Professional Documents
Culture Documents
GTC 400/2011
Construction of Kahramaa Awareness Park
Sheet no. 1
Issue date/Revision
21.12.10
05.11.10
Drawing no. Drawing title
09.05.01 GA Ground Floor Exhibition General Arrangment A
09.05.02 GA Mezzanine & Tower Level Exhibition General Arrangment A
09.05.03 GA Section A-A
09.05.04 GA Ground Floor Exhibition Graphic Location Plan A
09.05.05 GA Mezzanine & Tower Exhibition Graphic Location Plan A
09.05.06 GA 1.2 Reception Desk Details
09.05.07 GA 1.2 Reception Desk Details (2 of 2)
09.05.08 GA 7.1 Tower Plan & Section
09.05.09 GA 3.0 Upholstered Bench Detail
09.05.10 GA Lighting Archway Detail
09.05.11 GA Wayfinding Totem Details
Distribution/Copies
John Kress (Cubitt UK Architects)
Walid Ibrahim (Cubitt Qatar Architects)
Legend:
Notes:
1
GTC 400/2011 2 Appendix A: S.O.W & Specs
Sec-11 50 00
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
6.8 6.3
6.2
6.7
6.1
6.4
6.5
11.0
6.13
6.6
5.14
Bench seating see Architects FF&E schedule for detail
Curved glass partition
- see Architects drawings for detail
6.0
10.2 5.0
4.4 Curved glass partition with applied graphics
- see Architects drawings for detail
4.1
4.3 4.0
4.5 4.6
4.2a 4.2
glass ballustrade - see Architects drawings for detail
6.12
EEE
LLL
+++777
...
000
000
MEZZ. F.F.L
EXHIBITION
EXHIBITION
B3 M-06
MALE TOILETS
EXHIBITION B3 M-10
B3 M-15
school rooms
DN DN
WASTEFUL HOUSE
8.10 STAIR CASE-4
STAIR CASE-4 CORRIDOR & laboratories
EEE
LLL
+++777
...
000000
MEZZ. F.F.L
H
A-401
CORRIDOR
CORRIDOR
EEE
LLL
+++
777
...
000
000
B3 M-11 B3 M-12
DN
B3 M-05 B3 M-16
ENERGY EFFICIENT HOUSE MEZZ. F.F.L B3 M-04
8.0 DN DN
FEMALE TOILETS
B3 M-17
COMPETITIONS AREA2
B3 M-02
EEE
LLL
+++
T.O.P
888
...
111
000
8.1 B3 M-07
B3 M-08
8.8 EEE
LLL
+++
T.O.P
888
...
111
000
LIFT
EEE
LLL
+++
777
...
000
000
8.2 LIFT LIFT
8.7
8.3 8.6
MEZZ. F.F.L
8.4 8.5
STAIR CASE-3
STAIR CASE-3
B3 M-18
B3 M-01
LIFT
DN
STAIR CASE-1
EEE
LLL
+++
111
...
222
000
F.F.L B3 M-19
EEE
LLL
+++
222
...
444
555 EEE
LLL
+++
333
...
333
000 EEE
LLL
+++
111
...
666
000
F.F.L F.F.L F.F.L
DN
8.9
EEE
LLL
+++
000
...
555
000 LIFT
F.F.L
EEE
LLL
+++
000
...
555
000
F.F.L
EEE
LLL
+++
000
...
333
000
GRD F.F.L EEE
LLL
+++
000
...
333
000
EEE
LLL
+++
444
...
888
000
GRD F.F.L
F.F.L
EEE
LLL
+++
444
...
888
000
EEE
LLL
+++
000
...
111
555
F.F.L
F.F.L
EEE
LLL
+++
000
...
111
555 EEE
LLL
+++
000
...
111
555
EEE
LLL
+++
555
...
444
000
F.F.L EEE
LLL
+++
555
...
444
000 F.F.L
F.F.L
F.F.L
FOR TENDER
EEE
LLL
+++
666
...
000
000
EEE
LLL
+++
666
...
000
000 F.F.L
F.F.L
REV A NOTE Revision to base plan DATE 21.12.10
PANORAMIC AREA
EEE
LLL
+++
333
...
666
000
TITLE
B3 PA-01 F.F.L EEE
LLL
...+++
222
222
...
555
000
EL. T.O.P
7.1
GRAPHICS GRAPHICS EEE
LLL
+++
444
...
222
000
KAHRAMAA EDUCATION
PARK MODEL
JASPER JACOB ASSOCIATES
STAIR CASE
TELESCOPES
DN
TELESCOPES 25 ABBEVILLE MEWS
88 CLAPHAM PARK ROAD
B3 PA-02
EEE
LLL
+++
000
...
111
555 EEE
LLL
+++
000
...
111
555
F.F.L F.F.L
DN EEE
LLL
+++
333
F.F.L
111
...
000
000
LONDON
SW4 7BX
DROPPED CEILING
LIGHTING EFFECT FLOOR IN SKY BLUE RUBBER
B1
7.0 BUILDING FOR
PANORAMIC AREA
RF-01
PROJECTION GANTRY
(tbc by specialist contractor)
4.5 LIGHT
90
SCULPTURE
0
EXHIBITS B1 G-44
DESALINATION
FOR QATAR
GALLERY ASSEMBLAGE
MAIN ENTRANCE
Exit into pre-ride discovery area .Doors to architects detail
B1 G-40
B1 G-06
AND RECEPTION AREA
1850
B1 G-01 B1 G-38
EEE
LLL
+++
000
...333
000
EEE
LLL
+++
000
F.F.L
...555
000
TRACK 6.10 DESALINATION MODEL
F.F.L
B1 B-01
4600
TRAIN
TRAIN WINDOW CYCLORAMA
MAINTENANCE
MAINTENANCE DOOR
B1 B-26
VIEWING DIRECTION
hydraulic lift for central spherical puffersphere
5.8 DESALINATION MODEL
CORRIDOR WATER
B1 B-05
EXHIBITION AREA
B1 B-06
FOR TENDER
REV NOTE DATE
TITLE
SECTION A-A
PROJECT
EEE
LLL
+++
000
...
333
000 EXHIBITION
F.F.L B3 G-48
PRAYER
ROOM STORE
STORE SOLAR HOUSE UP UP
STAIR CASE-2 B3 G-46 B3 G-39
STAIR CASE-4
B3 G-61 B3 G-57
B3 G-49
STAIR CASE-4
B3 G-47
B3 G-56 CORRIDOR
B3 G-44 MALE
UP
STAIR CASE-5
B3 G-38
B3 G-37
JANITOR
EEE
LLL
+++
000
...
333
000 EEE
LLL
+++
000
...
333
000
DN
F.F.L F.F.L
STORE EEE
LLL
+++
000
...
333
000 UP GWP3 CORRIDOR
LOADING AREA
F.F.L TEMPORARY
B3 G-64
10.0
EXHIBITION
LOADING
AREA EEE
LLL
+++
000
...
333
000
B3 G-59
WG3 B3 G-41
F.F.L
6.3
B3 G-65
LIFT LOBBY
6.2 G2
6.8
FROM EX. LEVEL(2)
AV. CONTROL RM
LOBBY CORRIDOR
CORRIDOR B3 G-72
B3 G-35
B3 G-66
B3 G-58
B3 G-71 EXHIBITION
6.8G1 6.2 G1
B3 G-55
EEE
LLL
+++
000
...
333
000
WP52 F.F.L
B3 G-36
B3
KITCHEN
G-67
6.4 G1 6.1 G4 DRESSER
WP57
6.4 G2 EXHIBITION WG14
WP58
6.4 G3
6.1
STAIR-3 B3 G-43
6.4
DESALINATION
6.1 G1
UP UP
6.4 G5
B3 G-31
EEE
LLL
+++
222
...
444
555 EEE
LLL
+++
111
...
666
000
EEE
LLL
+++
000
...
333
000
F.F.L 6.5 G2 F.F.L GENERAL MANAGER
6.5 G1 6.5 G3 DN
6.7G2
UP
TO EX LEVEL(1)
LOBBY
B3
PANTRY
G-29 OFFICE
B3 G-26
SHOP
6.13
TO EX. LEVEL(2) FROM EX. LEVEL(1)
B3 G-69
B3
CAFETERIA
G-70
6.6 ASSEMBLAGE
AREA
GWP1 MALE
TOILETS
FEMALE
TOILETS B3
OFFICE
G-24
EEE
LLL
---
000
...
111
111
555 B3 G-51
B3 G-20
B3 G-21
F.F.L
OFFICE EEE
LLL
+++
000
...
333
000
F.F.L
EEE
LLL
+++
000
...
555
000 B3 G-19
EEE
LLL
+++
000
...
555
000 F.F.L
6.0
F.F.L
B3
OFFICE
G-18 B3
CORRIDOR
G-22
OFFICE
B3 G-23
EEE
LLL
+++
000
...
333
000
F.F.L
5.0
EEE
LLL
+++
000
...
000
777
555
10.2
F.F.L
Water fountain
4.3 G1 4.1
EEE
LLL
+++
000
...
555
000
EEE
LLL
+++
000
...
555
000 EEE
LLL
---
000
...
555
000
F.F.L
4.7 G1
4.3 4.0
F.F.L F.F.L EEE
LLL
+++
000
...
555
000 ADMIN. RECEPTION
F.F.L
4.1G1/ x 8 B3 G-17
4.1G2/ x 24
4.5 B3
EXHIBITION
G-48 G-54
4.2aG1 4.2aG2 4.2G1 EXHIBITION
10.2G1 AREA
EEE
LLL
+++
000
...
555
000
F.F.L F.F.L
4.2a
B3 G-53
4.2 B3
SERVICE
G-15
F.C CENTER
B3 G-16
EEE
LLL
---
222
...
999
000
EEE
LLL
+++
000
...
333
000 EEE
LLL
+++
000
...
333
000
F.F.L
F.F.L EEE
LLL
---
000
...
555
000 EEE
LLL
---
000
...
555
000 F.F.L
F.F.L F.F.L FROM
EEE
LLL
---
222
...
333
000
F.F.L
BASEMENT
EEE
LLL
---
222
...
111
333
555 EEE
LLL
---
222
...
999
000
6.12 G1 6.12 G2
6.12
UP
EEE
LLL
+++
000
...
333
000 THEATER
UP
EEE
LLL
+++
333
...
333
000 F.F.L DN
B3 G-14
F.F.L
POOL POOL
FEMALE
EEE
LLL
+++
000
...
111
555 B3 G-08 B3 G-10 EEE
LLL
+++
000
...
111
555
TOILETS F.F.L
F.F.L
UP UP
Water fountain Water fountain
B3 G-07
STAIR CASE-4 STAIR CASE-2 STAIR CASE-4
3.0
DN DN F.F.L DN
B3 G-04
DN
UP
1.2 G1 GALLERY
B3 G-09
TO GROUND FLOOR LEVEL
REV A NOTE Revision to base plan DATE 21.12.10
LIFT LOBBY
WG4
1.2 TITLE
FROM B3 SE.-08 UP
RECEPTION
UP
RECEPTION EEE
LLL
+++
000
...
F.F.L
333
000
EX.LEVEL(2) B3 G-02
1.1 G3 F.F.L
CORRIDOR
LOBBY TO
2.0G1 PROJECT
WG 1 B3 G-11 UP
WG 2
UP
1.1 G2 THEATRE
KAHRAMAA EDUCATION PARK - DOHA
LOBBY
6.10G2 B3 G-12
PROJECTOR
1.1 G1
B3 G-13
MAIN ENTRANCE
6.10G2
1.1a
EEE
LLL
+++
111
...
222
000 EEE
LLL
+++
000
...
333
000
1.1
AND RECEPTION
6.10
B3 G-01
EEE
LLL
+++
000
...
333
000
25 ABBEVILLE MEWS
F.F.L
EEE
LLL
+++
333
...
333
000 EXHIBITION
OPEN EXHIBITION 6.11G4 F.F.L
F.F.L
TO
F.F.L
B3 SE-04
6.11G1 SCALE DRG no. DATE REV
6.11G2
EX.LEVEL(3)
GTC 400/2011
LEVEL(3)
UPPER GROUND FLOOR PLAN 6
Water fountain
1:300@ a3 09.05.04 GA OCT 2010 A
Appendix A: S.O.W & Specs
EEE
LLL
...±±±
000
...
000
000 Sec-11 50 00
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
EEE
LLL
+++777
...
000000
MEZZ. F.F.L
EXHIBITION
EXHIBITION
B3 M-06
MALE TOILETS
EXHIBITION B3 M-10
8.10G3 B3 M-13
STAIR CASE-5
B3 M-15
school rooms
DN DN
WASTEFUL HOUSE
8.10 8.10G1 STAIR CASE-4
WG11 WG12
STAIR CASE-4 CORRIDOR & laboratories
EEE
LLL
+++777
...
000
000
MEZZ. F.F.L
H
A-401
CORRIDOR
CORRIDOR
EEE
LLL
+++
777
...
000
000
B3 M-11 B3 M-12
DN
B3 M-05 B3 M-16
ENERGY EFFICIENT HOUSE MEZZ. F.F.L B3 M-04
8.10G2 8.0 DN DN
FEMALE TOILETS
8.1
B3 M-17
COMPETITIONS AREA2
8.7G1
8.7G1
B3 M-08
WG5
B3 M-07
B3 M-02
EEE
LLL
+++888
...
111
000 EEE
LLL
+++
T.O.P
888
...
111000
LIFT
8.8
T.O.P
8.7G2 x 3
8.1 8.3G1
8.3G2
LIFT LIFT
EEE
LLL
+++
777
...
000
000
8.6G1 x 2
8.3G3 8.7
MEZZ. F.F.L
8.4G2 8.5G2
8.6
STAIR CASE-3
8.3 WG16
B3 M-18
WG15 B3 M-01
8.4G3
LIFT 8.4 8.5
DN
STAIR CASE-1
EEE
LLL
+++
111
...
222
000
F.F.L B3 M-19
EEE
LLL
+++
222
...
444
555 EEE
LLL
+++
333
...
333
000 EEE
LLL
+++
111
...
666
000
F.F.L F.F.L F.F.L
DN
8.9
EEE
LLL
+++
000
...
555
000 LIFT
F.F.L
EEE
LLL
+++
000
...
555
000
F.F.L
EEE
LLL
+++
000
...
333
000
GRD F.F.L EEE
LLL
+++
000
...
333
000
EEE
LLL
+++
444
...
888
000
GRD F.F.L
F.F.L
EEE
LLL
+++
444
...
888
000
EEE
LLL
+++
000
...
111
555
F.F.L
F.F.L
EEE
LLL
+++
000
...
111
555 EEE
LLL
+++
000
...
111
555
EEE
LLL
+++
555
...
444
000
F.F.L EEE
LLL
+++
555
...
444
000 F.F.L
F.F.L
F.F.L
EEE
LLL
+++
666
...
000
000
EEE
LLL
+++
666
...
F.F.L
000
000
FOR TENDER
F.F.L
PANORAMIC AREA
EEE
LLL
+++
333
...
666
000
REV A NOTE Revision to base plan DATE 21.12.10
B3 PA-01 F.F.L EEE
LLL
...+++
222
222
...
555
000
EL. T.O.P TITLE
GWP5 PROJECT
MEZZANINE & TOWER EXHIBITION GRAPHIC
TOWER FLOOR PLAN
LOCATION PLAN
UP UP
7.1
GRAPHICS GRAPHICS EEE
LLL
+++
444
...
222
000
SECTION SECTION EEE
LLL
+++
666
...
666
000 EEE
LLL
+++
666
...
666
000
LINE LINE
F.F.L
F.F.L F.F.L PROJECT
7.1 G2 7.1 G1
KAHRAMAA EDUCATION
PARK MODEL
STAIR CASE
TELESCOPES
7.0 DN
TELESCOPES JASPER JACOB ASSOCIATES
25 ABBEVILLE MEWS
B3 PA-02
EEE
LLL
+++
000
...
111
555 EEE
LLL
+++
000
...
111
555
F.F.L F.F.L
DN EEE
LLL
+++
333
F.F.L
111
...
000
000
88 CLAPHAM PARK ROAD
LONDON
DROPPED CEILING
LIGHTING EFFECT
7.1 G3 x10
SW4 7BX
T. 020 7622 7277
WG6
GTC 400/2011 7
1:25 @ a3 09.05.05 GA
Appendix A: S.O.W & Specs
OCT 2010 A
Sec-11 50 00
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
FOR TENDER
FOR TENDER
FOR TENDER
120
F.F.L
460 a pprox
6mm ply/MDF curved to radius shown 6260
384
9707
suitable prepared to recieve spray paint finish 3.0
FOR TENDER
145
NOTE:
DRAWING IS TO PROVIDE INDICATIVE DIMENSIONAL
line of archway
250
INFORMATION AND IS SUGGESTIVE OF EXHIBIT PROFILE ONLY
M/steel 'fixing shoe' or similar to suit of appropriate dimensions CONTRACTOR IS WHOLLY RESPONSIBLE FOR THE
suitably anchored to structural slab - to structural engineers detail STRUCTURAL CORRECTNESS AND IS TO PROVIDE SHOP
DRAWINGS AND STRUCTURAL CALCULATIONS
Concrete slab
800
650
250
240
180
120
structure to incorporate accessible area for housing
4600 approx
AV/power cables as necessary
PROJECT
6mm foamex graphic panel suitably fixed to monolith fascia 6x6mm anodized aluminum angle to all exposed edges and corners to graphic panel NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY
number of faces dependant on location (see graphic location plan for detail CONTRACTOR TO BE WHOLLY RESPONSIBLE FOR STRUCTURAL
1000
m/steel framework to suit
2600
Concrete slab
FRONT ELEVATION 1:25 M/steel 'fixing shoe' or similar to suit of appropriate dimensions screed to architects detail
FOR TENDER
REV NOTE DATE
Wayfinding monolith faced in granite/marble ( to match floor finish to lobby - TITLE
See Architects spec for detail) All edges to have mitred joints WAYFINDING TOTEM DETAILS
PROJECT
Sheet no. 1
Issue date/Revision
21/12/10
9/12/10
5/11/10
Drawing no. Drawing title
09.05.1.1 PI 1.1 Practical Interactive Details
09.05.1.1a PI 1.1a Practical Interactive Details
09.05.4.1 PI Interactive graphic details
09.05.4.2 PI 4.2 Practical Interactive Details
09.05.4.2a PI 4.2a Practical Interactive Details
09.05.6.1 PI 6.1 Practical Interactive Details (1 of 2)
09.05.6.1.1 PI 6.1.1 Practical Interactive Details (2 of 2)
09.05.6.2 PI 6.2 Practical Interactive Details (1 of 2)
09.05.6.2.1 PI 6.2.1 Practical Interactive Details (2 of 2)
09.05.6.3 PI 6.3 Practical Interactive Details
09.05.6.4/5 PI 6.4/6.5 Practical Interactive Details (1 of 3)
09.05.6.4/5.1 PI 6.4/6.5 Practical Interactive Details (2 of 3)
09.05.6.4/5.2 PI 6.4/6.5 Practical Interactive Details (3 of 3)
09.05.6.6 PI 6.6 Practical Interactive Details (1 of 2)
09.05.6.6.1 PI 6.6 Practical Interactive Details (2 of 2)
09.05.6.7 PI 6.7 Practical Interactive Details (1 of 2)
09.05.6.7.1 PI 6.7 Practical Interactive Details (2 of 2)
09.05.6.8 PI 6.8 Practical Interactive Details
09.05.6.9 PI 6.9 Practical Interactive Details (1 of 2)
09.05.6.9.1 PI 6.9 Practical Interactive Details (2 of 2)
09.05.6.10 PI 6.10 Practical Interactive Details (1 of 2)
09.05.6.10.1 PI 6.10 Practical Interactive Details (2 of 2)
09.05.6.11 PI 6.11 Practical Interactive Details (1 of 2)
09.05.6.11.1 PI 6.11 Practical Interactive Details (2 of 2)
09.05.6.12 PI 6.12 Practical Interactive Details
09.05.6.13 PI 6.13 Practical Interactive Details
09.05.7.1 PI 7.1 Practical Interactive Details
09.05.8.1-8.4 PI 8.1-8.4 Practical Interactive Details
09.05.8.3/4 PI 8.3/8.4 Practical Interactive Details
09.05.8.5-8.8 PI 8.5-8.8 Practical Interactive Details
09.05.8.5/6/7 PI 8.5/8.6/8.7 Practical Interactive Details
09.05.8.10 PI 8.10 Practical Interactive Details(1 of 2)
09.05.8.10.1 PI 8.10 Practical Interactive Details (2 of 2)
09.05.10.2 PI 10.2 Practical Interactive Details
09.05.4.4PI 4.4 Practical Interactive Details
Distribution/Copies
John Kress (Cubitt UK Architects)
Walid Ibrahim (Cubitt Qatar Architects)
Legend:
Notes:
or sim to suit
1700
1010
480
930
Plastic laminate faced plinth with secure access
290
to switching etc
0
50
7
20
Inset contrasting floor pattern by others
1090
FOR TENDER
REV NOTE DATE
TITLE
PROJECT
2060
KAHRAMAA EDUCATION PARK - DOHA
JASPER JACOB ASSOCIATES
COPYRIGHT/JASPER JACOB ASSOCIATES
25 ABBEVILLE MEWS
1.DO NOT SCALE OFF DRAWING 88 CLAPHAM PARK ROAD
2.ALL DIMS TO BE VERIFIED ON SITE BY THE CONTRACTOR PRIOR TO THECOMMENCEMNET OF ANY SHOP
DRAWINGS OR SITE WORK
LONDON
3. ANY DISPCREPANCY FOUND BETWEEN THIS DRAWING AND ANY OTHER DOCUMENT MUST BE REPORTED SW4 7BX
IMMEDIATELY TO THE DESIGNERS
4. THIS DRAWING REMAINS OUR EXCLUSIVE PROPERTY IT SHALL NOT BE REPRODUCED NOR T. 020 7622 7277
COMMUNICATED TO THIRD PARTIES WITHOUT WRITTEN CONSENT
5 THE COPYRIGHT OF THIS DRAWING AND DESIGN IS VESTED IN THE DESIGNERS
SCALE DRG no. DATE REV
Stainless steel bowls with appropriate drainage to dimensions shown INTEGRITY AND ELECTRICAL SAFETY OF EXHIBIT.
Water 'squirt' device suitably fixed to centre of each bowl HEALTH AND SAFETY LEGISLATION
3540
Dancing water bowls exhibit comprises a series of stainless steel bowls fitted with directional water squirting
devices which are programmed to propel droplets of water from one bowl to another
900
700
610
to designers approval
9
3230
58
FOR TENDER
2
96
PROJECT
125
HEALTH AND SAFETY LEGISLATION
500
70
180
SECTION 1:10
finalised
such as
3. Lenticular sliders
FOR TENDER
REV NOTE DATE
TITLE
PROJECT
830
100
540
760
brushed st/steel uprights secretly fixed to structural slab fixed to upstand at
490
appropriate centres
FRONT ELEVATION 1:25 brushed st/steel fascia to incorporate feature expressed gap join at 1oomm above base
2322
9°
23
308°
400
2959
PROJECT
PLAN 1:25 any mechanical and electrical workings housed within. Location and method for securing to designers approval 1:25 @ a3 09.05.4.2 PI OCT 2010
COPYRIGHT/JASPER JACOB ASSOCIATES NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY
1. DO NOT SCALE OFF DRAWING graphic backdrop (see graphics spec for detail)
2. ALL DIMS TO BE VERIFIED ON SITE BY THE CONTRACTOR PRIOR TO THE COMMENCEMENT OF ANY SHOP
DRAWINGS OR SITE WORK CONTRACTOR TO BE WHOLLY RESPONSIBLE FOR STRUCTURAL
3. ANY DISCREPANCY FOUND BETWEEN THIS DRAWING AND ANY OTHER DOCUMENT MUST BE REPORTED
IMMEDIATELY TO THE DESIGNERS INTEGRITY AND ELECTRICAL SAFETY OF EXHIBIT.
4. THIS DRAWING REMAINS OUR EXCLUSIVE PROPERTY IT SHALL NOT BE REPRODUCED NOR
COMMUNICATED TO THIRD PARTIES WITHOUT WRITTEN CONSENT
4.2a G1(See graphic spec for detail)
5 THE COPYRIGHT OF THIS DRAWING AND DESIGN IS VESTED IN THE DESIGNERS ALL EXHIBITS TO BE FABRICATED TO CONFORM TO LOCAL
100
540
brushed st/steel upstand to graphic backdrop
760
490
appropriate centres
FRONT ELEVATION 1:25 brushed st/steel fascia to incorporate feature expressed gap join at 1oomm above base
3785
4.2a G1(See graphic spec for detail) brushed st/steel upstand to graphic backdrop
3096 570
1184
2 148°
44°
46
FOR TENDER
474
52°
295
0
° 229 TITLE
146 4.2a PRACTICAL INTERACTIVE DETAILS
9
1808 PROJECT
any mechanical and electrical workings housed within. Location and method for securing to designers approval SCALE DRG no. DATE REV
50
1060 950
1375 NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY
4590 857
CONTRACTOR TO BE WHOLLY RESPONSIBLE FOR STRUCTURAL
lighting and projection systems housed within. Location and method for securing to designers approval
48
2 6
graphic backdrop (see graphics spec for detail)
83
84 brushed st/steel freestanding archway with integral lighting and power /data cabling and suitable fixings for
400mm o/all diameter glass tube housing inner tube filled with neon or appropriate gass
Unit to be installed complete with all appropriate safety systems such as firemans switching
14 housed in base
6°
lightning cut out for strobe lighting effect
118°
Note: The Contractor is to be wholly responsible for
°
79
the structural correctness of all elements and is to provide
795
shop drawings and structural calculations with
submission of information
1946 FOR TENDER
for sign off by designer
REV NOTE DATE
TITLE
brushed st/steel freestanding archway with integral lighting and power /data cabling and suitable fixings for
4653
4480
3720
6.1 G5See graphic spec for detail) 6.1 G3(See graphic spec for detail)
2770
540
6.1 G1(See graphic spec for detail)
753
540
6.1 G2(See graphic spec for detail)
2920
plastic laminate fascia and solid surface acrylic countertop with cut out lightning shape faced in acrylic diffuser to allow
FOR TENDER
FRONT ELEVATION 1:25 strobe lightening effect
REV
TITLE
NOTE DATE
lighting and projection systems housed within. Location and method for securing to designers approval KAHRAMAA EDUCATION PARK - DOHA
JASPER JACOB ASSOCIATES
25 ABBEVILLE MEWS
88 CLAPHAM PARK ROAD
400mm o/all diameter glass tube housing inner tube filled with neon or appropriate gas LONDON
SW4 7BX
formulated to ionize (glow) with streams of light to emulate lightening. T. 020 7622 7277
Unit to be installed complete with all appropriate safety systems such as fireman switching
SCALE DRG no. DATE REV
2860
1105
see AV spec for dims
2830
submission of information
FOR TENDER
for sign off by designer
REV NOTE DATE
TITLE
122
NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY
4480
78 CONTRACTOR TO BE WHOLLY RESPONSIBLE FOR STRUCTURAL
2080
Exhibit A - magnets and copper wire housed in 650mm diameter
3110
6.2 G2See graphic spec for detail) Exhibit B - spinning magnets and copper coil exhibit housed
in 650mm diameter glass dome - See PI multi -media breif for detail
to designers approval
357°
projector for interactive touch table and 'slave' projector fixed to u/side of coil structure
RFID SCANNER TO BE LOCATED ON EXHIBIT COUNTERTOP
contractor to ensure that all associated cabling is accomodated within the carcass of the
EXACT LOCATION TBC
structure with suitable access provided for
8
117
1722 ° 6.2 PRACTICAL INTERACTIVE DETAILS
125 (2 of 2)
PROJECT
6
JASPER JACOB ASSOCIATES
1 16
25 ABBEVILLE MEWS
COPYRIGHT/JASPER JACOB ASSOCIATES
88 CLAPHAM PARK ROAD
16°
3565
580
83
35 660
42"LCD monitor inset coloured LED lights or similar to suit
2110
400
232
°
1943
1919
77
°
1146
10
4° 5°
10
102
800
800
745
3
12
800 10
5250
325
4 °
300
ALL EXHIBITS TO BE FABRICATED TO CONFORM TO LOCAL
890
HEALTH AND SAFETY LEGISLATION
625
EXACT LOCATION TBC
920
line of inset flooring by others
FOR TENDER
REV NOTE DATE
700 700 700
TITLE
PROJECT
stainless steel lighting archway with inset track lighting RFID SCANNER TO BE LOCATED ON EXHIBIT COUNTERTOP
1730
21" touch screen interactive monitor
the selected area
3350
2265
1979
782
Scale model of a selected Kahramaa power station
2360
6.4 G3(See graphic spec for detail) graphic backdrop decorative st/steel shape to profile shown
with internal illumination
spaced off rear of upstand
displayed within a glass showcase. Showcase constructed 670
1280
bonding to mitred corners
520
stainless steel touch buttons inset into the countertop
94
° 6.4 G1(See graphic spec for detail)
allow the visitor to
select specific areas within the model. Quantity of buttons tbc graphic panel with continuous brushed st/steel
325 320 880
28
graphic panel
FOR TENDER
REV NOTE DATE
TITLE
Computer interactive illustrates the processes involved in graphic introduction to exhibit which outlines the principles of generating electricity
the generation of electricity via the gas turbine, coupled with real life footage via the gas turbine
6400
920
2005
645
6.4 G4(See graphic spec for detail)
750
360
FOR TENDER
stainless steel cut away scale model of gas turbine
6.4 FRONT ELEVATION 1:25 stainless steel countertop with curved edges located within recess behind glass fascia
REV
TITLE
NOTE DATE
stainless steel continuous surround to graphic panel brushesd stainless steel to side returns to exhibit 6.4
decorative stainless steel shape to profile shown spaced off rear of upstand
2540
inclined glass screen located within the showcase displays
a short film which explains the activities carried out within
6.5 G1(See graphic spec for detail) displayed within a glass showcase. Showcase constructed in 11mm toughened glass with clear silicone
FOR TENDER
REV NOTE DATE
6.5 FRONT ELEVATION 1:25 st/steel support plinth to allow access to lighting and rear rojection systems housed within
TITLE
00 23
23 00
NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY
line of support plinth below. Plinth to allow for secure access to all power/data cabling
18
57
s
iu
ra
d
diu
ra
s
86
13
solid surface acrylic finish to consoles with inset coloured opal acrylic inset
with internal LED (or similar) illumination. Colour of acrylic insert and spacing
0°0
of LED lighting to designers approval
108.
2057
1436
inset 21" Chassis touchscreen
75
60
2300
2300
4 00
brushed st/steel freestanding archway with integral lighting and power /data cabling and suitable fixings for
Stainless steel lighting archway with inset track lighting overhead projector system
and brackets to overhead projector system
solid surface acrylic finish to consoles with inset coloured opal acrylic inset
with internal LED (or similar) illumination. Colour of acrylic insert and spacing
3810
830
FOR TENDER
100
830
820
720
100
NOTE:
9
395 230°
800
90 34 6
36
0
576
245°
2 92 °
15
7040 27
280°
3991 148°
4237
144°
323°
3100 147°
1 32
59
°
14
30
43
122°
110
2
135
7
800
0
3704
°
235
brushed st/steel upstand to graphic backdrop 4328
FOR TENDER
REV NOTE DATE
TITLE
line of support plinth below. plinth to allow for secure access to 6.7 PRACTICAL INTERACTIVE DETAILS
8000 (1of 2)
lighting and projection systems housed within. Location and method for securing to designers approval PROJECT
GTC 400/2011 5 THE COPYRIGHT OF THIS DRAWING AND DESIGN IS VESTED IN THE DESIGNERS 30 Appendix A: S.O.W & Specs
Sec-11 50 00
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
are checked with architect and main Contractor. PI contractor to liaise on all necessary interfaces
6.7 G6 (See graphic spec for detail)
Brushed st/steel 'ribbon' to LED cube
8000
Plastic laminate fascia and solid surface acrylic with cut out rear projection touch sensitive interactives
550
11424
see AV Hardware spec for detail
4
124
brushed st/steel upstand to graphic backdrop
696
3D brushed st/steel letterforms suitably fixed to cube structure
8
6.7 G5(See graphic spec for detail)
1510
FOR TENDER
REV NOTE DATE
TITLE
6.7 G3(See graphic spec for detail) 520
880
6.7 G1(See graphic spec for detail) 6.7 PRACTICAL INTERACTIVE DETAILS
540
(2 of 2)
100
PROJECT
suitably fixed back to countertop of st/steel upstand on fixed armature NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY
60
50
230
210
100
140
400
360
6.8 G1(See graphic spec for detail)
290
80
100
560
146°
620
190
760
370
8801
78
5
Plinth to incorporate secure access to data and power cabling cabling as appropriate 24
0°
Method of securing to designers approval
79
4
480
98
300
165°
°
°
133
°
°
293
304
6229
rear illuminated buttons for film selection
3347
FOR TENDER
REV NOTE DATE
TITLE
199°
6.8 PRACTICAL INTERACTIVE DETAILS
PROJECT
1780 mm
with central support as appropriate
ramp up to water tower
measuring tower (in litres)
1306 mm
water bottle tower (made from 1 litre bottles)
700 mm
919 mm
with internal lights
1862 mm
500 mm
2390 mm
2434 mm
1644 mm
980 mm
3443 mm
plastic laminate fascia and solid core acrylic countertop
with cut out rear projection touch sensitive interactives.
see AV schedule for detail
2050 mm
2394 mm
6677 mm
FOR TENDER
PLAN
6.9 G4 (see graphic spec for detail) water bottle tower (made from 1 litre bottles)
with internal lights
5145 mm
4738 mm
on front of S/S upstand
4651 mm
3638 mm
500 mm
2854 mm
DRAWING IS INDICATIVE OF PROFILE AND
FINISH ONLY. CONTRACTOR TO BE
WHOLLY RESPONSIBLE FOR
6.9 G1 (see graphic spec for detail) STRUCTURAL INTEGRITY AND SAFETY OF
with introduction to exhibit EXHIBIT
700 mm
ALL EXHIBITS TO BE FABRICATED TO
CONFORM TO LOCAL HEALTH AND
SAFETY LEGISLATION
FRONT ELEVATION Interactive table with rear projected screen RFID SCANNERTO BE LOCATED AT
EXHIBIT COUNTERTOP EXACT
LOCATION TBC
4738 mm
4651 mm
on rear face of upstand
3644 mm
500 mm
FOR TENDER
stainless steel exhibit upstand
REAR ELEVATION
GTC 400/2011 34 1/50@ A3 Appendix
09.05. 6.9.1 PI A: S.O.W & Specs
OCT 2010
Sec-11 50 00
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
9525 mm
6.10 G2
7584 mm
6.10 G1 (see graphic spec for detail)
(see graphic spec for detail)
H20 Exhibit console to house salt
Generic model of Qatari desalination plant to o/a dimensions shown.
800 mm
& fresh drinking water. Inclusive of
Trade contractor to provide visual reference to designers approval. all tap dispenser pumps/ filtration/
Exact materials for fabrication to be confirmed, contractor to allow for drainage as necessary
the model to be detailed and accurate liekness when seen from any
side visible to the visitor. The contractor should allow for internal 6.10 G3
2026 mm
illumination to be sychronized with A/V light show and for 25% cutaway (see graphic spec for detail)
detail, i.e showing plant interior
6.10 G2 6.10 G1
(see graphic spec for detail) (see graphic spec for detail)
FOR TENDER
21" chassis touchscreen monitor
6.10 G2
(see graphic spec for detail)
6.10 PRACTICAL INTERACTIVE DETAILS
PLAN
RFID Reader loaction scaled model to represent one of 21" touch screen monitor
Qatar's desalination plants
0 mm
console with monitor & buttons to
RFID reader
1100 mm
activate one of the 4 featured areas
790 mm
of the desalination plant
21" chassis touchscreen monitor
FOR TENDER
decorative stainless steel shape to profile shown spaced off rear of upstand curved st/steel tubes fixed to 300mm diameter cylinders and suitably conected to inetractive
6°
27
stainless steel lighting archway with inset track lighting
20 155°
°0
126
°
0
30
95
19
33°
522
°
97
154
73 1 140°
22
2817
232
1
.4
15
23
60
1000
28
1986
284
2769
5
5
837
2600mm glass/acrylic tube with double internal acrylic thickness, to house volume of
water. St/steel base to house all neccessary pumps/filtration system inclusive of secure access
decorative stainless steel shape to profile shown spaced off rear of upstand
99
0
FOR TENDER
50mm thickness brushed stainless steel upstand to graphic panels
NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY REV NOTE DATE
2600mm glass/acrylic tube with double internal acrylic thickness, to house volume of
RFID SCANNER TO BE LOCATED ON EXHIBIT COUNTERTOP water. St/steel base to house all necessary pumps/filtration system inclusive of secure access
curved st/steel tubes fixed to 300mm diameter cylinders and suitably connected to interactive glass/acrylic tubes suitably fixed to structural framework located within plinth
stainless steel stop cock/valve
2620
1990
2345
2290
1470
6.11 G6(See graphic spec for detail)
2135
1670
1955
1440
1825
2060
940
1400
810
390
310
230
FRONT ELEVATION 1:50 6.11 G4 (See graphic spec for detail) REV NOTE
FOR TENDER
DATE
solid surface acrylic faced plinth Contractor to ensure that all edges are suitably radiused, as not to cause injury
1895
1370
Glass/acrylic container with clear silicone joins to edges, of 22mm (or suitable o/a thickness
with edges polished all round. Container to be capable of holding volume of fresh water
700
Plinth to house all necessary mechanisms, pumps motors, filtration drainage etc
2520 working model of Al - Jazari's reciprocating pump fabricated in st/steel and timber
FOR TENDER
600
2500
2100
PROJECT
ox
720
pr
CONTRACTOR TO BE WHOLLY RESPONSIBLE FOR STRUCTURAL
ap
0
322°
60
INTEGRITY AND ELECTRICAL SAFETY OF EXHIBIT.
3132 ALL EXHIBITS TO BE FABRICATED TO CONFORM TO LOCAL
323°
line of solid balustrade beyond
°
2 33 HEALTH AND SAFETY LEGISLATION
ro x
PLAN 1:25 RFID SCANNER TO BE LOCATED ON EXHIBIT COUNTERTOP
65 0
1 39
app
ro x
151°
0
104
1
7°
157
12
47 Plastic laminate fascia and solid surface acrylic countertop with cut out rear
° 1
431 projection touch sensitive interactives see AV Hardware spec for detail
3907
3
lighting and projection systems housed within. Location and method for securing to designers approval
FOR TENDER
100
540
465
230
100
10
7°
885
2990
720
NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY
21"touchscreen monitor
3000
EQ
635
2000
1500
100 FOR TENDER
REV NOTE DATE
TITLE
Architectural model of Kahramaa Education Park building with selected
7.1 PRACTICAL INTERACTIVE DETAILS
energy conservation features highlighted with internal illumination
PROJECT
O/A footprint of model and landscape to not exceed 1920 x 1500mm.
KAHRAMAA EDUCATION PARK - DOHA
Exact materials for model construction tbc.
PLAN 1:25 1920 JASPER JACOB ASSOCIATES
EQ
Contractor to allow for the model to be a detailed and accurate 25 ABBEVILLE MEWS
88 CLAPHAM PARK ROAD
likeness when seen from any side and above.
LONDON
Contractor to allow for 10 no areas for internal illumination and 10% SW4 7BX
COPYRIGHT/JASPER JACOB ASSOCIATES
T. 020 7622 7277
1.DO NOT SCALE OFF DRAWING cutaway detail, i.e showing building interior
2.ALL DIMS TO BE VERIFIED ON SITE BY THE CONTRACTOR PRIOR TO THE COMMENCEMENT OF ANY SHOP
DRAWINGS OR SITE WORK SCALE DRG no. DATE REV
3. ANY DISCREPANCY FOUND BETWEEN THIS DRAWING AND ANY OTHER DOCUMENT MUST BE REPORTED
IMMEDIATELY TO THE DESIGNERS 1:25 @ a3 09.05.7.1 PI OCT 2010
4. THIS DRAWING REMAINS OUR EXCLUSIVE PROPERTY IT SHALL NOT BE REPRODUCED NOR
COMMUNICATED TO THIRD PARTIES WITHOUT WRITTEN CONSENT
GTC 400/2011
5 THE COPYRIGHT OF THIS DRAWING AND DESIGN IS VESTED IN THE DESIGNERS 41 Appendix A: S.O.W & Specs
Sec-11 50 00
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
8.4 PI exhibit see 09.05.8.3/4for detail decorative stainless steel shape to profile shown spaced off rear of upstand
2331 NOTE : DRAWING SHOWS DIMENSIONAL SETTING OUT
3820
TO EXHIBIT DISPLAY UNIT HOUSING EXHIBITS 8.1-8.4
860
8.4 1910
1980
159°
8.2 975 15" LCD touchscreen x 6 FOR DETAIL OF PRACTICAL INTERACTIVE EXHIBITS 8.3 & 8.4
820 REFER DWG 09.05.8.3/4
676
° 280 160
650 120
NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY
80
660
70
1370
565
60
600
CONTRACTOR TO BE WHOLLY RESPONSIBLE FOR STRUCTURAL
650
1375
825
400
385
115 INTEGRITY AND ELECTRICAL SAFETY OF EXHIBIT.
90
100
ALL EXHIBITS TO BE FABRICATED TO CONFORM TO LOCAL
760
RFID SCANNER TO BE LOCATED ON EXHIBIT COUNTERTOP
8.3 PI exhibit see 09.05.8.3/4for detail on brushed st/steel supports secretly fixed to exhibit countertop
rcolorcore plastic laminate faced and edged countetop and plinth fascia
29
311°
5°
4365
°
111
125°
0
60
2310
93
10
157°
40°
0 4425
460
155°
212°
1150
6°
13
5
748
PLAN 1:50
31
1.0
4°
FOR TENDER
REV NOTE DATE
TITLE
PROJECT
1820
decorative stainless steel shape to profile shown spaced off rear of upstand decorative stainless steel shape to profile shown spaced off rear of upstand
8.4 G1(See graphic spec for detail)
8.4 G3(See graphic spec for detail)
800 8.3 G2(See graphic spec for detail)
graphic back drop
650
820
1920
600
800
320
1010
830
540
360
330
100
FRONT ELEVATION 1:25 Stainless steel fan Scale working model of wind turbine
elliptical st/steel plinth with interactive light source (tbc) Stainless steel fan
760
exploring battery power, such as lemon powered clock
detail tbc. Contractor to allow for 3no fixed to countertop
800
RFID SCANNER TO BE LOCATED ON EXHIBIT COUNTERTOP
8.4 8.3
REV NOTE DATE
TITLE
125
0 8.3/8.4 PRACTICAL INTERACTIVE DETAILS
2231
650 PROJECT
FOR TENDER KAHRAMAA EDUCATION PARK - DOHA
JASPER JACOB ASSOCIATES
8.4 G2(See graphic spec for detail) 8.3 G3(See graphic spec for detail) 25 ABBEVILLE MEWS
88 CLAPHAM PARK ROAD
LONDON
NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY SW4 7BX
COPYRIGHT/JASPER JACOB ASSOCIATES T. 020 7622 7277
1.DO NOT SCALE OFF DRAWING CONTRACTOR TO BE WHOLLY RESPONSIBLE FOR STRUCTURAL
2.ALL DIMS TO BE VERIFIED ON SITE BY THE CONTRACTOR PRIOR TO THE COMMENCEMENT OF ANY SHOP
DRAWINGS OR SITE WORK
3. ANY DISCREPANCY FOUND BETWEEN THIS DRAWING AND ANY OTHER DOCUMENT MUST BE REPORTED
INTEGRITY AND ELECTRICAL SAFETY OF EXHIBIT. SCALE DRG no. DATE REV
decorative stainless steel shape to profile shown spaced off rear of upstand
NOTE : DRAWING SHOWS DIMENSIONAL SETTING OUT
8.7 PI exhibit see 09.05.8.5/6/7 for detail 8.6 PI exhibit see 09.05.8.5/6/7 for detail graphic backdrop TO EXHIBIT DISPLAY UNIT HOUSING EXHIBITS 8.5-8.8
42" LCD touchscreen exhibit 8.7 FOR DETAIL OF PRACTICAL INTERACTIVE EXHIBITS 8.5/6/7
see AV Hardware spec for detail 8.6 120
REFER DWG 09.05.8.5/6/7
8.5
80
795
740
230
610
610
140
470
155
515
420
360
325
310
100
50mm thickness brushed stainless steel upstand to graphic panels
760
on brushed st/steel supports secretly fixed to exhibit countertop
FRONT ELEVATION 1:25 decorative stainless steel shape to profile shown spaced off rear of upstand
brushed st/steel faced and edged countertop and plinth fascia
320
ALL EXHIBITS TO BE FABRICATED TO CONFORM TO LOCAL
°
°
52°
148 HEALTH AND SAFETY LEGISLATION
°
205 0
5 116
748
920
decorative stainless steel shape to profile shown spaced off rear of upstand graphic back drop 8.6 G1x2(See graphic spec for detail) 8.5 G1(See graphic spec for detail)
8.7 G1(See graphic spec for detail) 1150 1150 1610 graphic back drop
650
1370
1020
700
370
810
8.5 G2(See graphic spec for detail)
860
980
830
2400
360
8.7 G2x3(See graphic spec for detail)
100
enclosed 22mm glass container with protective 20m dia
760
1930
st/steel edge covers to all corners
FRONT ELEVATION 1:25 stainless steel exterior to cut away model of the earth
10
20
Exterior to include etched outline of wold map.
