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Special Section on Gendered Approaches to
Roman Religion: Recent Work*
Reconsidering the Matronalia and Women's rites
ABSTRACT: Scholars have long contended that the Matronalia was a
"women's festival," dominated by matrons' rites to Juno Lucina at her temple
on the Esquiline hill. This paper challenges standard interpretations and
argues that the Matronalia was much more comprehensive. A reexamination
of evidence for the festival's participants and distinct components reveals
its significance as a family observance that contributed to the welfare of
the domus as a whole. The Matronalia brought together the household's
diverse members in a ritual that had the potential to promote unity and
collective identity, while reaffirming core social values regarding gender
and juridical status in particular.
I. Introduction
The Matronalia, celebrated on March 1, enjoyed a long history
from the middle Republic to the end of the fourth century CE. and
possibly beyond.1 Though its composition surely varied over both
time and space, during the central period of Roman history (c. 200
B.CE. to 200 CE.) the festival seems to have consisted of four distinct
rites: matronae (married women) made offerings to Juno Lucina at
her temple on the Esquiline in Rome and presumably at cult sites to
the goddess in other locales as well; husbands prayed for the welfare
of their wives or marriages; household slaves were served a special
holiday feast by their mistresses; and an exchange of gifts took place
between spouses and among friends and lovers.2 The performance of
sacra (rituals) to Juno Lucina was the most conspicuous part of this
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192 FANNY DOLANSKY
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RECONSIDERING THE MATRONALIA AND WOMEN'S RITES 193
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194 Fanny dolansky
7 Evidence for the Matronalia in provincial milieux is slight and too limited to
determine possible differences when observed outside Italy, while the biases of our
sources require the focus to remain on urban, upper-class celebrations.
8 Iun[o]ni Lucinae Esquiliis, quod eo die aedis ei d[edica]ta est per matro
naslquam voverat Albin[i filia] vel uxor, si puerum I' [parientemjque ipsa[m fovisset], in
the edition of A. Degrassi, Inscriptiones Italiae, vol. 13: Fasti et elogia (Rome 1963)
121. The inscription is also treated in Giannelli's entry in LTUR on Juno's temple.
9 R. E. A. Palmer (Roman Religion and Roman Empire [Philadelphia 1974]
20) doubts that the women were empowered to dedicate the temple since it was a
public building, though A. Ziolkowski (The Temples of Mid-Republican Rome and
Their Historical and Topographical Context [Rome 1992] 67-69) and J. Muccigrosso
("Religion and politics: did the Romans scruple about the placement of their temples?"
in C. E. Schultz and P. B. Harvey Jr., eds., Religion in Republican Italy [New Haven
2006] 190) are more optimistic. Concurring with Palmer, E. Fantham ("The Fasti
as a Source for Women's Participation in Roman Cult," in G. Herbert-Brown, ed.,
Ovid's Fasti: Historical Readings at Its Bimillennium [Oxford 2002] 31) also points
out a significant inconsistency in Ovid's account of the Matronalia's origins since
he portrays women deliberating in Juno's temple during the Sabine War though the
temple has yet to be founded.
10 The temple and environs were certainly linked to rituals for the sake of
childbirth. Ovid's aition for rites on the Lupercalia (Fast. 2.429-452), for instance,
connects Juno's grove on the Esquiline with sacra both for the sake of fertility (i.e.,
conception) and childbirth. It is noteworthy that in his narrative men also pray to
Juno for their wives' fertility (2.437-438), and Ovid himself asks Juno in her guise
as Lucina to ease delivery (2.451-452).
11 See Palmer (above, n.9) 19-21 for the grove and Juno Lucina in general. Ovid
(Fast. 2.449-450) introduces both etymologies though the association with lux was more
popular. According to Varro (Ling. 5.50, 74), there had also been an archaic temple of
Juno Lucina on the Cispian spur, dedicated by Titius Tatius, but it is not clear that the
Matronalia was ever celebrated there (see C. J. Smith, Early Rome and Latium [Oxford
1996] 163). Since Varro (Ling. 5.50) maintains, however, that the Oppian and Cispian
hills formed part of the Esquiline, one wonders if the temple he refers to on the Cis
pian and on the Esquiline were actually one and the same. From the locations where
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RECONSIDERING THE MATRONALIA AND WOMEN'S RITES 195
that women gathered to perform sacra in her honor, perhaps in the
morning given her associations with light, but also to leave the rest
of the day open for other ritual activities.
