺔ ﺧﺎﺻ‪¹¹‬ﺔ‬
‫وﻋﻠ‪¹¹‬ﻰ اﻟﻤﺠﺘﻤ‪¹¹‬ﻊ ﺑﺼﻔ‪¹¹‬ﺔ ﻋﺎﻣ‪¹¹‬ﺔ…‬
 ‫تعتبــر ســيارة لينكــون كونتيننتــال خيــر تجســيد لمعانــي الفخامــة الملكيــة والتم ّيــز‬
‫الســيارة الســيدان الفخمــة الخيــا َر األمثــل‬‫ُ‬ ‫الــذي ال يُضاهــى ‪ -‬لــذا أصبحــت هــذه‬
‫للشــخصيات الملهمــة والمؤثــرة حــول العالــم‪ .‬ونظــراً لمــا تتمتــع بــه مــن عناصــر‬
‫فخامــة عريقــة حافظــت عليهــا علــى مــدى قــرن مــن الزمــن إلــى جانــب تصميمهــا‬
‫االســتثنائي‪ ،‬فــال عجــب أن تدخــل أحــدث ســيارات لينكــون كونتيننتــال عهــداً جديداً‬
‫مــن التــرف‪ .‬وفــي عصرنــا الــذي تحظــى فيــه النســاء بفــرص غيــر مســبوقة‪ ،‬فــإن‬
‫لينكــون كونتيننتــال بتلقائيتهــا االنســيابية وقوتهــا الرياضيــة تدعــوكِ كي تكتشــفي‬
‫معهــا كل قدراتــك‪.‬‬
‫عنــد جلوســك فــي مقصورتهــا ذات المقاعــد الجلديــة الناعمــة‪ ،‬التــي تحيــط‬
‫بهــا لمســات مرهفــة معــززة بالخشــب الفاخــر وتجديــن أحــدث التقنيــات رهــن‬
‫المفضــل للملــوك والرؤســاء‪.‬‬ ‫ّ‬ ‫أصابعــكِ ‪ ،‬ســتعلمين لمــاذا ّ‬
‫تمثــل كونتيننتــال االختيــا َر‬
‫وســتنقلك هــذه الســيارة الســيدان الجديــدة إلــى األماكــن‬
‫التــي ترغبيــن فــي زيارتهــا بــكل فخامــة ويســر‪ ،‬بفضــل قــوة‬
‫التكنولوجيا‬ ‫محرّكهــا التوربينــي المــزدوج بقــوة ‪ ٣78‬حصانــاً‪ ،‬والحصــري‬
‫مــن لينكــون‪ ،‬مــع ‪ ٣0‬وضعيــة مريحــة لضبــط المقاعــد‪ ،‬ونظــام‬
‫المتط ّورة‬ ‫تثبيــت الســرعة القابــل للضبــط‪ ،‬فضــ ًال علــى النظــام الصوتــي‬
‫والقوة السلسة‬ ‫الفريــد ‪ .®Revel Ultima‬وهــذا مــا يتوقعــه الجميــع مــن لينكــون‪،‬‬
‫فهــي ســيارة أيقونيــة تتطور مــع تقــدم التكنولوجيــا‪ ،‬إلى جانب‬
‫والتصميم المريح‬ ‫مــا تنفــرد بــه مــن القــوة وجمــال التصميــم‪.‬‬
‫وإن كنــتِ تبحثيــن عــن تجربــة فاخــرة مــع ســيارة رياضيــة‬
‫تعدك كل م ّرة‬ ‫متعــددة األغــراض‪ ،‬فإنّ نافيجيتور ‪ ٢018‬الجديدة كلياً ســترتقي‬
‫بتجربــة ســفركِ إلــى مســتوى الدرجــة األولــى‪ .‬وأيــاً كانــت‬
‫برحلة سعيدة‬ ‫الوجهــة التــي تقصدينهــا‪ ،‬فــإنَّ التكنولوجيــا المتطــورة لســيارة‬
‫نافيجيتــور‪ ،‬وقوتهــا السلســة‪ ،‬وكذلــك مقاعدهــا الواســعة‬
‫تعــدكِ برحلــة ســعيدة فــي كل مــر ٍة تنطلقيــن بهــا ‪ -‬خاصـ ًة مــع‬
‫فــإنَّ مــا تتمتــع بــه ســياراتها مــن تفاصيــل متقنــة يجعلهــا تتميــز عــن غيرهــا مــن‬ ‫نمــط القيــادة «ديــب ســاند» الــذي تــمَّ ابتــكاره خصيصـاً للشــرق األوســط‪ .‬أ َّمــا مزايا‬
‫الســيارات – ويأتــي فــي صــدارة تلــك التفاصيــل الجلــ ُد الفاخــر الــذي تــمَّ تطويــره‬ ‫االتصــال وتقنيــات مســاعدة الســائق ‪-‬بمــا فيهــا نظــام ‪ SYNC3‬الــذي يقــرأ رســائلكِ‬
‫خصيصـاً لطــراز بريزيدينشــال‪ ،‬والــذي ابتكرتــه الشــركة اإلســكتلندية بريــدج أوف‬ ‫ـال بحيــث يمكنــكِ إبقــاء يديــكِ مثبتتيــن بأمــان علــى عجلــة القيــادة‪-‬‬ ‫النصيــة بصــوتٍ عـ ٍ‬
‫ويــر‪ ،‬وهــو ناعــم وطــري بدرجــة غيــر مســبوقة‪ ،‬كمــا أنــه قابــل إلعــادة التدويــر فــي‬ ‫فتع ـ ِّزز تجربتــكِ فــي الســفر إلــى أبعــد حــد‪ .‬وتتباهــى هــذه الســيارة المدهشــة‬
‫نهايــة دورة اســتعماله‪ .‬وقــد طـوَّرت بريــدج أوف ويــر نوعيــة فريدة لعالمــة لينكون‪،‬‬ ‫بالمزيــد مــن المزايــا الفخمــة‪ ،‬مثــل نظــام الصــوت ‪ ،®Revel Ultima‬والخيــارات‬
‫باســتعمال أجــود أنــواع الجلــود المســتخرجة مــن أعــرق الســالالت‪ ،‬بملمــس‬ ‫الشــاملة لضبــط وضعيــات المقاعــد المعــززة بميــزة التدليــك‪ ،‬وكذلــك قــدرة نقــل‬
‫وألــوان وأنــواع ذات مواصفــات خاصــة جــداً‪ .‬وفــي المــرة القادمة التي تســتقلين فيها‬ ‫الحركــة مــع محــرك توربينــي مــزدوج بقــوة ‪ 4٥0‬حصانــاً هــو األفضــل مــن نوعــه‬
‫وتحسســي الفــرق‬ ‫َّ‬ ‫ســيارتكِ مــن لينكــون‪ ،‬تلمَّ ســي مقاعدهــا الجلديــة الناعمــة‬ ‫دون منازع‪.‬‬
‫الكامــن فــي مــا تنطــوي عليــه مــن قــوة تلقائيــة‪☐ .‬‬ ‫تــدرك لينكــون جيــداً أنَّ الفخامــة تكمــن فــي دقــة التفاصيــل‪ ،‬ولهــذا الســبب‬

‫أعلى وفي الصفحة المقابلة لينكون نافيجيتور الجديدة كلياً أدنى يسار هذه‬
‫الصفحة لينكون كونتيننتال بريزيدينشال‬

‫‪٢7‬‬
 ‫‪VOGUE PARTNERSHIP‬‬

‫ترسم سيارتا لينكون كونتيننتال ونافيجيتور الجديدتان مالمح عصر جديد بفضل ما تنطويان عليه من فخامة متطورة‬
 VOGUE PARTNERSHIP

‫لينكون نافيجيتور‬
‫بريزيدينشال الين‬
‫باألزرق الماسي المعدني‬
LINCOLN NAVIGATOR
PRESIDENTIAL LINE IN
CHROMA CRYSTAL BLUE

‫؛‬BEDOUIN ‫بذلة من‬

SALVATORE ‫حذاء من‬
‫؛ قرطان من‬FERRAGAMO
ELISABETTA FRANCHI

SUIT, BEDOUIN; SHOES,

SALVATORE FERRAGAMO;
EARRINGS, ELISABETTA
FRANCHI

٢٥
‫لينكون نافيجيتور‬
‫بريزيدينشال الين‬
‫باألزرق الماسي المعدني‬
LINCOLN NAVIGATOR
PRESIDENTIAL LINE IN
CHROMA CRYSTAL BLUE

»‫فستان و«كولون‬
GIVENCHY ‫وحذاء من‬
DRESS, TIGHTS,
SHOES, GIVENCHY

GREG ADAMSKI ‫تصوير‬

SAM FRANCIS ‫تنسيق‬
‫تصفيف الشعر والمكياج‬
MANUEL LOSADA GOMEZ
 ‫ّ‬
‫تجسد لينكون كونتيننتال معنى األناقة‪ ،‬فيما‬
‫بك لينكون نافيجيتور بقوتها وفخامتها‬‫تنطلق ِ‬
‫التلقائية لتكتشفي أماكن لم تقصديها من قبل‬

‫‪٢٣‬‬
VOGUE PARTNERSHIP

‫لينكون كونتيننتال‬
‫باألبيض البالتيني‬
LINCOLN CONTINENTAL IN
WHITE PLATINUM

PURIFICACION ‫بذلة من‬

MO&CO ‫؛ فستان من‬GARCIA
‫؛ حذاء‬ROBINSONS ‫لدى متجر‬
‫؛‬CHRISTIAN LOUBOUTIN ‫من‬
SACHIN & BABI ‫قرطان من‬

SUIT, PURIFICACIÓN GARCÍA;