784
Interior to illustrate earth's internal strata and include
2742
illuminated inner molten core
9mm glass column with model biomass material to inside face 8.5
column to include 100mm st/ steel kicker at base
8.6 816
glass tank with real water and mechanism to create effect of tidal flow houses
PROJECT
5 THE COPYRIGHT OF THIS DRAWING AND DESIGN IS VESTED IN THE DESIGNERS RFID SCANNERS TO BE LOCATED ON EXHIBIT COUNTERTOP 1:25 @ a3 09.05.8.5/6/7 PI OCT 2010
EXACT LOCATION TBC
GTC 400/2011 45 Appendix A: S.O.W & Specs
Sec-11 50 00
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
8775 mm
9000 mm
bulkhead 2000 mm
1190 mm DRAWING IS INDICATIVE OF PROFILE AND
21" touch screen VISUAL FINISH ONLY. CONTRACTOR TO BE
monitor inset into WHOLLY RESPONSIBLE FOR
1190mm diameter
2206 mm 400 mm 8.10 G1 STRUCTURAL INTEGRITY AND SAFETY OF
solid surface acrylic (see graphic spec for detail) EXHIBIT
faced & edged console. ALL EXHIBITS TO BE FABRICATED TO
Upstand to console to touch screen monitor CONFORM TO LOCAL HEALTH AND
allow secure access to activates lights to appliances SAFETY LEGISLATION
AV hardware. Access
to designers approval
RFID SCANNERTO BE LOCATED AT
area of 12mm clear laminated EXHIBIT COUNTERTOP EXACT
8.10 G2 glass floor LOCATION TBC
(see graphic spec
for detail)
raised MDF floor on framework
to suit floor, finished in Dalsouple
rubber floor tiles with inset lights &
applied graphics FOR TENDER
WASTEFUL final appliances tbc for energy
curved 12mm glass window with applied graphics.
100mm thick white painted fascia above HOUSE efficient & wasteful rooms
8.10 PRACTICAL INTERACTIVE DETAILS
8775 mm 3500 mm
500 mm
500 mm
back lit text
in curved fascia
3000 mm
3000 mm
2500 mm
2500 mm
1000 mm
700 mm
700 mm
200mm high
ramp
Glass floor with coloured lights
linked to appliances clear 9mm curved curved opaque glass with graphic to glass floor with coloured
final selection of toughened glass illustrate energy consumption lights linked to appliances
touch screen monitors on
appliances tbc s/s table with pedestal barrier with edges
polished all round
FRONT ELEVATION SIDE ELEVATION
FOR TENDER
50
9mm curved laminated glass enclosure to radius shown
2600
shown with brushed st/steel upright supports at base
1800
freestanding partition to dims shown
1075
plastic laminate faced and edged disc at high level
50
directional/adjustable light fittings
250
250
80
21" touchscreen fixed back to plastic laminate faced
120
63 0
.00
1:25 @ a3
DRG no.
09.05.10.2 PI
DATE
OCT 2010
REV
540
4800
light source note light type and exact location tbc by contractor
4030
screen printed/back painted glass backdrop suitably fixed back
3970
decorative pebbles
499.4
FRONT ELEVATION 1:25 SECTION 1:25 NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY
PROJECT
PLAN 1:25 4. THIS DRAWING REMAINS OUR EXCLUSIVE PROPERTY IT SHALL NOT BE REPRODUCED NOR
COMMUNICATED TO THIRD PARTIES WITHOUT WRITTEN CONSENT
5 THE COPYRIGHT OF THIS DRAWING AND DESIGN IS VESTED IN THE DESIGNERS
1:25 @ a3 09.05.4.4 PI OCT 2010
The following generally describes the work to be carried out under the Trade Contract and
draws attention to certain associated items that are to be completed. It is not intended to
limit or exclude items required by the Trade Contract Documents.
The Scope of the Works covered by this Trade Contract includes the design, co-ordination,
engineering, co-ordinated fabrication drawings, manufacture, supply and delivery to site,
equipment and labour, unloading and storage on site as necessary, taking from store and
hoisting into position, assembly, fixing, installation/protection, cleaning and everything
necessary to undertake complete installation, setting to work and commissioning.
DESIGN WORKS
The Trade Package works shall include but are not limited to: -
AREA 1. Lobby
1. GENERAL REQUIREMENTS
1.1 The Project Manager will coordinate and direct the Trade Contractor in
the development and execution of the Works and no other instructions or
directions by whomsoever they are given shall have any effect or validity for
the purposes of the Package Contract
1.2 The Design Consultant shall instruct on the creative development and
execution of the works and will advise the Project Manager on questions
of quality and suitability, the Project Manager shall instruct the Trade
Contractor accordingly. In addition the Project Manager will consult with
the Design Consultant and Client and take any account of any
representations, opinions and decisions which the Design Consultant may
take or express prior to the Project Manager giving or withholding certain
decisions, opinions, consents, approvals, authorisations, instructions,
satisfactions, directions or agreements under the package contract.
1.3 The Trade Contractor shall provide subject to these conditions everything
necessary for the execution and completion of the works, in accordance with
the Package Contract and all Drawings, Specifications and/or instructions
issued to him and will deliver up the Works to the Client complete in every
particular.
1.4 The Trade Contractor shall exercise in the design, all the skill, care and
diligence to be expected of a competent Practical Interactive Package
Contractor and in the execution and completion of the Works all skill, care and
diligence to be expected of a properly qualified and competent Contractor
experienced in carrying work of a similar scope, nature and size to the Works.
1.5 The Trade Contractor shall not knowingly infringe any copyright laws in the
production of his works and will indemnify the Client in accordance with the
terms of the Contract.
1.6 The Trade Contractor shall ensure that the Works are compatible with lighting
levels, acoustic needs and other site arrangements and that picture quality
and audio tracks take due note of the levels and conditions of same.
1.7 Due note should be paid of all graphic styles, colour palettes and typographic
guidelines created by others. Any aspect of the Works must follow these
guidelines and allowances should be made for such.
1.8 Where audio tracks are used, consideration must be given for the separation
of voice-over and background music or effects tracks in order that balance of
sound can be undertaken on site.
1.9 The Trade Contractor shall identify and provide a person responsible for the
coordination, liaison and development of the Works who shall efficiently
supervise the execution of the works using their best skill and attention. The
Trade Contractor shall not remove such person from the Works without the
prior written approval of the Project Manager (such approval shall not be
reasonably withheld) and if such approval is given the Trade Contractor shall
be responsible for replacing such person or persons with a person or persons
of equivalent competence who shall have been previously approved by the
Project Manager.
2. PROJECT NOTES
2.1 This tender is for Works comprising the Design, Development, Production,
Installation and commissioning works for the Kahramaa Education Park Practical
Interactive package.
2.5 Trade Contractor to provide outline and detailed storyboards/visuals for client
approval.
2.7 Trade Contractor will be responsible for all translation requirements (Arabic
/ English, English / Arabic).
2.8 Trade Contractor to include for all expenses (e.g. travel, presentation
materials etc). This is to include all expenses to visit offices of Design Consultant, and to
cover all travel and subsitance expenses of Design Consultant to inspect works at Trade
Contractors workshop or other location specified
2.10 Trade Contractor to provide operational manuals that include a full description
of each of the exhibits installed, a description of the mode of operation of
all programmes including starting up, operating and shutting down
instructions, procedures for fault finding and emergency procedures, including
telephone contact numbers for emergency services.
2.11 The design of all items by the Trade Contractor shall reflect the design intentions,
particularly dimensional configurations, profiles and visible appearances indicated on the
Trade Contract drawings, schedules & specifications.
2.12 The Trade Contractor shall ensure and demonstrate that the works meet the
performance specifications to the entire satisfaction of the Design Consultant.
2.13 The works shall be designed to accommodate any given tolerances and for
differences between actual site dimensions and dimensions shown on drawings and to
ensure that components and assemblies are accurately located in relation to specific
gridlines, structure, respective Trade Contractors/Trades.
2.14 For the avoidance of doubt the Trade Contractor shall take full responsibility as
designer for the above part of the works in particular complying with CDM regulations, or
local equivilant
2.15 All drawings by the Trade Contractor shall be produced to a format to be agreed
with the Project Manager.
2.16 The consultant’s drawings are spatially co-ordinated and all equipment shown in
the drawings will fit within the spaces shown and co-ordinate with other services, Trade
Contractors/Trades.
The Trade Contractor shall ensure that all of his works are finally co-ordinated with all
other trades, the building structure, internal and external finishes and any previously
installed work.
2.17 The Trade Contractor is responsible for co-ordinating and interfacing his works
with others.
Some typical interface works are listed below as an aid to establishing the interfaces:
• Joinery / Display Cases, support frameworks, studwork, Architectural metalwork.
The Trade Contractor shall agree with the other Trade Contractors and the Project
Manager a common scale for the preparation of drawings to allow proper co-ordination to
occur. The initial drawings prepared by the Trade Contractor shall show base build “as
built”, all grids and services or restrictions within the zone as a faint background. Layouts
and details describing design are to be superimposed on the base building information.
These drawings will also recognise the needs of other Trade Contractors and the natural
restrictions of the zone.
The Trade Contractor is responsible for ensuring that he has incorporated all relevant
details of other works on his drawings that may affect the construction of the Works of this
and other Trade Contracts.
2.18 The Trade Contractor is to advise in good time for the purpose of design of other
works; the structural loading imposed by his equipment in point and distributed loads.
2.19 With respect to fixings and supports the Trade Contractor shall use the specified
fixings and note that all details must be submitted for comment and agreement.
2.20 The Trade Contractor shall take notice of the requirement to leave areas, which
are partially complete when installing the Works and allow for returning to complete these
works at a later date prior to handover.
2.22 Prior to beginning design work the trade contractor is required to travel to Doha to
meet the KEP construction team and visit the site of work to view and compile the
information needed to undertake the work successfully.
2.23 The trade contractor must prepare a preliminary design presentation to show the
intended design solutions to all aspects of the design problems as given in this document,
the drawings and the specifications.
2.24 The trade contractor must prepare detailed scale models to demonstrate the
intended final appearance, including the proportions, details and visual properties of the
works.
Deviation from approved models and samples will not be accepted. The works are artistic
in nature and may require remedial adjustments to the finished works in order to achieve
the intended appearances. Any and all such work shall be completed at no extra cost to
the contract.
2.25 The submittal must contain a programme including the intended sequence and
timing of the tasks described herein, dates of deliverables and definition of any critical
path which exists between the various activities.
The programme must include the following:
Visits to Doha to meet with Kahramaa and project team;
Design stages (include time for review and approvals);
Documentation (include time for review and approvals);
Models, maquettes, samples, mock-ups, shop drawings (include time for review and
approvals);
Fabrication;
Clean up; The trade contractor must comply with the need for completion prior to the
dust-free period according to the overall project programme. All works must be installed
and successfully commissioned by the required date.
2.27 The trade contractor must provide samples of each major type of material or
surface treatment that will form part of the finished works. Samples must be made using
the actual materials and methods to be used in the final works.
2.28 The trade contractor is responsible for preparation, review and co-ordination of
respective shop drawings to ensure proper interfaces of all works.
2.29 Upon agreement with the Project Manager removal of any previous base build
bonding materials/debris that would prevent the Works meeting the Performance
Specification and make good as necessary.
2.30 Allow for providing attendance upon other Trade Contractors as required.
* As stated in the specification the Trade Contractor is to prove that the system meets the
required specification, tests to be witnessed by the Consultants and the Project Manager
and certificates issued by independent testing laboratories.
* The Trade Contractor shall allow sufficient time for the testing/approval of materials prior
to commencement on site.
* Testing of parts of the works is required in order that void closures may proceed and
other Trade Contractors will interface with a standard closing up format and give at least 5
days notice for inspection.
* The Trade Contractor shall be responsible for testing on an ongoing basis where
necessary in order to allow follow on works to commence. Furthermore, the installation of
an element will not be regarded as complete without submitted and approved test result.
All systems tested on the above basis shall be tested again as complete systems.
* The tests specified shall be carried out in the presence of the Project Manager and design
Consultant. The Trade Contractor shall give the Project Manager seven days notice in
writing of the date upon which the Trade Contractor will be ready to carry out tests upon
completion.
* Where testing specific to the project is required, test certificates shall include the project
title, details and date of the test, signature of those witnessing the test, the Contractors
name and the specific location of the item in the works.
* The accuracy of each test shall be to the satisfaction of the Project Manager, whose
decision shall be final. The Trade Contractor shall supply all necessary attendance,
materials and instruments, and shall demonstrate, if required the accuracy of the
instruments used.
* The Trade Contractor shall be responsible for the commissioning of the Works and shall
be responsible for accepting commissioned base building services systems such that the
Trade Contractor integrates the fit out works with the base building works to offer fully
commissioned building services systems. The Trade Contractor is to co-operate fully with
the project Manager in the preparation and monitoring of his commissioning activities.
* Prior to the Project Manager witnessing commissioning activity, the Trade Contractor
must submit a complete test report detailing all results achieved.
* Include for demonstrating to the Client and Statutory Authorities various tests and
system operation. It will be a requirement that these tests have been witnessed by the
Project Manager prior to these demonstrations taking place.
* In order to ensure co-ordination of and efficient testing and commissioning the Trade
Contractor will:
- Submit schedules showing those parts of the works for which inspections and tests are
required.
- Provide full technical/product information for inclusion within the Project Health and
Safety File
2.32 The trade contractor is required to make available a supply of spare parts
necessary to guarantee the smooth and trouble-free functioning of the exhibits for a period
of three years.
PI – PRACTICAL INTERACTIVE
10 6.4 PI Interactive model of gas turbine illustrating LNG and Electricity generation
Rev A – 09.12.10
GTC 400/2011 57 Appendix A: S.O.W & Specs
Sec-11 50 00
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
19 6.13 PI An AV based touch table exhibit examines safety in the use of water and
electricity
22 8.0 bench
23 8.3 PI Practical interactive explores wind power through cut away scale model of
gas turbine and model cars onto which types of blade and sail can be affixed and made to race
28 8.10 PI The Green House exhibit compares high energy consuming goods and
key:
PI – PRACTICAL INTERACTIVE
LV – LINEAR VIDEO
CI – COMPUTER INTERACTIVE
IV – INTERACTIVE VIDEO
O - OTHER
Objective:
The exhibit poses an exciting introduction to one of the themes explored with in the Kahramaa
education park
can give you a nasty shock on a shag carpet and make your hair stand on end. It is also a
Objective:
The exhibit poses an exciting introduction to the theme of water explored with in the Kahramaa
Education Park
An interactive asking 8 questions to which there are three possible answers. These might be:
The visitor touches their choice and is ‘told’ if their answer is right or wrong and then given the
correct answer.
Objective: to demonstrate that water management in the Islamic world has a long heritage
Treatment: A working model approximately 0.5 metre in length. Caption should include its date
Background information: see catalogue of1001 Inventions: Muslim Heritage in Our World
Objective: to demonstrate that water management in the Islamic world has a long heritage
Treatment: A working model approximately 1 metre in length. Caption should include its date
Background information: see catalogue of1001 Inventions: Muslim Heritage in Our World
Objective: to grasp the scale of some of the machinery involved in the process of De-salination
Treatment: A model approximately 2.5 metres in diameter. A caption should include its origin
and use
Treatment: A lighting tube 400 mm in length. The exhibit is to be supported by graphics give a
• The temperature of a lighting strike is hotter than the surface of the sun
• There are between 50 and 100 lightning strikes on earth every second
• One American was struck by lightning seven times in his life and survived
Background information:
http://www.strattman.com/products/lightning/index.html
Notes:
BY OTHERS)
Objective:
To demonstrate graphically how lighting is caused – by the build up of electrical charges within a
cloud
Treatment:
A touchtable. The opening screen is blue – representing the sky – with a number of stylised frozen
raindrops floating. Some bump into each other and a + or – symbol appears. The positive symbols
move to the top of the screen and the negative symbol towards the bottom
The electrical cartoon character Kahroob appears in the corner of the screen and tells visitors that
this is a cloud of frozen raindrops and that they can help make lightning by making more of the
raindrops collide.
By running a finger rapidly on a raindrop, the visitor can make a raindrop move across the screen
and bump into another raindrop. Again, this creates positive and negative symbols, the former
After 30 seconds, while visitors continue to make the collisions Kahroob explains what is
happening: the collisions are creating an electrical charge and all the positive charges are forming
at the top of the cloud and all the negative charges are forming at the bottom.
The cloud then shrinks and moves up the screen so that visitors can now see the ground, with a
Kahroob explains that because opposites attract, a positive charge is building up.
The negative charges in the cloud start to stretch down… and the positive charges on the ground
Just before the two meet, the screen switches to actual film footage of a lightning strike, with the
Background information:
Notes:
A. Housed under a protective dome, a cylinder wrapped around with copper wire is attached to a
galvanometer. A magnet is attached to a transparent lever which allows the visitor to push the
magnet into the cylinder and move it back and forth. When the visitor uses the lever to move the
magnet back and forth in the cylinder, the needle on the galvanometer moves. A graphic image at
the back of the exhibit demonstrates the action needed and how, simply by moving a magnet back
B. This interactive is similiarly housed under a protective dome but this time the visitor turns a
handle which spins a magnet inside a copper coil. The copper is linked to a light bulb, which will
Graphics at the back explain the action required and how changing the magnetic field is causing
Notes:
OTHERS)
Objective: to explain electromagnetic induction, its history and its importance to older visitors
and adults
1. show what is happening at the atomic level to neutrons in the copper coil when the
magnet is moved, or the coil is moved around the magnet – possibly through the use of
animated graphics
2. introduce Michael Faraday and the equipment he used to discover electricity almost 200
3. show that electromagnetic induction is still the primary method of electrical generation by
Duration: the electromagnetic induction exhibit should engage visitors for approximately 4
minutes.
Notes:
Objective: to show that only a very small amount of electricity can be generated by human
power, even if working in a team and a huge amount of energy is needed to power a home
A: three separate cranks (possibly based on a yachtsman’s winch for ease of use) are each linked
to domestic device – a light bulb, a kettle and radio for example. The on-screen instruction says
“How much electricity can you generate? Turn the handle to find out.”
When the crank is turned, the device begins to work according to the amount of power generated.
When the visitor stops turning, a screen displays the amount of electricity generated and how long
the crank would have to be turned at that rate in order to generate enough power for the device
B: a capstan, linked to a generator and digital read-out .The on-screen instruction says “Get
together with your friends to see how much electricity you can generate? Just turn the capstan.”
When the capstan is turned, a number of light bulbs are illuminated according to the amount of
power generated. When the turning stops, a screen displays the amount of electricity generated
and how long the capstan would have to be turned in order to generate the power needed for a
After two three minutes continual use both Exhibit A and Exhibit B should become more difficult to
The exhibit will have a built-in camera which will allow young visitors and their families to see
EXHIBIT BY OTHERS)
Objective: to demonstrate the effort required to generate even small amounts of power.
A: a computer is inked to the three separate cranks. The on-screen instruction says “How much
electricity can you generate? Turn the handle to find out”. The computer works out the amount of
energy generated by the cranks and converts it the amount of power needed to run the device to
which the crank is attached (a light bulb, a kettle or a radio) for one hour.
B: This computer is linked to the capstan and generator and digital read-out .The on-screen
instruction says “Get together with your friends to see how much electricity you can generate? Just
turn the capstan.” When the capstan is turned, a number of light bulbs are illuminated according
to the amount of power generated. When the turning stops, a screen displays the amount of
electricity generated and how long the capstan would have to be turned in order to generate the
After two three minutes continual use both Exhibit A and Exhibit B should become more difficult to
The exhibit will have a built-in camera which will allow young visitors and their families to see
Exhibit overview Interactive model of gas turbine illustrating LNG and Electricity generation
Objective: to show how Qatar’s primary product, natural gas, is used in the electrical generation
process
A large model of a gas turbine used in the generation of electricity. It should be cutaway to
demonstrate what happens in each area. It is not a requirement that it represents an actual
turbine, but is rather amalgam of the key features in a visually striking configuration.
It should have a button adjacent to each feature which identifies its function.
Duration: 1 ½ minutes
Note:
EXHIBIT BY OTHERS)
Objective: to show how Qatar’s primary product, natural gas, is used in the electrical generation
process
A touchscreen which depicts the large gas turbine model. The key elements can be touched, which
activates an animated film which explains what is happening. The touchscreen is ‘hosted’ by the
Duration: ½ to 1 minute
Notes:
Objective: to explain how a real Qatari power station works and how power reaches the house
A scale model of one of Kahramaa’s power stations surrounded by h by touch buttons, positioned
in rough proximity to key features on the model. Each is labelled with the name of the feature –
e.g. Natural Gas input. When pressed, these illuminate part of the model where this activity takes
place and launch a short film showing the corresponding activity at the plant.
Duration: 3 minutes
BY OTHERS)
Exhibit overview: Interactive video shows real life film footage of daily activities within a
Treatment and storyline: Surrounding the scale model of one of Kahramaa’s power stations are
touch buttons which launch short films showing the activiy in that area of the plant. Five short
films depict the key activities in an LNG power station. They should include live action but may
need to be supplemented with graphic interpretation where the process is invisible. Any captioning
should be in Arabic and English. The precise process is to be discussed with the Client, but the
LNG ignited
Duration: This exhibit should engage visitors for 3 minutes. Each film should last about 20
seconds
Treatment and storyline: This is a competitive quiz which can be played by individuals or up to
three teams against each other, or a single visitor can play against the machine. Visitors group
around consoles and register themselves with their RFIDs. One console is reduced in height to
allow small children or visitors in wheelchairs to play. They form teams according to the colour of
their consoles’ coloured acrylic surround. Projected on a circular table is a world globe, slowly
revolving (so that no team has an advantage of seeing the world in the usual north-south
configuration). The computer narration says “What are the world’s most precious resources?” As
images are projected on to the large screen in the centre of the exhibit, it continues “They are
fossil fuels, water and uranium. Where do you think they are?” The computer flashes up, “Fossil
fuels. These are primarily in the form of coal, oil and gas. Where are the world’s largest reserves of
gas? Press the area of the world on your console.” The console displays a world map. When an
area is highlighted, it is also projected with the colour of the console on the large projected map in
“Where else are there large reserves of gas? Press the area of the world on your console”
Again the area touched on the console is also projected onto the large central map. The computer
then calculates whether the correct areas have been identified and gives out scores to each team
The narrator then says “Play again?” Each console now has the options
• Yes
• New Game
• No
If New Game is selected, the consoles and central projection show a film of Qatar’s gas fields. The
narrator says “Qatar has 25 trillion cubic metres of natural gas. Each day we remove XXX cubic
The consoles come up with three options and visitors select one.
A film is shown of a Qatar electricity generating plant. The narrator says “Each day in Qatar, we
use XXX cubic metres of natural gas. If this continues, we will run out of gas in 20XX. But if we cut
our consumption by 10%, how long could we continue to enjoy our gas reserves?”
The consoles come up with three options and visitors select one.
The computer then calculates whether each team’s answers are correct and gives out scores to
The narrator then says “Play again?” Each console now has the options
Yes
No
If Yes is selected the same procedure is followed with oil consumption as the topic
Duration: 2 minutes
EXHIBIT BY OTHERS)
This is a competitive quiz which can be played by individuals or up to three teams against each
other, or a single visitor can play against the machine. Visitors group around consoles and register
themselves with their RFIDs. They form teams according to the colour of their consoles’ coloured
acrylic surround. Projected on a circular table is a world globe, slowly revolving (so that no team
has an advantage of seeing the world in the usual north-south configuration). The computer
narration says “What are the world’s most precious resources?” As images are projected on to the
large screen in the centre of the exhibit, it continues “They are fossil fuels, water and uranium.
Where do you think they are?” The computer flashes up, “Fossil fuels. These are primarily in the
form of coal, oil and gas. Where are the world’s largest reserves of gas? Press the area of the
world on your console.” The console displays a world map. When an area is highlighted, it is also
projected with the colour of the console on the large projected map in the centre of the exhibit.
“Where else are there large reserves of gas? Press the area of the world on your console”
Again the area touched on the console is also projected onto the large central map. The computer
then calculates whether the correct areas have been identified and gives out scores to each team
The narrator then says “Play again?” Each console now has the options
• Yes
• New Game
• No
If New Game is selected, the consoles and central projection show a film of Qatar’s gas fields. The
narrator says “Qatar has 25 trillion cubic metres of natural gas. Each day we remove XXX cubic
The consoles come up with three options and visitors select one.
A film is shown of a Qatar electricity generating plant. The narrator says “Each day in Qatar, we
use XXX cubic metres of natural gas. If this continues, we will run out of gas in 20XX. But if we cut
our consumption by 10%, how long could we continue to enjoy our gas reserves?”
The consoles come up with three options and visitors select one.
The computer then calculates whether each team’s answers are correct and gives out scores to
The narrator then says “Play again?” Each console now has the options
Yes
No
If Yes is selected the same procedure is followed with oil consumption as the topic
Duration: 2 minutes
Objective: to raise awareness of the quantity of CO2 being released into the atmosphere.
Treatment and storyline: This area consists of four interactives which should seek to convey the
• domestic electronic goods consume large amounts of power and therefore contribute to
• if energy efficient devices are used, the amount of CO2 released is significantly reduced
• Commit to change
Exhibit overview: How does Co2 get into the atmosphere? Touch table
The theme of this interactive is: how does CO2 get into the atmosphere? A projected world map is
surrounded by images of key producers of CO2 such as an aeroplane, a car, a camel, a factory and
an insect. The player ‘drags’ one of these images onto the map and information about their CO2
output is displayed.
Duration: 1 minute
Along the length of the table are projected images of several domestic items - not the latest
models:
a TV set
a computer
an air conditioner
a microwave
In front of each is a small screen. The game begins with a film of a power station emitting CO2
into the atmosphere. The narrator says “Every electric device uses power and when we create
electric power, we release carbon dioxide into the atmosphere. Every day in Qatar we release XX
tons of CO2 into the atmosphere. Look above you to see how much space a ton of CO2 occupies”
Visitors look up and see an 8.2metre cube above them, marked out in LED lights.
The narrator continues: “CO2 is believed to be a major contributor to global warming. But do you
know how much CO2 the things in your house are contributing?”
On the screen in front of each object it says: “How much CO2 does [name of the item] generate in
one hour? ”
The visitor then selects a number of weights onscreeen and then the computer then tells them
The narrator then says “But if you used the most modern, most efficient versions of all these
machines, how much CO2 do you think you could stop going into the atmosphere. Select the
Once selected, the computer then tells the visitors whether they have selected the correct weight
Duration: 2 minutes
Treatment and storyline: this interactive allows visitors to select one of a number of countries
and guess whether consumption of power per capita is greater or less than in Qatar.
Duration: 1 minute
Exhibit overview: Visitors commitments to change the amount of CO2 they produce
Objective: to push visitors into committing themselves to reduce their power consumption
This interactive allows visitors to record comments about power consumption which can be
displayed on the overhead LED cube. It should be voice activated and prompt visitors by asking
open questions such as “what do you think about the consumption of power in Qatar?” “What
Duration:1 minute
Exhibit overview: Multi screen presentation introducing the major alternative means of
Reference number: 6.8 1-6 LV (SEE LINEAR/INTERACTIVE DETAIL TENDER BRIEFS FOR
Exhibit overview: Linear video demonstrates the major alternative means of generating power
Objective: To show benefits and drawbacks of major types of non-fossil fuel based power
generation
Treatment and storyline: A series of short films on nuclear, geothermal, biomass, wind, solar,
Duration: each film to last about 20 seconds, with an expectation that the visitor will engage with
Exhibit overview This consists of a tower made of 5,000 empty water bottles of one litre
capacity.
Treatment and storyline: This consists of a tower made of 5,000 empty water bottles of one
litre capacity. In front of a tower, the visitor stands in front of a touchsceen . The message comes
up “Press here to see how much water a European consumes in a week”. Half the bottles are
illuminated. The message comes up “Press here to see how much water an American consumes in
The message comes up “Press here to see the average water consumption around the world in a
The message comes up on screen. “How much does the average Qatari consume during a day?
Keep your finger on the button until you think you have the right answer, then release”.
If visitors take their fingers off, the message comes up on screen “Wrong – we consume nearly
4,750 litres of water a week: the highest in the world!” Almost all the bottles are illuminated.
If visitors keep their fingers on the button until all the bottles are illuminated, the message comes
up on screen “Correct! We consume nearly 4,750 litres of water a week: the highest in the world!”
Duration: 3 minutes
Exhibit overview A model of a de-salination plant which allows visitors to explore its
Treatment and storyline: A scale model with all key features identified. In addition there are two
water dispensers – where the water is dispenses just one drop at time. One dispenses salinated
Duration: 1 minute
Background information: The Client will advise on the plant to be selected for modelling and to
BY OTHERS)
Exhibit overview 4 no. interactive stations provide visitor with interaction with model 6.10 PI
(above)
Treatment and storyline: four consoles surround the model of the desalination plant glimpsed
on the Ride. Around each console are touch buttons, individually labelled with the name of the
feature – e.g. ‘Natural Gas input’. When activated, these buttons illuminate the part of the model
where this activity takes place and launches a short film showing the corresponding activity at the
plant. The use of salinated water in the production of electricity, and the role of electricity in
desalination will be particularly highlighted. Each console also includes a button to activate a one-
minute film highlighting the air pollution and CO2 production associated with desalination and the
There is also an opportunity for visitors to sample a single drop of desalinated water and this
should be accompanied by an interactive screen alongside which allows visitors to guess how much
it costs to produce and distribute to a Qatari household one cubic metre of desalinated water.
Duration: 1 minute
Background information: The Client will advise on the plant to be selected for modelling and to
Treatment and storyline: This interactive begins with images of the different ways in which
water is consumed:
for drinking
for gardening
for cooking
After reflecting on these, the visitor encounters a transparent water tank holding 675.5 litres of
water with pipes leading to six transparent tubes of equal height and diameter. The tubes are
labelled “drinking”, “personal hygiene, “clothes washing”, “gardening”, “cooking” and “car
washing”
At the bottom of each is a valve which allows water to flow from the tank into the tube.
A sign says:
“The tank holds the average daily water consumption in Qatar - 675.5 litres. Turn the valves on
When complete, the amount of water in each tube is brought up on a screen. The water is pumped
back into the tank, then re-distributed among the tubes according the known consumption
patterns (e.g. 75.5 % on personal hygiene, 2.1% on cooking) and these values put alongside the
visitor’s estimates.
Duration: 1 ½ minutes
BY OTHERS)
Exhibit overview Displays visitors estimates of water consumption and compares with
current data
Objective: to reinforce the message that a disproportionate amount of water is used for personal
cleanliness
Treatment and storyline: When visitors have completed the challenge of filling the tubes with
water, the amount of water is brought up on a screen. Estimates of actual consumption for each
Duration: The entire exhibit should engage visitors for at least 1 ½ minutes
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Treatment: A working model approximately 1 metre in length. Caption should include its date
(13th century CE). It should also include graphics to introduce the garden and explain oxygen
Background information: see catalogue of1001 Inventions: Muslim Heritage in Our World
Exhibit overview:. An AV based touch table exhibit examines safety in the use of water and
electricity
BY OTHERS)
projected touchscreen where visitors are challenged to identify dangers in the featured scenarios
Objective: to stress electricity is potentially dangerous / bare wires must never be touched /
Treatment and storyline: a rear projected touchscreen, again on the theme of electrical safety
and visitors are asked to identify dangers. Projected onto the screen is a domestic setting where,
for example:
someone is trying to get the toast out of a toaster with a metal knife
BY OTHERS)
overview: Two person interactive rear projected touchscreen where visitors must find solutions to
to help younger visitors understand the safety issues around electricity and electricity/water
Treatment :A two-person touch-screen game, with the objective of identifying safe and unsafe
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Objective: to demonstrate the innovative features of the Kahrammaa Education Park Building
BY OTHERS)
Exhibit overview
Innovative energy saving features of the KEP building are explored in a touch screen interactive
Objective: to demonstrate the innovative features of the Kahrammaa Education Park Building and
Treatment and storyline: touchscreen identifies particular features of the model (which are then
illuminated) - such as the turbines, wind tower, solar panels, heat exchangers - and displays key
facts. Where possible it should also show a domestic equivalent of the feature.
Duration: 2 minutes
AV hardware requirement: (any sound, lighting FX, movement mechanisms to be included in the
Objective: The principal function of the Balcony area is to showcase the alternatives to fossil fuel
based energy production and some of the newest technological innovations in energy saving. The
information is technically more advanced and is aimed primarily at older pupils and adults.
AV hardware included
Exhibit overview: Visitors can select from a total of 6 video films on alternatives to fossil fuel
power generation
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of nuclear power
Images of nuclear power plants, internal and external, accompanied by key words and phrases (in
Arabic and English) which summarise the pros and cons, such as “Clean”, “Inexpensive”, “Toxic
waste” and “Dangerous”. Images could include pictures of Chernobyl as well as effective nuclear
plants. It should also include a graphic animation of the generation process. The cost of producing
Duration: 1 minute
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of geothermal power
Images of geothermal power plants, internal and external, accompanied by key words and phrases
(in Arabic and English) which summarise the pros and cons, such as “Environmentally friendly”,
“Costly to build”. It should also include a graphic representation of the generation process. The
cost of producing a kilowatt per hour should also be displayed (QUAR 0.42)
Duration: 1 minute
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of power from biomass
Treatment and storyline: Images of biomass power generation, accompanied by key words and
phrases (in Arabic and English) which summarise the pros and cons, such as “Renewable”,
“Polluting”. It should also include a graphic animation of the generation process. The cost of
Duration: 1 minute
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of wind power
Treatment and storyline: Images of wind farms and turbines accompanied by key words and
phrases (in Arabic and English) which summarise the pros and cons, such as “Renewable”, “It is
not always windy”. It should also include a graphic animation of the generation process. The cost
Duration: 1 minute
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of solar power
Treatment and storyline: Images of solar panels accompanied by key words and phrases (in
Arabic and English) which summarise the pros and cons, such as “Sustainable”, “Only works during
the day”. It should also include a graphic animation of the generation process. The cost of
Duration: 1 minute
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of tidal power
Treatment and storyline: Images of tidal power generators accompanied by key words and
phrases (in Arabic and English) which summarise the pros and cons, such as “Renewable”, “Low
cost to run” and “Costly to build”. It should also include a graphic animation of the generation
process. The cost of producing a kilowatt per hour should also be displayed (to be checked –
Duration: 1 minute
AV hardware included
Objective: to provide a more in-depth assessment of the pros and cons of nuclear power
power to create steam. The visitor is challenged to assess the pros (little pollution) with the cons
Duration: 1 minute
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Treatment: cutaway scale model of a turbine and model cars onto which types of blade and sail
can be affixed and made to race through wind power, This will turn as visitors experiment with
various types of blade and sail – including traditional designs – to find the most efficient. Through
a projected film, the visitor will discover the efficiency of wind farms compared to fossil fuel based
electrical generation.
Duration: 1 – 2 minutes
AV hardware requirement: (any sound, lighting FX, movement mechanisms to be included in the
Treatment: 1) a simplified and symbolic representation of how a solar panel converts light into
electricity.
2) visitors use lemons to power a low voltage LED clock. It is essential that in doing so they grasp
Duration: 1 – 2 minutes
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Treatment: A large tank demonstrates the theory of using the power of the tides to generate
electricity. Supporting information must reveal that this is only effective in areas of significant
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Objective: to remind visitors that the centre of the earth is a molten furnace - and therefore a
Treatment: A cutaway model of the earth – reminding visitors, as they have seen in the Pearl –
that the earth’s centre is a molten furnace. Graphics explain how heat pumps tap into this free
source of power.
Duration: ½ to 1 minute
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Objective: to show the quantity of plant material needed to generate a certain amount of power
Treatment: A 2.4m x 0.6 m tower of glass tower full of miscanthus. Supporting graphics explain
how much power can be obtained from this quantity of biomass, as well as revealing other sources
Duration: ½ minute
AV hardware included
Exhibit overview: A touch screen interactive compares green means of generating electricity
Objective: to demonstrate that renewablae energy sources do not generate sufficient power to
Treatment and storyline: A touchscreen display: visitors select a ‘green’ method - tidal, solar,
geothermal or bio-mass– and the energy output is compared with that of conventional sources. It
should also demonstrate the quantities needed to replace conventional power – for example, what
Duration: ½ to 1 minute
AV hardware requirement: (any sound, lighting FX, movement mechanisms to be included in the
DISPLAY STRUCTURE)
Exhibit overview:. The Qatari House exhibit compares high energy consuming goods and energy
Objective: to demonstrate the energy efficiency of the best new domestic appliances.
Treatment: the visitor enters a circle and stands by one of a number of consoles in the centre.
One half of the circle shows a stylised bathroom and kitchen, of a ‘normal’ house, equipped with
high energy-consuming goods. The other half of the circle shows exactly the same setting, but
equipped with environmentally friendly and energy efficient goods. The devices themselves should
Duration: the whole exhibit should engage the visitor for 4 minutes
Reference number: 8. 10 CI
Exhibit overview: A central console allows visitor to interact and compare household goods
Objective: to demonstrate the energy efficiency of the best new domestic appliances.
Treatment and storyline: The visitor selects either a room or a specific piece of equipment on
the touch screen to illuminate these in the rooms, both green and non-green. Comparative
information – in an appealing way (animated graphics rather than figures) is then revealed about
comparative running costs, C02 emissions, carbon footprint of manufacture, etc. There should
also be an explanation of HOW the more energy efficient appliences achieve this. This should
include basic cut away animated diagrams to show usually ‘hidden’ mechanisms etc
Duration: the whole exhibit should engage the visitor for 4 minutes
AV hardware included: (any sound, lighting FX, movement mechanisms to be included in the
Objective: to allow visitors to download their game scores and to commit to energy saving.
Treatment and storyline: Three walk in circular pod structures , each with three consoles.
Within each, visitors can scan their RFDI medallions. Interactive screens set into freestanding
partition s will then ask them to choose from a number of energy and water saving options that
The pod will then provide a summary of their scores from the interactives and a list of their
commitments, which the visitor can print out at home. It will also give them a unique number to
access the KEP website and find films of themselves participating in the activities where possible.
The visitors can also access further information on the key themes explored during their visit.