Since the grove and temple were public spaces and not the
sole preserve of women, Ovid (Fast. 3.253-258) may have actually
witnessed the sacra he bids women to perform in the following set
of directives:
ferte deae flores: gaudet florentibus herbis
haec dea; de tenero cingite flore caput:
dicite "tu nobis lucem, Lucina, dedisti":
dicite "tu voto parturientis ades."
siqua tamen gravida est, resoluto crine precetur
ut solvat partus molliter ilia suos.12
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196 Fanny Dolansky
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Reconsidering the Matronalia and Women's Rites 197
marital relationships.19 Their prayers may have been accompanied by
offerings of flowers and incense as the evidence of Horace (Carm.
3.8.3-5) suggests when he depicts himself as mistakenly thought to
be performing Matronalia rites by Maecenas, surely a rather astute
observer.20 What is significant from these brief notices is the active
participation of married men in a festival that has traditionally been
categorized as a women's celebration. The involvement of husbands
clearly shows that it was more inclusive and also implies that some
men considered their marital relationships important enough to engage
in rituals intent on affecting them positively. This too is significant
since such acts by men are less common than those by women who
are known to have prayed to several goddesses in this regard includ
ing Dea Viriplaca ("Husband-Pleasing Goddess") and Fortuna Virilis
("Manly Fortune").21
Presumably it was after women's visit to the temple and hus
bands' prayers that matronae feasted their slaves at home.22 The
custom was similar to what occurred on the Saturnalia in December
when masters served their slaves in a reversal of roles. The Satur
nalia feast was renowned for licentia (license), which often took
the form of excessive drinking, gambling, and general merrymaking
and included an exchange of gifts. These gifts, called apophoreta,
were specifically associated with dinners since they tended to be
distributed at the end of convivia23 Ancient sources do not indicate
19 Schultz (Women's Religious Activity [above, n.4] 55-57) claims that [Aero]
and Ovid (Fast. 2.437-438) indicate that husbands "worshipped Juno Lucina on her
festival day," yet the former does not mention Juno at all, and the latter is describing
the participation of husbands in rites intended to represent the original observance
of the Lupercalia. Although men did pray to Juno Lucina, as Schultz demonstrates
from epigraphic material, within a domestic context the Lares might be a more logical
choice for their veneration. These gods looked after the entire household on a regular
basis, as well as on important ritualized transitions, and had special connections
to marriage since some girls dedicated their dolls to them before marriage ([Aero]
ad Hor. Sat. 1.6.65-66) and a new bride was supposed to deposit a coin with her
husband's Lares toward the conclusion of the marriage ceremonies (Varro, de vita
populi Romani 1.25 ap. Non. 531L).
20 Instead he is commemorating the anniversary of his escape from death by
a falling tree (see Carm. 2.13 and 2.17). As a bachelor, Horace has neither matrona
nor matrimonium to honor on the Matronalia, but according to J. Griffin ("Cult and
Personality in Horace," JRS 87 [1997] 58), this is no cause for lament. He suggests
that the poet has brilliantly exploited the traditional associations of the day to high
light both his own avoidance of marriage and his friendship with Maecenas, which
"it is delicately hinted, is to him what marriage might have been."
21 Viriplaca: Val. Max. 2.1.6. Fortuna Virilis: Ov. Fast. 4.145-150 (prayers and
incense can secure the goddess's help in hiding blemishes, thus making a woman
more attractive to her lover). Fortuna Virilis had a shrine near an altar of Venus
(Scullard [above, n.4] 97), and was worshipped along with Venus Verticordia on the
Veneralia (Ov. Fast. 4.153-160), thereby establishing further a connection between
Fortuna Virilis and ritual acts to foster romantic relationships.