DRESS, MO&CO AT ROBINSONS;
SHOES, CHRISTIAN
LOUBOUTIN; EARRINGS,
SACHIN & BABI
ALI MOSTAFA, MAHA GORTON 9
EUGENIA POLYAKOVA 10
HAMID FADAEI, ELNAZ 11
SABA MUBARAK, 12 GOLROKH
AMEL 13 DORRA ZARROUK
BIBI 14 AND ZIAD MAKKAWI
ALABDULMOHSEN AND GUEST
ALEXANDRA VOVCHENKO 15
AZIZA SOUIDI, MATTEO 16
GUERRINI, JOSEPH LUCIUS, KIM
JACOBSON, CECILIA ARNAL
MOHAMMED AL TURKI, 17
TARA EMAD, MANUEL ARNAUT
SALMA ABU DEIF 18
 ‫‪Events‬احتفاالت‬
‫‪DALAL 2 NOJOUD ALRUMAIHI 1‬‬
‫‪CÉCILIA ARNAL 3 AL DOUB‬‬
‫‪MANUEL ARNAUT ADDRESSING 4‬‬
‫‪JAMAL AL 5 THE GUESTS‬‬
‫‪JESSICA 6 NAJADAH AND GUEST‬‬
‫‪KAHAWATY, MANUEL ARNAUT‬‬
‫‪AMANDA REED, NICOLA 7‬‬
‫‪LAVELLE, REEM ALSWAIDI,‬‬
‫‪MELISSA 8 ALEXANDRA VENISON‬‬
‫‪BANCROFT, CAMILA CARRIL,‬‬
‫‪TIMOTHY JAMES‬‬

‫في عالم «برايڤت‬

‫بلند» من توم فورد‬
‫احتفا ًال بإطالق عطر فابيوالس الجديد من‬
‫ُ‬
‫العالمة‬ ‫توم فورد في الشرق األوسط‪ ،‬أقامت‬
‫فعالية موقظة للحواس استم ّرت على مدار‬‫ً‬
‫ثالثة أيام ‪ -‬تحت عنوان «تجربة برايڤت بلند»‪.‬‬
‫ـرض تميَّز بتجهيــزات تفاعلية سـلَّطت‬ ‫شــهد الحــدث المبتكــر إقامــة معـ ٍ‬
‫الضــوء علــى مجموعــة عطــور «برايڤــت بلنــد» مــن تــوم فــورد‪ ،‬داخــل‬
‫مبنــى مكعــب الشــكل ُشـيّد خصيصـاً لهــذا االحتفــال علــى أرض حديقــة‬
‫البــرج فــي دبــي والتــي ينتصــب فــي خلفيتهــا بــرج خليفــة الســامق‪ .‬وإلــى‬
‫جانــب هــذا المعــرض‪ ،‬أقامــت تــوم فــورد وڤــوغ العربيــة حفلـ ّـي عشــاء‬
‫ـتثنائي فــي دبــي بفنــدق رينيســانس‬
‫علــى مــدار ليلتيــن‪ .‬وفــي موقـ ٍـع اسـ ٍّ‬
‫داون تــاون‪ ،‬ضمّ ــت قائمــة المدعويــن إلــى حفــل العشــاء لفيفــاً مــن‬
‫المشــاهير مــن بينهــم درة زروق‪ ،‬وصبــا مبــارك‪ ،‬وتــارا عمــاد‪ ،‬وســلمى‬
‫أبــو ضيــف‪ ،‬إلــى جانــب مصممــة األزيــاء الســعودية نســيبة حافــظ‪،‬‬
‫ومؤسســة عامــة ليودميــا نجيبــة حيــاة‪ ،‬إضافــة إلــى العديــد مــن‬
‫الشــخصيات المؤثــرة فــي عالــم األناقــة مثــل جيســيكا قهواتــي‪ ،‬والنــاز‬
‫َكلــرخ‪ ،‬ويلــدا غولشــريفي‪.‬‬
‫تصويــر ‪HYKU DESESTO‬‬

‫يتوافــر عطــر فابيــوالس‪ ،‬وهــو اإلضافــة األحــدث إلــى مجموعــة‬

‫برايڤــت بلنــد مــن تــوم فــورد‪ ،‬اآلن للشــراء عبــر اإلنترنــت‪ ،‬وكذلــك مــن‬
‫متاجــر ســيفورا فــي أنحــاء الشــرق األوســط‪☐ .‬‬

‫‪20‬‬
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 ‫ﺻﺎﺣﺒ

ﺔ ﻛﺎرﻳﺰﻣ

ﺎ ﻋﻠ

ﻰ وﺳ

ﺎﺋﻞ اﻟﺘﻮاﺻ

ﻞ ﺗﺴ

ﺘﻘﻄﺐ‬
‫ﻣﺸ

ﺎرﻳﻊ ﺗﺘﻌ

ﺎون ﻓﻴﻬﺎ ﻣ

ﻊ ﻣﺎرﻛﺎت ﻋﺎﻟﻤﻴﺔ ﻣﺜ

ﻞ ‪Puma‬‬
‫و‪ MAC Cosmetics‬و‪ ¹Guerlain‬وﻫ

ﻲ اﻵن ﺗﺘﻄﻠ

ﻊ إﻟ

ﻰ‬
‫اﺳﺘﻜﺸ

ﺎف ﻋﺎﻟ

ﻢ ﺗﺼﻤﻴ

ﻢ اﻷزﻳ

ﺎء‪ ،‬وﺗﺄﻣ

ﻞ أن ﺗﺸ

ﺎرك‬
‫ﻓ

ﻲ اﻟﻤﺴ

ﺘﻘﺒﻞ ﻓ

ﻲ أﺳ

ﺒﻮع ﻟﻠﻤﻮﺿ

ﺔ اﻟﺴ

ﻌﻮدﻳﺔ‪¹‬‬
‫وﺑﺎﻟﻄﺒ

ﻊ‪ ،‬ﻫ

ﻲ ﺳ

ﻌﻴﺪة ﺑﺘﺼﺮﻳ

ﺢ وﻟ

ﻲ اﻟﻌﻬﺪ أنّ اﻟﻨﺴ

ﺎء‬
‫ﻳﻘ

ﺮرن ﻧ

ﻮع اﻷزﻳ

ﺎء اﻟﺘ

ﻲ ﻳﺨﺘﺮﻧﻬ

ﺎ ﻋﻠ

ﻰ أن ﺗﻜ

ﻮن ﻻﺋﻘ

ﺔ‬
‫وﺗﺤﺘ

ﺮم اﻟﻤﺠﺘﻤ

ﻊ‪¹‬‬
‫وﺑﺮﻏ

ﻢ أن أﺳ

ﻠﻮب أزﻳﺎﺋﻬ

ﺎ ﻣﺘﺄﺛ

ﺮ ﺑﺎﻟﻤﻮﺿ

ﺔ‬
‫اﻟﻐﺮﺑﻴ

ﺔ‪ ،‬ﻟﻜ

ﻦ ﻟﻤ

ﻰ ﺗﺤ

ﺐّ أن ﺗﺪﺧ

ﻞ ﻋﻨﺎﺻ

ﺮ ﻣ

ﻦ ﺗﺮاﺛﻬ

ﺎ‬
‫اﻟﺴ

ﻌﻮدي ﻓ

ﻲ اﺧﺘﻴﺎراﺗﻬ

ﺎ‪ ¹‬وﻗ

ﺪ ﻛﺮّﻣ

ﺖ ﺟﺬورﻫ

ﺎ ﻋﻠ

ﻰ‬
‫اﻟﺴ

ﺠﺎدة اﻟﺤﻤ

ﺮاء اﻟﻤﺮﺻّ ﻌ

ﺔ ﺑﺎﻟﻨﺠ

ﻮم ﻓ

ﻲ ﻣﻬﺮﺟ

ﺎن‬
‫ﻓﻴﻨﻴﺴ

ﻴﺎ اﻟﺴ

ﻴﻨﻤﺎﺋﻲ ﻓ

ﻲ دورﺗ

ﻪ اﻟﺮاﺑﻌ

ﺔ واﻟﺴ

ﺒﻌﻴﻦ‪،‬‬
‫واﺧﺘ

ﺎرت ﻃﻘﻤ
ﺎً ﻣ

ﻦ أزﻳ

ﺎء اﻟﻤﺼﻤﻤﺔ اﻟﺴ

ﻌﻮدﻳﺔ ﺳ

ﺎرة‬
‫اﻟﺘﻮﻳ

ﻢ‪ ،‬أﺳ

ﻮد ﺑﻠ

ﻮن اﻟﻌﺒ

ﺎءة اﻟﺘﻘﻠﻴﺪﻳ

ﺔ‪☐ ¹‬‬
‫ﺑﻬ

ﺎ أﻣ

ﺎم اﻟﺠﻤﻴ

ﻊ‪ ¹‬ﻟ

ﺬا ﻓ

ﺈن ﺧﺰاﺋﻨﻨ

ﺎ‪ ،‬ﻓ

ﻲ ﺷ

ﻜﻞ ﻣ

ﻦ‬
‫ّ‬
‫اﻟﻤﻔﻀﻠﺔ ﺳﻨﻴﻜﺮز ‪BALENCIAGA‬‬ ‫اﻟﻘﻄﻌﺔ‬
‫ّ‬
‫‪VERSACE‬‬
‫اﻟﻤﻔﻀﻞ ‪ VERSACE‬ﻟﺮﺑﻴﻊ‬ ‫‪ SPEED‬ﻋﺮض اﻷزﻳﺎء‬
‫ّ‬
‫اﻟﻤﻔﻀﻠﺔ ‪NARS‬‬ ‫وﺻﻴﻒ ‪ ¾¿Àå‬ﻣﺎرﻛﺎت اﻟﺠﻤﺎل‬
‫و‪ MAC‬و‪ CHARLOTTE TILBURY‬ﻣﺴﺘﺤﻀﺮ اﻟﺠﻤﺎل‬
‫اﻟﻤﻔﻀﻞﻣﺤﺪّد ﺷﻔﺎه وأﺣﻤﺮ ﺷﻔﺎه ﺣﻴﺎدي‬ ‫ّ‬
‫ﻗﺒ