Duration: 4 ½ minutes
AV hardware included: (any sound, lighting FX, movement mechanisms to be included in the
droplets
The bit fall fountain forms a centrepiece to the pre ride area. This is programmed with a selection
of popular and traditional tunes, according to the audience. The KEP education team are able to
Duration: tbc
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6,2 Electromagnetic exhibit Coil exhibit structure M/steel with copper Sample to be
metallic powder submitted to
coat finish designers approval
Base to coil structure M/steel with powder black Sample to be
coat finish submitted to
designers approval
Shaped countertop Solid surface acrylic Perma white LG Himacs
P01 www.lgchem.com
Acrylic domes to acrylic clear Sample to be
interactive exhibits submitted to
designers approval
graphics See graphics spec for
detail
Graphic fixings St/steel Brushed finish Sample to be
submitted to
designers approval
6.3 Human Power Exhibit fascia Plastic laminate F3091 www.formicacollection.
eu
Side returns to St/steel Brushed finish Sample to be
exhibit fascia submitted to
designers approval
Upstands to LCD glass toughened
monitors
Electrical appliance St/steel Brushed finish Sample to be
display boxes submitted to
designers approval
Rotating capstan St/steel Brushed finish Sample to be
wheel submitted to
designers approval
Individual rotating St/steel Brushed finish Sample to be
handle winders submitted to
designers approval
Upstand to handle M/steel with powder RAL 3020
winders coat finish
6.4 LNG Graphic back drop Stainless steel brushed Sample to be
submitted to
designers approval
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6.11 Water usage Graphic back drop Stainless steel brushed Sample to be
submitted to
designers approval
Upright supports to Stainless steel brushed Sample to be
graphic backdrop submitted to
designers approval
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POSITION GRAPHIC CODE QUANTITY DESCRIPTION PRODUCTION TYPE SIZE (H X W) IN MILLIMETERS ARTWORK NOTE
1.1 Reception 1.1 G1 1 Cartoon Characters Graphic printed direct to diabond substrate and spaced off 1500 x 750 Characters to be supplied by client
back wall 10mm diabond black edges, Characters fret cut to
shape
1.1 G2 1 Cartoon Characters Graphic printed direct to diabond substrate and spaced off 1500 x 750 Characters to be supplied by client
back wall 10mm diabond black edges, Characters fret cut to
shape
1.1 G3 1 Cartoon Characters Graphic printed direct to diabond substrate and spaced off 1500 x 750 Characters to be supplied by client
back wall 10mm diabond black edges, Characters fret cut to
shape
1.2 Reception Desk 1.2 G1 1 Wayfinding/Signage Fret cut letters, silver finish, spaced off wall behind reception 300mm approx cap height Welcome to Kahramaa Education Park '
desk or similar (Arabic and English)
1.2 G2 10,000 RFID Medallion disc. 50mm Specialist RFID 50mm dia Logo instructions
dia integrated smart chip see
AV spec
1.2 G3 10,000 RFID Ribbon Ribbon to take disc around childs neck with graphics 10mm approx Ribbon Continual image
embroider
2.0 Theatre 2.0 G1 1 Wayfinding/Signage Fret cut letters, silver finish, spaced off wall above Theatre 300mm approx cap height Welcome Theatre' or similar (Arabic and
entrance English)
4.2 Pre Ride Area Practical 4.2 G1 1 Backdrop discs Linked graphic discs made up of 16no. Discs to suit stainless 2080 x 4480 Various artwork and text to each disc in
Interactive Water Raising Pump steel upstand. Printed direct to diabond substrate and spaced Arabic and English
off back wall
4.2 G1 1 Interactive Operating Screen print two pack ink or cast vinyl applied to counter top 400 x 200 Turn Handle Arrow (Arabic and
instructions English)
4.2a Taqi-Al-Din pump 4.2a G1 1 Backdrop discs Linked graphic discs made up of 16no. Discs to suit stainless 2080 x 4480 Various artwork and text to each disc in
steel up stand. Printed direct to diabond substrate and spaced Arabic and English
of back wall
4.2a G2 1 Interactive Operating Screen print two pack ink or cast vinyl applied to counter top 500 x 500 Turn Handle Arrow (Arabic and
instructions English)
4.3 Pre boarding briefing 4.3 G1 1 Health and Safety Lambda or high res digital print heatsealed mounted to 10mm 1500 x 750 Health and Safety instructions (Arabic
Instructions diabond black edges, Graphic shaped to tear drop to fit and English)
background graphic backdrop. Spaced off back wall
4.7 Graphic Backwall 4.7 G1 1 Glass curved backdrop Applied duratran to back face of curved glass, predrilled to 4200 x 20,000 tapering to 1500 Large graphic backdrop with illustrated
accept interactive graphics for practical interactives (See below high graphic similar to graphic detail design
4.1)
4.1 Practical Interactives 4.1 G1 8 Practical interactive discs Graphic printed direct to diabond substrate and spaced off 500 dia Various artwork and text to each disc in
back wall. Integral to practical interactive Arabic and English
4.1 G2 24 Practical interactive discs Graphic printed direct to diabond substrate and spaced off 180 dia Various artwork and text to each disc in
back wall. Integral to practical interactive Arabic and English
6.1 Electricity in the Sky 6.1 G1 1 Exhibit Title Screen print two pack ink or cast vinyl graphics applied to 3720 x 540 Text in Arabic and English
stainless steel structure
6.1 G2 1 Interactive Backdrop Screen print two pack ink or cast vinyl graphics applied to 8600 x 540 Illustrated graphic similar to scheme
stainless steel structure design
6.1 G3 1 Facts Panel Graphic printed direct to diabond substrate and cut to shape 1500 x 1000 Various artwork text and images in
with rounded edges Arabic and English
6.1 G4 1 Facts Panel Graphic printed direct to diabond substrate and cut to shape 1500 x 1000 Various artwork text and images in
with rounded edges Arabic and English
6.1 G5 1 Facts Panel Graphic printed direct to diabond substrate and cut to shape 1500 x 1000 Various artwork text and images in
with rounded edges Arabic and English
6.2 Electro magnetic Induction 6.2 G1 1 Backdrop discs Linked graphic discs made up of 16no. Discs to suit stainless 2080 x 4480 Various artwork and text to each disc in
steel up stand. Printed direct to diabond substrate and spaced Arabic and English
of back wall
6.2 G2 1 Interactive operating Screen print two pack ink or cast vinyl applied to counter top 500 x 500 Text in Arabic and English
instructions
6.3 Human Power 6.3 G1 no graphic required Exhibit title to form part of the CI screen
titling
6.4 LNG and Electricity Generation 6.4 G1 1 Title Panel Graphic printed direct to diabond substrate and cut to shape 2000 x 2000 Various artwork images and text in
with rounded edges Arabic and English
6.4 G2 1 Graphic backdrop Opaque graphics applied to rear of front face of unit 6400 x 2000 (incorporating 4260 x Various artwork images
920 cut out)
6.4 G3 1 Graphic backdrop Opaque graphics applied to rear of back face of unit 6400 x 2000 Various artwork images
6.4 G4 4 Interactive Buttons Backlight duratrans 300 x 200 Text in Arabic and English
6.4 G5 1 Interactive operating Screen print two pack ink or cast vinyl applied to stainless steel 600 x 200 Text in Arabic and English
instructions counter top
6.5 Power Station Model 6.5 G1 1 Title Panel Graphic printed direct to diabond substrate and cut to shape 2000 x 2000 Various artwork images and text in
with rounded edges Arabic and English
6.5 G2 1 Facts Panel Graphic printed direct to diabond substrate and cut to shape 2000 x 1000 Various artwork text and images in
with rounded edges Arabic and English
6.5 G3 8 Interactive Buttons Buttons etched and filled stainless steel for interactives see AV 80 dia Text in Arabic and English
scope
6.6 Natural Resources 6.6 G1 1 no graphic required Exhibit title to form part of the CI screen
titling
6.7 Co2 6.7 G1 1 Exhibit Title Screen print two pack ink or cast vinyl applied to stainless steel 1500 x 540 Title Text in Arabic and English
structure
6.7 G2 1 Interactive Backdrop Screen print two pack ink or cast vinyl applied to stainless steel 5500 x 540 Illustrated graphic similar to scheme
structure design
6.7 G3 1 Graphic Intro Screen print two pack ink or cast vinyl applied to solid acrylic 1500 x 880 Into text
structure
6.7 G4 1 Co2 Stainless steel cut out letters applied to cube structure 800 cap height Text only in Arabic and English
6.7 G5 1 70x Stainless steel cut out letters applied to cube structure 800 cap height Text only in Arabic and English
6.7 G6 1 Banding around cube Screen print two pack ink or cast vinyl graphics applied to 550 x 32,000 (8000 lengths) Text only in Arabic and English
stainless steel band
6.8 Alternative Methods of 6.8 G1 1 Exhibit Title Screen print two pack ink or cast vinyl applied to stainless steel 3000 x 540 Title Text in Arabic and English
Generating Electricity structure
6.9 Water Consumption 6.9 G1 1 Title Panel Graphic printed direct to diabond substrate and cut to shape 2000 x 2000 Various artwork images and text in
with rounded edges Arabic and English
6.9 G2 1 Backdrop discs Linked graphic discs made up of 11no. Discs to suit stainless 3640 x 1200 Various artwork and text to each disc in
steel up stand. Printed direct to diabond substrate and spaced Arabic and English
of back wall
6.9 G3 1 Backdrop discs Linked graphic discs made up of 11no. Discs to suit stainless 3640 x 1200 Various artwork and text to each disc in
steel up stand. Printed direct to diabond substrate and spaced Arabic and English
of back wall
6.9 G4 1 Measuring stick Screen print two pack ink or cast vinyl graphics applied to 5400 x 350 Numbers and rules in Arabic and
stainless steel monolith English
6.10 Desalination Model 6.10 G1 2 Title graphic Screen print two pack ink or cast vinyl graphics to inside face 200mm approx cap height Title Text in Arabic and English
of upstand of hand rail
6.10 G2 1 Exhibit instruction Graphic printed direct to diabond substrate and inset into 400 x 300 Title Text in Arabic and English
structure
6.10 G3 1 H2O Exhibit instruction Screen print two pack ink or cast vinyl applied to stainless steel 100 x 100 Title Text in Arabic and English
structure
6.11 Your Own Water Consumption 6.11 G1 1 Title Panel Graphic printed direct to diabond substrate and cut to shape 2000 x 2000 Various artwork images and text in
with rounded edges Arabic and English
6.11 G2 1 Facts Panel Graphic printed direct to diabond substrate and cut to shape 2000 x 2000 Various artwork images and text in
with rounded edges Arabic and English
6.11 G3 1 Graphics to cylinder '675 Litres' Frosted Cast vinyl graphics applied to glass 300mm approx cap height '675 Litres' Text in Arabic and English
cylinder
6.11 G4 1 Interactive Operating 'Turn the handle' with arrows, screen print two pack ink or cast 500 dia 'Turn the handle' Text in Arabic and
instructions vinyl instructions applied to structure English
6.11 G5 6 Graphics to cylinders Frosted Cast vinyl graphics applied to glass cylinders 150mm approx cap height Text in Arabic and English
6.11 G6 1 Graphic surround to LCD Graphic printed direct to diabond substrate and cut to shape 2000 x 2000 Various artwork images and text in
screen with rounded edge, allocation for LCD screen inset Arabic and English
6.12 Garden 6.12 G1 1 Backdrop discs Linked graphic discs made up of 16no. Discs to suit stainless 2080 x 4480 Various artwork and text to each disc in
steel upstand. Printed direct to diabond substrate and spaced Arabic and English
of back wall
6.12 G2 1 Backdrop discs Linked graphic discs made up of 16no. Discs to suit stainless 2080 x 4480 Various artwork and text to each disc in
steel upstand. Printed direct to diabond substrate and spaced Arabic and English
of back wall
6.12 G3 4 Title to Model Plinth Screen print two pack ink or cast vinyl applied to plinth 200 x 2500 Text in Arabic and English
6.13 Stay Safe 6.13 G1 1 Backdrop discs Linked graphic discs made up of 16no. Discs to suit stainless 2080 x 4480 Various artwork and text to each disc in
steel upstand. Printed direct to diabond substrate and spaced Arabic and English
of back wall
7.1 Interactive Model Kahraama 7.1 G1 1 Title Panel Graphic printed direct to diabond substrate and cut to shape 2000 x 2000 Various artwork images and text in
Education Park with rounded edges Arabic and English
7.1 G2 1 Facts Panel Graphic printed direct to diabond substrate and cut to shape 2000 x 2000 Various artwork images and text in
with rounded edges Arabic and English
7.1 G3 10 Graphic applied to glass Screen print two pack ink or cast vinyl applied to glass 400 x 400 10no. Illustration outlines and arrows,
windows text in Arabic and English
8.3 Wind Power 8.3 G1 1 Title Panel Graphic printed direct to diabond substrate and spaced off rear 600 X 1980 Various artwork images and text in
substrate Arabic and English
8.3 G2 1 Interactive Operating Screen print two pack ink or cast vinyl applied to rear of glass 350 x 350 Text in Arabic and English
instructions
8.3 G3 1 Choose a Vehicle Screen print two pack ink or cast vinyl applied to rear of glass 1800 x 400 'Choose a Vehicle' Text in Arabic and
English
8.4 Photovoltaic and 8.4 G1 1 Title Panel Graphic printed direct to diabond substrate and spaced off rear 600 X 1980 Various artwork images and text in
Electrochemical Power Generation substrate Arabic and English
8.4 G2 1 Interactive Operating Graphic etched and filled to stainless steel substrate 500 x 500 approx Text in Arabic and English
instructions
8.4 G3 1 Graphic backdrop Graphic printed direct to diabond substrate, cut to shape and 600 x 800 Various artwork images and text in
spaced of rear substrate Arabic and English
8.5 Tidal Power 8.5 G1 1 Graphic backdrop Graphic printed direct to diabond substrate and spaced off rear 700 x 1600 Various artwork images and text in
substrate Arabic and English
8.5 G2 1 Tank Graphics Text only applied Screen print or cast vinyl applied to front face 1000 x 400 Text in Arabic and English
8.6 Geothermal Power 8.6 G1 2 Graphic backdrop Graphic printed direct to diabond substrate and spaced of rear 1150 x 810 Various artwork images and text in
substrate Arabic and English
8.7 Biomass Power 8.7 G1 1 Title Screen print two pack ink or cast vinyl applied to front face of 500 x 500 Text in Arabic and English
glass display
8.7 G2 3 Framed Images Images printed direct to diabond substrate and recessed into 200 x 350 Various artwork images
stainless steel frames
8.10 The Green Qatari House 8.10 G1 1 Title Fret cut letters, silver finish, spaced off wall above entrance 300mm approx cap height Green Qatari House ' or similar (Arabic
and English)
8.10 G2 5 Floor graphics Graphics vinyl lettering applied to rear face of floor glass 150 cap height Text in Arabic and English
8.10 G3 12 Floor graphics within each Graphics vinyl lettering applied to rear face of floor glass 150 cap height Text in Arabic and English
room
9.0 Garden for Qatar 9.0 G1 5 External Graphic Plinth External grade UV stable graphic produced in either Rhino 1000 x 500 Various artwork images and text in
core or Vault (or similar) 5 year guarantee minimum Arabic and English
9.0 G2 30 Plant labels External grade labels, stainless steel, etched and filled text, 500 x 400 Text in Arabic and English
aperture cut to middle (see graphic detail design)
9.1 Grey water for irrigation 9.1 G1 5 External Graphic Plinth External grade UV stable graphic produced in either Rhino 1000 x 500 Various artwork images and text in
core or Vault (or similar) 5 year guarantee minimum Arabic and English
9.2 Biofuels 9.2 G1 3 External Graphic Plinth External grade UV stable graphic produced in either Rhino 1000 x 500 Various artwork images and text in
core or Vault (or similar) 5 year guarantee minimum Arabic and English
9.3 Ground water 9.3 G1 3 External Graphic Plinth External grade UV stable graphic produced in either Rhino 1000 x 500 Various artwork images and text in
core or Vault (or similar) 5 year guarantee minimum Arabic and English
10.2 Interactive pods 10.2 G1 3 Graphic to pods 'What have you learnt' frosted cast vinyl lettering applied at 250 cap height Text in Arabic and English
high level to orange curved glass
10.2 G2 18 Internal pod panels and Durable graphics to laminate. Aluminum strip to edges. 1800 x 1200 Various artwork images and text in
instructions Arabic and English
Ride Exit GWP1 1 Wayfinding Graphics mounted to foamex heatseal wrap, applied to wall 2000 x 3000 Artwork to include directional arrows
and solid balustrade and text in Arabic and English.
Ramp at principal display area GWP2 1 Wayfinding Graphics mounted to foamex heatseal wrap, applied to wall 18,000 x 2000 Artwork to include directional arrows
and solid balustrade and text in Arabic and English.
Rear of upstand to principal display GWP3 1 Wayfinding Graphics mounted to foamex heatseal wrap, applied to wall 36,000 x 2000 Artwork to include directional arrows
area and solid balustrade and text in Arabic and English.
Rear of upstand to principal display GWP4 1 Wayfinding Graphics mounted to foamex heatseal wrap, applied to wall 36,000 x 2000 Artwork to include directional arrows
area and solid balustrade and text in Arabic and English.
Tower GWP5 1 Wayfinding Graphic backdrop Wallpaper graphic applied directly to wall 3000 x 11,000 Illustrated graphic similar to scheme
design
Lobby and Reception WG1 2 Wayfinding / signage Lambda or high res digital print mounted to 6mm foamex 1000 x 1000 Artwork to include directional arrows
heatseal wrapped edges. Graphic applied to monolith, and text in Arabic and English.
aluminum strip to surround graphic edges.
Lobby and Reception WG2 2 Wayfinding / signage Lambda or high res digital print mounted to 6mm foamex 1000 x 1000 Artwork to include directional arrows
heatseal wrapped edges. Aluminum strip to edges. and text in Arabic and English.
Lift - Lower Ground Floor WG3 1 Wayfinding / signage Durable graphics to laminate to lift surround. Aluminum strip to 3000 x 2500 Illustrated graphic similar to scheme
edges. design
Lift - Ground floor WG4 1 Wayfinding / signage Durable graphics to laminate to lift surround. Aluminum strip to 3000 x 2500 Illustrated graphic similar to scheme
edges. design
Lift - Mezzanine WG5 1 Wayfinding / signage Durable graphics to laminate to lift surround. Aluminum strip to 3000 x 2500 Illustrated graphic similar to scheme
edges. design
Lift - Tower WG6 1 Wayfinding / signage Durable graphics to laminate to lift surround. Aluminum strip to 3000 x 2500 Illustrated graphic similar to scheme
edges. design
Totem - Lower Ground Floor WG7 4 Wayfinding / signage Durable graphics to laminate to sides of Totem. Aluminum strip 2500 x 400 Artwork to include directional arrows
to edges. and text in Arabic and English.
Totem - Lower Ground Floor WG8 4 Wayfinding / signage Durable graphics to laminate to sides of Totem. Aluminum strip 2500 x 400 Artwork to include directional arrows
to edges. and text in Arabic and English.
Totem - Ground Floor WG9 4 Wayfinding / signage Durable graphics to laminate to sides of Totem. Aluminum strip 2500 x 400 Artwork to include directional arrows
to edges. and text in Arabic and English.
Totem - Ground Floor WG10 4 Wayfinding / signage Durable graphics to laminate to sides of Totem. Aluminum strip 2500 x 400 Artwork to include directional arrows
to edges. and text in Arabic and English.
Totem - Mezzanine Level WG11 4 Wayfinding / signage Durable graphics to laminate to sides of Totem. Aluminum strip 2500 x 400 Artwork to include directional arrows
to edges. and text in Arabic and English.
Totem - Mezzanine Level WG12 4 Wayfinding / signage Durable graphics to laminate to sides of Totem. Aluminum strip 2500 x 400 Artwork to include directional arrows
to edges. and text in Arabic and English.
Spiral Staircase - Ground Floor WG13 1 Wayfinding / signage Graphics to be printed direct to vinyl and mounted to curved 1000 x 2500 Artwork to include directional arrows
staircase central structure and text in Arabic and English.
Spiral Staircase - Ground Floor WG14 1 Wayfinding / signage Graphics to be printed direct to vinyl and mounted to curved 1000 x 2500 Artwork to include directional arrows
staircase central structure and text in Arabic and English.
Spiral Staircase - Mezzanine Level WG15 1 Wayfinding / signage Graphics to be printed direct to vinyl and mounted to curved 1000 x 2500 Artwork to include directional arrows
staircase central structure and text in Arabic and English.
Spiral Staircase - Mezzanine Level WG16 1 Wayfinding / signage Graphics to be printed direct to vinyl and mounted to curved 1000 x 2500 Artwork to include directional arrows
staircase central structure and text in Arabic and English.
JAMES CUBITT & PARTNERS, 109 Uxbridge Road, London, W5 5TL, Tel 020 8579 6873
JASPER JACOB ASSOCIATES, 25 Abbeville Mews, 88 Clapham Park Road, London SW4 7BX, Tel 020 7622 7277
For the purposes of this tender the Trade Contractor is to provide visual examples and
written descriptions of three (3) similar projects that demonstrate a full understanding and
experience of the scope of services.
Provide details of staff including software skills to be made available for the contract.
Include an estimated number of days per staff member allocated to the project along
with day rates.
Provide contact details, CV and availability for interview of all key team members
applicable to the project.
Provide an example of artwork following the style guide provided of 4.1 Water Quiz
Practical Interactives 1no. 500 diameter (as listed in the graphic Schedule) ie Why is the
sea salty? Please supply an example of this graphic printed to the substrate listed. Please
note the contractor will need to supply all information required to interpret the key-
learning message on this panel.
The Trade Contractor should make allowances for three (3) client review meetings on site
the Trade Contractor should make allowances for two (3) trips for the design team to visit
the graphic production house for the purposes of approval, minimum of two people for two
nights per trip including for hotels, flights and transportation.
SCOPE OF SERVICES:
All specifics of the Kahramaa Education Park (KEP) graphic and illustrative content are to
be developed and finalised by the Trade Contractor in consultation with, and to the
approval of the client and exhibition design team, after the contract has been awarded.
The Trade Contractor will be required to artwork, manufacture and install all graphic
elements detailed in the schedule.
The detail design document has be provided by the exhibition designers as part of this
tender and this shall inform the graphic design and artwork process.
Provide a specialist content advisor to liaise with the client and design consultant to
develop the graphic content and supply the translation
Provide and source all images as required, including copyright clearance
Provide all graphic artwork
Provide all illustrations as required
Provision for high resolution scans
Production of all graphic elements as indicated in the graphic schedule and installation of
all items
The use of permanent installation staff working for the Trade Contractor.
All graphics must be quality inspected and reverse signed in triplicate prior to dispatch.
GTC 400/2011 157 Appendix A: S.O.W & Specs
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Provision of colour proofs (A3 laser prints) as required for checking by the exhibition
design team and the Client.
Provision of production samples as required for checking by the Designer and the client.
Where graphic elements are part of a 3D element, the Trade Contractor is responsible for
all coordination of production and installation.
All screen print and stencil works must use two-pack epoxy inks with a minimum 10 year
life warranty.
All digital print must be photo-digital, silver based technology to a minimum of 400 dpi.
It is the responsibility of the Trade Contractor to confirm fully all final on-site dimensions
prior to production.
GRAPHICS ARTWORK:
The Trade Contractor will create a Graphics Master Plan document, based on the graphic
detail design document (that will be provided to the Trade Contractor upon appointment).
The Graphics Master Plan must contain design templates for each and every graphic
element in the Kahramaa Education Park (KEP). This differs from the Detailed Design
Document provided by the Exhibition Designers with this tender for reference only. The
templates must be to scale and fully dimensioned with all typographic, image and graphic
device specifications. This document is to be issued as hard copy and in electronic format.
For approval by the client and exhibition design team.
Content
The Trade Contractor in consultation with the client team will develop the content. This
includes text in English and Arabic (the Trade Contractor will be responsible for translation)
as well as explanations, reference and graphic elements such as graphs, charts and
illustrations.
Where very specific images are required the Trade Contractor in consultation with the
client must source the image in a suitable format with copyright agreed. It may also be
necessary for the client to commission photography to obtain specific images. The Trade
Contractor will assist in this process by liaising with the relevant source or photographer
and providing them with production specifications and creative direction as required.
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Construction of Kahramaa Awareness Park
Draft artwork
The Trade Contractor’s Picture Researcher will source all images not supplied by the Client
andsubmit these electronically to the Client / Exhibition designers for approval. The Trade
Contractor will generate all graphic devices such as graphs, charts and illustrations and
incorporate these together with the approved images, images supplied by the Client and
text, into the Graphics Master Plan. The Trade Contractor must coordinate integration of all
graphics artwork and 3D elements.
Review
The Trade Contractor will issue the graphic master plan as hard copy and in electronic
format. For approval by the client and exhibition design team who will review the
document making note of any corrections and changes required. The Trade Contractor will
attend meetings in London and / or Qatar to clarify all comments.
Draft artwork
The Trade Contractor will incorporate all corrections into the Graphics Master Plan and re-
issue for approval as both hard copy and electronically as before.
2nd Review
The Trade Contractor will re-issue the graphic master plan as hard copy and in electronic
format. For approval by the client and exhibition design team who will review the
document making note of any corrections and changes required. The contractor will attend
meetings in London and / or Qatar to clarify all comments. This stage will be an ongoing
process of correction and reissue, with the Trade Contractor.
Finished artwork
Once all amendments have been made, the Trade Contractor will issue all final artwork
high resolution to a scale of 1:4 and incorporate them in the Graphics Master Plan as hard
copy and electronically. For approval by the client and exhibition design team.
GRAPHIC PRODUCTION:
1 All graphic production and substrates are to be proofed on the correct materials with
actual size samples (in some cases 25% sized layouts) to determine colours, positions
and finishes of graphic elements for client and exhibition teams approval.
2 It should be noted that all elements of graphic production are required for permanent
installation and consequently all materials, substrates, finishes and fixings used should
be of the required standard to ensure longevity. Quality of production and finish is
paramount. The anticipated life span of the exhibition is a minimum of 15 years subject
to normal maintenance, refurbishment and renewal. All works supplied should meet
this standard.
3 All graphics to be scratch resistant and have a fire rating of Class 1 including the
substrate that they are applied to and comply with Local Authority Fire Regulations.
4 All substrates used in graphic production are to be fire rated to Class 1 and comply
with Local Authority Fire Regulations.
5 All site sizes and dimensions are to be established by the Trade Contractor in
conjunction with the exhibition team and design consultant. Any changes to artwork
GTC 400/2011 159 Appendix A: S.O.W & Specs
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Construction of Kahramaa Awareness Park
sizes should be the responsibility of the Trade Contractor. Any claims arising from site
discrepancies in sizes and/or dimensions will not be entertained.
6 The programme agreed with the Trade Contractor is time dependent. Failure to deliver
will impact on the delivery of the project as a whole. The Trade Contractor will be liable
for failure to perform and for any consequential loss arising. Any problems caused by
delays in the programme beyond the client’s control are specifically excluded from
causing additional charges to be made.
The Trade Contractor shall allow for sequencing and phasing of work and for
adjusting the rate of progress of his works to suit the general progress of the
project.
8 All graphics are to be fully protected for transit, particular attention to be paid to
corners of panels & storage of glass.
9 Any Graphics damaged during or prior to installation should be replaced by the Trade
Contractor at no extra cost. A ‘safe’ area will be required for storage of any graphic
materials – The client will only sign off graphic production once installed on a date prior
to opening. Any damage to Graphics prior to this agreed date is the responsibility of
the Trade Contractor and should be replaced at no extra cost.
10 Delivery, installation and all graphic fixings should be included in the tender price and
include any expenses incurred.
11 Graphic production to have approval from exhibition design team prior to installation.
12 All digital artwork is to be provided on C.D. ROM on completion, including all images
montages, text etc, of each individual graphic listed in the specification.
13 Copies of digital artwork should be kept on file for 15 years and any loss incurred shall
not be charged at a later date.
14 All dimensions substructures & outputs are indicative only in the Tender documents for
Graphic Production and are to be confirmed by the Trade Contractor as necessary.
GTC 400/2011 160 Appendix A: S.O.W & Specs
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TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Sheet no. 1
Issue date/Revision
0.5.11.10
21.12.10
Drawing no. Drawing title
09.05.01 DR Dark Ride Plan Layout pdfpppppp A
09.05.02 DR Dark Ride Scenic Sections A-A/B-B
09.05.03 DR Dark Ride Scenic Sections C-C/D-D/E-E/F-F
09.05.04 DR Dark Ride Scenic Sections G-G/J-J/K-K
09.05.05 DR Dark Ride Boarding/exit Sections A/B/C
09.05.06 DR Dark Ride Boarding/exit Section D
09.05.07 DR Dark Ride Disabled Boarding/exit Section C
09.05.08 DR Dark Ride Vehicle sections
Distribution/Copies
John Kress (Cubitt UK Architects)
Walid Ibrahim (Cubitt Qatar Architects)
Legend:
Notes:
ACRYLIC PIPE
5.5
H
J 5.11
B
B 5.6
5.12 F D
FRIDGES ETC. H 5.4
5.10 CYCLORAMA
G
5.8 5.7
5.9 MODEL
K WINDOW
A.V CONTROL RM
E E 5.3
D
J
G F.E
F 5.2
5.13
K
MAINTENANCE ENTRANCE
5.1
ROOM
A
9 .0
0 5 0
DR
1
FOR TENDER
REV A NOTE Revision to base plan DATE 21.12.10
TITLE
DARK RIDE PLAN LAYOUT
PROJECT
Line of tunnel structure by Main Contractor -See Architects drawings for detail NOTE : ALL FLOOR TO CEILING HEIGHTS TO BE CONFIRMED WITH ARCHITECT
Sky and cloud effects scenically painted onto shaped theatrical 'flats' to both sides of central vehicle track real water pond all necessary pumps/drainage/filtration
fret cut acrylic (or sim to designers approval) shape to profile of Katoora with applied film capable of rendering projected image scenic rock , sand and planting
3135
3529
7.5°
structure to ramp beneath
2000 approx
specialist theatrical lighting 'lightning' effects
7.5°
APPROX. ANGLE OF RAMP
4600
RE
V NO
TE DA
TE
T IT L
E
PR
OJ E
CT
KA HR AM AA ED UC ATI ON P ARK - DO HA
JASPERJACOB ASSO
25ABBEVI LECM
IAEW
TES
S
88CLAPHAM PARKRO AD
LONDON
SW4 7BX
T. 02
0 76
227277
SC
AL E DRGn
o . DAT
E RE
V
FOR TENDER
REV NOTE DATE
TITLE
PROJECT
scenically modelled timber boat mirror 'foils' suitableyfixed to setworks to provide peppers ghost effect viewing aperture to rockwork to receive scenic painting
quantity and location to designers approval
2700
7860
3650
SECTION C-C 1:100 projection screens to low level hidden from visitors view by scenic rock work SECTION D-D 1:100
Scenic rock , sand and planting Scenic rockwork depicting undersea environment
Scenic rockwork depicting undersea environment
10000
modelled 'curtain' of salt crystals with internal LED lighting. to both sides and
by Main contractor. Trade contractor to liaise with Main Contractor for location
SECTION E-E 1:100
Scenically painted cyclorama backdrop to model
PROJECT
00
4600
B1 B-06
i.e showing plant interior 88 CLAPHAM PARK ROAD
LONDON
SW4 7BX
T. 020 7622 7277
SECTION F-F 1:100
8200 (approx) SCALE DRG no. DATE REV
mirror 'foils' suitably fixed to setworks to provide
COPYRIGHT/JASPER JACOB ASSOCIATES
1.DO NOT SCALE OFF DRAWING 4400
peppers ghost effect . Quantity and location to designers approval
1:100 @ a3 09.05.03 DR OCT 2010
2.ALL DIMS TO BE VERIFIED ON SITE BY THE CONTRACTOR PRIOR TO THE COMMENCEMENT OF ANY SHOP DRAWINGS OR SITE WORK
3. ANY DISCREPANCY FOUND BETWEEN THIS DRAWING AND ANY OTHER DOCUMENT MUST BE REPORTED IMMEDIATELY TO THE DESIGNERS
4. THIS DRAWING REMAINS
GTC OUR EXCLUSIVE PROPERTY IT SHALL NOT BE REPRODUCED NOR COMMUNICATED TO THIRD PARTIES WITHOUT WRITTEN CONSENT
400/2011 164
5 THE COPYRIGHT OF THIS DRAWING AND DESIGN IS VESTED IN THE DESIGNERS Appendix A: S.O.W & Specs
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Construction of Kahramaa Awareness Park
Modelled large scale section of water pipework Line of automated double swing circular doors incorporating all necessary operational mechanisms and hardware
'Magic tap ' to dimensions shown with real water
to realistically resmble metallic finish to designers approval effect utilising real water inclusive of all necessary pumps/drainage and operational mechanisms 1500
2400
4600
4300
2300
4300
3790
3100
7800
SECTION G-G 1:100 modelled fridges/washing machines, air conditioning units SECTION H-H 1:100 front projection screen
modelled sections of pipework to both sides of vehicle track appropriately suspended from soffit. Models to be treated with UV paint
modelled sections of pipework to both sides of vehicle track
2300
front projection screen
All exposed soffit, tunnel walling and concrete floor to receive applied paint finish suitable for each application
large scale modelled section of water pipe. Interior face to be fabricated in clear acrylic
2000
with real flowing "grey water visible through. exhibit to be constructed inclusive of
Modelled soil strata to both sides of vehicle track dimensions shown - Detail to designers approval
Sky and cloud effects scenically painted onto shaped theatrical 'flats' to both sides of central vehicle track
SECTION J-J 1:100 fret cut acrylic (or sim to designers approval) shape to profile of Kahroo
Line of tunnel structure by Main Contractor -See Architects drawings for detail
Modelled plants with Katoora projected onto acrylic with applied film capable of rendering projected image
water drop 3D shape located on plant leaf specialist theatrical lighting 'lightning' effects
COPYRIGHT/JASPER JACOB ASSOCIATES
1.DO NOT SCALE OFF DRAWING
2.ALL DIMS TO BE VERIFIED ON SITE BY THE CONTRACTOR PRIOR TO THE COMMENCEMENT OF ANY SHOP DRAWINGS OR SITE WORK
4000
3. ANY DISCREPANCY FOUND BETWEEN THIS DRAWING AND ANY OTHER DOCUMENT MUST BE REPORTED IMMEDIATELY TO THE DESIGNERS
4. THIS DRAWING REMAINS OUR EXCLUSIVE PROPERTY IT SHALL NOT BE REPRODUCED NOR COMMUNICATED TO THIRD PARTIES WITHOUT WRITTEN CONSENT
5 THE COPYRIGHT OF THIS DRAWING AND DESIGN IS VESTED IN THE DESIGNERS
REV NOTE
FOR TENDER
DATE
TITLE
PROJECT
5000
88 CLAPHAM PARK ROAD
LONDON
SW4 7BX
Line of automated double swing doors incorporating all necessary operational mechanisms and hardware T. 020 7622 7277
FOR TENDER
FOR TENDER
FOR TENDER
ROTATING 6-SEATER
PASSENGER UNIT
2111
FLOOR LEVEL
IN REAR OF CAR
POSSIBLE MID-LEVEL
PLATFORM REQUIRES
LOW PLATFORM NO STEP
LEVEL REQUIRES
STEP AT REAR FLOOR LEVEL
OF CAR IN FRONT OF CAR
780
615
450
380
CHASSIS CASTOR JOINT ROTATION RACK DRIVE
WHEEL PIVOT DRIVE
SCENIC CLEARANCE
RADIUS = 1500mm
1735
FOR TENDER
REV NOTE DATE
TITLE
PROJECT
OCT 2010
REV
1:25 @ a3 09.05.08 DR
GTC 400/2011 169 Appendix A: S.O.W & Specs
Sec-11 50 00
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Setworks, models, special displays and effects, special lighting, animatronics, dark ride
transportation system, vehicles, track, operating systems, carriage maintenance area
audio, and AV software to:
The following generally describes the work to be carried out under the Trade Contract and
draws attention to certain associated items that are to be completed. It is not intended to
limit or exclude items required by the Trade Contract Documents.
The Scope of the Works covered by this Trade Contract includes the design, co-ordination,
engineering, co-ordinated fabrication drawings, manufacture, supply and delivery to site,
equipment and labour, unloading and storage on site as necessary, taking from store and
hoisting into position, assembly, fixing, installation/protection, cleaning and everything
necessary to undertake complete installation, setting to work and commissioning.
All works to conform to Qatari Fire and Safety regulations
DESIGN WORKS
The Trade Package works shall include but are not limited to: -
Partitions/decorations/ceilings/floors
• All Exposed soffit, curved tunnel ‘dry lining’ and concrete floor to receive
applied paint finish suitable for each application
Carpentry/joinery/metalwork
• Automated double swing doors with all necessary operational mechanisms and
hardware to allow access by vehicle triggered by sensor or similar to designers
approval
• Mdf/ply or similar to designers approval curved lining to profile of tunnel
structure
Specialist setworks/models
Specialist lighting
AV Software
Special effects
Partitions/decorations/ceilings/floors
• All Exposed soffit, curved tunnel ‘dry lining’ and concrete floor to receive
applied paint finish suitable for each application
Carpentry/joinery/metalwork
• Automated double swing doors with all necessary operational mechanisms and
hardware to allow access by vehicle triggered by sensor or similar to designers
approval
• Mdf/ply or similar to designers approval curved lining to profile of tunnel
structure
Specialist setworks/models
Specialist lighting
AV Software
• None
5.3 RAINFALL
Partitions/decorations/ceilings/floors
• All Exposed soffit, curved tunnel ‘dry lining’ and concrete floor to receive
applied paint finish suitable for each application
Carpentry/joinery/metalwork
• All associated frame work associated with rainfall effect (see below)
Specialist setworks/models
• Curved acrylic faced rainfall water features to both sides of vehicle track.
Complete with all necessary pumps/drainage/filtration systems
Specialist lighting
AV Software
• None
Partitions/decorations/ceilings/floors
• Exposed soffit, tunnel walling and concrete floor to receive applied paint finish
Suitable for each application
Carpentry/joinery/metalwork
Specialist setworks/models
Specialist lighting
AV Software
Partitions/decorations/ceilings/floors
• Exposed soffit, tunnel walling and concrete floor to receive applied paint finish
Suitable for each application
Carpentry/joinery/metalwork
• Specialist setworks/models
Specialist lighting
AV Software
Partitions/decorations/ceilings/floors
• Exposed soffit, tunnel walling and concrete floor to receive applied paint finish
Suitable for each application
Carpentry/joinery/metalwork
Specialist setworks/models
Specialist lighting
AV Software
Special effects
Partitions/decorations/ceilings/floors
• Exposed soffit, tunnel walling and concrete floor to receive applied paint finish
Suitable for each application
Carpentry/joinery/metalwork
Specialist setworks/models
Specialist lighting
AV Software
Special effects
Partitions/decorations/ceilings/floors
• Exposed soffit, tunnel walling and concrete floor to receive applied paint finish
Suitable for each application
Carpentry/joinery/metalwork
Specialist setworks/models
Specialist lighting
AV Software
Partitions/decorations/ceilings/floors
• Exposed soffit, tunnel walling and concrete floor to receive applied paint finish
Suitable for each application
Carpentry/joinery/metalwork
Specialist setworks/models/props
Specialist lighting
AV Software
Partitions/decorations/ceilings/floors
• Exposed soffit, tunnel walling and concrete floor to receive applied paint finish
Suitable for each application
Carpentry/joinery/metalwork
Specialist setworks/models/props
Specialist lighting
AV Software
• Audio commentary
Partitions/decorations/ceilings/floors
• Exposed soffit, tunnel walling and concrete floor to receive applied paint finish
Suitable for each application
Carpentry/joinery/metalwork
Specialist setworks/models/props
• Modelled sections of acrylic pipe with real running water inclusive of all
necessary pumps/drainage/filtration
Specialist lighting
AV Software
Partitions/decorations/ceilings/floors
• All Exposed soffit, curved tunnel ‘dry lining’ and concrete floor to receive
applied paint finish suitable for each application
Carpentry/joinery/metalwork
Specialist setworks/models/props
Specialist lighting
AV Software
Partitions/decorations/ceilings/floors
• All Exposed soffit, curved tunnel ‘dry lining’ and concrete floor to receive
applied paint finish suitable for each application
Carpentry/joinery/metalwork
Specialist setworks/models/props
Specialist lighting
AV Software
1. GENERAL REQUIREMENTS
1.1 The Project Manager will coordinate and direct the Trade Contractor in
the development and execution of the Works and no other instructions or
directions by whomsoever they are given shall have any effect or validity for
the purposes of the Package Contract
1.2 The Design Consultant shall instruct on the creative development and
execution of the works and will advise the Project Manager on questions
of quality and suitability, the Project Manager shall instruct the Trade
Contractor accordingly. In addition the Project Manager will consult with
the Design Consultant and Client and take any account of any
representations, opinions and decisions which the Design Consultant may
1.3 The Trade Contractor shall provide subject to these conditions everything
necessary for the execution and completion of the works, in accordance with
the Package Contract and all Drawings, Specifications and/or instructions
issued to him and will deliver up the Works to the Client complete in every
particular.
1.4 The Trade Contractor shall exercise in the design, all the skill, care and
diligence to be expected of a competent Dark Ride Package
Contractor and in the execution and completion of the Works all skill, care and
diligence to be expected of a properly qualified and competent Contractor
experienced in carrying work of a similar scope, nature and size to the Works.
1.5 The Trade Contractor shall not knowingly infringe any copyright laws in the
production of his works and will indemnify the Client in accordance with the
terms of the Contract.
1.6 The Trade Contractor shall ensure that the Works are compatible with lighting
levels, acoustic needs and other site arrangements and that picture quality
and audio tracks take due note of the levels and conditions of same.
1.7 Due note should be paid of all graphic styles, colour palettes and typographic
guidelines created by others. Any aspect of the Works must follow these
guidelines and allowances should be made for such.
1.8 Where audio tracks are used, consideration must be given for the separation
of voice-over and background music or effects tracks in order that balance of
sound can be undertaken on site.
1.9 The Trade Contractor shall identify and provide a person responsible for the
coordination, liaison an development of the Works who shall efficiently
supervise the execution of the works using their best skill and attention. The
Trade Contractor shall not remove such person from the Works without the
prior written approval of the Project Manager (such approval shall not be
reasonably withheld) and if such approval is given the Trade Contractor shall
be responsible for replacing such person or persons with a person or persons
of equivalent competence who shall have been previously approved by the
Project Manager.
2. PROJECT NOTES
2.1 This tender is for Works comprising the Design, Development, Production,
Installation and commissioning works for the Kahramaa Education Park Themed Dark ride
package. The Design development of all dark ride areas and equipment is to provide
specifications of structures, ride transportation system, foundations and finishes, M and E
services including ventilation / extraction/ drainage/water supplies/ power supplies,
partitions and enclosures, and requirements for fire and evacuation systems.
2.5 Trade Contractor to provide outline and detailed storyboards/visuals of all dark ride
environments, themes and AV content along with a 1:50 scale model of dark ride area for
client approval.
2.7 Unless stated otherwise by the Client, the Trade Contractor will be responsible
for sourcing and procuring all archive material.
2.8 Trade Contractor to provide detailed list of library source material used to the
Client.
2.9 Trade Contractor to provide offline / test programmes for client approval.
2.10 All copyright, licensing, research and transfer costs are to be identified to the
Client within the agreed software budget.
2.11 Intellectual Property Rights / Copyright for all original audio-visual material
produced by the Trade Contractor to rest with the Client for use in any media.
2.12 Trade Contractor shall make best endeavours, where applicable, to use still
images of a copyright-free nature as identified by the Client.
2.13 Trade Contractor will design and produce video productions to a 16:9 screen
aspect ratio (1280 x 720) unless otherwise stated in the exhibit briefing
documentation.
2.20 Trade Contractor will be responsible for all translation requirements (Arabic
/ English, English / Arabic).
2.21 Trade Contractor to include for all expenses (e.g. travel, presentation
materials etc). This is to include all expenses to visit offices of Design Consultant, and to
cover all travel and subsitance expenses of Design Consultant,) to inspect works at Trade
Contractors workshop or other location specified
2.23 Trade Contractor to provide operational manuals that include a full description
of each of the programmes installed, a description of the mode of operation of
all programmes including starting up, operating and shutting down
instructions, procedures for fault finding and emergency procedures, including
2.24 The design of all items by the Trade Contractor shall reflect the design intentions,
particularly dimensional configurations, profiles and visible appearances indicated on the
Trade Contract drawings, schedules & specifications.
2.25 The Trade Contractor shall ensure and demonstrate that the works meet the
performance specifications to the entire satisfaction of the Design Consultant.
