Amateur Photographer 2010-10-23

CANON EOS 60D TEST HANDS ON REVIEW
NEW METER AND AF NEW SAMSUNG NX100

Saturday 23 October 2010
EOS 60D FOR EVERYONE WHO LOVES PHOTOGRAPHY, EVERY WEEK! www.amateurphotographer.co.uk
TRAVEL SUPERZOOMS
Nikon and Sigma all-in-ones
18MP
LENS TEST
PAGE 59
SPOTLIGHT
The EOS body that handles like… a Nikon!

FULL AP PAGE 38
LAB AND YOUR PHOTOS IN PRINT

FIELD TEST See our gallery of reader pictures
TRAVEL
PAGE 45
PAGE 27
£2.50
ART OF TRAIN TRAVEL

One man, one camera, one lens
True PDF release: storemags & fantamag
storemags & fantamag - magazines for all
THE AP READERS’ POLL
Contents
Amateur Photographer For everyone who loves photography
IT ONLY comes around once every two years,
but for a week sometime in September Cologne
The headlines have already been reported in our
news pages and on our website as they broke, but
IN AP 9 OCTOBER WE ASKED…
Does the idea of the Fujifilm FinePix X100 appeal to you?
A B
C
becomes the photographer’s Disneyland, as more this week we bring you all the extras and stories
than 1,250 exhibitors gather to show off their new behind them in our special 16-page YOU ANSWERED…
toys at the photokina show. AP Informer pull-out section. A Yes, it looks fantastic 45%
As ever, the AP team descended on the show So get your Christmas list out B Only if it performs really well 39%
and scoured the halls, stands and exhibits to and sharpen your pencil, as there C No, it just looks old 16%
discover what cameras, lenses, software and is plenty of exciting kit on the
accessories would be introduced. During four days way. And while you’re at it,
we had close to 50 meetings with manufacturers, don’t forget to tell Santa he
designers, engineers and distributors, to bring you can save up to 41% on an AP THIS WEEK WE ASK…
as much information as we could on the products subscription for Christmas by What is the most important piece of equipment for the
that will be appearing in dealers’ windows in the calling 0844 848 0848 and Damien Demolder making of great pictures?
next few months. quoting code AMLT. Editor VOTE ONLINE www.amateurphotographer.co.uk
NEWS, VIEWS & REVIEWS

© KLAVIDIJ SLUBAN
23 INSIDER KNOWLEDGE
5 NEWS P27 AP reader Mark Bauer guides us around his favourite
photographic location: the New Forest in the
National Trust photo rules turmoil; Website leak reveals south-west of England
Nikon D800 launch; Schneider tilt-and-shift lens trio arrive
in UK; Photographers take to the streets; Recession forces
George Eastman photo sale
36 APPRAISAL
Damien Demolder examines your images, offering
Moody images words of wisdom and constructive advice
12 REVIEW of travels along
the Trans-
The latest books, exhibitions and websites
Siberian Railway 38 READER SPOTLIGHT
17 ANDY ROUSE @ AP Another selection of superb reader images
To Andy Rouse, the iPad is more than just a clever
gizmo – it’s an indispensable marketing tool
45 CANON EOS 60D
Canon’s latest DSLR features more than just a new sensor.
FEATURES
90 THE FINAL FRAME Can the addition of an articulated screen and significant 27 JOURNEY OF ISOLATION
changes to the handling make the EOS 60D Canon’s Klavdij Sluban’s moody images of his travels along the
Can the ‘unknown unknowns’ of the photographic world best-ever enthusiast DSLR? Richard Sibley finds out Trans-Siberian Railway won him the prestigious European
ever be captured for posterity, asks Roger Hicks Publisher’s Award in 2009. Jeff Meyer reports
54 ASK AP
TECHNIQUE Our experts answer your questions 32 ICONS OF PHOTOGRAPHY
18 PHOTO INSIGHT 59 SUPERZOOMS
David Clark on Richard Avedon’s ‘Dovima with Elephants’,
which became one of the most famous fashion
Cathal McNaughton explains why his most challenging
assignments are not always under the threat of violence Geoffrey Crawley investigates the problems of fitting the photographs of the 20th century
equivalent of several ‘prime’ optics into one lens as he tests
© MARK BAUER
TESTS AND TECHNICAL two superzoom offerings from Nikon and Sigma
P23
COVER IMAGES: © KLAVDIJ SLUBAN AND JACK WATSON
11 SAMSUNG NX100 YOUR WORDS & PICTURES

Angela Nicholson gives her first thoughts on Samsung’s
new camera, having spent a few hours shooting with a 14 LETTERS
pre-production model AP readers speak out on the week’s issues
Find out where
43 TESTBENCH 15 BACKCHAT to take the
best shots in
The Colour Confidence PChOOD Monitor Hood Pro AP reader Clive Andrews speaks up for the manufacturers the New Forest
and the Litepanels MicroPro Hybrid LED light panel in the ‘camera-gadget’ debate
HOW TO HAVE YOUR PICTURES PUBLISHED IN READER SPOTLIGHT Send in a selection of up to ten images. They can be either a selection of different images or all have the same theme.
Digital files sent on CD should be saved in a Photoshop-compatible format, such as JPEG or TIFF, with a contact sheet and submission form. Visit www.amateurphotographer.co.uk/readerspotlight for
details. We cannot publish images without the necessary technical details. Each RGB image should be a minimum of 2480 pixels along its longest length. Transparencies and prints are also accepted.
We recommend that transparencies are sent without glass mounts and posted via Special Delivery. For transparencies, prints or discs to be returned you must include an SAE with sufficient postage.
HOW TO CONTACT US Amateur Photographer, IPC Media, Blue Fin Building, 110 Southwark Street, London SE1 0SU AP Editorial Telephone: 0203 148 4138 Fax 0203 148 8130
Email amateurphotographer@ipcmedia.com AP Advertising Telephone: 0203 148 2517 Email lee_morris@ipcmedia.com AP Subscriptions Telephone: 0845 676 7778
Email ipcsubs@qss-uk.com AP test reports Telephone: 01707 273 773 www.testreports.co.uk/photography/ap
subscribe 0845 676 7778 23 October 2010 I www.amateurphotographer.co.uk 3

The meeting was

very constructive
and there was a sense
our issues were
listened to…
News I Analysis I Comment I PhotoDiary 23/10/10 Home Office talks, page 7
Man in shock photo ban • Officials admit policy failings
NATIONAL TRUST PHOTO-RULES TURMOIL

allowed,’ said Victor. However,
RIGHTS a sign in the entrance lobby ● Canon is gearing
WATCH had stated that photography
indoors was allowed, provided
up for its Pro Photo
Solutions Show, which
Committed to defending flash was not used. takes place in London
your photographic rights! ‘She told me that the National on 26 and 27 October.
AN AMATEUR Trust has changed its mind as The show is free to
photographer who was banned it was only for a trial period and enter for those who
from taking pictures inside a it decided that letting people pre-register online and
National Trust property, despite photograph inside its buildings includes seminars by
rules that allow photography did not work’. photographers such
indoors, has exposed an ad hoc Victor was then told that as Dan Cheung,
approach by managers from photographing the grounds of Phillip Bloom and Ben
one location to another. the property from inside the Osborne. Entry on
Earlier this year, National building was also prohibited. the door costs £8. It
Trust bosses bowed to pressure John Stachiewicz, publisher will be held at the
from photographers and and head of the National Trust’s Business Design
allowed amateur photography media group, told AP: ‘It’s Centre in Islington. For
inside its historic properties – probably fair to say that our details call Canon on
overturning a previous ban. properties have moved on this 0844 369 0100 or visit
The move followed a [policy] at a varying pace of www.canon.co.uk/
campaign for a change in change, and that we haven’t prophotosolutions.
policy led by a group of thus far always managed to
photographers via the social communicate terribly well ● National
networking website Facebook. where restrictions may apply.’ Geographic
However, National Trust ‘However, we hope that, photographer Jim
bosses have admitted that increasingly, such information Brandenburg will give
its message about when and will appear on individual this, given their in-depth The National Trust has an illustrated talk at
where amateur photography is property websites and we might knowledge of their properties, admitted that its rules on an event to be held
allowed indoors has not been (as of 2012) have some of this collections and local issues.’ photography have not on 10 December.
adequately communicated to its information appearing in our Stachiewicz pointed out that been properly communicated Hosted by Grays of
property managers nationwide. Members’ Handbook. photography may be banned or to its staff. AP had revealed Westminster and
Victor Sciberras was Stachiewicz said the Trust restricted where, for example, the Trust’s change in policy Nikon Owner magazine,
stopped by managers at is still committed to its policy a collection on show does not back in January the Grand Christmas
Coleton Fishacre in Kingswear, of encouraging amateur belong to the Trust; where dinner will take place
Devon, which he had visited to photography. copyright may still apply to But Victor felt let down: ‘I at the Institute of
photograph 1920s Art Deco. ‘Our stance is that we have photographs or paintings; or love Art Deco and was hoping Directors on Pall Mall,
‘As I entered the main house indicated to all our properties where a manager feels that to take a few images and turn London. Tickets cost
the lady on the door clocked that we very much support this photography would cause them into monochromes. As £155 (£95 to Nikon
my DSLR and informed me initiative, but that they need to a ‘bottleneck’ and spoil the you can imagine I was very Owner subscribers).
that photography was not determine how they implement enjoyment for others. disappointed.’ Call 0207 828 4925.
HANDBOOK POSTING PUTS ‘D800’ IN FRAME

A Nikon UK spokeswoman
told us: ‘Unfortunately, we
can’t comment on potential
NIKON will launch the D800 have been posted on an published separately, suggest future product.’
as the successor to the full- Amazon page. that the D800 will carry a It appears that the relevant
frame D700 DSLR early next
year, if online details of a D800
Written by Jean-Baptiste
Guges, the book is entitled
24-million-pixel sensor (double
that of the two-year-old D700)
website links were taken down
within minutes of Amateur
Do you have
handbook are to be believed. Obtenez le maximum du and will cost between t2,000 Photographer exposing them. a story?
The 320-page D800 Nikon D800, which loosely and t2,500. AP’s revelation fuelled a Contact Chris Cheesman
handbook will be published translates as ‘Getting the However, any such online torrent of D800 speculation Tel: 0203 148 4129
Fax: 0203 148 8130
on 9 February 2011, according most from the D800’. postings should be treated following publication of an amateurphotographer
to an entry that appears to Details of the 17x21cm book, with caution. article on the AP website. @ipcmedia.com

© ki price
Photographers
outside Tate
Britain where
anger blighted a
press preview
Wednesday 20 October
eXhiBiTion The Photographers (includes work of British photojournalists
such as Bill Brandt) until 30 October, at Chris Beetles Gallery, London
SW1Y 6QB. Tel: 0207 839 7551. Visit www.chrisbeetles.com. eXhiBiTion
From Back Home by
Anders Petersen and
JH Engström, until
27 March 2011 at
the National Media
Museum, Bradford,
West Yorkshire BD1
1NQ. Tel: 0844 856
© mario giacomelli
3797. Visit www.

nationalmedia
museum.org.uk.
Thursday 21 October Photographers stand firm
Don’T miss Photomonth, until 1 November, a photography festival featuring
Turner Prize sParks

exhibitions at galleries and other venues around east London. Tel: 0207
375 0441. Visit www.photomonth.org. eXhiBiTion Shaped By War by
Don McCullin, until 21 November at Victoria Art Gallery, Bath BA2 4AT.
PhoTo righTs sTorm

Tel: 01225 477 233. Visit www.victoriagal.org.uk.
Friday 22 October
eXhiBiTion Wolfgang Tillmans, until 12 December at Walker Art Gallery,
Liverpool L3 8EL. Tel: 0151 478 4199. Visit www.liverpoolmuseums.org.uk. Turner Prize exhibition organisers article that criticises the gallery.’
eXhiBiTion Surreal Friends by Hungarian photographer Kati Horna, a were told to ditch controversial terms At the time of writing, Tate Britain
contemporary and close friend of Robert Capa, until 12 December at the governing the use of press photos after was in talks with the Newspaper
Sainsbury Centre for Visual Arts, University of East Anglia, Norfolk NR4 7TJ. a row blighted the art show’s opening Publishers Association (NPA) in a bid
Tel: 01603 593 199. Visit www.scva.org.uk. earlier this month. to agree new terms over the use of
The photographers were asked to press images after photographers
Saturday 23 October guarantee that none of their pictures threatened to boycott the launch
eXhiBiTion My Generation: The Glory Years of British Rock by Top of would reflect the exhibition in a bad light. of the exhibition on 4 October.
the Pops photographer Harry Goodwin, until 24 October at the V&A South Organisers allowed the photographers A spokeswoman for Tate Britain
Kensington (Theatre and Performance, room 104) London SW7 2RL. Tel: 0207 in, but only after they refused to sign a confirmed that the museum is in
942 2000. Visit www.vam.ac.uk. eXhiBiTion Bromoils by Eric Mitchell, until form that also handed the museum the discussions with the NPA, a trade body for
31 October at Dimbola Lodge, Isle of Wight PO40 9QE. Tel: 01983 756 814. right to publish their pictures in future national newspapers, and is considering
Visit www.dimbola.co.uk. without payment. axing controversial parts of the contract.
Ki Price, who works for the Commenting on its attempt to restrict
Sunday 24 October Independent newspaper, was among press image use to positive news stories, a
Don’T miss Academy Evening organised by Welshot Imaging Ltd, includes photographers left fuming when Tate Britain spokeswoman told AP this was a ‘very
Adobe Lightroom lectures, at Britannia Hotel Dialstone, Offerton, Cheshire effectively banned photographs from being old clause’.
SK2 6AG (cost £27). Tel: 01248 670 693. Visit www.welshotimaging.co.uk. used to show the gallery in a negative She said it related to use of images
Don’T miss October Plenty – an autumn harvest celebration starts at noon way, under the terms of the contract. in articles that could be considered
Price told AP: ‘My equipment cost me ‘defamatory’ towards the museum.
outside Shakespeare’s Globe, Bankside, London SE1. Visit www.thelionspart.co.uk.
thousands and after years of study and ‘We are looking at whether or not
Monday 25 October working hard it’s presumed that I’ll give to keep it in,’ she said.
© iain weir
away my work for free.’ Regarding the right to use images without
eXhiBiTion The Thames in Focus: Although Price works for the paying royalties, the spokeswoman added:
London’s River Through a Lens, until Independent, he said he doesn’t represent ‘We are not going to do that in future.’
1 November at Old Royal Naval College, the newspaper and was, therefore, not She said much of the ‘review’ focuses
Greenwich, London SE10 9LW. Tel: able to sign on its behalf. on ensuring that freelance photographers
0208 269 4747. eXhiBiTion Platinum ‘They [Tate Britain] started off by saying assigned by a paper to a photocall are not
Prints & Classic Snaps by Elliott Erwitt, that we could take out one clause, then required to sign the form each time they
until 13 November at The Magnum Print another,’ said Price, who told us that reading cover an event.
Room, London EC1V 3RS. Tel: 0207 AP helped him on the road to becoming a Instead, the Tate hopes that newspaper
490 1771. professional photographer. bosses will agree to sign the form on the
‘By the time the photocall finished, which photographers’ behalf beforehand, so
Tuesday 26 October was meant to be between 9am and 10am they don’t have to.
Don’T miss Brighton Photo Fringe, – and no one had covered it – they realised The contract had reportedly asked
until 14 November, features more than the error and at 11 o’clock we went in and photographers to grant the gallery
130 exhibitions, events and projects, did the job without signing anything.’ permission to copy, reproduce, record,
extends as far as Hastings and Chichester. Visit www.photofringe.org. Times photographer Richard Pohle said: store and disseminate their photos
eXhiBiTion Mister Sixties: Philip Townsend’s Portraits of a Decade, until ‘We are not prepared to sign a contract without paying royalties.
7 November at the Lowry, Pier 8, Salford Quays M50 3AZ. Tel: 0843 208 6005. that leaves us open to being sued by the The NPA could not be reached for
Visit www.thelowry.com. Tate if our pictures are used next to an comment at the time of writing.
6 www.amateurphotographer.co.uk I 23 October 2010 subscribe 0845 676 7778

Home Office meeting welcomed
TERROR LAW REVIEW TALKS

● Hama has launched
two new backpacks,
the Daytour and
‘POSITIVE’, SAY CAMPAIGNERS
Katoomba. Out in two
sizes, the bags boast RIGHTS
multiple pockets and
fast access. ‘The
bags can be worn
WATCH
traditionally on the Committed to defending
back or brought to the your photographic rights!
front, providing speed
without compromising PHOTOGRAPHERS have hailed as
the security of the ‘very positive’ recent talks held with Home
camera,’ says the firm. Office officials as part of the Government’s
Prices start at around review of anti-terrorism legislation.
£88. Visit www.hama. ‘We had the opportunity to talk about
co.uk. issues relating to anti-terrorism and
security legislation that regularly affect
● Manfrotto has photographers,’ said Mark Singleton
slashed the price (pictured below) from SceneThat, a
of two of its tripod photography rights campaigning website.
and head kits in a The hour-long meeting, held last month,
promotion that runs was chaired by Lord Macdonald, who is
until Christmas. The overseeing the review of anti-terror laws, Photographers pictured outside New
Manfrotto 190XDB and attended by two senior civil servants. Scotland Yard in July, where they
(804RC2) costs £99.95 Organisations at the talks, along with AP, celebrated Government changes
(a saving of £65, says included the RPS, NUJ and the BFP. to Section 44 of the Terrorism Act
the firm), while the ‘The meeting was very constructive and
190XDB (496RC2) is there was a sense that our issues were rule following a long-running campaign by
also priced at £99.95, listened to and taken on board… It explored photography organisations, instigated by
down from £154.95. the use of Sections 44 and 58A [of the AP several years ago.
For details visit www. Terrorism Act] and discussed future options However, Stewart Gibson, head of
manfrotto.co.uk. and suggestions…’ added Singleton. Members’ Services at the BFP, pointed
TILT-AND-SHIFT
Section 44 – recently overhauled – out that Home Office officials claimed
● Nikon has produced allowed officers to stop a person without that the stop-and-search culture is ‘so
its 55 millionth Nikkor reasonable grounds for suspicion, while ingrained’ among police officers and Police
LENS TRIO
lens for SLRs. Nikon Section 58A, which was introduced in Community Support Officers that changing
released its first February last year, makes it a potential this would be an ‘uphill struggle’.
Nikkor optics – offence to photograph a police officer. The results of the anti-terrorism review
LANDS IN UK
including the 50mm are due to be published in the autumn,
Nikkor-S Auto f/2 – in ‘UPHILL STRUGGLE’ and changes to anti-terror laws will be
1959 when the Photographers also raised concerns about introduced as part of the Freedom Bill.
company was known police guidance and training, the behaviour The Home Office declined to comment
as Nippon Kogaku KK. of private security guards and Section 43 of further when contacted by AP after the GERMAN lens maker Schneider has
Meanwhile, production the Terrorism Act, which only allows people meeting, other than to say that it will launched three new tilt-and-shift lenses,
of Nikkor lenses that to be stopped and searched if a police report back to Parliament in the next ‘six to which are now available in the UK.
feature the company’s officer suspects them of being a terrorist. eight weeks’ regarding its response to the Designed for use on DSLRs is the 50mm
Silent Wave Motor A BFP (Bureau of Freelance counter-terrorism review and any outcomes. Schneider PC-TS Super-Angulon f/2.8
[autofocus] has now Photographers) spokesman said: ‘Lord A civil servant who organised the talks HM, which costs around £2,379, and the
reached 20 million. Macdonald and the senior civil servants told attendees: ‘We will publish a report 90mm Schneider PC-TS Makro-Symmar
present appeared to fully appreciate the by Lord Macdonald on the conduct of the f/4 HM, priced £2,250, according to UK
difficulties that photographers had found review and a document summarising the importer Robert White.
themselves in over the past few years consultation and main points raised.’ A spokesman added: ‘Each lens has HM
as police, PCSOs and security The review of counter-terrorism (High Modulation) optics and a built-in
personnel increasingly targeted legislation was first announced by Home PC-TS system, giving the photographer the
anyone with a camera as Secretary Theresa May in August, who ability to use tilt-and-shift movements in
inherently suspect. said: ‘I want a counter-terrorism regime their images, controlling depth of field and
‘It was well understood that the that is proportionate, focused and perspective for technical corrections and
police have been enabled, transparent. We must ensure that in creative imagery.
even encouraged, in this protecting public safety, the powers ‘These lenses are perfect for all types of
by the broadly drawn we need to deal with terrorism are photography, but are especially useful for
Do you have terms of Section 44 of
the Terrorism Act.’
in keeping with Britain’s traditions
of freedom and fairness.
product and macro work.’
The DSLR lenses will be available
a story? In the summer, the ‘We will look at the evidence in Nikon, Canon, Pentax K and Sony
Contact Chris Cheesman Government cut back presented to us and where it is DSLR fits.
Tel: 0203 148 4129 Rights campaigner
police power to use the Mark Singleton, clear that legislation needs to be Also available is a 120mm Makro
Fax: 0203 148 8130
amateurphotographer controversial Section who was at the talks amended or powers need to be Symmar PC-TS HM f/5.6 for the Mamiya/
@ipcmedia.com 44 stop-and-search rolled back, we will do so.’ Phase One system, priced around £3,284.

Year-long street project goes live
PHOTOGRAPHERS
● Sony is set to
outsource some of
its imaging-sensor
TAKE TO THE STREETS
production to Fujitsu in PHOTOGRAPHERS are ‘All photographers will be
Never be ashamed of your work as this is a move designed to cut urged to take to the streets in a encouraged to comment and
costs, according to an worldwide street photography respond to the images posted
the foundation for winning prize pictures
unconfirmed report in project that aims to document to the Flickr page.’
that ‘bag trophies’, according to Cardiff a Japanese newspaper. the world we live in. The instructions will
Camera Club. Its secretary, Mr Matthews, The article, published Beginning this month, be relayed by the 52
in Kyodo News and organisers are issuing weekly photographers who contributed
was serving his country in the war so
subsequently reported instructions, via email, to to McLaren and Howarth’s
his deputy was called upon to file the by the Reuters news photographers taking part book, Street Photography
club’s report. He reported that darkroom agency, claims that in the year-long Street Now (pictured below).
Fujitsu will make Photography Now Project. The overall winner will be
demonstrations had been deemed a
CMOS sensors for ‘These detailed instructions awarded £1,000 worth of
success, in terms of quality and practical Sony cameras to help will act as a call to arms to Thames & Hudson books and
nature of the advice given. But AP’s article reduce production photographers to look afresh at the winning image will go on
costs in the face of their immediate surroundings show at The Photographers’
adds: ‘… Members are requested to leave
stiff competition. and to literally take to the Gallery, which is currently being
their shyness at home when attending However, the finishing streets,’ said a spokesman for redeveloped and is due to
these demonstrations and not to forget work of the sensors the project, which is organised reopen in autumn 2011.
will be carried out by by photographers Sophie For details visit http://
to bring negatives.’
Sony, sources are Howarth, Stephen McLaren streetphotographynowproject.
quoted as saying. and The Photographers’ wordpress.com/how-to-take-
‘Sony chose Fujitsu Gallery in London. part/.
because it did not Participants will
want to share its have six days to
state-of-the-art upload a photo, which
technology with will form part of the
foreign competitors,’ Street Photography
states the article. Now Project Gallery
Fujitsu declined to on image-sharing
comment and Sony had website Flickr.
yet to respond at the ‘The aim is to build
time of writing. Fujitsu a global community
claims to be the of photographers
world’s third largest exploring the rewards
IT services provider. and challenges
of documenting
● A 220cm-long public life.
cable to power Canon’s
EOS 5D Mark II has
been launched by
Club news from around the country Quantum Instruments.
RECESSION FORCES GEORGE
CLUBNEWS
The SD7 cable, priced
around £112, is
designed for use with
Quantum’s Turbo 2x2
EASTMAN PHOTO SALE
or Turbo3 battery. For GEORGE Eastman House, said: ‘The challenge of the
details call Flaghead home to photographs and recession has required the
Photographic Ltd on negatives dating from the museum to employ new fiscal
GUILDFORD PHOTOGRAPHIC SOCIETY 01202 733 123 or visit invention of photography, has ventures such as this auction.’
The society says prospective members are welcome to attend two meetings www.flaghead.co.uk. been forced to sell photographs Highlights of the sale included
for free before they decide whether to join. On 25 October there will be a donated by friends of the a 1965 photograph of Audrey
presentation called Divine Light by Clive Tanner FRPS. Meetings take place at museum in a charity auction Hepburn by Douglas Kirkland
Burpham Village Hall, Burpham Lane, Guildford, Surrey GU4 7LP. Tel: 01483 518 to raise cash. and an archival pigment print
528. Visit www.guildfordphotosoc.org.uk. The museum is named after of New York City by Joel
George Eastman, who founded Meyerowitz.
WALTHAMSTOW & DISTRICT PHOTOGRAPHIC SOCIETY the Eastman Kodak Company Images up for grabs also
A week-long exhibition of more than 300 photographs and projected images in 1892. included daguerreotypes
will take place from 25 October at The Welcome Centre, Church End, Church The institution, which is and photogravures.
Lane, Walthamstow, London E17 9RJ. Visit www.wdps.org. Do you have based in Rochester, New
York, has auctioned off 194
The auction raised nearly
$500,000 in its first two hours
WATFORD CAMERA CLUB a story? photographs, eight cameras at Sotheby’s, New York.
The club, which recently staged an exhibition at the Harlequin shopping Contact Chris Cheesman and 18 books in a move fuelled George Eastman House
centre, hosts a presentation called Making Money From Your Photographs on Tel: 0203 148 4129 by a need to raise funds during wants to make clear that none
Fax: 0203 148 8130
21 October. Meetings take place on Thursdays (7.45pm) at the Friends Meeting amateur photographer the economic downturn. of the items for sale is from
House, 150 Church Road, Watford WD17 4QB. Visit www.watfordcameraclub.org. @ipcmedia.com A spokesman for the auction the museum’s collection.

Samsung NX100 Hands on
AP hands on
Samsung NX100
Angela Nicholson gives her first thoughts on the Samsung NX100
after a few hours shooting with a pre-production version
SAMSUNG’S second micro-system verdict on it, my first impressions are good.
camera (MSC), the NX100, has much in An unfortunate downside of choosing to
common with its first, the NX10 (tested in shoot using the EVF is that it occupies the
AP 3 April). Not least is the 14.6-million- hotshoe and hence precludes a flashgun
pixel, APS-C-sized CMOS sensor, which from being mounted on the camera.
means that when the final full-production
model arrives it is highly likely that IFUNCTION BUTTON
the quality of its images will be just as One of the benefits of producing a new line
impressive as those from the NX10. of cameras is that it gives the manufacturer
The most notable differences between the opportunity to take a fresh look at the
the NX100 and the older NX10 stem configuration of the controls. Although it is
from the fact that the NX10 is designed on possible to make all the usual adjustments,
mini-DSLR principles, whereas the NX100 such as white balance, exposure and
has more compact-camera-type styling. sensitivity using controls on the camera body,
According to SangJin Park, Samsung’s Samsung has introduced the ‘iFunction’
President of Digital Imaging, the inspiration button to its newest NX lenses. Pressing this
for the design of the NX100 came from button toggles through a range of selectable
dew forming on a leaf. I can’t quite see it features (white balance, aperture, exposure
myself, but the NX100 is certainly a pretty compensation and sensitivity) on the screen.
little camera that feels very nice in the hand. Rotating the manual-focus ring of the lens
scrolls through the options and pressing the
COMPACT STYLE iFn button again makes the selection. It is a
One consequence of the NX100’s sleeker, simple system that’s quick to use, although
more compact design is that the fingergrip it took me quite a while to stop reaching
is much less pronounced, but I didn’t find instinctively for the navigation buttons on
this a significant issue when I used a pre- the camera body (which also work) instead Pressing the iFn button on the lens brings up a scrolling
production sample over the few hours I of using the focus ring. Once the required quick menu at the bottom of the screen
had it my possession. The smooth curve of setting has been selected and adjusted,
the body provides just enough grip for the pressing the iFn button again restores the
lightweight camera to be comfortable in my lens ring to its normal function. ‘The exposures are generally
hand between shots. However, the fact that Those who don’t like the iFn control good and there’s little sign
there’s no viewfinder or built-in flash takes system can use the buttons on the camera
a little more getting over. body, but I soon found it quick and easy to of chroma noise in the
In the absence of a viewfinder, images use. Samsung NX10 users may be pleased
are composed on the 3in, 614,000-dot to learn that a planned firmware upgrade high-sensitivity JPEGs’
(VGA) AMOLED screen, which provides will enable their camera to be used with
a nice clear view of the scene. Those who iFunction-compatible lenses.
can’t do without a viewfinder have the
option of investing in the EVF10 electronic PERFORMANCE
viewfinder. This is a 201,000-dot (QVGA) It would be unfair to draw many conclusions
device, and although I want about the NX100’s performance from a
to use it a bit more pre-production model, but I was happy
before I am with the exposure and colour of the images
prepared I took. Most were taken in low light and
NEW LENSES
to pass required a burst of flash from a hotshoe-
mounted flash (I used the Samsung ED-
SEF20A) and/or high-sensitivity settings. The
exposures are generally good and there’s
little sign of chroma noise in the high-
sensitivity JPEGs, although, as Samsung has introduced two new i-Function-compatible lenses: a
with the NX10, this is at the 20-50mm f/3.5-5.6 ED ‘standard’ zoom and a 20mm f/2.8 pancake
expense of some detail. lens. I primarily used the 20mm f/2.8 lens and it complements the
Unfortunately, the compact dimensions of the NX100 beautifully. My only criticism
lighting conditions in is that I found the iFn button a little too high on the barrel for
which I used the NX100 my liking. With the camera held in the shooting position, the iFn
were challenging and I control sits at about the ten o’clock point. I would prefer it a little
wasn’t surprised that it lower, perhaps at the nine o’clock point, so that it is closer to the
struggled to lock on to natural resting place for my left thumb. However, it is possible that
subjects in the gloom. Samsung has deliberately put the button in the higher location to
We look forward to testing avoid it being pressed accidentally.
the camera in decent light
when a full production
model is available. AP

Books, exhibitions and websites
APReview
© GARRY FABIAN MILLER

The latest photography books, exhibitions and websites. By Jeff Meyer
EXHIBITION
© DAVID PLOWDEN
Shadow Catchers:
Camera-less
Photography
Until 20 February 2011. Victoria & Albert
Museum, Cromwell Road, London SW7
2RL. Open 10am-5.45pm daily (10pm
close on Fridays). Tel: 0207 942 2000.
Admission £5 adults, £4 concessions
SHADOW Catchers brings together the

work of five photographers who share the
common theme of not using a camera to
make their photographs. Floris Neusüss,
BOOK Pierre Cordier, Susan Derges, Garry Fabian
Miller and Adam Fuss all create their images
on photographic paper by casting shadows
READER OFFER and manipulating light, or by chemically
AP readers can get treating the surface of the paper.
20% off the RRP of Images made with a camera imply a
Requiem For Steam documentary role, the photographers argue;
(totalling £38.40 plus therefore, camera-less images show that
p&p) by calling the which has never really existed. As none of
customer services the images is made from a negative, each
team at John Wiley print is an original that plays on the viewer’s
on 01243 779 imagination. The images are made using a
777 and quoting variety of techniques, the most common
reference WN165. forms being the photogram, the luminogram
The offer ends on and the chemigram. Garry Fabian Miller, for
27 November 2010 example, uses a photographic enlarger to
create a direct translation between plants
Requiem For Steam
© DAVID PLOWDEN
and the photographic print. It’s a fascinating

The Railroad Photographs collection, and at a modest admission fee
of David Plowden certainly worth checking out.
Fans of this work might also want to check
WW Norton, hardback, 200 pages, out Miller’s solo show, The Colour of Time, at
£48, ISBN 978-0-393-07908-1 HackelBury Fine Art Gallery in Kensington
at 4 Launceston Place, London W8 5RL,
THE AMAZING thing which runs until 27 January 2011. Visit www.
about photography is that hackelbury.co.uk or call 020 7937 8688.
the same amount of skill,
precision and attention
to detail that went into making the images
in Auto Focus (see opposite page) went into
Plowden’s images of old steam railways, yet
the results are very different. Plowden has
been shooting steam for the past 50 years
in the American Midwest, and his timeless
black & white images are perfect in every
detail, from the lighting to composition.
One can tell this is a very personal body
of work and that each of the 140 images is
very dear to Plowden, not only from their
perfection but by the extended captions,
which are essentially reminiscences. Steam-
train photography appeals to many for its
nostalgia factor and the ability to recreate
another time and place.

Books, exhibitions and websites
CONDENSED
© HEW LOCKE//COURTESY HALES GALLERY, LONDON

BOOK
Auto Focus
READING
A round-up of the latest
The Self-Portrait in photography books on the market
Contemporary Photography
● ORKNEY: A CELEBRATION
By Susan Bright OF LIGHT AND LANDSCAPE
Thames & Hudson, hardback, 224 Photographs by Iain Sarjeant.
pages, £28, ISBN 978-0-500-54389-4 Poetry by Pam Beasant, £14.99
How do you write a poem to
THE TITLE is certain and translates them into very engaging text. accompany a photograph of
to terrify people, and so The problem with a lot of contemporary
kelp? Somehow, Pam Beasant
will some of the pictures art photography is that without a caption,
inside. Yet Auto Focus is one often has no idea what is going on in a does it. Despite this example,
such a great compilation of images on a picture – the opposite of which is the main Orkney is actually a very nice
particularly difficult genre of photography tenet of more traditional photojournalism. book. Sarjeant’s images are
to make, let alone comprehend, that it Bright, however, writes a fantastic primer for beautiful in the way he uses
warrants your time. Bright, a former curator appreciating and better understanding the light, and Beasant’s poetry
at London’s National Portrait Gallery and skill and intentions behind self-portraiture and accentuates the beauty in
a writer on art and photography, expertly de-mystifying the genre, beginning with its the images. ● WILDLIFE
dissects the images in this volume. She origins and tracing its development. Even if
takes what might sound like haughty, overly you don’t like the majority of the 250 images
PHOTOGRAPHY On Safari
complex concepts when coming from the in this book, Bright’s tome will give you a fuller With Your DSLR: Equipment,
mouths of the photographers themselves knowledge of the history of photography. Techniques, Workflow by Uwe
Skrzypczak, £30.99 The thought
© PATRICK TSAI AND MADI JU
of another banal wildlife guide

had us cracking our knuckles
for a sarcastic dismissal, but
Skrzypczak shows readers
how to go beyond the obvious
to get more original pictures
of African wildlife. ● HOME
WORK by Tessa Bunney,
£19.99 Bunney’s examination
of Vietnam’s ‘craft’ villages,
which specialise in a product or
activity, is an interesting take on
the documentary photography
format. Very few people fill her
frames, instead going close in on
hands or the weave of baskets
or wide to show patterns. It
could perhaps have played
up the angle of conflicts with
industrial development, but it’s
a solid series of images. ● THE
FUNDAMENTALS OF CREATIVE
WEBSITE PHOTOGRAPHY by David Präkel,
£24.50 While this book has lots of
www.ingemorath.org great pictures and sound advice,
its message is sometimes lost
LAUNCHED on included are portfolios of images by current behind jargon. That said, this is
15 September, the Inge photographers, such as Lurdes R Basolí,
aimed at serious photographers
Morath Foundation’s whose series on violence in Caracas,
website is a treasure Venezuela, earned her this year’s Inge aiming to be professionals, and
trove of images and stories. Along Morath Award, which is given to women its mantra of maximising your
with an extensive collection of the late photographers under the age of 30. The creative potential within the
Magnum photographer’s photo essays site also features IM Magazine, a monthly confines of a brief and developing
(our favourite being her series of early web-based publication of notable sound working practices is very
colour and her images from China), you’ll documentary projects by many other important.
find an interesting history of her life. Also young women photographers.

Have your say
Letters
OBJECTS OF DESIRE
AP Editor Damien Demolder was right:
certain cameras can be objects of desire
(AP 9 October). Unbelievably, that’s how I
saw my first 35mm SLR – a Zenit E. After
years of using all manner of cameras, I read
an article in AP in 1972 that assured me an
SLR was the tool for ‘serious’ photography.
My dad paid for the Zenit and his first words
when he handled it were, ‘It’s a heavy
Share your views and opinions with fellow AP readers every week bugger, isn’t it?’ It certainly was a fair old
weight and, with the purchase of a 300mm
Optomax preset lens, it became even
heavier. But nothing could kill my belief that
Write to… this tank-like camera was a handsome and
LETTER OF
‘Letters’ at the usual professional-looking piece of kit.
Wins a 20-roll pack As I attempted handheld candid shots with
AP address (see page
*IN A CHOICE OF COMPACTFLASH, SD OR MEMORY STICK

of 36-exposure Fujifilm the 300mm lens, I naively anticipated razor-
3) fax to 020 3148
THE WEEK
Superia ISO 200 35mm sharp images on 125 ASA Ilford FP4 film in
8130 or email to
film or a Fujifilm 4GB conditions where light was so low that the
amateur
media card* Zenit’s minimum shutter speed of 1/30sec
photographer
proved hopeless. The results, unsurprisingly,
@ipcmedia.com A LITTLE BALANCE were awful. But used in conjunction with
I have read numerous articles bemoaning the actions of security guards when the 58mm standard lens, it did take great
*Please indicate dealing with photographers. I’d like to add some balance to the subject. photos. Presumably, like someone who’s just
whether you would I am a security officer, working on several sites in and around a major UK city. I bought their first car, my seeing the Zenit
like to receive am also a budding amateur photographer. Over the course of this year, on at least as an object of beauty was something best
Fujifilm film or a four occasions, I have had people conducting photo shoots on properties I have described as ‘first-time owner syndrome’.
memory card been employed on. Three were conducted by photography training companies, Ten years, and numerous other SLRs, later
(please state type but not once did they approach myself, situated in the building’s main reception, or when I’d totally fallen for – and bought –
preferred) and the company. Nor did they inform us of what they were doing there. the Olympus OM-1N, I realised that my
include your full Luckily, I am allowed quite a bit of autonomy by my customers. Having love affair with the Zenit E had been the
postal address ascertained that it was in fact a genuine photo shoot, and that none of my photographic equivalent of beer goggles.
customers’ names or logos were obviously being included in shots, I let the Mick Bidewell, Tyne and Wear
Backchat photographers in question carry on. There was just one exception, where the three
Send your thoughts members of the photography team were getting in the way of staff trying to enter That made me laugh – Damien Demolder,
or views (about 500 or leave the building, and even becoming rude to two members of staff who ‘got in Editor
words) to ‘Backchat’ the [photographer’s] way’. I politely but firmly asked this particular crew to depart.
Now I understand that some security guards can be ‘overzealous’, but it is only PICTURE SNOBS
at the usual AP
common courtesy, especially with today’s heightened security issues, that when I’ve been in three photo clubs in two
address (see page 3).
deciding to shoot on or near someone’s premises, to ask if it is OK to carry out the countries and I’ve not met any ‘equipment
A fee of £50 will be photo shoot. I think many photographers would be surprised at how much more snobs’ (Letters, AP 2 October), at least not
paid on publication co-operation they would gain from following this small bit of advice. to a level that would penetrate my thick skull.
Finally, without being too officious, I’d like to point out that many security guards Neither have I met much of the reverse
are not given the leeway that I am when carrying out their duties. Mostly they have snobbery, fortunately – ‘picture snobbery’,
quite rigid instructions as to how they deal with intruders and members of the for lack of a better term. The idea that since
public on or near their customers’ premises. Very often, perceived failure to deal it’s the picture that matters, discussions
swiftly with so-called intruders will lead to the security guard in question losing his of and interest in gear is looked down
job. Clearly, this influences how the security guard approaches his duties. upon. In my view, it is simply two different
I would advise that being open, and requesting permission will often head off hobbies that can live well together in the
any possible unfriendly confrontations. David Argust, Mid Glamorgan same house.
Eolake Stobblehouse, Lancashire
You are quite right, David, that sometimes photographers are to blame for
their own fate. When organising an official tour somewhere, it would be RAW CONVERSION
mad not to call ahead – Damien Demolder, Editor In Ask AP in the 9 October issue,
Ian Farrell’s response to Eric Johnson’s
query missed the obvious. It is unfortunate
that Adobe’s raw-conversion plug-ins
cannot be used to update some of the
earlier versions of Photoshop Elements
and so on, but DNG Converter is a good
alternative. Thus, the easiest way to read a
raw file from a recent camera is to convert
it to the DNG format using Adobe DNG
Converter. This is a free download from
Adobe and will read any raw file that even
the most recent versions of Photoshop
can open. The resultant DNG file can then
be processed in any recent version of
Photoshop or Elements, even though
they might not be able to interpret the
original. In fact, most raw file editors
(except perhaps some of the camera

Have your say
SHOOTING
© V ALLEN
SLIDES
I thought you might
be interested in a
little project of mine.
Although I am 90
years old, I have
always managed
to keep my toys
(cameras, computers,
and so on). As such,
I noticed a piece of
plastic in the garage AP reader Clive Andrews speaks
and thought that if I
bored it out to take
up for the manufacturers in the
my Olympus macro ‘camera gadget’ debate
lens, I would be able to make A4 prints of my old Leica
slides. I found that pointing at the sky works best. I HAVE read a number of letters and articles in AP
When I started taking pictures in 1934, I had a 9x12 double extension plate camera. over the past few weeks knocking manufacturers for
I used to go into my darkroom and bite the corner of the plate to find the emulsion side. overcomplicating their digital cameras with superfluous
I have so many memories of AP in the 1930s I could fill a book. gadgets and gizmos. They are also accused of neglecting
V Allen, via email the ‘basics’ and criticised for not making their products
work like film-based cameras.
I love 9x12 folders: my Voigtländer Avus is a masterpiece – Damien Demolder, Editor As a freelance design engineer, I thought I would try
to redress the balance by presenting things from the
manufacturer’s point of view.
A successful company is one that can make good profits
maker’s software) can edit a DNG file. POLARISING OPINION for its shareholders. To this end they must produce items
Adobe DNG Converter itself cannot be I think polarising filters are the that will consistently sell in volume with a good margin. To
used to process a file except to convert it to best-kept secret in photography. be successful in a competitive market, a product
DNG, which was designed as a ‘universal’ Ever since starting to take digital must appear to have distinct advantages over its rivals
raw format. However, a free program like photographs, I have been annoyed so a manufacturer can attract new customers. Adding
RawTherapee can edit DNG as well as most with burnt-out highlights in my skies push-button features to a digital camera is a cost-
raw formats, or it can save it to TIFF (or due to the restricted latitude of digital effective way to make a product appear to have an edge.
JPEG) format for processing in Photoshop. sensors. Yet since investing in a polariser This strategy still works as most customers do not fully
RawTherapee isn’t perhaps updated as often (they are not cheap) this problem has appreciate what these features really offer and they
as it might be and you might find UFRaw, reduced significantly. Blue skies are are impressed by the numbers.
another free program, can be very useful less washed out and the clouds much A product’s service life should be finite to ensure good
as it is updated frequently. However, it saves less prone to burning out completely. So turnover, but durable enough to keep owners loyal to the
the edited raw file to the GIMP format, now one is fixed to my lens by default, brand and create a reputation for reliability. Analogue
which can only be opened in GIMP (also and only removed in low light. The only cameras needed precision mechanical assemblies such
free). If you don’t want to use GIMP itself as downside to this approach is that it is as shutters, viewfinders and film-winding mechanisms
an editor, it can be used to save the file as a impossible to rotate the filter with a lens to make them function, whereas digital cameras can be
TIFF file and to many other formats. hood attached, but I can live with that. made with very few mechanical parts. Simpler hardware
Robert J Maddison, Dorset My next project is to make a variable reduces production costs and allows better control over
neutral density filter using two polarisers. in-service life and durability.
Adobe’s DNG Converter is indeed a very By rotating one with respect to the other, The processing power of modern computer chips means
useful application, and saves us buying it is possible to regulate the light passing that it is now possible to compensate for optical errors
the latest full version of many programs though the combination from dark to very, and camera shake through software. This is a much
when upgrading our cameras – Damien very dark. If any other reader wants to try cheaper way of improving a camera’s performance than
Demolder, Editor this, make sure that at least one is a linear, by improving the glass lenses.
rather than circular, polariser. The light The manufacturing cost of an imaging sensor is influenced
CONSUMERS LOSE OUT passing though a circular polariser is not by its surface area rather than its complexity. Trying
In Backchat in AP 18 September, I said I linearly polarised so as to maintain accurate to improve the performance and pixel count of a small
wished that manufacturers would produce exposure metering. Don’t ask me how they sensor is more cost-effective than trying to reduce the
proper cameras. Now Fujifilm, with its do this – perhaps one of AP’s experts can price of a larger sensor.
FinePix X100, seem to have gone a long provide a suitable explanation – but I have There will always be a market for high-end products from
way to doing just that. No wonder there was tried this with an old Cokin linear polariser the likes of Canon, Nikon and Leica, but they will remain
a lot of interest at photokina and on the web. and a Kood circular polariser. If the linear expensive to manufacture and purchase. Manufacturers
Yet already Fujifilm has shot itself in the foot. polariser is in the front, variable density will want to drive the mass market towards products they
Not only does the firm make it a fixed lens, works, but if the circular polariser is in the can sell at a profit by making their cameras look new
but it’s chosen a stupid focal length, too. The front it does not. I will only be able to work and innovative. My prediction is that the current crop of
X100 is crying out for an interchangeable out what density range results when I get mid-range and entry-level
mount with three primes lenses at around another polariser of the same size, but initial DSLR cameras will eventually
f/2 and the 35mm equivalents of 28mm, trials show that it should work, but with a be pushed out by mirrorless
50mm and 135mm in focal length. pronounced blue cast. devices such as the Sony NEX-
I predict the next model in the series will Chris Mitchell, Surrey 5, the Panasonic G series and
have an interchangeable mount – unique, the Samsung NX10 range.
of course – and ‘specially developed’ The polarising filter is certainly I am afraid that those waiting
lenses will start to appear. That seems to extremely useful, Mr Mitchell, although for the return of the good
be how marketing departments think. The not much of a secret. I don’t recommend old viewfinder for compact
consumers lose out. having one attached full time, though – cameras are likely to remain
Melvyn Dover, Dorset Damien Demolder, Editor disappointed.

