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2
Communication About communication
the position would be that
what is primarily communicated in architecture is
the communication between things or
the communication between mute matters.
3
Design About design this contribution
would maintain herself,
for the short time to her disposition,
in the space of thoughts
where it would more be accepted
that the specific word for 'to design',
in the field of architecture,
is 'to architect'
and not
this vague term 'to design'....
4
‘To design’ or ‘to architect’… Few people are unsatisfied
with the word “ to design”
for the main activity of the architect.
I'm of them.
But I'm not alone.
Corbusier yet indicates
in the first lines of his introduction to
'Vers une architecture'
* that 'to architect' was
the main intention of human kind.
5
‘To design’ or ‘to architect’… For the short time of this communication
I just would like to maintain that
the main activity of the architect
is “to architect”
for one simple reason.
And this main reason is just that
the main intention of architecture is
“to architect” too.
6
To architect The architect architects
as
Architecture architects.
'to architect'.
'To architect' is a verb The word, 'to architect', says what it establishs.
'Arke' is the first order.
'Tekton' is
the unseen carpenter making
the unseen structure
under the form of the roof.
Which structure?
Architectural space is
Emptiness connotated of an order, a first order.
Or emptiness connotated of a law,
by a not to be seen structure
made by a disposition of mute matters.
It is installing language
between mute things,
or by ‘silence’ as Kahn said.
It is installing language by silence.
10
Two stones together installing language (2) There are thousands ways
to bring two stones together
or a multiplicity of stones together
Or a multiplicity of mute things.
11
communication between things So 'to architect' is just
to bring in communication things
-stones, walls, slabs, all kind of mute matters –
in the intention of
offering to the ones who are there
a refuge
out of emptiness without law,
out of emptiness without language;
or a refuge
close to a first language
or a refuge
holding a first distance
to the real -without language -
giving the possibility
to make a reality in it.
13
humanity in a first distance 2 Humanity feels a first order in disposition of matters.
14
inaugural law So, in that sense,
the 'architecting architect'
is more looking to an inaugural law
than the 'designing architect' producing
'final products' or 'architectural objects' in the
intention to give them to the use or to the
contemplation as a whole,
or to make of them existing signs.
existence - consistence The architecting architect just seeks
to let communicate the law in emptiness
between material things in a delicate way.
15
existence - consistence The architecting architect prefers what consists.
He doesn't like existence,
he prefers consistence.
Consistence of accomplished logics
which could be called 'beauty'.
Consistence of well extended and orientated structures,
which could be called 'Ideas'.
Consistence of the disappearing 'real in real'
antecedent to reality
which could be called the sublime.
Consistence of the beginning order
which could be called 'the law'.
Consistence of the incompletion (not incompletness)
which could be called the 'divine'.
Consistence of the fidelity
to a inaugural event in emptiness
which could be called 'truth'.
Consistence of 'to be hold well'
and thereby 'to behave well'
which could be called ethics.
18
'Purity lies in the incompletion' That is why we like and are looking so much to 'form'.
The answer is easy but unbearable:
Because we, as human being,
don't have still enough form.
19
adequacy and pertinence And in this way of thoughts
we have to choose between
adequacy and pertinence.
Adequacy is
adequacy to the past or to what exist yet,
believing that it is full, complete and enough.
20
concrete authority by which we are living: 'To hold trough the time',
ethics 'to hold trough emptiness'
in the real before reality,
before signification,
in pertinence not in adequacy,
is precise what ethics want to give us:
just what we need to begin to live
and to begin to weave our life in the real,
permitting so a reality.
Ethic is
‘the concrete authority by which we are living’.
It is not theoretical.
It is a physical authority, a concrete authority giving us
body, giving us architecture.
21
concrete authority by which we are living: To give a communication
architecture in a law
between primary mute material things,
and leaving this inaugural law
of disposition of primary mute material things
connote the emptiness
making of it
a space holding emptiness trough time
and permitting life,
that is 'to architect',
making of architecture
the concrete authority by which we are living.
