Professional Documents
Culture Documents
With its retrospective on the work of Marcel Breuer, the Vitra Design
Museum will focus on his seminal contribution to the development of
furniture and interior design in the twentieth century. At the same time,
the exhibition provides an opportunity to reintroduce Breuer’s long-
neglected architectural oeuvre to the public and to reassess its place
in modern architecture.
Armchair, 1922 Set of nesting tables B9, Lounge chair, 1932/33 Armchair B34, 1928 Side table B 12, 1928
1925/26
Isokon side chairs and table, 1936/37 Isokon nesting tables, Thonet stool B 8, 1930 Chair and desk;
1936 dormitory rhoads Hall,
Bryn Mawr College, 1938
Shelve, 1930 Reclining Chair, 1932/34 Stool B9, 1925/26 Armchair B64, 1928
Catalogue of Thonet tubular steel Thonet poster, 1931
furniture, 1930
Wohnbedarf store,
Zurich 1932/33
In contrast to many other designers who have worked more or less
simultaneously in the areas of architecture and design, Breuer’s work
in these two fields falls into relatively distinct time periods. The most
important part of his design career was already completed when his
activity as an architect began in earnest. The few furniture pieces
designed after 1945 did not achieve the same success as the models
from the 1920s and ‘30s. Yet even in the case of Breuer, it would
be erroneous to consider his buildings and furnishings completely
independent from one another. The exhibition will strive to delineate
the many parallels between these spheres of his creative work, for
example, in the emphasis on construction, in the interaction of
individual components, or in the attention to detail.
Apartment houses Doldertal in Zurich UNESCO Headquaters in Paris (with B. Nervi and B. Zehrfuss), 1952-58
(with Alfred and Emil Roth), 1934
Consultans
Catalogue