Professional Documents
Culture Documents
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Spanish abbreviation which stands for Art, Architecture and Design University Center
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1. 1. Main trends in art, architecture and design disciplines
In the artistic disciplines, regional and at times national trends echo exogenous in-
puts, enhanced by criticism and often by the market, based on local proposals or
counterproposals to exogenous inputs, enhanced by criticism and often, by the market.
Art and culture are undeniable elements for social development as seen in the Mexi-
can Governement recommendations for
strengthening them both internationally
and nationally. However, Mexico’s
assigned budget for these matters fails
to meet expectations substantially.
The regional aspect receives, through
the Information and Communication Te-
chnologies (TIC’S), the influences of the
artistic expressions nationally and inter-
nationally. Some of them, in the case of
Visual Arts, respond to the use of new
tools, materials, processes and
techniques (electronic and / or
mechanical) for
the gestation of a project or exhibition. In the search for new stimuli, some other res-
pond to resources with a conceptual-methodological character, with emotional
extraversion.
The Fine Arts student is a progressive exponent of his discipline, from orthodox to
minimalist art, deconstruction, conceptual art, the happening. He knows the heritage of
the twentieth century trends, many of them attached or contesting, from
postmodernism and consumerism.
Globalization always leads to knowledge of new cultural expressions. Similarly, in the
case of the Performing Arts such as theater and dancing, technologies are integrated
from the conception of the work and its application to scene. It is through
experimentation and the different narrative structures that the genre trends point to
new perceptions of the spectacle of the performance. In these trends, schools,
formats, supports and paradigms blend, demonstrating the need for a high
qualitative performance of the student, but also from the teacher in the sense of a
constant training and updating.
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Folk dance is also favored by the use of new tools in the assemblies, and this finds
expression in an increased demand for tourism and cultural training. The tradition of
the dance performance languages that speak and show the great cultural wealth of
the region is barely diminished by the ravages of modern disciplines.
In the case of film studies, the Department of Image and Sound (DIS) holds a powerful
methodological and social consciousness corpus. A demand for the use of digital
platforms in image and sound as well as for marketing is foreseen. On the other hand,
the Department of Music trains professionals according to their purposes. One of its
challenges will be to include musical genres and languages that are not necessarily
classic; from the vernacular, to the technological.
In all cases, the imprint is a constant updating of teachers and their curriculum, as
required and promoted by new artistic experiences. The creation of forums for the
performing arts (dance, music, theater) and film, the emphasis on the social
commitment of university-graduated artists poured into their cultural proposal.
Reinforcing criteria and non-hegemonic paradigms, not inbred. A take towards multi
and trans-disciplinary art, the crossovers and transversal-like disciplines; and the
necessary increase of the budget for staging, management and implementation of
projects for the dissemination of our academic work. In the latter category there is a
clear disadvantage in the international comparison, which is only limited by the
reputation and quality of education in our university.
The profession of architecture, due to its relevance, importance and significance in
the history of humanity, is regulated in most countries. On the other hand, there
are worldwide professional and architectural education organizations that have
established the Letter of Architectural Education Unesco-International Union of
Architects (UIA) and the recommendations of international standards and
professionalism in the practice of architecture. These and other similar documents are
intended to establish the required skills for architects, allowing them international
mobility with the guarantee that the health, safety and welfare of the public will be
taken, essential duties of the profession.
Similarly, architects, of both mutual recognition and educational accreditation
systems that allow the professional practice of architecture, carry out international
agreements. This discipline and the built environment have humanistic and social con-
notations, so that building is considered as a part of the human being; it is stated that
producing working tools and the construction of the dwelling or living space are among
the first acts of civilization.
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Universal design is a relatively new paradigm that directs its activities to the
development of products and environments accessible to as many people as possible,
without the need to adapt or redesign them in a special way.
What really matters in design pro-
ducts is not only the final idea, but
a l s o the result of the research process.
This factor gives its real value to the
object to be designed.