2.26 The works shall be designed to accommodate any given tolerances and for
differences between actual site dimensions and dimensions shown on drawings and to
ensure that components and assemblies are accurately located in relation to specific
gridlines, structure, respective Trade Contractors/Trades.
2.27 For the avoidance of doubt the Trade Contractor shall take full responsibility as
designer for the above part of the works in particular complying with CDM regulations, or
local equivilant
2.28 All drawings by the Trade Contractor shall be produced to a format to be agreed
with the Project Manager.
2.29 The ride transportation system will be developed in conjunction with the Design
Consultant with plans, sections elevations, details, specifications and schedules which
address, platform design, methods of managing visitors in wheelchairs, evacuation
methods and procedures, track and maintenance areas, track support structures,
development of vehicle, car body design, all structural and electrical requirements.
(Outline theming for vehicle design is provided. Further options on car theming are to be
produced by Contractor to client and Design Consultants approval)
2.30 The consultant’s drawings are spatially co-ordinated and all equipment shown in
the drawings will fit within the spaces shown and co-ordinate with other services, Trade
Contractors/Trades.
The Trade Contractor shall ensure that all of his works are finally co-ordinated with all
other trades, the building structure, internal and external finishes and any previously
installed work.
2.31 The Trade Contractor is responsible for co-ordinating and interfacing his works
with others.
Some typical interface works are listed below as an aid to establishing the interfaces:
• Joinery / Display Cases, support frameworks, studwork, Architectural metalwork.
The Trade Contractor shall agree with the other Trade Contractors and the Project
Manager a common scale for the preparation of drawings to allow proper co-ordination to
occur. The initial drawings prepared by the Trade Contractor shall show base build “as
built”, all grids and services or restrictions within the zone as a faint background. Layouts
and details describing design are to be superimposed on the base building information.
These drawings will also recognise the needs of other Trade Contractors and the natural
restrictions of the zone.
The Trade Contractor is responsible for ensuring that he has incorporated all relevant
details of other works on his drawings that may affect the construction of the Works of this
and other Trade Contracts.
2.32 The Trade Contractor is to advise in good time for the purpose of design of other
works; the structural loading imposed by his equipment in point and distributed loads.
2.33 With respect to fixings and supports the Trade Contractor shall use the specified
fixings and note that all details must be submitted for comment and agreement.
2.34 The Trade Contractor shall take notice of the requirement to leave areas, which
are partially complete when installing the Works and allow for returning to complete these
works at a later date prior to handover.
2.36 Prior to beginning design work the trade contractor is required to travel to Doha to
meet the museum construction team and visit the site of work to view and compile the
information needed to undertake the work successfully.
2.37 The trade contractor must prepare a preliminary design presentation to show the
intended design solutions to all aspects of the design problems as given in this document,
the drawings and the specifications.
2.38 The trade contractor must prepare detailed scale models to demonstrate the
intended final appearance, including the proportions, details and visual properties of the
works.
Deviation from approved models and samples will not be accepted. The works are artistic
in nature and may require remedial adjustments to the finished works in order to achieve
the intended appearances. Any and all such work shall be completed at no extra cost to
the contract.
2.39 The submittal must contain a programme including the intended sequence and
timing of the tasks described herein, dates of deliverables and definition of any critical
path, which exists between the various activities.
The programme must include the following:
Visits to Doha to meet with Kahramaa and project team;
Visits to offices of Design Consultant for design development meetings
Design stages (include time for review and approvals);
Documentation (include time for review and approvals);
Models, maquettes, samples, mock-ups, shop drawings (include time for review and
approvals);
Fabrication;
Clean up; The trade contractor must comply with the need for completion prior to the
dust-free period according to the overall project programme. All works must be installed
and successfully commissioned by the required date.
2.41 The trade contractor must provide samples of each major type of material or
surface treatment that will form part of the finished works. Samples must be made using
the actual materials and methods to be used in the final works.
2.42 The trade contractor is responsible for preparation, review and co-ordination of
respective shop drawings to ensure proper interfaces of all works.
2.43 Upon agreement with the Project Manager removal of any previous base build
bonding materials/debris that would prevent the Works meeting the Performance
Specification and make good as necessary.
2.444 Allow for providing attendance upon other Trade Contractors as required.
* As stated in the specification the Trade Contractor is to prove that the system meets the
required specification, tests to be witnessed by the Consultants and the Project Manager
and certificates issued by independent testing laboratories.
* The Trade Contractor shall allow sufficient time for the testing/approval of materials prior
to commencement on site.
* Testing of parts of the works is required in order that void closures may proceed and
other Trade Contractors will interface with a standard closing up format and give at least 5
days notice for inspection.
* The Trade Contractor shall be responsible for testing on an ongoing basis where
necessary in order to allow follow on works to commence. Furthermore, the installation of
an element will not be regarded as complete without submitted and approved test result.
All systems tested on the above basis shall be tested again as complete systems.
* The tests specified shall be carried out in the presence of the Project Manager and
Design Consultant. The Trade Contractor shall give the Project Manager seven days notice
in writing of the date upon which the Trade Contractor will be ready to carry out tests
upon completion.
* Where testing specific to the project is required, test certificates shall include the project
title, details and date of the test, signature of those witnessing the test, the Contractors
name and the specific location of the item in the works.
* The accuracy of each test shall be to the satisfaction of the Project Manager, whose
decision shall be final. The Trade Contractor shall supply all necessary attendance,
materials and instruments, and shall demonstrate, if required the accuracy of the
instruments used.
* The Trade Contractor shall be responsible for the commissioning of the Works and shall
be responsible for accepting commissioned base building services systems such that the
Trade Contractor integrates the fit out works with the base building works to offer fully
commissioned building services systems. The Trade Contractor is to co-operate fully with
the project Manager in the preparation and monitoring of his commissioning activities.
* Prior to the Project Manager witnessing commissioning activity, the Trade Contractor
must submit a complete test report detailing all results achieved.
* Include for demonstrating to the Client and Statutory Authorities various tests and
system operation. It will be a requirement that these tests have been witnessed by the
Project Manager prior to these demonstrations taking place.
* In order to ensure co-ordination of and efficient testing and commissioning the Trade
Contractor will:
- Submit schedules showing those parts of the works for which inspections and
tests are required.
- Provide full technical/product information for inclusion within the Project Health
and Safety File
2.45 The trade contractor is required to make available a supply of spare parts
necessary to guarantee the smooth and trouble-free functioning of the exhibits for a period
of three years.
Audio commentary
GENERAL SPECIFICATIONS
WORKSHOP DRAWINGS
SAMPLES
Before placing orders, submit for approval a representative sample of each type of
scenic finish. Ensure that delivered materials match samples.
MATERIALS
Fire Classification
All materials have to comply with standard Fire classifications for use in public
spaces. (Class 1 Fire rating)
Formaldehyde -Free
For all timber based sheet materials, use formaldehyde-free brands whenever
possible.
Treatment Application
• Timing: After cutting and machining timber, and before assembling
components.
• Processor: Licensed by manufacturer of specified treatment solution.
• Certification: For each batch of timber provide a certificate of assurance
that treatment has been carried out as specified.
Commodity Specifications
• Standard: Current edition of the British Wood Preserving and Damp-proofing
Association (BWPDA) Manual.
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JJA - MUSEUM AND EXHIBITION DESIGN CONSULTANTS
GENERAL WORKMANSHIP
All bases must be rigid, dry, sound, smooth and free from defects. All dust-
producing works have to be finished before objects can be installed.
Fabrication
• Standard: To BS 1186-2.
• Sections: Accurate in profile and length, and free from twist and bowing.
Formed out of solid unless shown otherwise.
- Machined surfaces: Smooth and free from tearing, wooliness, chip
bruising and other machining defects.
• Joints: Tight and close fitting.
• Assembled components: Rigid. Free from distortion.
• Screws: Provide pilot holes.
- Screws of 8 gauge (4mm diameter) or more and screws into
hardwood: Provide clearance holes.
- Countersink screws: Heads sunk at least 2mm below surfaces
visible in completed work.
• Adhesives: Compatible with wood preservatives applied and end uses of
timber.
Moisture Content
• Wood and wood based products: Maintained within range specified for the
component during manufacture and storage.
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JJA - MUSEUM AND EXHIBITION DESIGN CONSULTANTS
Finishing
• Surfaces: Smooth, even and suitable to receive finishes.
- Arrises: Eased unless shown otherwise on drawings.
• End grain in external components: Sealed with primer or sealer as section
M60 and allowed to dry before assembly.
GLASS
Laminated Glass:
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JJA - MUSEUM AND EXHIBITION DESIGN CONSULTANTS
Colour: clear
- Application:
- Sealants shall be applied in accordance with the Code of Practice
prepared by the British Adhesives and
Sealant Association Manual of Good Practice.
- Sealants shall be in accordance with BS 6213:2000[TB7], BS
6093:2006[TB8] or BS 8000-16:1997[TB9]
and BS EN ISO 11600:2003[TB10] as appropriate.
- Substrate: Dry (unless recommended otherwise) and unaffected by frost,
ice or snow.
- Environmental conditions: Do not dry or raise temperature of joints by
heating.
- Sealant application: Fill joints completely and neatly, ensuring firm
adhesion to substrates.
- Sealant profiles:
- Butt and lap joints: Slightly concave.
- Fillet joints: Flat or slightly convex.
- Protection: Protect finished joints from contamination or damage until
sealant has cured.
- Joints shall be straight, smooth in texture and colour and adjacent
surfaces shall be free of smears or traces of sealant.
FIXINGS /ADHESIVES
Fixings Generally
• Integrity of supported components: Types, sizes and quantities of
fasteners/ packings and spacings of fixings selected to retain supported
components without distortion or loss of support.
• Components/ substrates/ fasteners of dissimilar metals: Fixed with
isolating washers/ sleeves to avoid bimetallic corrosion.
• General usage: To recommendations of fastener manufacturers and/ or
manufacturers of components, products or materials fixed and fixed to.
• Appearance: As approved samples.
Fastener Durability
• Fasteners in external construction: Of corrosion resistant material or with a
corrosion resistant finish.
Fastener Durability
• Fasteners in external construction:
- Fasteners not directly exposed to weather: Of corrosion resistant
material or with a corrosion resistant finish
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JJA - MUSEUM AND EXHIBITION DESIGN CONSULTANTS
Screw Fittings
• Screws: To BS 1210.
• Finished level of countersunk screw heads:
- Exposed: Flush with timber surface.
- Concealed (holes filled/ stopped): Sunk minimum 2mm below
surface.
• Washers and screw cups: Of same material as screw
Pelleted Countersunk Fixings
• Finished level of countersunk screw heads: Minimum 6mm below timber
surface
• Pellets: Cut from matching timber, grain matched and glued in to full
depth of hole.
• Finished level of pellets: Flush with surface.
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JJA - MUSEUM AND EXHIBITION DESIGN CONSULTANTS
Adhesives
• Storage/ Usage: In accordance with manufacturer’s and statutory
requirements.
• Surfaces: Clean. Regularity and texture adjusted to suit bonding and gap
filling characteristics of adhesive.
• Finished adhesive joints: Fully bonded. Free of surplus adhesive.
PAINTING/CLEAR FINISHING
Finishing
Surface coating
Deliver coating materials in sealed containers, labeled clearly with brand name,
type of material and manufacturer¹s batch number. Materials from more than one
batch, store separately. Allocate to distinct parts of areas of the work.
Compatibility
Coating Generally
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JJA - MUSEUM AND EXHIBITION DESIGN CONSULTANTS
Medium sandblast to 20 grit and paint with specialist scenic water based acrylics,
dyes and wire brushing.
Fabrication of props
Sculpt in clay, mould in GRP and cast in 40z woven roving mat as appropriate, or
sculpt in appropriate foam, and apply Foamcoat or similar prior to painting and
finishing.
Scenic walls
Construct in ply with formers as appropriate and finish in specialist scenic paint
finishes as appropriate
Scenic floors
Construct in impressed concrete as appropriate or specialist scenic floor finishes
with suitable dressing.
Scenic reefs to be constructed from Silicon and GRP as appropriate with rockwork
in GRP and concrete as required.
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JJA - MUSEUM AND EXHIBITION DESIGN CONSULTANTS
Show lighting
Show sound
Special effects
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JJA - MUSEUM AND EXHIBITION DESIGN CONSULTANTS
9
JJA - MUSEUM AND EXHIBITION DESIGN CONSULTANTS
The terms of the contact will require the Contractor to develop the Designs into technical
details and construction / shop drawings, for approval and subsequent construction.
The Contractor will have an explicit contractual obligation to exercise reasonable skill and
expertise to ensure that the works are “fit for purpose”
Safety
In construction and operation
Build-ability
Can be practically built transported and installed
General Durability
Able to withstand wear and tear from an audience (including young children)
of a wide age range and socio economic backgrounds
Duty Cycle
250,000 + operations per year per exhibit and a safe and effective operation
12 hours per day, 365 days per year for all exhibits and ride items
Environmental Durability
Exterior exhibits able to withstand potentially harsh Qatari environment
Maintenance
Must be reasonably maintainable by the Visitor Centre’s own technicians
Obsolescence
Components should be future proof, to ensure optimum life span for exhibits
Regulations
British Standard (BS) and equivalent regulations and guidelines shall apply.
Where an item is not BS compliant it shall be the responsibility of the
Contractor to demonstrate that the compliant standard for that item equals
or exceed the BS requirement
Set out below are some of the minimum standards and performance specification that the
works must comply with. Standards expressed are British Standards, and it will be the
responsibility of the Exhibition Contractor to show equivalency, if alternate standards are
proposed.
Where the standards set out herein are contrary to any others standards stipulated in the
tender documentation, it shall be the Contractor’s responsibility to identify any such
anomalies and to demonstrate compliance with the higher specification or standard, or the
more recent legislation or standard.
Due to the lack of standards for exhibits, the British Standards applicable to play
equipment have been adopted as a guide and the applicable rules are deemed to be:
BS 5696 applies to play equipment intended for permanent outdoor use, and
therefore gives guidelines for:
The Health and Safety at Work Act 1974 is an all important piece of safety legislation which
covers:
A general duty on operators to ensure that members of the public are not placed in
danger by the activities undertaken at the centre especially with regard to children
A duty of care to be “so far as reasonably practicable, produce products which are
safe in use”
The Management of Health and Safety at Work Regulations 1992 apply to all venues where
crowds may gather and require risk assessments to be carried out for all types of work.
Contractors will have full indemnity insurance and competent installation personnel.
All materials or component parts used in exhibits must function within the manufacturers
recommended conditions for safety and reliability and no unauthorised modifications made.
Electrical
Electrical wiring must comply with the 17th Edition of The Institute of Electrical Engineers
(IEE) Regulations published 2008
Any electrical equipment that has a mains plug attached is subject to regular Portable
Electrical Appliance (PAT) testing.
All electrical and electronic products made or sold in the UK must comply with the
Electromagnetic Compatibility Regulations 1992.
Any electrical equipment which is designed to operate within 50 and 1,000 volts (in the case
of alternating current) and 75 and 1,500 volts (in the case of direct current) are subject to
the Electrical Equipment (Safety) Regulations 1994 and must satisfy the CE marking
requirements.
BS 476 Part 6
BS 4750
Ignition and cigarette test as laid down in British Standard BS 5852 Pt. 1
Fire tests for furniture - Methods of test for ignitability by smokers, materials of upholstered
composites for seating
British Standard BS 5852 Pt. 2 ‘fire tests for furniture - Methods of tests for ignitability of
upholstered composites for testing by flaming source’. For which latter standard crib ignition
source 5 is the minimum requirement
Any fabrics which have received a flame retardant treatment should be subjected to the
water soak test detailed in British Standard BS 5651. Independent certification to the above
standards should be provided from an accredited test organisation
Curtains and drapes are to satisfy type B, performance requirements of British Standard BS
5867 Pt. 2
All decorative effects are to be fire retardant to the satisfaction of the Fire Authority
Textile coverings should be tested to British Standard BS 4790 (Effects of small ignition
source hot metal nut method)
A copy of the laboratory test report from an accredited testing laboratory identifying
compliance of the furnishing composite with the above mentioned British Standards must be
forwarded when required.
Framework
Large exhibits must have appropriate handles or attachments to facilitate ease of removal
Heavier exhibits must either be easily dismantled into manageable component sections or
have sufficient room underneath to admit a forklift, cart or similar moving device
Exhibits infrastructure should be able to hold the full load of the exhibit when being
transported
Moving mechanical parts must have a dedicated structural frame. It is preferable that
mechanical sub-assemblies are constructed that drop in to the system allowing them to be
pre-set before final assembly
Exhibit surfaces must be easy to clean and wooden parts and panels must be sealed and
finished with a wipeable fire retardant coating
All hard material edges with which the visitors may come in contact must be rounded to a
minimum radius of 8mm
BS 476 Class “0” fire rated materials should be used, where possible, BS 476 Class “1” fire
rated materials should be used as a minimum specification and any exceptions must have
specific approval.
The design of the framework to be modular (unless specified elsewhere and in line with the
design brief):
Retained by no more than four bolts, or hinged panels for ease of access
Screwed fixings, generally Socket head screws (requiring an Allen Key) or similar.
Standardised Fixings will be developed and will detail in line with the following:
Materials:
When using laminates, panels not forming an integral part of a structure (doors,
access panels etc.) to be laminated on both sides to prevent distortion
Any glass or other transparent material which touches the floor (i.e. where a frame is
not visible) to be clearly marked so that visitors can recognise it and avoid collision
Mechanical Components
Handwheels:
Handwheels to be mounted to shafts via a key, turned shoulder and end screw
For safety reasons, open spoked and lever type handwheels will not be used
Gearing and in-line clutches must be used to prevent handwheels from over-running
Handles to rotate freely and have a scuff guard (to avoid blistering)
Levers:
Levers not to overhang and operate through bearings (brushes are not acceptable)
Lever inputs to be damped and finger traps avoided. If levers are running in a slot,
internal stops have to be used to prevent finger trapping at either end of the travel
Secondary levers to be driven both ways by either push-pull rods or solid rods
Gear Wheels:
Gears meshing together gear trains to be of dissimilar material (e.g. Delrin to steel)
Gear wheels must be keyed to shafts and fastened in the same way as handwheels
If angled gears are used, the ratio to be 1:1 and any change in the ratio to be
obtained before or after the angled pair
Gear tooth size to be appropriate for the anticipated load (allowing for mis-use or
component seizure)
Toothed belts and pulleys to be used if alignment between the two wheels is
essential
Bearings:
If needle or roller bearings are used a sleeve to be used and, if unsealed, grease
fitted
Alternative bearings may be used if they reduce maintenance and meet the required
tolerances
Shafts:
1. Shaft overhang to be kept to a minimum and never exceed the distance between the
two supporting bearings
2. Shafts to be removable from one end (removal of one of bearings to release the
shaft is not acceptable)
All circuits to have a logic diagram which must be checked by a competent person
It must be possible to return all moving parts manually to their start points in the
event of loss of pressure or power
Components Generally:
Generally all components used in the development of the exhibits shall be supplied
from the RadioSpares catalogue or be equivalent in form, fit and function to a
RadioSpares component and of equivalent or better quality.
Maintenance Section
Exhibits must be designed for low maintenance. This means not more than 15
minutes of a technician’s time per week, averaged over any four week period, which
time includes access, diagnostic, repair and replacement time.
Exhibit should be designed on a modular basis, with the number of modules per
exhibit being kept to a minimum
Exhibits must be able to interface with the show control system and withstand power
failure
Monitoring procedures must be installed to detect and warn staff of faults in any
fitted control system
Connectors should be capable of locking and use sufficient cable length to permit
maintenance of sub-assemblies without disconnection
The need for lubrication of parts must be kept to a minimum and if a reservoir is
utilised its level must be monitored automatically giving staff sufficient warning to
deal with any likely impairment of performance
Lead-acid batteries must be of the “sealed-for-life” type and any other type of
battery must be leak-proof
Consumables:
General Principles
Exhibit cases must allow sufficient access to permit safe working on the exhibit
In the event of fire, exhibits must not give off toxic or noxious fumes and must not
present an explosion risk
It must be possible to isolate power, gas, water and air from an exhibit without
having to access the exhibit and without the need for special tools
Exhibits must be adequately labelled particularly with regard to hazards, and special
operating/termination procedures
Hazard warnings must include warnings of hazards from moving machinery, ionising
radiation, and intense light (including laser and ultra-violet radiation)
GENERAL DESCRIPTION
The floor mounted ride is to operate with 10 x 6-seater standard cars and a wheel chair car
themed to a design proposed by Design consultant. The cars to be guided by a centre rail to
which is attached the electrical power and control system collectors and the silent drive rack.
An integrated steering system and variable speed rack drive is required to enable the cars to
positively negotiate the small radius curves and 7º inclines.
The car seats are to be arranged in two tiers; the rear seats being raised to provide an
uninterrupted view for the rear passengers. When combined with the 360º rotating car bodies,
which are required to rotate in either direction, the visual experience is maximised to the full.
The boarding and alighting platforms are to be located separately within the station area to
allow for ease of passenger management and to provide the maximum time to enter and exit
the cars.
Two platforms ensure that there is always space for one car to be positioned behind the car at
the boarding platform; so guaranteeing that a car always replaces the departing car and in turn
maintains the ride capacity.
The system is to be fully automatic in operation with the minimum station dispatch time being
controlled by the central control system. However should the lap bars not be proved locked the
car will remain stationary until the guests are safely seated and the lap bars locked.
Prior to departure the operator selects one of the two commentary languages by buttons
located on the side of the car; the commentary being stored on a solid state sound store and
played through speakers located in both the side of the car and in front of the passengers.
On departure the sound track is initiated and triggered at the appropriate track positions to
maintain synchronisation with the sets. Should the ride stop for any reason a ‘pause’ signal is
to be sent to the audio system to pause the commentary until the ride is restarted.
Targets in the track are to be used to signal to the car that a new rotational position or speed
is required; these instructions to be stored in the onboard PLC.
When approaching the end of the ride a safety system is required to check that the rotating
body is correctly orientated before it is allowed to enter the alighting area; once in this area
the car is to be inhibited from further rotation.
The cars are to automatically stop at the alighting platform where the guests disembark under
the supervision of the station operator.
The empty car is then dispatched from the alighting platform towards the boarding platform; at
which point an automatic check is made to the car proximity detection system; any failure to
be indicated by a fault light on the car. This check is to be performed during initial start up
only.
Emergency stop buttons are to be located throughout the station area to stop cars
immediately within this area. Cars in the ride should return to their alighting orientation for
ease of evacuation if necessary.
In the event of a car not leaving its respective station area before the arrival of the next car,
a series of track sections are required to hold following cars in safety.
An onboard PLC is required to manage all car safety functions including speed, orientation and
proximity to other cars. Should a car develop a fault and stop, the car is to send a fault
signal instructing the main control system to stop the ride. The failed car is then identified by
an illuminated fault light on the car.
In the event of failure a hand held control unit is required to diagnose the fault on the failed
car to determine whether the fault can be overridden, enabling the car to be driven manually
back to the maintenance area or to determine whether it will be necessary to tow or push the
car back with another vehicle.
The main control panel is to be provided with diagnostic software to identify faults within the
ride central control system.
A restraint system to accommodate a wide range of body sizes will be required to prevent
passengers accidentally or deliberately being able to exit the vehicle during operation. The
restraint must allow for access from both sides of the car. The restraint system will be
interlocked with the vehicle control system to prevent movement of the car in the unlocked
position. A manual means of unlocking the restraint by an operator external to the car will be
fitted and located in such a position that it cannot be operated by passengers within the car.
The restraint will automatically unlock in the alighting station and in the event of a fire
emergency.
This car is to be tracked around the ride by a mimic panel in the station area showing its
position in the case of an emergency.
a) Automatic sequential starting of the cars from their parking positions to initially space
the cars correctly into their individual running positions.
b) Manual selection of the starting function is needed when the system is stopped by an
emergency stop located in the station area (in this mode all cars stop immediately and
require the selection of an alternative starting procedure).
c) Automatic control of the cars at both the alighting and boarding platforms. At the
alighting platform the cars decelerate at a controlled rate, stop for approximately 30
seconds before proceeding to the boarding platform when they stop again for a further
30 seconds before automatically starting at a controlled acceleration rate, providing the
lap bars are locked.
d) Each car is to be provided with the facility to increase or decrease its speed around the
ride in addition to having two separate acceleration rates.
e) Car rotation to be programmed to face the passengers in any desired direction with
three speed options.
iv. In the event of a power supply failure (if a back up power supply is
installed)
If the Emergency Stop in either station is operated, then all modules and the audio players stop
instantly.
When the controlled stopping procedure is activated the following procedures are to be
initiated:
ii. Cars within the scenic section proceed to the nearest evacuation point and stop in
order to provide a clear route for those passengers making an emergency exit on
foot.
iii. Power to the onboard sound system on each module is isolated when the cars stop
in order to ensure that passengers can hear any instructions being relayed over the
public address system
Note: When a stand-by power supply is fitted any failure of the incoming supply
will be detected and the cars will continue to complete the ride; the operator being
warned by an audible visual device to load no more guests.
Maintenance Facility
A system is to be provided for the safe transfer of vehicles from the ride to the maintenance
area.
The maintenance facility is to be provided with:
• Vehicle lift
• Overhead beam and 500kg chain hoist
• Work bench and Vice
• Staff lockers
• Storage cupboards for tools and spares.
• 4 x 3 phase sockets
• 6 x 240v single phase Twin sockets.
Throughput/Capacity
The ride variables are capacity, ride duration and car spacing. In this application there is
a requirement to move two coach loads of 70 passengers in 20mins, fixing the capacity
at 420 passengers/hr. The other limitation is that no one should see the car in front,
fixing the car centre to centre distance to around 20 metres.
Therefore with a 6 passenger car and a capacity of 420/hour the preferred option is:
Car spacing 43 secs, and 19.6 metres. Average speed 0.46m/sec. Ride Time
(station to station) 5min 43secs. Total number of cars 10.
Passengers/hour 420
Car spacing (time and distance) 43 seconds – 19.6 metres car centre to centre
The following generally describes the work to be carried out under the Trade Contract and
draws attention to certain associated items that are to be completed. It is not intended to
limit or exclude items required by the Trade Contract Documents.
The Scope of the Works covered by this Trade Contract includes the design, Scripting,
Creative/Specialist Direction, Graphic design/animation Studio/Location filming, Multimedia
Design/Programming, Editing, Research, Transfers Copyright/ Translation
Titles/Subtitles/Captions Sound Design Voice over artists/studio Soundtrack
composition/effects Formatting R&D/Testing
DESIGN WORKS
The Trade Package works shall include but are not limited to: -
1. GENERAL REQUIREMENTS
1.1 The Project Manager will coordinate and direct the Trade Contractor in
the development and execution of the Works and no other instructions or
directions by whomsoever they are given shall have any effect or validity for
the purposes of the Trade Contract
1.2 The Design Consultant shall instruct on the creative development and
execution of the works and will advise the Project Manager on questions
of quality and suitability, the Project Manager shall instruct the Trade
Contractor accordingly. In addition the Project Manager will consult with
the Design Consultant and Client and take any account of any
representations, opinions and decisions which the Design Consultant may
take or express prior to the Project Manager giving or withholding certain
decisions, opinions, consents, approvals, authorisations, instructions,
satisfactions, directions or agreements under the trade contract.
1.4 The Producer shall exercise in the design, all the skill, care and
diligence to be expected of a competent Computer Interactive
Producer and in the execution and completion of the Works all skill, care and
diligence to be expected of a properly qualified and competent Contractor
experienced in carrying work of a similar scope, nature and size to the Works.
1.5 The Producer shall not knowingly infringe any copyright laws in the
production of his works and will indemnify the Client in accordance with the
terms of the Contract.
1.6 The Producer shall ensure that the Works are compatible with lighting
levels, acoustic needs and other site arrangements and that picture quality
and audio tracks take due note of the levels and conditions of same.
1.7 Due note should be paid of all graphic styles, colour palettes and typographic
guidelines created by others. Any aspect of the Works must follow these
guidelines and allowances should be made for such.
1.8 Where audio tracks are used, consideration must be given for the separation
of voice-over and background music or effects tracks in order that balance of
sound can be undertaken on site.
1.9 The Producer shall identify and provide a person responsible for the
coordination, liaison and development of the Works who shall efficiently
supervise the execution of the works using their best skill and attention. The
Trade Contractor shall not remove such person from the Works without the
prior written approval of the Project Manager (such approval shall not be
reasonably withheld) and if such approval is given the Trade Contractor shall
be responsible for replacing such person or persons with a person or persons
of equivalent competence who shall have been previously approved by the
Construction Manager.
2. PROJECT NOTES
2.1 This tender is for Works comprising the Design, Development, Production,
Installation and commissioning works for the Kahramaa Education Park Computer
Interactive programmes.
2.4 Producer to provide specialist researcher/content advisor to liaise with client and
design Consultant for development of content brief
2.7 Unless stated otherwise by the Client, the Producer will be responsible for
sourcing and procuring all archive material, and to pass to the Client all copies
of the copyrights, transfers and other documents relevant to the works.
2.8 Producer to provide detailed list of library source material used to the
Client.
2.10 All copyright, licensing, research and transfer costs are to be identified to the
Client within the agreed software budget.
2.11 Intellectual Property Rights / Copyright for all original audio-visual material
produced by the Trade Contractor to rest with the Client for use in any media.
2.12 Producer shall make best endeavours, where applicable, to use still
images of a copyright-free nature as identified by the Client.
2.13 Producer will design and produce video productions to a 16:9 screen
aspect ratio (1280 x 720) unless otherwise stated in the exhibit briefing
documentation.
2.24 The Producer is to note and accept the payment terms (schedule A), in
relation to the Client Approvals process as detailed in Schedule E.
2.25 The submittal must contain a programme including the intended sequence and
timing of the tasks described herein, dates of deliverables and definition of any critical
path which exists between the various activities.
The programme must include the following:
Visits to Doha to meet with Kahramaa and project team;
Design stages (include time for review and approvals);
Documentation (include time for review and approvals);
2.26 Allow for providing attendance upon other Trade Contractors as required.
* As stated in the specification the Trade Contractor is to prove that the system meets the
required specification, tests to be witnessed by the Consultants and the Project Manager
* The Trade Contractor shall allow sufficient time for the testing/approval of programmes
prior to installation on site.
* Prior to the Project Manager witnessing commissioning activity, the Trade Contractor
must submit a complete test report detailing all results achieved.
* Include for demonstrating to the Client and Statutory Authorities various tests and
system operation. It will be a requirement that these tests have been witnessed by the
Project Manager prior to these demonstrations taking place.
* In order to ensure co-ordination of and efficient testing and commissioning the Trade
Contractor will:
- Submit schedules showing those parts of the works for which inspections and tests are
required.
- Provide full technical/product information for inclusion within the Project Health and
Safety File
2.45 The trade contractor is required to make available a supply of spare parts
necessary to guarantee the smooth and trouble-free functioning of the exhibits for a period
of three years.
CI – COMPUTER INTERACTIVE
5 6.7 CI-1 How does Co2 get into the atmosphere? Touch table
in Qatar compare to the rest of the world (component part of 6.7 PI)
8 6.7 CI-4 Visitors commitments to change the amount of CO2 they produce
are registered and displayed on the high level LED display (component part
of 6.7 PI)
11 6.13 CI-1 Rear projected touchscreen where visitors are challenged to identify
12 6.13 CI-2 Two person interactive rear projected touchscreen where visitors must find
solutions to dangerous situations, competeing against the clock (component part of 6.13 PI)
13 7.1 CI Computer interactive allows interaction with the key energy conserving features of
15 8.10 CI A central console allows visitor to interact and compare household goods
key:
PI – PRACTICAL INTERACTIVE
LV – LINEAR VIDEO
CI – COMPUTER INTERACTIVE
IV – INTERACTIVE VIDEO
O - OTHER
Objective:
Treatment:
A lighting tube 400 mm in length. The exhibit is to be supported by graphics give a few startling
• The temperature of a lighting strike is hotter than the surface of the sun
• There are between 50 and 100 lightning strikes on earth every second
• One American was struck by lightning seven times in his life and survived
Background information:
http://www.strattman.com/products/lightning/index.html
Notes:
Exhibit overview: Computer interactive about lightning (component part of 6.1 PI above)
Objective:
To demonstrate graphically how lighting is caused – by the build up of electrical charges within a
cloud
Treatment:
A touchtable. The opening screen is blue – representing the sky – with a number of stylised frozen
raindrops floating. Some bump into each other and a + or – symbol appears. The positive symbols
move to the top of the screen and the negative symbol towards the bottom
The electrical cartoon character Kahroob appears in the corner of the screen and tells visitors that
this is a cloud of frozen raindrops and that they can help make lightning by making more of the
raindrops collide.
By running a finger rapidly on a raindrop, the visitor can make a raindrop move across the screen
and bump into another raindrop. Again, this creates positive and negative symbols, the former
After 30 seconds, while visitors continue to make the collisions Kahroob explains what is
happening: the collisions are creating an electrical charge and all the positive charges are forming
at the top of the cloud and all the negative charges are forming at the bottom.
The cloud then shrinks and moves up the screen so that visitors can now see the ground, with a
Kahroob explains that because opposites attract, a positive charge is building up.
The negative charges in the cloud start to stretch down… and the positive charges on the ground
Just before the two meet, the screen switches to actual film footage of a lightning strike, with the
Background information:
Notes:
Objective: to demonstrate the effort required to generate even small amounts of power.
A: three separate cranks (possibly based on a yachtsman’s winch for ease of use) are each linked
to domestic device – a light bulb, a kettle and radio. The on-screen instruction says “How much
When the crank is turned, the device begins to work according to the amount of power generated.
When the visitor stops turning, a screen displays the amount of electricity generated and how long
the crank would have to be turned at that rate in order to generate enough power for the device to
B: a capstan, linked to a generator and digital read-out .The on-screen instruction says “Get
together with your friends to see how much electricity you can generate? Just turn the capstan.”
When the capstan is turned, a number of light bulbs are illuminated according to the amount of
power generated. When the turning stops, a screen displays the amount of electricity generated
and how long the capstan would have to be turned in order to generate the power needed for a
After two three minutes continual use both Exhibit A and Exhibit B should become more difficult to
The exhibit will have a built-in camera which will allow young visitors and their families to see their
Duration: 4 ½ minutes
Objective: to demonstrate the effort required to generate even small amounts of power.
A: a computer is inked to the three separate cranks. The on-screen instruction says “How much
electricity can you generate? Turn the handle to find out”. The computer works out the amount of
energy generated by the cranks and converts it the amount of power needed to run the device to
which the crank is attached (a light bulb, a kettle or a radio) for one hour.
B: This computer is linked to the capstan and generator and digital read-out .The on-screen
instruction says “Get together with your friends to see how much electricity you can generate? Just
turn the capstan.” When the capstan is turned, a number of light bulbs are illuminated according
to the amount of power generated. When the turning stops, a screen displays the amount of
electricity generated and how long the capstan would have to be turned in order to generate the
After two three minutes continual use both Exhibit A and Exhibit B should become more difficult to
The exhibit will have a built-in camera which will allow young visitors and their families to see their
Duration: 4 ½ minutes
Exhibit overview Interactive model of gas turbine illustrating LNG and Electricity generation
Objective: to show how Qatar’s primary product, natural gas, is used in the electrical generation
process
Interactive model of a large gas turbine model. The key elements can be touched, which activates
Duration: ½ to 1 minute
Note:
Objective: to explain how gas is used in the production of electricity and to relate this to the
Treatment and storyline: A touchscreen which depicts the large gas turbine model. The key
elements can be touched, which activates an animated film which explains what is happening. The
touchscreen is ‘hosted’ by the cartoon electricity figure Kahroob. This should depicted the stages in
the process of electricity generation is an easily understood form, linking back to the principles of
electromagnetic induction
Duration:
1.5 mins
Notes:
Treatment and storyline: This is a competitive quiz which can be played by individuals or up to
three teams against each other, or a single visitor can play against the machine. Visitors group
around consoles and register themselves with their RFIDs. One console is reduced in height to
allow small children or visitors in wheelchairs to play. They form teams according to the colour of
their consoles’ coloured acrylic surround. Projected on a circular table is a world globe, slowly
revolving (so that no team has an advantage of seeing the world in the usual north-south
configuration). The computer narration says “What are the world’s most precious resources?” As
images are projected on to the large screen in the centre of the exhibit, it continues “They are
fossil fuels, water and uranium. Where do you think they are?” The computer flashes up, “Fossil
fuels. These are primarily in the form of coal, oil and gas. Where are the world’s largest reserves of
gas? Press the area of the world on your console.” The console displays a world map. When an
area is highlighted, it is also projected with the colour of the console on the large projected map in
“Where else are there large reserves of gas? Press the area of the world on your console”
Again the area touched on the console is also projected onto the large central map. The computer
then calculates whether the correct areas have been identified and gives out scores to each team
The narrator then says “Play again?” Each console now has the options
• Yes
• New Game
• No
If New Game is selected, the consoles and central projection show a film of Qatar’s gas fields. The
narrator says “Qatar has 25 trillion cubic metres of natural gas. Each day we remove XXX cubic
The consoles come up with three options and visitors select one.
A film is shown of a Qatar electricity generating plant. The narrator says “Each day in Qatar, we
use XXX cubic metres of natural gas. If this continues, we will run out of gas in 20XX. But if we cut
our consumption by 10%, how long could we continue to enjoy our gas reserves?”
The consoles come up with three options and visitors select one.
The computer then calculates whether each team’s answers are correct and gives out scores to
The narrator then says “Play again?” Each console now has the options
Yes
No
If Yes is selected the same procedure is followed with oil consumption as the topic
Duration: 2 minutes
This is a competitive quiz which can be played by individuals or up to three teams against each
other, or a single visitor can play against the machine. Visitors group around consoles and register
themselves with their RFIDs. They form teams according to the colour of their consoles’ coloured
acrylic surround. Projected on a circular table is a world globe, slowly revolving (so that no team
has an advantage of seeing the world in the usual north-south configuration). The computer
narration says “What are the world’s most precious resources?” As images are projected on to the
large screen in the centre of the exhibit, it continues “They are fossil fuels, water and uranium.
Where do you think they are?” The computer flashes up, “Fossil fuels. These are primarily in the
form of coal, oil and gas. Where are the world’s largest reserves of gas? Press the area of the
world on your console.” The console displays a world map. When an area is highlighted, it is also
projected with the colour of the console on the large projected map in the centre of the exhibit.
“Where else are there large reserves of gas? Press the area of the world on your console”
Again the area touched on the console is also projected onto the large central map. The computer
then calculates whether the correct areas have been identified and gives out scores to each team
The narrator then says “Play again?” Each console now has the options
• Yes
• New Game
• No
If New Game is selected, the consoles and central projection show a film of Qatar’s gas fields. The
narrator says “Qatar has 25 trillion cubic metres of natural gas. Each day we remove XXX cubic
The consoles come up with three options and visitors select one.
A film is shown of a Qatar electricity generating plant. The narrator says “Each day in Qatar, we
use XXX cubic metres of natural gas. If this continues, we will run out of gas in 20XX. But if we cut
our consumption by 10%, how long could we continue to enjoy our gas reserves?”
The consoles come up with three options and visitors select one.
The computer then calculates whether each team’s answers are correct and gives out scores to
The narrator then says “Play again?” Each console now has the options
Yes
No
If Yes is selected the same procedure is followed with oil consumption as the topic
Duration: 2 minutes
Objective: to raise awareness of the quantity of CO2 being released into the atmosphere.
Treatment and storyline: This area consists of four interactives which should seek to convey the
• domestic electronic goods consume large amounts of power and therefore contribute to
• if energy efficient devices are used, the amount of CO2 released is significantly reduced
• Commit to change
Exhibit overview: How does Co2 get into the atmosphere? Touch table
Objective: to raise awareness of the quantity of CO2 being released into the atmosphere.
Treatment and storyline: A projected world map is surrounded by images of key producers of
CO2 such as an aeroplane, a car, a camel, a factory and an insect. The player ‘drags’ one of these
images onto the map and information about their CO2 output is displayed.
Duration: 2 minutes
Objective: The aim of this interactive is to demonstrate the amount of produced by everyday
domestic goods.
Along the length of the table are projected images of several domestic items - not the latest
models:
a TV set
a computer
an air conditioner
a microwave
In front of each is a small screen. The game begins with a film of a power station emitting CO2 into
the atmosphere. The narrator says “Every electric device uses power and when we create electric
power, we release carbon dioxide into the atmosphere. Every day in Qatar we release XX tons of
CO2 into the atmosphere. Look above you to see how much space a ton of CO2 occupies”
Visitors look up and see an 8.2metre cube above them, marked out in LED lights.
The narrator continues: “CO2 is believed to be a major contributor to global warming. But do you
know how much CO2 the things in your house are contributing?”
On the screen in front of each object it says: “How much CO2 does [name of the item] generate in
one hour? ”
The visitor then selects a number of weights onscreeen and then the computer then tells them
The narrator then says “But if you used the most modern, most efficient versions of all these
machines, how much CO2 do you think you could stop going into the atmosphere. Select the
Once selected, the computer then tells the visitors whether they have selected the correct weight
Duration: 2 minutes
Exhibit overview: Computer interactive to demonstrate how CO2 emissions in Qatar compare to
Treatment and storyline: This interactive should be devised for visitors, knowing the amount of
emissions generated by the average Qatari, to estimate the amount of emissions generated by
A European
A North American
An Asian
Duration: 1 minute
Exhibit overview: Visitors commitments to change the amount of CO2 they produce
Objective: to encourage visitors into committing themselves to reduce their power consumption
Treatment and storyline: This interactive allows visitors to record comments about power
consumption which can be displayed on the overhead LED cube. It should be voice activated and
prompt visitors by asking open questions such as “what do you think about the consumption of
power in Qatar?” “What could you do to reduce the consumption of power in Qatar?”
Duration: 1 minute
Exhibit overview Interactive display examines water consumption in Qatar and the rest of the
world
Objective: to surprise visitors by showing that their consumption of water is the highest in the
world.
Treatment and storyline: This consists of a tower made of 5,000 empty water bottles of one
litre capacity. In front of a tower, the visitor stands in front of a small terminal. The message
comes up “Press here to see how much water a European consumes in a week”. Half the bottles
are illuminated. The message comes up “Press here to see how much water an American
The message comes up “Press here to see the average water consumption around the world in a
The message comes up on screen. “How much does the average Qatari consume during a day?
Keep your finger on the button until you think you have the right answer, then release”.
If visitors take their fingers off, the message comes up on screen “Wrong – we consume nearly
4,750 litres of water a week: the highest in the world!” Almost all the bottles are illuminated.
If visitors keep their fingers on the button until all the bottles are illuminated, the message comes
up on screen “Correct! We consume nearly 4,750 litres of water a week: the highest in the world!”
