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Dalloway
Clarissa Dalloway goes around London in the morning, getting ready to host a party that
evening. The nice day reminds her of her youth spent in the countryside in Bourton and
makes her wonder about her choice of husband; she married the reliable Richard Dalloway
instead of the enigmatic and demanding Peter Walsh, and she "had not the option" to be
with Sally Seton. Peter reintroduces these conflicts by paying a visit that morning.Septimus
Warren Smith, a First World War veteran suffering from deferred traumatic stress, spends
his day in the park with his Italian-born wife Lucrezia, where Peter Walsh observes them.
Septimus is visited by frequent and indecipherable hallucinations, mostly concerning his
dear friend Evans who died in the war. Later that day, after he is prescribed involuntary commitment to a
psychiatric hospital, he commits suicide by jumping out of a window.Clarissa's party in the evening is a slow
success. It is attended by most of the characters she has met in the book, including people from her past. She
hears about Septimus' suicide at the party and gradually comes to admire this stranger's act, which she considers
an effort to preserve the purity of his happiness.
Toni Morrison-Recititaf
First encounter
Twyla and Roberta first meet within the confines of an orphanage for children, St. Bonny's
(named after St. Bonaventure), because each has been taken away from her mother. Roberta's
mother is sick; Twyla's mother "just likes to dance all night." We learn immediately that the
girls look different from one another: one is black, one is white, although we aren't told which
is which. Despite their initially hostile feelings, they are drawn together because of their
similar circumstances.The two girls turn out to be "more alike than unalike." They were both "dumped" there.
They become allies against the "big girls on the second floor" (whom they call "gar-girls," a name they get from
mishearing the word "gargoyle"), as well as against the home's "real orphans," the children whose parents have
died. They share a fascination with Maggie, the old, sandy-colored woman "with legs like parentheses" who
works in the home's kitchen and who can't speak.Twyla and Roberta are reminded of their differences on the
Sunday that each of their mothers comes to visit and attend church with them. Twyla's mother Mary is dressed
inappropriately; Roberta's mother, wearing an enormous cross on her even more enormous chest. Mary offers
her hand, but Roberta's mother refuses to shake Mary's hand and Mary begins cursing. Twyla experiences twin
humiliations: her mother's inappropriate behavior shames her, and she feels slighted by Roberta's mother's
refusal.
Second encounter
Twyla and Roberta meet again eight years later during the 1960s, when Twyla is "working behind the counter at
the Howard Johnson's on the Thruway" and Roberta is sitting in a booth with, "two guys smothered in head and
facial hair." Roberta and her friends are on their way to the west coast to keep an appointment with Jimi
Hendrix. The episode is brief but long enough for the two to show resentment towards each other.
Third encounter
The third time Twyla and Roberta meet is 12 years after they first met at St. Bonnys. They are both married and
meet while shopping at the Food Emporium, a new gourmet grocery store. Twyla describes the encounter as a
complete opposite of their last. They get along well and share memories of the past. Roberta is rich and Twyla
is lower middle class. Twyla is married to a firefighter; Roberta is married to an IBM executive.
Fourth encounter
The next time the two women meet, "racial strife" threatens Twyla's town of Newburgh, NY in the form of
busing. As she drives by the school, Twyla sees Roberta there, picketing the forced integration. Twyla is briefly
threatened by the other protesters; Roberta doesn't come to her aid. Roberta's parting remark unsettles Twyla:
"Maybe I am different now, Twyla. But you're not. You're the same little state kid who kicked a poor old black
lady when she was down on the ground. You kicked a black lady and you have the nerve to call me a bigot."
Twyla replies, "Maggie wasn't black." Either she does not remember that she was black, or she had never
classified her sandy skin as black. Twyla decides to join the counter-picketing across the street from Roberta,
where she spends a few days hoisting signs that respond directly to Roberta's sign.
Fifth encounter
We meet Twyla and Roberta once more; this time it is in a coffee shop on Christmas Eve, years later, probably
in the early 1980s. Roberta wants to discuss what she last said about Maggie. The conversation is sympathetic
but ends on an unresolved note.
story, the people of the town toss meatballs into her mouth, which was "her only means of nourishment."
Though the people of the town no longer visit the angel, the family has saved up enough money to build a
mansion with balconies and gardens and nets.Still in captivity, the angel's health declines and he seems on the
verge of death. When his last winter in the chicken coop is over he suddenly becomes healthier and grows a few
new feathers. At first, he roams around the house, but Elisenda keeps shooing him out of the rooms with a
broom. One day he leaves the house and flies away. Elisenda watches him do this through the kitchen window
as she continues chopping onions.