The interest in making the most of
local materials and artisanship becomes
evident. It seeks to recover techniques,
materials and even manufacturing
sites. This favors the idea that the
Mexican design has a distinctive identity,
while remaining contemporary and
global.
It is intended that the objects have more than one use; to achieve this, the
possibilities of shape are explored. Chairs that are also booksellers; pots that can be
used as fruit bowls, and lamps that work as tables are some examples of it. The new
offices are exploring innovative and independent ways to sell their products. Online
commerce is nowadays one of the most used options, but this trend also explains the
recent interest in “collective” bazaars, where buyers can meet face to face with the
creators of those brands they find through social media and specialized publications.
In recent years, collaboration has turned into one of the most used working schemes
for design in Mexico. The search of local and easy to get feedstock has led to the use of
raw materials. Furthermore, these resources are used naturally, without exaggeration in
the finish. Stone without sanding, unglazed wood and raw ceramic are some
examples.
The design approach to museums and galleries is another phenomenon that we have
seen in recent years. The pieces are exhibited in institutions or in separate spaces, which
take on a much more artistic character that when seeing the same object in a store.
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2. Background of the University Center of Art, Architecture and Design
CUAAD, concerned about the rate of applicants wishing to enter our Center, is
making an effort to expand enrollment by 4 percent, providing 90 percent of its
educational pro- grams with a high level of quality. A 7 percent increase in
bibliographic acquisition, as well as a growth in the demand for our academic staff is
also a fact: a rise of 51 percent increase in PTC PROMEP PROFILE has been shown, and
two new researchers got to the SNI level. Also a notably, graduation rates increased by
30 percent.
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3. Main
It’s alsoProblems,
worth notingChallenges
that we need and Opportunities
to increase the number of artistic creators well-
known by the National System of Art Creators (SNCA), and the number of professors
who yearly attend the calling of the National System of Investigators (SNI). The
Virtual Library Network gives the investigators the opportunity to have
access to other libraries worldwide, get updated information, enrich
their investigation and publish it in other countries.
CUAAD h a s h u m a n r e s o u r c e s ,
knowledge and expertise to
create and consolidate relevant
agreements depending on their
m a j o r s , post-graduate programs and
extension programs. Cultural and
investigation projects are
developed which are linked with
society and industry to regional,
national and international levels.
It is essential to the university to
spread and implement -in the syllabus
academic planning- the knowledge and
comprehension of the “Triple Helix”
model in their community.
We have an extensive educational offering linked to art and culture. Nevertheless,
the dissemination of these activities and accomplishments of the university community
in this area is not enough.
Being leaders in the international agreements help our graduates be successfully
and permanently integrated to work force. CUAAD recognizes that both teachers and
students show little participation and limited use of the international scholarship
programs, low or lack of proficiency of a second language and the lack of a Budget aimed
to their permanent mobility.
The CUAAD Development Plan 2014-2030 intends to establish the guidelines of
the Center to increase, in the medium term the strengths which identify
ourselves, and to achieve international recognition of our students for their
competitiveness in the professional area.
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The Center of Arts, Architecture and Design is a dependency of the University of Gua-
dalajara engaged to form professionals with a high level of education committed to the
disciplines of art, architecture and design. Its students involve with their social
surroundings and environment in a sustainable framework. They are able to influence
through social and scientific research applied in a social, artistic and cultural field. Our
community generates and applies knowledge with ethics, equity and respect for all
members of our society.
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4. Mission
The Center of Art, Architecture and Design is the best educational option in its areas of
competence on the basis of the creative processes and scientific and technological re-
search. It counts with a consolidated international academic leadership on the quality of
its educational programs, its social commitment and involvement with the productive,
cultural and economic sectors. Its graduates satisfactorily meet the social,
environmental, productive and cultural demands.
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5. Vision
The Center of Arts, Architecture and Design, as well as the University of Guadalajara
PDI is ruled by six strategic guidelines articulated by the same number or themes that
run the University of Guadalajara:
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6. Strategic Guidelines
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7.Goal
Thematic
PDI axes,
Goalgoals
1 and strategies
Expansion and diversification of enrollment with high quality
standards, relevance and equity, considering global and regional
development trends.