ﻞ أن ﺗﻨﺘﻘ

ﻞ إﻟ

ﻰ ﻣﻨﺼّ ﺘﻬ

ﺎ اﻷﺳﺎﺳ

ﻴﺔ ﻟﻠﺘﻮاﺻ

ﻞ‬
‫اﻻﺟﺘﻤﺎﻋ

ﻲ‪ ،‬إﻧﺴ

ﺘﻐﺮام‪ ¹‬وﺧ

ﻼل ﻣﺘﺎﺑﻌﺘﻬ

ﺎ دراﺳ

ﺔ‬
‫أزﻳ

ﺎء ‪ SAMAH ABAYAS‬ﺗﺼﻔﻴ

ﻒ ﺷ

ﻌﺮ ‪ MANNA CENTER‬ﻣﻜﻴ

ﺎج ‪ SAFAA ALIREZA, TILDA JACK TABBAKH‬ﻣﺠﻮﻫ

ﺮات‬
‫‪ HAJER GHANI JEWELR‬اﻹدارة اﻹﺑﺪاﻋﻴ

ﺔ ‪ NICHE ARABIA‬اﻟﻤﺪﻳ

ﺮة اﻟﻔﻨﻴ

ﺔ ‪NADA TAWHID‬‬
‫ﻟﻤﻰ اﻟﻌﻘﻴﻞ‬
‫ّ‬
‫وﻣﺼﻤﻤﺔ ﺻﺎﻋﺪة‬ ‫ﻣﺪ ّوﻧﺔ ﻣﻮﺿﺔ وﺟﻤﺎل‬
‫ﺑﺮﻏ

ﻢ ﻣﻜﻴ

ﺎج ﻋﻴﻨﻴﻬ

ﺎ اﻟﺒﺎﻫ

ﺮ‪ ،‬إﻻ أﻧﻨ

ﺎ ﻗﻠّﻤ

ﺎ ﻧ

ﺮى ﻟﻤ

ﻰ‬
‫اﻟﻌﻘﻴ

ﻞ ﻣ

ﻦ دون ﻧﻈﺎرﺗﻬ

ﺎ اﻟﻘﺎﺗﻤ

ﺔ ﻣ

ﻦ ﺳ

ﻴﻠﻴﻦ‪ ،‬وﻫ

ﻲ‬
‫ﺗﻤ

ﺪح ﻣﺴ

ﺘﺤﻀﺮات اﻟﺘﺠﻤﻴ

ﻞ اﻟﺘ

ﻲ ﻻ ﺗﺘﺨﻠّ

ﻰ ﻋﻨﻬ

ﺎ‬
‫ﻣﺜ

ﻞ ﻋ

ﻼج ﻣﻨﻄﻘ

ﺔ اﻟﻌﻴﻨﻴ

ﻦ ﺑﺎﻷﻓ

ﻮﻛﺎدو ﻣ

ﻦ ‪Kiehl’s‬‬
‫واﻟﺮﻣ

ﻮش اﻟﺰاﺋﻔ

ﺔ ﻣ

ﻦ ‪ Huda Beauty‬وﺗﺤﺪﻳ

ﺪاً‬
‫»ﺟﻴﺰﻳ

ﻞ«‪¹‬‬
‫اﻧﻄﻠﻘ

ﺖ رﺣﻠ

ﺔ ﻟﻤ

ﻰ ﻓ

ﻲ ﻋﺎﻟ

ﻢ اﻟﻤﻮﺿ

ﺔ ﻋ

ﺎم ¾‪ ¾¿À‬ﻣ

ﻊ‬
‫إﻃﻼﻗﻬﺎ ﻣﺪوّﻧﺘﻬﺎ ‪ The Hidden Closet‬اﻟﺘﻲ اﺳ

ﺘﻠﻬﻤﺖ‬
‫ﻋﻨﻮاﻧﻬ

ﺎ ﻣ

ﻦ أﺳ

ﻠﻮب اﻟﺤﻴ

ﺎة اﻟﻤﺤﺎﻓﻆ ﻓﻲ اﻟﺴ

ﻌﻮدﻳﺔ‪¹‬‬
‫»ﺧﺰاﺋ

ﻦ اﻟﺴ

ﻌﻮدﻳﺎت ﻏﺎﻣﻀ

ﺔ ﻷﻧﻨ

ﺎ وإن ﻛﻨ

ﺎ ﻧﻌﺎﻧ

ﻖ‬
‫ﺻﻴﺤ

ﺎت اﻟﻤﻮﺿ

ﺔ ﺑﺤﻤﺎﺳ

ﺔ ﻟﻜﻨﻨ

ﺎ ﻧﻌﺠ

ﺰ ﻋ

ﻦ اﻟﺘﺒﺎﻫ

ﻲ‬
‫اﻷﺷ

ﻜﻞ‪ ،‬ﻣﺨﺒ

ﺄة«‪¹‬‬
‫ﻟﺠ

ﺄت ﻟﻤ

ﻰ ﻓ

ﻲ اﻟﺒﺪاﻳ

ﺔ إﻟ

ﻰ ﻣﺪوّﻧﺘﻬ

ﺎ ﻟﺘﻌ

ﺮض‬
‫أﺳ

ﻠﻮب ﺣﻴﺎﺗﻬ

ﺎ وأزﻳﺎءﻫ

ﺎ اﻟﺨﺎﺻ

ﺔ وﻋﺎداﺗﻬ

ﺎ اﻟﺠﻤﺎﻟﻴ

ﺔ‬
‫ﺗﺼﻤﻴ

ﻢ اﻷزﻳ

ﺎء ﻓ

ﻲ ﺟﺎﻣﻌ

ﺔ دار اﻟﺤﻜﻤ

ﺔ ﻓ

ﻲ ﺟ

ﺪة‪،‬‬
‫واﻇﺒ

ﺖ ﻟﻤ

ﻰ ﻋﻠ

ﻰ ﻣﺸ

ﺎرﻛﺔ ﻣﺘﺎﺑﻌﻴﻬ

ﺎ ﻧﺼﺎﺋﺤﻬ

ﺎ‬
‫اﻟﻤﺮﺗﺒﻄ

ﺔ ﺑﺎﻟﻤﻮﺿ

ﺔ‪ ،‬وأﺻﺒﺤ

ﺖ ﺳ

ﺮﻳﻌﺎً ﻣﺆﺛ

ﺮة‬
‫آﻣﻞ أن أﺷﺎرك ﻓﻲ‬
‫اﻟﻤﺴﺘﻘﺒﻞ ﻓﻲ أﺳﺒﻮع‬
‫ﻟﻠﻤﻮﺿﺔ اﻟﺴﻌﻮدﻳﺔ‬
‫أﺳﻠﻮب ‪Style‬‬

‫اﻟﻌﺎﺋﻠﺔ اﻟﻤﻠﻜﻴﺔ ﻓﻲ اﻟﺴﻌﻮدﻳﺔŒ‬

‫ﺺ اﺑﺘﻜﺎر إﻃﻼﻻﺗﻬﺎ‪ ،‬ﻓﺘﺴﺘﻠﻬﻤﻬﺎ‬ ‫أﻣﺎ ﻓﻲ ﻣﺎ ﻳﺨ ّ‬
‫آرام ﻗﺒﺎﻧﻲ‬
‫آرام ﻣﻦ ﻣﻨﺼّ ﺎت اﻟﻌﺮوض وأزﻳﺎء اﻟﺸﺎرع‬ ‫ّ‬
‫وﻣﺼﻤﻤﺔ أزﻳﺎء‬ ‫ّ‬
‫ﻣﻨﺴﻘﺔ‬
‫وأرﺷﻴﻒ اﻟﻤﻮﺿﺔ اﻟﻘﺪﻳﻤﺔŒ ﺗﻘﻮل¾‬
‫»اﻟﻤﻮﺿﺔ ﺗﻌﻴﺪ ﻧﻔﺴﻬﺎ‪ ،‬ﻓﻨﺮى ﺻﻴﺤﺎت‬ ‫ﻛﺎﻧﺖ آرام ﻗﺒﺎﻧﻲ ﺧﻼل ﻃﻔﻮﻟﺘﻬﺎ ﺗﻤﻀﻲ ﺳﺎﻋﺎت‬
‫ﻣﻦ اﻟﺜﻤﺎﻧﻴﻨﻴﺎت واﻟﺘﺴﻌﻴﻨﻴﺎت وﻗﺪ ﻋﺎدت‬ ‫ﺺ ﺑﺸﻐﻒ ﺻﻮراً ﻣﻦ ﻣﺠﻼت اﻟﻤﻮﺿﺔ ﺗﻤﻸ‬ ‫وﻫﻲ ﺗﻘ ّ‬
‫ﺑﺸﻜﻞ أﻗﻮى«Œ‬ ‫ّ‬
‫اﻟﻤﻔﻀﻠﺔ ﻧﻈﺎرة‬ ‫اﻟﻘﻄﻌﺔ‬ ‫ﻗﻠﺒﻬﺎ ﺑﺎﻟﺒﻬﺠﺔ اﻟﺘﻲ ﺗﺘﻮق إﻟﻴﻬﺎŒ اﺑﻨﺔ ﻋﺎﺋﻠﺔ ﻧﺎﺷﻄﺔ‬