Andy Rouse Wildlife
AndyRouse@AP
Thoughts from a wildlife photographer’s world
A clever gizmo? No, an indispensable marketing tool

At £429 for the 16GB
Wi-Fi version and £699 my MacBook Pro laptop, but this is heavy
© ANDY ROUSE
for the 64GB Wi-Fi and takes a while to show anything, so I eyed
and 3G version, the the super-sleek iPad with fresh eyes and,
iPad might seem rather after fighting a little with iTunes and iPhoto,
expensive for a digital photo frame. managed to upload some of my latest
It makes the well-respected Sony images onto it. Despite the fact they were
X1000N Digital Photo Frame seem only 800-pixel-wide proofs, the pictures
quite a bargain at £249. looked awesome on my new purchase. I
Also, unlike the iPad, the Sony frame was starting to fall in love.
has a card reader slot to accept a The meeting came and when it was time
variety of media for easy, on-the-go to show the images everyone crowded
image transfer to the 2GB memory. But round and simply loved it. The iPad was so
while simple corrections to images are portable I could pass it round the group
possible, the frame is primarily designed and let them zoom in, rotate and generally
to display images, which it does well. twiddle with images to their heart’s content.
The iPad, on the other hand, is I got the job and after the meeting I walked
capable of performing many more out of the building smiling with my iPad
tasks, and while it is unlikely that tucked proudly under my arm.
anything approaching the full version of Since then, it accompanies me everywhere
Photoshop CS5 will ever be compatible
with it, I think that Adobe’s Photoshop.
com Mobile, which is a free iPhone app,
MORE THAN ANGRY BIRDS as my portable portfolio. It is the ultimate
visual business card and impresses everyone
in a way that a laptop can never do. I have
or something similar will be updated I AM NOT a geek and I On 21 November, used it recently to show three local farmers
for use on the iPad at some point in don’t carry a trendy man Andy and fellow my recent work in order that they would trust
the near future. Meanwhile, the similar bag for my lipstick. But I am acclaimed wildlife me on their land. Similarly, a landowner who
PhotoPad is available from Zagg for free. guilty of buying an iPad on photographer has helped me with little owls chose the prints
As the iPad allows an internet launch day as it looked shiny Laurie Campbell for his wall from the iPad portfolio. Clients
connection (via Wi-Fi or 3G), it can and new. I didn’t really know what I would will be hosting have seen it, too, as the iPad shows that my
be used to view images that are on a use it for as I already had an iPhone, but like the Inner Vision business is forward-looking and up to date.
website or held on a remote server, so a lot of people I jumped on the bandwagon 2010 seminar It also looks slick, and when I am competing
files don’t actually need to be stored and bought one, thinking that two million at the Royal against large agencies I have to use every trick
on the internal memory to be viewed. Americans can’t be wrong. Botanical Gardens in the book. I can clearly see how commercial,
Plus, virtual network computing (VNC) After the first day I found myself struggling. in Edinburgh. For wedding and portrait photographers can
apps like Mocha VNC Lit and Desktop Not with the technology; that is awesome. The more details visit benefit by using the iPad as a beautiful virtual
Connect make it possible to access files screen is great, the battery lasts a long time; www.andyrouse. picture frame to show their images to clients.
from your home computer – useful for the iPad is child’s play to use. No, my problem co.uk/img/files/ So, from my early misgivings the iPad has
impromptu meetings and so on. was finding something in my business that innervisions_ grown to be a vital part of my photography
could make worthwhile use of it. Few of the edinburgh_ business and I think it definitely has a place
apps I wanted were available for the iPad, and brochure.pdf as a professional photographer’s tool. Of
ANDY ROUSE the ones that are were frighteningly expensive. course, it will never replace the laptop for
is one of the world’s The Times newspaper app was one of productivity tools such as Photoshop and
most prominent these: very expensive and it didn’t give much Photo Mechanic, but sitting on the train to
wildlife photographers in the way of a weekend read. Many apps London the other day I wrote two magazine
and a passionate had clearly been rushed and were slated by articles without having a hot, heavy laptop
conservationist . A professional most reviewers. About the only useful thing burning holes in my trousers.
photographer for more than ten years, I did that day was download Angry Birds, I use my iPad for many things now,
he has a dozen books to his name and the very popular app where you catapult and it has helped to give me some other
regularly appears on TV. He has also exploding birds at pigs – superb, though business ideas. Of course, the iPad is only
won multiple wildlife photography hardly worth spending £500 on. But then I at the start of its journey and has a long way
awards. In this weekly column, Andy stopped thinking about what apps could do to go; for one thing, Apple must improve
recounts some of his experiences from for me, and instead looked at how I could the way that images are transferred onto
the wildlife world. You can see his work use the iPad itself for my marketing… and the hardware – surely wireless or Bluetooth
at www.andyrouse.co.uk and read his an idea began to form. isn’t too much trouble? Or maybe you can
blog at www.andyrouse.co.uk/blog.asp. A couple of days later I had a meeting already and it’s just my lack of knowledge
You can even become a fan and keep arranged with the local wildlife rangers and that stops me doing it.
up to date with ‘Andy Rouse Wildlife I was searching for a way of showing them But anyway it’s so fun to use that I am
Photography’ on Facebook. my latest UK images. Normally, I would use hooked. Perhaps I’ll get a trendy case… or
just put it in my new man bag. AP

Photo insight Cathal McNaughton
BRINGING
YOU ESSENTIal
EXPERT aDVICE
PHOTO
EVERY WEEK
INSIGHT
Cathal McNaughton explains why his most
challenging assignments aren’t always under
threat of violence, but rather in capturing someone
famous in a unique way – the Queen, in particular
CaTHal PhotograPhing famous people expect her, of all people, to be upstairs to work for the picture that I wanted to
MCNaUGHTON is a fairly common assignment when you’re
a press photographer. It’s one that’s always
underneath the shelter! It was the complete
opposite of how the scene should be.
take. We were all standing in a side-on
position, but I could see where I could get
Award-winning
a little more daunting than hard news When I stopped looking at the wider the picture I’d visualised if I could only get a
Cathal McNaughton because you’re faced with the challenge scene through my viewfinder and cut the more front-on position. Unfortunately, I was
has more than ten of finding a way to capture this person in speakers out of the frame to isolate the blocked in by a barrier.
years’ experience a new and interesting manner that other Queen, I realised that it looked like she I decided I could either stand there and
covering conflicts and photographers haven’t tried countless was standing at a bus stop and all these shoot something that wasn’t very special
breaking news for times before. people were watching her. or I could jump over the barrier, shoot
national newspapers Here in the UK the Queen is perhaps I like to try to capture something slightly the picture of the day and deal with the
and international the most difficult celebrity to photograph quirky or unusual in my images. I’m always consequences. So I jumped the barrier,
because her picture has been taken tens striving to inject some humour into my ran about 15ft (4.5m) and managed to fire
press agencies. of thousands of times, if not more. When photography when I can. People as well off a couple frames before security came
He shares his best I got the call to photograph her attending known as the Queen are photographed on and escorted me back to the pen with the
press photographs the official opening of a new lawn tennis a daily basis, so I think you need an element other photographers.
and reveals how he association at Roehampton in south-west of humour or quirkiness to help you get At that point it was too late for anyone
captures a subject London, my first thought was how I was something that stands out from the crowd else to copy what I’d done, as the security
in ways that others going to be able to show the Queen in a of other images. You want to look for ways team had clocked on to the view that I had
haven’t seen situation where you wouldn’t normally see to make your image unique. seen. And so I managed to get the picture
her. Official events such as this can be quite In pursuit of this, press photographers will of the day. Later, I filed the image and
stage-managed and leave little opportunity often look for famous people pulling a face got lots of calls from reporters wanting
for spontaneity, which makes it tough for or placed within a situation they wouldn’t to know the story behind the picture
photographers to be creative and capture normally be seen in, and this morning at because the Queen had never been
anything beyond the standard handshake. Roehampton definitely qualified for the seen like this before.
There were throngs of photographers latter. Once I recognised the surreal nature I like the fact that the Queen is alone in
when I arrived, and sure enough, the event of this scene I knew immediately that I the bottom right-hand corner. I wanted to
was planned down to the very second. needed to emphasise this and compose show that from where I was, it looked like
The Queen was standing expressionless my image accordingly. Getting in position she was on her own with no one around.
while someone else was speaking, and I to take the picture, however, proved to be To her left were all her aides, but depending
tried framing her in a number of different another big challenge. on how you crop your picture it can make
compositions but none of them worked. There were 30-40 other photographers the picture say a million different things.
I felt like I’d either seen them all before there with me that morning, huddled into a I think the picture is also different because
or they just weren’t interesting. Then a pen by police so we couldn’t pose a threat the background is a simple pattern of parallel
To see more of Cathal’s thought occurred to me. to national security. I’m sure everyone lines. I like clean backgrounds, and I like
It had rained heavily earlier that day and at AP is well aware of the suspicion cast things to be neat, so I try to keep an eye
photography, or to
was still lightly drizzling. It suddenly struck on photographers by police, and that out for parallel lines or a blank wall to use
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of his workshops and above her were standing under shelter from Where we were positioned was perfect black wall should be used as a backdrop
field trips, visit www. the rain looking down while she was left for getting the standard shot of an event if possible, as you want to eliminate all
cathalmcnaughton.com to stand outside with an umbrella. You’d like this, but the vantage point wasn’t going distractions within your frame. aP

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The New Forest Photo locations
AP’s guide to Britain’s best photo locations.
INSIDER
This week… the New Forest
Need to know
KNOWLEDGE
Mark Bauer
Age 45
SITUATED in the heart of south-
west England, the New Forest is a
photographic gem. With its variety
of Special Scientific Interest (SSSI),
there is a range of wildlife, such as the
New Forest ponies and deer, including
of landscapes it offers spectacular fallow, roe and red. The New Forest
How to The New Forest is easily accessible
from across the UK by road.
Favourite
location New photographic opportunities at every National Park stretches for 140,000
get there Major motorway routes include Forest, Dorset, turn. From wet and dry heathlands acres and covers much of the same
the M20, M26, M25, M3 and M27. cut through with rushing rivers to area. There are many walking routes,
including Swanage and
When travelling from London or coniferous and deciduous woodland, cycle tracks and bridle paths, making
Kimmeridge Bay
valley bogs and streams, there is much it easy to explore. The New Forest
Southampton on the M27, exit at Favourite
to keep even the most demanding Wildlife Park (formerly the New
Junction 1 signposted Cadnam and photographers Joe
follow the signs to the New Forest. photographer occupied. Surrounded Forest Otter, Owl and Wildlife Park) at
Cornish, Charlie Waite
by numerous picturesque villages, Longdown, near Ashurst, is certainly
There are excellent rail services Website www.
linking the New Forest with the New Forest covers much of worth visiting (visit ottersandowls.
markbauerphotography.
surrounding towns and cities. south-west Hampshire and some co.uk). From golden autumnal colours
com
Direct trains run to Brockenhurst of Wiltshire, and is bordered by a to frost-tipped foliage in winter, there
from London Waterloo, 26-mile coastline. A designated Site is always something to photograph.
Southampton, Weymouth and
Birmingham New Street. Visit www.
nationalrail.co.uk. Other train
stations in the New Forest include
Ashurst, Beaulieu Road, Sway,
Hinton Admiral, Lymington, New
Milton and Totton.
Where There is a huge variety of

accommodation in the New Forest,
to stay from B&Bs to hotels, self-catering
cottages and holiday parks. For
a comprehensive list visit www.
thenewforest.co.uk/accommodation.
Where With so many places to stop for

a bite to eat, it is impossible to
to eat name-check one above the rest. For
suggestions visit www.touristnetuk.
com/so/newforest/food.
Don’t There are often guided walks

organised by the Forestry
miss Commission that are ideal for
finding out about the history, culture
and wildlife of the New Forest. On
13 November a ranger will lead a
short walk from Linford Bottom Purple haze Canon EOS-1Ds Mark II, 24-105mm, 1/4sec at f/11, ISO 100, ND grad, tripod
car park at 10am until noon, price
£4. For more information call Rockford Common is a great starting to appear. The peak heather season is
0238 028 6840. photographic location because it offers around mid- to late August, and during this time
an impressive view of the surrounding large areas of the New Forest are covered in a sea
valley looking towards Mockbeggar in of purple. Heather is widespread across areas of
the west of the New Forest. There is a bridle path heathland. You could also try Picket Plain not far
that trundles through the landscape and provides from Ringwood. I used a 2-stop ND grad to stop the
a great natural lead-in line. In some ways it is an sky from burning out and took a meter reading from
easy landscape to photograph because there are the foreground on which to base my exposure. On
many interesting elements you can use in your cloudy days, shooting in the wooded areas is a good
composition, such as a colourful and textured option because the light is diffused, but when the
foreground or misty horizons. I took this shot in conditions are right photographing the heathland
late July/early August, just as the heather was can lead to some fantastic atmospheric shots.

Photo locations The New Forest
Spring mist Autumn leaves Log on ice

Canon EOS 5D, 70-200mm, Pentax 6x7, 45mm, f/22, Fujichrome Pentax 6x7, 45mm, f/22, Fujichrome
4secs at f/16, ISO 100 Velvia 50, ND grad, tripod Velvia 50, ND grad
This was taken in I took this image at In Mogshade Hill near
Holmsley, just off the Millyford Green, near Bolderwood, there is
A35, looking down Lyndhurst, one of the an area of water that is
towards Burley in the main towns in the quite photogenic. I took
south-western corner of the New New Forest. I wanted a shot that this image in early January, and I
Forest National Park. With these encompassed the look and feel thought the trees stripped bare
slightly higher viewpoints you can of autumn in the forest. When I and the glistening lake would make
get a good sense of where things spotted the backlit leaves hanging a strong composition. It had been
are in relation to each other. There over the path I knew there was a clear and frosty the night before,
are certain spots in the New Forest shot to be had. The leaves provide and when I went to the location
that get very misty at different times a natural frame in the scene and the following morning I stumbled
of the year and Holmsley is one of complement the winding road as across a frozen log resting on the
them. When photographing misty it curves away into the distance. ice, which provided a perfect lead-in
scenes, you have to be careful not to The mid-morning light illuminates line. There are a few ponds in the
underexpose. I look at my histogram the coloured leaves, which New Forest where you can
and use exposure compensation if echo the oranges, reds see reflections and these
I need to. If I’m planning a shoot, I and browns at the side are great for making
keep an eye on the weather forecast of the road. With my compositions look
the night before. A clear night often tripod fully extended, I dynamic. I used the
means there is a chance of mist the used a wideangle lens a n half the reflections of the
following morning. On this occasion and got as close to Less th rest is actually silhouetted trees
N ew Fo , despite
I was lucky, as mist had descended the leaves as I could. oo dlan d to create balance
w
in the valley below. In terms of I framed my shot so its name within the scene. With
composition, I was looking for things the leaves covered the reflections it is important
that would break through the mist. brightest parts of the sky, to keep the foreground
You can just see the tops of trees which helped to prevent burning as ‘clean’ as possible to avoid a
poking through. out detail. messy-looking composition.
Lone tree Trees in silhouette Summer heather

Canon EOS 5D, 16-35mm, Canon EOS 5D Mark II, Canon EOS 5D, 17-40mm, 2secs at f/16,
1/4sec at f/16, ISO 100, polariser, 17-40mm, 8secs at f/16, ISO 100, ISO 100, ND grad, tripod
ND grad, tripod ND grad, tripod
This was taken at
I took this image at This is the same pond as Rockford Common
Strodgemoor Bottom in ‘Log on ice’, but taken during late summer. The
near Burley in August, in early November. In heather at Rockford
shortly after sunrise. If this image I decided to is spectacular if you’re there at
there is broken cloud at sunrise or place the horizon in the middle of the right time of year. I’m slightly
sunset it can create fantastic colours the frame. I went for a 50-50 split higher up than where I was for
in the sky, which in turn provides because there wasn’t any interesting the image ‘Purple haze’ (see page
great reflections and doubles foreground detail and not much 23) and using a lower shooting
the impact of the composition – happening in the sky apart from a angle. In terms of composition,
providing the conditions are right. few traces of colour. I placed the I’ve taken a different approach
I was fortunate that there was a leafless tree a third of the way into to the other shot. The sky is clear
dynamic sky, reflected cleanly in the picture on the left-hand side and the mist is less apparent, and
the still water. The drama in this and afterwards cropped the image I have chosen to shoot vertically
image comes from the rushing sky to make a 3:1 rather than 3:2 ratio. rather than horizontally. While the
and its reflection. I used a polariser I used a 4-stop ND grad to increase foreground plays a key role in both
to reduce the glare on the surface the exposure time, which helped images, here it occupies almost
of the water and enhance the smooth out the ripples in the water. two-thirds of the frame. There is
reflections, but was careful not to Shooting into the light to create also a clear focal point. The subject
over-polarise and kill the reflections silhouettes can be an effective of the composition may be the
completely. I often look for texture approach especially if you explore a tree, but the colourful foreground
to incorporate into my images and low shooting angle that makes the is instrumental in sweeping the eye
here the textured sky balances with silhouetted subjects stand out in the towards it. Shooting at the widest
the reflections in the lower half frame. There are often interestingly end of my 17-40mm lens enabled
of the frame. I wanted to capture shaped trees to be found if you look me to emphasise the foreground,
a pure reflection without any out for them that can create a stark, which is an important subject in its
distracting blades of grass or reeds. slightly graphic feel. own right.
Do you know of a great photo location? Share it with your fellow readers and earn yourself £100 in the process. Submit a
£100 collection of at least ten images with a brief explanation of where the location is and what is special about it. We’ll call to
UP FOR interview you about the details, so you don’t have to write anything, but make sure the pictures are centred around one place.
GRABS We are looking for the inside track on well-known as well as new locations anywhere in the UK. Send a CD/DVD in the first
instance to ‘Insider Knowledge’ at the address shown on page 3. Visit www.amateurphotographer.co.uk/knowledge for more info.

The New Forest Photo locations
all photographs © mark bauer

26 | www.amateurphotographer.co.uk | 23 October 2010 subscribe 0845 676 7778

Trans-Siberian Railway Travel
Journey of isolation
Klavdij Sluban’s moody images of his travels along the
Trans-Siberian Railway won the European Publisher’s Award
in 2009. He tells Jeff Meyer about his minimalist ethos and
how he often doesn’t eat or talk when taking pictures
‘EithEr you expect people to give you inherently flawed. ‘Travel photography is
work or you create the work that you wish a way of depicting a place in a way that it
to do,’ says Klavdij Sluban, straight off in isn’t,’ he says. ‘Reality and truth are very
the conversation when asked why he made different. Rather than a portrait of a place,
this collection of images of his travels. The my pictures instead are a portrait of myself
Paris-based photographer of Slovenian going through this place at that time.’
origin has many strong opinions about Klavdij just wants honesty. There is no
photography, and to the casual observer escaping the photographer’s presence in
he may sound like a curmudgeon, dismissive every image, he says. By the very freedom
of most commercial work, but in reality of composing a picture to look a certain way,
Klavdij (whose name is pronounced the photographer is inserting himself into the
‘Kloudy’) simply believes that an image scene. Yet rather than deny this subjectivity,
should have integrity. Klavdij believes it should be embraced.
Most photojournalism, for instance, ‘It’s important to be present,’ he says. ‘You
prides itself on efficiency, he says. The are totally involved physically, emotionally
restrictions of the news format mean there’s and intellectually in the picture. There is no
no time to lose yourself in a subject and reason for me being in these different places
feel it on a deeper level. Meanwhile, travel unless I’m fully present in the picture.’ Then
photography, which is the closest genre again, he adds, ‘Nobody is crazy
one might say that Klavdij’s images from enough to give me an assignment
the Trans-Siberian Railway belong to, is to shoot images like this!’
China-Mongolia border,
Trans-Siberian Railway, 2007

Travel Trans-Siberian Railway
‘Mine is a long story of migration, and I carry that within myself. Everyone has their
Klavdij’s images of his travels with Chinese museums along the way. takes his pictures. The world Klavdij inhabits
from Paris to Beijing on the ‘These were the pretext to keep on when he works (although he hates to use
Trans-Siberian Railway were his working along that route without anyone the term work, as ‘working is something you
own undertaking, which he made over the telling me what to bring back,’ he says. do for money,’ he says, ‘and I don’t have
course of ten trips, beginning in 2001. That But ultimately these assignments would time to make money’) is a very personal
first year he ventured to the Baltic Sea end with museums complaining that his one. He retreats inward, not talking for days,
and decided the next time he would go pictures were ‘too black’. sometimes weeks. His earlier ventures
even further east, eschewing the popular ‘That’s OK,’ says Klavdij. ‘I don’t do it for teaching photography to youth offenders
Moscow-Vladivostok-Beijing route in favour them. I only do what I choose to do.’ He is in prisons in France, the former Yugoslavia,
of the road less travelled via Mongolia. The very confident and forthright in his opinions, the former Soviet Republics and elsewhere
resulting volume, East to East, published but this comes not from ego or bravado throughout Eastern Europe used the
by Dewi Lewis earlier this year, is Klavdij’s but from intense introspection. One senses isolation theme in a more literal form, while
search for harmony between these journeys. that Klavdij knows himself better than most projects like East to East follow his own
Each trip lasted about a week, which people really know themselves. solitude in these locations.
he would sometimes extend by accepting Isolation is a dominant theme in his work, ‘This is how I feel even now. I’m isolated,’
commissions and participating in exhibitions from subject and style – even in how he he says. ‘My ancestors travelled to France

Pingyao, China, 2003
own story like this, which gives them a different perception of the world’
or wherever they could find work to ‘I won’t call it fasting because that has you need, there’s no point having anything Top right:
nourish their family. Mine is a long story of too many religious connotations. I like extra,’ he says. ‘When I travelled the first Mongolia,
migration, and I carry that within myself. to think of it as when a dog shakes itself. time for photography I knew exactly what Trans-Siberian
Everyone has their own story like this, which That’s closer to how I feel. By not eating I needed – which is what I need now.’ Railway, 2008
gives them a different perception of the or talking I’m shaking off all our superficial Frills only distract from the art of
world, and this is what I hope to capture layers and pursuing an inner state of creation, he says. ‘Sometimes a museum Above right:
in my images. Only when you dig within perceiving. I like the mystery of not knowing I’m exhibiting at will put me up in a Kaliningrad,
yourself can you justify the art you produce. what I shall find underneath. It can be 27-star hotel, but I don’t sleep any better Russia, 2003
I don’t believe there’s any true creation anything. If I find naked chicks and sports in them. My schedule is such that I’m
without doing it with your gut and sharing cars, great – I’ll photograph that. But outside at 5am, which means I miss the
with people what you feel inside.’ apparently that’s not the case!’ fancy breakfast. And I’m back at 8pm, most
Klavdij travels alone. ‘More like a monk Klavdij’s travel bag weighs just 5kg and of the time falling asleep fully dressed
than someone going out to a party,’ he contains one pair of socks, one pair of boxer because I’m so tired. Whether you
points out. When Klavdij travels he admits shorts, one pair of trousers, one shirt, 80 sleep from 9pm to 4am in a five-star
he not only stops talking, but ceases to eat rolls of film, his Leica camera and a 28mm hotel in Beijing or the same hours
as well, feasting only every four or five days. wideangle lens. ‘Once you are aware of what in a s****y Serbian hotel with sheep

Travel Trans-Siberian Railway
Above: Men playing

a game, China,
2005
Right: Poland,
2005
Far right: China,

2005
outside your window it is no different.’ is wide, but at the same time you’ve got the light and gives me this dark result. But
So keen is Klavdij to shake off to be present within your scene. You can I like that it’s a difficult lens to use – you
what he sees as the superficialities of easily be too far away with a 28mm, but can never tell ahead of time how a
life that he has even put black tape over the if you get up close to who or what you’re photograph will look.’
Leica name on his camera so people don’t photographing it seems more natural. Klavdij thrives on the element of surprise.
take him seriously as a photographer. ‘My lens is very old and only opens at Shooting from the hip, many images are
‘I want to look like the average person,’ he f/2.8. Because of this it’s not very sharp, grab shots for which he has guessed the
says. And because he knows his camera and but I don’t mind this. The new ones are exposure and focus, and he’s not entirely
lens inside out, Klavdij is able to shoot from way too sharp. Mine is too abrupt in how sure what he’s captured until he sees his
the hip a lot and get closer to his subjects it goes from one tonal density to another, contact sheets weeks later. The only thing
than he might otherwise be able to do. but I think it makes the images more he is aware of when taking a picture is
‘I love working with wideangles, but the voluptuous. I shoot almost exclusively in what’s outside of the frame.
problem is if you use a 28mm in wideangle autumn because I find the conditions Despite not trying for effects and
situations you’ll only have images with that much richer than in summer when the relying on chance, a hallmark of Klavdij’s
wideangle effect,’ he says. ‘I like to use the light is flat, the mosquitoes are biting images is a hint at what lies beyond the
wideangle lens to play with lines and give a and hordes of tourists are about. In photographer’s field of vision. Hands playing
different perception of space. Yes, the lens these conditions my lens struggles with draughts or gripping the handlebars of
East to East is published by Dewi Lewis, price £25, ISBN 978-1-904587-84-2. To see more of Klavdij’s images, visit his website at www.sluban.com.

Top left: Woman

through a foggy
window, Latvia,
2002
Top right: Woman

at a counter,
Moscow, 2005
Bottom left:
Snow on the train
window, Poland,
2005
Middle right:
Kaliningrad,
Russia, 2004
Bottom right:
Children playing
along the Trans-
Siberian Railway
line, Russia, 2005
a bicycle suggest other life exists within likely be published. So a good photographer I come back from my travels what I have
Klavdij’s sparse, minimalist compositions. has an overload of trash and can eliminate actually seen. Maybe this is the beginning
This is part of the DNA that links East to his work successfully. A good photographer of the difference between a photojournalist,
East together, and discovering this unity knows what he can cut. You’d be surprised who has to bring back something that
in his work is why the picture-selection how many things you can live without. everyone expects him or her to bring back,
stage is very important to Klavdij. When I’m wrong, though, that comes and me. I never know. I work a lot on my
‘My work on the contact sheet is just as back to haunt me. selections and carry around my contact
important as the time spent photographing,’ ‘I prefer working for ten years and sheets wherever I go. I spend a lot of time
he says. ‘The art of photography really is in showing only 80 photos at the end of it editing them. I can’t help but feel sorry for
deleting and throwing things away. When rather than showing 3,000 photos a day on photographers from Getty and all these
you choose to take a picture you put aside my website. Fewer, more personal photos other agencies, which have a filter that
so many other possibilities. Then you come will stay with people longer. That’s why automatically selects their photos for them.
back with so many photographs and only when I do my selections I keep only the If it’s blurry, it’s eliminated. If it’s anything
choose a few for your body of work. When ones where I think I or the viewers may out of the ordinary, it’s eliminated. To me
you are lucky enough to be interviewed by miss something at first glance and then that’s the end of creation. The moment you
Amateur Photographer about this body of find more meaning in them over time. start practising a few tricks, you become
work, only five or ten of these photos will ‘At the same time, I never know when uninterested in creation. AP

Icons of photography Dovima with Elephants
© THE RICHARD AVEDON FOUNDATION

Dovima with Elephants Icons of photography
amateur photographer’s… iCONS OF PHOTOGRAPHY Left: ‘Dovima with

Elephants, evening
dress by Dior,
ICONIC phOtOgraph i photographEr i CaMEra

Cirque d’hiver,
Paris, August 1955’
Below: Richard
Avedon self-
portrait, taken in
New York, c1963
Dovima with Elephants

Richard Avedon’s image became one of the most famous fashion photographs of the 20th century, writes David Clark
In August 1955, Richard Avedon and slender, Dovima epitomised 1950s style
© rICharD aVEDoN FoUNDatIoN
set up an ambitious fashion shoot that was and was said to be one of the highest-paid
intended to showcase new work by French models of the period.
fashion designer Christian Dior. Avedon had She and Avedon often worked together
a reputation for shooting his fashion work on and Dovima later commented that the
location, but this setting was more unusual two of them ‘became like mental Siamese
than most – inside the famous Cirque twins, with me knowing what he wanted
d’hiver in Paris. before he explained it. He asked me to do
When it took place, New York- extraordinary things, but I always knew I was
born Avedon was 32 and had been a going to be part of a great picture.’ For this
professional photographer for ten years. particular Harper’s Bazaar shoot, Dovima was
He had been recruited to work as a staff asked to pose close to four circus elephants.
photographer for Harper’s Bazaar in The shoot took place on a hot summer’s
1945, soon after completing his military day. Avedon later recalled that when he
service, by the influential art director Alexey entered the area where the elephants
Brodovitch. Avedon, with his enthusiasm, were kept, he saw that the animals were
inventiveness and instinctive visual flair, beautifully lit by natural light. ‘I saw the
soon established himself as a significant elephants under an enormous skylight and
new voice in fashion photography. in a second I knew… there was the potential
Although most conventional fashion here for a kind of dream image.’
images after the Second World War were In the most famous image from the shoot,
shot in the studio, Avedon often created Dovima is shown in an ankle-length black
his images outside, posing his models in evening gown with a white sash. It was the
streets, cafés and casinos. Influenced by the first dress designed for Dior by his 19-year-
Hungarian photographer Martin Munkacsi, old assistant, Yves Saint-Laurent. Although
he rejected conventional static poses and the elephants each had one foot chained to
instead pictured the models in motion and the floor, they were still potentially dangerous
using expressive gestures. and Dovima had to hold her nerve as they
The model chosen for the Cirque d’hiver moved restlessly behind her. She is shown
shoot was known as Dovima. Her real name striking a graceful, narcissistic pose, her eyes
was Dorothy Virginia Margaret Juba, but she almost closed, with one hand resting
created her professional name from the first on an elephant’s trunk.
two letters in her three given names. Tall The picture has become iconic

Icons of photography Dovima with Elephants
Events of 1955
© The richard avedon foundaTion
5 April
Sir Winston Churchill resigns
as Prime Minister of the United
Kingdom, due to ill health. He
is succeeded by Anthony Eden
18 April
Theoretical physicist Albert
Einstein dies in New Jersey,
aged 76
5 May
West Germany is declared
a sovereign country and
becomes a member of NATO
14 May
The mutual defence treaty
known as the Warsaw Pact is
signed by eight Communist
Bloc countries
13 July
Ruth Ellis, aged 28, is hanged
for murdering her lover,
David Blakely. She was the
last woman to be executed
in the UK
24 September
American President Dwight
D Eisenhower suffers a heart
attack while on holiday in
Denver, Colorado
30 September
American actor James Dean
is killed when his sports car is
for a number of reasons. First, its 62. ‘She was the last of the great elegant, ‘Marilyn Monroe,
involved in a head-on collision
almost surreal juxtaposition of the aristocratic beauties,’ said Avedon, ‘the Actress, New York
model and elephants is visually most remarkable and unconventional City, 6 May 1957’ with another vehicle in
arresting and unexpected, combining beauty of her time.’ Cholame, California
fantasy and reality. Second, it is beautifully ‘Dovima with Elephants’ is widely 1 December
lit and elegantly posed. Finally, the picture regarded as one of the most iconic fashion Seamstress Rosa Parks is
represents a contrast of opposites: youth photograph of the 20th century. Avedon arrested for refusing to give
and age, strength and frailty, grace and recognised its importance and displayed
awkwardness, freedom and captivity. The a large print of the image in the entrance
up her seat on a bus to a white
picture’s rich combination of qualities to his studio for more than 20 years. He person. Her action leads to the
elevates it beyond the standard fashion nevertheless remained unsatisfied with it. Montgomery Bus Boycott and
image and into the realm of high art. ‘I look at that picture to this day and I don’t the founding of the Civil Rights
Avedon’s photograph was considered know why I didn’t have the sash blowing Movement in the US
revolutionary when first published in Harper’s out to the left, to complete the line of the
Bazaar in September 1955. It was shown picture,’ he said late in life. ‘The picture
as part of a 14-page report on the latest will always be a failure to me because
Paris fashions, together with another picture that sash isn’t out there.’ ap l A collection of
of Dovima posing with the elephants. In the more than 60 prints
second picture, she was in a white dress with Books and weBsites from The Richard
long black gloves. This latter image, however, Books: Avedon Fashion 1944-2000 Avedon Foundation ‘I look at that picture
lacks the impact of the first and is rarely (published by Abrams) offers a selection of will be auctioned
printed; Avedon stated that the negative Avedon’s best fashion photography, while at Christie’s in Paris
to this day and I
of this image ‘disappeared mysteriously.’ Performance: Richard Avedon (Abrams) on November 20. don’t know why I
Avedon went on to become one of contains more than 200 of his portraits A print of ‘Dovima
America’s most celebrated and influential of stars in the performing arts. with Elephants’ didn’t have the sash
photographers, particularly for his fashion is expected to
and portraiture, and was still creating new Websites: The Richard Avedon Foundation fetch £350,000-
blowing out to the
work up to his death at the age of 81 in website, www.richardavedon.com, contains £500,000. A left… The picture will
2004. Dovima, however, was less fortunate. a selection of Avedon’s portraiture, fashion vintage print of the
After her modelling career ended she and reportage work, plus biographical Marilyn Monroe always be a failure
appeared in a few minor film roles before material. An interesting TV documentary on image shown above to me because that
ending her working life employed as a pizza Avedon’s work, Darkness and Light, can be will also be among
restaurant hostess. She died in 1990, aged seen on www.youtube.com. those on sale. sash isn’t out there’

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Edited
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‘Appraisal’ at our
usual address (see
THIS IS a very grand
page 3). Please
picture of a very grand
structure. I like the way PICTURE enclose an SAE if
Peter has selected just OF THE you would like
a section of the Humber WEEK them returned
Bridge to demonstrate
graphic characteristics that
might not show so well when
the bridge is captured as a whole. The
sidelighting has worked wonders to create
a keyline along the side of the pipework,
which really emphasises the tubular
properties. It’s a great exposure, too, giving
us a dark and mysterious bridge while
retaining plenty of detail in the sky.
You may have noticed, however, that Peter
has broken the golden rule of architectural
photography – which is, you have to get the the right and rescue the day. While I was works nicely, if subtly. I’m a forgiving type
building straight in the frame. This bridge is about it I took the opportunity to add a faint and I think Peter has done well to make the
leaning over to the left, but luckily I was on blue/cyan tint to the midtones. This adds a shot in the first place, so I’m awarding it my
hand to rotate the image a few degrees to touch of coolness to the metal, which I think picture of the week.

Your pictures assessed
Original Edited
See your
pictureS
in print
Ants Barbara Wong

Olympus E-420, 35mm, 1/13sec at f/16, ISO 100
MAybe it sounds crazy to say, but I’ll risk it small in the frame. Had Barbara decided
anyway: you need to know what it is you are instead to take a picture of an ant eating
taking a picture of to make that picture work. honey, with another ant in the background,
Yes, your picture taking and editing rely on a her concentration on the subject may have
conscious effort to think about what you are urged her to move in a little more – or to
doing. Crazy? No. In fact, not thinking hard crop the image as I have done here.
enough and not having a clear idea of what The difference between her version and
the picture is about is the greatest failing of mine is that mine is of one ant with some
most photographers. background detail, while hers is of a pair
top tip
Barbara has sent me a selection of macro of ants. All I have done is cropped in and concentrate attention on the subject. I also
shots, the most eye-catching of which is changed the orientation of the frame to used the Dodge tool on the highlight tones
this feasting ant. Barbara placed the drop emphasise one ant over the other. We now of the ant to bring out the detail, and I cloned Make sure you’ve got
of honey to attract the ants, and then have a more defined difference between out the distracting white reflection on the a strong subject in
photographed them. My first question to subject and background – that second ant honey. A little warming up of the colours, and your picture for your
myself was, ‘What is the picture of?’ The being part of the background – while before a tad more saturation, finished the job ready viewers to focus on.
second was, ‘What should it be of?’ there wasn’t enough direction from the for a pass of sharpening. It is this, not the
Barbara’s shot is of a pair of ants eating photographer regarding the main subject. Barbara did all the work, of course, but the background build-up
honey, but as such it falls down slightly I’ve also added a little contrast, and used crop has completely altered the presentation elements, that
because the second ant is pretty out of the Burn tool to darken the shadow areas of what she saw and recorded, and I think it makes the picture
focus. Also, the whole subject area is too around the edges of the frame – again, to has given the picture a stronger meaning. interesting
Original Edited Isolated section
Sunset Joanna Sword

Canon EOS 400D, 55-250mm, 1/320sec at f/6.3, ISO 100
If you weren’t sure what lens flare is, construction, or from the mirror-like surface shape of the scene. I love the layers of the
or what is meant by ‘internal reflections’, of the camera’s sensor. It is an interesting hills heading off into the distance, and a tiny
prepare to be enlightened. This full-sun effect, but it rather spoils the scene. contrast boost has emphasised the effect.
picture sent in by Joanna is one of the When we look towards the sun we see The camera Joanna used has not been
best demonstrations I have seen for some flare, so for me any inclusion of flare does able to represent the number of tones in the
time. As the sun is shining directly into her not automatically mark a picture down. Here, sky as that peachy colour fades from bright
55-250mm lens, and is extremely bright though, the sharpness of the secondary to midtone, so there is quite a lot of banding.
compared to its surroundings, we have a image is out of place so I’ve removed it. I’ve I’ve isolated a section (right) so you can see
perfect secondary image reflected either also cropped the expanse of orange sky so the effect. Working from a raw file will help
from one of the glass surfaces within the lens the composition is more in tune with the avoid this JPEG compression artefact.

