Professional Documents
Culture Documents
Supervisee : Supervisor :
Ahmed LAHMAR Pr .Omar BSAΪTHI
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Dedication
I am so indebted and grateful to my
supervisor Dr. Omar BSAΪTHI whose help
and advice were a motive for me to fulfil this research
I offer the fruit of three years of hard work
to my beloved mother and father whose love
and affection have been, and still, the elixir
my life to my grandmother Fadma
To the spirit of my deceased grandparents
Ahmed LAHMAR
The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
Introduction
April 21st, is the day that witnessed the birth of the first
Keatsian ode, which is that of to a psyche. This announced a new
poetic period in Keats life. A period which knew, in addition to
the changes in the level of poetic creativity, many psychological
problems and disturbances. Keats's psychological state, at the
time, was in bad conditions, series of crises, depressions and
indefinite feelings of sadness and (sometimes) madness. The
pains that Keats experienced during his life, his deep reading of
the human literary heritage and the richness of his imagination,
were behind the magic of his odes.
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The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
Keats' poetic life can be divided into two main periods, the
first one is that of the "pre-odes" period which is characterized by
his serious attempts to create his own poetic personality and
remain individual in the way he conceptualizes the existence. He
composed many poems and sonnets but he was known for the
second period in which he composed the odes3, to which we will
come back in an extensive and more detailed way. He spent many
years studying Greek mythology and reading literary classical
and contemporary masterpieces
What made Keats' life more tragic is his love story and his
inability to reveal his feelings to Fanny, to whom he wrote an ode
(Ode to Fanny), despite they were living under the same walls.
Anyway we cannot call it a story since love was aroused only
from the part of Keats while Fanny was not even aware that she
inspired a magician. Soon later, an other lady stole his heart and
inspired him "bright star". This one is called Mrs. Jones4.
2
Ibid, p : 381
3
John Halloway, “the ode of Keats” in “John Keats’ odes”, G.S.Fraser. p : 166
4
Robert Gittings, John Keats: “the living year”. London: Heinemann, 1978. p: 25
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The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
Keats wrote more than ten, but only eight of them were
published, namely: To a nightingale, On melancholy, On
indolence, To autumn, To Fanny, On the sonnet and On a
Grecian urn. They were all written between April and June, 1819,
except To autumn which he composed in September. Those were
written under the pressure of pain and illness: “they make up a
psychological document an unexpected one of unique interest”5
and “speak of desires and yearnings, of possibilities and
impossibilities, of the joys of imagination and the frustration of
human state”6 .they, above all, explore internal conflicts and the
problems of the human psychology.
5
John Halloway, “the odes of Keats” p : 166
6
Kenneth Muir, “the meaning of the odes” in “John Keats’ odes” p: 223
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The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
7
J.R Watson, English poetry of the romantic period 1789-1830.London & New York: Longman.1985. p:280
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The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
-7-
The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
This stanza (the 4th) raises many questions and every single
word in it suggests more than one connotation. The image of the
silent and desolate town can embody both pain and joy; these two
themes seem to “co-exist” throughout the stanza. In the fifth
8
Ode on a Grecian Urn, 1st stanza
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The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
9
Cleanth Brooks, “Keats’ sylvian historian” in “John Keats’ odes” . p: 132
10
English poetry of the romantic period 1789-1830, p : 284
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The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
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The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
This ode is the only one written in he first person and the use
of the imperative mode to advise sufferers of melancholy springs
from the fact that this advice is the result of a hard-won
experience which deserves being taken into account. It is a
synthesis of al the odes, the passion and the fancy of the
“Nightingale”, the philosophy of the “Urn”, and the beautiful
descriptions of nature in the “Psyche”. Hence, it explores also the
nature of life and the connection of pleasure and pain.
15
Ibid
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The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
16
“English poetry of the romantic period” 1789-1830, P : 280
17
“John Keats : the living year” , p : 131
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The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
Conclusion
His poetry has been, and still, a rich raw material for critics
to work on, and regardless of what interpretations they suggest,
the odes will always remain controversial, ambiguous, and
beautiful; neither Keats could turn his emotions and depressions
into clear words, nor could we interpret his words , and here lies
the magic and beauty of great poetry.
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The dialectics of beauty and melancholy in Keats' odes - Ahmed LAHMAR
Bibliography
- 16 -
Contents
Introduction…………………………………………..1
I – Keats' socio-cultural background…………………2
II- Beauty and melancholy in the odes…………….…5
1) What are the odes?...................................................5
2) The incorporation of beauty and melancholy in
the odes………………………………………...……..6
2.1) Ode to a nightingale……...……...………….6
2.2) Ode on a Grecian Urn……...….……………7
2.3) Ode to a psyche……………......……………9
2.4) Ode on Melancholy………..…………...….11
III –Beauty and melancholy, any correspondence.....13
Conclusion…………………………………………..15
Bibliography………………………………….……..16