Linkwitz-Riley Electronic Crossover - A reader's experience Page 1 of 5

 Elliott Sound Products Project 09a 
Linkwitz Riley Crossover Results
By Tony Fetherston
(Based on the design by Rod Elliott - ESP)

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Needless to say, I strongly recommend that readers use the available PCBs for new
constructions. When this was written, I was not producing PCBs for any of the projects, but
this is obviously no longer the case.

Introduction

I had been building loudspeaker enclosures for a few years now and had been attracted to
the idea of bi-amping for a while. This was because of the hardest part to get right in
speaker systems is the crossover, especially in three way systems. I like three ways mainly
because of the detail possible in the midrange.

In my latest design I used 12db/octave LR passive crossovers and although happy with the
sound I was not completely satisfied. I really wanted a steeper cutoff but was deterred by the
component count needed for this - all those extra coils and capacitors increase the cost and
can produce unpredictable effects in three ways. So I began to explore active crossovers in
earnest.

I had been tinkering with electronics for a long time with out any great theoretical
background but I knew that if I found a good circuit I could probably build it. The local library
provided good theoretical background and search of the net revealed a few interesting
leads. Eventually I found Rod's site. I was impressed with his LR 2/3 way and it seemed to
be all that I would need. Right slope, flat in the passband and phase coherent. I read some
more about the theory of filters and opamps and all seemed well with his design so I began
to build.

The New Design

I decided on a 2-way crossing over at about 400Hz. I reasoned that if all turned out well I
could add modules to turn it into a three way. This would also allow time to build the extra
amplifier required - I already have one to support a two way.

I selected 400Hz as the crossover, a little higher than usual, as the bass unit could go that
high without problems and because the mid range was not all that happy below this point. I
also wanted to be able to change the crossover point so I built the crossover in two parts to
allow this with the opamps on one piece and resistors and capacitors on the other.

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Figure 1 - The Opamp Board
(Also Showing the RCA Connectors Attached to the Board)

Using Rod's formula the capacitor values came to 22 nF and resistors to 13K giving a
crossover at about 410Hz. I chose the capacitor value first and selected an available value. I
used generic circuit boards from Dick Smith (An Australian Electronics Supplier - ed) which were
screen printed on both sides making laying out reasonable straight forward. I also used
circuit board pins to allow connection of rainbow cable.

The particular board used was great - it allowed all the connections needed without too
many links (see below). High pass is one side of the middle and low pass on the other. Blue
link on LHS connects inputs.

Similarly I used a purpose built board capable of holding two opamps from the same supplier
for the other half of the module. Connections to the pre amp and amplifiers was through
RCA sockets held on to the board through circuit board pins (above). I used a dual opamp
(TL072) as the input buffer and a quad (TL074) for the filter. I also used an IC socket for the
quad as I had vague plans of someday replacing it with a higher quality IC from Burr-Brown.
This won't happen, as the existing chips are more than satisfactory. Note the green power
supply decoupling capacitors (0.1uf). Missing are electrolytic decouplers and 100 ohm
resistors in output in case coax to the amps causes oscillation.

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Figure 2 - The Filter Board

I had ideas of using the spare opamp on the dual input chip to provide some low pass boost
but after consultation with Rod decided against this as it would alter the crossover point.

All together it looks like this ...

Figure 3 - The Complete Assembly

The rainbow connecting cable makes it possible to use a connecting socket to enable
modules to be interchanged, at a later stage.

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I was fortunate to have access to a CRO (Cathode Ray Oscilloscope - ed.) for testing purposes. It
worked exceptionally well. Outputs summed flat through to 20K and phase coherent all the
way and no anomalies in the pass band.

Testing

Testing is essential. The first time I connected it up the CRO showed a slow rising response
above the crossover point. This was due to a not very good solder join causing the low pass
filter to act as a 12db/octave. It was such a slow rise I was tempted to dismiss it as capacitor
tolerance but the filter was dead flat after fixing.

Speaking of tolerances, I used 1% metal film resistors and MKT capacitors selected at
random as I had no mean of testing them.

The End Result

How does it sound? I can't believe the difference it makes. Distortion in the mid range has
disappeared - I think this was originally due to too much low frequency being passed from
the 12db/octave passive crossover. It is now clear as a bell. Similarly bass is much more
clearly defined, there is a lot more of it, and the system is now wonderful to listen to. Piano
notes are always a good test and they sound incredibly life like. I should have constructed
an active cross over years ago and will now go ahead and make a three way version. Why?
Because I want the same quality from the tweeter as I am getting form the other two
speakers. At the moment I am using a passive crosssover which has a coil of about 1.4
ohms DC resistance causing some attentuation.

At the moment I have 125W RMS amp driving the low pass, and 90W driving the midrange.
When I build the three way I'll construct a 50W to drive the highs, using a kit incorporating
the national 50W chip. I need to put in a case eventually.

My wife is a good judge of sonic quality. Usually after building a system the comment is
"That sounds good but I can't tell the difference from the last one". Comment this time: "That
sounds really great, what did you do?'. This indicates to me much lower levels of distortion
all round.

Now if I could only get a chance to listen to something ...

Editor's Comments

Firstly, I must thank Tony for all the trouble he has gone to. He supplied the photos and the
text, and he has done a fine job. The text is pretty much verbatim, with only a small amount
of re-formatting.

If you are thinking of building an electronic crossover, Tony's article should tip the balance -
don't think about it, just do it (isn't that a slogan for a brand of sneakers or something).

Rod Elliott

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Copyright Notice. This article, including but not limited to all text and diagrams, is the intellectual property of
Tony Fetherston (the author), and is Copyright © 1999. Reproduction or re-publication by any means
whatsoever, whether electronic, mechanical or electro-mechanical, is strictly prohibited under International
Copyright laws. The editor (Rod Elliott) grants the reader the right to use this information for personal use only,
and further allows that one (1) copy may be made for reference while constructing the project. Commercial use
is prohibited without express written authorisation from Tony Fetherston and Rod Elliott.

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