1
EDITOR’S
CHOICE
SEE MORE ONLINE AT
AMATEURPHOTOGRAPHER.
CO.UK/SPOTLIGHT
This is a really striking shot that looks far simpler

than I’m sure it was to create. The leaves are perfect
specimens as well as perfect partners in this colour-led
graphic image. It is very cleverly done.

Your pictures in print
AP publishes more reader photographs than any other photography magazine
2 3
IF YOUR PICTURES
ARE FEATURED
YOU’LL RECEIVE…
FOR ILLUSTRATION PURPOSES ONLY. RUCKSACK CONTENTS NOT INCLUDED

The Editor’s
Choice wins a
Kata DR-467i
Digital Rucksack
Jack Watson Inverness 4
worth £99.95
The Kata DR-467i Digital
Jack has been taking pictures since he was a child, and studied Rucksack will accommodate
photography from 1999-2003. He has since quit his part-time job to two DSLRs with mounted lens,
concentrate on photography. Jack’s main interest is photographing three-four lenses and flash,
landscapes in and around the Scottish Highlands. ‘I love to be out and with space for personal gear,
about in the open air,’ says Jack. ‘You can wait for the perfect light for
hours, but when it breaks through it’s worth it.’ To see more of Jack’s a laptop and small tripod. By
images visit www.storemags.com removing the padded bottom
camera insert you can easily
convert this rucksack from a
Leaves Swan camera bag to a daypack when
1 Jack placed these Japanese not out shooting.
maple leaves on a lightbox and 3 Jack converted this image to
underexposed the shot to capture black & white and darkened the www.manfrotto.co.uk
the detail in the leaves background during post-processing
Sony Alpha 100, 35-80mm, 1/500sec to make the swan stand out How to submit
Sony Alpha 100, 80-200mm, 1/100sec
at f/4.5, ISO 100
at f/5.6, ISO 200 images to Reader
Tree in golden light Spotlight
2 In this image taken at Loch Peacock butterfly Please see the ‘Send us
Duntelchaig, Inverness, golden light 4 Colour and light collide in your pictures’ section on
accentuates the shape of the tree this classic butterfly image page 3 for details or visit
Sony Alpha 100, 35-80mm, 1/60sec Sony Alpha 100, 100mm macro, www.amateurphotographer.
at f/10, ISO 100 1/320sec at f/5.6, ISO 100 co.uk/spotlight

Mike Harvey-Penton 1
East Sussex
Mike’s images have been featured in
Reader Spotlight several times. Now
67, Mike has been taking pictures since
1948. ‘I loved the idea of capturing
images for posterity and I still do,’ he
says. His favourite subject is landscapes
and he enjoys photographing in and
around Sussex.
Road at twilight Newhaven quay

1 Mike captures this empty street 2 These well-lit trawlers look
in Eastbourne just as the last hint striking and atmospheric against
of light disappears in the sky the grey-blue background
Nikon D700, 105mm, 1/800sec at f/8, Nikon D700, 14-24mm, 1/40sec at f/4.5,
ISO 400 ISO 6400

Newhaven waterfront Newhaven ferry

3 Natural and artificial light combine to 4 Foreground boats balance with the
create a tranquil atmosphere in Mike’s brightly lit ferry in the background
image of Newhaven at dusk Nikon D700, 14-24mm, 1/40sec at f/5.6,
Nikon D700, 14-24mm, 1/30sec at f/5.6, ISO 3200
ISO 3200

1 Weevils
1 Michael makes
his focal point
clear by focusing
on the lower
insect’s eyes
and allowing the
focus to drop off
elsewhere
Canon EOS 40D,
100mm, 1/100sec
at f/11, ISO 100
Wasp
2 A tight crop
concentrates
attention on
the wasp’s head
as it feeds
Canon EOS 400D,
60mm, 1/200sec
at f/11, ISO 200,
ringflash unit
Dung fly
3 Michael adjusted
the leaf until it
was on the same
focal plane as
the dung fly
Canon EOS 40D,
1/100sec at f/11, ISO
100, ringflash unit
Michael Carroll County Laois, Ireland

Michael, 51, has been interested in photography for many years. ‘My favourite subjects include
insects and nature in general,’ says Michael. ‘I am fascinated by creatures that are less visible
to the human eye. The colours and shapes when viewed through a macro lens have to be seen to
be believed. I try to get down to the insect’s-eye level where possible and take most of my shots
early in the morning or late in the evening when the insects are less active.’ To see more images
by Michael visit www.carmike.eu.
2 3

Monitor hood and LED light panel On test
APTestbench
Over the next few pages we present this week’s equipment tests, reader questions and technique pointers
Litepanels MicroPro
Hybrid £399.99
www.lite-panels.co.uk or call 01293 583 300
LITEPANELS manufactures several versions of continuous LED
light panels, primarily used for filmmaking. The MicroPro LED light is
a small, lightweight softlight, which outputs an impressively bright and
colour-correct light, while being extremely portable. It can attach to
the hotshoe of a camera or be used handheld. Filters are included to
balance the colour of the MicroPro’s light with various lighting, such
as tungsten. The softlight, which can be dimmed, brings out detail
in areas of shadow from overcast or bright light. I find this especially
useful for revealing detail in the eyes, making this unit ideal for the
wedding and portrait photographer.
The new MicroPro Hybrid version offers a bit extra for the
photographer, because not only does it provide a softlight, but
Colour Confidence PChOOD also flash capability, giving a 400% brighter burst of light. While
having a flash adds a little extra to what is already a very bright
Monitor Hood Pro £69.95 continuous light, it is a fixed output so any adjustments for
exposure will need to be made in-camera. Personally, I would
like to see an adjustable output.
www.colourconfidence.com The unit can be used for off-camera light and flash, which is
MONITOR hoods shield light from a monitor screen, which useful, but a longer-reach cable for the flash – instead of the
is particularly useful for viewing and retouching images using 190mm (approx) cable provided – would be less limiting. That
photo-editing software. As well as optimising work conditions, said, this is an excellent product, if the price tag does not put
the shielding of the light allows the monitor to be operated more you off. Tim Coleman
efficiently, reducing power consumption and possibly extending
the unit’s lifespan.
The AP
The Colour Confidence PChOOD monitor hood is simple to guarantee
assemble by slotting the five sections together. The middle section
on the top can be adjusted to suit monitors sized 15-26in and it to you
also has a removable access cover for a calibration device. All our tests are
I found the sections to be rigid and slot conducted by people
solidly onto the monitor, without the need who understand the
for further fixing, although the side inner
product area, as well
as photography. We
ridges do obstruct any buttons on the front
aim to discover any
A rigid, secure side edges of the unit. A black velvet inner shortcomings, as High-quality LED
and adjustable layer reduces reflections while the external well as finding those light ideal for both
monitor hood layer repels dust. The PChOOD offers aspects that deserve HD video and
good value when compared with some praise. All our tests photography
brand-specific hoods, but is still quite are thorough, honest
pricey for a monitor hood. Tim Coleman and independent
FORTHCOMING TESTS In the next few weeks AP hopes to run the following equipment through the most rigorous testing procedures in the industry…
Nikon D3100 Canon PowerShot G12 Nikon D7000 Panasonic Lumix DMC-GH2 Olympus E-5
At last, a Nikon DX-format The high-end G12 keeps the Nikon’s new 16.2-million- Panasonic’s new Micro Four We test the company’s
DSLR with more than 12 same 10MP sensor as the pixel camera is designed Thirds camera features new top-end DSLR, which
million pixels. We put the G11, but adds a new Hybrid to appeal to enthusiast an improved contrast- is claimed to have the best
D3100 through its paces. IS system and HD movie photographers. We detection AF system, but resolution of any 12MP
AP 30 October mode. We try it out put it to the test. how much faster is it? camera on the market.
AP 6 November AP 13 November AP 20 November AP November

GALLERY
COMPETITION
WIN £500 WORTH OF PHOTO EQUIPMENT AND
SUPPORT NEWCASTLE UNIVERSITY’S CAMPAIGN
TO CHANGE THE PERCEPTIONS OF AGEING.
For your chance to win and have your image displayed at the
Great North Museum’s Coming of Age exhibition, enter our
competition to help change negative perceptions of ageing
WWW.PORTRAITSOFALAND.COM
Newcastle University is at the leading edge of research into In addition, along with four other winners from linked competitions
ageing. The University is looking for images that bring fresh across the UK, the AP winner will automatically be judged in an
insight into an essential aspect of life: age and the ageing overall grand prize competition where there is a one-in-five chance
process. Entrants should not see ageing as meaning just of winning an additional £500 cash prize.
‘the elderly’, but rather the journey we all go through from All you have to do to enter the competition is email your pictures to
birth to old age, a continuous process that affects us all. Amateur Photographer at ChangingageAP@ipcmedia.com ensuring
The Amateur Photographer winner will receive £500 worth ‘CHANGING AGE’ is included in the subject line. Please include your
of photographic equipment and have their image displayed at name, address and a contact number so we can contact you should
the Great North Museum’s Coming of Age exhibition, which your photo be selected. The closing date is midnight 31 October 2010.
takes place from 8 January to 4 March 2011. Good luck and we can’t wait to see how you interpret the brief!
For more information and to view the galleries please visit www.amateurphotographer.co.uk
For more information about the campaign go to www.ncl.ac.uk/about/changingage.
By entering, you could be helping to raise awareness of the Newcastle University Changing Age Campaign.
All photos entered (including those that don’t win) could be chosen to help promote this fantastic campaign,
set up by the Institute for Ageing and Health at Newcastle University.
NOTES & RULES

For the 2009/10 academic year, ‘ageing and health’ was the societal challenge theme for the University. Societal Challenge Themes: as part of the University’s commitment to excellence with impact, it groups a significant part of its research under institutional challenge themes that address key societal issues. The societal theme
for 2009/10 was ‘ageing and health’. The theme for 2010/11 is sustainability. The judging panel will be made up of Newcastle University representatives and Amateur Photographer editorial staff. The judges’ decision is final and no correspondence will be entered into. Photos submitted must be your own work, must not be copied,
must not contain any third-party materials and/or content that you do not have permission to use and must not otherwise be obscene, defamatory or in breach of any applicable legislation or regulations. If IPC or Newcastle University has reason to believe your entry is not your own work or otherwise breaches this rule, then your
photos will NOT BE considered. Photos must not previously have been published in a national UK photography magazine Copyright of all entries remains with the photographer, but IPC, Newcastle University and their specified media partners in this competition reserve the right to use, publish and republish entries in connection with the competition, without payment. By entering this competition
you grant permission to IPC and Newcastle University and their specified media partners to reproduce your photos in electronic format and hard copy including for display at an exhibition, in IPC’s Amateur Photographer magazine and on Amateur Photographer and Newcastle University websites: www.amateurphotographer.co.uk and www.ncl.ac.uk respectively should they be selected to promote
the competition. You grant IPC and Newcastle University the right to use your name and town or city of residence for the sole purpose of identifying you as the author of your photos and/or as a winner or runner-up of the Changing Ageing competition. Minimum quality of images: entrants may submit three photographs as a JPEG, preferably sRGB, at least 2,700 pixels along its longest dimension.
If submitting a digital file via email, the file name of your image must be your first and surnames, the subject line of your email message must state the round name and your name once again and the body copy of your email must include your name, postal address and daytime telephone number. Entrants may submit as many entries as they want in any and all theme categories by the closing
date of midnight, Sunday 31 October 2010. This competition is open to bona fide amateur photographers and students only. That is, entrants should not earn more than 10% of their total annual income or £5,000 annually from photography. Employees of IPC Media and Newcastle University, and their families, may not enter this competition. Prizes are as stated and no cash or other alternative can
be offered. By submitting photos you are accepting these rules. Newcastle University shall not be liable for any failure to supply the prizes where such failure is caused by any supervening circumstances outside its control which amount to force majeure and which without the fault of either party renders performance impossible or incapable of satisfactory execution. These rules are governed by
the laws of England and Wales and any dispute in relation to them shall be subject to the non-exclusive jurisdiction of the English courts (amended 12/2/10). Unfortunately, photographs (in any format) cannot be returned. All the above criteria together with instructions about how to enter can be found on the Amateur Photographer and Newcastle University websites: www.amateurphotographer.
co.uk and www.ncl.ac.uk respectively. By entering this competition you grant permission to IPC and Newcastle University and their specified media partners to reproduce your photos in electronic format and hard copy, including for display at an exhibition, in IPC’s Amateur Photographer magazine and on Amateur Photographer and Newcastle University websites: www.amateurphotographer.co.uk
and www.ncl.ac.uk respectively. Newcastle University may want to use your images in not-for-profit Newcastle University publications including brochures and leaflets to help promote the Changing Age Campaign. Should images be selected, your permission will be sought although no payment will be offered.

Canon EOS 60D Camera test
Canon EOS 60D AT A (AP 11 September) was an articulated screen.

This is a first for an EOS digital camera,
GLANCE although Canon has used vari-angle screens

on some of its compact and bridge cameras,
● 18-million-pixel including the new PowerShot G12.
CMOS sensor Being able to tilt the screen upwards is
● 3in, 1.04-million- handy when shooting at a low angle, but the
Canon’s latest DSLR features more than just a new sensor. dot vari-angle fold-out screen will also be beneficial when
LCD screen using one of the other standout features of
An articulated screen and significant changes to the handling ● In-camera raw the EOS 60D: video. Video capture has been
processing
could make the E0S 60D Canon’s best-ever enthusiast DSLR ● In-camera
Speedlite control
a feature of DSLRs for well over a year now
and it is no surprise to see it included in the
EOS 60D. The vari-angle screen should allow
● 1920x1080-pixel
No longer is the double-digit EOS the last HD video capture videographers to look for creative angles to
step before professional DSLRs are reached. at 30, 25 or 24fps shoot from, offering an alternative to simply
That position is now occupied by the EOS ● Street price positioning the camera’s screen directly in
Richard Sibley 7D and EOS 5D Mark II. This repositioning around £1,000 front while recording.
means the EOS 60D has undergone some (body only) However, it isn’t all upgrades and
Technical writer remodelling befitting its stature. improvements, as there has been a
The most important feature of the EOS significant structural change to the EOS 60D
WITH both the cameras either side of the 60D is that, like the cameras above and when compared to its predecessor. The new
Canon EOS 50D featuring 18-million-pixel below it in the range, it uses an 18-million- camera has a polycarbonate or, as it used to
APS-C sensors, it was only a matter of time pixel, APS-C-size CMOS sensor. It also be known, plastic, outer body reinforced with
before it was replaced. So it came as no makes use of the impressive low-pass filter an aluminium frame. This helps distinguish
surprise when, in August this year, Canon of the EOS 7D, which means it should match it as a lower model in the range below the
announced that, after two years’ service, the the 7D’s impressive detail resolution. magnesium-alloy EOS 7D, and it does
EOS 50D was going to be discontinued in Speaking of impressive details, the EOS offer a small benefit in that it is cheaper to
favour of the new EOS 60D. 60D uses the same 1.04-million-dot, 3in construct, which helps to keep the cost of
However, while the new camera is a screen as the EOS 550D, which should be the camera down.
direct replacement for the EOS 50D, the beneficial when manually focusing in Live View As the EOS 60D is a blend of the EOS
introduction of the 18-million-pixel EOS 7D mode or simply for checking that captured 550D and 7D, as well as including a
has a seen a slight shift in the position of the images are pin sharp. One feature we weren’t few features of its own, I was keen to
‘double-digit’ camera within the EOS range. expecting when we first saw the camera seen exactly how it performed. With

Camera test Canon EOS 60D
an 18-million-pixel CMOS sensor Speaking of video capabilities, the EOS 60D Miniature and Grainy B/W effects can be
and a street price that should soon is the first ‘double-digit’ EOS camera to have applied to raw images, as well as JPEG files.
drop below £1,000, the EOS 60D this feature, and users will be pleased to know Although not particularly groundbreaking,
has the potential to be the best enthusiast that once again the EOS 60D inherits much they do offer a way to visualise how images
DSLR camera on the market today. of its video technology from the EOS 7D. may look when more advanced adjustments
One feature that used to be lacking from are applied via a computer.
FEATURES Canon EOS digital cameras was wireless flash More of a benefit than the ability to
As you would expect in a £1,000 camera, control. On older EOS cameras, controlling a perform basic image edits in-camera is the
the Canon EOS 60D inherits much of its flash wirelessly requires another Canon flash EOS 60D’s unique ability to rate images
technology from the ‘prosumer’ EOS 7D, or external transmitter. This is in contrast to using a 1-5 star rating system. This enables
starting with the 18-million-effective pixel, enthusiast Nikon and Sony cameras, which photographers to quickly sort the good
APS-C-size CMOS sensor. This sensor have wireless flash control built into the images from the bad while out in the field,
outputs 3:2 ratio, 5184x3456-pixel images, camera. Canon addressed this by adding saving time later. For more on this new
which, at 17.9 million pixels, is actually slightly wireless flash control to the in-built flash addition see Features in use below.
smaller than 18 million. These images can be of the EOS 7D and, again, this feature has Another example of how Canon has
saved in both raw and JPEG format and, like filtered down to the EOS 60D. repositioned the EOS 60D is the fact that
other Canon DSLRs, you can select the size The ability to process raw images in- it uses SD cards rather than CompactFlash
of the raw files. camera has been around for a few years, cards. Despite the costs of both types of
At the heart of the EOS 60D is a Canon In evaluative but the Canon EOS 60D takes the memory rapidly decreasing and storage
Digic 4 processor, which is used in all the metering the EOS processing and management of these capacities increasing, it is still a factor in
current generation of EOS DSLRs. Just as in 60D prioritises the images a stage further. As well as being able separating professional cameras from entry-
a computer, the processor runs the camera’s foreground until to make basic adjustments to the colour, level and enthusiast models. CompactFlash
operating system and enables the processing the sky becomes contrast, noise reduction and sharpness of cards typically have faster reading and writing
and running of features, including in-camera around half the raw images, a number of filter effects can speeds, and offer professional photographers
conversion of raw files and video capture. total image also be applied. The Soft Focus, Toy Camera, and videographers an advantage when
One-third sky
FEATURES IN USE
RATING SYSTEM
MOST photographers can’t help but begin to review their images on their camera
before they have even got home. Until now, though, the process has largely been
confined to deleting those you aren’t pleased with, while remembering those that
need some work. Thankfully, the EOS 60D has introduced a very simple way to
review images in-camera by making use of an existing system.
When reviewing images on the LCD screen, images can be rated out of five stars,
with, for example, the best images awarded five stars, average ones three stars, and
One-half sky those fit only for your computer’s recycle bin one star. This rating is saved into the
image’s metadata, where it can be used in image library software such as Adobe
Bridge, Lightroom or Aperture.
In practice, the process is simple. As well as being able to rate images via the
standard Quick Menu options, there is a separate Image Rating mode in the Playback
menu, which allows images to be scrolled left or right, with the up and down controls
adjusting the star rating. After copying the images to my computer’s hard drive, I
found that all the star ratings appeared below the image thumbnails in Adobe Bridge.
This is one feature I hope all camera manufacturers adopt in the future.
Two-thirds sky

shooting long bursts of images or when of it as taking the best of the control of the
capturing lengthy footage. However, as the EOS 550D and building upon this to create
shooting rate of the EOS 60D is only 5.3fps, something completely new.
compared to 6.8fps in the EOS 50D, most
enthusiast photographers should not be 9/10
concerned with the use of the SD format
unless, of course, they have already invested WHITE BALANCE
in expensive high-performance CF cards. AND COLOUR
I was very impressed with how the EOS 60D
8/10 rendered colours. Overcast autumn days
are never a photographer’s favourite, but I
BUILD AND HANDLING was pleasantly surprised by how good the
There are a number of differences in the colours of JPEG images were straight from
build and handling of the Canon EOS 50D the camera. In AWB and overcast white
and the new 60D. The biggest of these is balance settings, greens are replicated almost
the decision to switch from a magnesium- perfectly without being too blue or yellow.
alloy body to an aluminium shell with Similarly, earthy autumn colours were bold
polycarbonate and glass fibre. Spending without being over-saturated and unrealistic.
£1,000 on an enthusiast or prosumer During testing I rarely felt the need to
camera would normally guarantee a camera take the camera out of AWB mode, as it
an magnesium-alloy body, so it is a bold produced well-balanced results regardless of
decision by Canon to use polycarbonate the situation. I also found that when indoors
instead. However, the camera feels solid and under tungsten lighting, the results retain
substantial and doesn’t have the same light, some of the ambient orange colour. Selecting
almost hollow, feel of many polycarbonate the tungsten setting reduces this, but some
entry-level cameras. Changing the body of the atmosphere is lost. It is preferable to
material is also one of the factors that keeps use the Kelvin setting option set to 3,400K,
the camera at a competitive price. Canon as this produces a slightly warmer image than
has looked at ways of keeping the camera 3,200K, which is the preset tungsten value.
strong and light, but without using more Of course, there is a custom white balance
expensive magnesium alloy. setting available for situations where a
The decision to change the body material perfectly neutral white balance is required.
also separates the cameras in the EOS
range. The EOS 7D is now very much the 9/10
‘baby’ EOS-1D Mark IV. That said, despite
its lack of a metal body, I would still deem to test the handling, but even without the grip In the default NOISE, RESOLUTION
the EOS 60D as an excellent backup for a the new control is a significant improvement standard colour AND SENSITIVITY
professional photographer. on having the separate control. That said, it mode, images have With a highly populated sensor it was a wise
As the body of the EOS 60D is smaller may take some time for existing Canon users a good level of decision for Canon to limit the sensitivity of the
than that of the EOS 50D, you would also to become familiar with it. colour saturation EOS 60D to ISO 6400, with an extended
expect it to be lighter, particularly given the One of the reasons for the change in and contrast ISO 12,800 option available. When at the
choice of materials. In fact, despite being a button placement is the new articulated maximum ISO 6400 setting, images look
few millimetres smaller in every dimension, screen. This folds out 90° from the side of the very good considering the amount of noise
the EOS 60D is heavier than its predecessor, camera and can rotate through 270° to allow that such images would have suffered just
but only by an insignificant 25g. the screen to be viewed from in front of the a couple of years ago. The noise reduction
The smaller body of the EOS 60D also camera, or when standing directly below it. causes a softening of image detail, but even at
necessitates some changes to the button The hinge seems solid and the extremities of this sensitivity the EOS 60D is able to reach
placement compared to other Canon EOS the screen rotations are in 90° increments. around 24 on our resolution test chart, which
cameras. Gone are the various buttons that This is important as it means the ‘point of no is about on par with most 12-million-pixel
used to sit below the screen on the EOS return’, where further turning will potentially ‘The EOS DSLRs at ISO 100.
50D; they have been moved to the right- damage the screen or hinge, is very obvious. Colour noise is visible in images at ISO
hand side of the body. Although not identical, I found that the EOS 60D handled very 60D has 1600, and it becomes slightly more apparent
the button placement of the EOS 60D has well. The placement of the buttons made a unique as the sensitivity increases. For the most part
more in common with the EOS 550D than the camera easy to operate and the Quick it is fairly unobtrusive and comes in the form
the EOS 7D, and I suspect that all future EOS Menu allows easy access to all the major ability of very faint patches of green or magenta in
DSLRs will move towards having all buttons shooting options. Similarly, there is the shadow areas. It is fairly straightforward to
on the right of the camera, particularly if vari- option to change the function of various to rate remove in raw-editing software. Luminance
angle screens become more common. AF metering buttons, although this isn’t images noise starts to affect images at ISO 800, but
While the EOS 60D retains the control completely customisable; there are instead it is not until ISO 3200 that it starts to give
dial familiar from prosumer and professional nine selectable button configurations. using a images a slightly granular texture.
DSLRs, it has been slightly altered for the EOS The on-screen menu itself is very With the EOS 60D able to reach an
60D. The equally familiar joystick control for easy to navigate and will be familiar to
1-5 star impressive 30 in our resolution chart test, the
navigating menus and selecting AF points has both Canon DSLR and compact camera rating camera has a high resolution that can make
been lost and replaced with a thumb cursor users. Importantly, it is very easy to read a real difference when capturing fine details.
control that fits within the control dial. Canon the on-screen display due to the high- system, For example, I was able to photograph a wild
has stated that the reason for this change resolution screen. mushroom on a woodland floor and it was
is to make it easier to operate the camera, When it comes to the build and handling
so users only on inspection afterwards that I noticed a
particularly to change AF points, when the of the EOS 60D, it is quite easy to dismiss can sort tiny fruit fly was sitting on the top of it.
BG-E9 battery grip is being used. This is the camera on the grounds that the As we have seen before in Canon cameras,
because users had to reach further to use polycarbonate body doesn’t meet the high the good JPEG images are soft by default. Increasing
the joystick, whereas the new control wheel standard set by the EOS 7D. However, from the the sharpness by one or two notches
cursor control is easier to get a finger to. rather than thinking of the EOS 60D as a in the Picture Style settings can help
Unfortunately, a battery grip wasn’t available compromise, it is more appropriate to think bad’ counter this. For best results shoot

raw files and process the images in

Canon’s DPP software, which comes
RESOLUTION & NOISE
with the camera. The software is very
easy to use, and a great deal of detail can be
resolved even by just using the default raw
conversion settings.
Although such high resolutions are
Facts & figures These images show 72ppi (100% on a computer screen)
sections of images of a resolution chart, captured using a Sigma
105mm f/2.8 lens. We show the section of the resolution chart
where the camera starts to fail to reproduce the lines separately.
The higher the number visible in these images, the better the
something we will begin to see more camera’s detail resolution is at the specified sensitivity setting.
and more at enthusiast level, for now the JPEG ISO 100 RAW ISO 100
Canon EOS 60D is a perfect compromise 28 30
between resolution, high ISO performance
and noise reduction.
28/30
JPEG ISO 400 RAW ISO 400
METERING 28 28
Like both the Canon EOS 550D and EOS
7D, the EOS 60D uses Canon’s 63-zone
iFCL metering system. While this system may
not have as many zones as other cameras,
which have hundreds or thousands of them, JPEG ISO 1600 RAW ISO 1600
you do have to question how many an 24 24
evaluative metering system actually needs.
For the most part the EOS 60D performs
extremely well in its evaluative metering
mode; in fact, I rarely had to take it out of this
mode or adjust the exposure compensation. RRP £1,099.99 (body only) JPEG ISO 3200 RAW ISO 3200
24 24
Where I did have to adjust the exposure it Sensor 18-million-effective-pixel CMOS sensor
was generally to darken images by around Output size 5184x3456 pixels
0.3EV when shooting in the shade. I found Focal length mag 1.6x
that the system has a tendency to lighten
Lens mount Canon EF-S (compatible with EF)
dark areas a fraction more than I would have
desired. The only time I found exposures File format Raw, JPEG, raw + JPEG simultaneously JPEG ISO 6400 RAW ISO 6400
20 24
actually needed lightening was when Compression Two-stage JPEG, three-stage raw
photographing white lilies near a window. Colour space Adobe RGB, sRGB
Here the metering was understandably Shutter type Electronically controlled focal-plane shutter
fooled by the bright white flowers and Shutter speeds 30-1/8000sec in 1∕3EV steps plus bulb
consequently darkened the image. Max flash sync 1/250sec
One interesting test I performed was ISO ISO 100-12,800
photographing a landscape scene with a
Exposure modes Auto, program, aperture priority, shutter priority, manual,
bright overcast sky. I took a series of images 6 scene modes and Creative Auto
starting with the viewfinder being completely
Metering system 63-zone evaluative metering, partial (6.5% of centre)
filled by the landscape, with no sky visible. I centreweighted, and spot (2.8%)
then proceeded to tilt the camera upwards,
Exposure comp ±5EV in 1∕3EV or 1/2EV steps
taking shots at regular intervals as the amount
of sky in the frame increased. Interestingly, the White balance Auto, 6 presets, plus custom setting
metering system produced a good exposure White balance bracket Yes, over 3 images
for the foreground each time, until it reached Drive mode 5.3fps for 58 large/fine JPEG files or 16 raw images
the point where the image was split 50/50 LCD 3in LCD with 1.04 million dots
between foreground and sky. This produced Viewfinder type Pentaprism
almost the optimum exposure with a slightly
Field of view Approx 95%
darker but detailed foreground, and a bright
but not completely burnt-out sky. As soon as Dioptre adjustment -3 to +1 dioptre, 2mm eye point
there is more bright sky than foreground in Focusing modes Manual, single-shot AF, automatic AF, continuous AF
the frame, the exposure changes dramatically, AF points 9 cross-type, individually selectable AF points,
with the metering now exposing solely for the auto or manual selection possible
bright sky (see images on page 46). Although DoF preview Yes
it is obvious that the evaluative metering would Built-in flash Yes – GN 13m @ ISO 100
adjust to expose for the sky in this way, it was Video 1920x1080 pixels (at 30fps, 25fps or 24fps), 1280x720
interesting to see how dramatically it can pixels (at 60fps or 50fps), 640x480 pixels (at 60fps or
affect exposure with only a slight shift. 50fps), MOV files with MPEG-4 AVC/H.264 compression
External mic Yes
8/10 With an 18MP
Memory card SD, SDHC or SDXC resolution, the ISO 400
Power Rechargeable Li-Ion LP-E6 battery EOS 60D can
DYNAMIC RANGE Connectivity USB 2.0 Hi-Speed resolve a great
Unfortunately, we were unable to get the deal of detail,
Weight 775g including battery or card/s
results of our dynamic range lab test in time although JPEG
for publication. However, from pictures taken Dimensions 144.5x105.8x78.6mm files do require
in the field I was impressed with the amount sharpening. For
of detail in both highlight and shadows areas. CANON UK Woodhatch, Reigate, Surrey RH2 8BF. best results the
In particular, I found that despite Tel: 01737 220 000. www.canon.co.uk raw files are far
some images appearing to have superior
burnt-out white highlights, some

FOCAL POINTS
Viewfinder
The EOS 60D’s
viewfinder
has 96% AF point
coverage with
a magnification select
factor of 0.95x Pressing this
button when in
shooting mode
allows you
to change
which AF point
is being used
Multi- Quick menu

controller Pressing this
The scroll wheel button shows
around the the quick menu
edge works as (see below),
it has done on which allows
previous Canon easy access to
EOS prosumer all the most
and professional regularly
cameras. changed
However, the settings
inner cursor
control is a
new addition
Camera shown actual size
Flash sync Eye-Fi Wi-Fi Auto Lighting Optimiser SDXC

Although compatible flashguns can be The EOS 60D has a dedicated menu system Like many other cameras, the EOS 60D Canon has made the EOS 60D SDXC-
controlled wirelessly via the Canon EOS for Eye-Fi cards. These SD cards offer has a dynamic range enhancement setting compatible. The new X(tra) C(apacity)
60D, Canon has not included an external limited Wi-Fi capabilities, including the called the Auto Lighting Optimiser. This cards will in the future have huge
flash sync socket on the EOS 60D. ability to upload images online for backup. doesn’t actually increase the dynamic capacities of up to 2TB. I found that even
The options in the EOS 60D allow the Wi-Fi range, but instead brightens shadows to a 4GB SD card becomes full very quickly,
signal from the card to be turned off when bring out details. I found that it works so being able to use the new-generation
not in use, and the camera also won’t turn very subtly, even at its strongest setting, cards is essential.
off until uploads are finished. producing a realistic effect.
Quick menu screen Image level Live View

Even when taken in the shade on an overcast

day, the colours and contrast captured by
the EOS 60D produce images suitable for
printing straight from the camera
Continuous AF is just as fast and is able to

keep up with moderately moving subjects,
such as people running. Although not
designed especially for the rigours of sports
photography, the continuous AF and 5.8fps
shooting rate, along with some careful timing,
should allow the 60D to meet the demands
of most enthusiast sports photographers.
8/10
YET TO BE TESTED YET TO BE TESTED
VIEWFINDER, LCD, LIVE NORMALLY we would mention the Nikon D300S

VIEW AND VIDEO here, but with only 12.3 million pixels it is well overdue for an
Although the viewfinder of the Canon update. Also, the polycarbonate body of the Canon EOS 60D
EOS 60D offers 96% rather than 100% means it has far more in common with Nikon’s 16-million-
coverage, it is bright and doesn’t distort at the pixel D7000 camera, which can also be found for around
edges. As you would expect, it is difficult to the £1,000 mark.
use the viewfinder to manually focus in dull Competition will also come from the new Pentax K-5,
detail was actually recoverable. light. Manually focusing is far easier in bright which has a 16.3-million-pixel sensor, a magnesium-alloy
Similarly, it is possible to brighten light, and AF confirmation is available in the body and an impressive 7fps shooting rate. It is currently a
shadow areas to reveal hidden viewfinder to double-check the accuracy. little more expensive, at around £1,200 body only.
details. Images can be lightened by around Live View mode has the facility to digitally Of course, the EOS 550D should also be considered. It
2EV before there is a marked increase in zoom in to the live image, which allows for costs around £650 and looks to be something of a bargain
noise at higher sensitivities. Given the tonal much more precise manual focusing. This when you consider that it is based on the same image sensor.
range in the images I have taken with the is particularly true given the 60D’s high-
camera, I would estimate that the dynamic resolution, 1.04-million-dot, 3in screen. It is
range of the EOS 60D is around 12EV, which the same screen as used on the EOS 550D
would put it on a par with most other DSLRs and is one of the best screens we have seen,
Verdict
we have reviewed this year. both in terms of colour rendition and contrast,
and resolution.
8/10 Automatically focusing in Live View mode
is, to say the least, sluggish. The contrast
AUTOFOCUS detection is very slow, particularly when
Like the EOS 550D, the EOS 60D uses compared to the extremely fast contrast- I AM VERY impressed with the Canon EOS 60D, not
nine cross-type AF points, rather than the detection AF of the Panasonic Lumix least by the new handling. It seems that having to move some
19-point system used by the EOS 7D. Again, DMC-GH2. We have also recently been of the buttons due to the vari-angle screen has given Canon
this helps to cement the 60D’s position spoiled with the Sony Alpha 33 (see AP the opportunity to revisit the handling of the camera. The
between the two cameras. With the Nikon 9 October), which offers faster phase- results is a camera that almost blends the best bits of both
D300S boasting 51 AF points, I was a little detection AF in both Live View and video- high-end Canon and, dare I say it, Nikon DSLRs. By retaining
concerned that the nine AF points of the EOS capture modes. Those using the EOS 60D the jog control wheel the camera feels unmistakably like a
60D may be somewhat limiting. However, I in Live View would be far better focusing Canon, but the addition of the thumb control in the centre is
found that the nine points covered the key manually using the AF confirmation. similar to the control used on Nikon’s professional series. The
areas in the frame. Obviously, the slow contrast-detection EOS 60D is consequently a pleasure to use.
There are four AF points placed at the focus is also an issue when using the EOS When the handling is combined with the fast AF system
top, bottom and sides, exactly one third of 60D’s video mode. Once again, manual focus and 18-million-pixel sensor, the EOS 60D really comes
the way into the frame. If you try to keep AF is really the only choice if you are tracking into its own, and the addition of the vari-angle screen is
to the Rule of Thirds, the subject of your a subject or panning with the camera. If you another nice touch. While it is disappointing that the body is
image will usually be placed at one of these are prepared to focus manually, the quality of polycarbonate rather than magnesium, it does help to keep
points, or in the very centre of the frame. So the video footage is superb. the cost down and make it more accessible to enthusiast
while it may be preferable to have the 7D’s Movies can be captured in 1920x1080- photographers than the EOS 7D.
19-point system, in practice the nine points pixel resolution, with frame rates of 29.97, Whether the 60D has enough new features to warrant an
of the 60D are enough for most images. 25 or 23.976fps. At the lower 1280x720- upgrade for 50D users may depend on their needs, but the
Setting the camera to use one of the single pixel resolution, footage can be filmed at introduction of video and the new metering and AF system is
AF points is straightforward: you just press an impressive 59.94 or 50fps. Budding a big draw. Similarly, 550D users will be impressed, but the
the button on the top-right of the back of the videographers will be pleased to hear that the 60D may not offer enough to warrant a purchase. However,
camera and then use the new control button EOS 60D doesn’t suffer from any significant for users of the 500D, 40D and even the 450D or 30D, this
to select the point. As a left-eye shooter this sensor wobble, so faster panning shots are is probably exactly the camera you have been waiting for.
was a little awkward for me, but no different possible. The sound of the AF and the lens
1 2 3 4 5 6 7 8 9 10
from any other camera I have used. It is easy zooming is picked up by the in-camera FEATURES 8/10
to locate and find the relevant buttons while microphone, but thankfully there is an external
BUILD/HANDLING 9/10
still keeping the viewfinder held to the eye. mic socket for more professional results.
NOISE/RESOLUTION 28/30
The lens snaps almost immediately into Canon set the standard with the video- Tested as Enthusiast DYNAMIC RANGE 8/10
focus, and it is one of the fastest focusing capture mode in its DSLRs, but the rest of DSLR
86
systems I have tested. Even photographing the market has caught up. While the quality Rated Very good AWB/COLOUR 9/10
low-contrast subjects in dull light doesn’t of the footage is great, it no longer stands out % METERING 8/10
prove a problem for the AF system, and it quite as far from the crowd. AUTOFOCUS 8/10
responds quickly where other cameras would LCD/VIEWFINDER 8/10
have to search back and forth for focus. 8/10

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Your questions answered
AskAP
CS4 downloader. I then back up that folder
by copying it to another USB hard drive.
However, is it better to copy from the card to
the second drive to make a backup folder, or
should I copy the contents of the first folder?
When copying files from one drive to another,
is it a good idea to use checksums to verify
the data or is this likely to be too labour-
intensive? Nigel Bewley
Let the AP team answer your photographic queries

A
I’m assuming you are worried
that files could be corrupted
during the initial copying process
and that these could then be copied to the
ASK… second drive as you back up. In this case,
COLOUR PROFILING
yes, it is hypothetically better to copy from
the memory card twice than propagate an
Be it about modern error, although such problems during copying
technology, vintage are rare. Data transfer between two drives
Q
I enjoyed reading Ian Farrell’s Colour management in printing in Ask AP equipment, (or a memory card and a drive) is subject
(AP 25 September) because I regularly struggle to match prints with the photographic to checking by the computer doing the job,
images on screen. I calibrate my monitor using Datacolor Spyder2 Express meaning you will usually be alerted if an error
and print on an Epson Stylus Photo R800, usually on Epson Premium Glossy paper. science or help with occurs. The presence of such error detection
In the drop-down menu of printer profiles there are both Spyder2 Express and technique, here at also means that checksuming (a process
SPR800 Premium Glossy profiles, so which one should I use? Logic says I should AP we have the whereby the integrity of a copied file is tested
use the Spyder because it is the monitor image that I want to match. Roger May team that can help by the operating system) is superfluous.
Ian Farrell
A
When printing from Adobe Photoshop using these profiles, you want to
you. Simply send
use the SPR800 Premium Glossy profile. This is telling the computer what your questions to: CHOOSING A DSLR
Q
colour profile to translate the image into, which in this case is the correct apanswers@ I am a photographer of
profile for printing the image using your Epson printer and Epson Premium Glossy ipcmedia.com ‘intermediate’ ability wanting to step
paper. The Spyder2 Express profile is used to correct the monitor so that images up to a digital SLR. I want to shoot
displayed on the screen will match your printed images.
or by post to: landscape and extreme macro close-up shots,
In a nutshell, colour profiling is all about ensuring that all the parts of the digital Ask AP, Amateur but I would like a DSLR because I want to start
workflow chain are trying to talk the same language. Profiling your monitor ensures Photographer taking portraits, too, and feel like I want a step
that you are looking at a standard colour setup. Printer profiles ensure that (as near Magazine, IPC up in terms of quality. I have a budget of around
as possible) these colours are committed to paper. Ian Farrell Media, Blue £400 (definitely no more than £450) and
have been looking at the Nikon D3000, Canon
Fin Building, EOS1000D and Sony Alpha 350. Which
110 Southwark would you recommend? Sam Smith
Street, London
A
SE1 0SU. All three of the cameras you name
are fantastic performers and great
value for money, Sam. Choosing
FROM THE
AP FORUM
Cold comfort
for a Coolpix
PastorDaniel asks I am new to the AP
SETTING UP A WEBSITE proofs. However, if you want a site that looks Forum and need some advice regarding my
Q
I read with interest Angela a bit more professional, then Picasa is not Nikon Coolpix P100. I am planning a trip to
Nicholson’s review of Clikpic (AP going to provide this. To get a professional Norway to photograph the northern lights
4 September). I am seriously web designer to produce something bespoke and have been told that the temperature
considering using it to set up a website, but for you will cost a lot of money, but template- can reach as low as -30°C! Would the
before I do can you tell me the difference driven services such as those from Clikpic Nikon P100 work at this temperature? If
between using a web designer like Clikpic represent an affordable third way. You may not, can anyone advise me on a camera
and using Picasa 3? Gary Barton have to pay a little every month, but you will that would perform at this temperature
get a much slicker look for your money. and in the same sort of price range?
A
The expression ‘you get what you Ian Farrell
pay for’ has never been more true Pooh-Bah replies According to the P100
than it is in website design. The BEST WAY TO BACKUP manual the camera works down to 0°C, but if
Q
web galleries you can produce in Picasa are My workflow includes copying you keep the camera under your jacket
excellent for sharing photographs with family picture files from a memory
and friends, or for giving someone a set of card to a USB hard drive using