So we have
the same words
for architecture as for ethics:
To hold trough emptiness
'the concrete authority by which we are living' .
22
Let's be for one more moment very careful.
25
I just repeat finally
before showing you two projects
To give a communication
in an inaugural law
between primary mute material things
and leaving this inaugural law
of disposition of primary mute material things
connote the emptiness
making of it a space
holding emptiness trough time
and permitting life,
that is 'to architect',
making of architecture
the concrete authority by which we are living.
So we could
in further developments of this thoughts consider that
to contemplate architecture
is
to contemplate ethics or
to read architecture is to read the ethics of the ones who are there 26or
to read the architecture of a society is to read the ethics of that society…
With
from this
Herenow
But as
firstmain
the two onethought:
buildings….
an ethic of the completion
to
an ethic of the incompletion
10 m
60 m
What can
an architect do
to-day with
the
a figure
close
that?
closed of
rectangle?
the completion?
humanistic
mute structure?
from
an ethic of the completion
to
an ethic of the incompletion
Well,
Here what I made….
What
First
when
Then
Finnaly cutting
an
hecan
open
wantsit
developping
stabilising it
with a much do
architect
distinction
to
an pass
architecturebigger
open
to-day
from
only empty
in thewith
an with
whole
ethic
open real
structure
a closed
introducing
of the completion
elements
humanistic
thisanclosed
to ethic form in
of thestructure,
mute
more then itself
incompletion?
….
from
an ethic of the completion
to
an ethic of the incompletion
Finnaly stabilising it
and opening it
by a second
open structure
from
an ethic of the completion
to
an ethic of the incompletion
mute
So welines
see or mute
mute matters
things communicating
communicating together in obliqueness
together
and installing silently in emptyness
and opening, without end, a first close space (the rectangle) , by a structure ‘going to the other’.
a space of obliqueness and incompletion
for the ones who are there
from
an ethic of the completion
to
an ethic of the incompletion
In this four slides you see how I was seeking to open a closed world….
from
an ethic of the completion
to
an ethic of the incompletion
33
from
an ethic of the completion
to
an ethic of the incompletion
34
from
an ethic of the completion
to
an ethic of the incompletion
35
from
an ethic of the completion
to
an ethic of the incompletion
37
from
an ethic of the completion
to
an ethic of the incompletion
a sort of
oblique opening
to the sky,
or to the heaven,
of the whole building
The new architecture
was virtually greater
then the existing
and is just interrupted
in the reality
by the old building
Photo: Christine Bastin
you
fromseeeach room,
that
one one can live in it
can see
in
allathe
certain
other rooms.
connotation
So that eachofspace
obliqueness
is ‘going to the other’
and takes
something
of the other
in itself
one see that in the ‘garden’ something is weaved
from
an ethic of the completion
to
an ethic of the incompletion
a second project…..
KLAVERTJEVIER
Marc BELDERBOS AAC Marc VANDE PERRE
Brussels
weaving
allready present
in the urban ‘tissue’
in the specifical form
of the lowest part
of a valley
weaving
immediately present in the first sketches
weaving
immediately present in the first sketches as an order in incompletion
weaving
immediately present in the first sketches as an order in incompletion builded as this:
Notice:
this is not the building
this is the tissue in incompletion whereon
the matters of the building will find place
tissue
On the order or on the tissue, a disposition of matters
weaving and building incompletion ….
So that childrens who, at school as in life, are weaving and building themselves in a society
can hold themselves and feel themselves there at school and in the city by the connotation of the structure of the place
an ethic of
weaving and building incompletion ….
I leave you with this image in which I see architecting ethics marc belderbos
a sort of architectural portrait of the incompletion
COMMUNICATING (BY) DESIGN
I tnank you all INTERNATIONAL CONFERENCE ON RESEARCH AND PRACTICE IN ARCHITECTURE AND DESIGN
SINT-LUCAS, BRUSSELS CHALMERS UNIVERSITY, GÖTEBORG.
BRUSSELS 15-17TH APRIL 2009
RESERVE FOR AN EVENTUAL DISCUSSION…