Duration: 1 ½ minutes
Duration: 1 ½ minutes
Exhibit overview A model of a de-salination plant which allows visitors to explore its
Treatment and storyline: A scale model with all key features identified. In addition there are two
water dispensers – where the water is dispenses just one drop at time. One dispenses salinated
Duration: 1 minute
Background information: The Client will advise on the plant to be selected for modelling and to
Exhibit overview 4 no. interactive stations provide visitor with interaction with model 6.10 PI
(above)
Treatment and storyline: four consoles surround the model of the desalination plant glimpsed
on the Ride. Around each console are touch buttons, individually labelled with the name of the
feature – e.g. ‘Natural Gas input’. When activated, these buttons illuminate the part of the model
where this activity takes place and launches a short film showing the corresponding activity at the
plant. The use of salinated water in the production of electricity, and the role of electricity in
desalination will be particularly highlighted. Each console also includes a button to activate a one-
minute film highlighting the air pollution and CO2 production associated with desalination and the
There is also an opportunity for visitors to sample a single drop of desalinated water and this
should be accompanied by an interactive screen alongside which allows visitors to guess how much
it costs to produce and distribute to a Qatari household one cubic metre of desalinated water.
Duration: 1 minute
Background information: The Client will advise on the plant to be selected for modelling and to
Treatment and storyline: This interactive begins with images of the different ways in which
water is consumed:
for drinking
for gardening
for cooking
After reflecting on these, the visitor encounters a transparent water tank holding 675.5 litres of
water with pipes leading to six transparent tubes of equal height and diameter. The tubes are
labelled “drinking”, “personal hygiene, “clothes washing”, “gardening”, “cooking” and “car
washing”
At the bottom of each is a valve which allows water to flow from the tank into the tube.
A sign says:
“The tank holds the average daily water consumption in Qatar - 675.5 litres. Turn the valves on
When complete, the amount of water in each tube is brought up on a screen. The water is pumped
back into the tank, then re-distributed among the tubes according the known consumption
patterns (e.g. 75.5 % on personal hygiene, 2.1% on cooking) and these values put alongside the
visitor’s estimates.
Duration: 1 ½ minutes
Exhibit overview Displays visitors estimates of water consumption and compares with
current data
Objective: to reinforce the message that a disproportionate amount of water is used for personal
cleanliness
Treatment and storyline: When visitors have completed the challenge of filling the tubes with
water, the amount of water is brought up on a screen. Estimates of actual consumption for each
Duration: The entire exhibit should engage visitors for at least 1 ½ minutes
AV hardware requirement
Exhibit overview: An AV based touch table exhibit examines safety in the use of water and
electricity
Exhibit overview: Rear projected touchscreen where visitors are challenged to identify dangers in
Objective: to stress electricity is potentially dangerous / bare wires must never be touched /
Treatment and storyline: a rear projected touchscreen, again on the theme of electrical safety
and visitors are asked to identify dangers. Projected onto the screen is a domestic setting where,
for example:
someone is trying to get the toast out of a toaster with a metal knife
Exhibit overview: Two person interactive rear projected touchscreen where visitors must find
Objective: to help younger visitors understand the safety issues around electricity and
electricity/water
Treatment: A two-person touch-screen game, with the objective of identifying safe and unsafe
Objective: to demonstrate the innovative features of the Kahrammaa Education Park Building
Exhibit overview: Computer interactive allows interaction with the key energy conserving
Objective: to demonstrate the innovative features of the Kahrammaa Education Park Building and
Treatment and storyline: touchscreen identifies particular features of the model (which are then
illuminated) - such as the turbines, wind tower, solar panels, heat exchangers - and displays key
facts. Where possible it should also show a domestic equivalent of the feature.
Duration: 2 minutes
(DISPLAY STRUCTURE TO HOUSE PI /CI/IV EXHIBITS 8.1 – 8.8 SEE DETAIL BRIEFS FOR
DETAIL
Objective: The principal function of the Balcony area is to showcase the alternatives to fossil fuel
based energy production and some of the newest technological innovations in energy saving. The
information is technically more advanced and is aimed primarily at older pupils and adults.
Objective: to provide a more in-depth assessment of the pros and cons of nuclear power
power to create steam. The visitor is challenged to assess the pros (little pollution) with the cons
Duration: 1 minute
EXHIBIT BY OTHERS)
Exhibit overview:. The Green House exhibit compares high energy consuming goods and energy
Objective: to demonstrate the energy efficiency of the best new domestic appliances.
Treatment: the visitor enters a circle and stands by one of a number of consoles in the centre.
One half of the circle shows a stylised bathroom and kitchen, of a ‘normal’ house, equipped with
high energy-consuming goods. The other half of the circle shows exactly the same setting, but
equipped with environmentally friendly and energy efficient goods. The devices themselves should
Duration: 1- 2 minutes
Reference number: 8. 10 CI
Exhibit overview: A central console allows visitor to interact and compare household goods
Objective: to demonstrate the energy efficiency of the best new domestic appliances.
Treatment and storyline: The visitor selects either a room or a specific piece of equipment on
the touch screen to illuminate these in the rooms, both green and non-green. Comparative
information – in an appealing way (animated graphics rather than figures) is then revealed about
Duration: the whole exhibit should engage the visitor for 4 minutes
Objective: to allow visitors to download their game scores and to commit to energy saving.
Treatment and storyline: Three pods, each with three consoles. Within each, visitors can scan
their RFID medallions. Interactive screens will then ask them to choose from a number of energy
and water saving options that they will commit to putting into practice.
The pod will then provide a summary of their scores from the interactives and a list of their
commitments, which the visitor can print out at home. It will also give them a unique number to
access the KEP website and find films of themselves participating in the activities where possible.
The visitors can also access further information on the key themes explored during their visit.
Duration: 4 ½ minutes
EXHIBIT BY OTHERS)
Objective: to allow visitors to download their game scores and to commit to energy saving.
Treatment and storyline: Three walk in circular pod structures, each with three consoles. Within
each, visitors can scan their RFID medallions. Interactive screens set into freestanding partition s
will then ask them to choose from a number of energy and water saving options that they will
The pod will then provide a summary of their scores from the interactives and a list of their
commitments, which the visitor can print out at home. It will also give them a unique number to
access the KEP website and find films of themselves participating in the activities where possible.
The visitors can also access further information on the key themes explored during their visit.
Duration: 4 ½ minutes
The process
The software development and approval strategy involves a process whereby the PM can
monitor the Producer’s progress during the production of each video film and thereby
ensure the timely delivery of the finished product within the allocated budget.
It is important for the Client to appreciate that Computer Interactive productions need to
be solidly underpinned by an agreed script. For this reason most of the approval and sign-
off process is taken up with the early ‘pre-production’ phase of the Producer’s work.
Once the production phase starts any concerns the Client may have had about the content,
style and treatment of the film should have been satisfactorily addressed so that both
parties have a clear, unambiguous idea of the film’s objectives and how they are to be
met.
The process includes a series of key stage meetings, presentations and reviews in order to
facilitate the smooth development of the film productions, namely:
• The Briefing
• The Response to Brief document and its approval
• The Treatment Script and its approval
• The Script (and or Storyboard) and its approval
• The Rough Cut (or Offline Edit) and its approval
• The Fine Cut (or Online Edit) and its approval
At each stage following the Briefing the Producer must indicate that he has completed and
submitted the deliverables. The Client must then indicate their approval or, if they reject
the deliverables, state what amendments they require of the Producer. The Producer must
then resubmit and obtain Client approval.
The stages of this process detailing the Producer’s and Client’s responsibilities are shown
on the ‘Delivery and Sign-off Process’ narrative and illustrated by the ‘Delivery and Sign-
off Flow Chart’. Both documents are attached.
Sign-off forms
The means by which the Producer and Client indicate their submissions and approvals is to
be separate check lists for the Producer and Client, sign offs required each stage as the
Producer delivers and the Client approves. Samples of the two sign-off forms are attached.
(CAF & PAF)
In order to maintain timely progress throughout the production the Producer must agree at
the outset to allow the Client sufficient time within each production timetable (or schedule)
to properly review and comment on the deliverables.
Likewise the curators (or Client’s representatives) must agree to review and comment on
the Producer’s deliverables within an agreed time frame. We are suggesting ten working
days for reviews, comments and approvals for the first three signoffs
(ie Response to Brief, Treatment, and Script), during which time any requested
amendments need to be dealt with. In other words, if a deliverable is at first rejected, it
must be amended and resubmitted promptly to ensure that approval is eventually
obtained in the original ten-day period. There is no need for such a lengthy time frame for
the remaining two approvals (ie Rough Cut and
Fine Cut). We suggest five days to allow for the Client to prepare written comments if
necessary.
The Project Manager will be able to track the progress of each production by requesting
sight of the sign-off forms. Both the Producer’s and the Client’s forms should tally at each
of the approval stages; ie both parties are required to confirm that approval has been
given.
The programme
The Project Manager will have prepared a notional programme for the production of each
video film by the time the production contract is awarded. These programmes will need to
be agreed with the Producer after the briefings have taken place and synchronised with
the main building programme. The sign-off target dates will be shown on the programmes
and it will be the multi-media PM’s responsibility to keep a check on the adherence to
programme of each production and to amend the programmes in the event of slippages.
Any amendments will be fed into the main building
programme and communicated to the AV hardware contractor.
AV hardware
Part of the Producer’s responsibility will be to liaise with the AV hardware contractor about
the type and format of the deliverable media. Part of the sign-off process includes this
liaison and the Producer’s sign-off form includes a check box to signify that liaison has
taken place. The multimedia PM will confirm this with the AVH contractor.
voices) to be included in
the fine cut.
The client may suggest
alterations to
the production at this
stage, but may
not request changes that
deviate from
the script agreed at stage
7 above.
Rejections to be amended
and represented
as revised rough cuts.
The client representative should date and sign against each stage when deliverables
have been received and when approval has been given to the video producer.
1 Response to brief
Received from Producer date DD MM YY sign ____________________________
5 Translation received
from producer date DD MM YY sign ____________________________
3
Approval of response to date DD MM YY sign
breif received from client ____________________________
The following generally describes the work to be carried out under the Trade Contract and
draws attention to certain associated items that are to be completed. It is not intended to
limit or exclude items required by the Trade Contract Documents.
The Scope of the Works covered by this Trade Contract includes the Scripting,
Creative/Specialist Direction, Graphic design/animation, Studio/Location filming
Multimedia Design/Programming, Editing, Research, Transfers, Copyright/ Translation,
Titles/Subtitles/Captions, Sound Design, Voice over artists/studio, Soundtrack
composition/effects, Formatting, R&D/Testing, All temporary works required to allow
completion of the works,and everything necessary to undertake complete installation,
setting to work and commissioning. All interface details are to be prepared and agreed
with the respective Trade Contractors/Trades and clearly identified
DESIGN WORKS
The Trade Package works shall include but are not limited to: -
• 6.5 IV interactive video shows real life film footage of daily activities
within a Kahramaa power plant
1. GENERAL REQUIREMENTS
1.1 The Project Manager will coordinate and manage the Producer in the
development and execution of the Works and no other instructions or
directions by whomsoever they are given shall have any effect or validity for
the purposes of the Package Contract
1.2 The Design Consultant shall instruct on the creative development and
execution of the works and will advise the Project Manager on questions
of quality and suitability, the Project Manager shall instruct the Producer
accordingly. In addition the Project Manager will consult with the Design
Consultant and Client and take any account of any representations, opinions
and decisions which the Design Consultant may take or express prior to the
Project Manager giving or withholding certain decisions, opinions,
consents, approvals, authorisations, instructions, satisfactions, directions or
agreements under the package contract.
1.3 The Producer shall provide subject to these conditions everything necessary
for the execution and completion of the works, in accordance with the
Package Contract and all Drawings, Specifications and/or instructions issued
to him and will deliver up the Works to the Client complete in every particular.
1.4 The Producer shall exercise in the design, all the skill, care and diligence to be
expected of a competent Linear Video Multi Media Trade Contractor and in
the execution and completion of the Works all skill, care and diligence to be
expected of a properly qualified and competent Contractor experienced in
carrying work of a similar scope, nature and size to the Works.
1.5 The Producer shall not knowingly infringe any copyright laws in the production
of his works and will indemnify the Client in accordance with the terms of the
Contract.
1.6 The Producer shall ensure that the Works are compatible with lighting levels,
acoustic needs and other site arrangements and that picture quality and audio
tracks take due note of the levels and conditions of same.
1.7 Due note should be paid of all graphic styles, colour palettes and typographic
guidelines created by others. Any aspect of the Works must follow these
guidelines and allowances should be made for such.
1.8 Where audio tracks are used, consideration must be given for the separation
of voice-over and background music or effects tracks in order that balance of
sound can be undertaken on site.
1.9 The Producer shall identify and provide a person responsible for the coordination,
liaison and development of the Works who shall efficiently
supervise the execution of the works using their best skill and attention. The
Producer shall not remove such person from the Works without the prior
written approval of the Project Manager (such approval shall not be
reasonably withheld) and if such approval is given the Producer shall be
responsible for replacing such person or persons with a person or persons of
equivalent competence who shall have been previously approved by the
Project Manager.
2. PROJECT NOTES
2.1 This tender is for Works comprising the Scripting, Design, Development,
Production, Installation and commissioning works for the KEP Linear Video
Multi Media programmes.
2.2 The Producer to provide (named) Project Manager to Liaise with Client and
design companies.
2.3 The Producer to provide a scriptwriter to develop all narrative elements to final
approvals stage.
2.4 The Producer to provide outline and detailed storyboards/visuals for client
approval.
2.6 Unless stated otherwise by the Client, the Producer will be responsible for
sourcing and procuring all archive material.
2.7 The Producer to provide detailed list of library source material used to the
Client.
2.8 The Producer to provide offline / test programmes for client approval.
2.9 All copyright, licensing, research and transfer costs are to be identified to the
Client within the agreed software budget.
2.10 Intellectual Property Rights / Copyright for all original audio-visual material
produced by the Producer to rest with the Client for use in any media.
2.11 The Producer shall make best endeavours, where applicable, to use still
images of a copyright-free nature as identified by the Client.
2.12 The Producer will design and produce video productions to a 16:9 screen
aspect ratio (1280 x 720) unless otherwise stated in the exhibit briefing
documentation.
2.14 The Producer to be responsible for the transfer and formatting of approved
programmes to agreed final playback medium, and to provide 3 no. copies of
each programme in agreed format.
2.19 The Producer will be responsible for all translation requirements (Arabic
/ English, English/ Arabic).
2.20 The Producer to include for all expenses (e.g. travel, presentation materials
etc). This is to include all expenses to visit offices of Design Consultant, and to cover all
travel and subsistance expenses of design consultant to inspect works at Producers Studio
or other location specificied
2.22 The Producer to provide operational manuals that include a full description of
2.23 The Producer is to note and accept the payment terms in relation to the Client
Approvals process as detailed.
PROGRAMME
The submittal must contain a programme including the intended sequence and timing of
the tasks described herein, dates of deliverables and definition of any critical path which
exists between the various activities.
The programme must include the following:
Visits to Doha to meet with Kahramaa and project team;
Design stages (include time for review and approvals);
Documentation (include time for review and approvals);
DOCUMENTATION
ATTENDANCE:
* As stated in the specification the Trade Contractor is to prove that the system meets the
required specification, tests to be witnessed by the Consultants and the Project Manager
and certificates issued by independent testing laboratories.
* The Trade Contractor shall allow sufficient time for the testing/approval of materials prior
to commencement on site.
* Testing of parts of the works is required in order that void closures may proceed and
other Trade Contractors will interface with a standard closing up format and give at least 5
days notice for inspection.
* The Trade Contractor shall be responsible for testing on an ongoing basis where
necessary in order to allow follow on works to commence. Furthermore, the installation of
an element will not be regarded as complete without submitted and approved test result.
All systems tested on the above basis shall be tested again as complete systems.
* The tests specified shall be carried out in the presence of the Project Manager. The Trade
Contractor shall give the Project Manager seven days notice in writing of the date upon
which the Trade Contractor will be ready to carry out tests upon completion.
* Where testing specific to the project is required, test certificates shall include the project
title, details and date of the test, signature of those witnessing the test, the Contractors
name and the specific location of the item in the works.
* The accuracy of each test shall be to the satisfaction of the Project Manager, whose
decision shall be final. The Trade Contractor shall supply all necessary attendance,
materials and instruments, and shall demonstrate, if required the accuracy of the
instruments used.
* The Trade Contractor shall be responsible for the commissioning of the Works and shall
be responsible for accepting commissioned base building services systems such that the
Trade Contractor integrates the fit out works with the base building works to offer fully
commissioned building services systems. The Trade Contractor is to co-operate fully with
the project Manager in the preparation and monitoring of his commissioning activities.
* Prior to the Project Manager witnessing commissioning activity, the Trade Contractor
must submit a complete test report detailing all results achieved.
* Include for demonstrating to the Client and Statutory Authorities various tests and
system operation. It will be a requirement that these tests have been witnessed by the
Project Manager prior to these demonstrations taking place.
* In order to ensure co-ordination of and efficient testing and commissioning the Trade
Contractor will:
- Submit schedules showing those parts of the works for which inspections and tests are
required.
- Provide full technical/product information for inclusion within the Project Health and
Safety File
LV – LINEAR VIDEO
IV – INTERACTIVE VIDEO
6.5 IV Interactive video shows real life film footage of daily activities within
6.8 1-6 LV Multi screen presentation introducing the major alternative means of generating
8.1 IV 1-6 Visitors can select from a total of 6 video films on alternatives to fossil fuel power
generation
8.9 LV 1-8 8no linear Videos portray a ‘blue sky’ vision of the future
AV hardware requirement:
Objective: to introduce visitors to the major themes of KEP – responsible use of energy and water
There are two identical films, one in Arabic, the other in English (the staff selecting the correct
The film must be a truly theatrical experience - an innovative and completely immersive three-
dimensional visual world. Using a seamless blend of stereo 3D filming styles: live action, time
lapse, sophisticated computer generated visual effects and probably the first ever 3D aerial
photography over Qatar. By wearing specialist polarising glasses, the audience will see dynamic
imagery emerge from the screen and float out towards them creating a magical and memorable
experience.
The film should be created in full High Definition and projected from two powerful 1OK ansi lumen
projectors on to a 6metre wide screen, ensuring extremely bright high resolution images. The
soundtrack will be created to reinforce the sense of immersion by on-site mixing in dynamic
surround sound.
Background information:
Each visitor picks up a pair of inexpensive 3D glasses on entering the theatre, leaving them in
The theatre is also equipped with a smaller drop-down screen for showing non-3D films and
AV hardware requirement:
Exhibit overview: Film presentation exploring the physical creation of planet Earth
Objective: to depict the story of the development of Planet Earth from a ball of molten mass into
the planet we recognise and crucially show how fossil fuels were deposited.
Treatment:
The film is projected on the walls of the 16 metre dome and from within a 3 metre diameter
‘Puffersphere’ which will rise from the floor during the show.
The story should begin just after the Big Bang with the lights of a trillion galaxies, with a voice
over telling how the universe originated. In the centre of the dome. a sphere gradually rises. It
appears to be a molten ball, which gradually cools and becomes recognisable as Planet Earth. But
this is an ancient Earth with only a single continent and vast forests. Slowly the continent breaks
up, the forests become submerged and the world we know appears. The voiceover tells how the
forests became the fossil fuels we depend on today and how much of our world is water, but
although water is vital to all life less than three per cent of all the water on Earth is drinkable.
Visitors will see a blend of live action and computer generated visual sequences projected both on
to the interior walls and on the sphere. As the transformation from molten ball to recognisable
planet takes place, imagery from 9 high resolution projectors should blend across the entire
Hemispherical Dome. Scientifically accurate but spectacular and colourful ‘planetarium style’
imagery with dramatic and unexpected visual movement should totally immerse visitors, and
The presentation ends with a reading – and possibly the projection of the words - from the Holy
Background information: Around the outer perimeter of the walkway are benches against which
Treatment:
A short film telling visitors they are about to experience the journey of a water droplet from cloud
to earth and back to cloud and how it is helped on its way by electricity. The film should also tell
visitors, for their own safety, not to leave the ride car, lean out or try to touch anything.
Duration: 1 minute
Notes:
Treatment:
1. a demonstration through animated graphics of how the nuclei of copper atoms start to flow
2. how this principle is applied to electrical power generation on a massive scale and is the
3. how this principle was first discovered almost 200 years ago by Michael Faraday with very
Background information:
This forms part of an exhibit which should engage the visitor for approximately four minutes
Notes:
AV hardware included:
Exhibit overview: Interactive video shows real life film footage of daily activities within a
Five short films depict the key activities in an LNG power station. They should include live action
but may need to be supplemented with graphic interpretation where the process is invisible. Any
captioning should be in Arabic and English. The precise process is to be discussed with the Client,
LNG ignited
Each is labelled with the name of the feature – e.g. Natural Gas input. When pressed, these
illuminate part of the model where this activity takes place and launch a short film showing the
Background information: The films accompany a large scale model of an actual power plant.
When visitors touch a button positioned in rough proximity to a key feature, the film will start. The
model is surrounded by touch buttons, positioned in rough proximity to key features on the model.
Detailed advice on the selection of features and the identity of the power station will be given by
the client.
Images of nuclear power plants, internal and external, accompanied by key words and phrases (in
Arabic and English) which summarise the pros and cons, such as “Clean”, “Inexpensive”, “Toxic
waste” and “Dangerous”. Images could include pictures of Chernobyl as well as effective nuclear
plants.
Duration: 20 seconds
Notes:
Images of geothermal power plants, internal and external, accompanied by key words and phrases
(in Arabic and English) which summarise the pros and cons, such as “Environmentally friendly”,
“Costly to build”.
Duration: 20 seconds
Background information:
Notes:
Images of biomass power generation, accompanied by key words and phrases (in Arabic and
English) which summarise the pros and cons, such as “Renewable”, “Polluting”.
Duration: 20 seconds
Notes:
Images of wind farms and turbines accompanied by key words and phrases (in Arabic and English)
which summarise the pros and cons, such as “Renewable”, “It is not always windy”.
Notes:
Images of solar panels accompanied by key words and phrases (in Arabic and English) which
summarise the pros and cons, such as “Sustainable”, “Only works during the day”.
Duration: 20 seconds
Notes:
Images of tidal power generators accompanied by key words and phrases (in Arabic and English)
which summarise the pros and cons, such as “Renewable”, “Low cost to run” and “Costly to build”.
Duration: 20 seconds
Notes:
AV hardware included:)
Exhibit overview 4 no. interactive stations provide visitor with interaction with model 6.10 PI
1. Up to 7 short films of the principal activities of a water desalination plant. These may
include:
b. Seawater in
d. Waste out
e. Head exchange
f. Condensation collection
The films should be a combination of footage shot at an actual desalination plant in Qatar
and – because much of the activity will be hidden within the plant – a graphic depiction of
the activity and its part in the overall process of desalination. The role of electricity in
desalination and the use of salinated water in the production of electricity should be
particularly highlighted
2. A film depicting the air pollution and CO2 production associated with desalination and the
Duration:
1. Each film depicting the desalination process should last for approximately 10 seconds.
Background information:
The client will advise on the plant to be modelled and supply technical information on processes.
Objective: To outline the generation process, the benefits and drawbacks of nuclear power
Images of nuclear power plants, internal and external, accompanied by key words and phrases (in
Arabic and English) which summarise the pros and cons, such as “Clean”, “Inexpensive”, “Toxic
waste” and “Dangerous”. Images could include pictures of Chernobyl as well as effective nuclear
plants. It should also include a graphic animation of the generation process. The cost of producing
Duration: 1 minute
Objective: To outline the generation process, the benefits and drawbacks of geothermal power
Images of geothermal power plants, internal and external, accompanied by key words and phrases
(in Arabic and English) which summarise the pros and cons, such as “Environmentally friendly”,
“Costly to build”. It should also include a graphic representation of the generation process. The
Duration: 1 minute
Objective: To outline the generation process, the benefits and drawbacks of power from biomass
Treatment and storyline: Images of biomass power generation, accompanied by key words and
phrases (in Arabic and English) which summarise the pros and cons, such as “Renewable”,
“Polluting”. It should also include a graphic animation of the generation process. The cost of
Duration: 1 minute
Objective: To outline the generation process, the benefits and drawbacks of wind power
Treatment and storyline: Images of wind farms and turbines accompanied by key words and
phrases (in Arabic and English) which summarise the pros and cons, such as “Renewable”, “It is
not always windy”. It should also include a graphic animation of the generation process. The cost
Duration: 1 minute
Objective: To outline the generation process, the benefits and drawbacks of solar power
Treatment and storyline: Images of solar panels accompanied by key words and phrases (in
Arabic and English) which summarise the pros and cons, such as “Sustainable”, “Only works during
the day”. It should also include a graphic animation of the generation process. The cost of
Duration: 1 minute
Objective: To outline the generation process, the benefits and drawbacks of tidal power
Treatment and storyline: Images of tidal power generators accompanied by key words and
phrases (in Arabic and English) which summarise the pros and cons, such as “Renewable”, “Low
cost to run” and “Costly to build”. It should also include a graphic animation of the generation
process. The cost of producing a kilowatt per hour should also be displayed (to be checked –
Duration: 1 minute
Objective: to show visitors the very latest – or blue skies – thinking in energy efficient products 1
One of eight films showing the latest in sustainable design which are likely to be of interest to the
Objective: to show visitors the very latest – or blue skies – thinking in energy efficient products 2
One of eight films showing the latest in sustainable design which are likely to be of interest to the
people of Qatar. This one might be about homes tapping into the kinetic energy generated by the
inhabitants
Objective: to show visitors the very latest – or blue skies – thinking in energy efficient products 3
One of eight films showing the latest in sustainable design which are likely to be of interest to the
people of Qatar. This one might be about smart clothing replacing air conditioning
Objective: to show visitors the very latest – or blue skies – thinking in energy efficient products 4
One of eight films showing the latest in sustainable design which are likely to be of interest to the
people of Qatar. This one might be about machines turning seawater into rain clouds
Objective: to show visitors the very latest – or blue skies – thinking in energy efficient products 5
One of eight films showing the latest in sustainable design which are likely to be of interest to the
people of Qatar. This one might be about the latest hybrid car
Objective: to show visitors the very latest – or blue skies – thinking in energy efficient products 6
One of eight films showing the latest in sustainable design which are likely to be of interest to the
people of Qatar. This one might be about a more efficient solar panel.
Objective: to show visitors the very latest – or blue skies – thinking in energy efficient products 7
One of eight films showing the latest in sustainable design which are likely to be of interest to the
people of Qatar. This one might be about low energy washing machines
Objective: to show visitors the very latest – or blue skies – thinking in energy efficient products 8
One of eight films showing the latest in sustainable design which are likely to be of interest to the
people of Qatar. This one might be about the latest fuel cell.
The process
The software development and approval strategy involves a process whereby the PM can
monitor the Producer’s progress during the production of each video film and thereby
ensure the timely delivery of the finished product within the allocated budget.
It is important for the Client to appreciate that video productions need to be solidly
underpinned by an agreed script. For this reason most of the approval and sign-off process
is taken up with the early ‘pre-production’ phase of the Producer’s work.
Once the production phase starts any concerns the Client may have had about the content,
style and treatment of the film should have been satisfactorily addressed so that both
parties have a clear, unambiguous idea of the film’s objectives and how they are to be
met.
The process includes a series of key stage meetings, presentations and reviews in order to
Facilitate the smooth development of the film productions, namely:
• The Briefing
• The Response to Brief document and its approval
• The Treatment Script and its approval
• The Script (and or Storyboard) and its approval
• The Rough Cut (or Offline Edit) and its approval
• The Fine Cut (or Online Edit) and its approval
At each stage following the Briefing the Producer must indicate that he has completed and
submitted the deliverables. The Client must then indicate their approval or, if they reject
the deliverables, state what amendments they require of the Producer. The Producer must
then resubmit and obtain Client approval.
The stages of this process detailing the Producer’s and Client’s responsibilities are shown
on the ‘Delivery and Sign-off Process’ narrative and illustrated by the ‘Delivery and Sign-
off Flow Chart’. Both documents are attached.
Sign-off forms
The means by which the Producer and Client indicate their submissions and approvals is to
be separate check lists for the Producer and Client, sign offs required each stage as the
Producer delivers and the Client approves. Samples of the two sign-off forms are attached.
(CAF & PAF)
In order to maintain timely progress throughout the production the Producer must agree at
the outset to allow the Client sufficient time within each production timetable (or schedule)
to properly review and comment on the deliverables.
Likewise the curators (or Client’s representatives) must agree to review and comment on
the Producer’s deliverables within an agreed time frame. We are suggesting ten working
days for reviews, comments and approvals for the first three signoffs
(ie Response to Brief, Treatment, and Script), during which time any requested
amendments need to be dealt with. In other words, if a deliverable is at first rejected, it
must be amended and resubmitted promptly to ensure that approval is eventually
obtained in the original ten-day period. There is no need for such a lengthy time frame for
the remaining two approvals (ie Rough Cut and
Fine Cut). We suggest five days to allow for the Client to prepare written comments if
necessary.
The Project Manager will be able to track the progress of each production by requesting
sight of the sign-off forms. Both the Producer’s and the Client’s forms should tally at each
of the approval stages; ie both parties are required to confirm that approval has been
given.
The programme
The Project Manager will have prepared a notional programme for the production of each
video film by the time the production contract is awarded. These programmes will need to
be agreed with the Producer after the briefings have taken place and synchronised with
the main building programme. The sign-off target dates will be shown on the programmes
and it will be the multi-media PM’s responsibility to keep a check on the adherence to
programme of each production and to amend the programmes in the event of slippages.
Any amendments will be fed into the main building
programme and communicated to the AV hardware contractor.
AV hardware
Part of the Producer’s responsibility will be to liaise with the AV hardware contractor about
the type and format of the deliverable media. Part of the sign-off process includes this
liaison and the Producer’s sign-off form includes a check box to signify that liaison has
taken place. The multimedia PM will confirm this with the AVH contractor.
version
and should reflect the rough-cut
and any comments made by the
client during the rough-cut
presentation.
The client representative should date and sign against each stage when deliverables
have been received and when approval has been given to the video producer.
1 Response to brief
Received from Producer date DD MM YY sign ____________________________
5 Translation received
from producer date DD MM YY sign ____________________________
ED
3
Approval of response to date DD MM YY sign
breif received from client ____________________________
To be read with Trade Contract Conditions and Particular and Special Conditions, Scope of Works,
Schedules, NBS specifications, JJA drawings and support documentation.
1 Work of this section shall conform to the requirements of the Contract Documents.
.2 Make thorough examination of the drawings, the specifications and the site to
determine the intent, material, conditions of interfacing with other work to be fully
cognizant of requirements.
.3 The specifications of this Section to be read in conjunction NBS L40 and H13
.1 The Work shall include, but not necessary limited to, the supply and installation of
glass and glazing:-
.1 Execution
Execute this work by a firm who has adequate plant, equipment and skilled
workers to perform it expeditiously and is known to have been responsible for
satisfactory installations similar to that specified for a period of the immediate past
five (5) years.
.2 Application assurance
The Contractor assumes overall responsibility for the work of this Section, to
assure that all assemblies, components and parts shown or required,comply with
the contract documents.
Comply with the requirements of local laws or ordinances with respect to the use
and application of safety glazing materials in hazardous locations.
.4 Standards
Glass: Comply with FS DD-G-451D or BS952: 1964 or equivalent for the applicable
quality hereinafter specified for each type of glass, except that comply with FS DD-
G-1403B or equivalent.
Colour: For heat absorbing, reflective or spandrel glass, the acceptable range of
colour and / or defects (as defined by FS DD-G451C) shall be determined by
samples of such defects and / or colour range. Glass which does not fall within the
accepted sample range shall be subject to rejection by the S.O. In the event such
samples are not or cannot be provided, the S.O. will determine the acceptability of
glass relative to colour and / or observable defects in each case.
1.4 SUBMITTALS
.1 Shop drawings
Submit for review shop drawings indicating plans, elevations, sections, materials,
finishes, sealant and dimensions. The contract drawings are for general intent
only.
.2 Statement
Statement from the glass manufacturer that he has reviewed the application of
heat absorbing or reflective glass for the effects of partial or full shading under the
expected service temperature ranges and that the resulting thermal stresses will
not reduce the “Glass Statistical Factor” below 2.5.
.3 Samples
Submit samples for each type of glass, glazing sealant, tape or gasket.
.4 Mock up
.3 All glass surfaces shall be kept dry during transit and storage. Glass becoming
moist from condensation or other causes shall be thoroughly dried and aired.
.2 Replace at own expense, scratched or broken glass damaged due to faulty setting,
careless handling or storage.
1.7 WARRANTY
.1 Submit a written warranty against defects in the workmanship and materials for a
period of two (2) years from practical completion.
.2 Nothing in paragraphs 1.8 and/or 1.9 relieves the Contractor of responsibility for
providing a higher standard that the relevant Codes of Standards where it is
required to comply with other sections of the Specifications.
2.0 PRODUCTS
GENERAL
.1 All glass shall comply with the appropriate sections of BS 952. The glass
throughout is to be the best of its respective kinds, of approved manufacturer, free
from specks, bubbles, damaged edged, disfigured surfaces and other defects.
.2 All clear sheet glass shall be of ‘Ordinary Glazing Quality’ (OQ) for the weights and
thickness required.
Type 1, Class 2, Style B. Colour and other characteristics as per contract drawings
or as approved by S.O.; 6.4mm thick unless otherwise shown.
.1 General
Wherever possible locate tong marks along an edge which will be concealed in the
glazing system. Tempered glass to be cast to exact size.
.2 Clear
Kind FT, Condition A, Type 1, Class 1, 12mm thick unless otherwise shown.
.3 Heat absorbing
Kind FT, Condition A, Type 1, Class 2, colour and characteristics as per contract
drawings or to S.O. approval; 6.4mm thick unless otherwise shown.
Float glass meeting requirements for “Tinted Plate Glass” with transparent metallic
oxide coating on exterior. Typical thickness 6.0mm unless otherwise indicated.
.1 Two layers of float glass bonded to 2 no. 0.38mm minimum clear plastic puncture
resistant polyvinyl butyral interlayers conforming to the requirements of ANSI
Z97.1. Interlayer shall be compatible with glazing sealant.
.3 Glazing layers may be clear, tinted or reflective as per contract drawings or to S.O.
approval.
.1 Mirrors: Clear plate or float glass 6mm thick or mirror glazing quality (FS D-G-451,
Type 1, Class 1, quality q2) with silver coating and electroplated copper backing
complying with CS27. Silver shall be guaranteed 5 years against spoilage. Round
off and polish exposed edges.
.1 General:
ASTM C542, neoprene extrusion fabricated into frame with injection moulded
corners, and with either integral or separated locking (zipper) strips.
.1 Sealant: one part low modules silicone to Draft BS 78/1438 and SMC 10, BS 5889.
Neoprene meeting NAAMM Standard SG-1-70 tested for compatibility with the
glazing sealant:
Setting Blocks: Non compressible material. 70 – 90 Shore A Durometer
hardness.
Spacers: neoprene 75 to 85 Durometer A hardness, to AAMA SG-1-76, or
practiced PVC to BS 2571 softness numbers 35-45. Adhesive backed on
one face only.
Jamb edged protection: 20 – 30 Shore A Durometer hardness, adhesive
backed on one face only.
.2 Mirror mastics
.3 Glazing felt
High tensile bolts 95mm x 120mm x 10mm bronze anodized hard alloy aluminium
angles manufactured by Pilkington Brothers Ltd, or other approved supplier.
3.0 EXECUTION
3.1 FABRICATION
.1 Edges
Exposed edges of glass, including butt glass without sealant, shall be polished to a
bright reflective finish. Where glass is butted with sealant, it shall be ground
smooth or polished. No file marks or other roughness will be allowed at exposed
edges of glass.
.2 Cutting
Obtain sizes from shop drawings or by field measurement. Cut glass to fit each
opening with minimum edge clearances and bit on glass as recommended by glass
manufacturer. Do not nip glass edges. Factory cut heavy heat absorbing glass,
10mm thickness and above. Edges may be wheel cut or sawed and seamed at
manufacturer’s option. For glass to be cut at site, provide glass 50mm larger in
both dimensions than required, so as to facilitate cutting of clean-cut edges
without the necessity of seaming or nipping. Do not cut, seam, nip or abrade
tempered, heat strengthened and spandrel glass after tempering.
.3 Field measurements
When glass is to be precut to sizes obtained from shop drawings, take field
measurements of each opening, before glazing, to verify adequate bite on the
glass and minimum edge clearance. Openings which do not fall within the
tolerances for which precut glass has been sized shall be glazed only with glass
specially cut to fit such openings.
3.2 PREPARATION
.1 Pre-installation meeting
Meet at the project site with the glass manufacturer’s representative, sealant
manufacturer’s representative, glazier and fabricator of framing or other
supporting structure to receive glass. Review the glazing procedure, applying
glazing materials and installing removable stops. Evaluate suitability of specified
compounds and sealants for anticipated weather conditions. Review coordination
with other work.
.2 Pre-installation cleaning
Clean glazing channels, stops and rabbets to receive glazing materials for
obstruction and deleterious substances which might impair the work. Remove
protective coatings which might fail in adhesion or interfere with the bond of
sealants. Comply with the manufacturer’s instructions for final wiping of surfaces
immediately before the application of primer and glazing compounds or tapes.
Wipe metal surfaces with zylol or toluol.
.3 Priming
3.3 INSTALLATION
.1 General
Cut and install tinted and heat absorbing glass as recommended by manufacturer.
Inspect each piece of glass immediately before installaton. Do not install any
pieces which have damaged edges, scratches or abrasion, or any other evidence of
damage.
Locate setting blocks at sill 6mm from each end of the glass, unless otherwise
recommended by the glass manufacturer. Use blocks of proper size to support the
glass in accordance with the manufacturer’s recommendations.
Provide spacers for all glass sizes larger than 1.25 united metres, to separate glass
from stops, except where continuous glazing gaskets or felts are provided. Locate
spacers no further than 600mm apart and no closer than 300mm to a corner.
Place spacers opposite one another. Make bite of spacer on glass a nominal 5mm
or greater.
Do not use 2 or more different glazing materials in the same joint system unless
the manufacturere of each material has stated in writing that his material is fully
compatible with the other material.
Use masking tape or other suitable protection to limit coverage of glazing materials
to the surfaces intended for sealants.
Mitre-cut and seal or vulcanize joints for glazing gaskets in accordance with
manufacturer’s instructions to provide a continuous watertight and airtight seal at
corners and other locations where joints are required. Butt or lap ends of tapes in
accordance with manufacturer’s recommendations.
Tool exposed surfaces of glazing materials to provide a slight washaway from the
glass. Install exposed tapes and gaskets with a slight protrusion above stops in the
final compressed condition.
Special care shall be given to control width of joints, at exposed edges of butt joint
glass. Maximum variation in the total width of exposed butt joint glass shall be
plus or minus 1.5mm from the required width.
.3 Mirror glazing
Joint dimension of butt glazed glass shall be +/- 1.5mm from the required width or
as specified by the manufacturer.
.1 Clean excess sealant or compound from glass and framing members immediately
after application, using solvents or cleaners recommended by manufacturers.
.3 Protect glass and glazing materials during the construction period so that they will
be without any indication of damage or deterioration at the time of acceptance by
the Employer. Cover glass as required to protect it from welding, sand-blasting
and other activities that might abrade the surfaces.
.4 Remove and replace glass, during the construction period, which is broken,
cracked, chipped or damaged in any way and from any source, including weather,
vandalism or accidents.
.5 Maintain glass in a reasonably clean condition during construction so that it will not
become stained and will not contribute to the deterioration of glazing materials.
.6 When glass is installed adjacent to or below concrete, other masonry surfaces and
weathering steel, which are exposed to weather, examine glass monthly during
construction. Wash glass immediately when inspection reveals dirt, scum, deposits
or staining; or after rainstorms, to remove any corrosive wash or dirt which may
adhere.
.7 Wash glass on both faces, not more than 4 days prior to acceptance by Employer.
Comply with instructions and recommendations of the glass manufacturer and
glazing materials manufacturer for cleaning in each case.
TYPE(S) OF LINING/PANELLING
PRELIMINARY/GENERAL REQUIREMENTS
210 ADVANCE REGISTRATION: Obtain materials registered in advance by the Employer from
the supplier named below. Supersede the Employer's registration and take over
responsibility by an order to the supplier covering price, supply and delivery to suit the
progress of the work.
Stock reservation number:
Supplier: _See Finishes schedule
250 PROTECTION:
- Do not deliver components to site and do not remove protective packaging/coverings
until immediately before required for fixing.
- Stack boards and panels flat on bearers and separated by spacers where necessary to
prevent damage to or from projections.
- Keep components and completed linings/panelling clean and dry, and protect from
physical damage until Practical Completion.
260 ENVIRONMENT:
- Do not start work specified in this section before building is weathertight, wet trades
have finished their work and the building is well dried out.
- Before, during and after fixing, temperature and humidity must be maintained at levels
approximating to those which will prevail after building is occupied.
FABRICATION/FIXING/FINISHING
320 LAMINATED TIMBER CORES for wood veneered panels are to have a face grain at right
angles to the specified direction of the veneer grain. Alternatively cross veneer the panels
before applying face veneer.
0.5 mm in 1 metre
1 mm in 2 metres
1.5 mm in 3 metres.
- Any variation in width must be evenly distributed with no sudden changes. Joints with
bevelled edges to be measured to the face arrises.
440 IRONMONGERY:
-
- Assemble and fix carefully and accurately using fasteners with matching finish supplied
by ironmongery manufacturer. Prevent damage to ironmongery and adjacent surfaces. At
completion check, adjust and lubricate as necessary to ensure correct functioning.
GENERAL REQUIREMENTS
152 PREPARATION: Clean surrounds, rebates, grooves and beads, and prepare as specified
before installing glazing.
- Panes/sheets to be clean and free from obvious scratches, bubbles, cracks, rippling,
dimples and other defects.
- Edges generally undamaged. Shells and chips not more than 2 mm deep and extending
not more than 5 mm across the surface are acceptable if ground out.
165 THERMALLY TOUGHENED GLASS to be fixed in the following locations must be subjected
to a heat soaking regime designed to reduce the incidence of failure due to nickel sulfide
inclusions. All panes must be heat soaked at a mean glass temperature of 280 ± 10°C
for not less than period of time as recommended by manfacturer Provide certified
evidence of treatment.
Locations: See drawings
180 BEAD FIXING WITH PINS: Space pins evenly at not more that 150 mm centres, and
within 50 mm of each corner. Punch pins just below the timber surface.
181 BEAD FIXING WITH SCREWS: Space screws evenly at not more that 225 mm centres,
and within 75 mm of each corner.
METAL FABRICATION
To be read with Trade Contract Conditions and Particular and Special Conditions, Scope of Works,
Schedules, NBS specifications, drawings and support documentation.
All metal must conform to the following specifications, design schedule or drawings
1.0 GENERAL
.1 Work of this Section shall conform to the requirements of the Contract Documents.