Your questions answered

In next week’s AP
between them will really come down to On sale Tuesday 26 October
a matter of taste, and I’d recommend an
f/AQ
extended visit to your local camera shop
to try out all three models side by side.
Take plenty of comparison shots in a mixture
of lighting (including some portraits), and
then go home and look at the results on
your computer.
The only problem I can foresee is with Which colour
your desire to take extreme close-up
shots. Digital SLRs don’t focus as closely
space do I need? ON TEST
as compact cameras. In an ideal world The problem that photographers
NIKON D3100
you’ll need a macro lens that will let you worry about far too much is which
get close enough to form a life-sized image colour space should they be shooting
on the camera’s sensor. Macro lenses do into. The two options you’ll find on
not come cheap, though, and a brand new most DSLRs is to shoot in sRGB or
Canon, Nikon or Sony model will set you Adobe RGB (1998). These influence
back as much as your entire budget again, how JPEGs are processed and Nikon aims to take entry-level DSLR quality
if not more. recorded, and have no influence
However, there are alternatives. Try whatsoever on raw files, which are to new heights with the D3100. Tim Coleman
supplementary close-up lenses that screw assigned a colour space at the
onto the front of the lens like a filter and processing stage. puts it to the test
provide the same kind of effect as a very A colour management expert
good magnifying glass. Alternatively, look will tell you that there is a major
for an extension tube, which goes between difference between the sRGB and ON TEST
the camera and the lens to improve its close Adobe RGB colour spaces. Adobe
focusing distance. The only downside to this RGB has a larger colour gamut (that
is a loss of light, meaning your maximum is, it can describe more colours),
aperture will fall by a couple of stops. You whereas sRGB can deliver more
should also make sure the extension tube is punchy contrast and saturation. The
compatible with the camera you are using, old rule of thumb states that sRGB is
as there are some problems with newer
entry-level Nikon bodies.
best for photographs that are to be
shown on screen, while Adobe RGB MULTI-FUNCTION PRINTERS
You could also look for a second-hand is better applied to photographs that
macro lens on the used market. I bought a are going to be printed.
We take a look at a range of printers
previous-generation used Nikkor 105mm Most cameras should be set by that do more than just print images
f/2.8 micro last year for £300 in mint default to the sRGB colour space.
condition. I’m sure you could find something This has become a standard for
cheaper if you look at the independent
brands, such as Tamron’s excellent 90mm
digital imaging – so much so, that if
you start tinkering around with Adobe
EXPERT ADVICE
f/2.9 macro. Compatibility issues exist
between older Sigma lenses and newer
Canon bodies, so make sure try these
RGB you risk your photographs
looking dull and lifeless when they
are read by software that doesn’t
WHITE BALANCE
before you buy them. Ian Farrell know how to interpret the colour AP explains… atmospheric white balance.
space properly. These applications
include many older web browsers,
Keep the atmosphere in your images by
and just take it out for the occasional shot and even the software that drives getting the right white balance
you might be OK. In that temperature it’s some minilabs on the high street. In
really battery life that is the problem. If you most normal photographic situations © LEE FROST
have a mechanical film SLR that might be a you won’t notice the greater number CREATING ATMOSPHERE
better option. of colours that the Adobe colour
GeoffR replies A lot depends on when you

space delivers, but you will notice the
flatness when you look at the pictures JOIN THE DARK SIDE
visit Norway. If it isn’t in mid-winter, you
should be OK. Keep a spare battery in an
online. To get around this, you’ll need
to convert between colour spaces in
As the nights draw in, Lee Frost explains how
inside pocket for warmth and change it when Photoshop before saving a file out to to make the most of dark and atmospheric
required. You need longish exposures for the web to ensure the online version
the aurora borealis and I would recommend renders properly. shooting conditions
something with better autofocus than the So my advice is to stick to sRGB if
P100 can offer. An SLR really is the best you are shooting images specifically
tool for the job. for a website or that will be printed in
a high street mini-lab. If you are more
CONTENT FOR NEXT WEEK’S ISSUE MAY BE SUBJECT TO CHANGE
Ian Farrell replies It may be worth picking confident, do your own printing, and
up a mechanical film SLR, as Pooh-Bah have a fully calibrated colour workflow,
suggests. With no power needed to hold the
shutter open for long exposures, you won’t
then it may be beneficial to shoot using
the larger Adobe RGB colour space.
APOY
have the battery-life problem. A quick look in
the small ads at the back of AP, or on eBay,
Better still is to shoot raw images
and then convert these to either APOY ROUND 9
suggests this should be possible for well Adobe RGB or sRGB depending
under £100. Look for an old Olympus OM-1, on how you intend to use the
We reveal the top 30
Pentax MX or K1000, or a Nikon FM2. photographs. Ian Farrell winners of our Wildlife and
domestic animals round
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Nikkor vs Sigma Lens test
NIKKOR
18-200MM F/3.5-5.6
Street price £549
SIGMA
18-250MM F/3.5-6.3
Street price £399
Superzooms
distortion, to give it the correct term, is the
position of the stop (the iris diaphragm). The
optimum placement varies with the focal
length and the optical construction of the
lens. This isn’t a problem with a monofocal
optic, as focal length and construction are
fixed. With a zoom lens, however, both
these factors are variable. Internal group
What’s eight into one? Answer: the problem of fitting the equivalent movements continually vary the internal
optical group separation and relationships
of several ‘prime optics’ into one lens. Geoffrey Crawley looks at for focal length optimisation. This can make
the optimisation of the stop location for
two superzooms to see how each manufacturer resolves the issue minimising curvilinear distortion over the
focal length impossible. Moving towards the
FOR THIS lens test we are in the realms a rectangle without the sides bowing out shorter focal lengths brings barrelling, and
of the superzoom, which, in basic terms, is (barrel distortion) or bowing in (cushion towards the longer lengths cushioning.
the product of efforts of lens designers to distortion). Since barrelling means the line So, the longer any zoom lens’s focal length
give us seven or eight lenses in one compact does not reach its correct position, it is span, the greater its distortion error will be at
unit. There is a demand for such optics as termed negative, whereas cushioning, as it each end – and the superzoom lens heads the
they enable the photographer to travel light, overshoots or is greater than the correct list. The lowest figures will be for zoom optics
but it is obvious there must be compromises, position, is known as positive. They are given covering wide to normal focal lengths and
otherwise there would be no sale for other as percentages of the displacement from a those for normal to long. Let’s see how
types. The most difficult problem is that of correction position – in theory, ±0%. two leading manufacturers tackle the
drawing accuracy: the representation of The strongest influence on curvilinear superzoom design problem.

Lens test Nikkor vs Sigma
AF-S Nikkor 18-200mm f/3.5-5.6 DX G ED VR II

Nikon’s revised 18-200mm VR II optic has dealt with some issues in the original. Can one lens now fit all?
18mm 200mm
AT FIRST sight this lens seems a bit and manual. The slider switch is conveniently With a widest PERFORMANCE
of a marvel – an overall length of 97mm located on the left-hand side of the lens. aperture of f/5.6 at With a wide-range zoom, expectations
for a 200mm optic! But that is when it is The auto/manual setting allows manual 200mm, Vibration are not high – for the reasons given in the
set to its 18mm focal length. On advancing focus fine-tuning when auto has locked on. Reduction comes introduction. So the immediate favourable
to 200mm, a two-draw extension On the same pad is the Vibration in handy when impression on opening the test file was all
advances this length to 162mm. This Reduction, (anti-shake on/off) slider and shooting on the more pleasing. However, on technical
two-draw movement gives secure, the Normal/Active switch. When VR is overcast days assessment, the usual errors were present.
wobble-free movement. implemented, a gravity-based inertial such as this Barrel distortion was strong at 18mm, which
The extension components are light frame is created, which supplies data to a is of no use for the architectural buff, even if
enough not to have too much of an effect gyro-mounted lens component placed in it is no problem for out-and-about and off-
on the balance of the camera/lens unit the principal plane of the lens. If the camera/ the-cuff shots. It was accompanied by quite
when handheld and, at 556g, the weight lens is moved, the difference in data to that strong vignetting.
is easily manageable. The long extension of the inertial frame is used to make the But leaving the geometrical errors gave
is necessary because, while the lens has correction to restore the inertial frame by the answer to why the overall image gives a
internal focusing, focal length change is by swinging the gyro module appropriately. In clean impression: reasonably well corrected
forward movement of the front group, which Normal mode, the camera is assumed to colour aberrations. ‘Reasonably’ because
makes it essentially a developed cemented be on a stable platform, be it the ground, of the problems involved. On moving to
triplet (four-glass) lens. Here it affects focal the floor or a stationary vehicle. When set 50mm, the attention paid to chromatic
length variation with focus made elsewhere to Active, the system assumes the camera aberrations as an image-quality killer in
by internal group movement. is on a moving platform, such as a car, boat digital imaging became even more apparent.
The controls are generally laid out in or train – which is quite an advantage over Supplemented by low vignetting, image
a convenient manner for handheld use, single-mode systems. The lens also ensures quality was about optimum in the focal
although the manual focusing ring is well rapid, quiet autofocus by using Nikon’s Silent length span. Two steps down (f/9) gave
back to the camera body. The focused Wave Motor (SWM) autofocus drive. excellent results in coverage, colour and
distance mark appears under a protective greyscale tonality.
window just ahead of the ring and the zoom OPTICALLY Extending, literally, to 200mm moved a
control follows. It is indexed 18mm, 24mm, The optical construction comprises 16 little further into cushion distortion, but not
35mm, 50mm, 70mm, 135mm and elements in 12 groups. Two elements are too obtrusively away from linear subjects.
200mm. These are guide lines rather than in extra low (colour) dispersion (ED) glass, Vignetting was negligible even at full
precise markers. They are marked on the and no fewer than three are aspheric. aperture. Colour correction was well within
zoom ring with its 18mm broad grip from ED glass was introduced by Nikon and is the terms of a superzoom lens. In resolution/
which the zoom extension emerges. now in widespread use to reduce colour contrast, results did not match those of
The front of the extension flares to aberrations. The aspheric elements assist separate zoom optics covering the same
accommodate the broad front glass section. in minimising spherical aberration. This span, but much higher than one might have
There is a 72mm screw-in filter fitting and latter issue increases as focused distance expected. It is a first-class modern lens,
an external click-in hood fitting. Neither shortens, which is possibly why there are nearing the limit of what can be hoped for
zooming nor focusing causes the extension three aspheric elements in this lens – it can from a wide-range zoom.
to rotate, so there is no problem with special focuses close to 45mm (1.6ft).
filters requiring fixed alignment with the The design harks back to the front cell
frame rectangle. A lock, operating only at focusing, four-glass cemented triplet, and
18mm, is provided to prevent extension needs a long front extension in a wide-range
creep when carrying the lens pointed down. zoom lens. Focal-length change by internal
No such problem was encountered, though group movement brings greater complexity ‘The lens ensures rapid,
if excessive use is made of tromboning the and cost, especially when the VR module
front section to change focal length rather must be kept as near as possible to the lens quiet autofocus by using
than turning the zoom ring, it could develop prime plane when zooming. All in all, from
over time – as the instructions warn. the results, the solutions adopted seem a
Nikon’s Silent Wave
There are two focus modes: auto/manual good compromise. Motor autofocus drive’

Sigma 18-250mm, f/3.5-6.3 DC OS HSM

Sigma’s superzoom optic offers a greater focal range than the Nikon, but is there a detrimental effect?
IN A SENSE, this superzoom lens is a gyro group movement compensating for the the problems do not suddenly intensify,
market challenger to the Nikkor 18-200mm shake. The OS module has only two modes: so allowing a further extension of focal
optic. The Sigma 18-250mm lens is less Normal – for use from stable platforms such length. What would have been surprising
expensive and it offers a 50mm higher as the ground, a stationary vehicle, the floor, is an extension at the wideangle end.
focal length, although with the penalty of a and so on – and Off. The switch is a toggle Nevertheless, an equivalent viewing angle of
lower maximum aperture. That is necessary below the AF/M switch on the rear barrel 27-375mm on full frame is a powerful tool.
owing to the increase in bulk maintaining sector, close to the camera body. The Sigma gave good results at full
f/5.6 would require. The general similarity in The engineering is of a very high quality. aperture, and at 18mm. Barrel distortion
construction can be seen in the schematics There is no wobble on the extension at was satisfactory. Vignetting, too, was
on page 63. Nevertheless, it is slightly larger 250mm, a condition aided by its two-draw controlled and was near normal zoom
and, at 630g, 65g heavier. That does not mechanism. There is no greater destroyer factors. Chromatic aberration was
make it more difficult to handhold, however, of image quality than decentering, which surprisingly well corrected at 18mm – again,
as it is well balanced with the camera as a a wobbly lens section can cause. When a realisation of the importance of this
unit. Like the Nikkor lens, it is designed for buying any second-hand lens, whether factor in digital imaging. Its effect is a subtle
the APS-C format. monofocal or zoom, it is important to blurring of detail in images. In bad cases, it
Again like the Nikkor lens, the Sigma check for excessive wobble. puts a ‘veil’ over the picture.
optic appears relatively compact at 18mm The Sigma zoom lens’s capability of
but appears rapidly less so as the focal OPTICALLY producing colour hues and gradation at the
length is advanced. Its modest 92mm length The glass content comprises 18 elements in longest focal lengths is an attractive feature.
from the camera body flange at 18mm 16 groups. Three are aspheric and four are The chimney pots in my favourite distance
focal length extends by 83mm at 250mm in super-low (colour) dispersion (SLD) glass. shots have never looked more terracotta
focal length. The aspherics perform their usual duty of and rounded. In terms of related resolution
The livery is standard Sigma with bright reducing aspheric aberration over the wide and contrast, its colour corrections provided
white alphanumeric index marks clearly zoom span with close focusing to 45cm. The good detail definition, the standard at the
legible against the firm’s trademark intense SLD glass improves the colour correction, longer focal lengths being especially high.
black. The front rim takes a 72mm filter behaving differently somewhat to ED or This is a fine, modern ‘superzoom’ optic;
and the bayonet fits a petal-type lens low dispersion varieties. The corrections it handles nicely and those whose work
hood. The manual focus ring is up front given may be greater over a particular band includes sport and activity should generally
with an 11mm ridged grip. It seems more than others, enabling them to be balanced find it a very useful tool.
conveniently placed there than at the back overall. Since this type of glass has an
near the camera body. However, care unusual effect, it is sometimes known as
must be taken not to hold it when in anomalous (colour) dispersion glass.
autofocus mode as it turns when searching. Generally, the basic construction is not
Behind it comes the massive 47mm zoom unlike that of the 18-200mm Nikkor
control of which 37mm is a ridged rubber lens – the difference is all in the detail,
grip. The turn resistance is smooth but firm, as the construction shows. Here, too,
and a lock is provided that is operational at the gyro lens module for the Optical
18mm focal length to prevent creep. While Stabilization system imposes constraints.
this seems unlikely, it could develop over The compromise to the superzoom lens’s
time and usage. problems have been well made and the ‘The Sigma lens has
The focus modes are auto or manual, engineering is of a high quality.
so fine-tuning after auto lock-on is not more right to the
possible. The lens is equipped with Sigma’s With a range of PERFORMANCE “superzoom” status
proprietary Optical Stabilization (OS) 18-250mm, it is This lens has more right to the ‘superzoom’
anti-shake system. This uses a Hyper Sonic possible to zone in status than the Nikkor zoom optic, as its than the Nikkor zoom
Motor (HSM) to drive the autofocus system, on the little details range extends to 250mm, but this is not
thus reducing camera shake. Essentially, in grand scenes the novel achievement it may sound. By
optic, as its range
the various systems are very similar, with a such as this the time 200mm focal length is reached, extends to 250mm’
18mm 250mm

Lens test Nikkor vs Sigma
Verdict Facts & figures

Understanding the graphs
SHARPNESS AND DEFINITION
The graphs shown here demonstrate the ability
of the lenses on test to resolve detail. As the
lines move to the right along the horizontal axis,
NIKKOR SIGMA the detail the lens is asked to record becomes
Street price £549 £399 finer, thus the lens becomes less successful at
Lens mount Nikon Canon, Nikon, Sony, recording it accurately. Each sloping line on the
Pentax, Sigma graph represents measurements taken from a
87
particular area of the image – the centre and the
% Max aperture
Angle of view
f/3.5-5.6
76°-8°
f/3.5-6.3
69.3°-5.7° corner – with both measurements being made for
Near focus 0.5m 0.45m images taken using the widest aperture as well
Diaphragm blades 16 18 as with the aperture closed by two stops. The
88
grid places a numerical value on the success of
% Filter size 72mm 72mm
the lens in recording these details at three line-
Weight 560g 630g
Measured focal length 18-200mm 18-250mm
pair-per-millimetre points: 10lpmm, 30lpmm and
50lpmm. The graph for a near perfect lens would
Dimensions 77x96.5mm 79x101mm
show the lines all very close together and near
the top of the vertical axis. When the lines are all
very close together, the performance of the lens
NIKKOR DISTORTION AND VIGNETTING is almost as good at the edge of the frame as it is
in the middle – where lenses are at their best. If
lines stay close to the top of the graph, the lens
is able to clearly resolve very fine detail. All
lenses have a limit as to what they can resolve,
IT IS POSSIBLE to be a little cynical and this is shown where the lines of the graph
about long-range zoom lenses. The begin to slope downwards.
monofocal optic could not give the immediate
change from short to long that modern CHROMATIC ABERRATION
coverage of sport and action generally Lateral chromatic aberration induces colour
requires. Frank Back, as noted in our Icons fringing and loss of sharpness, so edges are
of photography series (AP 9 October), rimmed with colour and are soft. These graphs
responded to this need by exploiting the fact show the degree of error when the ISO 12,233
that moving the centre element in a plain slanted knife-edge test is performed at the key
triplet lens would vary the focal length. He focal length settings. Measurements are taken
created the first zoom lens, and this principle 18mm f/3.5 from the centre of the image and from the edge,
200mm f/5.6 where lens performance dips. The greater the
is still in use.
What marks out the better products is SIGMA DISTORTION AND VIGNETTING divergence of the red, green and blue lines, the
greater the error and the more likely the lens is
how far it has been possible to correct the to exhibit the effects of chromatic aberration.
aberrations that are present, and which Some divergence in the lines is to be expected,
sometimes change widely – spherical especially at the shorter focal length settings of
aberration, for example – as focal length zoom lenses and at the edge of the image frame.
changes. Looking at the graphs and figures It is the overall appearance that is important
for marked differences will show there are rather than the detail of the curves.
none, at least on the 18-200mm section.
I found that at full aperture against a bright VIGNETTING
sky, TV aerials showed a little more contrast These diagrams indicate the vignetting
with the Sigma lens, although it was slight. characteristics of each lens at full aperture.
After using both optics I could not tell which They show the degree of difference in the
image came from which, and the Sigma illumination between the centre of the image
zoom lens carries that satisfactory result on frame and the corners of the frame. Measured
to 250mm. Each individual will have to assess in EV, figures larger than 1∕3EV will be clearly
how important that is. Both must surely reach 18mm f/3.5 250mm f/6.3 visible. Deviations of 1∕6EV and below will not
the optimum possible with a wide range zoom show. The darkest areas indicate shading of
about 1∕2EV and the lighter areas 1∕3EV, but
at this time. It is how a lens suits your hands
in reality the effect is graduated.
and eyes that can be the decider. AP
CURVILINEAR DISTORTION
NIKKOR
1 2 3 4 5 6 7 8 9 10
These figures illustrate the degree of ‘bend’ in
a straight line that was recorded 4mm from the
SPECIFICATION 28/30 top edge of the frame, with ‘-’ indicating barrel
BUILD 17/20 distortion and ‘+’ indicating pincushion distortion.
HANDLING 17/20
PERFORMANCE 25/30
SIGMA
1 2 3 4 5 6 7 8 9 10
SPECIFICATION 28/30
BUILD 17/20 Nikkor 200mm Sigma 250mm
HANDLING 17/20
PERFORMANCE 26/30

SHARPNESS/DEFINITION CHROMATIC AbERRATION

Both the Nikon and Sigma optic put in a very good performance in the centre of the image The close proximity of the three coloured lines indicates that chromatic aberration is
frame, indicated by the closeness and high position of the lines, with only a slight drop-off controlled well at the centre of the frame of both lenses. Slight divergence of the lines
at the corner of the frame. There is little to choose between the two lenses, and this goes for in the edge charts, especially at the widest angle of the Nikkor, suggests that coloured
the Sigma lens at the additional focal range up to 250mm. fringing may sometimes appear along edges near the periphery of the frame.
NIKKOR SIGMA 18mm Centre edge 18mm Centre edge
255
Line pairs per mm
10 12 13 15 16 18 21 24 27 30 33 36 42 48 54 60 66 72
Line pairs per mm
10 12 13 15 16 18 21 24 27 30 33 36 42 48 54 60 66 72
NIKKOR SIGMA
100 100
90 90
128
% Contrast
80 80
Brightness
70 70
60 60
-60 0 +60-60 0 +60 -60 0 +60-60 0 +60
18mm 10lpmm 30lpmm 50lpmm 18mm 10lpmm 30lpmm 50lpmm Microns Microns
Centre -2 stops 0.95 0.95 0.90 Centre -2 stops 0.95 0.95 0.90 50mm Centre edge 50mm Centre edge
255
Centre full open 0.90 0.85 0.80 Centre full open 0.90 0.90 0.80
Corner -2 stops 0.95 0.90 0.90 Corner -2 stops 0.95 0.90 0.85
Corner full open 0.90 0.90 0.80 Corner full open 0.90 0.90 0.85
128
10 12 13 15 16 18 21 24 27 30 33 36 42 48 54 60 66 72 10 12 13 15 16 18 21 24 27 30 33 36 42 48 54 60 66 72
Brightness
100 100
90 90
% Contrast
80 80
-60 0 +60-60 0 +60 -60 0 +60-60 0 +60
70 70 Microns Microns
60 60
200mm Centre edge 250mm Centre edge
255
50mm 10lpmm 30lpmm 50lpmm 50mm 10lpmm 30lpmm 50lpmm

Centre -2 stops 0.95 0.95 0.90 Centre -2 stops 0.95 0.95 0.90
Centre full open 0.90 0.9 0 0.85 Centre full open 0.90 0.90 0.80 128
Brightness
10 12 13 15 16 18 21 24 27 30 33 36 42 48 54 60 66 72 10 12 13 15 16 18 21 24 27 30 33 36 42 48 54 60 66 72 -60 0 +60-60 0 +60 -60 0 +60-60 0 +60

100 100
Microns Microns
90 90
% Contrast
VIGNETTING
80 80
At full aperture, corner shading is slightly more
70 70
apparent with both lenses.
NIKKOR
60 60
18mm 50mm 200mm
200mm 10lpmm 30lpmm 50lpmm 250mm 10lpmm 30lpmm 50lpmm
Centre -2 stops 0.95 0.95 0.95 Centre -2 stops 0.95 0.95 0.95
Centre full open 0.95 0.9 0 0.90 Centre full open 0.95 0.95 0.90 APS-C APS-C APS-C
LENS CONSTRUCTION SIGMA 18mm 50mm 250mm
NIKKOR APS-C APS-C APS-C

There are 16 elements
in 12 groups, with three
aspheric and two extra
low dispersion (ED)
glass elements. NIKKOR SIGMA
18mm 50mm 200mm 18mm 50mm 250mm
n Aspheric element FULL <2/3 <1/3 <1/6 <1/2 <1/6 -
n ED glass element
n SLD element -1 <1/3 - - <1/6 - -
A Aperture diaphragm -2 - - - - - -
SIGMA
The Sigma optic has 18
elements in 16 groups,
A
CURVILINEAR DISTORTION
with four super-low Distortion switches from barrel to pincushion between 70mm and 135mm. Lines appear
dispersion (SLD) and to bow slightly more when photographed with the Nikkor optic at wide angle.
three aspheric elements.
NIKKOR SIGMA
18mm 50mm 200mm 18mm 50mm 250mm
-0.82% +0.32% +0.38% -0.49% +0.26% +0.43%