‫ﻣﺘﻤﺴﻜﺔ ﺑﺘﺮاﺛﻬﺎ اﻟﺴﻌﻮدﻳﺔ‪ ،‬ﺗﻌﺘﺮف‬ ‫ّ‬ ‫ﺷﻤﺴﻴﺔ ﻣﻦ ‪CHANEL‬‬
‫ّ‬
‫اﻟﻤﻔﻀﻞ‬ ‫ﻋﺮض اﻷزﻳﺎء‬ ‫اﺟﺘﻤﺎﻋﻴ ﺎً ﻛﺎﻧﺖ ﺗﺮاﻗﺐ اﻟﻨﺴﺎء ﺣﻮﻟﻬﺎ ﻳﺘﺰ ّﻳﻦ ﺑﺄرﻗﻰ‬
‫اﻟﻤﺼﻤﻤﺔ ﺑﺄﻧﻬﺎ ﺑﺮﻏﻢ اﻟﻘﻴﻮد اﻟﺘﻲ ﺣﺪّدت‬ ‫‪ GUCCI‬ﻣﺎرﻛﺎت اﻟﺠﻤﺎل‬
‫ّ‬
‫اﻟﻤﻔﻀﻠﺔ ‪NARS COSMETICS‬‬
‫اﻟﻤﺠﻮﻫﺮات وﻳﺮﺗﺪﻳﻦ أﺟﻤﻞ اﻷزﻳﺎء اﺳﺘﻌﺪاداً‬
‫ﻣﺎ ﻛﺎن ﻣﻤﻜﻨﺎً أو ﻏﻴﺮ ﻣﻤﻜﻦ أن ﺗﺮﺗﺪﻳﻪ‬ ‫و‪ TARTE COSMETICS‬و‪HUDA‬‬ ‫ﻟﻼﺣﺘﻔﺎﻻت اﻟﻀﺨﻤﺔ‪ ،‬وﻫﻮ ﺟﺎﻧﺐ ﺑﺎرز ﻓﻲ اﻟﺤﻴﺎة ﻓﻲ‬
‫‪ BEAUTY‬ﻣﺴﺘﺤﻀﺮ اﻟﺠﻤﺎل‬
‫ﺧﻼل ﻧﺸﺄﺗﻬﺎ ﻓﻲ اﻟﺴﻌﻮدﻳﺔ‪ ،‬ﻟﻢ ﺗﺘﺨ ّﻞ‬ ‫ّ‬
‫اﻟﻤﻔﻀﻞ ‪BASSAM FATTOUH‬‬ ‫اﻟﺴﻌﻮدﻳﺔŒ ﻛﺎﻧﺖ ﺗﺮاﻗﺐ أﻣﻬﺎ ﺑﺎﻓﺘﺘﺎن وﻫﻲ ﺗﺴ ﺮّح‬
‫ﻋﻦ ﺣﺒﻬﺎ ﻟﻠﻤﻮﺿﺔ‪ ،‬وﺗﻀﻴﻒ¾ »أﺣﺘﺮم‬ ‫‪LIP LINER IN SHADE VINTAGE PINK‬‬
‫ﺷﻌﺮﻫﺎ وﺗﺮﻓﻌﻪ ﻓﻲ ﺷﻴﻨﻴﻮن أﻧﻴﻖ ﺑﻴﺪﻳﻬﺎ وأﻇﻔﺎرﻫﺎ‬
‫ﺟﺬوري‪ ،‬وﺣﻴﻦ ﻳﺘﻌﻠّﻖ اﻷﻣﺮ ﺑﺘﻤﺜﻴﻞ‬ ‫اﻟﻤﻘﻠّﻤﺔ واﻟﻤﻠﻮّﻧﺔ ﺑﺎﻷﺣﻤﺮ اﻟﻤﺘﻮﻫّ ﺞŒ ﻫﺬه اﻟﻨﻈﺮة‬
‫ﺑﻠﺪي أرﺗﺪي أزﻳﺎء ﻣﺤﺎﻓﻈﺔŒ ﺑﺮﻏﻢ‬ ‫اﻟﺤﻤﻴﻤﺔ إﻟﻰ ﻋﺎﻟﻢ اﻷﻧﺎﻗﺔ اﻟﺴﺎﺣﺮة دﻓﻌﺖ ﻗﺒﺎﻧﻲ إﻟﻰ‬
‫ﺗﺤﻮّل اﻟﻌﺒﺎءة ﺗﻌﺒﻴﺮاً ﻋﻦ اﻟﻤﻮﺿﺔ‬ ‫اﻟﺒﺤﺚ ﻋﻦ ﻣﻬﻨﺔ ﻓﻲ ﻣﺠﺎل اﻟﻤﻮﺿﺔŒ وﺑﻌﺪ اﻟﺪراﺳﺔ‬
‫ﻓﻲ اﻟﺴﻌﻮدﻳﺔ‪ ،‬ﻟﻜﻦ ﻓﻜﺮة اﻟﺴﻤﺎح‬ ‫ﻓﻲ ﺳﻨﺘﺮال ﺳﺎﻧﺖ ﻣﺎرﺗﻦ ﻓﻲ ﻟﻨﺪن‪ ،‬ﻋﻤﻠﺖ آرام‪،‬‬
‫ﺑﺎﻟﻈﻬﻮر ﻣﻦ دوﻧﻬﺎ ﺳﺘﻔﺘﺢ أﺑﻮاﺑﺎً ﻋﺪﻳﺪة أﻣﺎم‬ ‫اﻟﺘﻲ ﺗﺼﻒ أﺳﻠﻮﺑﻬﺎ ﺑﺎﻟﻤﺨﺘﻠﻒ واﻻﻧﺘﻘﺎﺋﻲ ﻣﻦ دون‬
‫اﻟﺠﻴﻞ اﻟﺠﺪﻳﺪŒ أﻣﺮ ﻣﺸﻮّق ﺑﺎﻟﻔﻌﻞ أن ﻧﻜﻮن ﺟﺰءاً‬ ‫اﻟﺘﺨﻠّﻲ ﻋﻦ ﻟﻤﺴﺔ ﻛﻼﺳﻴﻜﻴﺔ‪ ،‬ﻓﻲ ﺗﻨﺴﻴﻖ أزﻳﺎء‬
‫‪GUCCI‬‬

‫ﻣﻦ ﻫﺬا اﻟﺘﻐﻴﻴﺮ اﻟﻜﺒﻴﺮ«Œ‬ ‫اﻟﻤﻤﺜﻞ اﻟﻤﺼﺮي أﺣﻤﺪ ﺣﻠﻤﻲ‪ ،‬إﻟﻰ ﺟﺎﻧﺐ أﻓﺮاد ﻣﻦ‬

‫‪ÆÇ‬‬
‫ﻓﻲ ﺿﻮء اﻟﺘﻐﻴﻴﺮات اﻟﺘﻲ ﺗﺸﻬﺪﻫﺎ ﺑﻼدﻫﻦ‪ ،‬ﺛﻼث راﺋﺪات ﺳﻌﻮدﻳﺎت ﻓﻲ ﻋﺎﻟﻢ اﻟﻤﻮﺿﺔ ﻳﻨﺎﻗﺸﻦ ﺗﻄﻠﻌﺎﺗﻬﻦ‬
‫وﺗﻮﻗﻬﻦ إﻟﻰ اﻟﻔﺠﺮ اﻟﺠﺪﻳﺪ ﺑﻘﻠﻢ ‪ MADIHA SHEIKH‬ﺗﺼﻮﻳﺮ ‪ ALI SHARAF‬إﻧﺘﺎج ‪MARRIAM MOSSALLI‬‬

‫ﻣﻊ ﺗﺴﺎرع وﺗﻴﺮة اﻹﺻﻼﺣﺎت اﻻﺟﺘﻤﺎﻋﻴﺔ واﻻﻗﺘﺼﺎدﻳﺔ اﻟﺘﻲ ﺗﺸﻬﺪﻫﺎ اﻟﺴﻌﻮدﻳﺔ‪،‬‬

‫ﺗﻘﻒ اﻟﻨﺴﺎء اﻟﻄﻤﻮﺣﺎت ﻓﻲ داﺋﺮة اﻟﻀﻮء وﺑﻴﻨﻬﻦ ﻟﻤﻰ اﻟﻌﻘﻴﻞ وآرام ﻗﺒﺎﻧﻲ وﻫﻼ‬
‫اﻟﺤﺎرﺛﻲ اﻟﻠﻮاﺗﻲ أﺛﺒﺘﻦ أﻧﻔﺴﻬﻦ ﻣﺆﺛﺮات ﻧﺎﺟﺤﺎت ﻣﻦ ﺧﻼل ﻣﻨﺼّ ﺎت اﻟﺘﻮاﺻﻞ‬
‫اﻻﺟﺘﻤﺎﻋﻲ‪ ¤‬ﻳﺒﻠﻎ ﻣﺠﻤﻮع ﻋﺪد ﻣﺘﺎﺑﻌﻲ ﻟﻤﻰ وآرام وﻫﻼ Ÿ¡Ÿ أﻟﻒ ﻋﻠﻰ إﻧﺴﺘﻐﺮام‪ ،‬وﻗﺪ‬
‫ﺣﺪﺛﻨﻨﺎ ﻋﻦ ﺗﻤﻜﻴﻦ اﻟﻤﺮأة وﻣﺴﺘﻘﺒﻞ اﻟﺴﻌﻮدﻳﺔ اﻟﻤﺸﺮق‪¤‬‬

