Professional Documents
Culture Documents
By Ronnie Bray
As a child and young lad I attended Brunswick Street Methodist Church in Huddersfield, and
enjoyed my association from being very young up until halfway through my fourteenth year.
Harvest Festivals at Brunswick Street were memorable affairs, but equally memorable was the
polished woodwork that sang through the beautiful architecture of its chapel and gallery.
In later years I attended Sunday evening services more and enjoyed the organ and the
enthusiastic singing that lifted my soul in ways I could neither define nor express. Between
Brunswick Street, as the chapel was affectionately known, and the morning assemblies of Spring
Grove School, sacred music was poured into my soul, enriching it by thrills and passions it
evoked, causing me to hunger for more.
Although I became familiar with multitudes of words and tunes from ‘Ancient and Modern,’
three hymns stood out from them all. Two were regularly sung at school, and the third at Sunday
School.
‘Holy, Holy, Holy,’ evinced the raw power of divine majesty and power even as I considered it
theologically unsound. In today’s Christian Age when many have abandoned God the Father in
favour of his Son Jesus Christ, the hymn serves to remind us that whatever happens, God is
above all, over all. This was of great comfort to me as a child growing up in the War Years
when the whole of the world seemed engaged in a Life or death struggle against the powers of
darkness.
Its words were written by Reverend Reginald Heber when he was the Vicar of Hodnet in Shrop-
shire. The powerful music, ‘Nicea,’ was composed by John B Dykes. The marriage of poesy
and tune combined in this great hymn to stir my soul. I did not understand it, but it was a hint of
something ‘other’ that was as real and tangible as the hewn rocks that were built into the walls of
the houses of old Huddersfield.
The second school hymn brought terror in its train. Not a terror for myself, but a sense of the
awfulness that sailors face at sea, whether from storm and tempest, or from death dealing
bombardment by sea and air. If I remember it or hear it now, I relive the sense of dread and
foreboding it instilled into my heart and mind as I stood with my fellows on the stepped benches
of my alma mater. The hymn is sung on ships of the Royal Navy, and other nations have
adopted it as a sailor’s anthem. William Whiting wrote it for one of his students who was about
to sail to America, and was set to music by John B Dykes, the year before it was published in
Hymns Ancient and Modern.
But neither of these stirring hymns of angst and alarm tops the list a favourite of my boyhood
days. That honour goes to a sweet hymn whose simple message reached into my heart with its
words and music to touch whatever it was inside me that was tuned to a timeless sense of
spiritual realities and woke me to experience the love of a Heavenly Father. That place is
reserved for a down-to-earth child’s view of a figure from the past who reaches us still. The
words were written by William H. Parker, and were set to music by Frederick A. Challinor.
First let me hear how the children stood round his knee,
and I shall fancy his blessing resting on me;
words full of kindness, deeds full of grace,
all in the lovelight of Jesus' face.
This children’s hymn still moves me as it did [more than] sixty years ago when I sat among
Methodists and felt the wonder of the life of Jesus as it was recounted by dedicated teachers. I
knew that Jesus was special; moreover, I was convinced by this hymn that he was especially
special to children, and I longed to see him.
By the time I was fifteen I had moved on from the Methodists, spurred by unkindness that I
vowed as a teacher never to emulate. My new church introduced me to many new hymns.
Hymns that for the more part had been produced in the furnaces of persecutions and
misunderstandings.
I have other favourites now; far too many to recount. Yet, as long as I remain in mortality I will
always remember the part these three hymns of yesteryear contributed to my religious and
spiritual endowment. And when I sing “Tell Me The Stories Of Jesus,” I still become moist
eyed, and hope I always will.