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Nikon Manual
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CANON EOS 1D MK II COMPLETE WITH ALL ACCESS ............MINT- BOXED £775.00 45mm,90mm LENSES. TLA 200 FLASH UNIT AND ALL HOODS IN LTD MAMIYA 50mm f4 G LENS FOR MAMIYA 6L ..............................MINT + HOOD £645.00 NIKON F3 BODY......................................................................................EXC+++ £275.00
CANON EOS 1DS 11.1 Mp (ONLY 1543 ACTUATIONS) ..............MINT BOXED £995.00 EDITION HARD CASE........................................................................................£1,075.00 MAMIYA 150mm f4.5L G LENS FOR MAMIYA 6 ........................................MINT £399.00 NIKON F2 PHOTOMIC BODY CHROME........................................MINT-BOXED £395.00
CANON EOS 5D MK II 21.1 Mp FULL FRAME COMPLETE CONTAX 90mm f2.8 SONNAR "G" ................................................MINT BOXED £139.00 MAMIYA RZ 67 PRO II WITH BACK AND 110mm LENS ............................MINT £645.00 NIKON F2 PHOTOMIC S BODY BLACK ..................................................EXC++ £299.00
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CANON EOS 40D BODY COMPLETE WITH ALL ACCESS ......................MINT £475.00 CONTAX TITANIUM HOODS, FILTERS, etc FOR "G" ....................MINT BOXED PHONE MAMIYA 210mm f4 SEKOR C FOR 645 ........................................MINT CASED £195.00 NIKON FE2 BODY CHROME ......................................................................MINT- £169.00
CANON EOS 50D BODY COMPLETE WITH ALL ACCESS ......................MINT £565.00 CONTAX ARIA BODY (SUPERB,STRAP, INSTRUCTIONS) ..........MINT BOXED £325.00 MAMIYA POLAROID FILM HOLDER FOR 645 A/F ....................................NEW £159.00 NIKON FE BODY BLACK BODY....................................................................EXC+ £95.00
CANON EOS 350D BODY COMPLETE WITH ALL ACCESS......................MINT £189.00 CONTAX ST BODY..................................................................................EXC+++ £269.00 MAMIYA 120 BACK FOR RB............................................................MINT BOXED £99.00 NIKON FE BLACK BODY ................................................................................EXC £75.00
CANON EOS 300D KIT WITH CANON 18 - 55 LENS COMP ......MINT BOXED £179.00 CONTAX RTS II QUARTZ BODY ................................................................EXC+ £119.00 PENTAX 55mm f3.5 TAKUMAR SMC FOR 6x7 ..........................................MINT- £299.00 NIKON FE BODY CHROME ........................................................................MINT- £119.00
CANON POWERSHOT G9 12.1Mp + ALL ACCESSORIES ..........MINT-BOXED £265.00 CONTAX FIT YASHICA 28mm f2.8 SUPERB CONDITION ..........................MINT £85.00 ROLLEIFLEX 2.8 GX LTD ED 60 yr + PRESENTATION BOX NIKON FM BLACK BODY............................................................................EXC++ £99.00
CANON POWERSHOT G11+ALL ACCESSORIES UNUSED........MINT BOXED £325.00 CONTAX 35mm f2.8 DISTAGON AE............................................................MINT £125.00 ......................................................................................MINT BOXED AS NEW £1,495.00 NIKON FM BODY CHROME ......................................................................EXC++ £115.00
CANON 270 EX SPEEDLITE ............................................MINT BOXED AS NEW £85.00 CONTAX 45mm f2.8 TESSAR PANCAKE....................................................MINT- £175.00 ROLLEIFLEX 3.5F PLANAR......................................................................EXC++ £399.00 NIKORMAT FTN BODY + NIKON 50mm f1.4 LENS + ERC........................MINT- £195.00
CANON 420 EX SPEEDLITE..........................................................MINT BOXED £149.00 CONTAX 85mm f1.4 PLANAR MM..............................................................MINT- £495.00 YASHICAMAT 124G MINT CASED + HOOD..................................MINT CASED £245.00 NIKONOS 1Va + 35mm f2.5 + SB 101 STROBE (AS NEW)..........MINT CASED £399.00
CANON 550 EX SPEEDLITE..........................................................MINT BOXED £179.00 CONTAX 135mm f2.8 SONNAR MM ..........................................................MINT £245.00 NIKONOS 20mm f2.8 UW NIKKOR + FDR..................................................MINT £495.00
CANON BG-E2 BATT GRIP FOR EOS 20D/30D ..........................................MINT £69.00
CANON BG-E2N BATT GRIP FOR EOS 20D/30D/40D/50D..........MINT BOXED £119.00
CONTAX 200mm f3.5 TELE TESS T* AE ....................................................MINT £199.00
CONTAX TLA 20 FLASH ..........................................................................EXC+++ £29.00
Hasselblad NIKON 20mm f3.5 UD NIKKOR ..................................................................MINT £295.00
CANON BG-ED3 BATT GRIP FOR EOS 10 D30,D60 ....................MINT BOXED £59.00 CONTAX TLA 30 FLASH ..................................................................MINT CASED £49.00 HASSELBLAD 503 CW WITH 120 BACK & 80mm T* ............................MINT- £1,195.00 NIKON 20mm f3.5 AI....................................................................................MINT- £275.00
CANON BG-E7 BATT GRIP FOR EOS 7D ....................................MINT BOXED £135.00 CONTAX T3 COMPACT (SUPERB LENS)......................MINT BOXED AS NEW £375.00 HASSELBLAD 500CM +WLF+BACK + 80mmBLK T* ....................MINT-BOXED £695.00 NIKON 24mm f4 PC PERSPECTIVE CONTROL ..........................MINT CASED £499.00
CANON FIT BATT GRIP + 2 BATTS FOR 50D,40D,30D,20D........................MINT £59.00 HASSELBLAD 90mm f4 FOR X PAN ............................................MINT BOXED £395.00 NIKON 28mm f2.8 AI ......................................................................MINT-BOXED £125.00
CANON RS 80-N3,1Ds MKIII, 1D MKIII, 5D MKII, 50D ................................MINT £35.00
CONTAX SL300R T* DIGITAL ........................................................MINT BOXED £129.00 Leica “M”, “R” & Screw & Binoculars HASSELBLAD 90mm f4 FOR X PAN......................................MINT- IN KEEPER £365.00
HASSELBLAD H1/H2 UPGRADE +AE FDR,MAG,80mm ..........MINT-BOXED £1,795.00
NIKON 28mm f3.5 AIS ..................................................................................MINT- £99.00
NIKON 35mm f2.8 AI......................................................................................MINT £99.00
LEICA V - LUX 1 WITH VARIO ELMARIT LENS............................MINT BOXED £465.00 LEICA M8 BODY CHROME WITH ALL ACCESSORIES ............MINT BOXED £1,695.00 HASSELBLAD 35mm f3.5HC for H SYSTEM..............................MINT BOXED £1,799.00 NIKON 35mm f1.4 AIS (THIS LENS IS "UNUSED") ......................MINT BOXED £695.00
NIKON D300 BODY COMPLETE (ONLY 795 ACTUATIONS)........MINT BOXED £865.00 LEICA M7 FLAG (LTD EDITION UK 30)......................................MINT BOXED £1,595.00 HASSELBLAD 150mm f3.2HC for H SYSTEM............................MINT BOXED £1,299.00 NIKON 35mm f2 AIS ....................................................................................MINT- £195.00
NIKON D200 BODY COMPLETE (ONLY 424 ACTUATIONS)........MINT BOXED £459.00 LEICA M7 BODY BLACK ............................................................MINT BOXED £1,275.00 HASSELBLAD 210mm F4HC for H SYSTEM ..........................................MINT £1,299.00 NIKON PC NIKKOR 28mm f4 ........................................................MINT CASED £475.00
NIKON D3000 COMPLETE WITH NIKON 18- 55 VR LENS........................NEW £345.00 LEICA M7 BODY BLACK ..........................................................................MINT- £1,145.00 HASSELBLAD HC 50 - 110 f3.5 FOR H SYSTEM ......................MINT BOXED £2,495.00 NIKON 35mm f2.8 PC PERSPECTIVE CONTROL........................MINT CASED £475.00
NIKON D5000 COMPLETE WITH NIKON 18-55 VR LENS ........................NEW £469.00 LEICA M6 TTL CHROME (SUPERB AS NEW CONDITION)......MINT BOXED £1,095.00 HASSELBLAD 500CM +WLF+BACK + 80mm CF..................................EXC+++ £795.00 NIKON 35mm f2.8 PC PERSPECTIVE CONTROL ................................EXC+++ £375.00
NIKON D80 BODY COMPLETE WITH ALL ACCESS ....................MINT BOXED £375.00 LEICA M6 TTL CHROME BODY ....................................................MINT-BOXED £975.00 HASSELBLAD 500EL/M + A12 + 80mm F2.8 T*............................MINT-BOXED £595.00 NIKON 50mm F1.8 AIS ....................................................................MINT BOXED £89.00
NIKON D70 BODY COMPLETE WITH ALL ACCESS ..............................EXC++ £189.00 LEICA M6 TTL BLACK BODY ........................................................MINT BOXED £995.00 HASSELBLAD 500EL/M + A12 BLACK BACK..........................................EXC++ £299.00 NIKON 50mm f1.4 AIS..................................................................................MINT £199.00
NIKON D50 BODY COMPLETE WITH ALL ACCESS..................................MINT £199.00 LEICA M6 TITANIUM BODY ........................................................................MINT- £999.00 HASSELBLAD 40mm f4 DISTAGON CF ..................................................MINT £1,095.00 NIKON 50mm f1.2 AI....................................................................................MINT £299.00
NIKON D1 BODY KIT COMPLETE ................................................MINT BOXED £369.00 LEICA M6 BODY BLACK................................................................MINT- BOXED £775.00 HASSELBLAD 150mm f4 SONNAR CF..................................................EXC+++ £399.00 NIKON 55mm f1.2 NIKKOR S.C..............................................................EXC+++ £295.00
NIKON SB600 SPEEDLIGHT FLASH UNIT ..................................MINT BOXED £185.00 LEICA M6 BODY CHROME ..........................................................MINT- BOXED £899.00 HASSELBALD 250mm f6 SONNAR T* CF ..................................................MINT £899.00
NIKON SB600 SPEEDLIGHT FLASH UNIT ..................................MINT CASED £175.00 LEICA M4-2 BLACK BODY ..........................................................MINT - BOXED £775.00 HASSELBLAD PLAIN PRISM..........................................................................EXC £75.00 NIKON 55mm f2.8 MICRO AIS ....................................................................MINT £169.00
NIKON SB800 SPEEDLITE FLASH UNIT......................................MINT BOXED £225.00 LEICA M3 BODY D/W + LEICA ERC CASE............................................EXC+++ £445.00 HASSELBLAD PME3 PRISM ....................................................................EXC++ £195.00 NIKON 55mm ff3.5 NIKKOR P.C MICRO + M2 TUBE ............MINT IN KEEPER £145.00
NIKON SB 50DX SPEEDLIGHT ......................................................MINT BOXED £69.00 LEICA M3 BODY (REALLY NICE USER)......................................EXC++CASED £399.00 HASSELBLAD PM PRISM ..........................................................................MINT £199.00 NIKON 55mm ff3.5 NIKKOR P.C MICRO........................................................MINT £89.00
SIGMA EM-140 DG MACRO FLASH FOR NIKON iTTL ................MINT BOXED £225.00 LEICA M2 BODY + LEATHER ERC ........................................................EXC+++ £495.00 HASSELBLAD A12 BACK BLACK AND SILVER............................MINT BOXED £145.00 NIKON 105mm f1.8 AIS ............................................................................EXC++ £395.00
NIKON MB - D80 BATT GRIP FOR D90/D80 ..............................................MINT £115.00 LEICA 5cm f3.5 COLL ELMAR....................................................................MINT- £245.00 HASSELBLAD A12 BACK BLACK AND SILVER ........................................MINT - £99.00 NIKON 105mm f4 MICRO NIKKOR AI ........................................................MINT £295.00
NIKON MH 19 CHARGER QUICK CHGR FOR EN-EL3/3E........................MINT £149.00 LEICA 21mm f2.8 ELMAR BLK M ASPHERIC WITH FINDER NIKON 135mm f2 AI (REALLY SHARP LENS)..........................................EXC++ £325.00
NIKON ML3 REMOTE TRANS & RECEIVER COMP ....................MINT BOXED £129.00
OLYMPUS E620 + 14-42mm & 40-150mm 2 LENS KIT MINT BOXED AS NEW £499.00
......................................................................................MINT BOXED AS NEW £2,195.00
LEICA 35mm f1.4 SUMMILUX M ASPHERIC BLACK ................MINT BOXED £2,245.00 Nikon Auto-Focus NIKON 135mm f2.8 AIS ..................................................................MINT-BOXED £195.00
NIKON 180mm f2.8 NIKKOR P ......................................................MINT-CASED £275.00
OLYMPUS FLASH FL 14 FOR E-P1 CAMERA............................................NEW £135.00 LEICA 50mm f2 COLLAPSIBLE SUMMICRON ......................MINT IN KEEPER £395.00 NIKON F5 BODY........................................................................................EXC++ £295.00 NIKON 300mm f4.5 NIKKOR H (SUPERB CONDITION) ............................MINT £295.00
OLYMPUS FIT SIGMA 18 - 125mm f3.5/5.6 DC SLD ....MINT BOXED AS NEW £159.00 LEICA 50mm f2 SUMMICRON BLACK (LATEST NOT 6 BIT) ......MINT BOXED £895.00 NIKON F90X BODY WITH NIKON MB10 BATT GRIP..................................MINT £119.00 NIKON 300mm f4.5 AIS (SHARP MAN FOCUS LENS)..........................EXC+++ £175.00
OLYMPUS 14 - 45mm f3.5/5.6 ZUIKO DIGITAL ..........................................MINT £125.00 LEICA 50mm f2 SUMMICRON BLACK 6 BIT LATEST ..................MINT BOXED £995.00 NIKON F60 BODY ..........................................................................................MINT £59.00 NIKON 300mm f4.5 AI (SHARP MAN FOCUS LENS) ..................MINT -BOXED £175.00
OLYMPUS 40 - 150mm f4/5.6 ED LENS......................................................MINT £149.00 LEICA 90mm f2 SUMMICRON CHROME ......................MINT BOXED AS NEW £799.00 NIKON F55 BODY ............................................................................MINT-BOXED £59.00 NIKON 500mm f4 I/F ED "P" WITH CPU DIGI COMPAT ......MINT- FLT CASE £2,795.00
PANASONIC DMC-GF1 BLACK BODY 12.1 Mp ............................MINT BOXED £379.00 LEICA 90mm f4 ELMAR M MACRO SET + FINDER 6 BIT ........MINT BOXED £1,995.00 NIKON 16mm f2.8 A/F "D" FISHEYE WITH ALL FILTERS NIKON 500mm f8 MIRROR LENS + FILTERS ..............................MINT CASED £395.00
PANASONIC DMC-G2 BLACK + PANASONIC 14-42 LENS........................NEW £469.00 LEICA 90mm f4 ELMAR M MACRO WITH FINDER SILVER ..................MINT £1,795.00 ........................................................................................MINT BOXED AS NEW £525.00
PANASONIC DMC-G1 BLACK WITH 14 - 45mm LENS COMP ....MINT BOXED £299.00 LEICA 90mm f4 ELMAR M MACRO BLACK 6 BIT LATEST NIKON 18mm f2.8 A/F "D" + HOOD (SUPERB LENS) ..................MINT BOXED £799.00 NIKON 600mm f4 ED I/F TELEPHOTO AND FLIGHT CASE ..................EXC+ £1,795.00
PANASONIC 20mm f1.7 LUMIX G MICRO 4/3rds PANCAKE........MINT BOXED £245.00 ......................................................................................MINT BOXED AS NEW £1,695.00 NIKON 18mm f2.8 A/F "D" + HOOD................................................MINT CASED £745.00 NIKON 800mm f5.6 IF-ED + HOOD & FLIGHT CASE ................MINT-/EXC++ £2,495.00
PANASONIC 7 - 14mm f4 LUMIX VARIO MICRO 4/3rds ............................NEW £925.00 LEICA 135mm f2.8 ELMARIT M FOR M3....................................................MINT £345.00 NIKON 20mm f2.8 A/F "D" ..............................................................MINT CASED £345.00 NIKON 28 - 85mm f3.5/4.5 ZOOM NIKKOR ................................................MINT £279.00
PANASONIC 14 - 140mm f4.5/5.8 MICRO 4/3rds ..........................MINT CASED £575.00 LEICA 135mm f4.5 HEKTOR + HOOD + FINDER M..................................MINT- £199.00 NIKON 24mm f2.8 A/F "D" ..........................................................................MINT- £225.00 NIKON 28 - 50mm f3.5 AIS ..........................................................................MINT £345.00
PANASONIC 45 - 200mm f4/5.6 LUMIX G VARIO 4/3rds..............MINT BOXED £225.00 LEICA 200mm f4 TELYT + HOOD ..............................................................MINT £495.00 NIKON 28mm f2.8 A/F "D"............................................................................MINT £175.00 NIKON 35 - 70mm f3.5/4.8 AIS ......................................................................MINT £99.00
PENTAX D-BG3 GRIP FOR PENTAX K200D ..................................MINT BOXED £99.00 LEICA HANDGRIP FOR M6,M7,MP etc ............................MINT BOXED AS NEW £79.00 NIKON 50mm f1.8 A/F ......................................................................MINT BOXED £89.00 NIKON 35 - 105mm f3.5/4.5 AIS ....................................................MINT BOXED £175.00
RICOH GX 200 VIEWFINDER KIT COMPLETE 12.1 Mp..............MINT CASED £249.00 LEICA MOTOR M ............................................................MINT BOXED AS NEW £395.00 NIKON 85mm f1.4 A/F "D"............................................................................MINT £699.00 NIKON 35 - 105mm f3.5/4.5 AIS ................................................................MINT - £159.00
MINOLTA/SONY 28mm f2.8 A/F ..................................................................MINT £125.00 LEICA SF20 FLASH ........................................................................MINT CASED £119.00 NIKON 105mm f2 A/F "D" DEFOCUS CONTROL ......................................MINT £645.00 NIKON 35 - 105mm f3.5/4.5 AIS..............................................................EXC+++ £139.00
SONY 135mm f1.8 ZA SONNAR T*................................MINT BOXED AS NEW £899.00 LEICA CORRECTION LENS +1.5 DIOPTRE ..................................MINT BOXED £50.00 NIKON 200mm f2 "G" IF-ED AF-S VIBRATION REDUCTION ....MINT-CASED £2,475.00 NIKON 35 - 135mm f3.5/4.5 A/F ..................................................................MINT £159.00
SONY/MINOLTA 300mm f2.8 APO "G" D SSM + CASE ............MINT BOXED £2,595.00 LEICA ERC LEATHER CASE (114876) ..........................................MINT BOXED £169.00 NIKON 500mm f4 I/F ED "P" WITH CPU DIGI COMPAT ......MINT- FLT CASE £2,795.00 NIKON 43 - 86mm f3.5 AI ZOOM ..................................................................MINT £99.00
MINOLTA 24 - 105mm f3.5/4.5 A/F "D" ........................................................MINT £175.00 LEICA ERC CASE FOR M6/M7 BLACK........................................................MINT- £75.00 NIKON 16 - 85mm f3.5/5.6 "G" ED DX AF-S VIBRAT RED............MINT BOXED £365.00 NIKON 80 - 200mm F4 AI ............................................................................MINT £165.00
MINOLTA 300mm f2.8 A/F + FLIGHT CASE ............................................EXC++ £895.00 LEICA M4-2 WINDER BLACK ........................................................MINT BOXED £175.00 NIKON 17 - 35mm f2.8 IF/ED AF-S (SUPERB LENS ) ............EXC++ CASED £1,175.00 NIKON PN11 AUTO EXTENSION RING ......................................................MINT £125.00
MINOLTA 300mm f2.8 HIGH SPEED A/F APO ......................................EXC++ £1,195.00 LEICA FIT M8 BATTERY (LOW USE)............................................................MINT £40.00 NIKON 18 - 35mm f3.5/4.5 A/F "D" ED IF ......................MINT BOXED AS NEW £395.00 NIKON MD4 DRIVE FOR F3 ..........................................................MINT BOXED £175.00
SONY RM-S1AM REMOTE RELEASE ............................MINT BOXED AS NEW £25.00 LEICA 65mm f3.5 ELMAR + 16464K FOC RING ..........................MINT/BOXED £395.00 NIKON 18 - 55mm f3.5/5.6 "G" ED DX AF-S VIBR RED................................MINT £89.00
KENCO TUBE SET DG 12,20,36 FOR SONY DIGITAL..MINT BOXED AS NEW £115.00 LEICA 90mm f4 ELMAR SCREW CHR + 90mm FDR ..................MINT CASED £245.00 NIKON TC14A TELECONVERTER AIS ....................................................MINT - £199.00
NIKON 18 - 70mm f3.5/4.5 DX AF-S "G" ED + HOOD ................................MINT £145.00 NIKON TC14B TELECONVERTER AIS ....................................................EXC++ £225.00
LEICA 9cm f4 HEAD + 16467 FOC MOUNT FOR VISO ............................MINT £199.00 NIKON 18 - 200mm f3.5/5.6 "G" I/F ED AF-S VIBR RED ..............MINT BOXED £399.00
Canon Autofocus LEICA 9cm f4 ELMAR SCREW BLACK......................................................EXC++ £79.00
LEICA R9 "THE BEST OF BOTH" COMPLETE LEICA R9 FILM IN ANTHRACITE
NIKON 24 - 85mm f3.5/4.5 "G" IF AFS ED GLASS........................MINT BOXED £279.00
NIKON 24 - 120mm f3.5/5.6 G I/F ED AF-S VIB RED ....MINT BOXED AS NEW £375.00
NIKON TC 200 CONVERTER........................................................................MINT £75.00
NIKON TC 201 CONVERTER ......................................................................MINT £125.00
CANON EOS 1V HS BODY ............................................................MINT-BOXED £699.00 TOGETHER WITH LEICA DIGITAL MODULE - R COMPLETE NIKON 28 - 105mm f3.5/4.5 A/F "D" ..............................................MINT-BOXED £145.00 NIKON TC 301..............................................................................................MINT- £199.00
CANON EOS 1V BODY ..................................................................MINT BOXED £599.00 ..........................................................................................BOTH MINT-BOXED £2,895.00 NIKON 35 - 80mm f4/5.6 A/F "D"......................................................MINT BOXED £59.00 NIKON SB16 + F3 MOUNT + FM2/FM3/FE/FE2 FIT ....................MINT CASED £159.00
CANON EOS 1V BODY ..................................................................MINT-BOXED £565.00 LEICA R9 BODY ANTHRACITE......................................................MINT-BOXED £875.00 NIKON 35 - 105mm f3.5/4.5 A/F NIKKOR ZOOM ..........................MINT BOXED £145.00 NIKON SB 10 FLASH ......................................................................MINT BOXED £49.00
CANON EOS 1NRS BODY..............................................................MINT-BOXED £465.00 LEICA DIGITAL MODULE - R COMPLETE ................................MINT BOXED £2,295.00 NIKON 55 - 200mm f4.5/6 "G" DX I/F ED AF-S VIBR RED............MINT CASED £189.00 NIKON DR3 R/ANGLE FINDER ....................................................................MINT £99.00
CANON EOS 1NRS BODY..........................................................................MINT- £425.00 LEICA R7 BODY BLACK..............................................................................MINT- £495.00 NIKON 70 - 200mm f2.8 "G" IF/ED AF-S VIBR REDUCTION ....MINT BOXED £1,195.00 TAMRON 90mm f2.5 + EXTENSION TUBE NIKON MOUNT ........MINT BOXED £145.00
CANON EOS 1NHS ........................................................................MINT-BOXED £299.00 LEICA 19mm f2.8 ELMARIT R ROM R................................................EXC+++ £1,095.00 NIKON 70 - 300mm f4.5/5.6 "G" IF/ED A/F "D" ..............................MINT-BOXED £175.00
CANON EOS 3 BODY......................................................MINT BOXED AS NEW £195.00 LEICA 21mm f4 SUPER ANGULON R ..........................................MINT-BOXED £599.00 NIKON 70 - 300mm f4.5/5.6 "G" IF/ED AF-S VIBR REDUCT ........MINT BOXED £359.00
CANON EOS 3 BODY..................................................................................MINT- £179.00
CANON EOS 5 BODY ..............................................................................EXC+++ £60.00
LEICA 28mm f2.8 ELMARIT R ................................................................EXC+++ £245.00 NIKON 80 - 200mm f2.8 A/F "D" ED I/F LATEST 2 TOUCH ..........MINT BOXED £765.00 Olympus Manual
LEICA 50mm f1.4 SUMMILUX (3 CAM) ..................................................EXC ++ £395.00 NIKON 80 - 200mm f2.8 A/F "D" ED I/F LATEST 2 TOUCH ..........MINT-CASED £645.00 OLYMPUS OM4 BLACK COMPLETE WITH WINDER II ............................MINT- £295.00
CANON EOS 30E BODY................................................................................MINT £75.00 LEICA 50mm f2 SUMMICRON 3 CAM........................................................MINT- £299.00 NIKON 80 - 400mm f4.5/5.6 "D" ED I/F VIBRATION RED ............MINT BOXED £975.00
CANON EOS 500N BODY ............................................................................MINT- £49.00 LEICA 60mm F2.8 ELMARIT R MACROEXC++ ......................................EXC++ £299.00 OLYMPUS OM2n BODY CHROME ............................................................EXC++ £99.00
NIKON 80 - 400mm f4.5/5.6 "D" ED I/F VIBRATION RED..............MINT-BOXED £899.00 OLYMPUS OM2 SPOT BLACK......................................................................EXC+ £99.00
CANON EOS RT BODY (PELICAL MIRROR) ..............................................MINT- £99.00 LEICA 100mm f2.8 APO MACRO ELMARIT R ............................MINT-CASED £1,195.00 NIKON MH - 30 + MN - 30 NICAD CHGR + BATT FOR F5 ..........MINT-BOXED £100.00
CANON 10 - 22mm f3.5/4.5 USM + HOOD ....................MINT BOXED AS NEW £525.00 LEICA 180mm f4 ELMARIT R 3 CAM ......................................................EXC++ £345.00 NIKON MF 23 DATABACK FOR F4 ..........................................................EXC++ £179.00 OLYMPUS OM2 BODY CHROME ..................................................MINT-BOXED £149.00
CANON 15 - 85mm 3.5/5.6 USM IMAGE STABILISER ..............................MINT £499.00 LEICA 560mm f6.8 TELYT R ......................................................................MINT- £995.00 NIKON SB 22S FLASH ....................................................................MINT BOXED £59.00 OLYMPUS OM1 BODY CHROME ..................................................MINT-BOXED £149.00
CANON 17 - 40mm f4 USM "L" ......................................MINT BOXED AS NEW £459.00 LEICA 28 - 70mm f3.5/4.5 VARIO ELMAR ROM ........................................MINT- £369.00 NIKON SB 23 FLASH UNIT..............................................................MINT BOXED £45.00 OLYMOUS 28mm f3.5 ZUIKO ........................................................................MINT £49.00
CANON 24 - 70mm F2.8 USM "L" ..................................MINT BOXED AS NEW £845.00 LEICA 28 - 70mm f3.5/4.5 VARIO ELMAR R..........................................EXC+++ £299.00 NIKON SB 24 FLASH FOR F4 ETC ................................................MINT CASED £89.00 OLYMPUS 50mm F1.4 zuiko..........................................................................MINT £79.00
CANON 24 - 105mm f4 USM "L" IMAGE STABILISER..................MINT BOXED £699.00 LEICA 35 - 70mm f3.5 VARIO ELMAR R 3 CAM ........................................MINT- £299.00 NIKON SB 26 FLASH ................................................................................EXC ++ £89.00 OLYMPUS 50mm f1.8 ZUIKO........................................................................MINT- £29.00
CANON 28 - 300mm f3.5/5.6 USM "L" IS....................MINT BOXED AS NEW £1,695.00 LEICA 70 - 210mm f4 VARIO ELMAR R ..................................................EXC++ £399.00 NIKON SB 28 FLASH ......................................................................MINT- CASED £95.00 OLYMPUS 50mm f3.5 MACRO ......................................................MINT CASED £169.00
CANON 28 - 300mm f3.5/5.6 USM "L" IS ..................................MINT CASED £1,645.00 LEICA MOTOR WINDER R8/R9................................................................EXC++ £145.00 NIKON TC 17E II AF-S TELECONVERTER....................................MINT CASED £259.00 OLYMPUS 80mm f4 MACRO + ZOOM MACRO TUBE ..............................MINT £275.00
CANON 35 - 350mm f3.5/5.6 USM "L" ........................MINT CASED AS NEW £1,195.00 LEICA 10 x 25 BCA TRINOVID COMPACT BINOS........................MINT CASED £295.00 NIKON TC 20E II AF-S TELECONVERTER ....................MINT BOXED AS NEW £259.00 OLYMPUS 100mm f2.8 ZUIKO ......................................................MINT CASED £175.00
CANON 70 - 300mm f4.5/5.6 DO USM IMAGE STABILISER........MINT BOXED £865.00 MINOX 10x25 BR COMPACT BINOCULARS + CASE ................................MINT £125.00 NIKON TC 16 A/F CONVERTER ......................................................MINT BOXED £90.00 OLYMPUS 135mm f2.8 ZUIKO ......................................................................MINT £89.00
CANON 80 - 200mm f2.8 EF "L" ....................................MINT BOXED AS NEW £699.00 LEICA 10 x 42 BA TRINOVID BINOCULARS + CASE ................................MINT £675.00 SIGMA 14mm f2.8 ASPHERIC HSM ..............................................MINT BOXED £349.00 OLYMPUS 135mm f3.5 ZUIKO ........................................................MINT BOXED £75.00
CANON 100 - 300mm f5.6 EF "L" ..................................................MINT CASED £279.00 SIGMA 20mm f1.8 EX DG RF ASPHERIC (LATEST) ....................MINT BOXED £329.00 OLYMPUS 500mm f8 ZUIKO REFLEX LENS ................................MINT BOXED £465.00
CANON 14mm f2.8 USM "L" (SUPERB) ....................................MINT CASED £1,299.00
CANON 200mm f2.8 MKII USM "L" + HOOD ................MINT BOXED AS NEW £529.00 Voigtlander & Ricoh & Compacts SIGMA 28mm f1.8 EX DG MACRO ASPHERIC ............................MINT BOXED £245.00
SIGMA 30mm f1.4 EX DC HSM (LATEST) ....................................MINT BOXED £315.00
OLYMPUS 1000mm f11 ZUIKO TELE ( RARE)..............................MINT CASED £895.00
CANON 300mm f4 USM "L" IMAGE STABILIZER ........................MINT BOXED £945.00 VOIGTLANDER 12mm f5.6 ULTRA WIDE HELIAR + FINDER......MINT BOXED £475.00 OLYMPUS 35 - 70mm f4 ZUIKO ......................................................MINT CASED £69.00
SIGMA 70mm f2.8 EX DG MACRO (LATEST)................MINT BOXED AS NEW £299.00 OLYMPUS 35 - 105mm f3.5/4.5 ZUIKO ......................................................MINT £125.00
CANON 400mm f5.6 USM "L" ........................................MINT BOXED AS NEW £899.00 VOIGTLANDER 15mm f4.5 S/W HELIAR ASP + FDR (B) ............MINT BOXED £279.00 SIGMA 18 - 50mm f2.8 EX DC D ..................................................MINT CASED £225.00
CANON 600mm f4 USM "L" IMAGE STABIL (LATEST)........MINT-FLT CASED £5,995.00 VOIGTLANDER 21mm f4 COLOR SKOPAR + FINDER SIL..........MINT BOXED £299.00 SIGMA 18 - 200mm f3.5/6.3 DC SLD GLASS................................MINT BOXED £129.00 OLYMPUS 65 - 200mm F4 ..........................................................................MINT £149.00
CANON 20mm f2.8 USM..............................................................................MINT £275.00 VOIGTLANDER 25mm f4 SKOPAR + FINDER SIL........................MINT BOXED £295.00 SIGMA 18 - 250mm f3.5/6.3 DC HSM OPT STABILISING ..MINT BOXED AS NEW £325.00 OLYMPUS 75 - 150mm f5.6 ZUIKO ..............................................................MINT- £79.00
CANON 24mm f2.8 EF ..................................................................MINT BOXED £265.00 VOIGTLANDER 25mm f4 COL SKOPAR VM + FINDER BLK........MINT BOXED £345.00 SIGMA 50 - 150mm f2.8 MKII APO EX DG HSM ..........................MINT BOXED £459.00 OLYMPUS CONVERTER A............................................................................MINT £59.00
CANON 24mm f2.8 EF ................................................................................MINT £245.00 VOIGTLANDER 28mm f3.5 COLOR SKOPAR SILVER..................MINT BOXED £195.00 SIGMA 50 - 500mm ff4/6.3 EX APO RF HSM................................MINT BOXED £699.00 OLYMPUS WINDER 2 ................................................................................EXC++ £35.00
CANON 100mm f2.8 EF MACRO ................................................................MINT £265.00 VOIGTLANDER 28mm f2 ULTRON VM LENS ..............................MINT BOXED £375.00 SIGMA 55 - 200mm f4/5.6 DC..........................................................MINT BOXED £69.00 OLYMPUS T10 RING FLASH & CONTROLLER ....................................EXC+++ £165.00
CANON 17 - 85mm f4/5.6 IMAGE STABILIZER ..........................................MINT £269.00 VOIGTLANDER 90mm f3.5 APO LANTHAR (BLK)........................MINT BOXED £245.00 SIGMA 70 - 200mm f2.8 EX DG HSM APO MACRO ....................MINT BOXED £525.00 OLYMPUS T20 FLASH ..................................................................MINT - CASED £20.00
CANON 18 - 55mm f 3.5/5.6 IMAGE STABILISER ........................................MINT £89.00 VOIGTLANDER SCREW TO M RINGS IN STOCK PHONE............MINT BOXED £35.00 TAMRON 17 - 50mm f2.8 XR Di II LD ASPH IF (LATEST) ..........MINT + HOOD £275.00 OLYMPUS T32 FLASH......................................................................MINT-BOXED £45.00
CANON 20 - 35mm f3.5/4.5 USM....................................MINT BOXED AS NEW £195.00 VOIGTLANDER LH1 HOOD FOR 21,25,28mm LENSES................MINT BOXED £40.00 TAMRON 19 - 35mm f3.5/4.5 A/F "D" ..............................................MINT BOXED £99.00 OLYMPUS F 280 FLASH ............................................................EXC+++ CASED £79.00
CANON 20 - 35mm f3.5/4.5 USM................................................................MINT- £179.00 RICOH GV-1 21mm/28mm FINDER FITS ALL R/FIND CAMS......................MINT £75.00 TAMRON 28 - 75mm f2.8 XR Di LENS (LATEST MODEL)............MINT BOXED £289.00
CANON 28 - 80mm f3.5/5.6 USM ..................................................................MINT £99.00 OLYMPUS EXTENSION TUBES 7mm,14mm,25mm ....................................MINT- £69.00
RICOH GR1 DATE BODY PRESENTATION BOX..........................MINT- BOXED £185.00 TAMRON 70 - 300mm f4/5.6 LD MACRO 1:2 A/F "D" ....................MINT BOXED £89.00 OLYMPUS VARIMAGNI FINDER OM ..............................................MINT BOXED £89.00
CANON 28 - 105mm f3.5/4.5 USM + HOOD ..............................................MINT £169.00
CANON 28 - 135mm f3.5/5.6 USM IS (IMAGE STABILIZER) ........MINT BOXED £319.00
CANON 55 - 250mm f4/5.6 IMAGE STABILISER............MINT BOXED AS NEW £169.00 Medium & Large Format
CANON 75- 300mm f4.5/5.6 USM IMAGE STABILISER ............................MINT £299.00 BRONICA ETRSi,COMP + 75mm PE,WLF,120 BACK ..................MINT BOXED £289.00
CANON 75 - 300mm f4.5/5.6 USM MK III (LATEST) ......MINT BOXED AS NEW £169.00 BRONICA ETRS,75mm,120 BACK + WLF LTD ED SILVER ......................MINT £245.00
CANON 75 - 300mm f4.0/5.6 MK III ............................................................MINT £119.00 BRONICA ETRS BODY ONLY ......................................................................MINT- £75.00
CANON EF 2.0 x EXTENDER........................................................MINT BOXED £215.00 BRONICA ETRSc BODY +120 BACK..........................................................EXC++ £85.00
CANON FIT JESSOPS 2 x TELECONVERTER (T/PLUS) ..............MINT CASED £79.00 BRONICA 40mm f4.0 ZENZANON MC ......................................................MINT- £195.00
CANON EXTENSION TUBE EF12 MKII ..........................................MINT BOXED £65.00 BRONICA 40mm f4 PE LENS ........................................................MINT BOXED £289.00
CANON PB E2 BOOSTER FOR EOS 1V/EOS3 etc ..................................MINT - £99.00 BRONICA 50mm f2.8 ZENZANON MC........................................................MINT £145.00
CANON PB E2 BOOSTER FOR EOS 1V/EOS3 etc ......................................EXC £75.00 BRONICA 100mm f4 MACRO ZENZANON PE ..........................................MINT £299.00
CANON PB-E1 BOOSTER FOR EOS 1 etc ..................................................MINT £59.00 BRONICA 105mm f4.5 ZENZANON MACRO PE 1:1 ....................MINT BOXED £299.00
CANON BP - E1 BATT PACK FOR EOS 1/EOS 3 etc ..................................MINT £59.00
CANON 540 EZ FLASH + INST......................................................MINT CASED £109.00 BRONICA 150mm f3.5 ZENZANON E MC ....................................MINT BOXED £149.00
BRONICA 150mm f3.5 ZENZANON E MC ..................................................MINT £129.00
We urgently require your used photographic equipment. We have
CANON 540 EZ FLASH + INST ......................................................MINT- CASED £99.00
CANON 430 EZ FLASH....................................................................MINT CASED £75.00 BRONICA 150mm f4 PE ..............................................................................MINT £169.00 customers waiting for: Nikon, Canon, Leica, Contax, Bronica,
CANON TC 80N3 REMOTE CONTROLLER....................................MINT BOXED £99.00 BRONICA 150mm F4 E ................................................................................MINT- £99.00
BRONICA 250mm f5.6 MC............................................................MINT + HOOD £195.00
CANON LC3 TRANSMITTER AND RECIEVER ..........................................MINT £159.00
CANON LC4 TRANSMITTER AND RECEIVER ..........................................MINT- £199.00 BRONICA 500mm f8 ZENZANON ..............................................................MINT £795.00 Hasselblad and most other makes of camera lenses, accessories,
BRONICA MOTOR DRIVE Ei II ......................................................MINT-BOXED £195.00
CANON LC-5 WIRELESS REMOTE CONTROLLER SET....MINT BOXED AS NEW £279.00
SIGMA 15mm 2.8 EX FISHEYE (SUPERB LENS) ........MINT BOXED AS NEW £395.00 BRONICA E120 BACK................................................................................EXC ++ £30.00 binoculars and collectables.
SIGMA 20mm f1.8 EF DG ASPHERIC RF (LATEST) ....................MINT BOXED £345.00 BRONICA ETRSi 120 ,BACK ........................................................................MINT £69.00
SIGMA 20mm f1.8 EX DG ASPHERIC RF (LATEST)..................MINT - CASED £299.00 BRONICA PLAIN PRISM FOR ETRS/ETRSi ..................................MINT CASED £69.00
SIGMA 28mm f1.8 EX DG (LATEST) UNUSED ............................MINT BOXED £279.00 BRONICA AEII PRISM FINDER ....................................................................MINT- £99.00
SIGMA 30mm f1.4 EX DC HSM (LATEST) ....................................MINT BOXED £299.00 BRONICA SQA BODY WITH 80mm PS AND 120 BACK ............................MINT £345.00 We will buy for cash from you, or we are happy to sell on
SIGMA 300mm f2.8 EX APO DG HSM (LATEST)........MINT BOXED AS NEW £1,745.00 BRONICA SQAM BODY + GRIP DRIVE ....................................................MINT- £125.00
SIGMA 55 - 200mm f4/5.6 DC ......................................................................MINT £69.00 BRONICA 50mm f3.5 ZENZANON S ......................................................EXC+++ £119.00 your behalf on a commission basis. Best prices paid. We can
SIGMA 100 - 300mm f4 EX IF DG HSM (LATEST)........................MINT-BOXED £675.00 BRONICA 100mm f4 MACRO ZENZANON PE ..........................................MINT £245.00
SIGMA 135 - 400mm f4.5/5.6 APO DG..........................................MINT BOXED £295.00 BRONICA 150mm f3.5 ZENZANON S ........................................................MINT- £165.00 arrange collection and even call and collect and pay on the
TAMRON 28 - 300mm f3.5/6.3 XR Di LD ASP MACRO VC ..........MINT BOXED £365.00 BRONICA SQAi 120 BACK ..............................................................MINT BOXED £89.00
TAMRON 200 - 500mm f5.6/6.3 SP Di (LATEST SUPERB) MINT BOXED AS NEW £695.00
TOKINA 16 - 50mm f2.8 AT-X DX Superb lens (LATEST) ....MINT BOXED AS NEW £445.00
BRONICA SQ 120 BACK ..........................................................................EXC+++ £35.00
CONTAX 645 A/F COMP WITH PRISM ,BACK ,80mm f2 ..........................MINT- £865.00
spot if necessary anywhere in the UK.
TOKINA 300mm f2.8 A/F SD AT-X (SUPERB LENS) ....................MINT CASED £795.00 CONTAX 45mm f2.8 DISTAGON T* LENS FOR 645 A/F ..............MINT CASED £865.00
Visitors are welcome, please phone for an appointment. PO Box 1052, Cottenham, Cambridge, CB4 8WU