. 2 Make thorough examination of the drawings, the specifications and the site to
determine the intent, material, conditions of interfacing with other work to be fully
cognizant of requirements.
.1 Execute this work by a firm who has adequate plant, equipment and skilled
workers to perform work expeditiously, and is known to have been responsible for
satisfactory installations similar to that specified during period of immediate past
five (5) years.
.3 This work which is intended to resist structural forces imposed by dead and live
loads, shall conform to the requirements of the jurisdictional authorities.
1.4 SUBMITTALS
.1 Submit shop drawings for review, indicating large scale details of members and
materials, of connection and joints of anchorage devices, dimensions, thicknesses,
description of materials, metal finishing specifications and other pertinent data and
information.
.3 Provide a small section of actual mock-up (S.O. to verify during shop drawing) for
approval before proceeding.
1.5 COORDINATION
.2 Provide all forms, templates, anchors, sleeves, inserts and accessories required to
be fixed to or inserted in the work and set in place. Submit instructions as to
locations.
2.0 PRODUCTS
2.1 MATERIALS
.3 Incorporate only metals that are free from visible defects or defects which impair
strength or durability. Install only new metal of best quality, and free from rust or
waves and buckles, and that are clean, straight and with sharply defined profiles.
.5 Sheet Steel: to BS 1449 or MS 606 for cold rolled commercial grade; to BS 4 for
hot rolled commercial grade.
.7 Stainless Steel: to BS 4825 or ASTM A480/ A480 M-85. Finish shall be No. 4,
brushed.
.8 Prime Paint on Steel: to BS 2523. For iron and steel surfaces, proprietary
approved metallic lead primer. For galvanized surfaces, proprietary approved
calcium plumbate primer. Field touch-up: as above.
.10 Anchors: where exposed to view, to match metal anchored, except stainless steel
may be used with aluminum. Where concealed from view, as for exposed anchors,
except that galvanized steel may also be used if electrolytic action would not
occur.
.11 Grout: non-shrink, non-metallic, flowable 24 hour 15 MPa, pull out strength
7.9MPa., well rounded or spherical aggregate.
.13 Tubular Railing, Balustrades: to BS 6323 and BS 1387 or ASTM 53 and ASTM E
119 or JIS G 3444.
2.2 FABRICATION
.1 Fabricate this work with machinery and tools specifically designed for intended
manufacturing process in accordance with local codes and standards.
.2 Fit and assemble work in shop. When this is not possible, make trial shop
assembly.
.5 Metal surfaces in contact with masonry, concrete or dissimilar metal shall receive
one coat of bituminous paint.
.6 Draw mechanical joints to hairline tightness and seal counter-sunk screws and
access holes for locking screws with metal filler where these occur on exposed
surfaces.
.8 Ensure that work will remain free of warping, buckling, opening of joints and
seams, distortion, and permanent deformation.
.9 Construct items that are part of floor constructions, such as gratings and trench
covers to support same live loads for which surrounding floors are designed unless
indicated otherwise.
.10 Accurately cut, machine and fit joints, corners, copes and mitre so that junctions
between components fit tightly and in true planes.
.11 Fasten work with concealed methods unless otherwise indicated on drawings.
.12 Weld connections where possible; bolt where not possible, and cut off bolts flush
with nuts. Countersink bolt heads, and provide method to prevent loosening of
nuts. Ream holes drilled for fastenings.
.13 Weld joints tight, flush, and in true planes with base metals. Make welds
continuous at joints where entry of water into building or into voids of
members or assemblies is possible.
.16 Incorporate holes and connections for work installed by other trades.
.17 Cleanly and smoothly finish exposed edges of materials including holes.
.18 Cap open ends of sections exposed to view, such as, pipes, channels, angles and
other similar work.
.19 Clean loose mill scale, rust, dirt, weld flux and spatter from Work after fabrication.
Grind smooth sharp projections. Prepare for prime painting and finishes specified.
Unless otherwise specified, apply to steel surfaces shop prime coat of paint.
Work paint into corners and onto open areas smoothly. Deliver Work to site with
primer undamaged. Paint all surfaces except those to be welded in field, encased
in concrete, or that are machined or galvanized. Give surfaces that are
inaccessible to finish field painting, two coats of primer.
.20 Apply a priming coat in shop to a dry thickness of 0.04 to 0.05 mm, except where
galvanized finish is specified. Work primer into surfaces, interstices and joints.
Apply shop coat of primer to metal items, with exception of stainless steel,
aluminium, and those to be galvanized or encased in concrete.
.21 Hot dip galvanized items embedded in concrete after fabrication. Follow
recommended precautions to avoid embrittlement of the base metal by
overpickling or overheating during galvanizing.
.22 Paint steel members under cover in shop and keep them under cover until paint
has dried.
.23 Galvanize work following fabrication except where impossible. Paint galvanized
surfaces that are cut, welded or threaded with zinc rich paint to ensure minimum
coating of 0.102 mm, immediately following damage to galvanized protection.
.24 Items Supplied Only: supply items required to be built in by other trades,
including sleeves, bolts and anchors with templates or layout drawings. Coordinate
this work with the work of other trades.
3.0 EXECUTION
3.1 INSTALLATION
.1 Install work plumb, true, square, straight, level and accurately and tightly fitted
together and to surrounding work.
.2 Include with this work anchor bolts, bolts, washers and nuts, lag screws, expansion
shields, toggles, straps, sleeves, brackets, clips and other items
necessaryfor secure installation as required by loading and jurisdictional
authorities.
.3 Countersink holes provided for wood screws where wood is attached to this work.
.4 Attach work to masonry with lead plugs and galvanized steel or other corrosion
resistant fastenings to support load with safety factor of three.
.5 Supply fabricated metal work with all components required for anchoring to
concrete; bolting or welding to structural frames, standing free; or resting in
frames or sockets in a safe and secure manner.
.7 Provide exposed metal fastenings and accessories of the same material, texture,
colour and finish as the base metal on which they occur, unless indicated
otherwise.
.8 Provide holes and connections for the work of other trades. Provide steel sections
bearing on concrete or masonry bearing plates and anchor bolts conforming
to the load requirements.
3.2 PROTECTION
2 Protect exposed surfaces of prefinished metal work which does not receive site
finishing with protective coatings or wrappings. Use materials recommended by
finishers or manufacturers of metals to ensure that method is sufficiently
protective, easily removed, and harmless to finish.
.3 Maintain protection of this work from time of installation until final finishes are
applied or to final cleanup.
.1 After erection, touch up primed surfaces that are burned, scratched or otherwise
damaged with prime paint to match shop coat.
.2 Repair areas of bare metal and welds on galvanized surfaces with zinc-rich paint.
150 HOLES AND CHASES IN IN SITU CONCRETE to be cast in. Do not cut hardened concrete or drill
holes larger than 10 mm diameter without permission.
170 HOLES IN STRUCTURAL STEELWORK: Do not cut or drill structural steelwork without
permission.
– Sleeves to extend through full thickness of wall/floor and be accurately positioned to give a
minimum clearance around service of 20 mm or diameter of service, whichever is the least.
– Sleeves, whether built in or installed in preformed holes, to be bedded solid.
– Seal annular space between service and sleeve
– Where exposed to view, finish bedding and sealing neatly to approval.
340 SEALING AROUND SERVICES: Seal around where they pass through. Completely fill the
space, leaving no gaps and finish neatly.
340.1 SEALING AROUND SERVICES ENTERING DISPLAY CASES: Seal around where they pass
through. Completely fill the space, leaving no gaps and finish neatly. All penetrations to be at
locations previously discussed and agreed with the Exhibition Designers. Refer to Z22 for
sealants.
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I. GENERAL
1.01 DESCRIPTION
• Carpentry Z10
1.02 REFERENCES
1.03 SUBMITTALS
A. Allowable tolerances:
1. Variation in component size: ± 1/8" (3 mm).
2. Location of openings: ± 1/8" (3 mm) from indicated location.
A. Deliver no components to project site until areas are ready for installation. Store
components indoors prior to installation.
B. Handle materials to prevent damage to finished surfaces. Provide protective coverings
to prevent physical damage or staining following installation for duration of project.
1.06 WARRANTY
II. PRODUCTS
Performance characteristics:
Performance Features
Property Result Test
Physical Features
Property Unit Result Test
2.03 FABRICATION
1. [Matte ,with a gloss rating of 5 - 20.] (This the standard finish and is the
lowest maintenance finish.)
2. [Semigloss, with a gloss rating of 25-50] (Adds an upcharge. Select semigloss
to bring out the depth of colors in the darker tones. It requires more
maintenance.)
3. [ Polished, with a gloss rating of 55 - 80.] (A high gloss finish, ideal for
applications that require maximum smoothness and reflectance.
Recommended for light duty only. Maintenance will be increased.)
G. Thermoforming: Comply with forming data from LG HI-MACS.
1. Construct matching moulds of plywood to form component shape.
2. Form pieces to shape prior to seaming and joining.
3. Cut pieces larger than finished dimensions. Sand edges. Remove all nicks
and scratches.
4. Heat entire component uniformly between 275-325°F during forming.
5. Prevent blistering, whitening and cracking of LG HI-MACS during forming.
H. Cove backsplashes: Fabricate 1/2" (13 mm) radius cove at intersection of
counters and backsplashes. Form backsplashes using [1/2" (13 mm)] LG HI-
MACS. Fabricate in shop or field.
I. Colored inlays: Fabricate using manufacturer’s approved method.
1. Rout 1/8” max deep groove for inlay to pattern indicated on
Designers drawings
2. Fill groove using methods approved by manufacture, avoiding air bubbles or
voids. Overfill inlay area.
3. Allow area to fully cure. Do not overheat inlay while sanding. Finish and
touch up to uniform appearance.
III. EXECUTION
[NOTE: USE A CERTIFIED LG HI-MACS FABRICATOR FOR FABRICATION AND/OR
INSTALLATION, WHICH WILL ENSURE WARRANTY COVERAGE AND ASSURE A QUALITY
INSTALLATION.]
3.02 INSTALLATION
A. Install components plumb and level, in accordance with approved shop drawings and
product installation details.
B. Form field joints using manufacturer's recommended adhesive, with joints
inconspicuous in finished work. Keep components and hands clean when making
joints.
C. Adhere undermount/submount/bevel mount sinks/bowls to countertops using
manufacturer's recommended adhesive and mounting hardware
D. Adhere topmount sinks/bowls to countertops using manufacturer recommended
adhesives and color-matched silicone sealant.
E. Provide backsplashes and endsplashes as indicated on the drawings. Adhere to
countertops using manufacturer's standard color-matched silicone sealant.
F. Keep components and hands clean during installation. Remove adhesives, sealants
and other stains. Components shall be clean on Date of Substantial Completion..
G. Make plumbing connections to sinks in accordance with Division 15. Mechanical.
H. Protect surfaces from damage until Date of Substantial Completion. Repair or replace
damaged work that cannot be repaired to architect's satisfaction and invoice for the
cost of repairs. Architect to pre-approve cost estimate before repairs are made.
I. Fabricator/Installer is to provide and review the LG HI-MACS Care and Maintenance
procedures and the LG HI-MACS warranty with the head of maintenance upon
completion of project.
J. Recommended Substrates
1. Slats should be used only for countertops or overhangs where there are no
heat sources. The slats are 1" x 4"
(25mm X 102mm) supports that run parallel to the length of the cabinets. The slats
are placed in the front, center, and rear and require cross supports every 18" - 24"
(45cm - 60cm). The support should be attached to the LG HI-MACS material first and
then fastened to the cabinets. The top edge of the support and countertop should clear
all doors and drawer fronts.
2. Steel tubing [1/2" (13mm)] should be used for overhangs exceeding 6"
(72mm) and where there are heat sources.The steel frame should be
mechanically secured to the cabinets for a cantilevered support.
To be read with Trade Contract Conditions and Particular and Special Conditions, Scope of
Works, Schedules, NBS specifications, JJA drawings and support documentation.
All ACRYLIC must conform to the following specifications, design schedule or drawings
GENERAL INSTRUCTIONS
Work of this Section shall conform to the requirements of the Contract Document
1. Scope
This specification defines the fabrication of panels and shapings from acrylic sheet
2. Purpose
The purpose of the processes specified herein is to: (i) minimise the susceptibility to
crazing, (ii) minimise stresses introduced during fabrication and assembly, (iii)
improve dimensional stability, and (iv) complete the polymerisation of the adhesives
or to disperse volatiles arising from bonding processes. NOTE. Panels and shapings
may still craze if misused and the utmost care must be taken to avoid contact with
materials known to cause crazing
3. Materials
3.1 Acrylic sheet used for fabrication shall comply with the requirements of
3.2 Edge attachment materials shall be approved by DESIGN CONSULTANT
3.3 Adhesives used for bonding acrylics during fabrication shall be approved by
DESIGN CONSULTANT
3.4 Protective coatings for use with acrylics shall be approved DESIGN CONSULTANT
4. Fabrication procedures
4.1 Where practicable the protective covering of the acrylic sheet shall be left in
position until all cutting, drilling, machining and assembling operations have been
completed. It is preferable however to remove some of the paper to provide a margin
approximately one inch wide on each side of the machining lines, to prevent swarf
collecting. The protective covering shall then be removed in accordance with Appendix
1.
4.2 Where high dimensional stability is required for flat panels, a normalising cycle
shall be defined by the manufacturer for each material and sheet thickness.
4.3 Before commencement of production a forming cycle shall be defined by the
fabricator for each component. This cycle will depend upon material, forming
technique, sheet thickness, tools and workshop temperature, etc.
4.4 An air-circulating oven shall be used for normalising, forming and annealing
operations such that defined temperatures in degrees centigrade shall be maintained
within f 3%. If so required –to manufacturers recommendation NOTE. The
normalising process may result in dimensional changes.
10. Identification
Shapings which have been produced and annealed as specified shall be identified by
marking the frame with the reference number to be established by manufacturer and
approved by DESIGN CONSULTANT and date. Where the shaping is not fitted to a frame
the identification marks shall be applied by a stencil or other agreed method.
11. Inspection
11.1 The DESIGN CONSULTANT shall ensure that each panel or shaping has been
fabricated in accordance with the processes and sequence of operations defined in this
specification.
APPENDIX 1
Cleaning Each sheet shall be stripped of its protective covering, and washed in water at
50°C to 60°C containing a small amount of liquid detergent and rinsed at about 50°C in
clean water containing a small amount of anti-static agent. The excess water shall be
removed with a clean grit-free soft sponge, cloth or leather and the sheet allowed to dry.
Every care should be taken to avoid scratches during these operations. Tanks, if used,
should be lined with soft cloth or rubber. NOTE 1. Where a pressure sensitive masking
paper is used, unleaded petrol or white spirits may be employed to remove particles of
latex adhesive prior to the cleaning method detailed above. NOTE 2. Every care should
be taken to ensure that dust does not come into contact with the acrylic after the original
protective covering has been removed and before it is given a subsequent protective
coating.
APPENDIX 2
Forming conditions Forming shall be carried out by draping, blowing, vacuum forming or
any other method which can be demonstrated to be suitable. Each sheet of acrylic or
preform shall, where practicable, be suspended freely in a clean air-circulating oven at the
defined forming temperature. During the heat treatment the temperature of the air-
stream near to the sheet shall not exceed 170°C. Upon removal from the oven the forming
operation shall be completed as quickly as possible in a draught free area. Heating may be
applied during the forming operation provided that the temperature of the material does
not exceed 170°C.
APPENDIX 3
Bonding Prior to bonding components shall preferably be assembled dry in a jig or
matched detail jigs. Surface preparation, adhesive application and curing shall be carried
out in accordance with the manufacturer’s approved instructions. Where the adhesive is
hot cured the assemblies shall be allowed to cool to room temperature under draught free
conditions. During the bonding of double skinned panels and shapings the interspaces
shall be purged of solvent vapours by means of clean dry air at the same temperature as
the panel. All bonded assemblies shall be trimmed and polished as required
COATING SYSTEMS
- Manufacturer: Bolloms
Surface(s): All new finished joinery elements including carcassing and veneers
OUTSIDE of the protected environment of display cases.
- Preparation: Refer to clauses 400, 481
- Initial coat(s): Sprayed as per manufacturers recommendations
- Finishing coats: Sprayed as per manufacturers recommendations
- Colour: To be clear semi-matt
Paint for small areas of general making good work shall match the existing to the approval of
the Exhibition Designers and shall generally comprise the number of coats required to provide
an even overall finish.
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- Surface(s): S/wood skirtings, doors and internal exposed s/wood elements as identified on
drawings
Preparation: as clauses 400 481 471
- Initial coat(s): To manufacturer’s recommendations
- Finishing coats: To manufacturer’s recommendations
Colours: See finishes schedule
GENERALLY
210 COATING MATERIALS to be obtained from one only of the following manufacturers unless
specified otherwise. Inform the Constructon Manager of selected manufacturer before
commencement of any coating work.
DULUX ICI Paints
280 PROTECTION:
- Adequately protect internal and external surfaces, fixtures and fittings which are not to be
coated, by covering with dust sheets, masking or other suitable materials.
- Exhibit 'Wet paint' signs and provide barriers where necessary to protect other operatives and
the general public, and to prevent damage to freshly applied coatings.
PREPARATION
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- Prevent or control exposure of operatives to dust, vapour and fumes exceeding occupational
exposure standards set in the current Health and Safety Executive (HSE) document EH40.
- Substrates must be sufficiently dry in depth to suit the coating to be applied.
- Remove efflorescence salts from surfaces. Repeat removal if efflorescence recurs.
- Clean off dirt, grease and oil from surfaces. If contamination of surfaces/substrates has
occurred, obtain instructions before proceeding.
- Smooth surface irregularities. Fill joints, cracks, holes and other depressions with
stoppers/fillers worked well in and finished off flush with surface. Abrade to a smooth finish.
- Apply oil based stoppers/fillers after priming. Apply water based stoppers/fillers before priming
unless recommended otherwise by manufacturer. Patch prime water based stoppers/fillers
when applied after priming.
- Remove dust and particles from dry abrasive preparation of surfaces.
- Remove residues from wet preparation of surfaces by rinsing with clean water, wiping and
allowing to dry.
- Ensure that doors, opening windows, etc, are 'eased' as necessary before coating. Prime any
resulting bare areas.
420 FIXTURES: Before commencing work, carefully take down and set aside all fixtures and fittings
liable to be affected for refitting
425 IRONMONGERY: Remove from surfaces to be coated and refix on completion. Hinges to be
removed as necessary and re-fixed after.
471 PREPRIMED TIMBER: Abrade chalking, powdery and other defective primer back to bare
timber, remove dust and reprime resulting bare areas.
500 PREPRIMED STEEL: Abrade defective primer, corrosion and loose scale back to bare metal,
remove dust and reprime resulting bare areas.
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511 GALVANIZED, SHERARDIZED AND ELECTROPLATED STEEL to receive lead free primer: Pre
treat with 'T wash'/mordant solution to achieve blackening of the whole surface or apply
pretreatment etching primer where recommended by the coating system manufacturer.
APPLICATION
730 CONCEALED JOINERY SURFACES: Where one or more additional coats are specified to be
applied in the factory, they must be applied to all surfaces, including those which will be
concealed when components are fixed in place.
751 STAINING TIMBER:
- Apply primer where recommended by the stain manufacturer.
- Apply stain in flowing coats. Brush out excess stain before set to produce uniform depth of
colour.
760 VARNISHING: Thin first coat with white spirit in accordance with manufacturer's
recommendations. Brush well in avoiding aeration and lay off. Apply further coats of varnish,
rubbing down lightly between coats along the grain.
820 COMPLETION: Ensure that opening lights and other moving parts move freely. Remove all
masking tape and temporary coverings.
- N.B. All paints used must be approved by the BNM conservation department.
- Adequate time must be allowed for the testing of any paints used.
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TRIMS/CASINGS/SUNDRY ITEMS
110 SOFTWOOD
SKIRTINGS GENERALLY
- Quality of timber and fixing: To BS 1186-3.
- Species: Nyatoh.
- Class: 2
- Moisture content at time of fixing: As recommended by the fabricator to suit
environmental conditions
- Profile: Square
- Finished size: _As shown on drawings
- Finish as delivered: Prepared and primed
- Fixing: concealed screw fitting
-
120 HARDWOOD
SELECTED EDGE DETAILS – See drawings
- Quality of timber and fixing: To BS 1186-3.
- Species: See drawings/finishes schedule
- Class: _1
Moisture content at time of fixing: As recommended by the fabricator to suit
environmental conditions
- Preservative treatment: Organic solvent as section Z12 and British Wood Preserving
and Damp-proofing Association Commodity Specification C5.
- To manufacturers recommendation
- Desired service life: _ To manufacturers recommendation
- Profile: _See drawings.
- Finished sizeSee drawings
- Finish as delivered: _Natural.
- Fixing: Concealed generally (See drawings)
-
150 DISPLAY PANEL EDGE DETAIL –
To freestanding partitions faced with graphic panels
- Material: St/steel to BSEN 100-2 grade 1.4301(304)
- Finish: _brushed /hairline
- Fixing: _Concealed
Metalwork: As section Z11.
150.1 GRAPHIC PANEL EDGE DETAIL – to junctions of graphic panels and partition
wall/adjoining finishes.
- Material: St/steel to BSEN 100-2 grade 1.4301(304)
- Finish: _brushed /hairline
- Fixing: _Concealed
- Metalwork: As section Z11.
-
-
150.3 SKIRTINGS – Generally
- Material: St/steel to BSEN 100-2 grade 1.4301(304)
- Finish: _brushed /hairline
- Fixing: _Concealed
Metalwork: As section Z11.
INSTALLATION
130 COLD FORMED WORK: Use brake presses or cold rolling to produce accurate profiles with
straight arrises.
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Z20 FIXINGS/ADHESIVES
110 FIXING GENERALLY: Use fixing and jointing methods and types, sizes, quantities and spacings of
fasteners which are suitable having regard to:
- Nature of and compatibility with product/material being fixed and fixed to,
- Recommendations of manufacturers of fasteners and manufacturers of components, products or
materials being fixed and fixed to,
- Materials and loads to be supported,
- Conditions expected in use,
- Appearance, this being subject to approval.
140 FIXING THROUGH FINISHES: Ensure that fasteners and plugs (if used) have ample penetration
into the backing.
150 PACKINGS:
- Provide suitable, tight packings at fixing points to take up tolerances and prevent distortion.
- Use noncompressible, rot proof, non-corrodible materials positioned adjacent to fixing points.
- Ensure that packings do not intrude into zones that are to be filled with sealant.
230 PELLETING: Countersink screw heads 6 mm below timber surface and glue in grain-matched
pellets not less than 6 mm thick, cut from matching timber. Pellets to occupy the whole depth of
the holes and be finished off flush with surface.
510 ADHESIVES:
- Adhesive types: As specified in the relevant section.
- Surfaces to receive adhesive to be sound, unfrozen, free from dust, grease and any other
contamination likely to affect bond. Where necessary, clean surfaces using methods and materials
recommended by adhesive manufacturer.
- Adjust surface regularity and texture as necessary to suit bonding and gap filling characteristics of
adhesive.
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- Ensure that operatives observe manufacturer's and statutory requirements for storage and safe
usage of adhesives.
- Do not use adhesives in unsuitable environmental conditions or beyond the storage period
recommended by the manufacturer.
- Apply adhesives using recommended spreaders/applicators to ensure correct coverage. Bring
surfaces together within recommended time period and apply pressure evenly over full area of
contact to ensure full bonding.
- Remove surplus adhesive using methods and materials recommended by adhesive
manufacturer and without damaging surfaces.
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Z22 SEALANTS
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120 POWDER COATING MATERIALS are to be obtained from the following manufacturers.
Trimite Ltd
210 WORKING PROCEDURES: Unless specified otherwise, comply with all relevant
requirements and recommendations of:
- BS 6496 for aluminium alloy backgrounds.
- BS 6497 for galvanized steel backgrounds.
- British Coatings Federation: Code of safe practice - Application of powder coatings by
electrostatic spraying.
- Submit sample copies of powder coating manufacturer and applicator guarantees to the
Exhibition Designer before commencement of powder coating.
- Submit signed, project specific powder coating manufacturer and applicator guarantees to the
Exhibition designer on completion of work.
310 PRETREATMENT:
- All components to be powder coated are to be free from corrosion and damage, and suitable
for and compatible with the pretreatment and powder coating process.
- Clean, conversion coat, condition, drain and dry all components in accordance with the powder
coating manufacturer's requirements and the pretreatment supplier's recommendations.
460 STEEL FABRICATIONS: Wherever practical units must be assembled before powder coating.
470 FIXINGS: All exposed metal fixings must be powder coated together with components, or
coated with matching repair paint system applied in accordance with the powder coating
manufacturer's recommendations.
510 PROTECTION:
- All powder coated surfaces of components vulnerable to damage during handling and
installation, or by subsequent site operations, are to be fully protected throughout the course
of these works.
- Protective coverings are to be resistant to all weathers, removable from areas inaccessible
after installation, and partially removable and replaceable for access to fixing points during
installation or subsequent site operations.
- Any protective tapes used in direct contact with powder coatings are to be low tack, self
adhesive type and light in colour. Their use for application to powder coatings must be
approved by the tape manufacturer. Apply and remove in accordance with the tape
manufacturer's requirements and the powder coating manufacturer's recommendations.
- Carry out monthly inspections of protective coverings and promptly repair any deterioration or
deficiency.
- Remove protective coverings only when instructed by the Project Manager.
540 MAINTENANCE: After removal of protective coverings, clean and maintain all powder coated
surfaces at regular intervals until Practical Completion. All maintenance is to be in accordance
with procedures detailed in the powder coating manufacturer's technical literature and the
guarantee.
ANNEXES
540
4800
light source note light type and exact location tbc by contractor
4030
screen printed/back painted glass backdrop suitably fixed back
3970
decorative pebbles
499.4
FRONT ELEVATION 1:25 SECTION 1:25 NOTE: DRAWING IS INDICATIVE OF PROFILE AND FINISH ONLY
PROJECT
PLAN 1:25 4. THIS DRAWING REMAINS OUR EXCLUSIVE PROPERTY IT SHALL NOT BE REPRODUCED NOR
COMMUNICATED TO THIRD PARTIES WITHOUT WRITTEN CONSENT
5 THE COPYRIGHT OF THIS DRAWING AND DESIGN IS VESTED IN THE DESIGNERS
1:25 @ a3 09.05.4.4 PI OCT 2010
PI – PRACTICAL INTERACTIVE
10 6.4 PI Interactive model of gas turbine illustrating LNG and Electricity generation
Rev A – 09.12.10
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19 6.13 PI An AV based touch table exhibit examines safety in the use of water and
electricity
22 8.0 bench
23 8.3 PI Practical interactive explores wind power through cut away scale model of
gas turbine and model cars onto which types of blade and sail can be affixed and made to race
28 8.10 PI The Green House exhibit compares high energy consuming goods and
key:
PI – PRACTICAL INTERACTIVE
LV – LINEAR VIDEO
CI – COMPUTER INTERACTIVE
IV – INTERACTIVE VIDEO
O - OTHER
Objective:
The exhibit poses an exciting introduction to one of the themes explored with in the Kahramaa
education park
can give you a nasty shock on a shag carpet and make your hair stand on end. It is also a
Objective:
The exhibit poses an exciting introduction to the theme of water explored with in the Kahramaa
Education Park
An interactive asking 8 questions to which there are three possible answers. These might be:
The visitor touches their choice and is ‘told’ if their answer is right or wrong and then given the
correct answer.
Objective: to demonstrate that water management in the Islamic world has a long heritage
Treatment: A working model approximately 0.5 metre in length. Caption should include its date
Background information: see catalogue of1001 Inventions: Muslim Heritage in Our World
Objective: to demonstrate that water management in the Islamic world has a long heritage
Treatment: A working model approximately 1 metre in length. Caption should include its date
Background information: see catalogue of1001 Inventions: Muslim Heritage in Our World
Objective: to grasp the scale of some of the machinery involved in the process of De-salination
Treatment: A model approximately 2.5 metres in diameter. A caption should include its origin
and use
Treatment: A lighting tube 400 mm in length. The exhibit is to be supported by graphics give a
• The temperature of a lighting strike is hotter than the surface of the sun
• There are between 50 and 100 lightning strikes on earth every second
• One American was struck by lightning seven times in his life and survived
Background information:
http://www.strattman.com/products/lightning/index.html
Notes:
BY OTHERS)
Objective:
To demonstrate graphically how lighting is caused – by the build up of electrical charges within a
cloud
Treatment:
A touchtable. The opening screen is blue – representing the sky – with a number of stylised frozen
raindrops floating. Some bump into each other and a + or – symbol appears. The positive symbols
move to the top of the screen and the negative symbol towards the bottom
The electrical cartoon character Kahroob appears in the corner of the screen and tells visitors that
this is a cloud of frozen raindrops and that they can help make lightning by making more of the
raindrops collide.
By running a finger rapidly on a raindrop, the visitor can make a raindrop move across the screen
and bump into another raindrop. Again, this creates positive and negative symbols, the former
After 30 seconds, while visitors continue to make the collisions Kahroob explains what is
happening: the collisions are creating an electrical charge and all the positive charges are forming
at the top of the cloud and all the negative charges are forming at the bottom.
The cloud then shrinks and moves up the screen so that visitors can now see the ground, with a
Kahroob explains that because opposites attract, a positive charge is building up.
The negative charges in the cloud start to stretch down… and the positive charges on the ground
Just before the two meet, the screen switches to actual film footage of a lightning strike, with the
Background information:
Notes:
A. Housed under a protective dome, a cylinder wrapped around with copper wire is attached to a
galvanometer. A magnet is attached to a transparent lever which allows the visitor to push the
magnet into the cylinder and move it back and forth. When the visitor uses the lever to move the
magnet back and forth in the cylinder, the needle on the galvanometer moves. A graphic image at
the back of the exhibit demonstrates the action needed and how, simply by moving a magnet back
B. This interactive is similiarly housed under a protective dome but this time the visitor turns a
handle which spins a magnet inside a copper coil. The copper is linked to a light bulb, which will
Graphics at the back explain the action required and how changing the magnetic field is causing
Notes:
OTHERS)
Objective: to explain electromagnetic induction, its history and its importance to older visitors
and adults
1. show what is happening at the atomic level to neutrons in the copper coil when the
magnet is moved, or the coil is moved around the magnet – possibly through the use of
animated graphics
2. introduce Michael Faraday and the equipment he used to discover electricity almost 200
3. show that electromagnetic induction is still the primary method of electrical generation by
Duration: the electromagnetic induction exhibit should engage visitors for approximately 4
minutes.
Notes:
Objective: to show that only a very small amount of electricity can be generated by human
power, even if working in a team and a huge amount of energy is needed to power a home
A: three separate cranks (possibly based on a yachtsman’s winch for ease of use) are each linked
to domestic device – a light bulb, a kettle and radio for example. The on-screen instruction says
“How much electricity can you generate? Turn the handle to find out.”
When the crank is turned, the device begins to work according to the amount of power generated.
When the visitor stops turning, a screen displays the amount of electricity generated and how long
the crank would have to be turned at that rate in order to generate enough power for the device
B: a capstan, linked to a generator and digital read-out .The on-screen instruction says “Get
together with your friends to see how much electricity you can generate? Just turn the capstan.”
When the capstan is turned, a number of light bulbs are illuminated according to the amount of
power generated. When the turning stops, a screen displays the amount of electricity generated
and how long the capstan would have to be turned in order to generate the power needed for a
After two three minutes continual use both Exhibit A and Exhibit B should become more difficult to
The exhibit will have a built-in camera which will allow young visitors and their families to see
EXHIBIT BY OTHERS)
Objective: to demonstrate the effort required to generate even small amounts of power.
A: a computer is inked to the three separate cranks. The on-screen instruction says “How much
electricity can you generate? Turn the handle to find out”. The computer works out the amount of
energy generated by the cranks and converts it the amount of power needed to run the device to
which the crank is attached (a light bulb, a kettle or a radio) for one hour.
B: This computer is linked to the capstan and generator and digital read-out .The on-screen
instruction says “Get together with your friends to see how much electricity you can generate? Just
turn the capstan.” When the capstan is turned, a number of light bulbs are illuminated according
to the amount of power generated. When the turning stops, a screen displays the amount of
electricity generated and how long the capstan would have to be turned in order to generate the
After two three minutes continual use both Exhibit A and Exhibit B should become more difficult to
The exhibit will have a built-in camera which will allow young visitors and their families to see
Exhibit overview Interactive model of gas turbine illustrating LNG and Electricity generation
Objective: to show how Qatar’s primary product, natural gas, is used in the electrical generation
process
A large model of a gas turbine used in the generation of electricity. It should be cutaway to
demonstrate what happens in each area. It is not a requirement that it represents an actual
turbine, but is rather amalgam of the key features in a visually striking configuration.
It should have a button adjacent to each feature which identifies its function.
Duration: 1 ½ minutes
Note:
EXHIBIT BY OTHERS)
Objective: to show how Qatar’s primary product, natural gas, is used in the electrical generation
process
A touchscreen which depicts the large gas turbine model. The key elements can be touched, which
activates an animated film which explains what is happening. The touchscreen is ‘hosted’ by the
Duration: ½ to 1 minute
Notes:
Objective: to explain how a real Qatari power station works and how power reaches the house
A scale model of one of Kahramaa’s power stations surrounded by h by touch buttons, positioned
in rough proximity to key features on the model. Each is labelled with the name of the feature –
e.g. Natural Gas input. When pressed, these illuminate part of the model where this activity takes
place and launch a short film showing the corresponding activity at the plant.
Duration: 3 minutes
BY OTHERS)
Exhibit overview: Interactive video shows real life film footage of daily activities within a
Treatment and storyline: Surrounding the scale model of one of Kahramaa’s power stations are
touch buttons which launch short films showing the activiy in that area of the plant. Five short
films depict the key activities in an LNG power station. They should include live action but may
need to be supplemented with graphic interpretation where the process is invisible. Any captioning
should be in Arabic and English. The precise process is to be discussed with the Client, but the
LNG ignited
Duration: This exhibit should engage visitors for 3 minutes. Each film should last about 20
seconds
Treatment and storyline: This is a competitive quiz which can be played by individuals or up to
three teams against each other, or a single visitor can play against the machine. Visitors group
around consoles and register themselves with their RFIDs. One console is reduced in height to
allow small children or visitors in wheelchairs to play. They form teams according to the colour of
their consoles’ coloured acrylic surround. Projected on a circular table is a world globe, slowly
revolving (so that no team has an advantage of seeing the world in the usual north-south
configuration). The computer narration says “What are the world’s most precious resources?” As
images are projected on to the large screen in the centre of the exhibit, it continues “They are
fossil fuels, water and uranium. Where do you think they are?” The computer flashes up, “Fossil
fuels. These are primarily in the form of coal, oil and gas. Where are the world’s largest reserves of
gas? Press the area of the world on your console.” The console displays a world map. When an
area is highlighted, it is also projected with the colour of the console on the large projected map in
“Where else are there large reserves of gas? Press the area of the world on your console”
Again the area touched on the console is also projected onto the large central map. The computer
then calculates whether the correct areas have been identified and gives out scores to each team
The narrator then says “Play again?” Each console now has the options
• Yes
• New Game
• No
If New Game is selected, the consoles and central projection show a film of Qatar’s gas fields. The
narrator says “Qatar has 25 trillion cubic metres of natural gas. Each day we remove XXX cubic
The consoles come up with three options and visitors select one.
A film is shown of a Qatar electricity generating plant. The narrator says “Each day in Qatar, we
use XXX cubic metres of natural gas. If this continues, we will run out of gas in 20XX. But if we cut
our consumption by 10%, how long could we continue to enjoy our gas reserves?”
The consoles come up with three options and visitors select one.
The computer then calculates whether each team’s answers are correct and gives out scores to
The narrator then says “Play again?” Each console now has the options
Yes
No
If Yes is selected the same procedure is followed with oil consumption as the topic
Duration: 2 minutes
EXHIBIT BY OTHERS)
This is a competitive quiz which can be played by individuals or up to three teams against each
other, or a single visitor can play against the machine. Visitors group around consoles and register
themselves with their RFIDs. They form teams according to the colour of their consoles’ coloured
acrylic surround. Projected on a circular table is a world globe, slowly revolving (so that no team
has an advantage of seeing the world in the usual north-south configuration). The computer
narration says “What are the world’s most precious resources?” As images are projected on to the
large screen in the centre of the exhibit, it continues “They are fossil fuels, water and uranium.
Where do you think they are?” The computer flashes up, “Fossil fuels. These are primarily in the
form of coal, oil and gas. Where are the world’s largest reserves of gas? Press the area of the
world on your console.” The console displays a world map. When an area is highlighted, it is also
projected with the colour of the console on the large projected map in the centre of the exhibit.
“Where else are there large reserves of gas? Press the area of the world on your console”
Again the area touched on the console is also projected onto the large central map. The computer
then calculates whether the correct areas have been identified and gives out scores to each team
The narrator then says “Play again?” Each console now has the options
• Yes
• New Game
• No
If New Game is selected, the consoles and central projection show a film of Qatar’s gas fields. The
narrator says “Qatar has 25 trillion cubic metres of natural gas. Each day we remove XXX cubic
The consoles come up with three options and visitors select one.
A film is shown of a Qatar electricity generating plant. The narrator says “Each day in Qatar, we
use XXX cubic metres of natural gas. If this continues, we will run out of gas in 20XX. But if we cut
our consumption by 10%, how long could we continue to enjoy our gas reserves?”
The consoles come up with three options and visitors select one.
The computer then calculates whether each team’s answers are correct and gives out scores to
The narrator then says “Play again?” Each console now has the options
Yes
No
If Yes is selected the same procedure is followed with oil consumption as the topic
Duration: 2 minutes
Objective: to raise awareness of the quantity of CO2 being released into the atmosphere.
Treatment and storyline: This area consists of four interactives which should seek to convey the
• domestic electronic goods consume large amounts of power and therefore contribute to
• if energy efficient devices are used, the amount of CO2 released is significantly reduced
• Commit to change
Exhibit overview: How does Co2 get into the atmosphere? Touch table
The theme of this interactive is: how does CO2 get into the atmosphere? A projected world map is
surrounded by images of key producers of CO2 such as an aeroplane, a car, a camel, a factory and
an insect. The player ‘drags’ one of these images onto the map and information about their CO2
output is displayed.
Duration: 1 minute
Along the length of the table are projected images of several domestic items - not the latest
models:
a TV set
a computer
an air conditioner
a microwave
In front of each is a small screen. The game begins with a film of a power station emitting CO2
into the atmosphere. The narrator says “Every electric device uses power and when we create
electric power, we release carbon dioxide into the atmosphere. Every day in Qatar we release XX
tons of CO2 into the atmosphere. Look above you to see how much space a ton of CO2 occupies”
Visitors look up and see an 8.2metre cube above them, marked out in LED lights.
The narrator continues: “CO2 is believed to be a major contributor to global warming. But do you
know how much CO2 the things in your house are contributing?”
On the screen in front of each object it says: “How much CO2 does [name of the item] generate in
one hour? ”
The visitor then selects a number of weights onscreeen and then the computer then tells them
The narrator then says “But if you used the most modern, most efficient versions of all these
machines, how much CO2 do you think you could stop going into the atmosphere. Select the
Once selected, the computer then tells the visitors whether they have selected the correct weight
Duration: 2 minutes
Treatment and storyline: this interactive allows visitors to select one of a number of countries
and guess whether consumption of power per capita is greater or less than in Qatar.
Duration: 1 minute
Exhibit overview: Visitors commitments to change the amount of CO2 they produce
Objective: to push visitors into committing themselves to reduce their power consumption
This interactive allows visitors to record comments about power consumption which can be
displayed on the overhead LED cube. It should be voice activated and prompt visitors by asking
open questions such as “what do you think about the consumption of power in Qatar?” “What
Duration:1 minute
Exhibit overview: Multi screen presentation introducing the major alternative means of
Reference number: 6.8 1-6 LV (SEE LINEAR/INTERACTIVE DETAIL TENDER BRIEFS FOR
Exhibit overview: Linear video demonstrates the major alternative means of generating power
Objective: To show benefits and drawbacks of major types of non-fossil fuel based power
generation
Treatment and storyline: A series of short films on nuclear, geothermal, biomass, wind, solar,
Duration: each film to last about 20 seconds, with an expectation that the visitor will engage with
Exhibit overview This consists of a tower made of 5,000 empty water bottles of one litre
capacity.
Treatment and storyline: This consists of a tower made of 5,000 empty water bottles of one
litre capacity. In front of a tower, the visitor stands in front of a touchsceen . The message comes
up “Press here to see how much water a European consumes in a week”. Half the bottles are
illuminated. The message comes up “Press here to see how much water an American consumes in
The message comes up “Press here to see the average water consumption around the world in a
The message comes up on screen. “How much does the average Qatari consume during a day?
Keep your finger on the button until you think you have the right answer, then release”.
If visitors take their fingers off, the message comes up on screen “Wrong – we consume nearly
4,750 litres of water a week: the highest in the world!” Almost all the bottles are illuminated.
If visitors keep their fingers on the button until all the bottles are illuminated, the message comes
up on screen “Correct! We consume nearly 4,750 litres of water a week: the highest in the world!”
Duration: 3 minutes
Exhibit overview A model of a de-salination plant which allows visitors to explore its
Treatment and storyline: A scale model with all key features identified. In addition there are two
water dispensers – where the water is dispenses just one drop at time. One dispenses salinated
Duration: 1 minute
Background information: The Client will advise on the plant to be selected for modelling and to
BY OTHERS)
Exhibit overview 4 no. interactive stations provide visitor with interaction with model 6.10 PI
(above)
Treatment and storyline: four consoles surround the model of the desalination plant glimpsed
on the Ride. Around each console are touch buttons, individually labelled with the name of the
feature – e.g. ‘Natural Gas input’. When activated, these buttons illuminate the part of the model
where this activity takes place and launches a short film showing the corresponding activity at the
plant. The use of salinated water in the production of electricity, and the role of electricity in
desalination will be particularly highlighted. Each console also includes a button to activate a one-
minute film highlighting the air pollution and CO2 production associated with desalination and the
There is also an opportunity for visitors to sample a single drop of desalinated water and this
should be accompanied by an interactive screen alongside which allows visitors to guess how much
it costs to produce and distribute to a Qatari household one cubic metre of desalinated water.
Duration: 1 minute
Background information: The Client will advise on the plant to be selected for modelling and to
Treatment and storyline: This interactive begins with images of the different ways in which
water is consumed:
for drinking
for gardening
for cooking
After reflecting on these, the visitor encounters a transparent water tank holding 675.5 litres of
water with pipes leading to six transparent tubes of equal height and diameter. The tubes are
labelled “drinking”, “personal hygiene, “clothes washing”, “gardening”, “cooking” and “car
washing”
At the bottom of each is a valve which allows water to flow from the tank into the tube.