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The Center of Arts, Architecture and Design is responsible for developing research
that solves problems generated within society, and for staying ahead in a globalized
world to collaborate with entities engaged in research, a t both national and
international levels.
Currently research related to art,
architecture and design is conducted in
many places of the world, aiming to
apply knowledge related to art,
architecture and design. It is here
where opportunities for collaborative
networking are found, in order to
promote the exchange of experiences
among researchers, teachers and
students.
Preserving the acknowledgement that the Center of Art, Architecture and Design of
the University of Guadalajara has currently at an international, national and local level,
is essential in order to transcend borders. Contributing to the state of the art and
knowledge generation, developing research and strengthening student and faculty
mobility, are actions that must be present to increase research and graduate studies of
our Center.
The creation of quality graduate programs, relevant to society, that are highly
applicable to solve problems locally, nationally and internationally in different fields,
promotes the competitiveness that their graduates aim to, creating a critical and
proactive mass for the welfare of society.
It is essential to promote research and development of graduate programs, to create
links that integrate researchers, undergraduate, graduate students, that through joint
activities, they promote early research strengthening projects and consolidating
curricula, creating a virtuous circle for solving social problems.
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Strategies • Create the conditions for promotion and tenure for researchers.
• Link researchers and postgraduate teachers.
• Promote the organization of research and thesis progress
colloquium at undergraduate level, with the mentorship of
researchers.
• Establish research lectures at the Center.
Goal CUAAD 5.2
Integration of undergraduates in research and graduate pro-
grams.
Strategies • Strengthen the development of applied research relevant to
degrees that meet society needs.
• Dissemination of knowledge generated by researchers and
undergraduate studies (courses, conferences, workshops).
• Create forums for exchanging experiences in project development,
for both students and researchers.
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Entailment
The Center of Art, Architecture and Design links with society and the different factors or
elements that comprise it, have a highly significant value for the achievement of quality
indicators and relevance.
This requires that our institution poses the scenarios that challenge the best
performance of its activities. From an international perspective, there is no
methodology that allows the university and its various agencies, to work together
with other institutions worldwide in order to perform binding actions. In this context,
a significant interest in guiding most projects where market criteria is also perceived,
leaving aside the aspects that de- fine the social commitment of universities as agents
of change.
Nationally, universities do not develop a framework of partnership and cooperation
that allows them to assess the relevance of its substantive actions, including their
academic programs. There is no shared dimension of analysis through which each
university serving strategies are developed. In this context, a working model that allows
the collection of resources and support at national or state level to develop projects is
absent.
Currently there is no working model at the level for the University of Guadalajara Net-
work that favors the linking of all units, there are no diagnoses on the conditions and
the current impact of its majors, additionally there is no general linking project
oriented to strengthen the strategic aspects of the state and region.
Strategies • Promote awareness of the Triple Helix model among the com-
munity of teachers of CUAAD. Use the model when planning pro-
grams of the main subjects, which conform the academic major
structure of CUAAD.
• Favor a professional environment, together with the University’s
Major Coordination Centre and its Advisory Committee, in order
to establish the state of things in social and economic perspective
of each graduate programs.
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In CUAAD the extension functions promote science, culture and sport as an integral part
of the community. On the other hand, the Center dissemination function reports on the
different artistic, scientific and humanistic activities through various media and social
net- works that convey local, national and international recognition to the University
Centre. At the international level, developed countries have strategies diffusion and
dissemination programs and projects, which are duly established. In Latin America,
some countries are making an effort to follow European models; such are the cases of
Chile, Brazil,
Argentina and Costa Rica.
Universities in the center of the country have more resources since they are managed
through duly established programs, while the rest of the public universities do not have
these policies. Hence, financial resources are limited.
In west central Mexico, the University of Guadalajara is a pacesetter despite not
having a policy in accordance with the needs of these areas.
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Goal PDI Consolidation of the university as a center of cultural and artistic de-
velopment as in local as international level.