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Bronica - Please Phone 100mm F2.8 B/lock........................E+ / E++ £69-£75 Canon EOS 1000D Body Only..................Mint- £259 50mm F4 C Black.....................Exc / E++ £249-£399 M6TTL 0.85x LHSA Black Body Only....Unused £2,999
100mm F2.8 FD..............................................E+ £75 Canon EOS 450D Body Only.....E+ / E++ £329-£359 50mm F4 C Chrome............As Seen / E+ £199-£449 M7 0.72x Black Body Only.................Unused £1,799
Canon EOS 100mm F4 B/lock Macro.............................E++ £199 Canon EOS 400D + 18-55mm IS .................E+ £259 50mm F4 CF.............................Exc / E++ £379-£399 M6 0.72x Ttitanium Body Only ...............Mint- £1,450
EOS 1V HS Body Only ...............................E++ £499 100mm F4 FD Macro.............................E+ £99-£169 Canon EOS 400D Body Only .....................E++ £249 50mm F4 Chrome........................................Exc £199 M6TTL 0.85x Black Body Only ...................E++ £899
EOS 1V + E2 Booster...................................E+ £399 100mm F4 FD Macro + Tube ......E+ / E++ £119-£179 Canon BG-E2 Grip (20D)......................E+ / New £59 50mm F4 Classic ZV..........................Unused £2,999 M5 Black Body Only .....................................E+ £599
EOS 1V Body Only .....................................E++ £449 135mm F2.8 FD............................................E++ £29 Canon BG-E4 Grip (5D)..................................E+ £69 60-120mm F4.8 FE.......................................E+ £849 M4 Chrome Body Only..................................E+ £750
EOS 1N RS Body Only.................................E+ £349 135mm F3.5 FD .............................E+ / E++ £19-£35 Canon BG-E6 Grip (5DMkII)......................Mint- £159 60mm F3.5 C Black.....................................Exc £399 M3 Chrome Body Only ...............Exc / E+ £399-£549
EOS 1N + E1 Booster...................................E+ £219 200mm F2.8 FD..............................................E+ £99 Canon BG-ED3 Grip (10D).........E++ / Mint- £59-£79 80mm F2.8 C Black ......................................E+ £185 M2 Chrome Body Only..................................E+ £599
EOS 1N + BP-E1 Grip ................................E++ £259 200mm F4 FD.......................As Seen / E++ £20-£45 Canon Powershot G10 ..............................Mint- £299 80mm F2.8 FE............................................E++ £499 MDA Chrome Body Only...............................E+ £499
EOS 1 + E1 Booster ............................As Seen £139 300mm F2.8 FD L .......................................Exc £850 Contax N Digital Body Only .....................E++ £1,099 120mm F4 CF Macro.........................E++ £899-£949 CL Black Body Only......................................E+ £349
EOS 1 Body Only...............................E++ £129-£179 300mm F4 FD.............................................E++ £179 Fuji S3 Pro Body Only...................................E+ £249 135mm F5.6 C Macro ................E+ / E++ £249-£349 21mm F2.8 Asph M Black 6bit ...............Mint- £2,099 645AFDIII Complete ........................Ex Demo £2,999
EOS 3 Body Only...................................As Seen £99 300mm F5.6 B/lock.........................................E+ £65 Fuji S2 Pro Body Only.................................E++ £199 135mm F5.6 S Planar.................................E++ £299 28mm F2.8 M Black...........................E++ £849-£899 645AFD Complete ........................................E+ £799
EOS 30 Body Only.........................E+ / E++ £79-£99 300mm F5.6 FD ......................................E+ £59-£79 Fuji Finepix S5000........................................E++ £59 150mm F2.8 FE ..........................................E++ £499 50mm F2 Chrome.......................................E++ £449 645AF Complete...........................................E+ £599
EOS 30E Body Only ..............................As Seen £39 400mm F4.5 B/lock.......................................E+ £299 Kodak DCS 520 Body Only .................As Seen £349 150mm F4 C Black ...........As Seen / E++ £149-£299 50mm F2 M Chrome...................................E++ £799 28mm F4.5 AF D .............................Ex Demo £2,699
EOS 50E + 28-80mm USM ..........................E++ £79 500mm F8 FD Reflex....................................E+ £139 Leica M8.2 White Body Only ...........Ex Demo £4,500 150mm F4 C Chrome ..................................Exc £149 50mm F3.5 Chrome.....................................Exc £249 45mm F2.8 AF.............................................Exc £299
EOS 50E + BP50 Grip...........................E+ / E++ £69 500mm F8 Reflex................................E+ / E++ £159 Leica M8 Black Body Only.........................E+ £1,679 150mm F4 CF...................As Seen / E++ £299-£449 65mm F3.5 Chrome......................................E+ £299 55mm F2.8 AF .................Ex Demo / E++ £449-£499
EOS 50E Body Only ......................E+ / E++ £49-£59 U.S.Marine 400mm F4.5 B/lock..................E++ £399 Leica Digilux 3 + 14-50mm F2.8-3.5........E++ £1,099 150mm F4 Cfi....................................E++ £849-£899 90mm F2 M Black.........................................E+ £599 55-110mm F4.5 AF .....................................E++ £899
EOS 600 + 35-105mm....................................E+ £49 1.4x Extender A...............................................E+ £59 Leica Dlux 4 - Black...................................Mint- £399 180mm F4 CF.......................................Unused £899 90mm F2.8 Chrome.....................................Exc £299 80mm F2.8 AF .................Ex Demo / E++ £249-£269
14mm F2.8 L USM MkII .........................Mint- £1,499 2xA Extender ................................................E++ £45 Leica Dlux 3 + Leather Case ......................E++ £299 250mm F4 F .................................................E+ £349 90mm F2.8 Chrome (Viso)............................E+ £245 80mm F2.8 AF D ................................Ex Demo £499
17-40mm F4 L USM....................................E++ £439 2xB Extender..................................E+ / E++ £35-£59 Mamiya ZD + 80mm F2.8 AF...................E++ £2,699 250mm F4 FE.............................E+ / E++ £599-£749 90mm F2.8 M Chrome..................................E+ £699 105-210mm F4.5 ULD ................................E++ £699
17-85mm F4-5.6 IS USM ............................E++ £239 155A Speedlite................................................E++ £9 Minolta 7D Body Only.................................E++ £249 250mm F5.6 C Chrome.......As Seen / E+ £149-£249 90mm F4 Collapsible ....................................E+ £249 120mm F4 Macro MF .....................E++ £999-£1,099
18-55mm F3.5-5.6 EFS II .............................E++ £49 166A Speedlite..............................................E++ £15 Minolta Dimage A200..................................E++ £139 250mm F5.6 CF ..................................E+ / E++ £499 90mm F4 Elmar E39..................E+ / E++ £249-£299 150mm F3.5 AF.........................E+ / New £349-£449
18-55mm F3.5-5.6 IS EFS............................E++ £89 177A Speedlite.................................E+ / E++ £9-£15 Nikon D2X Body Only ................E+ / E++ £799-£849 350mm F5.6 C Black ..................Exc / E+ £399-£449 135mm F2.8 Black........................................E+ £249 210mm F4 AF ULD ...................Ex Demo / E++ £699
24mm F3.5 L TS-E..............................E+ / E++ £799 188A Speedlite ........................................E++ £9-£15 Nikon D1X Body Only ................E+ / E++ £349-£399 350mm F5.6 CF..........................................E++ £899 135mm F2.8 M Black..................As Seen £225-£250 Auto Extension Tube NA402 .........................E++ £99
28-90mm F4-5.6 EF......................................E++ £59 199A Speedlite..............................................E++ £25 Nikon D1H Body Only..........................As Seen £199 500mm F8 C Black .......................................E+ £450 135mm F4 Black...........................................E+ £449 Polaroid Mag 645AF/D.................................New £69
35-135mm F4-5.6 USM...............................E++ £119 244T Speedlite ...............................E+ / E++ £15-£19 Nikon D1 Body Only...................E+ / E++ £199-£249 2xE Converter....................................E++ £399-£449 135mm F4 M Black.......................................E+ £399
50mm F1.4 USM...........................................E+ £219 299T Speedlite..............................................E++ £35 Nikon D300 Body Only .............E+ / Mint- £849-£899 70 Chrome Mag.....................................E+ / E++ £69 135mm F4.5 Chrome.............................As Seen £95 Mamiya 645
50mm F1.8 EF Mk1 ....................................E++ £149 300TL Speedlite.............................E+ / E++ £25-£59 Nikon D200 Body Only ...............................E++ £429 A12 Black Mag................................Exc / E+ £45-£79 Minolta 28mm F2.8 M.................................E++ £399 Pro TL + FE401 Prism + Mag......................E++ £349
60mm F2.8 EFS Macro...............................E++ £259 533G Speedlite .............................................E+ £109 Nikon D100 + MB-D100 Grip.....E+ / E++ £239-£249 A12 Chrome Mag................As Seen / E++ £49-£149 Voigtlander 50mm F1.1 VM.......................Mint- £949 Pro Complete .............................E+ / E++ £329-£349
65mm F2.8 MP-E Macro............................Mint- £649 ML2 Macrolite ...............................................E++ £69 Nikon D80 Body Only .................................E++ £349 A16 Black Mag............................................E++ £149 14127 M to R Adapter .....................................E+ £99 Pro + FK402 Prism + Mag.....................Unused £299
70-200mm F4 L USM .................................E++ £379 ML3 Macrolite...............................E+ / E++ £75-£129 Nikon D70 Body Only..................................E++ £175 A16 Chrome Mag ...........................E+/E++ £79-£149 28mm Black Finder.....................................E++ £225 Pro Body Only ..............................E+ / E++ £99-£249
70-210mm F3.5-4.5 USM..............................E+ £119 Autobellows + Copier....................................E++ £99 Nikon D60 Body Only .............E++ / Mint- £249-£259 A16S Chrome Mag .........................................E+ £69 A42 Swing Polariser ..............................E++ £69-£85 645E Complete ..........................E+ / E++ £249-£399
70-300mm F4.5-5.6 DO IS USM ................E++ £699 FL Bellows + Copier ..................................Mint- £109 Nikon D50 Body Only .................................E++ £189 A24 Black Mag.............................E+/E++ £125-£145 Angle Finder M ...........................................E++ £149 645E Body Only..........................................E++ £279
75-300mm F4-5.6 IS USM..........................E++ £249 Film Chamber 250 ..........................................E+ £85 Nikon MB-D100 Grip (D100).As Seen / E++ £29-£49 A24 Chrome Mag........................E+ / Mint- £59-£125 Handgrip M............................................E++ £45-£79 Super Complete + AE Prism .........................E+ £299
75-300mm F4-5.6 USM .............E+ / E++ £109-£129 AE Powerwinder FN........................................E+ £79 Nikon MB-D80 Grip .....................................Mint- £79 A24 TCC Black Mag......................................E+ £139 Lens Carrier M ..............................................E++ £79 Super Complete............................................E+ £249
75-300mm F4-5.6 USM II ...........................E++ £119 MA Drive Set (US Coastguard).....................E++ £99 Nikon Coolpix 990..................................As Seen £79 E24 Black Mag ..........................................Mint- £229 M6TTL/M7 Leather Case..............................E++ £85 1000S Complete + 80mm F1.9...................E++ £179
75-300mm F4-5.6 USM III.............................E+ £119 Winder A2 .....................................................E++ £25 Nikon Coolpix 995.........................................E++ £75 Polaroid 100 Mag.....................................E+ £29-£75 SF20 Flash.....................................E+ / E++ £69-£79 1000S Complete..................................As Seen £129
80-200mm F4.5-5.6 EF ................................E++ £59 Winder A ..........................................E+ / E++ £9-£29 Nikon Coolpix P50.......................................Mint- £89 Autobellow + Hood........................................E+ £179 Universal Polariser M..................................E++ £199 M645J Complete + Prism ............................Exc £129
80-200mm F4.5-5.6 EF II .............................E++ £69 Eye Level Finder F ........................................Exc £29 Olympus E3 Body Only..............E+ / E++ £599-£649 Extension Tube 55.........................................E++ £35 M645J Complete.........................................E++ £199
100mm F2.8 USM Macro ..........................Mint- £319 Eye Level Finder FN .......................................E+ £49 Olympus E1 + HLD-2 Grip............................E+ £249 Extension Tube 56...................................Unused £49 Leica R Series M645 Body Only ...........................................E++ £95
100-400mm F4.5-5.6 L IS USM.E+ / E++ £899-£999 Servo EE Finder .............................................E+ £75 Olympus E1 Body Only .......................E+ / E++ £199 CW Winder + Remote ...................................E+ £219 24mm F4 ULD Fisheye ...............................E++ £749
180mm F3.5 L USM Macro .......................Mint- £949 35mm F3.5 N .............................E+ / E++ £199-£249
1.4x EF MkII Extender...............................Mint- £239 Speed Finder F......................................As Seen £65 Olympus E510 + 14-42mm.......E+ / Mint- £229-£249 HC Prism .......................................................Exc £45
Centon 500mm F8 Reflex.............................E++ £59 9-18mm F4-5.6 Zuiko .................................E++ £349 NC2 Prism .....................................................Exc £29 45mm F2.8 C ......................As Seen / E++ £59-£149
Sigma 8mm F4 EX Fisheye........................E++ £449 Contax 645 - Please Phone 11-22mm F2.8-3.5 Zuiko............................Mint- £399 PM Prism.......................................................E+ £149 50mm F4 C Shift.....................E++ / Mint- £399-£450
Sigma 17-35mm F2.8-4 EX.........................E++ £129 14-42mm F3.5-5.6 Zuiko.......................Unused £149 PM Prsm .......................................................E+ £159 55mm F2.8 C..................................Exc / E+ £79-£99
Sigma 18-35mm F3.5-4.5 AF...As Seen / E++ £59-£99 Contax G Series 14-54mm F2.8-3.5 MkII Zuiko ...................Mint- £379 PM5 Prism.....................................................E+ £199 55mm F2.8 N.......................................E+ / E++ £149
Sigma 18-50mm F2.8 EX DC.....E+ / E++ £159-£229 G2 Ultimate Kit .......................................Mint- £1,999 14-54mm F2.8-3.5 Zuiko ............................E++ £299 PM90 Prism ..............................E+ / Mint- £225-£299 Arsat 55mm F4.5 PCS Shift..........................E+ £249
Sigma 18-125mm F3.8-5.6 DC..................Mint- £199 G2 Millennium Kit.....................................E++ £1,099 18-180mm F3.5-6.3 Zuiko...........................E++ £319 PME3 Meter Prism......................................E++ £299 105-210mm F4.5 C ULD............E+ / New £149-£379
Sigma 20mm F1.8 EX DG RF...................Mint- £349 G2 + 45mm F2............................................E++ £499 25mm F2.8 Zuiko .............................Mint- £149-£169 PME51 Meter Prism....................................E++ £399 145mm F4 Soft Focus C.............................E++ £165
Sigma 24-70mm F3.5-5.6 UC.......................E++ £59 16mm F8 + Finder G.....................................E+ £999 40-150mm F4-5.6 Zuiko ......Unused / New £79-£139 Split Image Screen (42218) ....................Unused £99 R3 Gold + 50mm F1.4 .......................Unused £1,999 150mm F2.8 A............................E+ / E++ £149-£249
Sigma 28-70mm F3.5-4.5 AF..........................E+ £25 21mm F2.8 G + Finder ...............................E++ £399 50mm F2 ED Macro Zuiko......E++ / Mint- £379-£399 R9 Anthracite Body Only........E+ / Mint- £899-£1,099 150mm F3.5 C..............................E+ / E++ £75-£115
Sigma 28-200mm F3.5-5.6 DL .....................E++ £69 28mm F2.8 G.....................................E++ £209-£239 50-200mm F2.8-3.5 Zuiko ..........................E++ £499 Hasselblad H Series R9 Black Body Only....................................E++ £999 150mm F3.5 N.....................Unused / New £65-£150
Sigma 50-500mm F4-6.3 Apo DG ..............E++ £649 35-70mm F3.5-5.6 G ..................................E++ £399 Olympus FL50 Flash..................E+ / E++ £159-£189 R8 Black Body Only......................................E+ £369 150mm F4 C .........................As Seen / E++ £59-£99
Sigma 55-200mm F4-5.6 DC........................E++ £59 90mm F2.8 G ..............................E+ / New £99-£239 Olympus HLD-5 Grip ....................................Mint £49 R8 Chrome Body Only ...............E+ / E++ £399-£449 210mm F4 C .......................As Seen / E++ £59-£139
Sigma 70-210mm F2.8 Apo ................E+ / E++ £299 TLA140 Flash ...............................E+ / Mint- £39-£59 Olympus VA-1 Right Angle Finder......E++ £119-£139 R6 Black Body Only...................E+ / E++ £399-£449 210mm F4 N .................................................E+ £109
Sigma 70-300mm F4-5.6 Apo Macro..............E+ £99 TLA200 Flash...............................E+ / E++ £79-£119 Panasonic L1 + 14-50mm ...........................E++ £599 R5 Black Body Only...................E+ / E++ £249-£349 300mm F5.6 C.............................................Exc £149
Sigma 70-300mm F4-5.6 DS OS ...............Mint £219 Panasonic L10 + 14-50mm .........................E++ £329 R5 Chrome Body Only................................E++ £349 500mm F8 C Reflex.........................E++ / Mint- £399
Sigma 105mm F2.8 EX DG Macro ....E++ £259-£279 Contax SLR Panasonic GF1 + 14-45mm.......................Mint- £449 RE Black Body Only...................E+ / E++ £219-£249 Teleplus 2x Converter ...................................E++ £39
Sigma 170-500mm F5-6.3 Apo...................E++ £349 Panasonic GF1 + 20mm F1.7....................Mint- £449 R4 Black Body Only ..............As Seen / E+ £99-£159 Vivitar 2x Converter........................E+ / E++ £35-£49
Sigma 300mm F4 Apo............E++ / Mint- £259-£299 7-14mm F4 G Vario....................................Mint- £849 R3 MOT + Winder ......................E+ / E++ £239-£299 120 Insert...............................Unused / New £10-£35
Tamron 2x MC7 Converter ............................E++ £45 14-140mm F4-5.8 OIS HD.........................Mint- £549 R3 MOT Body Only.......................................E+ £159 120 Super Mag .............................................E++ £35
Tamron 28-200mm F3.8-5.6 LD ....................Exc £39 Panasonic DMC LX3...................................E++ £249 SL2 Anniversary Body Only........................E++ £649 135N Pro Mag ................................E+ / E++ £39-£75
Panasonic DMC TZ6..................................Mint- £129 H1 Complete............................................E++ £1,899 135N Super Mag...........................E+ / Mint- £75-£85
Tamron 70-300mm F4-5.6 Di.......................Mint- £79 H2F Body + Prism + Magazine................E++ £2,999 SL2 Black Body Only....................................E+ £499
Tamron 90mm F2.8 SP Di Macro ..............Mint- £269 Ricoh GXR + 24-72mm.............................Mint- £479 SL MOT Black Body Only ...........................E++ £299 220 Insert......................................Exc / E++ £10-£20
Ricoh 24-72mm F2.5-4.4 VC Unit .............Mint- £269 150mm F3.2 HC ......................................E++ £1,399 Polaroid Mag..................................E+ / New £20-£49
Teleplus 2x MC7 Converter.............................E+ £25 210mm F4 HC .........................................E++ £1,499 SL Black Body Only....................................E++ £349
Tokina 16-50mm F2.8 ATX Pro DX ............Mint- £549 Ricoh VF2 Viewfinder ................................Mint- £149 SL Chrome Body Only ..................................E+ £199 AE Prism Finder (FK402).........................E+ £89-£99
Ricoh GRDII + Tele + Wide Converter.........E++ £399 Phase One H10 Back ................................E+ £1,250 AE Prism Finder N................Unused / E++ £99-£199
Voigtlander 19-35mm F3.5-4.5 .....................E++ £89 HM 16/32 Magazine..................E+ / Mint- £169-£369 16mm F2.8 Fisheye ROM...........................E++ £599
300EZ Speedlite ............................E+ / E++ £19-£39 Ricoh GRD Creative Set ...........................Mint- £349 24mm F2.8 R 3cam ............As Seen / E+ £299-£349 AE Prism Finder 645.......................................E+ £79
N1 + 24-85mm ...................Unused / E++ £499-£750 Ricoh GRD + GV1 Finder .............................E+ £189 Hmi100 Polaroid Mag .................................E++ £149 28mm F2.8 PCS Shift.................................E++ £899 CDS Prism Finder 645...........................As Seen £39
380EX Speedlite...........................................E++ £79 NX + 28-80mm ..................Unused / New £349-£499
420EX Speedlite............................................E+ £119 Ricoh GX200 + Finder ...............................New £399 28-70mm F3.5 Vario ROM .........................New £699 Prism Finder (FP401) .................................New £149
430EX Speedlite..........................................E++ £119 AX Body Only ...........................Exc / E++ £299-£499 Sony A550 + 18-55mm...............................Mint £399 Hasselblad XPan - Please Phone 28-70mm F3.5-4.5 R 3cam........E+ / E++ £249-£349 Prism Finder N ............................................E++ £119
480G Speedlite .............................................E+ £129 RTS3 Body Only...........................................E+ £499 Sony A450 + 18-55mm...............................Mint £349 28-70mm F3.5-4.5 ROM ............E+ / E++ £319-£399 Prism Finder 645...................As Seen / E++ £29-£59
550EX Speedlite ...........................................E+ £149 RTS2 Body Only .................As Seen / E+ £169-£199 Sony HVL-F36M Flash..................................E++ £99 Large Format/Panoramic 35-70mm F3.5 R German.............................E+ £449 Auto Extension Tube 1 ....................................E+ £20
580EX Speedlite ........................E+ / E++ £229-£279 RTS + Winder ...............................................E+ £195 Sony DSC-R1 .............................................E++ £299 Arca Pro3 Monorail .......................................E+ £299 35-70mm F3.5 R Japan............E+ / Mint- £299-£399 Auto Extension Tube 2....................E+ / E++ £20-£29
ML2 Ringflash.............................................E++ £149 RTS Body Only .............................................E+ £125 Fotoman 45PS + 75mm F6.8...................E++ £1,250 60mm F2.8 ROM Macro .............................E++ £649 Auto Extension Tube 3S..................................E+ £25
ML3 Macrolite ......................................E++ £99-£139 RX Body Only ...................As Seen / E++ £179-£299 Flash & Lighting - Please Phone Cambo Legend Monorail + Accs...................E+ £299 60mm F2.8 R 3cam Macro..........................Exc £249 Power Drive 645.............................E+ / E++ £45-£49
MR-14EX Macro Ringlite...........................Mint- £349 Aria Body Only ...........................E+ / E++ £219-£249 Cambo Wide + 47mm F5.6 + R/F/Holder E++ £1,099 70-210mm F4 R 3cam ...............E+ / E++ £375-£449 Power Drive N..........................................E+ £45-£59
E1 Booster ............................As Seen / E++ £49-£79 167MT Body Only ........................E+ / E++ £89-£139 Fuji Ebony SW23 Field Camera....................Mint- £1,250 80-200mm F4 ROM....................................E++ £699 Remote Control Set RS401..........................New £69
BP50 Battery Grip..................................E++ £29-£35 137MA Body Only....................................E+ £89-£99 Gandolfi Variant Field Camera....................E++ £649 80-200mm F4.5 R 3cam...............................E+ £249
VG10 Vertical Grip..........................E+ / E++ £15-£35 137MD + Grip .................................................E+ £89 Linhof 10x8 Master GTL ..........................E++ £1,250 90mm F2.8 R 3cam.....................................Exc £299 Mamiya 7/7II - Please Phone
LC3 Wireless Set.........................................Mint- £99 139 Body Only ................................................E+ £59 Linhof Kardan 5x4 Bi-System........................E+ £249 105-280mm F4.2 Vario ROM...........Ex Demo £2,499
TC-80N3 Timer Release .................................E+ £69 Preview Body Only .....................E+ / E++ £179-£249 Linhof Technika III + 105mm.........As Seen / E+ £449 135mm F2.8 R 3cam ........As Seen / E++ £145-£299 Mamiya RB67
Tripod Mount Ring B .....................................E++ £45 15mm F3.5 AE ...........................................E+ £1,099 Plaubel Peco Junior 6x9cm Outift...............E++ £899 180mm F2.8 3rd Cam ...................................E+ £349 Pro SD Complete...............................E++ £499-£549
18mm F4 MM.............................E+ / E++ £549-£599 Rollei XAct2 Monorail ..............................E++ £1,250 180mm F2.8 R 3cam...................................Exc £399 Pro S Complete ..........................E+ / E++ £349-£429
Canon Manual 21mm F2.8 MM ......................................Mint- £1,699 Sinar 10x8 P Mono Rail Camera ..................E+ £699 180mm F4 R 3cam .....................Exc / E+ £199-£299 Pro S Body Only ..........................................Exc £149
25mm F2.8 AE..............................................E+ £349 Sinar P2 Monorail Body Only........................E+ £949 250mm F4 R 3cam .......................................E+ £449 127mm F3.5 KL..........................................New £169
25mm F2.8 MM .........................................Mint- £449 Toyo 23G Monorail......................................E++ £299 1.4x Apo Extender R........................E++ / Mint- £449 140mm F4.5 C Macro ...................................E+ £199
28mm F2 AE...............................................E++ £599 Toyo View 45E Monorail........................Unused £499 2x Apo Extender R..................E++ / Mint- £429-£449 150mm F4 C Soft Focus..........E++ / New £149-£189
28mm F2 MM..............................................E++ £799 GA645Zi......................................................E++ £399 Wista 45DX Field Camera.........................Mint- £649 2x Extender R ..........................E++ / Mint £149-£189 180mm F4.5............................As Seen / E+ £69-£99
28mm F2.8 MM...........................................E++ £249 GS645S ........................................................E+ £279 Wista 45VX Field Camera.............................E+ £799 14167 M-R Adapter............................E++ / Mint- £75 180mm F4.5 C......................Unused / E++ £69-£189
28-70mm F3.5-4.5 MM .............E+ / Mint- £219-£379 GS645W ..............................................As Seen £239 Wista 5x4 Rosewood Type II .....................Mint- £549 Angle Finder R (14300) ..........E++ / Mint- £125-£199 180mm F4.5 KL..........................................New £325
28-80mm F3.5-4.5 AF...........................Unused £399 GSW690 MkIII ...................................E++ £699-£799 Zone VI 5x4 Wooden Field + Tripod............E++ £750 Macro Adapter R........................................Mint- £125 180mm F4.5 KL-A ......................E+ / E++ £199-£245
35-70mm F3.4 MM .....................................E++ £299 GW670 MkIII...............................................E++ £599 47mm F5.6 Super Angulon...........................E+ £349 Motorwinder R4 ..............................................E+ £59 250mm F4.5..................................................E+ £129
35-135mm F3.3-4.5 MM..........E++ / New £649-£949 GW690 MkIII...............................................E++ £699 65mm F5.6 Super Angulon.......E+ / Mint- £299-£349 Motorwinder R4 Grip.....................................E++ £25 250mm F4.5 KL-A......................E+ / New £199-£325
60mm F2.8 AE Macro................E+ / New £499-£749 GX617 + 105mm........................................E+ £2,399 65mm F6.8 Super Angulon.........................E++ £149 SL/SL2 Leather Case.....................E+ / E++ £30-£35 Keno 2x Converter ..................................Unused £75
F1NAE Black Body Only......................E+ £219-£299 70-300mm F4-5.6 AF .......Unused / Mint- £549-£799 GX617 + 90mm F5.6 ...............................E++ £2,799 65mm F8 Super Angulon ..............................E+ £199 Extension Tube No1......................E+ / E++ £49-£119
F1 Black Body Only .............................E+ £149-£169 80-200mm F4 MM.....................E+ / New £279-£599 105mm F8 (GX617) .................................E++ £1,099 65mm F4 Nikkor SW.....................................E+ £449 Leica Screw Extension Tube No2 ...............Unused / E++ £45-£69
T90 + 50mm F1.8 FD......................................E+ £79 85mm F2.8 AE............................................E++ £225 180mm F6.7 W (GX617)..........................E++ £1,499 75mm F4.5 Sinaron W................................E++ £449 IIIF R/Dial D/A Chrome Body........................E+ £299 Prism Finder....................................................E+ £89
T90 Body Only ........................As Seen / E+ £69-£89 85mm F2.8 MM .........................................Mint- £299 GX680 Mk1 Complete .........................E+ £599-£649 90mm F8 Fujinon SW .................................E++ £449 IIIF R/Dial + 50mm F3.5................................E+ £349 Pro 220 Mag ..........................................As Seen £35
T50 + 50mm F1.8 .........................................E++ £29 100mm F2.8 AE Macro......................E++ £599-£649 GX680 MkII Complete................E+ / E++ £599-£949 90mm F6.8 Angulon......................................E+ £199 IIIF R/Dial Chrome Body...............................E+ £299 ProS 220 Mag .............................................E++ £145
A1 Black + 50mm F1.8...................E+ / E++ £79-£89 135mm F2 (60 Year Edition)...............Unused £2,499 GX680 MkIII Complete ...............................E++ £949 90mm F6.8 Super Angulon ...........................E+ £199 IIIF B/Dial D/A Chrome Body ........................E+ £299 ProSD 6x4.5cm Mag.....................................Mint £75
A1 Black Body Only......................Exc / E++ £59-£99 135mm F2.8 AE ............................................E+ £169 65mm F5.6 GX (680) .................E+ / E++ £299-£349 90mm F8 Super Angulon..............................E+ £299 IIIF B/Dial Chrome Body......................E+ £219-£269
AE1 Chrome + 50mm F1.8...........................E++ £69 135mm F2.8 MM.........................................E++ £199 80mm F5.6 GX (680)..................................E++ £249 90mm F6.8 Sinaron W................................E++ £349 IIIC Chrome Body .........................................E+ £225 Mamiya RZ67
AE1 Chrome Body Only................................E++ £59 180mm F2.8 AE .........................E+ / E++ £349-£449 80mm F5.6 GXM (680) .................................E+ £199 150mm F5.6 Nikkor W...............................Mint- £299 IIIA + 50mm F2 .............................................E+ £275
AV1 Black Body Only......................................E+ £49 180mm F2.8 MM .......................E+ / New £329-£649 135mm F5.6 GXM (680)...........E+ / Mint- £199-£550 150mm F5.6 Rodagon ...........................As Seen £59 III Chrome + 50mm F2 ................................Exc £295
AV1 Chrome Body Only..................................E+ £49 200mm F2 MM.......................................Mint- £3,249 150mm F4.5 GX (680) ..................................E+ £249 150mm F9 Apo Ronar...................................E+ £199 III Chrome Body..........................Exc / E+ £225-£275
EF Black + 50mm F1.8 .................................E+ £109 200mm F3.5 AE................As Seen / E++ £199-£225 150mm F4.5 GXM (680)............................Mint- £399 150mm F9 G-Claron ...................................E++ £249 IIF R/Dial Chrome Body................................E+ £350
EF Black Body Only........................................E+ £79 300mm F4 MM ..........................E+ / New £450-£750 180mm F5.6 GXM (680)..........E++ / Mint £399-£449 150mm F5.6 Sinaron S .................................E+ £149 IIF B/Dial + 50mm F3.5........................E+ £449-£450
EX Auto + 50mm F1.8 ...........................As Seen £59 500mm F8 Mirotar......................................New £649 190mm F8 Soft Focus (680) .......................E++ £499 180mm F5.6 Nikkor W ................................E++ £349 IIC Chrome + 50mm F3.5 .............................E+ £349
FTB QL Chrome + 50mm F1.8 .......................E+ £69 Mutar 1 Converter......................................Mint- £199 210mm F5.6 GX (680) ...............E+ / Mint £249-£499 180mm F5.6 Symmar S................................E+ £199 IIC Chrome Body ..........................................E+ £275
24mm F2.8 FD ..............................................Exc £69 Mutar II converter.....................E++ / New £179-£249 120 Insert (680) .....................................E++ £25-£35 210mm F5.6 Nikkor W ..................................E+ £249 50mm F2 Summicron....................................E+ £299
24-35mm F3.5 FD L....................................E++ £399 Mutar III Converter...................E++ / New £179-£199 Angle Finder (680)...............................E+ / E++ £125 210mm F6.8 Calter II ....................................E+ £249 50mm F2 Summitar ......................................E+ £249
28mm F2.8 B/lock..................................E++ £29-£35 FE-1 LCD Viewfinder ..................................E++ £269 Instant Film Holder Mk1 (680)........E+ / E++ £69-£99 210mm F6.8 Geronar..................................E++ £249 90mm F4 Elmar.............................................Exc £79
28mm F2.8 FD.....................As Seen / Mint- £20-£39 P7 Battery Holder.........................................New £99 Instant Film Holder Mk3 (680) ......................E++ £45 210mm F9 G-Claron ...................................E++ £299 135mm F4.5 Hektor...............................As Seen £85 Pro II Complete ..........................E+ / E++ £679-£729
28-55mm F3.5-4.5 FD ....................................E+ £49 P9 Battery Holder........................................E++ £129 Instant Film Holder MkII (680) ...............E++ £75-£85 210mm F5.6 Symmar S................................E+ £219 200mm F4 Telyt.........................................Mint- £245 Pro Complete + AE Prism..............................E+ £599
35mm F2.8 FD...............................E+ / E++ £45-£49 RTS Motordrive......................................As Seen £59 Matte Focus Screen (680)...........................Mint- £25 250mm F5.6 Nikkor W ..................................E+ £349 200mm F4.5 Telyt ........................................Exc £225 Pro Complete .............................E+ / E++ £549-£599
35mm F3.5 B/lock....................................E+ £25-£29 TLA280 Flash..........................E++ / Mint- £109-£119 MkII Mag + 120 Insert (680)..........................E+ £109 300mm F5.6 Sinaron S...............................E++ £299 280mm F4.8 Telyt........................................E++ £225 37mm F4.5 Fisheye Z...................................E+ £499
35-70mm F3.5-4.5 FD....................E+ / E++ £29-£35 TLA30 Flash ........................As Seen / Mint- £29-£59 MkII Mag + 220 Insert (680)..........................E+ £109 360mm F6.8 Symmar ...................................E+ £299 Jupiter 35mm F2.8 + Finder............................E+ £99 50mm F4.5 ULD.........................................New £699
35-70mm F4 FD ......................................E+ £25-£30 TLA360 Flash .........................E++ / Mint- £199-£229 MkII Mag + 120 Insert (680) ......Exc / Mint- £75-£199 Arca 6x7 R/F/Holder .....................................E+ £129 Jupiter 135mm F4...........................................E+ £59 50mm F4.5 W.............................E+ / E++ £299-£369
35-105mm F3.5 FD.........................................E+ £79 W3 Winder ....................................................E++ £65 MkII Mag + 220 Insert (680) ................E++ £99-£125 Arca 6x7 RFH For 5x4 ....................................E+ £99 Ricoh 28mm F2.8 GR + Finder.....................E+ £699 65mm F4 L-A..............................................New £549
50mm F1.2 FD............................................E++ £179 W7 Winder (159MM).....................................E++ £49 Pro Shade (680)............................................E++ £99 Canham 6x17cm R/F/Holder ......................E++ £699 ADVOO Close Up Set...................................E++ £95 65mm F4 Z ...................................................E+ £249
50mm F1.4 B/lock...........................................E+ £35 Remote Release (680)..................................E++ £45 Fuji Quickload Film Holder.............E+ / E++ £75-£79 FIKUS Hood..........................................E+ / E++ £35 75mm F4.5 L...............................................E++ £199
50mm F3.5 B/lock + FD25 Tube ...................E++ £99 Digital Cameras Wide Bellows (680).......................................E++ £35 Horseman 6x9cm R/F/Holder .....................E++ £125 FISON Hood ...................................................E+ £30 75mm F4.5 Shift W .....................Exc / E+ £399-£549
50mm F3.5 FD Macro + Tube ................As Seen £49 Canon EOS 1DS MkII Body Only ..E+ £1,099-£1,299 Kodak Readyload..................................E+ / E++ £45 SFTOO 20cm Finder.......................................E+ £79 100-200mm F5.2 W......................................E+ £399
70-210mm F4 FD ................As Seen / Mint- £29-£79 Canon EOS 1D MkII Body Only..................E++ £849 Hasselblad Linhof 6x6cm Rollex ..............................As Seen £75 SGVOO 9cm Finder ....................................Mint- £99 127mm F3.8................................................E++ £129
75-200mm F4.5 FD ......................Exc / E++ £29-£59 Canon EOS 1D Body Only .........................E++ £449 503CX Complete...........................................E+ £949 Linhof 6x7cm Super Rollex..................E+ £109-£125 SHOOC 13.5cm Finder ...............................Mint- £99 140mm F4.5 W Macro................E+ / E++ £219-£259
80-200mm F4 B/lock ...............................E+ £39-£69 Canon EOS 5D Body Only .........E+ / E++ £719-£749 500CM Complete..........................................E+ £549 Linhof 6x7cm Super Rollex (S23) ...............E++ £325 Summarit Hood...............................................E+ £35 150mm F3.5 W .......................E++ / Mint- £299-£379
80-200mm F4 FD ...........................................E+ £89 Canon EOS 40D Body Only.......E+ / E++ £399-£429 500ELX Black Body Only ..................E++ £449-£450 Wista 6x7cm R/F/Holder .............................E++ £115 VIOOH Finder.................................Exc / E+ £45-£65 180mm F4 VSF / DL..........................E++ £499-£599
85mm F1.8 B/lock...........................................E+ £89 Canon EOS 30D Body Only................E+ / E++ £299 903SWC Complete ....................................E+ £2,299 Visoflex 1 ........................................................E+ £79 180mm F4.5 W..........................Exc / E++ £179-£199
100-200mm F5.6 B/lock.................E+ / E++ £39-£45 Canon EOS 20D Body Only ................E+ £219-£225 SWCM Complete .......................................E+ £1,399 Leica M Series 180mm F4.5 WN.............Ex Demo / Mint- £149-£395
100-200mm F5.6 FD......................E+ / E++ £29-£39 Canon EOS 10D + BG-ED3 GripE+ / E++ £159-£199 Arc Outfit..................................................E++ £2,250 M6 Jubilee Set ...................................Unused £4,499 Mamiya 6/6MF - Please Phone 210mm F4.5 Apo ........................................E++ £479
100-300mm F5.6 FD ......................................E+ £79 Canon EOS 10D Body Only...............E++ £149-£159 30mm F3.5 Cfi Fisheye............................E++ £3,299 M6 Royal Photo Society.....................Unused £2,999 Mamiya 645 AF/D/DII 250mm F4.5..................................................E+ £179
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250mm F4.5 W...........................E+ / E++ £199-£225 F3 Body Only.......................As Seen / Exc £79-£149 67 Mirror Up + TTL Prism..............................E+ £399
350mm F3.5 Apo ..........................................E+ £799 FM2N Black Body Only.............Exc / E++ £129-£199 35mm F4.5 Fisheye Pentax ........................E++ £379
350mm F5.6 Apo ........................................E++ £649 FM2N Chrome Body Only.........Exc / E++ £129-£199 35mm F4.5 Fisheye Takumar.....E+ / E++ £299-£650
360mm F6.....................................................E+ £299 FM Black Body Only...............................Exc £59-£79 55mm F3.5 Takumar....................................Exc £159
1.4x Converter .................................E++ / Mint- £249 FM Chrome Body Only ...................................E+ £99 55mm F4 Pentax..................................As Seen £159
120 Pro II Mag .......................................E++ £59-£69 FE2 Black Body Only...........................E+ £129-£195 75mm F4.5 Shift Pentax .............Exc / E+ £299-£699
120 Pro Mag...................................E+ / E++ £45-£59 FE2 Chrome Body Only..............................E++ £139
120 Pro Mag (6x4.5)......................................E+ £145 FE Chrome Body Only.................................Exc £119 135mm F4 Macro Pentax ...........E+ / E++ £199-£299
220 Pro Mag...............................................New £125 FG Chrome Body Only...................E+ / E++ £59-£69 135mm F4 Macro Takumar .........Exc / E+ £149-£229
Polaroid Mag..................................E+ / New £25-£79 FG20 Chrome Body Only.......Unused / E++ £69-£99 150mm F2.8 Takumar..........As Seen / E+ £109-£179
AE Prism Finder ................As Seen / E++ £149-£219 EM Body Only................................E+ / E++ £45-£49 165mm F2.8...........................................As Seen £79
Prism Finder..................................................E++ £79 F2AS Black Body Only .................................E+ £349 165mm F2.8 Pentax ..............As Seen / E+ £99-£199
Auto Extension Tube NA703 ......Mint- / New £69-£99 F2A Black Body Only..................Exc / E+ £199-£249 200mm F4 Pentax......................E+ / E++ £139-£249
Extension Tube No 2.....................................E++ £79 F2A Chrome Body Only............E+ / Mint- £239-£750 200mm F4 Takumar....................Exc / E++ £99-£199
Remote Control Set RS401..........................New £69 F2S Black Body Only....................................E+ £199 300mm F4 Pentax............Ex Demo / E++ £279-£549
Winder II .........................................................E+ £59 F2 Photomic Black Body Only ......................E+ £249 300mm F4 Takumar ..........As Seen / E++ £199-£349
F2 Photomic Chrome + 50mm F2........As Seen £195
Mamiya TLR - Please Phone F2 Photomic Chrome Body Only 500mm F5.6 Pentax........................E++ £749-£1,399
Meters - Please Phone ..................................................Exc / E++ £149-£249 800mm F4 Takumar.................................E++ £2,999
Minolta - Please Phone 18mm F4 AI ................................................E++ £349 800mm F6.7 Pentax.................................E++ £2,299
20mm F3.5 AIS.............................................E+ £239 Vivitar 2x Converter ......................Exc / E++ £39-£79
Nikon AF 24mm F2.8 AI................................................E+ £129 Extension Tube 1 ...........................................Exc £15
F6 Body Only.......................E++ / Mint- £949-£1,099 24mm F2.8 AIS.............................Exc / E+ £99-£149 Extension Tube 2 ...........................................Exc £15
F5 Body Only..............................Exc / E+ £219-£249 28mm F2.8 AI ...............................................E++ £99 Extension Tube Set .......................................E++ £75
F4S Body Only ....................................E+ / E++ £179 28mm F3.5 AI .................................................E+ £75 Magnifying Hood.............................................E+ £95
F100 Body Only........................Exc / E++ £139-£239 28mm F3.5 Non AI..........................................E+ £85 NPC Polaroid Mag ........................................E+ £149
F90X + MB10 Grip ..............As Seen / E++ £59-£129 28mm F3.5 PC Shift .....................................E+ £450
F90X Body Only.............................E+ / E++ £79-£99 35mm F2 AIS..............................................Mint £450
F90 Body Only .............................E+ / E++ £59-£125 35-70mm F3.3-4.5 AIS ..................................Exc £29 Pentax AF
F801S Body Only....................................Unused £49 35-105mm F3.5-4.5 AIS..............Exc / E++ £69-£149 MZ3 Body Only...........................................E++ £149
F801 Body Only ..............................................E+ £59 35-200mm F3.5-4.5 AIS............................Mint- £189 MZ5N Body Only ..........................................E++ £59
F80 Black + MB16 Grip...................................E+ £89 43-86mm F3.5 AI ............................................E+ £49 MZ5 Body Only...............................................E+ £49
F80 Black Body Only....................E+ / Mint- £69-£99 43-86mm F3.5 Auto ..............................Unused £125 Z1-P Body Only...............................................E+ £99
F80 Chrome Body Only.........................E+ / E++ £79 45mm F2.8 P.............................................Mint- £249 Z1 Body Only..................................................E+ £59
F65 Chrome Body Only..........Unused / E++ £39-£69 50mm F2 Non AI.............................................E+ £45 Z10 + 35-80mm ..............................................E+ £69
F601 Body Only ....................As Seen / E++ £29-£49 55mm F2.8 AIS Micro............As Seen / E+ £79-£149 SFXN Body Only.............................................E+ £39
F60 Black Body Only ....................................E++ £29 55mm F3.5 Non AI Micro..............Exc / E++ £59-£89
F60 Chrome Body Only ................Exc / E++ £29-£49 70-210mm F4.5-5.6 AIS..................................E+ £59 SFX + 35-70mm..........................................E++ £129
Pronea S + 30-60mm..............................Unused £79 75-150mm F3.5 Series E................................E+ £49 SFX Body Only ......................................As Seen £39
10.5mm F2.8 G AF ED DX Fisheye............E++ £429 80-200mm F4 AIS........................E+ / E++ £99-£149 MZ60QD Body Only ....................................Mint- £39
14mm F2.8 AFD ........................................Mint- £799 100-300mm F5.6 AIS...........................E+ £129-£179 MZ50 + 35-80mm .........................................E++ £39
14-24mm F2.8 G AFS ED ......................Mint- £1,099 105mm F2.5 AI............................................E++ £195 MZ50 Body Only....................................E++ £39-£49
16-85mm F4 G ED VR................................E++ £349 105mm F2.5 AIS ...........................................E+ £169 12-24mm F4 DA ED AL.............................Mint- £699
17-35mm F2.8 ED AFS...........E++ / Mint- £799-£849 135mm F2.8 AI ......................................As Seen £49 14mm F2.8 SMC DA .................................Mint- £399
17-55mm F2.8 G AFS DX ...........................E++ £699 135mm F2.8 AIS....................................As Seen £95 18-55mm F3.5-5.6 DA AL WR.....................Mint- £69
18mm F2.8 AFD..........................................E++ £799 135mm F2.8 Auto Q..............................Unused £165 20-35mm F4 FA AL.................E++ / Mint- £249-£269
18-35mm F3.5-4.5 AFD ..............................E++ £299 135mm F3.5 AI .............................................E++ £79
18-70mm F3.5-4.5 G AFS ED DX 180mm F2.8 AI ...........................................E++ £349 24mm F2 SMC FA IF AL...............................E+ £449
...................................................E+ / E++ £129-£149 200mm F2 IFED AIS..................................E+ £2,299 28-70mm F4 FA AL.......................Exc / E++ £49-£79
18-200mm F3.5-5.6 G AFS DX VR ...........Mint- £359 200mm F4 AIS..............................................E+ £125 28-80mm F3.5-5.6 FA.....................................E+ £39
20mm F2.8 AF ..............................................E+ £249 200mm F4 AIS Micro .................E+ / E++ £249-£349 28-105mm F4-5.6 FA....................................E++ £69
20mm F2.8 AFD..........................................E++ £349 200mm F4 Non AI...........................................E+ £79 28-200mm F3.8-5.6 FA IF AL .....................E++ £129
24mm F2.8 AFD..........................................E++ £249 200mm F5.6 Medical .................E+ / E++ £399-£499 35mm F2 SMC FA AL................................Mint- £329
24-50mm F3.3-4.5 AFD.................................E+ £119 300mm F2.8 ED AIS ...................................Exc £549 40mm F2.8 SMC DA Limited Edition ..........E++ £289
24-120mm F3.5-5.6 G AFS ED VR 400mm F3.5 ED AI......................................Exc £679 50-135mm F2.8 DA* ED SDM ....................E++ £649
................................................E++ / Mint- £339-£449 TC200 Converter............................E+ / E++ £59-£69 50-200mm F4-5.6 DA ED ..................E++ £109-£119
28mm F2.8 AF ................................................E+ £99 TC201 Converter...........................................E++ £99 55mm F1.4 SDM DA* .................................E++ £449
28-70mm F3.5-4.5 AFD ..............................E++ £125 TC300 Converter ...................As Seen / Exc £75-£99
35-135mm F3.5-4.5 AF...................................E+ £99 Nikonos 15mm F2.8 UW + Finder ..............E++ £399 80-200mm F4.7-5.6 F ...................................E++ £59
50mm F1.8 AFD............................................E++ £79 Nikonos 20mm F2.8 UW.............................E++ £199 80-200mm F4.7-5.6 FA .................................E++ £89
70-180mm F4.5-5.6 AFD Micro ..............Mint- £1,099 Sigma 350-1200mm F11 SLDIII....................E+ £999 Sigma 12-24mm F4.5-5.6 EX DG .............Mint- £399
70-300mm F4.5-5.6 ED AFD......................E++ £239 Tamron 200-500mm F5.6 SP......................E++ £399 Sigma 24-70mm F3.5-5.6 UC.........................E+ £39
70-300mm F4-5.6 AFG.................................E++ £79 Tokina 300mm F2.8 AIS ..........................Mint £1,050 Sigma 28-300mm F3.5-6.3 DL......................Exc £59
80-200mm F2.8 ED AF.................................E+ £399 Voigtlander 40mm F2 Ultron SLII ..............Mint- £269 Sigma 70-300mm F4-5.6 DG .......................E++ £79
105mm F2.8 G AFS VR Micro ...................Mint- £519 Zeiss 18mm F3.5 ZF Distagon ..................Mint- £749 Sigma 70-300mm F4-5.6 DL Macro .............E++ £79
180mm F2.8 ED AFD..................................E++ £499 Zeiss 25mm F2.8 ZF Distagon ...................E++ £529 Sigma 100-300mm F4.5-6.7 DL ...................E++ £79
300mm F2.8 G ED AFS VR.....................E++ £2,899 Zeiss 50mm F1.4 ZF...................................E++ £449 AF240T Flash ...............................................E++ £25
300mm F2.8 IFED AFS II ..........................E+ £2,399 Zeiss 50mm F2 ZF Macro .........................Mint- £699
TC20EII Converter ......................................E++ £229 DA2 Sports Finder ........................Exc / E+ £75-£129 AF330FTZ Flash...........................................E++ £39
Sigma 1.4x Apo EX Converter.....................E++ £119 DE2 Prism ......................................E+ / E++ £35-£45 AF400FTZ Flash ..........................E+ / Mint- £49-£89
Sigma 2x Apo EX Converter........................E++ £119 DR3 Right Angled Finder................................E+ £69 AF500FTZ Flash ...........................................E+ £119
Sigma 10-20mm F3.5 EX DC HSM ............E++ £359 DW2 Waist Level Finder 6x .......................Mint- £125
Sigma 10-20mm F4-5.6 EX DC HSM DW3 Waist Level finder.................................E++ £75 Pentax Manual
...................................................E+ / E++ £289-£319 F Waist Level Finder ......................E+ / E++ £45-£75 LX + FA1 Prism Body Only............................E+ £219
Sigma 15mm F2.8 EX Fisheye ...................E++ £359 MD1 + MB1 Motordrive.................................E+ £149 MX Black Body Only .....................................E+ £125
Sigma 17-35mm F2.8-4 EX...........................E+ £129 MD11 Motordrive.....................As Seen / E+ £35-£99 MX Chrome Body Only..........................E+ £99-£169
Sigma 17-70mm F2.8-4.5 DC Macro...........E++ £179 MD12 MotorDrive..........................Exc / E++ £39-£85 KM Chrome Body Only ...................................E+ £69
Sigma 18-50mm F2.8 EX DC .....................E++ £179 MD14 Motordrive ...................................E++ £39-£59
Sigma 18-125mm F3.8-5.6 DC ...................E++ £179 MD2 + MB1 Drive ........................................Exc £125 K1000 Chrome Body Only ............................Exc £39
Sigma 18-250mm F3.5-6.3 DC OS.............E++ £319 MD4 Motordrive ..........................Exc / E++ £69-£145 ME-Super Chrome + 50mm F1.7....................E+ £59
Sigma 20mm F1.8 DG RF ..........................E++ £299 PB4 Bellows + PS4 Copier .........................E++ £225 ME-Super Chrome Body Only .................E+ £39-£49
Sigma 28mm F1.8 EX DG ..........................E++ £199 PB5 Bellows................................................E++ £165 MV1 Black + 50mm F2 ...................................E+ £59
Sigma 28-70mm F2.8 D EX........................E++ £149 Repro Kit Model PF ...................................Mint- £499 MV Black Body ...............................................E+ £39
Sigma 30mm F1.4 DC EX HSM .................E++ £279 SB11 Speedlight .............................................E+ £79 A3 Body Only ........................................E+ / E++ £49
Sigma 50mm F2.8 EX D Macro ..................E++ £139 SB12 Speedlight...........................................E++ £79 Program A Body Only.....................E+ / E++ £49-£69
Sigma 50mm f2.8 EX DG Macro.................E++ £169 SB15 Speedlight ....................Unused / E++ £29-£49 P30T Body Only.............................E+ / E++ £35-£39
Sigma 50-150mm F2.8 Apo EX DC HSM...E++ £399 SB17 Speedlight ............................E+ / E++ £35-£39 P30N + 28-80mm............................................E+ £59
Sigma 50-500mm F4-6.3 Apo DG ..............E++ £599 SB18 Speedlight ....................Unused / E++ £15-£30
Sigma 55-200mm F4-5.6 D DC....................E++ £49 SB27 Speedlight...........................................E++ £59 P30N Body Only .............................................E+ £39
Sigma 70-300mm F4-5.6 Apo DG ................E++ £99 SB4 Speedlight ...............................................E+ £15 P30 + 50mm F2 ..............................................E+ £59
Sigma 80-400mm F4.5-5.6 Apo DG OS SBE Flash.....................................................E++ £25 P30 Body Only................................................E+ £29
...................................................E+ / E++ £599-£659 SR2 Ring Light Unit ................................Unused £49 17mm F4 SMC Fisheye ................................E+ £449
Sigma 105mm F2.8 EX DG Macro .............E++ £279 24-50mm F4 SMC-A.....................................E+ £149
Sigma 105mm F2.8 EX Macro....................E++ £179 Olympus - Please Phone 28mm F2.8 SMC A .......................................E++ £79
Sigma 300mm F2.8 APO EX DG HSM ..Mint- £1,649 28mm F2.8 SMC M.........................................E+ £49
Tamron 14mm F2.8 SP AF .........................New £599 Pentax 645 35-70mm F3.5-4.5 SMC A..............................E+ £59
Tamron 18-270mm F3.5-6.3 Di II VC LD.....E++ £299 645NII Body + 120 Insert............................E++ £499 35-70mm F4 SMC A ...............As Seen / E+ £35-£49
Tamron 28-300mm F3.5-6.3 XR .................E++ £159 645N Complete...........................................E++ £549
Tamron 55-200mm F4-5.6 Di........................E++ £59 645N + 45-85mm FA.....................................E+ £749 40mm F2.8 SMC M.......................................E++ £99
Tamron 55-200mm F4-5.6 Di II.....................E++ £59 645N + 80-160mm...............................E+ / E++ £749 50mm F1.4 SMC M.........................................E+ £59
Tamron 70-210mm F2.8 SP AF LD.............E++ £399 645 Complete .............................................E++ £299 50mm F1.7 SMC M........................E+ / E++ £35-£49
Teleplus 2x Converter ...................................E++ £49 45-85mm F4.5 FA ......................................New £699 50mm F2 SMC A ........................E++ / Mint- £39-£79
Tokina 10-17mm F3.5-4.5 DX Fish Eye ATX 55mm F2.8 A ..............................................E++ £225 50mm F2 SMC M............................................E+ £29
...................................................................New £400 55-110mm F5.6 FA ............................E++ £549-£599 50mm F4 SMC M Macro.................................E+ £79
Tokina 28-70mm F2.6-2.8 ATX Pro .............E++ £249 75mm F2.8 Leaf Shutter ...............................E+ £149 70-200mm F4 Takumar A..............................E++ £39
Vivitar 19-35mm F3.5-4.5 Series 1...............E++ £79 80-160mm F4.5 A ......................E+ / E++ £299-£399 75-150mm F4 SMC M...........................E+ / E++ £49
MB10 Grip (F90/X).................Unused / E++ £25-£50 80-160mm F4.5 FA .......................................E+ £499 80-200mm F4.5 SMC M .................................E+ £39
MB10 Grip (F90X).........................................E++ £39 120mm F4 A Macro ...........................E++ £299-£349 120mm F2.8 SMC M.....................................E+ £129
ML-3 Modulite Remote Set............................E++ £89 150mm F3.5 A.............................................E++ £159
SB20 Speedlight....................................E++ £29-£49 200mm F4 A .............................E+ / Mint- £129-£159 135mm F3.5 SMC M......................E+ / E++ £25-£35
SB21A Macro Speedlight .......Mint- / Mint £129-£225 300mm F4 EDIF A......................................E++ £499 300mm F4 SMC M*....................................E++ £399
SB21B Ringflash................................E++ £149-£179 400mm F5.6 EDIF FA ...................................E+ £749 T6-2x Rear Converter K................................E++ £75
SB22 Speedlight...........................................E++ £49 120 Insert....................................E++ / Mint- £59-£75 AF160 Flash ...................................................E++ £9
SB22S Speedlight.........................................E++ £49 220 Insert.......................................E+ / E++ £49-£59 AF200S Flash...............................E+ / Mint- £10-£20
SB27 Speedlight ............................E+ / E++ £49-£59 Auto Bellows.......................................Ex Demo £399 AF200Sa Flash ..............................E+ / E++ £25-£45
SB50DX Speedlight......................................E++ £79 Finder Magnifier..............................................E+ £45 AF200T Flash ...............................................E++ £15
SB600 Speedlight.......................................E++ £179 AF220T Flash ...............................................E++ £29
Pentax 6x7 AF240Z Flash .................................................E+ £35
Nikon Manual
AF260SA Flash ...................As Seen / Mint- £19-£29
AF280T Flash ...............................................E++ £49
AF400FTZ Flash...........................................E++ £99
AF400T Flash .............................................E++ £175
Extension Tube Set......................................Mint- £45
Stereo Viewer II.............................................E++ £35
Winder LX.......................................................E+ £49
Winder MEII ....................................................E+ £15
67II Complete................................................E+ £999
F3HP + MD4 Motordrive ............E+ / E++ £249-£499 67II + AE Prism....................................E+ £799-£849 Rollei - Please Phone
F3HP Body Only .........................Exc / E+ £149-£199 67II Body Only.............................................Exc £549 Voigtlander - Please Phone
F3 + MD4 Motordrive ....................................E+ £199 67 + TTL Prism + 105mm F2.4 .....................E+ £499 Zeiss - Please Phone
NICHOLAS
15 CAMDEN HIGH STREET, LONDON NW1 7JE
TEL: 020 7916 7251 or 0207 387 3355
MON-SAT 10-6pm FAX: 020 7419 1719
www.nicholascamera.com
50 YARDS MORNINGTON CRESCENT TUBE
CAMERA COMPANY FOR THE AMATEUR/PROFESSIONAL PHOTOGRAPHER, CAMERA COLLECTOR
NEW UK DIGITAL SLR’s and LENSES HASSEL H1+PHASE ONE P25..............£NEG PENTAX-AF 70-200f2.8 SIGMA ............£575 Sony DSC P/W/T**/asnew ............£95-£215 FUJI GX 617 body/unused? ....£1725-£2495 MAMIYA RZ/RB67 LARGE STOCKS- MINOLTA A1-1000 IR Trigger ..............£145
CANON 300/400f2.8L IS IN STOCK......£low HASSEL H system 35-300mm lenses....£ask PENTAX ED 200f2.8/300f4SDM ..£675/£875 Sony DSC F717/F828 ..................£175-£399 FUJI 90mm FINDER GX617 ..................£395 PHONE,FAX,EMAIL MINOLTA COLORMETER II ..................£495
CANON 500/600mm F4LIS IN STOCK ..£low HASSEL 180mm CF/E/asnew ....£795-£1525 PENTAX AF 360/540FGZ NEW? ..£259/£345 Various 2-12MP cameras ......................£low Fuji GX680 MK1-111 ................£695-£1745 MINOLTA TC1 Classic boxed,asnew......£795
NIKON D3,s,x/D700D300s—IN STOCK £low HASSEL 150/250mm T*,ASNEW £795-£999 PENTAX SPOTMETER/V/ASNEW £225-£295 Fuji 680-III RFB+insert..........................£495 MAMIYA 7 RANGEFINDER – LARGE STOCKS MINOX 35 AF NEW ..............................£275
CANON 1D-MK1V/1DS-I1I IN STOCK ....£low HASSEL 120mm CF/i/E MKRO ..£995-£1975 POLAROID 180/190/195..............£295-£495 TEMBA HIGHEST QUALITY CAMERA BAGS— GX 680 Accessories ..............................£ask – PLEASE PHONE/EMAIL MINOX GT, GTE, ML ....................£125-£195
CANON EOS 5D MK11 IN STOCK ........£low HASSEL 140-280mm/ASNEW ..£895-£1695 PROFOTO 7B BATTERY ........................£395 -WE’VE BAGGED THOUSANDS Fuji-W(5x4) 360mm f6.3 ......................£725 MINOX TOURING DB, boxed ................£495
CANON EXTENDERS,SPEEDLITES ......£low HASSELBLAD H2,COMPLETE NEW ....£3475 PROFOTO 7B MULTI-CHARGER............£295 OF THESE FOR YOU. SIZES FROM DIGITAL Fuji SWD 65mm f5.6 ............................£875 MAMIYA 645-645AF MPP MICROFLEX/BOXED............£345-£495
SIGMA 20f1.8,30f1.4 C/N ........£479/£395 HASSEL 202FA COMPLETE ....£1745-£2175 QUANTUM Q-FLASH OUTFITS ............£ASK COMPACTS,THROUGH GA 645/Boxed unused? ..............£345-£495 645/RB/RZ,TO CLEAR ..........................£ASK MULTIBLITZ 200/500 flashkit ......£345-£545
SIGMA 10-20mm CAF/NAF/SONY ......£439 HASSEL 40mm CF-FLE/asnew ..£995-£1995 RICOH GR1/S/V ..........................£165-£325 DSLR KITS AND MEDIUM FORMAT GS645+45/75mm ........................£225-£375 MAMIYA 645-35mm Back ....................£145
SIGMA 17-35mm 20-40mmDG ..........£475 HASSEL 40mm CFE-IF ............£2595-£3475 ROSS 10x8 Mahogany+Brass Lenses ..£neg OUTFITS.AT LOW LOW LOW PRICES GX/S Lenses-50to300mm ......................ASK 645AFD comp+Kodak Digiback ............£Neg NAGEL PUPILLE +5cm ELMAR ..........£ASK
SIGMA 70-200 f2.8DG,CAF ............£565 HASSEL 250mm FE/ASNEW......£895-£1345 RODENSTOCK 55,75,90,115mm£695- GS/W690 6x9cm 65mm,90mm £550-£1195 645AFD COMPLETE/UNUSED....£995-£1395 NIKON Rangefinder Lenses..................£ASK
SIGMA 105 MICRO CAF/NAF/SONY ....£375 HASSEL/METZ 4504 TTL FLASH..........£ASK £1375 RAYNOX HIGH DEFINITION FRONT-LENS GSW 680-111 Rngfd 65mm,rare ........£1275 35mm AF ..............................................£675 NIKKOR 85mm f1.5/105f2.5 M39 ........£POA
MOST NIKON/CANON LENSES & ACCS £LOW HASSEL SCA 390 ADAPTER ................£145 RAYNOX 180deg PRO VERTER,new ....£545 CONVERTERS TO FIT MOST GS670/690-90mm MKI-III ..........£525-£995 55mm/150mmAF,asnew....................ea£475 NIKKOR 150mm F5.6, COPAL ..............£375
KENKO PRO-300 1.4/2x CAF/NAF ......£179 KONICA HEXAR RF+50mm........£875-£1495 ROLLEIFLEX-1,1929,CASED,CAP ........£995 COMPACTS,DSLR 55-110mm/AF/New ..................£375-£1475 NIKKOR –W 450mm COPAL 3 ............£895
LEICA PRADO 6x6 PROJECTOR ..........£575 ROLLEIFLEX WIDE ANGLE/Late...........£NEG LENSES,CAMCORDERS,EXTRAWIDE&TELE.L HASSELBLAD AF Extension Tubes ......................from£125 NIKON Rangefinder S2,S3,S4,SP ........£NEG
PROFESSIONAL DIGITAL MEDIUM LEICA DIGITAL MODULAR-R..............£2475 ROLLEI-SL35,GERMAN,BOXED,NEW? £NEG OW PRICES HASSEL HI,COMP/asnew ........£1975-£2495 120 Backs/Polaroid back AF ..........from£145 NIKON AI 24mm f2 /boxed............from£445
FORMAT,NEW. LEICA M8,BL/CHR/NEW? ........£1875-£2475 ROLLEI 50,80,150mm HFT,SL66..........£ASK HASSEL 50mm-H Superb ..................£1645 645 Pro/TL AE,drive,etc,..............£425-£675 NIKON 20mm AF/AI/AIS ........................£ask
HASSEL 39MP BACK,ANY FIT ..........£NEG LEICA UV/IR FILTERS,NEW?................£ASK ROLLEI SL66 PENTAPRISM ........£175-£295 LARGE FORMAT-5x4,5x7,10x8 ETC HASSEL 80mm-H ......................£745-£1175 645 Super + 80 + back ................from £225 NIKON 35mm 28mm PC-SHIFT ..£345-£945
LEAF APTUS 65/75/+ (SPECIAL) ........£NEG LEICA SUMMARIT-M,35,50,75 ............£ASK ROLLEI PQ 60mm SCHNEIDER,RARE £1395 ARCA SWISS 5x4 ........................£145-£945 HASSEL 120mm Macro-H ......£1495-£1995 645 1000s+80mm ......................£145-£245 NIKON WC-E80 verter .......................... £ask
RODENSTOCK 45mm f4.5,COPAL ......£NEG LEICA 111G BODY ....................£599-£1175 ROLLEI PQS50/PQ180f2.8,ASNEW ea£1895 CAMBO 5x4,10x8 ........................£195-£995 HASSEL 210mm-H,user ....................£1245 645/J + 80mm ............................£125-£225 NIKON 200mm F2 AIS............ £1345-£2275
APO-DIGITAR 28-120mm IRIS/COPAL ..£NEG LEICA 5cm,9cm SUMMICRON SCREW£ASK ROLLEI PQ 110mm f2 ZEISS,NEW ......£NEG DEVERE 5x4 ................................£125-£275 HASSEL 300mm-H,Superb ................£1975 35mm C/N .................................. £225-£395 NIKON 300mm F2.8 AIS........................£ask
DIGITAR 60,80,90,100mm-ELECTRONIC LEICA SUMARIT L39 5cmf1.5,ASNEW £595 ROLLEI PQ 140-280mm,asnew ..........£2275 GANDOLFI-ORIG/MODERN ..................£ASK HASSEL CW(+CX1)winder ..........£245-£395 55mm,45mm C/N........................£125-£295 NIKON 400mm F2.8 AIS ........£2950-£3575
SHUTTER. LEICA 5cm-SUMMARIT UV/HOOD ......£ASK ROLLEI AFM 35 Supercompact ............£245 GRAFLEX/GRAFLEX VIEW....................£ASK Hassel 140-280mm user ......................£775 55mm Perspective Control(Shift) from £345
LEAF/ROLLEI6008 40/80/180mm ......£NEG LEICA ZEISS 18mm-M,NEW? ............£1075 SEKONIC L718/778 DUALSPOT ..£275-£495 HORSEMAN 5x4 ..........................£295-£995 HASSEL 1.4PC MUTAR/new? ....£895-£1495 70mm C, leaf shutter ..................£125-£159 NIKON F3T, BLK,BXD,UNUSED ..........£1395
LEAF/ROLLEI 55mmTILT&SHIFT ........£NEG LEICA 21mm,24mm f2.8M/ASPH SIGMA 180f2.8 1:2 MACRO,NAF ..........£475 LINHOF 5x4TECHNIKA/MONO ..£345-£2275 HASSEL 110mm f2 FE,asnew ............£1295 55mm,80mm,150mm leaf shuttereach £275 NIKON DW31 – F5 ................................£345
..................................................£995-£2195 SIGMA 70-200mm f2.8DG/CAF/NAF ....£525 MPP 5x4......................................£245-£525 HASSEL 205 TCC comp ..............from£2995 80mm f1.9/110mm C/N ..............£145-£245 NIKON F+Prism,Chrome,asnew .......... £495
PROFOTO 7a12/2400/7b PROFLASH ..£NEG LEICA 28mm f2 APO/6BIT ......£1775-£2195 SIGMA 135-400,CAF/NAF,NEW? ..........£399 PLAUBEL 5x4 ..............................£225-£375 Hassel 205TCCPrototype ......................£neg 80mm f4 Macro+tube,asnew ................£375 NIKON PHOT TN, bl+ 50,asnew............£NEG
LEICA 35mm f2M/NEW ............£775-£1895 SIGMA 170-500DG,CAF?NAF,SONY......£545 SINAR 5x4,10x8 ........................£345-£1725 903/905SWC/UNUSED ............£2995-£4295 120mm f4 Macro 1:1 ..................£395-£745 NIKON F2,BL,Very Clean ......................£375
ESOTERICA/EXOTICA/CLASSICA LEICA 35mm f1.4/ASPH ............£995-£2145 SINAR NORMA 10x8&5x4,superb ......£1245 LARGE FORMAT LENSES APLENTY EXPAN/11+45mm....................£1125-£1795 150mm f2.8,A ......................................£395 NIKON F2AS+MD3,Nice ........................£795
APCAM MOTOR,HASSEL500,BXD ........£695 LEICA 50mm f1.4/ASPH ............£695-£1795 SIGMA 14mmf2.8 PENTAX-AF ....£375-£545 ..............................................£PLEASE ASK EXPAN 30mm COMP/NEW? ................£NEG 150mm,210mm C/N ..................£125-£225 NIKON MD4 (F3) unused ......................£199
ALPA 6c,9d,10d,11-Si..........................£NEG LEICA 50mm f2M/NEW ............£595-£1375 SIGMA 10-20 CAF/NAF/PAF ........£275-£349 WALKER TITAN 5x4,nice ......................£995 EXPAN 45mm/NEW? ..................£375-£575 200mm f2.8 Apo,unused? ....................£745 NIKON TC 14E AFI ................................£245
ALPA LENSES 24-500mm....................£ASK LEICA 50mm f1 NOCTILUX 1st&2nd ..£NEG SIGMA 12-24mm CAF/NAF..........£445-£525 EXPAN 90mm/NEW? ..................£445-£695 300mm f2.8APO-A,Cased ..................£2495 NIKON-SW 65mm f4 COPAL ................£795
APO-SYMMAR 480mm(10x8-12x16) ....NEG LEICA 50mm f1 6-bit,UNUSED ............£POA SIGMA 17-35mm,24-70 CAF/NAF ........£255 DIGITAL CAMCORDERS EXPAN LENSHOODS,GADGETBAG ......£ASK 75-150mm/105-210mm c/n..........from£225 NIKON 135mm f5.6 COPAL ..................£445
ARC HASSELBLAD 35/75mm LENS ....£ASK LEICA M1,M2R,really nice ....................£neg SONY HDV Z1E PRO-CAMCORDER ....£2275 Canon XL1,XL1s Kits ..............£1295-£1595 PHASE 1 P25,22MP(V)/(H)..................£NEG 120 backs,Polaroid backs ..............from £65 NIKON 210mm f5.6 COPAL ..................£495
ARC HASSElBlAD+45mm. ..........from£2675 LEICA M2,M3,M4-2/P ..........................£ASK SONY HDV HC5 HiDef CAMCORDER ....£599 Canon XM1/XM2/asnew ............£595-£1295 ZEISS 2xMUTAR/ASNEW ............£575-£995 AE Prism/Right Angle finder ........from£115 NIKON 240mm f5.6 COPAL ..................£695
ARCA 10x8,5x7,5x4 Outfits..................£ASK LEICA CL/ANNIV body ................£325-£795 SONY PD150/170/UNUSED ......£875-£1495 Panasonic 120 3CCD ..................£295-£495 60-120mm FE, NEW ..........................£1995 Screens, pro shades, etc, etc ................£ask NIKON 450mm f9 COPAL ....................£995
BESSA L/T/R-2-3-4 BODIES ........£135-£495 MINOLTA CLE,28,40,90,OUTFIT..........£1699 SUNPAK AUTO-DX12R RINGFLASH ....£295 PANASONIC DVC/100A..............£895-£1945 H2 COMPLETE,NEW UK......................£3695 NIKON EN-EL7 battery, new....................£39
BESSA-R LENSES(12-90mm)NEW ......£ASK LEICA M4,CHR/BOXED/ASNEW ..........£NEG SUPER_ANGULON/XL 58/65/75/90 ....£ASK SONY PD150/170/NEW ............£875-£1475 205FCC,complete,UNUSED ................£5995 MAMIYAFLEX TWIN LENS – PLEASE
BRONICA RF645+65/UNUSED? ..£575-£795 LEICA MR4,CASED,ASNEW ..................£295 TAMRON 300mm f2.8 MF ..........£495-£875 Sony IP1/5/7 NEW ......................£375-£575 500SWC/M Superwide ..............£995-£1895 PHONE/FAX/EMAIL NIKON MB-18,F75, new..........................£69
BRONICA RF LENSES,45-135mm ........£ASK LEICA M4 CASE,BOXED,UNUSED ........£325 WALKER TITAN 5x4,superb ..................£995 Sony VX1000/2000....................£495-£1275 2000FCW+80mm-F+A12 ..............from£795 NIKON MB-16,F80, new..........................£89
BRONICA EC/S2A, comp ............£195-£399 LEICA M5,3L,BOXED,UNUSED ..........£1675 WIDELUX 150 PANORAMA(120) ........£1995 SONY HDV Z1E,Nice ..........................£2245 500/553ELX Bodies ....................£375-£995 MINOLTA/SONY ALPHA–LARGE NIKON EH-62A ac adapter ......................£69
BRONICA SQA/i+lenses 40-500mm ......£ask LEICA M6 PLATINUM+50f1.4,boxed ..£4995 WESTON EUROMASTER-11,NEWCELLS SONY HDV HC5,new? ..........................£545 553ELD Digital body/asnew ....£1275-£1995 STOCKS.PHONE/FAX/EMAIL NIKON D50 battery grip – Hahnel ..........£89
BRONICA 60/180PE,UNUSED? ........ea£475 LEICA M6 TITANIUM/UNUSED £1475-£1695 ............................................................£159 SONY DSR-570+6-80mm ..................£5575 503CW,complete/ASNEW ........£1225-£2695 NIKON LS30 Coolscan III......................£295
BRONICA 105/110-1:1,NEW? ......£645/£795 LEICA M6/TTL,CHR/BL-UNUSED........£1695 YASHICA DENTAL-11,100mm MICRO ..£475 Various amateur/pro camcorders ..........£ask 503CX/CXI+80CF+A12 ..............£895-£1375 NIKON AF NIKON EN-EL2 Clpx 35-4500..................£39
CANON 1DS MK111,LOW USAGE ......£3750 LEICA M7/Boxed/UNUSED? ..£1375-£1995 ZEISS BIOTAR 7.5cm f1.5(M42) ..........£neg 500C/CM,complete Various ........£445-£995 F6 BODY/unused? ....................£995-£1495 NIKKOR 85-48 lens Nikkorex ................£169
CANON 1D MK111/UNUSED ..£1695-£2275 LEICA R8/R9 body ......................£425-£875 ZEISS 40/120mm PQ,ROLLEI SL6008 £ASK BRONICA – LARGE STOCKS – PLEASE 500C,500CM Bodies......................£95-£225 F5/BOXED/unused ......................£345-£995 OLYMPUS 180mm f2.8................£445-£575
CANON WFT-E2 TRANSMITTER ..£475-£599 LEICA PRADO-66 +300mm f2.8 ..........£NEG ZEISS 300mm f2.8APO CONTAX AE ....£POA PHONE/EMAIL US 500EL/M bodies ..........................£145-£275 F100 body/boxed/unused ............£245-£495 OLYMPUS 35mm f2 ......................from£145
CANON 1DS MK11 ..................£1595-£2275 LEICA PROJECTOR LENSES,NEW........£ASK ZEISS 300mm f4 CONTAX AE......£399-£525 30mm Distagon/CF/UNUSED? £1675-£3795 F3AF+80mm f2.8Af,asnew....................£Neg OLYMPUS 35mm shift lens ........£395-£495
CANON EOS 1DS/asnew............£775-£1075 LEICA MINILUX, asnew ........................£325 ZEISS 21mm+FINDER-CONTAREX ......£695 CANON AF 40mm Distagon,C/T/CF/FLE ......£895-£1925 F90/F90x/asnew/unused? ..............From£99 OLYMPUS 500mm f8, as new ..............£475
CANON EOS 1D MK11/n............£745-£1275 LINHOF MASTER/TECHNICARDAN ......£ASK ZEISS 35mm f2,BLACK-CONTAREX......£995 EOS 1DS MK111 LOW USAGE............£3750 50mm f2.8 DistagonF/FE ..........£525-£1195 F801/801S/unused ......................£75-£225 OLYMPUS 60/70mmPEN-FT..............ea£495
CANON EOS 1D/BXD/ASNEW......£445-£725 LUMIDYNE PORTABLE FLASH ............£ASK ZONE-V1 SPOTMETER (NOT LED)........£375 EOS 1D MK111/UNUSED? ......£1695-£2275 50mm Distagon C/T/F/FI............£325-£1595 F4/S/E/BXD UNUSED ..................£225-£995 OLYMPUS 90mm f2 MACRO ................£795
CANON EOS 5D/BXD/ASNEW......£745-£975 MAMIYA RZ67-11+110,BXD,NEW? ......£995 ZUIKO 21mm f2 OM,SUPERB ..............£795 EOS 1DS MkII..........................£1575-£2275 60mm CT/CB/CFi/ASNEW..........£545-£1395 F4 Polaroid Back....................................£ask
CANON EOS 50D,ASNEW/NEW ..£625-£725 MAMIYA 645 AFD COMP ..........£995-£1395 ZUIKO 24mm SHIFT/ASNEW ..£1495-£1995 EOS 1DS......................................£795-£975 60mm Distagon f5.6..............................£ask F50/55/60/65/70/75 ........................from£49 OLYMPUS OM4 ..........................£175-£345
CANON EOS 30D/40D/ASNEW ....£345-£525 MAMIYA 35mm AF ......................£525-£745 ZUIKO 350mm f2.8(OM)BL.CASED ....£NEG EOS 1D Mk11/n/boxed ..............£675-£1095 80mm f2.8 F/C/CT/CF-E ..............£225-£775 F601/501/F401/S/x ........................from £49 OLYMPUS PEN-D ..........................£99-£195
CANON 24mm,45mm Tilt&Shift ..........£895 MAMIYA 120-A MACRO 645/AF ..£595-£899 EOS 5D/BOXED/UNUSED? ........£695-£1045 100mm Planar/T*/CF/CFi ..........£495-£1695 14mm/18mmf2.8 AFD ................£795-£995 OLYMPUS XA,SERVICED ............£125-£175
CANON EOS IV/HS/ASNEW ........£375-£995 MAMIYA 150mm f2.8,645 ....................£475 SONY-MINOLTA FANS—NEW SONY EOS IV/HS body/UNUSED ........£445 - £795 110mm f2 F/FE/NEW? ..............£595-£1475 20mm f2.8AF/D ........................£245 - £425 OLYMPUS PEN-FT, black ......................£395
CANON EOS 5,30V,T90,UNUSED ......ea£375 MAMIYA 7/7-11 Body..................£399-£995 35mmf1.4G£995, 85mmf1.4Zeiss ZA£975, EOS 1/N/HS/1NRS,....................£145 - £595 120mm f5.6/chr/Bl ......................£425-£695 24mm f2.8 AF/D ........................£175 - £295 OLYMPUS T45 FLASH outfit ................£295
CANON F1n,ASNEW,UNUSED ............£1125 MAMIYA 7 LENSES-43mm-210mm ....£ASK 70-200mmf2.8£1350, 500mmf8£499, EOS 3/BOXED/ASNEW ................£195-£495 120mm Makro CF/i/CFE ............£795-£1995 28mm f2.8 AF/D ........................£105 - £195 OLYMPUS FL50 FLASHGUN ................£195
CANON FD 17/20mm/ASNEW ....£325-£495 MAMIYA RZ67/11+110mm..........£525-£799 2xverter£279, 100mmf2.8macro£455, EOS 5,5QD bodies ....................£125 - £225 135mm Makro-PlanarCF........................£ask 105mm f2.8 Micro-AFD ..............£345-£475 OLYMPUS TCON-17+ADPT. ..................£125
CANON FD 24mm f1.4L ..............£645-£895 MAMIYA RZ PHASE-ONE PLATE £475-£675 50mmf2.8macro£369, 50mmf1.4£245, 11- EOS 10/100,300/V/new ..............£69 - £169 150mm F2.8 F/FE/NEW?............£425-£1295 85mm f1.8 AF/AFD ....................£145-£295 OLYMPUS TCON 14B Pro Verter .......... £ask
CANON FD 100 MACRO/+TUBE ..£199-£495 MAMIYAFLEX 55mm/105DS/180S....ea£275 18mm£375, 18-250mm£375, 18- EOS 600/620/650 ..........................£45 - £85 150mm F4 C/T/CF/CFi................£295-£1195 180mm f2.8 AF/D ........................£245-£495 OLYMPUS Li-30B battery, new .............. £29
CANON FD 85mmF1.2L ..............£595-£799 MAMIYA 6,6x6cm Folding,(MIOJ)........£NEG 70mm£109, 75-300mm£159, HVL- EOS EF(manual) ............................£49 - £89 180mm Sonnar CF/CFE ............£725-£1375 200mm f3.5 IFED-F3-AF ......................£Neg PANORAMA 35mm CAMERAS ............ £ASk
Canon FD 50-300mm L+Hood,nice ....£1475 METERS-DAYLIGHT/FLASH,LOTS-OF ..£ASK RLAMringflash£299, HVL-F42AMflash£179, EOS 500/N/1000/f/n ......................£39 - £79 250mm C/CT/CF/CFi ..................£375-£1395 300mm f2.8 AF/D ....................£895 - £1995 PENTACON 6/TL+Lenses ....................£ASK
CANON FD 300f4/300f2.8..........£345-£1595 MINOLTA/SONY 15f2.8SIGMA FISH ....£475 AC-VQ900£125, VG-B30grip£129, VF- EOS 1X, 1X7 APS ........................£89 - £145 250mm F4 F/FE/NEW ................£775-£1575 300mm f2.8 AF Tamron LD-IF ..............£995 PENTAX SIGMA 50/105 MAKRO ..........£ASK
CANON FD 400mm f2.8,800mm5.6 ....£NEG MINOLTA/SONY 17-35 f2.8-4,NEW ......£595 62circpol£79, VF-62NDfilter£69, VF-62£49 EOS 1 Polaroid back ..........................£offers 350mm f5.6 C/Ct ..........................from£675 300mm f4/AFS/asnew ................£495-£845 PENTAX SUPER-A MOTORDRIVE ........£145
CANON VT/V1T+50mm(L39) ..............£NEG MINOLTA/SONY 28-70f2.8 SIGMA........£225 SIGMA300mmf4£525,SIGMA400f5.6£545,S 20mm/24mmf2.8USM/asnew......£245-£375 350mm f4 FE/NEW? ................£2475-£3995 400mm f2.8 AF/I/S ..................£2495-£3995
CANON 50mm f1.2,L39 ..............£495-£745 MINOLTA 70-210f4,CASED,ASNEW......£295 IGMA70-300DGMAKRO£115 24mm TSE,45mm TSE/asnew ....£625-£895 500mm f8 Apo-Tessar ..........................£ask 500mm f4P(notAF)/asnew ........£1750-2495 PENTAX 2000mm f13.5 ASNEW ........ £POA
CANON EOS 85mm f1.2L/11 ..£1225-£1575 MINOLTA APO 100-300/400mm..£295-£695 USED M-AF 28mm f2.8 ......................................from£99 140 – 250mm Variogon................from £795 17 - 35mm AFS ........................£825-£1395 PENTAX Spotmatic F, Bl + 55mm ........ £225
CANON EOS 100mm MACRO ......£265-£375 MINOLTA/SONY 170-500 SIGMA DG....£545 20f2.8,24f2.8,35f2,85f1.4,100f2,135f2.8,50 28mm f1.8/NEW..........................£275-£395 Extender 1.4E/2XE........................from £475 20 – 35mm f2.8AFD ....................£425-£695 PENTAX 24mm f3.5 Screw,rare .......... £295
CANON EOS 14mm f2.8/11 ....£1195-£1695 MINOLTA/SONY 600f8 SIGMA,NEW? ..£575 0f8. 28mm f3.5 Nikkor,PC, ..........................£995 PM45/PME45/ASNEW ..............£375-£1295 20 – 35mm f2.8D Tokina ATX ..............£375 PENTAX Sigma 14mm f2.8 AF ..............£475
CANON ZEISS 85f1.4(MF) ....................£995 MINOLTA/SONY 35-105f2.8 TMRN ......£475 50mm f1.4USM/NEW UK ............£245-£299 PM5/PME5/UNUSED? ................£245-£475 24 – 85mm AFD ........................£275 - £445 PENTAX AF SIGMA 17-35mm ..............£275
CANON EOS 15mm FISHEYE ......£395-£495 MINOLTA/SONY 50mm MACRO,asnew £275 USED DIGITAL SLR CAMERAS AND LENSES 50mm f1.8Mk11............................£55 - £79 PME51/BXD/UNUSED?................£275-£595 24 – 120mm AFD/VR ..................£225-£469 PENTAX LX MOTORDRIVE ..................£NEG
CANON 24mm f1.4 MK2,UNUSED ......£1195 MINOLTA-AF16,20,24,35,85,100..........£ASK CANON 1DS MK111,LOW USAGE ......£3750 85mm f1.8 USM ..........................from £175 Magnifier PM/E 90,51,NEW ..................£149 28 – 70mm AF/D ......................£125 - £215 PENTAX SMC-A 28-135mm ................£295
CANON 180mm L MACRO,UNUSED ..£1095 MINOLTA/SONY 1.4x,2xAPO ......£225-£375 CANON 1D MK111/NEW?........£1895-£2375 85mm f1.2L/L11 ....................£1225-£1625 PM90/PME90/BOXED/UNUSED? £225-£795 28 – 70mm f2.8AFS ..................£775-£1195 PENTAX 67 fit 45mm to300mm ............£ask
CANON 300mm f2,8L/asnew ..£1425-£2575 MINOLTA DYNAX 7,9/NEW?........£145-£575 CANON 1DS MK11 ..................£1495-£2275 100mm f2/f2.8 Macro..................£225-£375 NC2 Prism/Early Meterprism ........£69-£175 28 – 85mm AF/asnew ................£145 -£245 Projectors, converters,cases,bags.
CANON 300mm f4L/IS/asnew ..£599-£1095 MINOLTA SPOTMETER-F ......................£275 CANON EOS 1D MK11/n............£695-£1125 300mm f2.8L/IS ......................£1895-£3495 HC-3, HC-3-70 Prism ..................£145-£275 35 – 70mm f2.8 AF/D ..................£295-£445 Flashguns , Enlargers
CANON 400mm f2.8L/11 ........£2850-£3795 MINOX MDC/TOURING,BOXED ........ea£495 CANON EOS 1DS/asnew............£995-£1275 SIGMA 300f4,400f5.6,500 ..................£ASK A12,A16,A24/Latest/NEW?............£89-£595 35 – 135 AF ..........................................£295 PHOTON B. 800W redhead kit ..............£395
CANON-SIGMA 400f5.6 HSM ..............£575 NIKKOR 65f4,90f4.5COPAL ......£795-£1175 CANON EOS 1D ..........................£375-£545 300mm f4 L/IS/asnew ..............£545-£1045 A24 back latest ............................£169-£395 80 – 200mm f2.8 AF/D ..............£425 - £795 PHOTON B./KINO DIVA light..................£ask
CANON 600mm f4L/IS ............£3475-£5950 NIKON F6 body/UNUSED ..........£995-£1545 CANON EOS 5D/ASNEW..............£695-£995 400mm f2.8L,Mk1/11/IS ............from £2695 12-on/Pola-80 Backs ......................£69-£99 80 – 200mm f2.8 AFS................£995-£1275 POLAROID 10x8 Processor..................£ASK
CANON 11-17mm TAMRON..................£375 NIKON S3 2000 KIT,UNUSED ............£offers CANON EOS 10D/D60..................£145-£195 600mm f4L/IS ........................£3695-£5995 70mm Magazines ........................from £105 80-400mm Tokina ATX..........................£495 PERIFLEX GOLD* +50 f2.8 ..................£295
CANON-TKNA 10-17mm FISHEYE ........£475 NIKON S3 OLYMPIC+50f1.4 ................£NEG CANON 30D,40D/UNUSED ..........£299-£525 1000mm f8 Sigma,trunk ....................£3795 Pola100,Pola+,PolaCombi ............£89-£195 SB 20, 24, 25, 26, 28, 80DX ..................£ask
CANON 16-35 f2.8L/11................£745-£995 NIKON SP Sp.Ed+35f1.8,NEW? ..........£4275 CANON 50D/BXD/NEW UK ..........£575-£699 10-22mm EFS/NEW ....................£499-£665 H1 Polaroid Back ........................£245-£345 Metz 34-54AF DIGITAL Flash ................£ask REID 3+5cm TTH,SUPERB ................£1795
CANON 17-35mm f2.8L ..............£525-£745 NIKON 35Ti/unused? ..................£325-£425 CANON 20D + 18-55....................£275-£345 16 – 35mm f2.8L/asnew..............£725-£995 Tubes 8mm to 56E,........................£49-£139 MF15/19/21/22/25/26/28 ..............£69-£245 RETINA I/1a ..................................£69-£115
CANON EOS 17-40L/asnew ........£475-£575 NIKON 28Ti/BOXED/UNUSED? ....£425-£675 CANON 300-400D+18-55 ............£195-£345 17 – 40mm f4L/asnew ................£495-£575 Bellows,Semi/Auto ......................£195-£445 Nikon Ringflashes..................................£ask RETINA REFLEX 4 ......................£275-£425
CANON EOS 20-35 f2.8L ............£475-£575 NIKONOS 1VA/V+35/UNUSED? ..£295-£795 BG ED3-D30,D60,10D ..................£69 - £89 20 - 35mm USM ..........................from £185 Pro-Lenshades,various..........................£ask MF-24 250-Exp,Action Finder-F4 ............Neg ROLLEI-35,GERMAN ..................£245-£375
CANON EFS 10-22mm/asnew......£475-£575 NIKON PC-SHIFT 28mm,35mm ............£ask FUJI S1/S2/S3PRO ......................£169-£399 20 – 35mm f2.8L ........................£375-£595 Winder-F,Winder-CW ..................£195-£395 MC30,MC20 Remotes/New ............£39 -£79 ROLLEI 2.8GX PLATIN ANNIV. ..........£1995
CANON EFS 17-55f2.8 ................£495-£675 NIKON 14mm/18mm f2.8AFD ....£745-£995 Kodak DCS Pro(C,N)/new? ..................£ASK 24 – 70mm f2.8L ........................£695-£925 Cable release-Winder CW........................£40 Nikon filters, several ..............................£ask ROLLEI 6000 HIGH-D SCREN ..............£145
CANON 24-70 f2.8L/asnew..........£745-£895 NIKON 8mm f4SIGMA FISHEYE............£545 Kodak DCS Pro14N/512 ..............£545-£745 24 – 85mm USM ........................£165-£245 Filter 93 POLA/CR,NEW ........................£ask ROLLEI 6001/3/8 comp ..............£595/£995
CANON 24-105mm L/NEW..........£675-£895 NIKON 8mm f2.8AIS,RARITY ............£3295 Kodak DCS 420,520C,760 ................£offers 24-135mm TAMRON SP ......................£275 Filter series 60 CB1.5 ............................£ask NIKON MF HUGE STOCKS-PLEASE ROLLEI 6006 COMP,ASNEW ................£699
CANON 28-70 f2.8L/asnew..........£575-£725 NIKON 15 f3.5AIS/asnew ..........£675-£1295 LEICA DIGILUX-3 +14-50 ....................£895 28 – 70mm f2.8L........................£475- £695 Polarising Filter S60 New......................£185 PHONE/FAX/EMAIL ROLLEI 6008i ..........................£875-£1195
CANON 28-300L/ASNEW ........£1495-£1925 NIKON 16mm f2.8D Fish ............£395-£575 MINOLTA 7D BODY/BOXED ........£275-£395 28 - 80mm f2.8-4 ................................£545 Polarising Filter S70 NEW ....................£225 ROLLEI 6008 Integral II as new ............£neg
CANON 35-350mm-L/asnew ....£795-£1345 NIKON 16mm f2.8AIS,asnew................£675 MINOLTA VC-7D GRIP ................£139-£195 28 – 105mm/MK11 ..................£129 - £195 Softar I,II,III S60 new ............................£ask OLYMPUS 35mm,HUGE STOCKS ROLLEI PQ /S 40to250mm lenses ........£ask
CANON 70-200 f2.8L/IS ............£845-£1375 NIKON 18mm f3.5 AIS ................£495-£895 Minolta RD175(Dynax Mount) ..........£offers 28 – 135mm IS/NEW ..................£245-£375 Softar 1 series 70,NEW ........................£175 PHONE/FAX/EMAIL ROLLEI P11 6x6cm PROJECTOR ........£595
CANON 70-200 f4L/IS ................£375-£849 NIKON 18mm f4 AI,rare........................£745 PANASONIC G1+14-45ASNEW ............£425 28-300L-USM/ASNEW ............£1495-£1995 IR release unit 555ELD,NEW ................£285 ROLLEI SL66 METERED HOOD ............£295
CANON EOS 100-400L IS ..........£845-£1095 NIKON GN 45mm f2.8,asnew ................£ask PANASONI GH1+14-140,ASNEW..........£745 35 – 105,35-135 USM ................£85 - £165 Step up ring 60-70 ................................£ask PENTAX 35mm,645,6x7 HUGE STOCKS
CAF-SIGMA 50-500 EX-HSM ................£995 NIKON ZEISS 50f1.4,NEW? ..................£495 PAN-LEICA 45mmMACRO,UNUSED ....£545 35 - 350mm L............................£845-£1345 Flashguns/ Brackets..............................£129 PHONE/EMAIL ROLLEI SL66/E/SE 45˚ Prism ......£195-£325
CAF-SIGMA 120-300f2.8 ........£1595-£1895 NIKON 60mm f2.8D Micro ..........£175-£295 PANASONIC 45-200mm,BOXED ..........£275 70/75-300mm IS/NEW ................£295-£415 WELL-USED BODIES,LENSES ....£TO CLEAR ROLLEI filters, ROLLEINAR 1-3 ............£ask
CAF-SIGMA 100-300f4 ASNEW ............£875 NIKON 85mm f1.4 AIS ................£495-£875 SAMSUNG GX20,14.6mp,NEW ............£549 50-500mm SIGMA/NEW............£795-£1045 D-Flash-40,/asnew ......................£275-£425 PROJECTORS HUGE STOCKS PLEASE PHONE ROLLEI 6x6 proj.lens 110-160mm........£345
CAF 12-24 TKNA-DX/SIGMA ......£365-£599 NIKON 105f1.8/135f2 AIS............£499-£899 SONY A100/350/700 bodies........£189-£475 100-400mm LIS/asnew ............£895-£1175 HASSEL/METZ 4504 TTL FLASH ..........£295 SEKONIC L778 SPOT METER ..............£445
CANON EX SPEEDLITES..............£125-£325 NIKON 120 MEDICAL/NEW? ....£745-£1495 SONY 75-300mm/70-300G..........£145/£575 70-200mm f2.8SIGMA/NEW ......£475-£655 ROLLEIFLEX - 6x6,35mm HUGE STOCKS SIGMA12mm Fisheye T mount ............£545
CANON MR14 RINGFLASH ..................£425 NIKON 200mm F2 ED AIS ......£1795-£2975 NIKON D70/70s/D100..................£185-£295 170-500mm SIGMA,asnew ..................£545 LEICA M PHONE/EMAIL SIGMA 600mm MF,OM,MD,NIK............£345
CONTAX N1 BODY/UNUSED........£345-£695 NIKON 600mm f5.6/AIS ..........£1895-£3250 NIKON D70S,BOXED,UNUSED..............£345 Extender 2x,1.4x/11 ....................£175-£225 KONICA HEXAR-RF KIT ............£995-£1495 SIGMA 180mm Macro CAF/NAF ..........£475
CONTAX 24-85AF/NEW?..............£325-£495 NIKON 600mm f4AIS ..............£2775-£3995 MBD100 Grip/new(D100) ................£69-£99 SPEEDLITE 380-580EX11............£115-£325 FOCOMAT 11c,(Last)+ILFD 500HD ......£Neg BRITISH/GERMAN CLASSICS,FOLDERS. ASK SINAR P 10x8, SINAR P2 10x8 ............£ask
CONTAX 25mm,28mm/MM ........£195-£445 NIKON D300/700/D3/UNUSED ............£ASK Nikon D1/X kit/asnew ..................£225-£495 PB-E2,Cmnd Back E1/BPE1 ..........£99-£199 LEICA M8,Bl/Chr/BXD UNUSED ..........£ASK US SINAR P2 5x4, as new ......................£offers
CONTAX 85mm f1.4/MM ............£375-£575 NIKON 12-24mm AFS..................£575-£699 NIKON D2H..................................£495-£695 Macrolite ML3/ asnew ..................£95-£165 LEICA M1,bODIES ......................£695-£995 SINAR P2, 10x8 & 5x4 ........................£NEG
CONTAX T /BXT/UNUSED ............£275-£595 NIKON-TOKINA 12-24DX ......................£369 NIKON D2X/D2XS........................£695-£995 Pola-filter 400f2.8/600f4 ......................£225 Leica M2 Black Paint,unused. ..............£neg STUDIO LIGHTING/PRO FLASH PHONE/EMAIL SINAR-C 5x4 ................................from£475
CONTAX T2,GOLD,UNUSED?................£595 NIKON 14-24,24-70mm N ........£975-£1125 NIKON D3/x,D700,300/UNUSED ..........£ASK ACCESSORIES GALORE ........£PLEASE ASK LEICA M3 BLACKPAINT,Orig ................£neg SINAR NORMA 5x7 & 5x4, user ..........£395
CONTAX DATABACK-T2 GOLD ..............£175 NIKON 17-35mm f2.8 AFS ........£995-£1495 NIKON D80/D200/ASNEW ..........£375-£599 LEICA M3 Exquisitely Painted Black ......£ask MINOLTA OC-1100 OFFCAM CABLE £59 SUNPAK DX12R PRO RINGFLASH........£225
CONTAX T2,TITN/ASNEW............£225-£345 NIKON 17-55mm f2.8DX ............£645-£875 OLYMPUS E1/BXD/ASNEW..........£245-£375 CANON MF--(CANON FD) Leica M3,late dw,glass p/p ....................£ask MINOLTA RC-1000L/RC-1000/EC1000 £49
CONTAX T3,ANNIV.70YR......................£ASK NIKON-TAMRON 17-50f2.8 ..................£295 OLYMPUS E3/BXD/ASNEW..........£595-£825 CANON F1N,asnew,UNUSED ..............£1125 LEICA M3,No.700xxx(1stbatch) ............£neg SUPER SYMMAR 80mm f4 ................£1275
CONTAX TVS/2/3/BLACK/NEW ............£ASK NIKON 20-35mm f2.8 AFD ..........£445-£795 OLYMPUS E420-520+14-45 ........£225-£345 CANON F1N WL Finder,unused ............£195 LEICA M4 BODY/BXD-ASNEW ..£595-£1895 SPECIALS SUPER IKONTA IV (6x6) ......................£399
CONTAX 645 comp/+Digiback ..............£talk NIKON 16-85DX,ASNEW ......................£375 OLYMPUS HLD-2+BTRY..............£169-£225 CANON Speedfinder-Old F1 ..................£275 LEICA M5 BODY ........................£595-£1295 ALPA 6c,9d,10d bodies ..............£295-£995 TAMRON 28-105f2.8 CAF,NEW ............£495
CONTAX 645 35mm,120MAKRO NIKON 18-70/135 DX AFS ..........£165-£245 OLYMPUS 7-14mm,UNUSED..............£1195 CANON F1n(old)+Motor+250Mag ........£995 Leica M6 Platin+50f1.4,unused? ........£5950 ALPA 11 EL, 11SI bodies ..........£995-£1995 TAMRON AF 300mm f2.8 NAF ............£995
................................................£1195-£1495 NIKON 18-200mm VR ................£375-£475 OLYMPUS 50mm f2 MACRO ......£345-£425 F1N/AE,various+MOTORDRIVE ..£225-£695 M6 TITANIUM,BOXED,UNUSED..........£1995 ALPA lenses 24-300mm ........................£ask TAMRON 500mm MIRROR ..................£ask
CONTAX G2+45mm/BLACK/NEW?£575- NIKON 28-45mm AI,scarce ..................£475 OLYMPUS 14-54f2.8-4 ................£269-£325 F1/n (original),various ................£145-£445 LEICA M6/TTL/UNUSED ............£745-£1695 ART PANORAMA 6x12/17/24 ..............£neg TAMRON 200-400 Minolta AF ..............£495
£995 NIKON 28-70mm f2.8AFS..........£895-£1295 LEICA 14-50mm f2.8-4(4/3rd)..............£525 F1,LAKE PLACID,used ..........................£495 LEICA M7/MP BODIES ............£1245-£1995 BESELER TOPCON SUPER D outfit ......£ask TOKINA ATX 28-70f2.8 NAF..................£325
CONTAX-G LENSES/BLACK/NEW ........£ASK NIKON 24-70f2.8AFS,BOXED..............£1025 PENTAX K10/20/200D+18-55 ..............£ASK BOOSTER FINDER,boxed,asnew ..........£325 LEICA MDa,DATASTRIP,Nice ................£845 BESSA 11,6x9cm,SKOPAR ........ £375-£495 -VISATEC Soft Box ..............................£ask
DALLMEYER 5cm f1, T mount ..............£ask NIKON 24-120mm/VR ................£225-£499 CANON PELLIX+50mmf1.4fl ......£195-£299 90mm f2.8 ELMARIT-M ............£495-£1195 BESSA II,6x9cm, HELIAR .......... £395-£595 VOIGTLANDER BESSA R2 M ................£375
EPSON P3-5000 PORTABLE STORG ....£ask NIKON 35-70mm AF/D ................£395-£545 HOYA 80/81/85ABC,ND2/4,FL-W,CIR-POL-- Canon EF,rare ..............................£175-£295 90mm Summicron-M,Ch/Bl ......£775-£1295 BRONICA S2A COMPLETE ..................£245 VOIGTLANDER BESSA II 6x9 ......£245-£495
FLUID HEAD/OTHER TRIPODS NIKON VR 70-200f2.8 ............£1145-£1525 —43mm-82m £ASK T90,various..................................£125-£225 Leica Apo-Telyt-M 135mm f3.4£1195-£1475 BRONICA SQAi comp, SUPERB .......... £595 VOIGTLANDER R2A+RAPIDWINDER ....£ask
............................................COME TO SHOP NIKON 70-210AFD/70-300ED......£225-£295 A1,various ....................................£75-£185 Leitz 400+560mmf5.6,Viso+R..............£ASK BABY(SEMI)IKONTA....................£275-£495 VOIGTLANDER Prominent + 50 f2 ........£475
FUJI SWD65mf5.6/360f6.3 ..............ea£750 NIKON 80-200mm f2.8AFS........£995-£1295 PROFESSIONAL DIGITAL BACKS + BODIES AE1/Programme,various................£59-£159 Leitz 400+560mmf6.8,Viso+R..............£ASK CANON ACK500/CA600 new............£49/£75 VOIGTLANDER 54mm UV/Focar lenses £ask
FUJI 645,MF/AF ..........................£245-£595 NIKON 80-400mm VR ................£745-£995 ALL MAKES OF NEW PRO BACKS T50/T70/T80,various ....................£45-£139 Coll.50mm Summicron-M*blackpaint£offers CASABLANCA VIDEO EDITOR........£To Clear VOIGTLANDER 150 Apo Lanthar ..........£695
FUJI GW670/690,90mm..............£595-£995 NIKON 50-300mm f4.5 1st Ver ..........£1125 SUPPLIED AT REALLY LOW PRICES! FTB/n,various ................................£49-£175 Leitz Mooly Motor,Black,superb ........£offers COMMERCIAL EKTAR 360mm..............£595
FUJI GSW690,65mm ................£845-£1195 NIKON 300mmf2.8 AI/S ............£875-£1475 Carnival 2020 Hassel-V sys...................£595 15mm f2.8 fisheye ................................£499 M6 Panda,very nice ..............................£ask CONTAFLEX SuperB /BC..............£145-£345 VOIGTLANDER 240mm HELIAR ..........£595
FUJI GSW680 MK111,65mm..............£1395 NIKON 300mm f4 ED/AFS ..........£445-£795 Eyelike Pro scan back............................£neg 17mm f4,20mmf2.8/unused........£245-£425 M4-P,M4-2 bodies........................from £495 CONTAREX CYCLOPS +50mm..............£495 VOIGTLANDER 12to75mm M39 ..........£ask
FUJI GX 617+90mm/105mm ..£2595-£3395 NIKON 300mmf2.8AF-ED ........£1695-£2250 Kodak DCS-Contax/Mamiya ....£1795-£2195 20-35mmL,24-35mmL ..........................£ask M4-P Winder,really nice........................£245 CONTAX IIA+50 ..........................£225-£495 VOIGTLANDER VIRTUS-645 ................£475
FUJI GX 617LENSES-90/105mm ........£ASK NIKON 300mm f2.8 VR,NEW ..............£3745 Kodak DCS Pro+ Hassel V ..................£2295 24mm f2.8 ......................................£99-149 MDA-Datastrip body ............................£995 CONTAX 1 + 5cm, EARLIEST? ..............£995 VOIGTLANDER VITOMATIC IIa ......£75-£145
FUJI 300mm+FINDER-GX617 ............£2495 NIKON 500mm f4 AF/S............£3250-£4625 LEAF 22 MP,HASSEL H or V..................£neg 24mm f1.4L,superb ..............................£895 MD2,black,un-common ........................£795 CONTAX MP-1 battery holder 645 ........£275 WALLACE HEATON 6x9 camera............£275
FUJI GX617 90-300 LENSHADES......ea£195 NIKON-AF 200-500 TMRN ..........£695-£825 LEAF APTUS 65/75,(SPECIAL)..............£neg 28mm,35mm,50mm,various ..........£29-£99 M2-R,nice,rare....................................£1595 CONTAX 645 Pro lenshade....................£225 WIDELUX 150 PANORAMA ................£1995
FUJI GX680-111+135mm,asnew ........£2175 NIKON SB 29 MACROLITE....................£299 Leaf Cantare-Hassel V ..........................£neg 28f2,35f2,85f1.8..........................£125-£295 M2/M3 body, ..............................£395-£945 CONTAX right angle finder ....................£145 WRAYFLEX 1 MILITARY body boxed ....£ask
FUJI GX 680 MK1-3 Comp ........£895-£1875 NIKON SB200 R1C1 MACROKIT ..........£525 Mamiya 645AFD comp/new ....£1075-£1575 35mm TILT/SHIFT ......................£425-£575 Leica CL bodies ............................from£275 ENSIGN 6x4.5cm, Ensar ........................£99 YASHICA AF35-70/28-85/70-210 ........£ASK
FUJI GX680 LENSES-50-300mm ........£ASK NIKON SB-21 MACROLITE-F3 ..............£275 Mamiya RZ Pro IID,new......................£1995 100mm/Macro,135mm,200mm ....£45-£325 MINOLTA CLE COMPLETE KIT ............£1699 ENSIGN SELFIX 6x4.5 xpress ..............£175 YASHICA 500mm f8(Contax fit) ..........£395
FUJI GX680 500mm+Accs,rarity ..........£ASK NIKON SB-17(F3) NEW? ......................£199 Mamiya RZ Comp+Hassel Digiback ......£neg 200mm f2.8/unused ....................£175-£345 21mm f2.8/ASPH ......................£995-£1895 FUJI PICTROGRAPHY 3-4000 ..............£low YASHICA T-T5,Zeiss T* ................ £85-£225
FUJI GX680 AE-FINDER,asnew ............£575 NIKON DW1(F2)WLF,UNUSED?............£195 HASSEL IMACON 384c 4SHOT 39mp ..£neg 300mm f2.8,various ..................£725-£1245 28mm f2.8 Elmarit ......................£595-£875 FUJITA 6x6, various ..............................£ask ZEISS 35mmf2,bl.,CONTAREX ............£999
FUJI GX680-111 BEATTIE SCREEN ......£225 NIKON DA30,DW30.DW31,MF28 ........£NEG PHASE 1 P25,HASSEL-V/H,22MP ........£neg 400mm f4.5,various ....................£299-£495 35mm f1.4 Summilux/ASPH......£575-£2195 GANDOLFI ½ plate/5x4..........................£ask ZEISS CONTAREX250mm ....................£995
FUJI GX680 POLABACK-11,BOXED ......£325 NORMAN 2/400B PORTA-FLASH £395-£625 HASSEL H1D/H2D+80mm ....................£neg 600mm f4.5,800mm f5.6/L ..................£Neg 35mm f1.4 M3,boxed,asnew ..............£1350 GOSSEN ULTRASPOTMETER ..............£395 ZEISS BIOGON 75mm US Military ........£ask
FUJI GX680-111 220 insert ..................£225 OLYMPUS 7-14mm,BXD,UNUSED......£1195 NUMEROUS ACCESSORIES ......£Please ask 35mm f2 Summicron/NEW ......£675-£1845 GRAFLEX 6x9cm +101mm ..................£445
GANDOLFI 5x4 VARIANT-3,NEW? ......£1995 OLYMPUS 14-54mm/UNUSED? ..£245-£345 LCD & VIDEO PROJECTORS 35mm f2/f2.8 M3 ........................£395-£975 ILOCA STEREO,cased,asnew .............. £425 ZEISS PLANAR 80inCOMPUR..............£NEG
HASSEL FLEXBODY/ASNEW ..£1695-£1995 OLYMPUS 40-150ED ....................£99-£195 VARIOUS BY SONY,NEC, CONTAX 645 AUTOFOCUS 50mm f1 NOCTILUX/2nd ....................£neg HORSEMAN 5x4 GEARED ....................£875 ZEISS SONNAR 250inCOMPUR ..........£NEG
HASSEL PME 45,BOXED,NEW?..........£1195 OLYMPUS 50-200f2.8-3.5ASNEW ........£825 KODAK,SHARP,PANASONIC,ETC..........£Low CONTAX 645 complete, various ..£995-1495 50mm f2,collapsible BLACKPAINT......£2895 HORIZON PANORAMA,BXD ..................£425 ZEISS CONTAX 300mm f2.8 AE ..........£NEG
HASSEL PME 90/ASNEW ............£425-£675 OLYMPUS OM4Ti,BL,BXD,UNUSED....£1195 SONY VPLL-FM21 f2 PROJ LENS ......£2275 CONTAX 645 FLASHBRACKET ..............£195 50mm f2 Summicron/Black ......£495-£1175 KODAK CAROUSEL PROJECTORS ........ASK ZEISS IKONTA 6x4.5-6x9 ....................£ASK
HASSEL PM45/BOXED,NEW ......£395-£625 OLYMPUS OM4Ti,CHAMP,NrNew ........£795 645+80+Kodak/Imacon-Digital ..from £2795 50mm f2.8 Chr/bl/asnew ............£345-£695 KODAK RETINA II/III c/C ..............from£175 ZEISS TROPEN(TROPICAL)ADORO ....£NEG
HASSEL ACUTEMAT-GRID/SPLIT ........£169 OLYMPUS MACRO STAGE,ASNEW ......£795 FIXED LENS DIGITAL CAMERAS 645 Body ....................................£325-£595 50mm f1.2 Canon+M Adapter ..............£ASK KOMAFLEX 127-SLR OUTFIT................£695 ZEISS TENNAX 1, serviced ..................£169
HASSEL EXPAN/11+45/BOXED£1095-£2450 OLYMPUS PEN FT,Bl+42mm f1.4..........£645 CANON POWERSHOT PRO-1................£345 35mm Distagon ......................£1125-£1695 90mm f4,135mm f4.5, several ..............£ask KONICA FS1+LENSES ..........................£ASK ZEISS CONTAX I-IIIvarious....................£ask
HASSEL EXPAN 30mm,C-fltr,Etc..........£NEG PENTAX 6x7-67-11AE,VARIOUS£495-£1695 CANON POWERSHOT G2-G9 ........£99-£295 45mm Distagon/asnew..............£775-£1195 90mm f2.8 Tele-Elmarit/German, from £345 KONICA HEXAR m.i. occupied Japan....£695 ZEISS CONTAX rangefinder lenses ........£ask
HASSEL EXPAN 45mm/90mm ....£375-£545 PENTAX 67 AUTO BELLOWS ......£595-£895 CONTAX TVS DIGITAL,Bxd,asnew ........£275 120mm Apo-Macro-Planar ................£1695 Russian 20mm+Finder..........................£345 KOWA 6+ LENSES 55-250mm ............£ASK ZEISS IKON 1.7x TELESKOP ................£225
HASSEL EXPAN CAPS/HOODS ............£ASK PENTAX MZ-S BODY,UNUSED? ............£599 HP 967 (10.1mp) NEW ........................£199 140mm Sonnar/asnew ..............£775-£1195 Leitz Duo-24 Synchroniser....................£125 LEICINA SPECIAL Super 8 ....................£ask ZEISS SUPER IKONTA-1V,cased ..........£475
HASSEL 100mm CF/i/ASNEW ..£899-£1945 PENTAX LX BODY/UNUSED ........£275-£875 LEICA DIGILUX-1,asnew ......................£295 210mm Sonnar/asnew ..............£795-£1395 Pradovit CA 2500+90mm,asnew ..........£275 LEITZ FOCOMAT IIc+Ilford Hd............ Offers
HASSEL 903SWC/ASNEW ......£2575-£3295 PENTAX 31/43/77mm LIMITED............£ASK LEICA D_LUX 2,UNUSED......................£295 Battery Holder MP-1 ............................£225 135mm f2.8, f4, f4.5 choice ............£PHONE LEITZ ZEICHEN APPARAT ....................£195 WHAT’S NOT LISTED?
HASSEL 205TCC,COMP,ASNEW ........£2895 PENTAX 35mm FISH 6x7 ............£475-£795 Minolta Dimage Z2-Z5 ................£119-£149 120/220 Vacuum Inserts ......................£ask Finders 21, 28, 35, 50, 90, 135 Vidom ..£ask LINHOF 220 (120) 6x7 cm....................£595 Filters from 22mm – 133mm,CAMERAS-
HASSEL 205FCC**COMP,UNUSED ....£5995 PENTAX 15mm SMC-M/A............£575-£795 Nikon Coolpix 5000/5700................from£69 120/220/Polaroid backs................from £149 Voigtlander lenses from 12-90mm........£low LINHOF MASTER TECHNIKA ......from£1575 OLD,VERY OLD,ODD,WEIRD,
HASSEL E12/E16 Mag,NEW..................£995 PENTAX M42 LENSES,VARIOUS ..........£ASK NIKON P3(VR)8.1mp,NEW UK..............£175 Accessories ................................£Please ask Winders-M4-2,M4P,M6,SF20/24 ..........£ask LINHOF PRESS 70+80Planar from......£1375
HASSEL 60-120mm FE,NEW ..............£1995 PENTAX FA 40 PANCAKE,asnew ..........£199 NIKON COOLPIX P5000/5100 ....£169-£225 V35 B+W Enlarger+40/50mm ..............£495 MAMIYAC220+80,BXD,NEW?.............. £395 UGLY,BEAUTIFUL. Lenses to fit most
HASSEL 501C COMP,BXD,ASNEW......£1595 PENTAX FA 50mm/100mm MACRO Olympus E20,SP510,C5050 ..............ea£175 CONTAX REFLEX/CONTAX-G SUPER COLORPLAN PRO 90mm NEW £295 MAMIYAFLEX 55/135/180NEW .......... £ASK cameras..Finders..
HASSEL 501CM,COMP,ASNEW ..........£1699 ....................................................£275-£395 RICOH GR DIGITAL ..............................£185 PHONE/FAX/EMAIL METZ 70 MZ5,new................................£345
HASSEL 503CW,COMP/CFE/NEW? PENTAX 50-135f2.8/60-250 ED ..£699/£845 RICOH GX100/200+VF/NEW........£195-£375 LEICA REFLEX/LEICA SCREW-LARGE METZ Flash adapters, various................£ask PRICES???------NOTHING IN LIFE IS FIXED,
................................................£1395-£2625 PENTAX 16-50f2.8/12-24mm ......£625/£745 Sigma DP1, asnew................................£299 FUJI STOCKS,PHONE,FAX,EMAIL Minolta/Sony Hot Shoe/PC adapter ........£39 AND THIS APPLIES TO OUR SECONDHAND
HASSEL H1,Comp/ASNEW......£1825-£2675 PENTAX AF TAMRON 28-75f2.8............£325 SONY H9,15x,asnew ............................£195 FUJI GX617+105/90mm ..........£2495-£3395 MINOLTA/SONY WILESS FLSH CNTR ..£195 PRICES!!!
WHAT YOU EXPECT FROM NICHOLAS – KNOWLEDGE, EXPERIENCE, EXTENSIVE STOCKS