22 Solin. 1.35, Macrob. Sat. 1.12.7, Lydus, Mens. 3.22, 4.22.
23 For the Saturnalia in general see H. S. Versnel, Transition and Reversal in
Myth and Ritual: Inconsistencies in Greek and Roman Religion (Leiden 1993), and
Dolansky (above, n.5) 161-214 on its significance as a domestic rite. Both S. L. Mohler
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198 FANNY DOLANSKY
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RECONSIDERING THE MATRONALIA AND WOMEN'S RITES 199
28 I am indebted to Nagle's translation for the insight into the dual sense of cel
ebrare which encapsulates the complementary meanings of "to throng, pack" and "to
celebrate, observe." This is similarly true for frequentare (OLD frequento 7a) and helps
resolve a problem with line 251. F. Bomer (Die Fasten [Heidelberg 1957/58]), adopting
a variant reading of the manuscript (matrum me turba frequentat for matris me turba
frequentat), takes frequentat as "celebrate." His rendering makes the line "a crowd of
mothers celebrates me (i.e., Mars)", which is more plausible than "my mother's crowd
packs my shrine" (A. J. Boyle and R. D. Woodard, Ovid Fasti [London 2000]) since
Ovid has just reminded readers (245-249) that the temple in question is Juno's temple on
the Esquiline. A "crowd of mothers" is also consistent with Ovid's emphasis on matres
as the particular celebrants of the rites and does not shift the location to a temple of
Mars. The text of the Fasti cited here and below is that of E. H. Alton, D. E. Wormell,
and E. Courtney, eds., P. Ovidi Nasonis Fastorum Libri Sex, 2nd ed. (Leipzig 1985).
29 See Eur. Med. 249-252 for a much earlier connection between childbirth
and militia.
30 On the reproductive purpose of marriage, see Treggiari (above, n.25) 5-13
and 205-28, and Dixon (above, n.6) 67-68. Treggiari notes that procreation is embed
ded in the term matrimonium: "The idea implicit in the word is that a man takes a
woman in marriage, in matrimonium ducere, so that he may have children by her."
Cicero (Off. 1.54, Fin. 5.65), for instance, insists upon the importance of marriage
and children for the domus and the res publica.
31 R. Syme (History in Ovid [Oxford 1978] 24) places the latest datable reference
in the Fasti to 17 C.E., nearly a decade after the institution of the second set of laws to
encourage procreation. Although books 1 through 6 of the Fasti were completed prior
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200 Fanny Dolansky
to Ovid's exile in 8 C.E. and thus the initial version preceded the lex Papia Poppaea
of 9 C.E., there are indications that he spent some time revising it while in exile. S.
Dixon (The Roman Mother [Norman, Okla. and London, 1988] 71-103) discusses Au
gustus's official encouragement of maternity and focuses particularly on numismatic
evidence, while B. Severy (Augustus and the Family at the Birth of the Roman Empire
[New York and London, 2003] 44-61 and 104-107) treats art historical evidence.
32 Ausonius may have this connection between women's ritual activities and the
welfare of the domus in mind when he describes the Matronalia late in the fourth
century C.E. as the day when matrons perform rites "to bring their husbands credit"
(matronae et quae sacra colant pro laude virorum, Eel. 16.7). I cite the text of
Ausonius from the edition of R. P. H. Green, The Works of Ausonius (Oxford 1991)
and follow his numbering system, but borrow the translation of pro laude virorum
from E. White's Loeb edition in which the poem appears as Eclogue 23. Green (430)
suggests this phrase means "for their husbands' valor," but an emphasis on courage
and bravery seems out of place with what is known of the Matronalia rites.
33 P. Garnsey, "Child Rearing in Ancient Italy," in D. I. Kertzer and R. P.
Sailer, eds., The Family in Italy from Antiquity to the Present (New Haven 1991) 51.
34 K. R. Bradley, Discovering the Roman Family (Oxford and New York, 1991)
8. For concordia as a marital ideal, see also Treggiari (above, n.25) 251-53 and
Dixon (above, n.6) 70-71 and 83-90.