Goal CUAAD 9.1
Consolidate CUAAD’s leadership for a greater development of
artistic and cultural activities, creating a greater social impact,
both nationally and internationally.
Strategies • To offer free cultural spaces, for artistic groups, both, from the
University of Guadalajara and from other cultural dependencies.
• Incorporate to course activities, workshops and seminars, efforts
towards creating new audiences.
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Internationalization
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• Governance
• Financial sustainability.
• Planning and Institutional prospectively.
• Flexibility and quality of the organization and management of university governance.
Access to equity and coverage quality education that guarantees human rights and
environmental sustainability are key aspects that should mark CUAAD’s future.
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8. Strategic Indicators
In this section, the main indicators that will strengthen the fulfillment of the goals
and strategies are described here. It is important to notice also that most of the
indicators are based on the PDI of the University of Guadalajara, but in a few cases,
other indicators are incorporated by the Center of Art, Architecture and Design.
Consistence with
PDI’s indicator
Indicator Metrics
Number
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with PDI indicator
Consistency
Indicator Metrics
Number
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9. Considerations for Implementation
In order to fullfill the CUAAD Development Plan, each strategic guideline must be
evaluated semestrally through assigned technical commitees, which will follow
up goals and indicators and propose the necessary adjustments so as to
facilitate monitoring of established goals.
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10. Annexes
Moderator:
Dra. Cynthia Lizette Hurtado Espinosa
Investigators:
Dra. Cynthia Lizette Hurtado Espinosa
Mtra. Hilda Vidalia González Sandoval
Mtro. Cristóbal Eduardo Maciel Carbajal
Mtro. Gabriel Orozco Grover
Dr. Fernando Córdova Canela
Dra. Verónica Durán Alfaro
Dr. José Arturo Gleason Espíndola
Mtro. Luis Rogelio Valadez Gill
Undergraduate school
Coordinators:
Lic. Carolina García Trejo
Mtra. Mónica Iliana Velázquez Ornelas
Mtro. José Francisco de la Torre Cisneros
Mtra. Claudia Cecilia Delgadillo Mejía
Mtro. Tenoch Huematzin Bravo Padilla
Mtra. María de Lourdes Miramontes Bravo
Mtra. Katia Ariadna Morales Vega
Lic. Blanca Esthela Álvarez Pulido
Students:
Fernando Mayoral Gutiérrez
Alejandra Robles Delgado Romero
Livier Olivia Escamilla Galindo
Carlos Alberto Prado Muñoz
Alexa Michelle Barrera Gómez
Lesli Anahí Rodríguez Aguilar
Oliver José María Rivera León
José Antonio Campos Barragán
All coordinations:
Dra. Cynthia Lizette Hurtado Espinosa
Lic. Carolina García Trejo
Mtra. Mónica Iliana Velázquez Ornelas
Dr. Jorge Arturo Chamorro Escalante
Mtro. Alejandro Briseño Vilches
Lesli Anahí Rodríguez Aguilar
Fernando Mayoral Gutiérrez
LDCG. Sara Cárdenas Vázquez
Postgraduate Coordination:
Mtra. María Guadalupe Rivera Acosta
Dr. Jorge Arturo Chamorro Escalante
Dra. Adriana Ruíz Razura
Mtro. Hugo Cristóbal Gil Flores
Dra. María Estela Guevara Zárraga
Mtra. Gloria Aslida Thomas Gutiérrez
Dr. Rosalío Ávila Chaurand
Mtro. Alejandro Briseño Vilches
Dra. Adriana Inés Olivares González
Dra. María Teresa Pérez Bourzac
Mtra. Rocío del Consuelo Pérez Solano
Strategic vector Extension and
Dissemination
Moderator:
Mtro. Francisco Javier Mercado Muñoz
Moderator:
Dr. Omar Alejandro Ruíz Gutiérrez
Moderator:
Mtro. Fernando Mora Mora
Moderator:
Dr. Francisco Javier González Madariaga
Moderator:
Mtro. Ernesto Flores Gallo
Organization
General Coordinators