‫ﻫﻼ اﻟﺤﺎرﺛﻲ‬
‫ّ‬
‫ﻣﻨﺴﻘﺔ أزﻳﺎء وﻣﺘﺴ ّﻮﻗﺔ ﺧﺎﺻﺔ‬
‫وﻣﺴﺘﺸﺎرة ﻣﻈﻬﺮ‬
‫ﻓﻲ ﻋﻴﺪ ﻣﻴﻼدﻫﺎ اﻟﺘﺎﺳﻊ أﻫﺪت واﻟﺪة ﻫﻼ اﻟﺤﺎرﺛﻲ‬
‫إﻟﻰ اﺑﻨﺘﻬﺎ ﻓﺴﺘﺎﻧﺎً وردﻳﺎً ﻣﻄﺮّزاً ﺑﺎﻟﺘﺮﺗﺮ واﻟﻶﻟﺊ‪ ،‬وﺗﻠﻚ‬
‫ّ‬
‫اﻟﻤﻔﻀﻠﺔ ﻧﻈﺎرة ﺷﻤﺴﻴﺔ‬ ‫اﻟﻘﻄﻌﺔ‬ ‫اﻟﻠﺤﻈﺔ أوﻗﻌﺖ اﻟﻔﺘﺎة اﻟﺼﻐﻴﺮة ﻓﻲ ﻏﺮام اﻟﻤﻮﺿﺔ‪¤‬‬
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‫اﻟﻤﻔﻀﻞ‬ ‫ﻣﻦ ‪ CHANEL‬ﻋﺮض اﻷزﻳﺎء‬
‫‪ CHANEL‬ﻟﻠﺮﺣﻼت ‪ ÐÑ¡Ò‬ﻣﺎرﻛﺔ اﻟﺠﻤﺎل‬ ‫ﻣﻦ دون ﺗﺮدد اﺧﺘﺎرت اﻟﺤﺎرﺛﻲ اﻟﺘﺨﺼّ ﺺ ﻓﻲ‬
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‫اﻟﻤﻔﻀﻞ ‪IT COSMETICS‬‬
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‫اﻟﻤﻔﻀﻠﺔ ‪ KIEHL’S‬ﻣﺴﺘﺤﻀﺮ‬
‫اﻟﺠﻤﺎل‬
‫ﺗﻨﺴﻴﻖ اﻷزﻳﺎء وﺗﻘﺪﻳﻢ اﺳﺘﺸﺎرات ﻓﻲ ﻋﺎﻟﻢ اﻟﻤﻮﺿﺔ‬
‫‪CONFIDENCE IN A CREAM MOISTURIZING‬‬ ‫ﻓﻲ ﺳﺘﺮﻟﻴﻨﻎ ﺳﺘﺎﻳﻞ أﻛﺎدﻳﻤﻲ ﻓﻲ ﻧﻴﻮﻳﻮرك‪ ،‬ﻓﻨﺎﻟﺖ‬
‫ﻓﺮص اﻟﻌﻤﻞ ﻓﻲ ﺷﺮﻛﺎت ﻣﻌﺮوﻓﺔ ﻣﺜﻞ ﻛﻠﻮي‬
‫وراﻟﻒ ﻟﻮرﻳﻦ وﻟﻮﺑﻮﺗﺎن‪ ¤‬ﺗﺴﻤّ ﻲ اﻟﺤﺎرﺛﻲ اﻟﻤﻠﻜﺔ راﻧﻴﺎ‬
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‫اﻟﻤﻔﻀﻠﺘﻴﻦ‬ ‫اﻟﻌﺒﺪ ا¿ وراﻳﺘﺸﻞ زوي أﻳﻘﻮﻧﺘﻲ اﻷﻧﺎﻗﺔ‬
‫وﺗﻜﺸﻒ أﻧﻬﺎ ﺗﻬﺘﻢّ ﺑﺎﻟﺮاﺣﺔ و»ﺗﻌﺘﺒﺮﻫﺎ اﻷﺳﺎس«‬
‫ﻋﻨﺪ اﺧﺘﻴﺎر إﻃﻼﻟﺔ ﻣﻌﻴﻨﺔ‪ ،‬وﺗﻀﻴﻒ‪» Ä‬ﻳﺠﺐ أﻳﻀﺎً أن ﺗﺒﻘﻲ‬
‫وﻓﻴﺔ ﻟﺜﻘﺎﻓﺘﻚ«‪ ¤‬أﻣﺎ ﻧﻘﻄﺔ ﺿﻌﻔﻬﺎ‪ ،‬ﻓﻬﻲ اﻟﻤﺠﻮﻫﺮات‬
‫واﻟﺰﻣ ﺮّد ﻓﻲ ﺷﻜﻞ ﺧﺎص‪» ،‬اﻟﺴﻌﻮدﻳﺎت ﻳﻌﺸﻘﻦ‬
‫ﻣﺠﻮﻫﺮاﺗﻬﻦ اﻟﺘﻲ ﺗﻌﻜﺲ أﺳﻠﻮب اﻷﻧﺎﻗﺔ واﻟﺤﻴﺎة«‪¤‬‬
‫ﻟﻢ ﺗﺨﻒ ﻫﻼ ﺣﻤﺎﺳﺘﻬﺎ ﺑﺎﺳﺘﻀﺎﻓﺔ أﺳﺒﻮع‬
‫اﻟﻤﻮﺿﺔ اﻟﻌﺮﺑﻲ ﻓﻲ اﻟﺴﻌﻮدﻳﺔ اﻟﺬي أﻗﻴﻢ ﻓﻲ أﺑﺮﻳﻞ‬
‫اﻟﻤﺎﺿﻲ‪» ،‬أﻣﺮ ﻻ ﻳﺼﺪّق أن ﺗﺘﺎح ﻫﺬه اﻟﻔﺮﺻﺔ ﻫﻨﺎ ﺣﻴﺚ‬
‫ﺛﻤﺔ ﻣﻮاﻫﺐ ﻻﻣﻌﺔ‪ ،‬وﺣﺪث ﻛﻬﺬا ﻳﺴﻤﺢ ﻟﻬﺎ ﺑﺄن‬
‫ﺗﺸﻊّ «‪ ¤‬اﻟﺤﺎرﺛﻲ ﻣﺪاﻓﻌﺔ ﺻﺎدﻗﺔ ﻋﻦ ﺗﻤﻜﻴﻦ اﻟﻤﺮأة‪،‬‬
‫وﻫﻲ ﻋﻀﻮ ﻓﻲ ﻣﺠﻠﺲ اﻷزﻳﺎء اﻟﻌﺮﺑﻲ‪ ،‬وﺗﺄﻣﻞ أن‬
‫ﺗﺴﺘﻤ ّﺮ ﻓﻲ اﺳﺘﺜﻤﺎر ﻫﺬه اﻟﻤﻨﺼﺔ ﻟﺘﻘﺪﻳﻢ ﻓﺮص‬
‫‪CHANEL‬‬

‫ﺟﺪﻳﺪة ﻟﺠﻴﻞ ﺟﺪﻳﺪ ﻣﻦ اﻟﻨﺴﺎء اﻟﺴﻌﻮدﻳﺎت‪¤‬‬

‫حقيبة من ‪GUCCI‬‬
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‫حذاء خفيف من ‪MANOLO BLAHNIK‬‬

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‫حذاء خفيف من ‪BOSS‬‬

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Shop‫اختاري‬
BALENCIAGA ‫حذاء من‬

PRADA ‫حذاء بكعب قصير من‬

MAISON MARGIELA ‫حقيبة من‬

13
‫حقيبة من مجموعة‬
‫ من‬205W39NYC
CALVIN KLEIN
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‫حذاء بحزام خلف الكاحل‬

‫من ‪SERGIO ROSSI‬‬

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 ‫حقيبة يد من ‪KENZO‬‬

‫حذاء من ‪BOSS‬‬

‫حقيبة بإبزيم من ‪CÉLINE‬‬

‫اِكتشفي عالم األلوان‬

‫األساسية المدهش‬
‫تصوير ‪ANH KIET DUONG‬‬

‫تنسيق أزياء ‪GIJSJE RIBBENS‬‬

 ‫ﺣﻘﻴﺒﺔ ﻳﺪ ﻣﻄﺮﱠزة‬
‫ﻣﻦ ‪SARAH’S BAG‬‬

‫ﺣﻘﻴﺒﺔ اﻟﻜﻼﺗﺶ إﻳﭭﺎ‬

‫ﻣﻦ ‪RULA GALAYINI‬‬

‫ﺣﻘﻴﺒﺔ اﻟﻜﻼﺗﺶ‬
‫اﻟﺴﺎﺗﺎﻧﻴﺔ راﻧﻐﻮ‬
‫ﻣﻦ ‪SANAYI 313‬‬

‫ﺣﻘﻴﺒﺔ ﻛﻼﺗﺶ ﻣﻌﺪﻧﻴﺔ ﻣﻦ ‪LA LA QUEEN‬‬

‫ﺣ“ﻘﺎﺋﺐ ﺗﺤﺖ‬
‫اﻷﺿﻮاء‬
‫ﺣﻘﻴﺒﺔ ﺻﻐﻴﺮة ﻣﺴﺘﺪﻳﺮة ﻣﻦ ‪OKHTEIN‬‬

‫ﻣﻦ ﺣﻘﺎﺋﺐ اﻟﻜﻼﺗﺶ اﻟﻤﺮ ّﺑﻌﺔ‬

‫اﻟﻨﺎﺑﻀﺔ ﺑﺎﻷﻟﻮان إﻟﻰ اﻟﺤﻘﺎﺋﺐ‬
‫اﻟﻮاﺳﻌﺔ اﻟﻤﺰداﻧﺔ ﺑﺎﻟﻤﻘﺎﺑﺾ‪،‬‬ ‫ﺣﻘﻴﺒﺔ ﻛﻼﺗﺶ ﺻﻐﻴﺮة‬
‫ﻣﺼﻨﻮﻋﺔ ﻣﻦ ﺟﻠﺪ‬
‫ﺗﺄﻣﻠﻲ ﻣﺎ ﻃﺮﺣﺘﻪ ﻣﺠﻤﻮﻋﺔ‬ ‫اﻷﻓﻌﻰ ﻣﻦ ‪BARABOUX‬‬
‫ﺣﻘﻴﺒﺔ ﺟﻠﺪﻳﺔ ﺻﻐﻴﺮة ﻣﻦ ‪MARZOOK‬‬
‫ﻣﻦ أﺑﺮز ّ‬
‫ﻣﺼﻤﻤﻲ اﻟﺤﻘﺎﺋﺐ ﻓﻲ‬
‫اﻟﺸﺮق اﻷوﺳﻂ‪ ،‬واﺧﺘﺎري‬
‫اﻟﻠﻤﺴﺔ اﻟﺘﻲ ﺗﺠﺬب اﻟﻀﻮء إﻟﻴﻚ’‬
‫ﺣﻘﻴﺒﺔ ﻛﻼﺗﺶ ﻣﻄﻠﻴﺔ ﺑﺎﻟﺬﻫﺐ‬
‫واﻟﻜﺮوم ﻣﻦ ‪L’AFSHAR‬‬

