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NATURE INSPIRED INTERIOR (Organic Interior Design) 2016
Index
Synopsis…………………………………………………..….2
Chapter . 1 Introduction………………………………………………….3
2.1 Inspiration……………………………………………………5
2.3 Ideology………………………………………………………11
Chapter 5 Implementation………………………………………………17
Chapter 8 Conclusion……………………………………………………..26
Chapter 9 Bibliology………………………………………………………27
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NATURE INSPIRED INTERIOR (Organic Interior Design) 2016
SYNOPSIS
AIM :-
Creating a space which promote harmony between human habitation and the
OBJECTIVE :-
SCOPE :-
This study include innovation and inspiration from nature looking to nature as a role
model.
APPLICATION :-
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NATURE INSPIRED INTERIOR (Organic Interior Design) 2016
1. INTRODUCTION
Nature has many great lessons for human to study and learn from it. We should
look into nature as if it is our teacher. Many architects and designers are in believe
now that nature can be a powerful and trustful sources as frank Lloyd wrought said : “
Study nature , love nature , stays close to nature . it will never fail you . “
Leonardo da Vinci said about nature : “ The genius of man may make various
inventions , encompassing with various instruments one and the same end ; but it will
never discover a more beautiful , a more economical , or a more direct one than
create intuitively elegant and aesthetic design at will rather than by chance .
Because nature happens around and around within us continuously , we know its
processes by heart . Nature is the one touchstone all human beings relate and
respond to.
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INSPIRATION
INSPIRATION-VISUAL / CONCEPTUAL /
COMPUTATIONAL
ORGANIC DESIGN
MIMICRY
BIOMIMICRY
BIONICS
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NATURE INSPIRED INTERIOR (Organic Interior Design) 2016
2.1 INSPIRATION
Three kind of inspiration can be renowned in architecture and design, and each
kind plays different role. All these three provide a spectrum whose understanding is
critical for the progress of design. These three levels of inspiration are named as
organism , or their system , for example a picture of sea sea turtle shell can be used
building.
visual inspiration can produce useful result especially in design from the aesthetic
points of design.
Conceptual inspiration occurs when Architect & designer uses a principle found in
nature in design , for an example , the biological principle . Visual Inspiration is skin-
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at 91,000 seats arena under its 12 meter- deep steel exoskeleton , Inspired by Bird
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The main idea of organic design is inspiration from the principles of living nature
. This often led to free and expressive forms. New age, architects and designers
have taken the concept of organic design to new heights by employing newer
materials & technology in the application of natural shapes , rhythm & composition to
thought . This is affecting most fields of design – products , furniture , lighting , textile
design , architecture , landscape & interior design . More liberated and imaginative
forms , unacceptable to major corporate client a few years ago , are now being
Organic design of interiors uses natural components for generating these styles
conscious of the kind of organic elements available in the marketplace and in nature
Organic shapes are shapes with natural look and a flowing and curving
appearance . For this reason , they are often also referred to as Curvilinear Shapes .
Examples of organic shapes include the shapes of leaves , plants , and animals . a
shape that visually suggests nature or natural forces . also know is biomorphic shape
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Approach :
Characteristics :
The design approach is inspired by nature & the built form grows out of the site ,
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Under this definition architecture and design is derived from nature in the following
ways :
Forms – creating forms that reflect the form of the surrounding landscape and its
features .
Quality and Durability : longer – lasting and better – functioning products will have
to be replaced less frequently , reducing the impact of producing replacements .
Design impact measures for total carbon footprint and life-cycle assessment for any
resources used are increasingly required and available . many are complex , but
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ISSUES :
System Understanding:
Organic design is evolving fast , but there is a risk of it becoming a superficial
statement engrossed in high-tech science and technology & organic forms being
superimposed from the outside rather than evolving like life from within . We need
to learn to use natural forms & materials from observing living forms & creatures
which are the very forms of life and growth that inspires organic architecture and
design.
Creation Problems :
Organic shapes , whether used in art or in landscaping , can be difficult to
create. A curving or flowing line that curves too far can look man-made and
detract from the natural look. This makes patterns of this style somewhat time
a person should construct them , there is no set pattern for how to make an
organic one . This gives a person a lot of flexibility in terms of how he designs
and what he can create , but it also makes a challenging to describe a precisely
recreate an organic pattern that is already made. Description tend to rely more on
comparisons or the impressions someone gets from looking at the shape , not a
comparisons are somewhat objective and are largely based on a person’s unique
experiences.