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Campkins CAMERA
11 Rose Crescent,
CENTRE
Cambridge CB2 3LP
PART-EXCHANGE STILL POSSIBLE
CANON USED BUT BOXED LEICA SCREW ITEMS MEDIUM FORMAT
Canon EOS 300v 28-90......................£125 3G +F2/50 Summicron ....................£1299 Hasselblad 501cm, 80, A12 boxed
Canon EOS 5+28/105 3.5/5.6 ............£160 3F RD F2/50 ......................................£399 ..........................................Nr Mint £1,499
Canon EOS 10D B/O..........................£269 Hasselblad 120/f4 CFI boxed ............£999
2 Chrome b/w ....................................£299
70-200/4 Canon USM ........................£450 Hasselblad 40/f4 CF boxed............£1,099
400/5.6 Tokina/Canon FD ....................£80 2F RD F2/50 ......................................£399
Hasselblad Prism PM45 boxed..........£299
Canon EF 24-105/f4 L USM ..............£740 50/F2.8 Elmar ....................................£275 Hasselblad 150/f4 CF Blk ..................£359
Canon 430EX Flash............................£170 90/F4 Chrome ....................................£190 Hasselblad 500ELM body..................£299
Canon BGE4 Grip ..............................£150 90/F4 Black ........................................£120 Hass Pro shade 6093T ......................£115
SAMYANG LENSES IUFOO low hood ..................................£70 Hass Polarid back 100 ........................£40
Check for Stocks Hass lens hoods 60/80 + 60/100-250
LATEST DIGITAL ITEMS ..................................................each £35
LATEST FILM SLR Hass Softar 1, series 60 ......................£49
EOS 5 body (film) ........................£115.00 Olympus E 40-150 Zoom Mk I ..........£150
70-300 4/5.6 ED Nikkor ......................£259 Hass fit 2x Menho converter ................£65
EOS1 Body ..................................£125.00
Bronica ETRS + AF Prism + motor +
Canon ML-3 flash .............................. £150 17-35 12.8/4 Sigma NAFD ................£210
120 bag ..............................................£399
Yashica T Zoom ............................£75.00 Nikon D200 body ..............................£650 ETRS fit 150/2.8..................................£149
Nikkor 35mm PC lens boxed ...... £235.00 Nikon D70 body ..........................£199.99
Tokina 35-300 PAF ...................... £145.00 ETRS Polarid back................................£49
Olympus E510 twin kit, Boxed ..........£400 SQA fit 80/2.8 ....................................£149
Cosina 100-500 C FD ....................£80.00
Olympus OM2N + f1.8 ......................£110 Olympus E600 c/w 14-42 ..................£375 SQA fit 50/2.8 ....................................£249
Min Dynax 40 + 28/80 ..........................£79 Panasonic FZ7 boxed ....................£99.99 Pentax 6x7 fit 15/4 Macro ..................£320
Olympus OM2SP 50 1.8 ....................£149 Canon 70-200 2.8L non IS ................£880 Mamiya RB67 fit 180/4.5 ....................£235
Minolta X700 + F1.7 ..........................£149 Canon G7 ..........................................£260 Mamiya RB67 fit Prism finder ............£160
Canon E05 30 b/w..............................£275 Mamiya 645 Zoom fit 75-150 ............£345
Sony DT 50 1.7 SAM ............................£80
Canon E05 50E b/w ..............................£85 Mamiya 645 fit 45/2.8 ........................£200
Minolta 3600HSD ..................................£50
Minolta SRT1016 F1.4/50 ..................£150 Mamiya 645 fit Prism ............................£50
Tamron 17-50 f2.8XP NAF (boxed) ....£320 Mamiya 645 fit 300/5.6 ......................£200
Canon FT GL +F1.8/50 ........................£90
Olympus OM10 +F1.8/50 ....................£60 Sigma 70mm f2.8 macro (boxed) ......£315 Mamiya 645 fit from back ....................£50
Minolta X300 ..................................£99.99 Mamiya 6 (old!!) ................................£175
Exakta VX2B 2.8 Tessar ....................£135 LEICA
Pentax Spotmatic f2/50 ..................£99.99 Leica M3 s/wind body ........................£575
Pentax Prog A +F2/50A......................£120 SONY MINOLTA SPECIALS
Leitz 50mm f2.8 col ......................£399.99
Minolta XGM +F1.7/50..........................£80 50-150 f2.8 Ex APO DC Sigma
Leica CL body....................................£375
Canon T50 +F1.8/50 ............................£50 New ................................£299.99
Pentax MZ7 +28-80 ..............................£89 Leica R6 50mm f2 ..............................£545
Contax TVS III boxed ..................£499.99
100-300/f4 Ex APO DG Sigma
Minolta XE7 +F1.4/50 ........................£150
Canon A1 +F1.8/50 ............................£140 Leica R 80mm f1.4 ROM ..........£1299.99 New ................................£599.99
Olympus OM250 + F1.8/50................£140 Leica 35mm f1.4 ROM ..............£1199.99 10-20/f4/5.6 Ex DC Sigma New
Leica M9 black in stock at time of listing Leica M2 + 35/1.4 Skopar + MR........£999 ........................................£399.99
LOOKING FOR ITEMS? WRITE/FAX ‘E’ YOUR REQUIREMENTS