‫اﻟﺼ““ﻮرة ‪ PHOTOGRAPHS‬ﺟﻤﻌﺘﻬ““ﺎ ‪CLAIRE CARRUTHERS‬‬

‫ﺣﻘﻴﺒﺔ ﻛﻼﺗﺶ ﺻﻨﺪوﻗﻴﺔ‬

‫اﻟﺸﻜﻞ ﻣﻦ ‪NS BY NOOF‬‬ ‫ﺣﻘﻴﺒﺔ ﻛﺘﻒ ﻣﻦ ‪NATHALIE TRAD‬‬

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‫ﺣﻘﻴﺒﺔ ﻣﻦ ‪BOTTEGA VENETA‬‬

‫ﺳﺘﺮة ﻣﻦ‬
‫‪Y/PROJECT‬‬
‫ﻟﺪى ﻣﺘﺠﺮ‬
‫‪BOUTIQUE 1‬‬

‫أدارت ﻋﻼﻣﺔ ﺑﺎﻧﺘﻮن َ‬

‫ﻋﺠﻠﺔ اﻷﻟﻮان ﻣﺠﺪداً‪ ،‬واﻟﺘﻲ ﺗﻮﻗﻔﺖ ﻋﻨﺪ‬
‫اﻷرﺟﻮاﻧﻲ اﻟﻔﺎﺗﺢ­ أﻗﺮﻧﻲ ﻫﺬا اﻟﻠﻮن ﺑﺎﻹﻛﺴﺴﻮارات ذات اﻟﻠﻮن‬
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‫اﻟﻌﻨﺎﺑﻲ اﻟﻐﻨﻲ ﻟﺘﺤﺼﻠﻲ ﻋﻠﻰ ﺗﻨﺎﺳﻖ ﻟﻮﻧﻲ ﻣﻦ وﺣﻲ اﻟﺨﻴﺎل­‬
‫‪DIOR‬‬