"The Tell-Tale Heart" is a first-person narrative of an unnamed narrator, who insists that
they are sane, but is suffering from a disease (nervousness) which causes "over-acuteness of
the senses". Due to the ambiguity surrounding the identity of the story's narrator, the
narrator's gender is uncertain.The old man with whom the narrator lives has a clouded, pale,
blue "vulture-like" eye, which distresses the narrator so much that they plot to murder the
old man, despite also insisting that they love the old man. The narrator insists that their
careful precision in committing the murder proves that the narrator cannot possibly be insane. For seven nights,
the narrator opens the door of the old man's room in order to shine a sliver of light onto the "evil eye". However,
the old man's vulture-eye is always closed, making it impossible to "do the work".On the eighth night, the old
man awakens after the narrator's hand slips and makes a noise, interrupting the narrator's nightly ritual. But the
narrator does not draw back and, after some time, decides to open the lantern. A single thin ray of light shines
out and lands precisely on the "evil eye", revealing that it is wide open. Hearing the old man's heart beating
loudly and dangerously fast from terror, the narrator decides to strike, jumping out with a loud yell and
smothering the old man with his own bed. The narrator then dismembers the body and conceals the pieces under
the floorboards, and ensures the concealment of all signs of the crime. Even so, the old man's scream during the
night causes a neighbor to report to the police, who the narrator invites in to look around. The narrator claims
that the scream heard was the narrator's own in a nightmare and that the man is absent in the country. Confident
that they will not find any evidence of the murder, the narrator brings chairs for them and they sit in the old
man's room, on the very spot where the body is concealed, and suspect nothing, as the narrator has a pleasant
and easy manner.The narrator begins to feel uncomfortable and notices a ringing in their ears. As the ringing
grows louder, the narrator comes to the conclusion that it is the heartbeat of the old man coming from under the
floorboards. The sound increases steadily, though the officers seem to pay no attention to it. Terrified by the
violent beating of the heart, and convinced that the officers are aware not only of the heartbeat but also of the
narrator's guilt, the narrator breaks down and confesses, telling them to tear up the floorboards to reveal the
remains of the old man's body.
Franz Kafka-Description of a Struggle
"Description of a Struggle" is one of Kafka's longer minor works and is divided into three
chapters. The first chapter is narrated by a young man attending a party and tells of his
"acquaintance" (as he is referred to in the story) that he meets there. The second chapter is the
longest and is itself split into several sections. The narrator leaps onto his acquaintance's back
and rides him like a horse and imagines a landscape that responds to his every whim. He then
meets an extraordinarily fat man carried on a litter who tells him the story of a "supplicant"
who prays by smashing his head into the ground. In the third chapter, the narrator returns to reality, so to speak,
and continues his walk up the Laurenziberg in winter with his acquaintance.
Manuel Arguilla-Midsummer
The unforgettable encounter takes place in a rural setting near a village well. The summer was
intense in its exhausting and uncompromising heat. Manong, travelling with his bull and cart,
arrived at the village well and found the comely figure of Ading to his surprise.Truly
representing the values and customs of the place and people, the author describes the hesitation
and coyness that the two exhibit in approaching each other. There is intense heat in the
ambience and it is multiplied with a greater sense of electricity between the two.Ading throws
a curious glimpse at Manong who is a bit more reserved and accords her comforting space and
regard. He draws water from the well but is lost in the thoughts of Ading.He shows an appearance of fledgeling
romance as he worries about the state of her palms subjected to the callous wear due to the rugged ropes while
drawing up water from the well.There are physical cues of breaking the ice as Ading offers a muted smile. As
he is consuming his meal, Ading draws nearer to him. The nerves are amplified and she spills water on herself
as a result.Here, the author instils sensual chemistry between the two. The drenched clothes of Ading capture
Manong’s fancy while his muscular development makes Ading appreciates his strength and masculinity. Such
explicit expression denotes a level of budding lustful gravitation between the two.Gathering his wits, Manong
helps Ading fill her jar of water again. Obliged and indebted to his help, she invites him to her house. She
assures him regarding her mother’s sanction and he readily agrees to follow the damsel to her humble
abode.The ending leaves a notion of fanciful openness as the author leaves her readers to come to their own
romantic conclusions. Did their romance end well into marriage?Were they misguided into a fit of lust and
miscalculated physical attraction into the love of substance and meaning? Did the girl’s family cause an
uproar?On the flipside, the brashness of sensual expression in the story also points to the flight of fantasy that
physical attraction can breed in young people’s minds.The fact that the two were perfect strangers and could
hardly vouch for each other’s characters; their intimacy leaves an uncomfortable taste and highlights the
youthful, hormonal-driven frenzy that often overpowers sound judgment and rational thought.
Estrella Alfon-Magnificence
There is couple with a son and a daughter. Their parents have a good job. They go to
school. Their mother is a president in their village. In a meeting the man volunteered to be
their tutor because he doesn’t do anything in the evening also for an extra job. His name is
Vicente. He is a bus conductor. So he went to the house every night to teach the kids.He
promised the kids to give them 2 pencils each. One night he gives the pencil to the kids.
That time it was the "it". The children in this time want pencils. Vincent is nice to the
children. He knows their wants. But when he gave the pencil, he gives 3 pencils for the girl
and 2 for the boy. Their mother said to say thank you. The boy kissed Vicente but Vicente told him that boys
don't kiss boys. Then the girl goes to Vicente to say thank
you. He hugs her so tight and the girl started to get out of his too tight hug. The girl looks at Vicente with a little
wonder on his face. The next day they were so proud and happy with their new pencils. They showed it to their
friends in class. They also thought of asking Vicente for new pencils. In dinner they talked a little about Vicente
but the father is busy reading something. He did not listen to what the mother said. The mother thinks that
Vicente is fond of the children with the way he is treating them. That evening Vicente arrived earlier. The
children are proud of the pencil. Their classmates are jealous with their new pencils given by Vicente. He asked
the little boy to get him a glass of water. Then he put the girl on his lap. Then he let the girl write her
homework. The little girl told him not to carry her because she is heavy. Vicente is perspiring, and his eyes are
strange. Then the girl jumped out of his lap because she became afraid. Then their mom arrived. She rubs the
girls back and told them to go upstairs. The mother slapped the man repeatedly. Vicente just accepts the entire
slap that the mother gave him. Then he went out of the house. The mother closed the door. She gives a bath to
the girl. Then she asked them to throw the pencil. Then she put her to sleep.