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2.3 IDEOLOGY
Natural patterns provided inspiration for architects and designers . As man
struggled to understand his world he observed nature and learned from it , and used
everything is made by hand from the materials available , and decorated with specific
motifs from the natural surroundings that they know so well. After civilization and
invention of new tools their architectural forms the change but still they had some
idea from nature . in pervious part of humans was limited with the tools and available
material in pre- history and they were inspiring from nature because of these
limitation but new technologies were giving more opportunity to architects and
designers to create free with less limitation and because of this design idea and
concept are not getting inspiration from nature and building forms and structure are
became more free , these facilities are motive to create a competition between
and it often goes deeper than imitating just the surface features of nature . some
designer have explored the structure of trees , for example : the roots , branches and
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century . The externalization of form in the neo- style and the rise of new building
techniques fired many architects of that period to create a new style in line with their
times. Amid art Nouveau , Functionalism , and Constructivism the concept of organic
architecture was born . The pioneer of the direction drew inspiration from principles
derived from living nature . Each of them stressed different aspects , but seen in
relation to one another their individual approaches constitute a coherent totality . was
one of the first to introduce to concept of ‘ organic architecture ‘ after closely studying
nature , he concluded that form always follow function and made this principle the
Louis Sullivan broadened both the content and the language of organic architecture
between the building and its environment , the continuity of internal and external
space and the use of building materials in accordance with their own nature .
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‘ Metamorphosis’
During the last phase of his life he developed a natural geometry of double
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ultimate model “.
nature itself.
Frank Lloyd Wright was one of the best architect to express himself in sculptural
form.
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Ushida Findly’s spiral house was inspired from uncoiling leaf of fern.
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5. IMPLEMANTATION
Architect and Visionary Robert Brunno has been balding his organic , fantastic ,
metallic Steel House since 1974 . Overlooking a cliff near Lubbock , Texas , The
huge structure has grown from a spindly metal tripod of beams to a massive
nautilus – like home for a Mexican couple who wanted something , well , a little
different . They got a more than little – the swirling , snail-like structure looks like no
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incorporate :
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A classic example of organic architecture , Falling water is both integrated into the
landscape and designed to echo the shapes of the landscape where it is nestled .
The dynamic building is suspended over a falls , which pours down from underneath
one of Wright’s bold projecting terrace . The building seems to grow out of the
landscape . Wright allows a boulder from the site to penetrate the floor of the house ,
so that the natural rock foundation actually merged with the interior of the house .
This boulder forms the living room fireplace . with design element , Wright blends
rock , fire and water. Wright also used natural materials to build Falling water . He
opened the quarry directly at the site , so that the stone used in the house is local.
Both inside and outside ,Wright’s materials are native to the area . This does not
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glass door , the compression of the low entry explodes into a celebration of light and
form. A large circular opening in the floor exposes a new level below and the roof
lifts and spins out of view , followed by a cantilevered staircase . A solid stone core at
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to the site and being very well connected to the surroundings . Nari’s works
earthen pots to construct arches out of them and built stairs out of brick arches .
Throughout his works you see extraordinary use of stone , brick , wood ,glass
and leather .
surroundings allowing sunlight and wind to interact with the inside and animate
the space with time . Each house is a series of dialog between the built and the
unbuilt.
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14 years .
structure . The mother of pearls , oyster shells were used as cladding material . The
house is decorated with terracotta sculptures . Various small earthwork figurines are
spread throughout the house and the garden area . throughout the house , there is
prominent use of chips of stone , brick , stained glass , broken wine bottles , mother
of pearl shells .
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7.CASE STUDY
Restaurant / Performance
Space
,Mumbai
A large north lit industrial warehouse within the old mill district in Mumbai is to be
converted into a complex of sound surrounding studios and acoustic lounge. The
lounge will consist of a restaurant , bar and a live stage . Beyond this amalgamation
of provision , blue frog seeks to stage an acoustic experience per excellence . The
booths , allow the eye level of dinners and standing patrons to be distributed across
staggered levels that increase in height away from the stage. These booths seats
between 4-10 people and are arranged around a open center that can either double
them closer to the main stage to create an intimate viewing experience . These
Mahogany paneled cylindrical booths maintain not only uninterrupted view to the
stage , but also constant distance between diners irrespective of how crowded
lounge gets .
The undulating height of the seating booths is gently modulated by a glowing acrylic
resin surface , which unifies the disparate types together and retains the presence of
the architecture even in the midst of the spectacle of a state of the art sound and light
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COLOR
TEXTURE
PATTERN
UNDULATION
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8 . CONCLUSION :
We can take inspiration from nature in different ways , like form of texture ,
We can placed natural texture on the wall. In flooring we use stone . the main
thing is design should connect to the nature. Relationship between built and
unbuilt area .
Different branching pattern use after study provide good aesthetic effect and
supporting structure .
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9. BIBLIOLOGY
Website
www.organicarchitecture.com
http://restarantandbardesign.com
http://weburbanist.com
http://www.dezeen.com
www.archiexpo.com
http://www.archinomy.com
www.architectnarigandhi.com
Books
Organic Architecture
Organic Revolution
Domus
Karim Rashid
Inside Outside
Tsuko Hasegawa
Interior Standrads
Interior Details
Conceptual Representation
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