A sign says:
“The tank holds the average daily water consumption in Qatar - 675.5 litres. Turn the valves on
When complete, the amount of water in each tube is brought up on a screen. The water is pumped
back into the tank, then re-distributed among the tubes according the known consumption
patterns (e.g. 75.5 % on personal hygiene, 2.1% on cooking) and these values put alongside the
visitor’s estimates.
Duration: 1 ½ minutes
BY OTHERS)
Exhibit overview Displays visitors estimates of water consumption and compares with
current data
Objective: to reinforce the message that a disproportionate amount of water is used for personal
cleanliness
Treatment and storyline: When visitors have completed the challenge of filling the tubes with
water, the amount of water is brought up on a screen. Estimates of actual consumption for each
Duration: The entire exhibit should engage visitors for at least 1 ½ minutes
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Treatment: A working model approximately 1 metre in length. Caption should include its date
(13th century CE). It should also include graphics to introduce the garden and explain oxygen
Background information: see catalogue of1001 Inventions: Muslim Heritage in Our World
Exhibit overview:. An AV based touch table exhibit examines safety in the use of water and
electricity
BY OTHERS)
projected touchscreen where visitors are challenged to identify dangers in the featured scenarios
Objective: to stress electricity is potentially dangerous / bare wires must never be touched /
Treatment and storyline: a rear projected touchscreen, again on the theme of electrical safety
and visitors are asked to identify dangers. Projected onto the screen is a domestic setting where,
for example:
someone is trying to get the toast out of a toaster with a metal knife
BY OTHERS)
overview: Two person interactive rear projected touchscreen where visitors must find solutions to
to help younger visitors understand the safety issues around electricity and electricity/water
Treatment :A two-person touch-screen game, with the objective of identifying safe and unsafe
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Objective: to demonstrate the innovative features of the Kahrammaa Education Park Building
BY OTHERS)
Exhibit overview
Innovative energy saving features of the KEP building are explored in a touch screen interactive
Objective: to demonstrate the innovative features of the Kahrammaa Education Park Building and
Treatment and storyline: touchscreen identifies particular features of the model (which are then
illuminated) - such as the turbines, wind tower, solar panels, heat exchangers - and displays key
facts. Where possible it should also show a domestic equivalent of the feature.
Duration: 2 minutes
AV hardware requirement: (any sound, lighting FX, movement mechanisms to be included in the
Objective: The principal function of the Balcony area is to showcase the alternatives to fossil fuel
based energy production and some of the newest technological innovations in energy saving. The
information is technically more advanced and is aimed primarily at older pupils and adults.
AV hardware included
Exhibit overview: Visitors can select from a total of 6 video films on alternatives to fossil fuel
power generation
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of nuclear power
Images of nuclear power plants, internal and external, accompanied by key words and phrases (in
Arabic and English) which summarise the pros and cons, such as “Clean”, “Inexpensive”, “Toxic
waste” and “Dangerous”. Images could include pictures of Chernobyl as well as effective nuclear
plants. It should also include a graphic animation of the generation process. The cost of producing
Duration: 1 minute
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of geothermal power
Images of geothermal power plants, internal and external, accompanied by key words and phrases
(in Arabic and English) which summarise the pros and cons, such as “Environmentally friendly”,
“Costly to build”. It should also include a graphic representation of the generation process. The
cost of producing a kilowatt per hour should also be displayed (QUAR 0.42)
Duration: 1 minute
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of power from biomass
Treatment and storyline: Images of biomass power generation, accompanied by key words and
phrases (in Arabic and English) which summarise the pros and cons, such as “Renewable”,
“Polluting”. It should also include a graphic animation of the generation process. The cost of
Duration: 1 minute
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of wind power
Treatment and storyline: Images of wind farms and turbines accompanied by key words and
phrases (in Arabic and English) which summarise the pros and cons, such as “Renewable”, “It is
not always windy”. It should also include a graphic animation of the generation process. The cost
Duration: 1 minute
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of solar power
Treatment and storyline: Images of solar panels accompanied by key words and phrases (in
Arabic and English) which summarise the pros and cons, such as “Sustainable”, “Only works during
the day”. It should also include a graphic animation of the generation process. The cost of
Duration: 1 minute
SEE ABOVE
Objective: To outline the generation process, the benefits and drawbacks of tidal power
Treatment and storyline: Images of tidal power generators accompanied by key words and
phrases (in Arabic and English) which summarise the pros and cons, such as “Renewable”, “Low
cost to run” and “Costly to build”. It should also include a graphic animation of the generation
process. The cost of producing a kilowatt per hour should also be displayed (to be checked –
Duration: 1 minute
AV hardware included
Objective: to provide a more in-depth assessment of the pros and cons of nuclear power
power to create steam. The visitor is challenged to assess the pros (little pollution) with the cons
Duration: 1 minute
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Treatment: cutaway scale model of a turbine and model cars onto which types of blade and sail
can be affixed and made to race through wind power, This will turn as visitors experiment with
various types of blade and sail – including traditional designs – to find the most efficient. Through
a projected film, the visitor will discover the efficiency of wind farms compared to fossil fuel based
electrical generation.
Duration: 1 – 2 minutes
AV hardware requirement: (any sound, lighting FX, movement mechanisms to be included in the
Treatment: 1) a simplified and symbolic representation of how a solar panel converts light into
electricity.
2) visitors use lemons to power a low voltage LED clock. It is essential that in doing so they grasp
Duration: 1 – 2 minutes
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Treatment: A large tank demonstrates the theory of using the power of the tides to generate
electricity. Supporting information must reveal that this is only effective in areas of significant
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Objective: to remind visitors that the centre of the earth is a molten furnace - and therefore a
Treatment: A cutaway model of the earth – reminding visitors, as they have seen in the Pearl –
that the earth’s centre is a molten furnace. Graphics explain how heat pumps tap into this free
source of power.
Duration: ½ to 1 minute
AV hardware requirement: None (any sound, lighting FX, movement mechanisms to be included in
Objective: to show the quantity of plant material needed to generate a certain amount of power
Treatment: A 2.4m x 0.6 m tower of glass tower full of miscanthus. Supporting graphics explain
how much power can be obtained from this quantity of biomass, as well as revealing other sources
Duration: ½ minute
AV hardware included
Exhibit overview: A touch screen interactive compares green means of generating electricity
Objective: to demonstrate that renewablae energy sources do not generate sufficient power to
Treatment and storyline: A touchscreen display: visitors select a ‘green’ method - tidal, solar,
geothermal or bio-mass– and the energy output is compared with that of conventional sources. It
should also demonstrate the quantities needed to replace conventional power – for example, what
Duration: ½ to 1 minute
AV hardware requirement: (any sound, lighting FX, movement mechanisms to be included in the
DISPLAY STRUCTURE)
Exhibit overview:. The Qatari House exhibit compares high energy consuming goods and energy
Objective: to demonstrate the energy efficiency of the best new domestic appliances.
Treatment: the visitor enters a circle and stands by one of a number of consoles in the centre.
One half of the circle shows a stylised bathroom and kitchen, of a ‘normal’ house, equipped with
high energy-consuming goods. The other half of the circle shows exactly the same setting, but
equipped with environmentally friendly and energy efficient goods. The devices themselves should
Duration: the whole exhibit should engage the visitor for 4 minutes
Reference number: 8. 10 CI
Exhibit overview: A central console allows visitor to interact and compare household goods
Objective: to demonstrate the energy efficiency of the best new domestic appliances.
Treatment and storyline: The visitor selects either a room or a specific piece of equipment on
the touch screen to illuminate these in the rooms, both green and non-green. Comparative
information – in an appealing way (animated graphics rather than figures) is then revealed about
comparative running costs, C02 emissions, carbon footprint of manufacture, etc. There should
also be an explanation of HOW the more energy efficient appliences achieve this. This should
include basic cut away animated diagrams to show usually ‘hidden’ mechanisms etc
Duration: the whole exhibit should engage the visitor for 4 minutes
AV hardware included: (any sound, lighting FX, movement mechanisms to be included in the
Objective: to allow visitors to download their game scores and to commit to energy saving.
Treatment and storyline: Three walk in circular pod structures , each with three consoles.
Within each, visitors can scan their RFDI medallions. Interactive screens set into freestanding
partition s will then ask them to choose from a number of energy and water saving options that
The pod will then provide a summary of their scores from the interactives and a list of their
commitments, which the visitor can print out at home. It will also give them a unique number to
access the KEP website and find films of themselves participating in the activities where possible.
The visitors can also access further information on the key themes explored during their visit.
Duration: 4 ½ minutes
AV hardware included: (any sound, lighting FX, movement mechanisms to be included in the
droplets
The bit fall fountain forms a centrepiece to the pre ride area. This is programmed with a selection
of popular and traditional tunes, according to the audience. The KEP education team are able to
Duration: tbc
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6,2 Electromagnetic exhibit Coil exhibit structure M/steel with copper Sample to be
metallic powder submitted to
coat finish designers approval
Base to coil structure M/steel with powder black Sample to be
coat finish submitted to
designers approval
Shaped countertop Solid surface acrylic Perma white LG Himacs
P01 www.lgchem.com
Acrylic domes to acrylic clear Sample to be
interactive exhibits submitted to
designers approval
graphics See graphics spec for
detail
Graphic fixings St/steel Brushed finish Sample to be
submitted to
designers approval
6.3 Human Power Exhibit fascia Plastic laminate F3091 www.formicacollection.
eu
Side returns to St/steel Brushed finish Sample to be
exhibit fascia submitted to
designers approval
Upstands to LCD glass toughened
monitors
Electrical appliance St/steel Brushed finish Sample to be
display boxes submitted to
designers approval
Rotating capstan St/steel Brushed finish Sample to be
wheel submitted to
designers approval
Individual rotating St/steel Brushed finish Sample to be
handle winders submitted to
designers approval
Upstand to handle M/steel with powder RAL 3020
winders coat finish
6.4 LNG Graphic back drop Stainless steel brushed Sample to be
submitted to
designers approval
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6.11 Water usage Graphic back drop Stainless steel brushed Sample to be
submitted to
designers approval
Upright supports to Stainless steel brushed Sample to be
graphic backdrop submitted to
designers approval
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Area Overview:
A series of LCD screens displaying Computer interactive programmes set into wall panels form an “Energy
timeline”
The wall panels can be ‘perforated’ with apertures which house working models of relevant Islamic
inventions as appropriate.
The centre of the space is dominated by a central showcase housing relevant models and artefacts
Concept Storyline:
Graphic Introduction
A curved graphic panel serves as an introduction to this area. It will outline the main themes explored
within this area
Before the Industrial Revolution of the 1890s, human beings had only a moderate need for energy. Man
mostly relied on the energy from brute animal strength to do work
The sun was the first energy source. It provided light and heat to the first humans. During the day, the
people searched for food. They had no home. When it began to get dark, they looked for shelter.
Once in a while, lightning started fires. Later, they learned how to start fires. Man first learn to control
fire around 1 million BC they rubbed pieces of flint together to make sparks to make a wood fire. One
day, someone dropped a piece of meat into the fire. They learned that fire could cook food. Cooked meat
tasted better and was easier to chew.
They used fire to make stronger tools. They used fire to help them capture animals for food. They had an
energy source that could do many things for them. It made life easier.
About 2,500 years ago, people began using windmills and water wheels to grind grain. Later, these
simple machines were used to pump water and run sawmills
Suggested Artefact/replica - Windmill -14 th Century manuscript by al- Dimashqi shows vertical vanes
rotating around vertical shaft
About 5 thousand years ago, magnetic energy was discovered in China. Magnetic force pulled iron objects
and it also provided useful information to navigators since it always pointed North because of the Earth's
magnetic field.
Electric energy was discovered by a Greek philosopher named Thales, about 2500 years ago. Thales
found that, when rubbing fur against a piece of amber, a static force that would attract dust and other
particles to the amber was produced which now we know as the "electrostatic force".
(A cylinder of sheet copper soldered with a 60:40 lead/tin alloy, capped with a crimped-in copper disk
and sealed with bitumen or asphalt, with a further insulating layer of asphalt on top. This held in place an
iron rod suspended in the centre of the cylinder, which showed signs of acid corrosion - an ancient
electric battery and experimental copies show that it was capable of providing a charge of about one
volt.)
Around 1000 BCE, the Chinese found coal and started using it as a fuel. It burned slower and longer than
wood and gave off more heat. It served as an excellent fuel and continued to be used for centuries
thereafter. When Marco Polo returned to Italy after an exploration to China in 1275, he introduce coal to
the Western world
Early Egyptians collected oil that floated to the top of ponds. They burned the oil for light. American
Indians burned coal to bake clay pots. Ancient Chinese people used natural gas to heat sea water for salt.
They piped the gas from shallow wells. At about the same time, people began using heat energy from
inside the earth (geothermal energy). They piped hot water from hot springs into their houses for heat.
People were learning how to use many different energy sources. But until 150 years ago, the sun and
wood provided most of the energy. In many parts of the world, they still do today.
The Netherlands was the first country to find coal in Europe, and it provided the fuel to UK and other
nearby countries. In the 17th century, England started producing coal of its own and supplying it to other
countries. It suddenly became the provider for virtually the whole world.
In this century, Europeans also learned to contain solar heat in a closed room made out of glass (a
greenhouse) to grow plants with the indoor warmth even in the cold weather.
This CI programme would cover the development of the steam engine, The Industrial revolution and
mass production, the foundations of Solar energy
CI 6 Electricity generation
Constructions of small hydroelectrical power plants were first constructed in the 19th century. Windmills
that up until then were used for pumping water or grinding crops were also developed in an attempt to
produce electrical power. Geothermal energy began to be used to heat up houses and, by the end of the
century, to produce electricity.
This CI programme would cover the emergence of alternatives to coal, the invention of the internal
combustion engine, the first aeroplane
As the exhaustion of fossil fuels and the environmental damage cause by the pollutants produced thereof
become notable, scientist began to seek for an alternative source of energy. Some of the types of energy
sources that are becoming popular are solar, wind, hydroelectric, biomass and geothermal energy. Many
of them had already been developed nearly a century ago, but are only now coming into widespread use.
Nuclear energy is widely used today. Its efficiency in producing energy is very attractive but the disposal
of radioactive waste that is harmful to the environment is the main concern.
As we look over our energy's history, one thing is clear: the energy sources that have sustained civilized
society for so long, namely fossil fuels, have been abused and are now rapidly becoming nonexistent. It
is important for us to learn that whatever the energy source of the future turns out to be, we must learn
to conserve and value it.
CI 3 CI 4 CI 5 Inset showcase
CI 6
Inset showcase
Inset showcase
CI 2
Area Title
CI 1
Central Showcase
Entrance
Graphic Introduction
KAHRAMAA EDUCATION PARK - THE DISCOVERY AREA CONCEPT DESIGN (TO BE READ IN CONJUNCTION WITH CONCEPT STORYLINE DOCUMENT)
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Sheet no. 1
Issue date/Revision
9/12/10
5/11/10
Drawing no. Drawing title
09.05.1.1 PI 1.1 Practical Interactive Details
09.05.1.1a PI 1.1a Practical Interactive Details
09.05.4.1 PI Interactive graphic details
09.05.4.2 PI 4.2 Practical Interactive Details
09.05.4.2a PI 4.2a Practical Interactive Details
09.05.6.1 PI 6.1 Practical Interactive Details (1 of 2)
09.05.6.1.1 PI 6.1.1 Practical Interactive Details (2 of 2)
09.05.6.2 PI 6.2 Practical Interactive Details (1 of 2)
09.05.6.2.1 PI 6.2.1 Practical Interactive Details (2 of 2)
09.05.6.3 PI 6.3 Practical Interactive Details
09.05.6.4/5 PI 6.4/6.5 Practical Interactive Details (1 of 3)
09.05.6.4/5.1 PI 6.4/6.5 Practical Interactive Details (2 of 3)
09.05.6.4/5.2 PI 6.4/6.5 Practical Interactive Details (3 of 3)
09.05.6.6 PI 6.6 Practical Interactive Details (1 of 2)
09.05.6.6.1 PI 6.6 Practical Interactive Details (2 of 2)
09.05.6.7 PI 6.7 Practical Interactive Details (1 of 2)
09.05.6.7.1 PI 6.7 Practical Interactive Details (2 of 2)
09.05.6.8 PI 6.8 Practical Interactive Details
09.05.6.9 PI 6.9 Practical Interactive Details (1 of 2)
09.05.6.9.1 PI 6.9 Practical Interactive Details (2 of 2)
09.05.6.10 PI 6.10 Practical Interactive Details (1 of 2)
09.05.6.10.1 PI 6.10 Practical Interactive Details (2 of 2)
09.05.6.11 PI 6.11 Practical Interactive Details (1 of 2)
09.05.6.11.1 PI 6.11 Practical Interactive Details (2 of 2)
09.05.6.12 PI 6.12 Practical Interactive Details
09.05.6.13 PI 6.13 Practical Interactive Details
09.05.7.1 PI 7.1 Practical Interactive Details
09.05.8.1-8.4 PI 8.1-8.4 Practical Interactive Details
09.05.8.3/4 PI 8.3/8.4 Practical Interactive Details
09.05.8.5-8.8 PI 8.5-8.8 Practical Interactive Details
09.05.8.5/6/7 PI 8.5/8.6/8.7 Practical Interactive Details
09.05.8.10 PI 8.10 Practical Interactive Details(1 of 2)
09.05.8.10.1 PI 8.10 Practical Interactive Details (2 of 2)
09.05.10.2 PI 10.2 Practical Interactive Details
09.02.4.4.PI 4.4 Practical Interactive details
Distribution/Copies
John Kress (Cubitt UK Architects) PDF
Seif Elkhouly (Cubitt Qatar Architects) 1
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Legend:
Notes:
2
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Area 8.2 is now to be known as the Discovery area. Mounted above an accessible suspended ceiling are a
series of projectors, these will project images with a maximum size of 4000mm (dependant on available
ceiling height) Also housed at ceiling level are IR cameras which will provide the gesture technology
required for the visitor interaction.
The theme for the Discovery area is the latest scientific discoveries of water and electricity
It is probably appropriate for the flooring to be sheet linoleum or rubber material, as the interactivity is
likely to be made with the visitors feet as well as arms
Scientific discoveries that can be developed into gesture interactive programmes might include:
1. Photovoltaic panels that automatically sense sun light and move automatically towards it
3. A cancer researcher using radio waves to target cancer cells stumbled upon a novel method to split
water atoms into their hydrogen and oxygen component gasses using radio waves. The invention's
potential for desalinization or cheap energy is not without its sceptics. However, briny seawater covers
most of the planet's surface, and harnessing its heat energy could power all sorts of things.
CONSTRUCTION
OF KAHRAMAA
AWARENESS PARK
AV HARDWARE SPECIFICATION
Tender document to cover the supply of Audio Visual Equipment and services for the
AV hardware for the Kahramaa Education Park in Qatar.
Electrosonic © Page 0
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Contents
System Description .............................................................................................................................. 5
Functional Description Exhibits ref. 1.1; 4.1; 4.2; 6.10B; 6.12; 8.3; 8.5; 8.6 and 8.7................. 7
Functional Description Reception ref. 1.2 ........................................................................................ 7
Functional Description Welcome Theatre ref. 2 .............................................................................. 7
Reasons for System Architecture .................................................................................................. 9
Schematic ........................................................................................... Error! Bookmark not defined.
Functional Description - Dome - ref. 3 .............................................................................................. 9
Functional Description - Pre-boarding Briefing - ref. 4.3 .............................................................. 15
Functional Description - Musical Fountain - ref. 4.4 ..................................................................... 15
Functional Description - Dark ride boarding - ref. 5.0 ................................................................... 16
Functional Description - In the clouds - ref. 5.1 ............................................................................. 16
Functional Description - Into the storm - ref. 5.2 ........................................................................... 17
Functional Description – Rainfall - ref. 5.3 ..................................................................................... 17
Functional Description - Underground cavern - ref. 5.4 ............................................................... 17
Functional Description – Water ways - ref. 5.5 .............................................................................. 18
Functional Description - Into the sea - ref. 5.6 ............................................................................... 18
Functional Description – Under the sea - ref. 5.7.......................................................................... 19
Functional Description – Desalination and Electricity generation - ref. 5.8 ............................... 19
Functional Description - Using water - ref. 5.9 .............................................................................. 20
Functional Description – Down the plug hole - ref. 5.10 .............................................................. 20
Functional Description – Grey water - ref. 5.11 ............................................................................. 21
Functional Description – Irrigation and plant growth - ref. 5.12 .................................................. 21
Functional Description – Transpiration and back into the clouds - ref. 5.13 ............................. 22
Functional Description – Electricity in the sky - ref. 6.1................................................................ 22
Functional Description – Electromagnetic induction - ref. 6.2 ..................................................... 22
Functional Description – Human power - ref. 6.3 .......................................................................... 23
Functional Description – LNG and electricity generation - ref. 6.4 ............................................. 23
Functional Description – Interactive power station model - ref. 6.5 ........................................... 24
Functional Description – The world’s most precious resources - ref. 6.6.................................. 24
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Pricing .................................................................................................................................................. 37
Accessories ......................................................................................................................................... 37
Spares .................................................................................................................................................. 38
Summary of Costs.............................................................................................................................. 38
Project Management.......................................................................................................................... 38
Health & Safety ................................................................................................................................... 38
Warranty .............................................................................................................................................. 38
Maintenance & Service ..................................................................................................................... 39
Post-Tender Substitutions................................................................................................................. 39
Implementation Programme ............................................................................................................. 39
Review of Infrastructure .................................................................................................................... 39
“Kick-Off” Meeting .............................................................................................................................. 40
Information .......................................................................................................................................... 40
Unused Components ......................................................................................................................... 40
General Requirements ...................................................................................................................... 40
Lifespan and Availability .................................................................................................................... 41
Access for Service ............................................................................................................................. 41
Safety of the Installed System .......................................................................................................... 41
System Software and Software Programming ............................................................................... 41
Quality of Materials ............................................................................................................................ 42
System Installation ............................................................................................................................. 42
AV Contractor Performance ............................................................................................................. 43
Hardware ............................................................................................................................................. 43
Factory Prefabrication ....................................................................................................................... 44
Serviceability ....................................................................................................................................... 44
Wiring ................................................................................................................................................... 44
Equipment Rack Connections .......................................................................................................... 45
Audio Visual Signal Cables............................................................................................................... 46
Audio Cables ....................................................................................................................................... 46
Analogue/Digital Video Cables......................................................................................................... 46
Graphics Cables ................................................................................................................................. 46
Power Cords ....................................................................................................................................... 47
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System Description
This document outlines the equipment and scope of work required for, a 70 seat 3D theatre, a
planetarium type dome experience, a Dark-ride and Pre-ride Queuing Area, all interactive Exhibits
galleries within the Kahramaa Education Centre installation.
Kahramaa Education centre is located in Qatar, the theatre forms part of an interactive museum and
learning centre.
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For further information and drawing please refer to JJA drawing numbers:
09.05.01 GA - Ground Floor Exhibition General Arrangement A A
09.05.02 GA - Mezzanine & Tower Level Exhibition General Arrangement A A
09.05.03 GA - Section A-A A
09.05.04 GA - Ground Floor Exhibition Graphic Location Plan A A
09.05.05 GA - Mezzanine & Tower Exhibition Graphic Location Plan A A
09.05.08 GA - 7.1 Tower Plan & Section
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A RFID reader will also be installed into the exhibit and connected to the RFID server.
Located in the Lobby the reception will have 2 working positions, each will be equipped with a
Ticketing/RFID computer, a 21” LCD desktop monitor, a RFID writer. Visitor will be provided with a
RFID tagged medallion.
The RFID ticketing computer will be connected, over the LAN, to the RFID server, located in the AV
control room.
Local audio will be played from a locally installed MP3 player with integrated amplifier, sound will be
delivered by 2 speakers built into the set work.
On the outside of the theatre there will be a small LED display that shows time till next show and
whether the next show is in Arabic or English.
The entrance and exit doors to the theatre will be controlled from the AV system.
When entering the theatre the lights will be at a level to enable the public to find their seats, there may
be an attendant to bring people in but this is not clear at this stage. The public will be handed
specialist polarising glasses, making the audience see dynamic imagery emerge from the screen and
float out towards them creating a magical and memorable experience. The show will either trigger
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automatically based on time or by pushing a button on a Start/Stop panel located within the theatre or
started from the control room.
The control room is to the rear of the auditorium on the same floor.
The lights will dim and the show will start, the HD video will be replayed onto a single straight screen
to the front of the auditorium. It will be a semi silveredperforated screen. The 10K HD projectors will
be stacked and providing the image are mounted at high level within the space.
At the end of the show the lights will fade back up and the public will move out ready for the next
show.
The sound is relayed through three speakers behind the perforated semi silvered screen and 6 rear
surround speakers.
There is a radio mic.system for the space, when used the speakers behind the screen would be
muted and the sound relayed at low level through the rear surround speakers.
There is the ability for the space to be used for computer or video presentations; there is an input
panel to the right of the screen for a lectern position enabling a PC and audio source to be input to the
system. The display will then either be sent direct to the middle screen or soft edged across the whole
display.
The theatre is also being equipped with a drop-down, mat white perforated, 6 metre wide screen for
showing non-3D films and presentations when required.
In presentation mode the computer or video signal is input to a scaler which presents the signal to the
projector as an input at a set resolution.
When this is required, the filter on bottom projector is removed by the mechanical slider that holds the
filter. This will allow for the use of the bottom projector for PC, laptop, DVD and Blue-ray projection.
These sources will be scaled in order for them to be connected to the second DVI input on the
projector.
Audio from these resources will be going through the DSP via the amps to the speakers. The
Microphone will only be directed through the surround speakers.
The audio system includes signal processing to set levels, EQ and provide the correctly configured
filtered signals to the loudspeakers. There is also a surround sound decoder to be used with various
input devices as required.
The control system is the hub for the various elements of the system, most control is network based to
the discrete components and this system is accessed by a Panel program that comes with the show
controller. This is accessed either in the control room via a PC accessing the system control page on
the control system or remotely through a wireless connected touchscreen Slate PC.
The lighting is programmed and set using its own system specified by the lighting designer, this
system will have an input so that separate lighting scenes can be called by the control system as
required.
In the event of an emergency fire alarm the AV racks power should be switched off and the house
lights should be forced on, this should not be a function of the AV system, it should be a function of
the building fire alarm or BMS.
The control system should be programmed in such a way so that a schedule system is set to power
the equipment in the morning and power it off at night. The system should allow for manual triggering
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of shows or automatic triggering i.e. 4 per hour. When powering off all projectors should be put in
standby and then 10 minutes later the power to the projectors and non-control equipment ( i.e. control
system, hubs and relays sets must stay on to enable switch on the following morning) in the racks
should be switched off using distribution board contactor control. In the morning the system should be
switched on through the scheduler in the control system and then wait for the first show either
manually triggered or automatically triggered.
The important element is that overnight as much equipment is switched off as possible and not left in
standby.
The general layout of the control interface should be simple and easy to use by all levels of staff.
The client’s requirement for the space was to provide a 3D theatre experience that is part of the
Centre’s experience but also allows the flexibility for computer and video based presentations.
A key element was to use systems that can be programmed and setup locally.
We have specified the projection system as being 10,000 lumen 3 chip DLP projectors, these devices
are rated for all day usage and the 3 chip technology gives excellent contrast levels and colour
rendering required for this type of venue.
We have allowed for a separate Media server playback system to replay graphics within the space for
the immersive theatre to preserve as much visual quality as possible and also enable many different
kinds of production processes.
The Medialon control system can be programmed locally by Qatari nationals and is a proven reliable
audio visual control system.
The visiting group passes into a domed-shaped space, with a circular walkway around a darkened
sphere. Around the outer perimeter of the walkway are benches on which the visitors can sit as the
immersive audio visual experience unfolds. When all the groups are in, the door closes and the lights
dim slightly. The walls then brighten up with the vision of a trillion galaxies while a voice over tells the
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story of the origin of the universe. In the centre a sphere gradually rises. It is appears to be a molten
ball, which gradually cools and becomes recognisable as Planet Earth. But this is an ancient Earth
with only a single continent and vast forests. Slowly the continent breaks up, the forests become
submerged and the world we know appears. The voiceover tells how the forests became the fossil
fuels we depend on today and how much of our world is water, but although water is vital to all life
less than three per cent of all the water on Earth is drinkable.
The presentation might end with a reading – and possibly the projection of the words - from the Holy
Quran. The Client will select the verse if this option is taken up
There is a large dome screen area, similar to a planetarium and this will show the creation of the
earth.
The ideal screen for a show of this type is manufactured from perforated aluminium panels as used in
traditional planetariums. This allows loudspeakers to be mounted behind the acoustically transparent
screen surface. Air conditioning systems can also be housed behind the dome. The panels are
usually mounted on a steel frame suspended from a solid outer dome. It is possible to use a
traditionally built dome but this can introduce very difficult acoustic problems which sounds cannot be
placed within the space to coincide with images.
In the centre of the dome theatre will be a projection sphere and this will show moving images such
as the molten core of the earth.
There are a number of ways of projecting onto hemispherical surfaces such as domes. Sometimes a
single projector is placed at the centre of the auditorium but this does limit overall resolution as does
the option of using a parabolic mirror and single projector set to one side of the dome. Both of these
techniques would be difficult here as we have a second projection surface in the centre of the
auditorium. The more usual layout involves multiple projectors around the horizon line of the dome.
Many planetariums do these using six projectors. The projection layout will form part of the detailed
design.
The Pearl
This is an immersive dome cinema with a skirt that protrudes below the horizon line of the
hemispherical screen. The audience stand in the space or sit on benches around the perimeter of the
room. In the centre is a stage pit that houses a spherical screen or globe containing an internal video
projection system. This spherical screen is on a stage lift that allows the ball to rise up into the cinema
and to come to rest at the top level of the plinth.
In addition to a full dome video projection system and the raised spherical video screen there will be
additional lighting and special projected effects and a planetarium style cove lighting system or
approved alternative to provide even coloured illumination over the complete dome surface.
As the show producer has not yet been appointed there will need to be some flexibility in the system
proposed and the details of this are listed in the appropriate sections below.
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It is the AV hardware supplier’s responsibility to supply and erect the main projection screen. This will
be assembled from pre-formed perforated powder coated aluminium panels and will be manufactured
off-site by a recognised manufacturer of hemispherical projection screens. There are different
qualities of screen available and the most important differentiator between types is the type of seam
used to join the panels. This must meet the specification listed below otherwise the panel seams will
be visible given the audience viewing distance.
The AV hardware supplier will be responsible for the delivery to site and unloading of the screen
panels. The AV hardware supplier will be responsible for the provision and erection of all scaffold and
metalwork frames required to install the dome screen.
It should be noted that the hemispherical screen is shown with a 26° extended skirt and this should be
shown in the costs as an option.
It will be the AV hardware supplier’s responsibility to calculate the required reflective index of the
screen surface to ensure the optimum projected image quality and contrast with the projection system
proposed. This will be passed to the screen manufacturer before manufacture begins and the design
engineering costs for this work must be included in the AV hardware supplier’s overall engineering
costs.
The projection surface shall be suitable for viewing bright projected scenes with high resolution, true
colour, and high contrast. The surface shall maintain specified reflectance values and exhibit no gloss
characteristics when subjected to a projected image and viewed under typical viewing angles.
The projection surface shall be pre-finished with a powder-coated, achromatic finish, and shall have
an overall reflectance of 0.45, or a mutually agreed upon finish.
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Projection System
A full dome immersive projection system is required. Due to the space available for mounting
projection equipment and the centrally located spherical projection screen we expect this to be
provided as multiple projectors located around and just below the dome horizon line or centrally
mounted around the stage pit. It will be the AV hardware supplier’s responsibility to design and
specify a suitable system capable of replaying show material.
The fact that there is a projection sphere in the centre of the cinema should be taken into account. A
common projection solution for hemispherical theatres is to use six projectors around the horizon line
dividing the hemisphere into five segments and using the sixth projector to fill the “cap” at the top of
the dome. The AV hardware supplier should consider if this will suffice given the centrally mounted
sphere and include a suitable solution to the problem of the sphere interfering with the projection
cones of the dome projectors.
The projection system should incorporate soft edge masking where each segment of the image
overlaps with another to produce invisible seams. The image should appear as a single high quality
image with no visible joins. Due to the amount of distortion introduced into each part of the image by
projecting onto a complex curved surface we would expect the soft-edging to be accomplished within
the image generation hardware along with the image warping required to produce an undistorted
picture on the screen. In addition to the software soft-edging we would expect the AV hardware
supplier to supplement this with some form of mechanical masking in front of each projector.
The AV hardware supplier must provide full specifications for the projectors, lenses, mechanical
masking systems and also provide optical drawings showing the degree of masking applied to each
projected segment along with reflected light and dome luminance and contrast ratio calculations with
their bid. If single chip DLP projectors are proposed then the AV hardware supplier must guarantee
that these will provide a seam free visual image across the whole dome.
Projector resolution should be no less than 1400x1050 pixels if six projectors are used and
4096x2160 pixels if two projectors are proposed. Overall dome resolution should be at least 6.5M
pixels.
The AV hardware supplier will be responsible for designing and providing a means of mounting the
projectors that minimises the effects of vibration from other equipment or from the audience.
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The spherical projection system consists of a solid projection sphere 150cms in diameter. This has a
single fisheye projection system providing a complete video image across the dome.
The projection sphere will required a 10,000 lumen DLP projector with special matched fisheye lens
and a minimum resolution of 1400x1050 pixels.
As well as supplying the solid projection sphere and projector the AV hardware supplier must also
provide an industrial quality stage lift to raise the ball into the auditorium at the correct point in the
show. The noise levels generated by the lift must be inaudible to the audience and the lift must be
suitable for daily use at a rate of up to 50 operations per day over a period of ten years. If hydraulic or
pneumatic systems of operation are required it will be the AV hardware supplier’s responsibility to
provide this equipment and any linkages or pipe-work required to run from the display to a remote
location where the pumps or compressors can be safely installed. The AV hardware supplier will also
be responsible for any safety and test certification required to install such equipment and must
provide a schedule showing when periodic testing will be required in the future.
Image Generation
Image generation for the dome display should be from industrial grade computer sources. The
graphics output of each channel should match the native resolution of the projector input. If 4K
projectors are employed then it will be acceptable to feed each individual video input on each
projector with a 1920x1080 uncompressed 4:4:4 video signal at a minimum of 60 frames per second.
If more projectors are used then graphics outputs must be a minimum of 1400x1050 and match the
native resolution of the projectors. Playback should be at a minimum of 60 frames per second.
It should also be possible for the playback system to accept external video or graphics sources that
can be sized, warped and displayed as a window within the main image.
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The system must be capable of replaying programs that comply with the “Full Dome” standard. For six
projector shows at 1400x1050 this will mean replaying dome masters produced at 2800x2800 pixels,
for 1600x1200 projectors 3200x3200 pixels and for two projector 4K systems produced at 4096x4096
pixels.
Image Generation for the spherical display should be gen-locked to the main hemispherical dome
projection system. It should provide a 1400x1050 pixel output to the single projector in the sphere.
Audio
A 5:1 compliant audio system must be supplied. This should have enhanced bass for a true
immersive experience. The full range loudspeakers will be located behind the perforated aluminium
screen and the bass units will be located either around the perimeter of the screen at floor level or
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around the central console. It will be the AV hardware supplier’s responsibility to ensure these are
installed in such a way as to not impact on the projection system alignment by means of vibration. An
anti-vibration mounting system may be required for the bass units.
The acoustic performance of the space should equate to a Noise rating curve of NR25. This will
define the wall types and finishes within the theatre. Typical reverberations times in the completed
space should be around 0.5s, @ 500Hz. Modern soundtracks are mixed in small preview theatre on
the assumption that reverberation times are minimal in the performance space. Balanced against
this, the conference / presentation function of the space requires a modest level of reverberation to
avoid it sounding dead.
To be absolutely clear – wall finishes do not contribute to the acoustic performance of the envelope,
but they are essential to tailor the acoustic performance of the space. As a general rule we look for
around 65-80% cover with acoustically absorbent wall panels, but this will vary and can be and is
adjusted according to the size of the space, floor finishes, ceiling type etc. The acoustic consultant
should be able to provide guidance on this aspect.
Using a perforated screen does meant that acoustic fabric can be fitted behind the screen to help
deaden the space. It is very important that the rest of the space is fitted with acoustic cladding to the
wall to absorb and control audio reflection. A suitable wall acoustic product is Lamophon used heavily
within commercial theatre systems.
http://www.siderise.co.uk/property.asp?level1=Acoustic&level2=Sound+Absorption&level3=Dedicated
+Products
As the show producer is not yet appointed there is no specific brief for special effects and lighting. It is
likely that some special effects lighting that can emulate flames and similar effects on the dome will be
required if only to mask shadows cast when the central spherical projection screen rises. In addition to
this there are likely to be effects such as timed fibre optics displays lit by a strobe and inserted into
some of the dome screen perforations to simulate physical effects. As well as the provisional sum
indicated in the bill of quantities the AV hardware supplier should allow design and engineering time
within his overall engineering allowance to liaise with the program makers to specify these effects.
Immediately prior to boarding the ride, a short film tells visitors what they are about to experience –
the journey of a water droplet and how it is helped on its way by electricity.
The short film will be HD, played back from a HD video player onto a 42” LCD monitor installed
portrait mode. The player will be installed in the control room and VGA and audio extenders used to
send the signal to the screen.
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Please read this in conjunction with the Audio Visual and Control (AVC) system schematics. Drawing
number9383-AV702.00 and the following drawing numbers from the JJA detailed design package:
09.05.4.4PI - 4.4 Practical Interactive Details
In the centre of the area, and dominating the space, is a musical fountain, programmed with a
selection of popular and traditional tunes, according to the audience. The KEP education team are
able (using a ‘Bit fall’ display) to project the name of the visiting school, or of a teacher, on to the
falling water.
A 21” LCD touch monitor controls a computer, installed in the control room. The computer will replay
the selected audio track and images. The screen will be off the Aqua graphics type display. VGA and
audio Cat.X extenders will be used between control room and exhibit.
THE CAR:
The attendant pushes the action button (2 off) to select the language option. Audio in the cars catches
attention of visitors. The loudspeakers are in front of each seat.
A locally installed MP3 player with amplifier will be connected to 6 off speakers. The MP3 should be
able to be triggered using I/O.
Platform:
The attendant is equipped with a wireless lavaliere microphone. Audio is replayed be 4 off speaker
built into set work. Amplifier and DSP installed in the control room.
Once the car starts moving it will trigger the opening of the door leading into the dark ride.
The triggering will be done by the ride trigger and controlled by the show controller.
Ride trigger, triggers Show controller and Car audio track. Show controller trigger, HD video player,
light, fog etc. sfx.
I.e. Cloud effects from pumped liquid nitrogen. The rear projection of Katoora on ‘fog’ – the outline of
Katoora is cut from acrylic and her smiles and movements are done though animation – they are
synced to the voice over from the car loudspeakers.
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A HD media player will replay Katoora. It will be a 4000 lumens SX+ resolution DLP projector,
installed within an environmental housing. The projection will be done onto a rear projected screen
material supplied by the AV hardware integrator. The screen will be 2500 mm high x 2000 wide.
As the car move forward, the liquid nitrogen clouds but the background of the ‘tunnel’ is darker.
A theatrical lighting within static themed cylinder will be installed in order to create revolving and
spinning effect.
Stroboscopic “lightening” projectors triggered by sensors as the car passes them.
Ride trigger, triggers MP3 player for sound effects. The MP3 should be able to be triggered using I/O.
Sound will come from 2 off powered speakers.
All we can see is rain and we are in an acrylic setwoks display of real water running down
Ride trigger, trigger Car audio commentary from the car loudspeakers. It also triggers the show
controller that controls light and water sfx.
A jolt tells us that the car has reached earth. As the lights brighten, we see the stone roof , stalactites
and stalagmites: we are in an underground cavern, Katoora is projected on a screen behind a
waterfall of real water that falls into a pond, she tells us that it is in these places that the world’s
largest reserves of fresh water are found.
Ride trigger, triggers Show controller and Car audio track, voice over from the car loudspeakers.
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A HD media player will replay the video. The projector will be a 4000 lumens SX+ resolution DLP
projector. The projection will be done onto a rear projected screen material supplied by the AV
hardware integrator. The screen will be 2200 mm high x 2000 wide.
The car gradually picks up speed and starts to shake as we leave the cavern and enter the daylight.
We career down a narrow stream, narrowly avoiding the rocks, then slows down as we cross an
estuary with sand and we go through a smashed hole in the hull of a wrecked ‘Dhow’ which is on the
seashore. There are screens with videos of the waterways of the world – lakes, rivers, damsetc. at
high level to both sides and on the Dhow sails
Ride trigger, triggers Show controller and Car audio track, voice over from the car loudspeakers.
Show controller triggers 5 off HD video players. The content is then projected onto 3 rear projected
screens and 2 front projected screen. Background audio played back on 2 off powered speakers.
The film on both sides of car to give the impression that the car moving at different speeds.
Rear projected screen will be 2000 mm high and front projected screens will be 1500 high.
We pass through the hull of the dhow and the car turns into a dark area. We can smell something
fresh – ozone. And we can hear the sound of surf crashing. Katoora tells us that we have reached the
sea.
Ride trigger, triggers Show controller and Car audio track, voice over from the car loudspeakers.
Show controller triggers 1off HD video player. The video content is then projected onto 1 off rear
projected screen. Background audio played back on 2 off powered speakers.
The screen will be 1500 wide. The projector will be DLP, 4000 lumens, SX+.
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Once again, the car seems to plunge downwards. Above us, to the left of us and to the right, there are
fish. So engrossed are we in looking at these beautiful fish that Katoora has to shout out a warning for
us to beware of the salt crystals into which we plunge. She tells us that the salt crystals have made
the water undrinkable and for it to be of use we must remove these crystals.
There are doors at the end of this area which open as the car approaches.
Ride trigger, triggers Show controller and Car audio track, voice over from the car loudspeakers.
Show controller triggers 4 off HD video players. The content is then projected onto 1 rear projected
screen and 3 peppers ghosts built into the set work. Background audio played back on 2 off powered
speakers.
The 3 off ‘Pepper Ghost’ effects of fish in a rock and coral lined cave to the side, the car turns to face
this effect. The projected image will be 2800 mm wide per Ghost.
There will be lighting effects to produce the shadows of sharks and shoals of fish.
The car now slows in front of a number of windows looking into a desalination and electrical
generation plant. Kahroob now joins Katoora and with the help of short animated films they explain
the main parts of the plants and how it uses electricity to take away the salt crystals from the water,
and water to assist in the generation of electricity.
The model has lights inside with a programmed lightshow and the show goes from daylight to nigh
time.
Ride trigger, triggers Show controller and Car audio track, voice over from the car loudspeakers.
Show controller triggers 3 off HD video players. The content is then projected onto 3 peppers ghosts
built into the set work. Background audio played back on 2 off powered speakers.
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The3 off ‘Pepper Ghost’ effects of Kahroob and Katoora, the car turns to face this effect. The
projected image will be 4000 mm wide per Ghost.