‫ﻧﻈﺎرة ﺷﻤﺴﻴﺔ ﻣﻦ ‪FENDI‬‬

‫ﺣﺰام ﻛﻮرﺳﻴﻪ ﻣﻦ ‪ALAÏA‬‬

‫ﺣﺬاء ﺑﺴﺎق‬
‫ﻃﻮﻳﻠﺔ ﻣﻦ‬
‫‪ALBERTA‬‬
‫‪FERRETTI‬‬

‫ﻗﻔﻄﺎن ﻣﻦ ‪HUISHAN‬‬
‫‪ ZHANG‬ﻋﻠﻰ ﻣﻮﻗﻊ‬
‫‪THE MODIST‬‬
‫‪PRABAL GURUNG‬‬

‫ﺳﺘﺮة ﻣﻦ ‪ALESSANDRA RICH‬‬

‫ﻓﺴﺘﺎن ﻣﻦ‬
‫‪ TIBI‬ﻋﻠﻰ ﻣﻮﻗﻊ‬
‫‪NET-A-PORTER‬‬

‫ﻗﺮﻃﺎن ﻣﻦ‬
‫‪ELISABETTA‬‬ ‫ﺣﺬاء ﻋﺼﺮي‬
‫‪FRANCHI‬‬ ‫ﻣﻦ ‪JIMMY‬‬
‫‪CHOO‬‬
‫في الواجهة‪Upfront‬‬
‫االجتماعي وتغ يّر الزمن»‪.‬‬ ‫اخت ــارت فاطم ــة باعش ــن دراس ــة عل ــم االجتم ــاع‪ ،‬لكنه ــا ل ــم تلج ــأ إل ــى تخصّ صه ــا‬
‫م ــاذا ع ــن الم ــرأة‪ ،‬ه ــل ب ــدأت تس ــتفيد م ــن ف ــرص التغيي ــر؟ «بالطب ــع‪ ،‬وأن ــا أق ــول‬ ‫إال بع ــد س ــنوات م ــن االنخ ـراط ف ــي العم ــل حي ــن انتقل ــت إل ــى التنمي ــة االقتصادي ــة‬
‫دومــاً إن الســعوديات ينجــزن أمــوراً مذهلــة‪ .‬فمنــذ عشــرات األعــوام نجحــن‬ ‫واالجتماعيــة‪ ،‬كمــا تشــرح‪« ،‬بدايــ ًة مــع المنظمــات العالميــة غيــر الحكوميــة‪،‬‬
‫فــي أن يكــنّ عالمــات صواريــخ وباحثــات متخصّ صــات فــي عاجــات الســرطان‬ ‫والحق ـاً م ــع القط ــاع الع ــام ف ــي الخلي ــج العرب ــي‪ ،‬كخبي ــرة اس ــت راتيجية تط ـوّر أط ــر‬
‫وس ــيدات أعم ــال ومع لّم ــات ومتس ـلّقات جب ــال وأمه ــات وأعض ــاء ف ــي مجل ــس‬ ‫عم ــل لمعالج ــة بع ــض القضاي ــا االجتماعي ــة الملحّ ــة‪ ،‬كالبطال ــة ل ــدى الش ــباب أو‬
‫الشــورى‪ .‬لكــن التقــدّم بخطــوات ســريعة انطلــق فــي العاميــن الماضييــن‬ ‫تمكي ــن الم ــرأة»‪.‬‬
‫بفض ــل توجيه ــات خ ــادم الحرمي ــن الش ــريفين جال ــة المل ــك س ــلمان آل س ــعود‬ ‫عــال‪ ،‬هــي التــي‬ ‫ٍ‬ ‫تعليــم‬ ‫مــن‬ ‫لتــه‬ ‫حصّ‬ ‫مــا‬ ‫إلــى‬ ‫ً‬ ‫ا‬ ‫دومــ‬ ‫باعشــن‬ ‫لقــد اســتندت‬
‫وول ــي العه ــد األمي ــر محم ــد ب ــن س ــلمان مهن ــدس الرؤي ــة ‪ .٢٠٣٠‬من ــذ ‪ ٢٠١٦‬خط ــت‬ ‫ً‬ ‫ّ‬
‫تخ ــوض العم ــل مس ـل ح ة‪ ،‬كم ــا تق ــول‪« ،‬بفض ــول فك ــري»‪ ،‬حت ــى ف ــي ممارس ــة‬
‫النس ــاء خط ــوات متق دّم ــة ف ــي المج ــال القانون ــي ف ــي وزارة الع ــدل‪ ،‬ف ــي م ــا يتع لّق‬ ‫دورهــا الحالــي‪ .‬وهنــا تؤكــد أنّ إســناد دور المتح دّثــة الرســمية باســم‬
‫بقواني ــن األح ــوال الش ــخصية والعم ــل‪ ،‬وف ــي المج ــال السياس ــي عب ــر الترش ــح‬ ‫الس ــفارة الس ــعودية ف ــي واش ــنطن إليه ــا ه ــو «ش ــهادة للقي ــادة ف ــي المملك ــة‬
‫والتصويــت فــي االنتخابــات البلديــة‪ ،‬وفــي شــغل مناصــب إداريــة مثــل رئيــس‬ ‫العربي ــة الس ــعودية الت ــي اخت ــارت ش ــخص اً عادي ـاً مثل ــي‪ -‬ل ــم يت ــدرّج ف ــي الس ــلك‬
‫مجل ــس إدارة الس ــوق المالي ــة الس ــعودية‪ ،‬أو نائ ــب وزي ــر العم ــل‪ ،‬وأخي ـراً الملح ــق‬ ‫الديبلوماس ــي‪ ،‬وال ينتم ــي إل ــى الطبق ــات العلي ــا ف ــي المجتم ــع الس ــعودي‪ -‬ألخدم‬
‫التج ــاري ف ــي الياب ــان‪ .‬الس ــماء حدن ــا!»‪.‬‬ ‫كديبلوماس ــية بطريق ــة تنس ــجم م ــع طموح ــي الفك ــري‪ .‬اآلن أمض ــي الكثير من‬
‫تنتظــر الســعوديات المزيــد مــن اإلصاحــات التــي تزيــل العوائــق أمــام‬ ‫وقت ــي ف ــي ش ــرح المجتم ــع الس ــعودي لإلع ــام والجمه ــور الع ــام‪ ،‬ل ــذا أع ــود دوم اً‬
‫طموحه ــن‪« .‬مث ــل كل المجتمع ــات نح ــن نتط ـ ّور‪ ،‬والمجال واس ــع أمامنا لننجز‬ ‫إل ــى م ــا اكتس ــبته م ــن عل ــم وإل ــى أع ــوام العم ــل ف ــي المملك ــة»‪.‬‬
‫المزيــد‪ .‬النســاء فــي كل مــكان فــي ســباق لنيــل حقوقهــن‪ ،‬والســعوديات‬ ‫ال تتوق ــف باعش ــن طوي ـ ًا عن ــد حقيق ــة أنه ــا أول س ــعودية تش ــغل منصب ـاً‬
‫يركضــن فــي هــذا الماراثــون‪ .‬خــال العاميــن الماضييــن ازدادت ســرعتنا فــي‬ ‫م ــن ه ــذا الن ــوع‪« .‬بالطب ــع أدرك أن ــه ش ــرف عظي ــم وأش ــعر باالمتن ــان‪ ،‬لكنن ــي ل ــم‬
‫الس ــباق ف ــي ش ــكل ملح ــوظ‪ .‬تق دّمن ــا ف ــي مج ــاالت ع ــدة خصوص ـاً ف ــي مج ــال‬ ‫أط ــارد يوم ـاً الجوائ ــز التقديري ــة‪ .‬وكان هدف ــي دوم ـاً المس ــاهمة المفي ــدة»‪ .‬وهن ــا‬
‫العمــل‪ ،‬مــع إعــان المســاواة فــي الرواتــب‪ ،‬والخــوض فــي صناعــات جديــدة‪،‬‬ ‫تص ـ ّر عل ــى أنه ــا نال ــت الوظيف ــة «بفض ــل الخب ــرة ولي ــس ألنن ــي ام ــرأة»‪.‬‬
‫وش ــغل مناص ــب إداري ــة‪ ،‬وإص ــدار رخ ــص ألعم ــال تديره ــا نس ــاء‪ .‬ه ــذه اإلصاح ــات‬ ‫باعش ــن الت ــي نش ــأت وتع لّم ــت ف ــي الوالي ــات المتح ــدة اس ــتفادت م ــن التن ـوّع‬
‫جوهريــة ألنهــا تســهّ ل حيــاة المــرأة المهنيــة‪ ،‬عنــد اختيارهــا هــذا الطريــق‪،‬‬ ‫الثقافــي الــذي طبــع حياتهــا‪« .‬والــداي ســعوديان‪ ،‬وأعوامــي األولــى أمضيتهــا‬
‫وت ــؤدي إل ــى تمكي ــن االقتص ــاد»‪.‬‬ ‫ألخ ــص‬ ‫ف ــي المملك ــة‪ .‬ث ــم عش ــت ‪ ٣١‬عام ـاً ف ــي الوالي ــات المتح ــدة‪ .‬وإذا أردت أن ّ‬
‫ظــل هــذه اإلصاحــات وغيرهــا‪ ،‬كيــف تــرى باعشــن مســتقبل‬ ‫فــي ّ‬ ‫حكايتــي بنــاء علــى القلــب والعقــل والــروح‪ ،‬فــإن قلبــي ســعودي‪ ،‬وثقافتــي‬
‫الس ــعودية؟ «المملك ــة العربي ــة الس ــعودية ف ــي م ــكان يس ــمح له ــا ب ــأن تك ــون‬ ‫الس ــعودية يت ــردّد صداه ــا ف ـ ّـي حيثم ــا حلل ــت ف ــي ه ــذا العال ــم‪ .‬أم ــا ع ــن طريق ــة‬
‫مث ــا ًال ح ّي ـاً للتق ـدّم ف ــي المنطق ــة‪ّ -‬‬
‫تمث ــل النتيج ــة الفضل ــى للق ــاء القي ــم اإلس ــامية‬ ‫تفكي ــري‪ ،‬فيمك ــن الق ــول إنن ــي أفك ــر كأميركي ــة ألنن ــي نت ــاج النظ ــام التعليم ــي‬
‫وفــي لقيمنــا‬‫ّ‬ ‫بالحداثــة‪ -‬فــي شــكل‬ ‫األميرك ــي م ــن الروض ــة إلى ش ــهادة الماجس ــتي ر‪ .‬وروحي‪ ،‬طبع اً‪ ،‬مس ــلمة‪ ،‬ليس‬
‫التمس ــك‬
‫ّ‬ ‫اإلســامية الجوهريــة‪ ،‬مــع‬ ‫ألنن ــي ول ــدت مس ــلمة فحس ــب ب ــل بس ــبب كل ش ــيء ف ــي حيات ــي‪ ،‬اإلس ــام‬
‫بالتســامح واالنفتــاح وقبــول تشــارك‬ ‫المملكة‬ ‫يق رّبني من اهلل»‪.‬‬
‫ت راثنــا الجميــل وثقافتنــا مــع العالــم‬
‫ليطل ــع عل ــى أفضل م ــا يمك ــن أن نق دّمه‪،‬‬
‫العربية السعودية‬ ‫لي ــس تحدي ـاً س ــه ًا تقدي ــم الش ــروح للتواص ــل م ــع اآلخ ــر وم ـ ّد الجس ــور نح ــو‬
‫الثقاف ــات المختلف ــة‪ .‬فم ــا ه ــو التح ـدّي األصع ــب ال ــذي تواجهه باعش ــن؟ «كمث ّق فة‬
‫التاريــخ‪ ،‬الجغ رافيــا‪ ،‬الفــن‪ ،‬العمــارة‪،‬‬
‫الطع ــام‪ ،‬وقب ــل كل ش ــيء الن ــاس‪ .‬أن‬
‫في مكان يسمح‬ ‫معت ــادة التعمّ ــق ف ــي الش ــروح‪ ،‬م ــا أعتب ــره تحدي ـاً ف ــي مهنت ــي ه ــو نق ــل رواي ــة‬
‫األدق فــي ســياقات مقتضبــة‪ .‬واألمــر صعــب ألننــا كســعوديين لــم‬ ‫المملكــة ّ‬
‫نح ّق ــق ه ــذا ونق ـدّم ف ــي الوق ــت نفس ــه‬
‫خدمــات عالميــة وخبــرات فــي محيــط‬
‫لها بأن تكون‬ ‫نك ــن ناش ــطين ف ــي ش ــرح س ــرديتنا ف ــي الوالي ــات المتح ــدة‪ ،‬والنتيج ــة ه ــي أن‬
‫ثم ــة ص ــوراً نمطي ــة ثابت ــة يج ــب تحطيمه ــا قب ــل أن نبن ــي األط ــر الجدي ــدة‪ .‬صاح ــب‬
‫حديــث متطــوّر تكنولوجيــاً‪ .‬بحماســة‬ ‫مثا ًال ح ّياً للتق ّدم‬ ‫الســمو الملكــي الســفير خالــد بــن ســلمان يــؤدي دوراً محوريــاً فــي تغييــر‬
‫ش ــديدة ن راق ــب ه ــذه األم ــور وه ــي ف ــي‬ ‫الس ــردية ف ــي الوالي ــات المتح ــدة وأس ــلوب مقاربتن ــا وتعاطين ــا م ــع اإلع ــام‪ .‬ه ــي‬
‫طــور التح ّق ــق»‪☐ .‬‬ ‫في المنطقة‬ ‫م ــن دون ش ــك تجرب ــة تتطل ــب تحدي ــات لكنه ــا أيض ـاً مجزي ــة إل ــى ح ــد بعي ــد‪ ،‬ألنن ــا‬
‫نه ــدم ونبن ــي ف ــي الوق ــت نفس ــه‪ .‬صاح ــب الس ــمو الس ــفير يق ــول دوم ـاً م ــن ب ــاب‬
‫التش ــجيع‪ :‬إنن ــا نق ــوم بعم ــل جي ــد‪ ،‬لك ــن ينتظرن ــا المزي ــد م ــن العم ــل»‪.‬‬
‫فاطمة باعشن في إحدى إطاالتها التلفزيونية‬
‫بي ــن التغ ّي ـرات الت ــي يُنتظ ــر بروزه ــا ف ــي الس ــعودية تتوق ــع باعش ــن نه ــوض‬
‫قط ــاع صناع ــي راس ــخ‪« .‬الرؤي ــة ‪ ٢٠٣٠‬تغ ّي ــر األرضي ــة االقتصادي ــة‪ ،‬إل ــى جان ــب التغي رات‬
‫نرك ــز عل ــى أكث ــر م ــن منطق ــة واح ــدة‪،‬‬ ‫والتغيي ـرات األخ ــرى ف ــي المملك ــة‪ .‬بدأن ــا ّ‬
‫الدف ــاع والترفي ــه عل ــى س ــبيل المث ــال‪ .‬أتش ـوّق لرؤي ــة أي صناع ــة س ــتكون بدايتنا‬
‫لتحري ــك الق ــوة اإلنتاجي ــة‪ ،‬واالبت ــكار‪ ،‬وري ــادة األعم ــال‪ .‬أراق ــب ه ــذا المج ــال جي ــداً‪.‬‬
‫كم ــا أتوق ــع تح ـ ّو ًال ف ــي س ــوق العمل‪ .‬س ــيعمل عدد أكب ــر من الس ــعوديين في‬
‫القط ــاع الخ ــاص وي ــؤدون أدواراً مرتبط ــة بمهنه ــم‪ .‬كم ــا سنش ــهد االس ــتفادة‬
‫مــن الــذكاء االصطناعــي واألتمتــة لتطويــر المهــارات‪ ،‬خصوصــاً أ ّن نــا كشــعب‬
‫نمي ــل إل ــى العال ــم الرقم ــي وري ــادة األعم ــال ألنّ الش ــريحة الكب ــرى مؤلف ــة م ــن‬
‫الشــباب الذيــن يكتســبون إحساســاً بذواتهــم بفضــل وســائل التواصــل‬

‫‪7‬‬
 ‫فاطمة باعشن المتحدثة‬
‫الرسمية باسم السفارة‬
‫السعودية في واشنطن تكشف‬
‫أصعب مسؤوليات مهنتها‬
‫الرسم ‪NATALIE LINES‬‬ ‫‪NOUR KAMEL‬‬ ‫بقلم‬
‫ﻛﻠﻤﺔ اﻟﺘﺤﺮﻳﺮ‪Editor’s Letter‬‬

