Professional Documents
Culture Documents
Upright: Effort and hard work will cause growth, a pause during
Seven of
development, reevaluations.
Pentacles
Reverse: Little progress, impatience, anxiety, investments may
be unprofitable
The most common layout is the Celtic Cross (covered below), a 10-card spread. In
addition to structured layouts like the Celtic Cross, layouts can also be invented by a
reader. If a reader concentrates on the layout used while shuffling the deck and selecting
cards, the layout should work whether it comes from tradition or invention. However,
some claim that the number of people using and meditating on common layouts like the
Celtic Cross give those particular layouts more power than layouts used less often.
There are many recommendations from various sources on how to perform good layouts.
Some claim that readings should always be done on a wooden table because wood
reflects vibrational energy well. A quiet room is preferred to a noisy locale, meditation is
recommended prior to each reading, cards should be kept in a bag or wooden box with
citrine and other crystals to keep their energy clean, and so on. While each reader should
try techniques and evaluate how well they work, Tarot can be read almost anywhere, with
remarkably good results. In my experience, the most important skill for a good reading is
the concentration of the reader.
The "reader" is the person performing the reading, while the "seeker" or "querent" is the
person receiving the reading. A "reading" is both the layout of cards and interpretation of
their meanings with any insight or intuition added as an additional layer to those
meanings. As the deck is shuffled, a good reader will concentrate on the question the
querent has posed. For privacy, if a querent doesn't want to verbalize the question, the
reader can simply concentrate on answering the querent's question while the querent
concentrates on the question. Sometimes the cards don't answer the question posed, but
rather show something the querent needs to know, perhaps what the "spirit guides" feel ist
best. For general readings (readings without a question in particular), the reader simply
concentrates on the best reading for the seeker, what the querent needs to know at the
time of the reading.
Shuffling Method
The most important thing to remember while shuffling is to concentrate only on the
seeker's question, or on giving the seeker a reading that he or she needs & wants.
Different sources recommend different methods, for example some advise letting the
seeker shuffle the deck, or to turn some cards upside down while shuffling. I never have
the seeker do the actual shuffling, although I've found that the seeker always does a good
job of choosing the correct pile in a cut deck. I also don't deliberately turn cards upside
down while shuffling, as the cards offer enough meanings to get their message across
without it.
Personally, I've found that the following method for shuffling works very well:
1.) Concentrating only on the seeker and his/her question, shuffle the deck while trying to
follow your intuition on how to shuffle. For example, if you feel you should only drop a
few cards on one side of the deck, then put the remainder on the other side before
continuing the shuffle, do that. If you feel that a few cards should be pulled out and re-
positioned, follow that intuition. Shuffling correctly using intuition is one of the most
important techniques of giving a good reading. In fact, if the reader concentrates and uses
intuition well during the shuffle, usually the standard card meanings combined with their
positions will work well without much added intuition or psychic insight during the cards'
interpretations.
2.) Decide whether the seeker should cut the cards, or if you want to cut the cards. If you
allow the seeker to cut the cards, explain that he or she should cut the deck into 3 piles,
breaking the deck where it "feels right" for them. I usually avoid the term "intuition"
when giving instructions to seekers, as some seekers might not understand the term, or
may have come to the reading in an emotional state where using intuition seems like an
intimidating responsibility. The term "feels right" makes the task seem easy, as it should
be.
3.) If you decide to cut the deck as a reader, cut it into three piles, again dividing it in
places that seem like the right spots to break the deck for this particular seeker. I usually
prefer to break the deck myself, but rely on my intuition to make that decision.
4.) Ask the seeker to choose which of the 3 piles feels right to him or her, to start the
reading. You as the reader can also choose which pile, if desired. Trust your intuition on
what to do for the best result. If you allow the seeker to choose, but have a strong feeling
that the seeker chose the wrong pile, set the pile you would have picked aside. Later, if
the reader doesn't seem satisfied with the reading, take the pile you would have chosen
and say "maybe this pile would have been better", and do the layout again using the pile
you wanted. After you've done a number of readings for different seekers, you'll develop
a preference for who cuts and who chooses during your readings.
5.) Starting from the top of the chosen pile, lay the cards out in order of the layout used
(see below for some basic Layouts). Some readers prefer to lay the cards out face-down,
then turn them over one at a time during the reading. I prefer to deal them face-up
always. When finished with the layout, set the pile of remaining cards to the side of the
layout.
Like the Celtic Cross' card order, card position meanings also vary. For the variation
shown here, card meanings are often as follows:
1.) The first card laid on the table represents the seeker, the starting point, or the
immediate circumstances of the seeker. Sometimes this card is deliberately pulled from
the deck by the reader or seeker, called the Significator card. The reader may chat with
the seeker about a few of his or her personal traits, then choose a card which seems the
closest to the seeker's personality. Or the reader could pull out a few cards which may
represent the seeker, such as the four queens for a woman or the four knights for a
younger man, and ask the seeker to choose the first card. (The cards could be face up or
face down during this process.)
Personally, I prefer to let the cards do the talking, and just deal the first card after the
seeker has selected which pile from the cut deck he or she wants. I find that allowing the
divination to speak for itself will bring up points that help the reader understand the issue
at hand. The first card may only deal with part of his or her personality, or perhaps signify
a different person entirely -- someone important in the seeker's life, or someone they're
acquainted with recently.
2.) The second card is laid over the first card because it represents the immediate
influences over the seeker (or whatever the first card represents). It could also mean
obstacles the seeker must overcome.
3.) This card is placed above the central cross in the reading, because it represents that
which the seeker is reaching for. It could represent the goals of the seeker, or what is best
for the seeker.
4.) This card is placed below the central cross because it represents the roots or
foundation of the seeker. It could be the influence of past events on the present, or
something the seeker already has available to use.
5.) This is placed to the left of the central cross because it is behind the seeker. It
represents the past and its effects on the current situation or question. NOTE: Some
sources recommend that if the main face on the first card is looking to the left or right,
the fifth card should be placed on the side that the face is looking away from. This is to
represent something behind the seeker. Other sources simply place the 5th card on the
left, using a left-to-right motion to indicate direction as seen in Western languages.
6.) What lies ahead of the seeker, or something in the future. Again, some sources say that
if the first card's face is looking in a certain direction, the 6th card should be on the side
that the face is pointed toward. This is to indicate something that the seeker is moving
toward.
7.) This represents the seeker's inner attitude and disposition, and perhaps his or her
relation to the issue at hand.
8.) This could represent the seeker's influence on others and position in life; it could also
be immediate influences over the seeker, such as people, events, surroundings, and the
general environment of the seeker.
9.) This could represent the hopes and fears of the seeker, or outside influences and the
seeker's outer image.
I've found that seekers always understand the message as the card meanings and positions
are explained. They'll recognize significant information as it is presented, and divination
will find its own techniques to get the message across.
Other Layouts
There are many, many other Tarot layouts; entire books have been written on the subject.
The above layouts are just a starting point. Many different layouts can be selected and
tried by the reader over time, and layouts with the best results can be incorporated into
regular readings.