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Reconsidering the Matronalia and women's Rites 201
have prayed not for the health and welfare of their wives, but rather
for their marriages, and used the Matronalia as an opportunity to
invoke the help of the gods to preserve their relationships in the face
of quarrels and complaints and to grace their unions with Concordia's
presence for the coming year.
Husbands' prayers and wives' rites reflect the importance of
the conjugal unit as the foundation of the domus. These distinct yet
related ritual acts honored the marriage bond and aimed at protect
ing it and the future of the domestic community, for it was through
marriage and the production of legitimate children that the household
prospered. Men's and women's prayers acknowledged two roles and
attendant responsibilities associated with the title matrona: those of
wife and mother. The feast, presented for the household's slaves, ac
knowledged another important role that was frequently a significant
part of her identity even if it was not as readily associated?that of
being domina or slave mistress.35
When ancient authors discuss the feast, the only component in
which both matrona and household slaves definitely participated
together, they draw attention to her role as domina through a com
parison with her husband's actions on the Saturnalia in his capacity
as dominus36 The comparison suggests that Romans recognized that
gender might be an important factor influencing the shape of both
festivals and perhaps perceptions of their underlying motivations as
well. In assessing the functionality of the Matronalia feast, ancient
authorities propose that it served simultaneously to reward slaves
and provide incentive for continued good behavior. Solinus (1.35),
writing around 200 c.e., indicates that on the Matronalia matrons
feasted their own slaves (servis suis) "so that by this honor, they could
elicit more ready obedience from them" (illae ut honore promptius
obsequium provocarent), whereas on the Saturnalia, masters feasted
slaves to demonstrate their gratitude for work completed (hi quasi
gratiam repensarent perfecti laboris).31 Some two centuries later,
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202 FANNY DOLANSKY
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Reconsidering the Matronalia and Women's Rites 203
express, that is not only for maintaining social control through promp
tius obsequium, but also for promoting unity and norms within the
household. Claude Grignon, a French sociologist who has developed
a typology of feasting from his research on modern dining habits
in France, offers some remarks about commensality that are useful
for thinking about ancient contexts as well. One type, which seems
particularly apt for the Matronalia feast, he calls "transgressing
commensality" which refers to a communal meal in which a social
superior invites inferiors to dine with him or her.42 Grignon contends
that this type is characterized by ambivalence and, in some cases,
exceptionality. Such feasts belong to the same family as carnival
rituals which, through symbolic compensation and inversion, "allow
the ordinary order of things to be accepted anew and to resume."43
Other scholars who study dining customs similarly highlight the
potential for a feast to serve as a locus for negotiating norms and
relationships, particularly with respect to hierarchy, since feasts have
the capacity both to integrate and differentiate participants.44 This
is one facet of the ambivalence that Grignon isolates as a defining
feature of "transgressing commensality" of which the Matronalia feast
seems to consist. The reversal of roles in which mistresses served
their slaves entailed a temporary abandonment of norms that, by its
distinctiveness and artificiality, reaffirmed the established structure
of the household with its hierarchies based primarily on juridical
status, as well as gender and age. Yet even as the inversion drew
attention to the vast differences between matronae and slaves, each
household's diverse membership was brought together in a shared
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204 fanny dolansky
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RECONSIDERING THE MATRONALIA AND WOMEN'S RITES 205
in Johannes's corpus, see M. Maas, A Broken Heirloom: John Lydus and the Roman
Past in the Age of Justinian (Washington, D.C., 1989) appendix 1.
51 See Ov. Fast. 3.167-178, where he questions what the god of war has to do
with a festival celebrated by matrons.
52 Sailer (above, n.40) 114, in contrast to J. P. V. D. Balsdon {Romans and
Aliens [Chapel Hill 1979] 18) and others who view obsequium as gender-specific
and associate it with filial obedience to fathers alone.
