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African
• Jijora- combination of realism and abstraction
• Symmetry around vertical axis
• Curving cylindrical forms
• Frontality and static poses; rigid, upright
• Calm facial expressions
• Use of negative space
• Odo- prime of life
• Parts of body that are considered most important are emphasized
Indian
• Sensuality, eroticism
• Smooth, simplified body volumes with little muscle
definition
• Idealized figures based on forms in nature
• Overall decorative quality with profusion of images and
ornament (horror vaqui)
• Use of symbols
• Mudras- hand positions
• Attributes to identify deities
• Narrative
• Architectural settings
Egyptian
Example: Palette of Narmer
• Extreme conservatism: very little change in art for 3000
years (exception: Akhenaton & Amarna Pd)
• Hieratic scale
• Combination of text and images
• Use of registers
• Things may be seen from the front, the side, or above
• Rules for depicting pharaoh and family; very stylized and
idealized
o Shown in prime of life
o Broad shoulders, narrow hips, some muscle
definition
o Calm face
o Limited poses include composite view and Egyptian sculptural stance
• Naturalism for depiction of non-royalty, landscape, and animals in natural surroundings
• Men are dark, women are light
• Continuous narrative
• Sculpture serves as a home for the spirit/ka
• Symbols
Marsha K. Russell Countdown to the Exam:
St. Andrew’s Episcopal School, Austin, TX Making Review Sessions Worth It
• Architecture
o Old Kingdom : mastabas; pyramids serve as burial sites and monuments
o Middle Kingdom: cliff side tombs and temples with reserve columns
o New Kingdom: funerary temples; corridor axis approach
• Amarna Period (Akhenaton): Exception to all the Egyptian art rules; shows naturalism
Predynastic: 3500 - 3000 BCE
• Palette of Narmer (above)
Old Kingdom: ~3000 - 2200 BCE
• Khafre
• Menkaure and Khamerernebty
• Seated Scribe
• Ti Watching a Hippo Hunt
• Prince Rahotep and his wife Nofret
• Pyramid of King Djoser by Imhotep
Middle Kingdom: ~2100 - 1600 BCE
• Rock-cut tomb
New Kingdom: ~1500 - 40 BCE (includes the Amarna Period* 1355 – 1325 BCE)
• Funerary Temple of Hatshepsut
• Temple of Ramses II
• Temple of Amen-Re at Karnak
• Akhenaton*
• Akhenaton and His Family*
Mesopotamian
• SANTA ANNA NEVER BAKED A NUTTY PANKAKE (Sumerians, Akkadians, Neo-Sumerians,
Babylonians, Neo-Babylonians, Persians)
Sumerians ~3500 - 2300 BCE
• Example: Standard of Ur
• Votive figures
• Stylized figures with large eyes
(reflecting sense of fear), curly
hair and beards
• Gestures of humility
• Cylindrical, curving figures
• Heraldic arrangement
• Use of Egyptian characteristics-
registers, repeated figures,
composite view, slight hieratic
scale, linear and flat
o Ziggurats; bent axis
approach
o Standard of Ur
o Ram offering stand
o Bull-headed lyre
o Bull holding a Vase
Neo Sumerians ~2200 - 2000 BCE - bring back Sumerian characteristics: King
Gudea shows humility toward gods
Example: Seated Gudea
Proto-Greek
Cycladic plank idols - continuation of the ancient fertility figure; abstract, simple,
geometric, tubular
Greek
Geometric ~900 - 700 BCE
• Vases- huge pots that function as grave markers
• Stylized, triangular human form
• Very little detail
• No text b/c writing disappeared
o Diplyon Vase
• High Classical 450 - ~370 BCE: use of earlier characteristics + focus on perfect
proportions
o Doryphorus by Polykleitos
o The Parthenon by Iktinos and Kallikrates, sculpture by Phidias
o Temple of Athena Nike
• Late Classical ~370 - 323 BCE: Praxiteles does 1st female nude; subtle changes that lead
to Hellenistic
o Cnidian Aphrodite by Praxiteles
o Hermes and Dionysos by Praxiteles
Medieval
Germanic, Hiberno Saxon, and Viking:
~400 - 800 CE
• Interlace patterns
• Imaginary animals
• Appears on small portable objects, usually with
a practical purpose
o Purse Cover from Sutton Hoo Ship Burial
o Animal Head Post from Oseberg Ship Burial
o Lindisfarne Gospel