‫ﻓﻲ ﻳﻮﻧﻴﻮ اﻟﺠﺎري‪ ،‬اﻟﺬي ﻳﺸﻬﺪ ﺟﻠﻮس اﻟﻨﺴﺎء ﻓﻲ‬

‫اﻟﺴﻌﻮدﻳﺔ ﺧﻠﻒ اﻟﻤﻘﻮد‪ ،‬أي ﻓﻲ ﻣﻘﻌﺪ اﻟﻘﻴﺎدة ﻓﻲ‬
‫اﻟﺴﻴﺎرة‪ ،‬ﺗﺤﺘﻔﻞ ﭬﻮغ اﻟﻌﺮﺑﻴﺔ ﺑﺎﻟﺘﻐﻴﻴﺮات اﻟﺘﻘﺪّﻣﻴﺔ‬
‫واﻟﻤﺸﻮّﻗﺔ اﻟﺘﻲ ُﺗﺘﺮﺟَ ﻢ ﺗﺤﻮّﻻت ﻓﻲ اﻟﻤﻤﻠﻜﺔ‪،‬‬
‫وﺑﺎﻟﺘﺎﻟﻲ ﻓﻲ ﻣﻨﻄﻘﺘﻨﺎ– ﻧﻜ ﺮّم أﻳﻀ ﺎً ﻧﺴﺎء اﻟﻤﻤﻠﻜﺔ‬
‫اﻟﻤﺒﺪﻋﺎت ﻓﻲ اﻟﻤﻮﺿﺔ واﻟﻔﻨﻮن واﻟﺪﻳﺒﻠﻮﻣﺎﺳﻴﺔ‬
‫واﻟﻠﻮاﺗﻲ ﺗﺴﺘﺤﻖ ّأﻋﻤﺎﻟﻬﻦ اﻋﺘﺮاﻓ ﺎً ﻋﺎﻟﻤﻴ ﺎً–‬
‫وﺗﻤّ ﺜﻞ ﻋﺼ َﺮ ﺗﻤﻜﻴﻦ اﻟﻤﺮأة اﻟﺠﺪﻳﺪ ﻫﺬا ﻧﺠﻤﺔُ‬
‫اﻟﻐﻼف ﻟﻬﺬا اﻟﺸﻬﺮ ﺻﺎﺣﺒﺔ اﻟﺴﻤﻮ اﻟﻤﻠﻜﻲ‬
‫اﻷﻣﻴﺮة ﻫﻴﻔﺎء ﺑﻨﺖ ﻋﺒﺪ ا‪ ª‬آل ﺳﻌﻮد–‬
‫ﻗﺒﻞ ﺛﻼﺛﺔ أﻋﻮام اﻟﺘﻘﻴﺖ ﺳﻤ ّﻮ اﻷﻣﻴﺮة ﻫﻴﻔﺎء ﻟﻠﻤﺮة‬
‫اﻷوﻟﻰ– وﻛﺎﻧﺖ ﻗﺪ وﺻﻠﺘﻨﻲ رﺳﺎﻟﺔ إﻟﻜﺘﺮوﻧﻴﺔ ﻫﻲ‬
‫ﺑﻴﺎن ﺻﺤﺎﻓﻲ ﻳﻌﻠﻦ ﻋﻦ اﻓﺘﺘﺎح ﻣﻌﺮض ﺳﻤﻮّﻫﺎ‬
‫اﻻﻧﻔﺮادي ﻓﻲ ﻧﻴﻮﻳﻮرك‪ ،‬ﻓﺄﺳﺮﻧﻲ أﺳﻠﻮﺑﻬﺎ اﻟﻔﻨﻲ‬
‫ﻓﻲ اﻟﻠﺤﻈﺔ ﻧﻔﺴﻬﺎ‪ ،‬واﻟﺬي ﻳﻌﻴﺪ ﺗﻤﺜﻴﻞ أﻳﻘﻮﻧﺎت‬
‫ﻋﺮﺑﻴﺔ ﺑﻠﻤﺴﺔ ﺳﻮرﻳﺎﻟﻴﺔ ﺗﻀﺞّ ﺑﺎﻷﻟﻮان–‬
‫ﺑﻌﺪ ﻣﺤﺎورة ﺳﻤﻮﻫﺎ ﺑﻬﺪف ﻧﺸﺮ ﻣﻘﺎﻟﺔ ﺗﺪور‬
‫ﺣﻮل ﻣﻮﻫﺒﺘﻬﺎ‪ ،‬ﺗﻌﺎوﻧﺎ ﻷﺟﻞ ﺗﻨﻈﻴﻢ ﺣﺪث ﺧﻴﺮي‬
‫ﻟﺼﺎﻟﺢ ﻣﻨﻈﻤّ ﺔ اﻟﻴﻮﻧﻴﺴﻴﻒ– وﻗﺪ ﺷﻬﺪت ﺗﻠﻚ‬
‫اﻟﻤﺮﺣﻠﺔ ﺑﺪاﻳﺔ ﺻﺪاﻗﺔ ﻣﺴﺘﻤﺮّة ﺑﺮﻏﻢ أﻧﻨﺎ ﻻ ﻧﻘﻴﻢ ﻓﻲ اﻟﺒﻠﺪ ﻧﻔﺴﻪ–‬
‫ﺻﺎﺣﺒﺔ اﻟﺴﻤﻮ اﻟﻤﻠﻜﻲ‬ ‫ﺗﺮﺳﺨﺖ ﻣﻌﺮﻓﺘﻲ ﺑﺎﻷﻣﻴﺮة ﻫﻴﻔﺎء ازداد اﻧﺒﻬﺎري ﺑﻬﺎ– ﻫﻲ اﻣﺮأة ﻛﺮﻳﻤﺔ ذات ﺣﻀﻮر أﻧﻴﻖ وﻧﺒﻴﻞ‪ ،‬ﻓﻬﻲ‬ ‫ﺑﻌﺪﻣﺎ ّ‬
‫ﻫﻴﻔﺎء ﺑﻨﺖ ﻋﺒﺪ ا‪ ª‬آل‬
‫ﺳﻌﻮد ﺑﻌﺪﺳﺔ ﺑﻮ ﺟﻮرج‬ ‫اﺑﻨﺔ اﻟﻤﻠﻚ اﻟﺮاﺣﻞ ﻋﺒﺪ ا‪ ª‬اﻟﺬي اﺟﺘﻤﻊ اﻟﺴﻌﻮدﻳﻮن ﻋﻠﻰ ﻣﺤﺒﺘﻪ– وﻟﻸﻣﻴﺮة ﺛﻼﺛﺔ أوﻻد ﺗﻜﺮّس وﻗﺘﻬﺎ ﻟﻬﻢ وﻟﺤﻴﺎﺗﻬﺎ‬
‫اﻟﻌﺎﺋﻠﻴﺔ وﻓ ّﻨﻬﺎ– وﺑﺪ ًﻻ ﻣﻦ أن ﺗﺴﺘﺴﻠﻢ ﻟﻠﺼﻮرة اﻟﻨﻤﻄﻴﺔ ﻟﻸﻣﻴﺮة اﻟﺘﻲ ﺗﻼزم اﻟﻘﺼﺮ وﺗﻜﺘﻔﻲ ﺑﺎﻻﺳﺘﻤﺘﺎع ﺑﺎﻣﺘﻴﺎزات‬
‫ﺣﻴﺎﺗﻬﺎ اﻟﻤﺮ ّﻓﻬﺔ‪ ،‬اﺳﺘﺜﻤﺮت ﻓﻲ دراﺳﺎﺗﻬﺎ وازدﻫﺮت ﻛﻔﻨﺎﻧﺔ ﺗﻌﺮض أﻋﻤﺎﻟﻬﺎ اﻟﻔﻨﻴﺔ ﻓﻲ ﻗﺎرات اﻟﻌﺎﻟﻢ اﻟﻤﺨﺘﻠﻔﺔ–‬
‫ﻛﻢ ﻳﺸ ﺮّﻓﻨﻲ ﻗﺒﻮل ﺻﺎﺣﺒﺔ اﻟﺴﻤﻮ اﻟﻤﻠﻜﻲ دﻋﻮﺗﻨﺎ ﻟﺘﻜﻮن ﻧﺠﻤﺔ ﻏﻼف ﻳﻮﻧﻴﻮ– وﻟﻌ ّﻞ أﻫﻞ اﻟﻤﻨﻄﻘﺔ ﻳﺪرﻛﻮن‬
‫ﺣﺮص اﻟﻌﺎﺋﻼت اﻟﺤﺎﻛﻤﺔ ﻋﻠﻰ اﻟﺨﺼﻮﺻﻴﺔ‪ ،‬ﻟﺬا ﻓﺈن ﻣﻮاﻓﻘﺔ اﻷﻣﻴﺮة دﻟﻴﻞ ﺛﻘﺔ أﻣﺘﻦّ ﻟﻪ– واﻟﻴﻮم اﻟﺬي أﻣﻀﻴﻨﺎه ﻓﻲ‬
‫ﺎن ﺟﺪﻳﺪة–‬‫اﻟﺼﺤﺮاء ﺧﺎرج ﺟﺪة‪ ،‬وﺧﻠّﺪﺗﻪ ﻋﺪﺳﺔ اﻟﻤﺼ ﻮّر ﺑﻮ ﺟﻮرج‪ ،‬ﻻ ﻳﺘﻜ ﺮّر ﺑﻞ ﻫﻮ ﻓﺮﻳﺪ وﻣﺤّ ﻤﻞ ﺑﺪﻻﻻت وﻣﻌ ٍ‬
‫ﻻ ﻳﻤﻜﻦ أن أﻧﻬﻲ ﻫﺬه اﻟﺮﺳﺎﻟﺔ ﻣﻦ دون ﻛﻠﻤﺔ ﺷﻜﺮ ﺧﺎﺻﺔ أوﺟّ ﻬﻬﺎ ﻟﺼﺎﺣﺒﺔ اﻟﺴﻤﻮ اﻟﻤﻠﻜﻲ اﻷﻣﻴﺮة رﻳﻤﺎ ﺑﻨﺖ‬
‫ﺑﻨﺪر آل ﺳﻌﻮد‪ ،‬اﻟﺘﻲ إﻟﻰ ﺟﺎﻧﺐ إﻟﻬﺎﻣﻨﺎ ﺑﺮوﺣﻬﺎ اﻟﻤﻨﻔﺘﺤﺔ‪ ،‬ﻟﻌﺒﺖ دوراً أﺳﺎﺳﻴﺎً ﻓﻲ إﻧﺠﺎح ﻫﺬا اﻟﻌﺪد– ﻣﻌﺮﻓﺔ أن‬
‫ﻣﺴﺘﻘﺒﻞ اﻟﻌﺎﻟﻢ اﻟﻌﺮﺑﻲ ﺗﺴﺎﻫﻢ ﻓﻲ ﻧﺤﺘﻪ ﻧﺴﺎ ٌء ﻣﻤﻴﺰات ﺗﺠﻌﻠﻨﻲ ﻓﻲ ﻏﺎﻳﺔ اﻟﺸﻮق واﻟﺤﻤﺎﺳﺔ إﻟﻰ اﻷﻳﺎم اﻟﻤﻘﺒﻠﺔ–‬

‫‪Manuel Arnaut‬‬

‫‪Î‬‬
CALIBER RM 07-01
 ‫‪1968‬‬ ‫اأالمبرا تحتفي بالحظ منذ‬

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