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206 FANNY DOLANSKY
the infamous characters of Ovid and Juvenal who stab hairdressers
during toilette and attack ancillae (handmaids) before having them
flogged, to lesser-known historical figures like Galen's mother who
sometimes bit her handmaids in a fit of rage. These figures may
represent extreme types whose interactions with slaves have been ex
aggerated for comedic effect. Yet the case of Galen's mother suggests
that a spectrum of behavior did exist, and what was outrageous for
one mistress might be routine for another.53 Moreover, although the
scenarios presented concern intimate moments that apparently were
particularly fraught with tension, presumably the potential always
lurked for any occasion to give rise to discontent that, depending
on a mistress' temperament, could escalate into angry outbursts.54
The gross power differential evident in these vignettes is one
of the characteristic features of Roman slavery, but it is not unique
to the Roman institution. A power relationship comprised of total
power on the part of the master/mistress and total powerlessness on
the part of the slave is a universal feature of slavery as a cross
cultural institution. The use of force, whether actual or implied, to
realize and sustain the master-slave relationship, is an aspect com
mon to all slave societies; indeed, it defines slavery. The violent
domination of slaves amounted to what might be called a "reign
of terror" in which slaves stood powerless before their masters' or
mistresses' whims and presumably remained in a perpetual state of
unease, not necessarily able to anticipate when the next act of cru
elty or degradation would come yet certain that it would.55 Despite
the differences between slave-owning societies of different historical
periods (for example, the racist element in the American as opposed
to Roman experience), the existence of these universal features of
slavery permit us to engage in cross-cultural comparisons that can
be useful for gaining insights into the Roman institution and hearing
the voices of slaves and slave mistresses that are otherwise unavail
able to Roman historians.56
53 Ov. Ars am. 3.235-244, Am. 1.14, 12-18; Juv. 6.487-495; Gal. Anim. Pass. 8
(=Kuhn 5.40-41). For additional references to abusive mistresses, see P. A. Clark,
"Women, slaves and the hierarchies of domestic violence: The family of St Augus
tine," in Joshel and Murnaghan (above, n.6) 122-26.
54 On the use of fear and force to control slaves, see Bradley, Slaves (above,
n.40) 113-37 who concludes that "much of the physical violence in slave life seems
to have been capriciously inflicted, erratic and lacking in justification" (141). See
Hopkins (above, n.40) 118-19 for examples of "incidental cruelty" suffered by do
mestic slaves.
55 For violence as a defining feature of slavery, see the remarks of O. Patterson,
Slavery and Social Death (Cambridge, Mass., 1982) 13.
56 The comparative history of slavery is a vast field of study and determining
appropriate comparisons is not without difficulty. I have chosen to draw on the rich
history of American slavery and to focus on two individuals whose lives are well
documented and thus easily accessible: Frederick Douglass, a former slave in Mary
land, and Sarah Gayle, an Alabama slave owner of the 1820s and 1830s. Although
the racial basis for American slavery distinguishes it from the Roman institution and
this is not an insignificant difference, the power dynamics and centrality of violence
common to both slave systems are much more important factors in assessing and
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Reconsidering the matronalia and women's rites 207
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208 Fanny Dolansky
IV. Conclusions
Though long categorized as a public women's festival or a
celebration by and for matronae, I have aimed to demonstrate how
these classifications of the Matronalia limit our appreciation of this
important and enduring observance, and have argued instead that
the Matronalia is better understood as a household rite. Each facet
performed by members of the domus addressed issues of immediate
consequence to the success of the domestic community as a whole:
the production of legitimate children, harmonious conjugal relations,
and appropriate interactions of matronae with their slaves. All of these
constituted familial rather than exclusively feminine concerns and in
turn were met with ritual actions by both women and men. Wives'
vows to Juno Lucina for safe childbirth and husbands' prayers for
the preservation of their wives or marriages focused on the conjugal
couple and gave expression to present and future anxieties. The feast
presented by matronae to their slaves, offered both reward and incen
tive for obedience and helped ensure domestic security, while the act
60 Fox-Genovese (above, n.58) 23-24 ponders issues of age and gender in the
case of Hampton's behavior toward Sarah.
61 For the recognition by "practical" slave owners that unjust treatment caused
resentment, see Bradley, Slavery (above, n.40) 124. Recall too the circulation of
tales of masters murdered by their slaves noted above that most likely instilled fear
in mistresses as well as masters regarding the potential for discontented slaves to
commit bodily harm.
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Reconsidering the Matronalia and Women's Rites 209
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