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Cameras For Sale
COMMERCIAL CAMERAS
SUPPLIERS OF QUALITY NEW AND PRE-OWNED EQUIPMENT
AS AT 8-10-10
SPECIAL PRICE STUDIO LIGHTING KITS
CLASSIFIED Elinchrom BRXi 500/500 2 head kit Only £839

Elinchrom D-Lite (IT) 200/400 To Go Set Only £439
Cameras For Sale Bowens 500R 2 Head Kit Only £879
Please ask us to quote you on any lighting kit
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Very good condition Only £350
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NEW LENS SPECIALS!!
One Only
Tamron SP AF 180mm f3.5 Di Macro (Canon AF Fit)
1:1 Macro (IF) List Price over £699 One Only at £395
Nikon Latest AFS-DX Micro 85mm f3.5G ED VR
2 only Our Price Only £365
SECONDHAND LISTINGS
Please check www.commercialcameras.co.uk
for latest equipment
CAMERA AUCTION LEEDS, Tues Nov

2nd. Village hall Boston Spa. Sell your Black
Black&&White
White Processing
Processing
unwanted items free of charge.
www.camerafayre.co.uk Professional B/W colour printing. Hand
Processing all types of films from 35m-5x4
CANON 1DS EXCELLENT condition, Develop and Contacts £5.50 each
complete with charger, leads, instruction
manuals and software. £750 ono. Also Co
2 ornte
morentfilmID: 570201
£4.50 each
Canon 1D excellent condition, complete, Develop, 5x7s @ £12 per roll
£400 ono. Canon extender EFx2, £115. Cus toonme
All printed r: Kb/w,
genuine Hcolour
PHOTO-papers.
Canon L series lens EF 28/18mm F2.8- Phone for price list of all services:
4 excellent condition, £300. Please ring 01442 231993
01492871131 or 07714201448. S ize :+ £2
Send cheque
All work sent back recorded delivery
MAMIYA 7 II Kit, 80mm lense, boxed, Karl Howard,Clas s : Close,
16 Chalfont
manual. Absolutely mint £1,000. Hemel Hempstead, Hertfordshire, HP2 7JR
Panasonic 6F1 with 14-45mm lense,
boxed, manual, Lowepro bag, 4 6B card.
Like new. £415. Tel: 07854 588693. KAREN WILLSON BRISTOL, Superior
quality processing & printing. Tel: 01179
MINOX SPECIALIST. M.S. hobbies, 515671 www.kwfilmprocessing.co.uk
cameras, accessories, sell/&buy.
Sub.min/110 D & P + film. 01667 451
405.
Camera Fairs
Lenses For Sale
Lenses For Sale
CAMERA AND PHOTOGRAPHIC fair
HASSELBLAD HC35MM LENS, Mint Cheese and Grain Hall, Froam Sunday
condition, caps, hood, pouch £1250 7th November 2010. Admission £3
offers. 01283840703. 9.30am-3pm. Early bird £5 8.30am. Tel:
07934 634955 or 01373 466851.
NIKON 24-85MM 2.8 zoom lens, mint. www.wessexcameraclub.org.uk
£300. Telephone 0161 969 0708
CAMERA FAIR LEEDS, Sun Oct 31.
11am. Village hall Boston Spa just of A1
OLYMPUS OM1 ZURICO lsns - all nr Wetherby. 07979 913156.
under £100 each. 50mm F1.8-S- 28mm
F2.8-S 35-70 zoom G4- x2 Tele CAMERA FAIR PRESTON, Sunday Oct
converter all Zurico Olympus lens in 24, 11am, Samlesbury Memorial Hall, 1
Mint condition- 01908316736 after 6pm. mile Jun 31 M6. 07979913156.
Wanted Studios
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★★ SPECIAL OFFERS ★★ CLEARANCE OFFERS ★★ END OF LINES ★★
New HOYA Circular THE UK’s LARGEST S/H PHOTOGRAPHIC BOOKS
Polarising Filters!! INDEPENDENT COKIN STOCKIST Leica Lens Book by B Bower £6.99
49mm/52mm each £17.99 Leica Manual & Data Book £5.99
55mm/58mm each £19.99 COKIN ‘P’ Discount Prices!!! Rolleiflex & Rolleicord Guide £5.99
62/67mm each £22.99 Yellow/Orange/Red/Green/Sepia Nikon Product Guide 1989 £8.95
72/77mm each £29.99 80A, 80B, 80C, 82A, 82B, 82C Beaton Portraits 2004 £9.99
81A, 81B, 81C, 81D, 81EF, 85A, The Black & White Handbook £6.99
HOYA PRO-1 DIGITAL UV or 85B, 85C, FLW, NDX2, NDX4, Many more – see our website
Protection Filters (multi-coated) NDX8 – all £10.96 each
52mm £21.50 55mm £24.50 Graduals Grey/Tobacco/Blue/ S/H PENTAX Clearance
58mm £26.50 62mm £29.50 Pink/Emerald/Yellow/FLW/FLD Pentax P30 Body £16.50
67mm £33.50 72mm £38.50 all one price £13.99 each Pentax ME Super Body £18.50
77mm £42.50 82mm £49.50 Pentax MZ-M Body £24.95
We carry the largest stocks of Pentax Winder II £14.95
KOOD Japanese Optical Filters COKIN ‘A’, Z-PRO and X-PRO Vivitar 28mm f2.8 £16.95
Camera Collector
in 80A, 81A, 80B, 82A, 82B in the UK – phone for prices Vivitar 35/105mm f3.2/f4 macro £24.95
85A, 85B, FLW, FLD, NDX4 Ricoh 28/100mm f4 £27.50
Red, Yellow, Orange, Green The latest HOYA SLIM DIGITAL Vivitar 28/70mm f3.5/f4.8 PKA £23.95
looking to acquire
49mm £10.99 52mm £11.99 CIRCULAR POLARIZER (5mm) Vivitar 75/205mm f3.8 £18.50
55mm £12.99 58mm £13.99 52mm £36.50 55mm £39.50 Cosina 100/300mm f5.6/6.7 £24.95
62mm £15.99 67mm £19.99 58mm £44.95 62mm £48.50 2X Converter & Case £6.99
- SUTTON PANORAMIC 72mm £24.99 77mm £34.99 67mm £54.50 72mm £59.95
77mm £67.50 82mm £77.50
- HILL CLOUD CAMERA CLIP-ON LENS CAPS
KOOD STEP-UP/STEP DOWN RINGS
1,000s in stock – tel for details
- SINCLAIR TRAVELLER/TROPICAL 27, 28, 30, 34, 37mm
40.5,43,46,48,49mm
£2.99
£3.35
each
each
HOYA MULTI-COATED
DIGITAL UV FILTERS HARD LENS CASES to clear
- ADAMS MINEX TROPICAL 52, 55, 58, 62mm £3.65 each 46mm £11.99 49mm £11.99 Small £1.99 Med £2.99 Large £3.99
67, 72, 77, 82, 86mm £3.99 each
- MARION ACADEMY 52mm
58mm
£12.99
£13.99
55mm £12.99
62mm £14.99 S/H FLASH METERS
- LEICA ANASTIGMAT WIDE ANGLE LENS HOODS
49, 52, 55mm (rubber) £6.49
67mm £16.99 72mm £19.99 Courtenay FM-22 £18.50
77mm £23.99 82mm £25.99 Folkes Mark IV £22.50
- LEICA MP 58, 62, 67mm (rubber) £7.49
- LEICA 250 MOTOR, - LEICA STEREO LENS RUBBER LENS HOODS
HOYA CIRCULAR POLARIZER
AND UV FILTER COMBINED
S/H NIKON BITS & BOBS
Nikon F50 Body (good cond) £29.95
- NOCTILUX 50/1, 50/1.2 46, 49, 52, 55mm £3.99 each 52mm £33.95 55mm £34.50 Nikon F301 Body (excellent) £28.50
58, 62, 67, 72mm £5.35 each
- SUMMILUX 35/1.4 58mm £36.99
67mm £45.95
62mm £38.95
72mm £49.50
Nikon F801 Body (boxed)
Nikon F65 Body (excellent)
£44.95
£24.95
KOOD FILTER WRENCH SET
- IIIC GREY/LUFTWAFFEN, - PROTOTYPE M3 46/58mm £2.99 62/77mm £3.99 77mm £54.50 82mm £73.95 El-Nikkor 50mm f2.8 £19.95
El-Nikkor 75mm f4.5 £22.50
- LEICA M3 UNDER SN.700.200 COLLECTABLES CORNER NEW KOOD Japanese Optical Nikon HB-36 Lens Hood £5.95
- BLACK LEICA MOTOR Kershaw Penguin 8-on-120 £15 Flat Skylight/UV Filters
27/28/30/30.5/34/35.5/37/37.5/
Nikon HN-24 Lens Hood £7.99
Voigtlander Vitoret £12.95
- BLACK PAINT 50/2, 50/1.4 35/2, 35/2.8 Vito BL 50/2.8 & Case £47.50 39/40.5mm each £6.75 S/H MINOLTA MD CLEARANCE
43/46/49/52mm each £7.99 Minolta XGM Body excellent £19.95
- HASSELBLAD 903/905 Ihagee 127 16-on-127 £89.95
55/58mm each £8.99 Minolta X300 Body £22.50
Yashica 24 (120)/Case £69.95
- NIKON I RANGEFINDER Olympus Trip 35 £8.99 62/67mm each £10.75 Elicar 28mm f2.8 £11.95
72/77mm each £13.50 Centon 28/70mm f3.5/4.5 £18.50
Mr PH Van Hasbroeck, Zeiss Ikomatic (126)
Adox 120 Folder/Case
£8.99
£13.99 82mm £17.50 86mm £27.99 Sirius 28/200mm f3.5/5.3 £26.50
T: 020 7584 0077 Soho Myna 8-on-120 £16.99 95mm £42.50 105mm £44.55 Centon 70/210mm f4/5.6
Vivitar 75/205mm f3.8
£18.50
£16.95
F: 020 7591 3848 NEW JAPANESE Thin Camera Straps 99p each 2X Converter and Case £4.99
YELLOW/GREEN FILTERS Thick Camera Straps £1.99 each
E: Hasbroeck@aol.com for Black & White Pentax Camera Straps £2.25 each 2 ONLY SUMMIT (HOYA) 20X50
in 52/55/62/67mm £3.99 each £2.00 POST/PACK PER ORDER Compact Spotting Scope £29.95 ea
BILLINGHAM 225 & 335 karki camera EXAKTA IIA OR similar wanted. Must DENTON OPEN
67 Manchester Road
bags or Billingham £1-2 karki also. be ‘minty’ with good shutter. Tel. Fred on Mail Orders by return, ask PHOTO
Denton, Manchester
for Trish, Dave or Dennis
OPTICS MON - FRI
Sekonic light meter L-398A studio and 01902 335412 please leave your 11am - 3.30pm M34 2AF
Weston master universal light meter. number if I’m out thanks. Tel: 0161 336 4603 Always
01908316736 After 6pm. www.ukfiltercentre.co.uk a good sign norton.d@btconnect.com
Camera Repairs Specialist Repairers

Newton Ellis & Co
COLCHESTER CLASSIC CAMERA REPAIR
SPECIALISTS
CAMERA Tel: 0151 236 1391
Postal service available
REPAIR SERVICE Repairs to all photographic equipment
cameras (classic, modern and digital)
lenses, camcorders, binoculars, etc
Official OLYMPUS, 29 Cheapside, Liverpool L2 2DY
service centre. www.newtonellis.com
Warranty Repairs.
Free estimates. Most other makes
repaired. Video repairs. Teddington Photographic
Full postal service. Buy and sell used
6 Kings Court, Newcomon Way,
Severalls Business Park, photographic equipment
Colchester C04 9RA
www.teddingtonphotographic.com
Tel: 01206 843322 020 8977 1064

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The final frame
CONTACTS
ROGER
Editorial
Amateur Photographer, IPC Media, Blue Fin Building,
110 Southwark Street, London SE1 0SU
Telephone 0203 148 4138 Fax 0203 148 8130
HICKS
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Can the ‘unknown unknowns’ of the photographic Advertising
Amateur Photographer, IPC Media, Blue Fin Building, 110
world ever be captured for posterity? Southwark Street, London SE1 0SU. Telephone: 0203 148 2517
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Classified telephone 0203 148 2929. Fax: 0203 148 8158
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Editorial team
IN MAURITIUS in the late 1770s and early photomicrography or astrophotography? But what of Editor Damien Demolder
1780s, a semi-retired French sailor called Etienne the things we can neither see nor photograph, such as Editor’s PA Christine Lay
Bottineau developed what he called ‘Nauscopie’. Via the ‘perturbations of the atmosphere’ of Nauscopie? Art Editor Mark Jacobs
‘perturbations in the atmosphere’ he could predict the Devotees of Sir Terry Pratchett will recall Otto Production Editor Lesley Upton
Technical Editor Angela Nicholson
arrival of ships as much as four days before they were Chriek, the photographer who first made an News Editor Chris Cheesman
visible on the horizon. His track record was astonishing: appearance in The Truth (the 25th Discworld novel). Deputy Production Editor Breandan Maguire
hundreds of ships, apparently without failure. This was He made several experiments with ‘zer light vithin Deputy Art Editor Simon Warren
long before radar or telegraphy: there was no other darkness’, which is ‘seen by zer dark eyes of zer mind’ Features Writer Jeff Meyer
way he could know about these arrivals. (he has a thick Ubwerwaldian accent, but then, he Designer Antony Green
The governor of the island, which was at that time is a vampire). This is, of course, entertainment, but Technical Writer Richard Sibley
known as the Ile de France, checked his predictions it raises the same questions as Nauscopie. What do Deputy Features Editor Gemma Padley
Sub Editor Oliver Cotton
carefully across a period of we not know about, and Technical Writer Tim Coleman
two years. At the end, he therefore (think we) cannot
was so impressed that ‘But what of the things photograph?
Photo-Science Consultant
Studio Manager
Geoffrey Crawley
Alan McFaden
he offered M Bottineau we can neither see It is all very well to Picture Researcher Rosie Barratt
a lump sum of 10,000 laugh about this, or to
livres and an annual pension nor photograph, such lump it together with such
Special thanks to
The moderators of the AP website Andrew Robertson,
for life of 1,200 livres if deceptions as Victorian
he would teach others his as the “perturbations ‘spirit’ photography, or
Chris Cool, David J White, Fenris Oswin, Henry Rogers, lisadb,
Nick Roberts, Richard Hardwick, The Fat Controller
skill, which, the enterprising of the atmosphere” for that matter with the Advertising team
mariner maintained, he Cottingley Fairies, on Group Advertisement Manager
could easily do. of Nauscopie?’ which Geoffrey Crawley Senior Display Sales Exec
Lee Morris
Julia Spencer
0203 148 2517
0203 148 2637
M Bottineau, being a is an expert. Then there Senior Display Sales Exec Simon Gerard 0203 148 2510
properly patriotic Frenchman, declined. He preferred are UFO pictures. Those of a more modern turn of Display Sales Executive Rob Selvey 01922 412 720
to return to France so that his discovery would, when mind may also muse upon Donald Rumsfeld’s famous Business Development Manager Dave Stone 0203 148 2516
he made it public, redound to the eternal credit of la classification of ‘unknowns’, which included things we Classified Sales Manager Nicola Jago 0203 148 2608
Classified Sales Executive Ellie Smith 0203 148 2929
Patrie. On the voyage, he continued to demonstrate know that we don’t know, and things we don’t know Display Ad Production John Jones 0203 148 2671
his prowess, both ‘ship to ship’, predicting the passage that we don’t know. Copy Chaser Kumu Vithlani 0203 148 2645
of other ships, and ‘ship to shore’, predicting (often by Is it possible that there are still ‘invisible’ things to be
days) the cries of ‘Land ho!’ photographed – Rumsfeldian ‘unknown unknowns’ Marketing and promotions
Unfortunately, by the time he reached his native – or that there are senses or techniques to be (re) Senior Marketing Manager Estelle Hicks-Bennett 0203 148 4321
Online Manager Karen Sheard 0203 148 4943
land, the aftermath of the French Revolution was discovered, such as Nauscopie? Well, of course it’s SPI Administrator Charlene Baker 0203 148 4326
still something of a distraction. In the white heat of possible, even though it’s not outstandingly likely, and
contemporary technology, his claims were dismissed despite the fact that I was taken firmly to task some Publishing team
as magic and trickery. In short, he failed to attract any years ago for suggesting in print that there may be Advertisement Director Chris Templeman
Group Magazines Editor Garry Coward-Williams
support, and he died some years later in obscurity a sense of ‘proximity’, that is, a way of detecting, in Publishing Director Alex Robb alex_robb@ipcmedia.com
and poverty without ever revealing his secret. At this complete darkness, how close we are to a wall or Managing Director Paul Williams
remove it is hard to see why he did not go back to other substantial object. All contributions to Amateur Photographer must be original, not copies or duplicated
Mauritius and take up the offer. No one seems to There are, after all, wide divergences in sense of to other publications. The editor reserves the right to shorten or modify any letter or
know the answer to that one. taste, or smell, or eyesight, or acuity of hearing, and
material submitted. IPC Media or its associated companies reserves the right to re-use any
submission sent to the letters column of Amateur Photographer magazine, in any format
It is easy to say today that we no longer need it may be that both ‘proximity’ and Nauscopie require or medium, WHETHER PRINTED, ELECTRONIC OR OTHERWISE
Amateur Photographer® is a registered trademark of IPC Media © IPC Media 2010
Nauscopie, because we have radar, satellites and certain senses to be more sensitive than average. Or it Amateur Photographer (incorporating Photo Technique & Camera Weekly) Email:
wireless. This is, however, to miss the point completely. may be that there are other, ‘weak’ senses that are not amateurphotographer@ipcmedia.com Website: http://www.amateurphotographer.co.uk
IPC Switchboard tel: 020 3148 5000 Amateur Photographer is published weekly on the
M Bottineau was insistent that Nauscopie relied on universally shared – think of perfect pitch – and that Tuesday preceding the cover date by IPC INSPIRE, part of IPC Media Group of Companies.
Distributed by Marketforce (UK) Ltd, Blue Fin Building, 110 Southwark Street SE1 OSU. ©
visual clues, and it therefore falls quite properly under don’t always work even when they are present. IPC Media ISSN 0002 6840 © Copyright IPC Media Ltd. No part of this publication may
the modern science of photography. Far more so, in The point is that while we can duplicate ‘proximity’ be reproduced, stored in a retrieval or transmitted in any format or medium, whether
printed, electronic or otherwise, without the prior written permission of the publisher
fact, than such things as Kirlian or aura photography. in various ways (for a start, echolocation, heat sensors, or the editor. This is considered a breach of copyright and action will be taken where this
Which leads us, immediately, to a far more intriguing possibly even gravitic balances), no one has yet
occurs. This magazine must not be lent, sold, hired or otherwise disposed of in a mutilated
condition or in any authorised cover by way, or by trade, or annexed to any publication
question. Sure, we can photograph things that we worked out how to duplicate Nauscopie. At least, not or advertising matter without first obtaining written permission from the publisher. IPC
Media Ltd does not accept responsibility for loss or damage to unsolicited photographs and
cannot easily see with the naked eye. Never mind visually. So there’s a challenge to any readers looking manuscripts, and product samples. IPC Media reserves the right to use any submissions
Kirlian or even Schlieren photography: what about for an out-of-the-ordinary photographic project. AP sent to Amateur Photographer Magazine in any format or medium, including electronic.
US agent: Mercury International, 365 Blair Road, Avenel, NJ 07001. Periodicals paid at
Rahway, NJ. POSTMASTER: Send address changes to Amateur Photographer, 365 Blair Road,
Avenel, NJ 07001.
Roger Hicks is a much published author on photography. He has written more than three dozen books on
the subject, many in partnership with his wife Frances Schultz. He has been a freelance photographer/writer
since 1981, contributing to many magazines. Visit his website at www.rogerandfrances.com.


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CANON EOS 60D TEST HANDS ON REVIEW

NEW METER AND AF NEW SAMSUNG NX100

The EOS body that handles like… a Nikon!

LAB AND YOUR PHOTOS IN PRINT

ART OF TRAIN TRAVEL

THE AP READERS’ POLL

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11 SAMSUNG NX100 YOUR WORDS & PICTURES

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Man in shock photo ban • Officials admit policy failings

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