The Lighting effects on a ‘coved’ scenic background to the models also lighting effects on model.
The car turns and approaches doors that open. Katoora explains that we are now among fresh water
droplets again as the car travels through Qatar’s domestic water supply pipe network. We go through
a giant pipe and there is a giant tap with water dripping out of it. All around us we see images of our
constant demand for water for washing, drinking, cleaning and cooking.
Ride trigger, triggers Show controller and Car audio track, voice over from the car loudspeakers.
Show controller triggers 1 off HD video player. The content is then projected onto a 2200 mm wide
rear projected screen. Background audio played back on 2 off powered speakers.
The car now approaches a circular door that is made like a plughole and as we approach we enter
with special lighting of water rushing effects we appear to be spinning downwards through a plug
hole.
Ride trigger, triggers Show controller and Car audio track, voice over from the car loudspeakers.
Show controller triggers 1 off HD video player. The content is then front projected onto a 3400 mm
circular door. S
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The Show controller trigger, HD video player, lights and door trigger/sensor
We find ourselves again in a pipe – but one with a slightly soapy smell. It is a giant acrylic pipe with
real water (grey in colour) pumped through it. Katoora explains that we are in ‘grey water’. She tell us
how this is a vital part of water conservation, particularly in Qatar and she explains the regulations
governing it, with the help of animated cartoons.
Ride trigger, triggers Show controller and Car audio track, voice over from the car loudspeakers.
Show controller triggers 1 off HD video player. The content is then projected onto a 2500 mm high
rear projected screen.
The car begins to rise and Kahroob does not want us to think that this is all Katoora’s work, and tells
us that grey water can only make such a contribution because of the electricity. The two of them show
us various examples of irrigation systems using grey water - surface, sprinkler, drip, manual, etc.
Meanwhile above our heads are huge plant roots, through which we slowly rise. The car rises up
through the soil and we are on the leaf of a growing plant. And here is Katoora again – a water droplet
breathed out by the plant. We enter the next theme through scenic doors of lush vegetation
Ride trigger, triggers Show controller and Car audio track, voice over from the car loudspeakers.
Show controller triggers 3 off HD video player. The content is then projected onto 3 off 2200 mm wide
rear projected screens.
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The sun’s rays ‘evaporate’ us and we rise once again into the clouds where we began the journey.
There is a storm with lightening and Kahroob appears and tells us that he is now going to show who
really the ‘top dog’ not water is but electricity. We approach a set of mirrored doors that open and we
are out into the main Gallery space where the car slows so we can get off
Ride trigger, triggers Show controller and Car audio track, voice over from the car loudspeakers.
Show controller triggers a HD video player. The content is then projected onto a 2200 mm wide rear
projected screens.
A 2.5 meter wide by 1 meter multi touch surface will be linked by Cat.X extenders to a computer. The
computer will be connected by using a video extender to a 6000 lumens WUXGA projector with 1.3 -
1.9:1 Zoom Lens. The projector will be installed above the table pointing down.
Also audio will coming from the computer. The audio will be sent to 2 off full range powered speakers
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
A touch table shows older visitors what is happening at the atomic level through the use of animated
graphics, and how the principles they have explored here were first discovered almost 200 years ago
but still are the primary method of electrical generation.
An approx. 1000 mm wide by 750 mm high, touch surface will be linked byCat.X extenders to a
computer. The computer with dual graphics output card will be connected by using 2 off video
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extenders to 2 off 3500 lumens SX+ off axis projectors, one covering the touch area and the other
covering an approx. 650 x 490 mm, "slave" image further up on the table. The projectors will be
installedabove the table pointing down.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
Exhibit A: three separate cranks – based on a yachtsman’s winch for ease of use – each linked to a
separate generator and digital read out. The on-screen instruction says “How much electricity can you
generate? Turn the handle to find out.”
When the crank is turned, a number of light bulbs are illuminated according to the amount of power
generated. When the visitor stops turning, a screen displays the amount of electricity generated and
how long the crank would have to be turned in order to generate the power needed for a typical Qatari
house in a single day.
A RFID reader will be installed into the table next to each crank and connected to the RFID server.
Exhibit B: a capstan, linked to a generator and digital read-out .The on-screen instruction says “Get
together with your friends to see how much electricity you can generate? Just turn the capstan.”
This will have a built-in camera which will allow young visitors and their families to see their efforts on
the internet.
Note: after two three minutes continual use both Exhibit A and Exhibit B will become more difficult to
turn and eventually lock.
Triggered by the RFID readers are 4 PC's that will then activate their attached cameras. 2 off the
computers will also display content onto 2 off 42" LCD monitors.
(The video capture can then be send over the internet to the visitor. This will be a software solution.)A
RFID reader will also be installed into the table and connected to the RFID server.
The RFID readers will also be installed into the table and connected to the RFID server.
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4 off back light buttons adjacent to each feature activates an animated film or light up the adjacent
features on the model with audio feedback, hosted by Kahroob, which explains what it going on.
A 42” open frame LCD touch screen is built into the set work next to the model. The screen will be
equipped with a touch foil and visitors can interact and be informed using this screen.
A RFID reader will also be installed into the table next to each button and the touch screen and
connected to the RFID server.
A model is surrounded by 5 touch buttons, positioned in rough proximity to key features on the model.
Each is labelled with the name of the feature – e.g. Natural Gas input. When pressed, these illuminate
part of the model where this activity takes place and launch a short film showing the corresponding
activity at the plant.
The touch buttons triggers a computer. The computer displays using a 4:3 resolution projector that
rear projects onto an inclined 400 x 300 mm glass screen shows actual footage of activities within the
power plant. The projector and screen will built into the set work.
A RFID reader will also be installed into the table and connected to the RFID server.
Visitors group around consoles and register themselves with their RFIDs. There will 3 stations.
Each station is equipped with a 21" LCD touch monitor open frame connected to a computer. The 3
computers are linked to a 4th computer (main computer) that will display using a SX+ projector. The
projector will be ceiling mount pointing down.
Also, audio will be coming from the Main computer via a DA. The audio will be send line level to the
stations where a small mono amplifier will be connected to a small speaker built into the set work.
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A RFID reader will also be installed into the table and connected to the RFID server.
Interactive A:
Please read this in conjunction with the Audio Visual and Control (AVC) system schematics. Drawing
number9383-AV725.00 and the following drawing numbers from the JJA detailed design package:
09.05.6.7 PI 6.7 Practical Interactive Details (1 of 2)
09.05.6.7.1 PI 6.7 Practical Interactive Details (2 of 2)
The theme of this interactive is: how does CO2 get into the atmosphere? A projected world map is
surrounded by images of key producers of CO2 such as an aeroplane, a car, a camel, a factory and
an insect. The player ‘drags’ one of these images onto the map and information about their CO2
output is displayed.
An infrared camera sends information to a computer. The computer then displays the
information/animation using a 16:10 format projection from inside a 750 mm high table. The projected
area is 1500 x 900mm.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
Interactive B:
Please read this in conjunction with the Audio Visual and Control (AVC) system schematics. Drawing
number9383-AV725.00 and the following drawing numbers from the JJA detailed design package:
09.05.6.7 PI 6.7 Practical Interactive Details (1 of 2)
09.05.6.7.1 PI 6.7 Practical Interactive Details (2 of 2)
In front of each there is a weighing scale and a small screen. The game begins with a film of a power
station emitting CO2 into the atmosphere.The narrator says “Every electric device uses power and
when we create electric power, we release carbon dioxide into the atmosphere. Every day in Qatar we
release XX tons of CO2 into the atmosphere. Look above you to see how much space a ton of CO2
occupies”
The aim of this interactive is to demonstrate the amount of produced by everyday domestic goods.
An infrared camera sends information to a computer. The computer then displays the
information/animation using a 16:10 format projection from inside a 750 mm high table. The projected
area is 2000 x 1000mm.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
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Interactive C:
Please read this in conjunction with the Audio Visual and Control (AVC) system schematics. Drawing
number9383-AV725.00 and the following drawing numbers from the JJA detailed design package:
09.05.6.7 PI 6.7 Practical Interactive Details (1 of 2)
09.05.6.7.1 PI 6.7 Practical Interactive Details (2 of 2)
Having established items that contribute to CO2 omissions the visitor is challenged to see how Qatar
compares to the rest of the world - They will be surprised to learn just how much is produced by each
Qatari citizen
An infrared camera sends information to a computer. The computer then displays the
information/animation using a 16:10 format projection from inside a 750 mm high table. The projected
area is 900 x 500 mm.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
Interactive D:
Please read this in conjunction with the Audio Visual and Control (AVC) system schematics. Drawing
number9383-AV726.00 and the following drawing numbers from the JJA detailed design package:
09.05.6.7 PI 6.7 Practical Interactive Details (1 of 2)
09.05.6.7.1 PI 6.7 Practical Interactive Details (2 of 2)
Here visitors’ comments and commitments to change some lifestyle habits can be recorded and
displayed on the overhead LED cube.
An infrared camera sends information to a computer. The computer then displays the
information/animation using a 16:10 format projection from inside a 750 mm high table. The projected
area is 900 x 500 mm.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
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This is a multi-screen presentation. 6 touch buttons, each is labelled with the name of the feature –
e.g. Tidal power. When pressed, these launch a short film showing the corresponding activity on all 6
screens.
The touch buttons triggers a computer. The computer displays using a 42” LCD monitor
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table next to each button and connected to the RFID
server.
A.
This consists of a tower made of 5,000 empty water bottles of one litre capacity. In front of a tower,
the visitor stands in front of a small terminal. The message comes up “Press here to see how much
water a European consumes in a week”. Half the bottles are illuminated. The message comes up
“Press here to see how much water an American consumes in a day”. Most of the bottles are
illuminated.
The message comes up “Press here to see the average water consumption around the world in a
day.” Less than half the bottles are illuminated.
An infrared camera sends information to a computer. The computer then displays the
information/animation using a 16:10 format projection from inside a 700 mm high table. Allow for the
projected area to be 900 x 500 mm.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
B.
The message comes up on screen. “How much does the average Qatari consumes during a day?
Keep your finger on the button until you think you have the right answer, then release”.
If visitors take their fingers off, the message comes up on screen “Wrong – we consume nearly 4,750
litres of water a week: the highest in the world!” Almost all the bottles are illuminated.
If visitors keep their fingers on the button until all the bottles are illuminated, the message comes up
on screen “Correct! We consume nearly 4,750 litres of water a week: the highest in the world!”
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An infrared camera sends information to a computer. The computer then displays the
information/animation using a 16:10 format projection from inside a 700 mm high table. Allow for the
projected area to be 900 x 500 mm.
A big button is also connected to the computer and will trigger the bottles illumination.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
Exhibit A:
Please read this in conjunction with the Audio Visual and Control (AVC) system schematics. Drawing
number9383-AV729.00 and the following drawing numbers from the JJA detailed design package:
09.05.6.10 PI 6.10 Practical Interactive Details (1 of 2)
09.05.6.10.1 PI 6.10 Practical Interactive Details (2 of 2)
Four consoles surround the model of the desalination plant glimpsed on the Ride. On a 21” touch
screen are touch buttons, individually labelled with the name of the feature – e.g. ‘Natural Gas input’.
When activated, these buttons illuminate the part of the model where this activity takes place and
launches a short film showing the corresponding activity at the plant. The use of salinated water in the
production of electricity, and the role of electricity in desalination will be particularly highlighted. Each
console also includes a button to activate a one-minute film highlighting the air pollution and CO2
production associated with desalination and the effect on wildlife in the areas surrounding the
desalination plants.
The touch screen interacts with computer. Computer displays videos about the highlighted areas on
the model. Audio from computer to mono amplifier and speaker built into set work.
A RFID reader will also be installed into the table and connected to the RFID server.
Exhibit B:
Please read this in conjunction with the Audio Visual and Control (AVC) system schematics. Drawing
number 9383-AV730.00 and the following drawing numbers from the JJA detailed design package:
This has two water dispensers – where the water is dispenses just one drop at time. One dispenses
salinated water; the other desalinated water
A RFID reader will also be installed into the table and connected to the RFID server.
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A sign says:
“The tank holds the average daily water consumption in Qatar - 675.5 litres. Turn the valves on each
tube to distribute it amongst these six categories.”
When complete, the amount of water in each tube is brought up on a screen. The water is pumped
back into the tank, and then re-distributed among the tubes according the known consumption
patterns (e.g. 75.5 % on personal hygiene, 2.1% on cooking) and these values put alongside the
visitor’s estimates.
Buttons interact with a computer. Computer display results on a 42" portrait mounted LCD monitor.
Audio from computer to mono amplifier and speaker built into set work.
A RFID reader will also be installed into the table next to each button and connected to the RFID
server.
This is a two-person touch-screen game, with the objective of identifying safe practices in the
minimum amount of time.
1 off 21" LCD touch monitor interacts with a computer. The computer also triggers a countdown clock.
Audio from computer to mono amplifier and speaker built into set work.
A RFID reader will also be installed into the table next to each station and connected to the RFID
server.
Interactive B:
Please read this in conjunction with the Audio Visual and Control (AVC) system schematics. Drawing
number9383-AV733.00 and the following drawing numbers from the JJA detailed design package:
09.05.6.13 PI - 6.13 Practical Interactive Details
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This is a rear projected touchscreen, again on the theme of electrical safety and visitors are asked to
identify dangers.
An infrared camera sends information to a computer. The computer then displays the
information/animation using a 16:10 format projection from inside a 700 mm high table. Allow for the
projected area to be 900 x 500 mm.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
The theme of sustainability is continued with an interactive model of the KEP building and grounds,
which highlights all the innovative features and in particular highlights those which could be adopted
in domestic houses.
2 off 21” touch screens will be installed at each end of the table. The visitor can then interact with the
model and get video feed back on the locations chosen within the model.
The areas of the model will also light up when selected on the touch screen.
Also audio will coming from the computers. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table at each station and connected to the RFID server.
The area is introduced by an expanded version of the multi-screen presentation seen above (6.8),
portraying the alternatives to power generation from fossil fuels - nuclear, geothermal, biomass and
wind, solar and tidal power. The visitor can select from a menu of six options to see a short film on
any one of these six methods.
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Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table next to each station and connected to the RFID
server.
A touch-screen interactive demonstrates the principles of nuclear power to create steam. The visitor is
challenged to assess the pros (little pollution) with the cons (waste disposal, limited uranium, risk).
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
Every visitor to KEP will be very familiar with another source of electrical power – the battery. The
principles of electrochemical energy will be demonstrated by allowing visitors to create their own low
power battery by using lemons to run an LED clock.
A RFID reader will also be installed into the table and connected to the RFID server.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
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Please read this in conjunction with the Audio Visual and Control (AVC) system schematics. Drawing
number9383-AV737.00 and the following drawing numbers from the JJA detailed design package:
09.05.8.5-8.8 PI - 8.5-8.8 Practical Interactive Details
A touchscreen display looks at the energy output of tidal, geothermal and bio-mass power and
demonstrates that they are unlikely to rival more conventional methods of power generation in the
foreseeable future.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the table.
A RFID reader will also be installed into the table and connected to the RFID server.
Suspended in mid-air, but most clearly seen from the balcony are 8 screens on which are projected
films each lasting one or two minutes. The screens will be fabricated in a translucent material which
allows the imagery to be seen from both sides.
8 off HD video players, playing looping videos, are connected to a 6000 lumens WUXGA projector.
The players are control by a show controller. Projection onto translucent screens, so that images can
be seen from both sides. Screen will be 5 metres wide.
This exhibit forms a circle into which the visitor enters and stands by one of a number of consoles in
the centre. One half of the circle shows a stylised bathroom and kitchen, of a ‘normal’ house,
equipped with high energy-consuming goods. The other half of the circle shows exactly the same
setting, but equipped with environmentally friendly and energy efficient goods. The visitor selects
either a room or a specific piece of equipment on the screen to illuminate these in the rooms and the
comparative information is revealed on the screen.
4 off 21" LCD touch monitor interacts with a computer each.The computer will interact with a lighting
interface.
Also audio will coming from the computer. The audio will be sent to 1 off mono amp and a speaker
installed within the station.
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A RFID reader will also be installed into each station and connected to the RFID server.
Adjacent to the multi-purpose area, the children can find 9 interactive pods. These will scan their
medallions and ask them to choose from a number of energy and water saving options that they will
commit to putting into practice.
The visitors can access further information on the key themes explored during their visit.
9 off 21" LCD touch monitor interacts with a computer each. Also connected to the computer is a
camera.
The audio will be sent from the computer to 1 off mono amp and a speaker installed within the pod.
A RFID reader will also be installed into the pods and connected to the RFID server.
The AV control room will be situated within the Dark ride area and will house all audio-visual
equipment and racks.
All equipment will connect from the AV control room to the site equipment using Cat.6A cabling.
The racks shall be equipped with back doors and at the end of a row of rack these shall be equipped
with side panels.
All racks should be equipped with a, mains distribution switch, a network switch, a brush strip and a 1
U rack pull out tray.
The control rack should be equipped with a, mains distribution switch, a network switch, a brush strip,
a 1U LCD drawer with keyboard and mouse and a 2U drawer for storing of remote controls etc. this
rack should also be equipped with a pair off powered monitor speakers, a control computer that will
allow the user to access all other computers and HD media players for control purposes and media
loading.
A main show controller and a start/stop panel allowing for overall manual show control.
The backbone for the network to be fiber optic cable (12 core).
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The AV Contractor shall be responsible for providing a fully operational, turnkey system to the Client.
The AV Contractor shall furnish all equipment and materials whether specifically mentioned herein or
not, to ensure a complete and fully operational system.
Where equipment is described as ‘Client Free Issued’ the AV contractor shall integrate the equipment
into the system, providing any additional mounting hardware and cabling required achieving this.
The AV Contractor shall be responsible for allequipment (computers,etc.,) to be adequate with the
objective of each interactive and exhibit.
Where items of equipment are visible the requirements of the Architect shall be followed.
Works by Other Trades
Certain equipment and materials will be provided and installed by others. Unless otherwise indicated
in this Specification or on the related drawings this will include, but not be limited to, the following:
• All builders’ works in connection with this Contract including all structural work, wall openings,
ceilings, platforms, glazing, core drilling, cutting of ceiling and floor tiles, installation of cable ducts,
floor coverings, painting and patching.
• Any window coverings; drapes, blinds or blackouts with motorized actuation (if supplied) and low
voltage control interface.
• All electrical supplies, distribution, breaker panels, outlets etc., required to power the audio visual
systems.
• Installation of the room lighting fixtures, wiring, lighting control and low-voltage control interface to
each AV equipped space.
• Installation of all CAT 6A cabling between rooms.
• All electrical grounding systems.
• All cable trays, trunking, conduits with pull wires, dado trunking, floor boxes and wall mounted back
boxes for low voltage audio visual signal and control cabling
• Moveable furniture; desks, chairs etc.
• Owner Furnished Equipment (OFE) supplied by the Client as detailed elsewhere in this document.
It will be critical that the AV hardware supplier works closely with the designer and other specialist
suppliers as there are several technical areas where the whole success of the project will rest on
positive collaboration. This will include but not be limited to the ride manufacturer where the effects
triggering system will be closely linked to the ride vehicles and the on board audio which the AVH
supplier must fit into the cars and utilise power provided by the ride manufacturer. The on-board and
off-board audio must then work in synchronisation.
The AVH supplier must also liaise directly with the lighting designer for the dark ride. This will be
essential if the projection elements are to work.
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The AVH supplier must work closely with the immersive show producer to ensure the mechanical &
lighting effects and the projection system work with the story. This is of particular importance when the
projection sphere is deployed as this will interfere with the normal projection paths of the projectors.
The AVH supplier must work closely with the architect, designer and lighting designer on the
interactive gallery to ensure that projected displays, screen based displays and Interactives using
infra-red sensing technology will work reliably within the spaces and not be adversely effected by
ambient or controlled lighting.
The cost of technical meetings and detailed engineering design must be allowed to ensure the above
works are carried out.
Instructions to Bidders
Qualification of Bidders
The Tenderer shall be a company with at least five years’ experience in the fabrication, assembly and
installation of audio visual systems of a similar magnitude and quality as those specified herein and
shall provide documentation to this effect with the bid return.
Bid Tender
The tender shall be returned by the date shown in the accompanying letter. Any tender returns not in
the requested format or returned late may be rejected. The tender is to be returned to the address
detailed in the accompanying letter.
Tenderers may be required to attend a mid-bid interview, which will take place in at a place to be
confirmed.
A minimum of 3 working days’ notice will be given of any such interview.
Tender Return
The Tenderer shall quote for the detailed systems design, equipment purchase, supply, installation,
commissioning, documentation and user training for the systems described in this document.
This shall also include but not be limited to resources for:
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• All minor items of equipment, cable, connectors etc., necessary for the full and correct operation of
the system which shall be deemed to have been included in the tender return
• Site inspections, meetings and design co-ordination particularly in respect to architectural and
infrastructure issues
• Production of necessary drawings, as appropriate to the installation, to advise the design team e.g.
equipment rack elevations, screen elevations, cable schedules, fixing details and equipment cut
sheets
• Production of drawings to advise the client technical team e.g. System schematics, optical layouts
(where appropriate), connection panel layouts, user interface designs, cable schedules for AV and
power, test and commissioning schedules.
• Project management, scheduling, planning & control to co-ordinate and integrate in with the project
design and construction trades
• Provision and maintenance of all necessary access and safety equipment required for the safe
conduct of the AV Contractor’s works
• Protection of the works from effects of other trades
• Removal of AV Contractor associated rubbish to designated project skips, if provided, or as
otherwise directed by the Main Contractor.
Delivery of all necessary equipment to Qatar including delivery costs, duties and any necessary cost
to enable goods to be correctly imported into Qatar.
Tenderers should also note that lowest price at the expense of essential quality is not acceptable and
is unlikely to guarantee acceptance.
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Sub-Contract Works
If the Tenderer intends to sub-contract any of the works to another supplier, details must be provided
concerning the sub-contractor, the structure of the sub-contract relationship and how quality is to be
maintained on any sub-contract work.
The Tenderer shall retain responsibility for supervision of the sub-contract works and quality control of
the sub-contractor’s works.
No change or addition of sub-contractors shall be permitted at any stage in the contract without prior
permission being granted in writing from the client.
Pricing
The Tenderer shall determine the detail of exactly what items of equipment and accessories and
exact quantities by reference to the drawings, tables and descriptions in this Specification document.
Any inconsistencies should be reported at the earliest opportunity.
The Tenderer shall show in their response a detailed list with pricing for each item of equipment to be
supplied. A single, inclusive total shall be given for miscellaneous items including cables, connectors,
assorted hardware, etc.
The lists of equipment pricing shall be in the same order as the equipment lists in this Specification
followed by details of any other items that the Tenderer deems are required to complete the system.
Pricing information shall be provided by completing and returning the attached Excel file, together with
a printed version of the same file forming part of the written response.
Tender responses not containing the pricing information in electronic format will be deemed non-
compliant.
The Tenderer shall show manpower costs separately. These shall be broken down into individual
labour components i.e. design, engineering, project management, installation, commissioning etc. and
also by each system / area. The quantities of each labour type shall be detailed, as well as the costs.
The Tenderer shall cost for seven man days of client and support staff training, and also provide a
separate daily cost for additional training that may be taken at any time within the first six months
following the completion of the installation.
Accessories
The Tenderer shall suggest separately any optional accessories not specifically requestedthat they
would consider useful. Each shall be priced individually and not included in the overall tender price.
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Spares
The Tenderer shall cost for spares specifically mentioned in the specification. These shall be included
in the tender price.
The Tenderer may also suggest a list of recommended spares for equipment that requires periodic
replacement of consumable items e.g. projector lamps, filters etc. together with individual costs.
These shall be treated as optional items and not included in the overall tender price.
Summary of Costs
An overall recapitulation of costs, excluding options and alternatives, listed by area, with separate
equipment and labour totals, shall be shown for the entire project.
Project Management
The Tenderer shall state in their response the name of the person who will be their appointed Project
Manager for the duration of the contract. This person shall have full managerial and financial
responsibility for the project and will be actively involved. Once a contract is awarded, the name of a
deputy to the Project Manager shall also be provided.
Warranty
The Tenderer shall include a Statement of Warranty on the entire system indicating the type and
duration of service to be provided. The Warranty shall require the AV Contractor to provide all
necessary services at no charge to the Client, during the warranty period, to restore full system
functionality in the event of system or equipment malfunction.
The warranty period shall be for a minimum of twenty four (24) months on an “On Site” basis,
commencing from the issue date of the final completion certificate. This shall include any preventative
maintenance work the Tenderer considers essential to maintain the warranty.
The Tenderer shall price for a 4 working hour response in their tender return, and shall quantify
savings gained from extending the response to 8 hours.
All manufacturers’ equipment warranties shall commence from the day of final acceptance.
Equipment only warranty
The client may, at his discretion decide to make other arrangements for maintaining the systems from
the date of handover. If this happens, the AV contractor shall honour all manufacturers’ equipment
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warranties whilst they are still valid. They shall agree to manage these warranties directly with the
client or their appointed agent.
Post-Tender Substitutions
All tenders shall be submitted on the basis of this Specification. The Tenderers may propose
alternate equipment for substitution identified in the bid return as ‘alternates’ with reasons for
substitution. Manufacturer’s specification ‘cut’ sheets for the substitute equipment shall accompany
the tender return.
Equipment substitutions will be considered after commencement of work on the project where the
contracted equipment becomes unavailable, where unanticipated lead times could delay the Project
or for other legitimate practical considerations. The Client must approve, in writing, equipment
substitutions submitted after commencement of work on the project.
Client approval of equipment substitutions shall not imply release of AV Contractor responsibility for
meeting all requirements and design objectives as outlined in this Specification.
Implementation Programme
All tenders shall include a project timeline that shows project completion within the timescale set out in
the accompanying letter
Review of Infrastructure
The AV Contractor shall be responsible for reviewing the provision of infrastructure for the prospective
audio visual systems.
This shall include but not be limited to advising on:
Space provisions
Mains power requirements
Interfacing
Cable routes, provision, capacities and low voltage containment
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Audio visual equipment cooling If there is no provision he shall specify his requirements as they
evolve and will have deemed to have allowed for this in his quote.
“Kick-Off” Meeting
The AV Contractor’s Project Manager and other representatives, as appropriate, shall be available to
attend a ‘kick-off’ meeting to be held within 5 working days of the placement of Contract or letter of
intent or as soon as may be scheduled thereafter.
Information
Before commencement of their off-site fabrication the AV Contractor shall issue shop drawings to the
client. These shall include as a minimum requirement:
• Detailed system schematics including cable numbers. For complex systems separate audio, video
and control schematics shall be provided
• Rack layouts for all systems
• Connection panel layouts
• Projection drawings detailing equipment locations, screen sizes and any mirror arrangements
• Equipment locations and mounting arrangements as agreed with the Architect of other members of
the design team.
The AV Contractor shall describe the system of documenting shipments and delivery to site of all
components and material. This system shall ensure that the components being delivered are those
identified in the tender return.
Within 1 month of appointment, or in any case before fixing works are complete, the AV
Contractor shall provide final information regarding mounting and fixing details of floor, wall or ceiling
mounted equipment that is located in any architecturally sensitive areas, or areas where other
specialist equipment needs to be installed. Note that additional costs incurred by the late provision of
information will be deducted from the AV Contractor’s final account.
Unused Components
All components necessarily purchased by the AV Contractor to achieve the installation, but not used,
shall be documented and passed to the Client before practical completion.
General Requirements
General standards used in the design, fabrication and installation of the audio visual systems shall
comply with the highest quality Broadcast Industry standards. The following is a list of the type of
industry organizations with published technical standards that provide a general indication of the
desirable values, but it is not intended to be all-inclusive.
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All software programming shall be included in the AV Contractor’s scope of work. No portion may be
omitted from the scope of the AV Contractor’s work. Bids excluding any portion of the software
programming will be deemed non-compliant.
All commercial software provided by the AV Contractor, as part of the installation, shall be procured
and transferred in full compliance with the publisher’s copyright, licensing and other requirements of
ownership and use. All software license agreements shall be registered in the Client’s name.
The Client shall retain full rights to all custom software, programming, and software-programming
code developed by the AV Contractor as part of the project. This shall include the right to use,
reproduce and modify the software and software-programming code as reasonably required to
operate the audio visual systems and to support their on-going maintenance and development. The
AV Contractor shall handover to the client copies of all the latest source code for all custom software,
and ensures that these are updated as necessary during the warranty or any maintenance contract
period.
Quality of Materials
All materials and equipment supplied by the AV Contractor shall be new and shall meet or exceed the
published manufacturer’s specifications. The AV Contractor shall supply the latest model of each
piece of equipment.
Substances generally known to be deleterious at the time of specification shall be excluded, including
but not restricted to:
• Substances that have been expressly disapproved by the Building Research
Establishment, in written guidance made available to the industry as being hazardous to health and
safety or to the durability of the property in the particular circumstances in which they are used
• Substances expressly disapproved by applicable British Standards Specifications and Codes of
Practise current at the date of specification.
Together these shall constitute the “Deleterious Materials”.
System Installation
Installation shall be considered to include, but not be limited to, the following:
• Delivery, unpacking, setting in place, fastening to walls, floors, ceilings, counters, or other structures
where required, of all equipment except as otherwise noted
• Termination the Interconnect wiring of the system components
• Equipment alignment and adjustment
• All other work whether or not expressly required herein which is necessary to result in a completely
operational system.
• All equipment shall be firmly secured in place unless requirements of portability dictate otherwise.
Fastenings and supports shall be adequate to support their loads with a safety factor of at least three
(3) times.
Consideration shall be given to overall aesthetic factors as well as operational efficiency.
All boxes, equipment, etc., shall be mounted plumb and square.
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AV Contractor Performance
During the installation the AV Contractor shall be obliged to protect his works from damage and loss.
In the event of any damage or loss the AV Contractor shall be responsible for the repairs or
replacements at no additional cost to the Client.
The AV Contractor shall take precautionary measures to protect all cabinets, casework, finished
flooring, wall coverings, equipment, etc., from damage resulting from its work.
This shall include, but not be limited to, the installation of temporary protective coverings and other
sensible safety measures. The AV Contractor shall be responsible for the correction of any such
damage at no additional cost to the Client.
All on-site assembly and material cutting or drilling shall be limited to a protected working area
specifically designated by the Fit-Out Contractor or the client for this purpose.
Scrap and metallic strands from cable and wire stripping shall be kept away from sensitive electronic
equipment, such that loose pieces do not become lodged inside equipment.
All working areas occupied by the AV Contractor shall be cleaned as an on-going activity.
The AV Contractor shall vacuum clean all such spaces and remove all debris, scrap and waste at
least daily and after any substantial debris accumulation. At the conclusion of the work in a given
room or area, a final vacuum cleaning of the immediate vicinity shall be performed. Wet mopping
shall be performed on flooring only when other dry cleaning methods are insufficient. No brushing or
wet cleaning of equipment shall be permitted.
All loose items, including those that existed at the start of the project shall be removed.
The AV Contractor shall be responsible for the proper alignment, adjustment and calibration of all
audio visual systems equipment (including client free issued equipment where this forms part of the
AV system), and shall provide all personnel and test equipment for the system test and adjust.
The AV Contractor shall furnish all software necessary to operate software controlled audio visual
equipment or sub-systems (e.g. remote control system). Whether produced by the
AV Contractor or supplied by a software manufacturer, all software shall be installed and tested prior
to the delivery of equipment to the site.
Hardware
The AV Contractor shall use metal-framed equipment racks with vented top, side panels and rear
door. The rack height shall take into account available space and any need for a monitor or other
equipment on top of the rack to be a suitable height for viewing. Castors and/or a front door or other
rack accessories shall be as specified.
Equipment rack-mounting shall conform to the industry standard of 1 ¾ ” = 1 rack unit (RU).
All equipment racks, consoles, connection boxes and other metallic enclosures shall be degreased
and vacuum cleaned prior to installation of equipment or panels.
The AV Contractor shall implement a general ventilation scheme, passive or fan powered as required,
for all equipment racks and consoles in the installation.
All equipment racks shall have rear rack rails, or an approved alternate mounting system, behind the
front rack mounting rails. The rear rails shall be parallel to and square with the front rails and shall
conform to current industry standards for 19” racks. These rails are to be used for equipment items
that require rear rack support or for any rear mounted equipment and connector panels.
All equipment racks shall be sufficient in depth to enclose all equipment and allow sufficient internal
space for signal and power wiring unless specifically indicated otherwise.
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All equipment racks shall be carefully inspected prior to final installation and all rough or sharp edges
that may cause injury to personnel or damage to equipment or cabling shall be de-burred or a
permanent protective covering applied.
The AV Contractor shall provide blank filler panels in all rack openings not occupied by equipment or
vents. For the sake of future re-configuration of the racks blank filler panels should not exceed three
rack units (3RU) in size. Perforated panels may be used to aid in proper ventilation.
Allow space for future expansion where possible. All devices within equipment racks shall be
mounted to the equipment rack. No devices shall be resting on top.
Devices should be mounted in the racks in logical order with heavier devices in the lower portion to
ensure that the assembly is not top heavy. Frequently used devices should be mounted at the
optimal distance from the floor for operator monitoring and use.
Each rack above 27 RU in height shall be fitted with retractable working lights on the front and rear to
facilitate operations and service.
Engraved or other AV Contractor logo panels shall be confined to a single rack unit in height.
Factory Prefabrication
To minimize on-site time, the opportunities for on-site damage or losses and equipment contamination
due to builder’s works the AV Contractor shall, as far as is possible, prefabricate all equipment racks
and sub-assemblies at their premises. This should include wiring, labelling, dressing, supports, and
ventilation.
The degree to which off-site testing is required at the factory will be agreed with the Client and/or
Client representative who will be invited to witness the test procedures.
Serviceability
In the interest of efficient servicing and maintenance, all equipment is to be installed such that access
is not hampered. To further aid the serviceability of the equipment racks, slide out rack assemblies
shall be used, with appropriate service loops.
Wiring
Cable Installation
The AV Contractor shall be responsible for determining the correct length of all cables with
appropriate slack length whether required on or off the job site.
All cables, regardless of length, shall be marked with permanent alphanumeric cable markers at both
ends. There shall be no un-marked cables at any place in the systems.
Marking codes shall be marked on corresponding drawings and tabulated on a run sheet.
The AV Contractor shall determine the desired methods for securing cables with consideration to
neatness, support and ease of modification from a maintenance standpoint. Suitable service loops
shall be provided to allow removal of equipment from the front of the rack without disconnection, or to
extend equipment that is mounted on rack slides.
Wires and cable shall be installed in a neat and orderly fashion, with like cable types grouped together
following similar paths. Groups of cables shall be neatly combed and harnessed.
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Plastic cable ties are the preferred method for harness or loom lacing. Cable lay-in systems are not
acceptable except as applied to a horizontal cable tray.
Harnessed groups of cables shall be anchored at suitable intervals to reduce and relieve wire strain,
especially strain on connections. Adequate service loops shall be provided at all cable endpoints.
Network cables should not be tie-wrapped; they should be loosely gathered using Velcro bands so
that cable performance is not compromised by crushing.
No point in the cable routing path shall be subjected to a bend radius of less than eight times (8x) the
cable diameter or the minimum bend radius specified by the cable manufacturer.
Captive cables shall not be laced so tightly that it may prevent access to or removal of the equipment
to which they are captive.
Wires and cables shall be segregated according to signal type to reduce signal contamination. In
addition, audio cable shall be sub-divided into three (3) categories: microphone level circuits, line level
circuits, and loudspeaker circuits. Microphone level audio circuits shall be kept at least 75mm from
any other type of parallel signal circuits and a minimum of 150mm from any parallel AC power circuits.
Loudspeaker level audio circuits shall be kept a minimum of 75mm from line level audio and AC
power circuits. All other signal circuits shall be kept at least 75mm away from any parallel AC power
circuits.
Where circuits of different types must cross, they shall do so at right angles and then return to the
separations specified above.
Conductors, wires, and cables shall be continuous and unbroken between termination points. Any
kind of cable splicing is categorically unacceptable.
Permanent cable tie and lacing installation shall be accomplished using hand tools specifically
designed to apply proper tension to the cable tie, and to cut the end of flush with no protruding sharp
edges. The AV Contractor’s Project Manager shall spot check assemblies using cable ties both
visually and by touch, thereby detecting any sharp edges of improperly cut cable ties.
Cable ties shall be placed approximately 150mm apart on all cable runs of two or more cables that are
not supported by raceway, cable tray, or other means. No more cable ties shall be used than are
necessary for a neat installation. Cable ties shall not be applied with excessive force that may
damage or deform sensitive and fragile cables.
Rack mounting rails shall not be used for cable lacing. Lacing bars and/or tie mount bases, mounted
to cabinets or console, shall be provided where appropriate.
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Any deviation from this instruction, in full or in part, must be agreed with the Client prior to build.
Audio Cables
All audio cables shall be of the shielded, twisted pair type such as Belden 1801, Canford
Audio DFT-LFH or approved equivalent. The two cores shall have minimum 0.22mm² copper
conductors and have different coloured outer insulation jackets one of which shall be red. Installed
cables shall have a braided, lapped or foil screen around each pair.
Screen shielding for each pair shall be 94% coverage or better. The cable shall have a characteristic
impedance of 110 ohms and be suitable for transmission of AES/EBU digital audio signals as well as
conventional analogue signals. The same type of cable shall be used throughout the installation; the
Tenderer shall state the type of cable and its specification in their tender return.
Graphics Cables
The cabling for high resolution, computer generated graphics signals shall be suitable for use with low
loss of signals up to a 300 MHz bandwidth.
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Multiple runs of high quality, 75-ohm coaxial cable such as BBC PSF1/3M, Canford Audio
SDV-L-LFH, Belden 8281 or 1506A, or a single run of high performance multi-core cable such as
Extron High-Resolution cable shall be used for all video-cabling runs exceeding 10m.
Multiple runs of high quality, flexible 75-ohm coaxial cable such as Belden 8279 or a single run of
limited performance multi-core cable such as Extron BNC-5 Mini HR cable shall be used for all video-
cabling runs within racks and for runs up to 10m. Site cable extension of graphics signals should
make use of a relevant Cat 6A baluns such as those highlighted in the specification document.
Where a number of cables run together from one point to another e.g. an RGB output document
camera to a connection panel, the variation in cable length shall be less than 10 mm.
The Tenderer shall state the types of cable and their specification in the tender return.
Alternate Cables
The AV Contractor is encouraged to suggest alternate cable types where a significant cost savings
may be realized without any loss of quality, reliability and performance. The Client must approve
alternatives prior to their use.
Power Cords
All equipment power cords shall terminate in a standard plug that shall be wired in compliance with
governing codes and standards.
Power cords may be laced into the rack as long as the cord is free to be removed at the power
connector on the piece of equipment but they shall not be laced in the same bundle or loom as signal
or control cables. This is to prevent mains hum and to allow removal of the equipment without
unnecessarily disturbing the cable lacing. If the power cord is permanently fixed to the equipment, the
cable shall be dressed separately from all other cables terminating at the equipment to facilitate easy
removal of the equipment.
All power cords shall be connected to an AC power distribution strip that will be pre-wired into the rack
prior to delivery to site.
Mains cabling to the individual units shall be by high quality distribution units. This may be routed
down one side of the rack separated from the audio visual signal cabling that shall be routed on the
other side. Alternatively rack strips at the top and/or bottom of the racks may be used. Consideration
should be given to using controllable strips that allow the control system to switch on and remove
power in a controlled manner. Cabling shall be neat and tidy, accessible for rearrangement without
undue work and brought into the rack from underneath unless where otherwise stated.
Cable Termination
Wire and cable termination shall be performed in accordance with Broadcast Industry Standards and
the guidelines of generally accepted installation practices.
With respect to audio equipment interconnects, the AV Contractor shall make every effort to use
equipment with balanced inputs and outputs. When this is not possible, such as the case to meet
specification, then an electronic balancing device (professional interface) or balancing transformer
should be utilized. Unbalanced to unbalanced connections are permitted within (but not between)
equipment racks, but are discouraged.
It is ultimately the AV Contractor’s responsibility to choose the best wiring practices to maintain
maximum audio quality.
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
All cable ends shall be protected with insulated sleeves. Either rubber “Hellerman” type sleeves or
heat shrink tubing sleeves shall be used. Bare shield drain wires shall be insulated with small
diameter clear Teflon, silicone or PVC heat shrink (as appropriate) from under the outer jacket to
within 3mm of the point of termination.
ConnectorsGeneral
Only premium quality cable connectors shall be used. All cable-mounted connectors shall be covered
by a connector hood or shall have crimp ferrules, which securely grasp the cable outer jacket to
provide protection to the connections made on the connector and provide strain relief for the cable.
All connectors shall have a mechanical means of attaching the connector to its mate to assure that a
connector will not fall off unless intentionally removed.
Audio XLR type Connectors
These shall be premium quality connectors with tarnish resistant contact surfaces. No connection
shall be made to the shell unless specifically called out in the drawings.
Video Connectors
Only connectors with tarnish resistant contact surfaces shall be used. The centre conductor pin and
socket shall be captive and finished with gold or silver plating over nickel. The manufacturer shall
specify all connectors to be acceptable with the specific cable being used.
Panel Mounted Connectors
Care shall be taken to insulate the bodies of panel mount connectors (e.g. video BNCs) or their pins
(e.g. audio XLRs) from making contact with the mounting panel. The following types of connectors
are recommended for panel mount connections:
• Audio – microphone level: Latching XLR-F type.
• Audio - line level: Locking/latching XLR-F type. Insulated Phono (RCA) or 3.5mm insulated stereo
jack sockets are acceptable for unbalanced audio signals provided that the signal is locally balanced if
it is being sent to a remote equipment rack.
• Audio - loudspeaker level: Neutrik ‘Speakon’ 4 pole connector
• Video: Recessed BNC type panel mount socket, or female to female BNC bulkhead connector.
Both these must be insulated from the panel.
• Serial Data: DB-9F or DB-25F socket. 4,5,or 6 pole XLR-F types are also permitted provided they
are not used for any other signal types in the building.
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Solder Connections
Only the finest quality solder with rosin flux, specifically for electronic use, shall be used.
Solder shall comply with current RoHS legislation.
Solder fillets shall wet and flow around conductors and terminals. In no case shall the general outline
of the conductor be visible in excessive solder. The insulation shall not be charred, melted or burned
by the soldering operation. There shall be no evidence of either lead or terminal contamination. The
final solder joint shall be bright and shiny and shall show no evidence of being a “cold soldered” joint.
Mechanical connections made to terminals prior to soldering shall be the minimum required to reliably
retain wire, usually a simple bend around solder eyelet or post. The practice of multiple wraps on
solder terminals shall be avoided, as that practice makes conductor removal very difficult after
soldering.
Crimp Connections
Where crimp connectors are utilized, they shall be installed using the manufacturer’s recommended
controlled cycle crimp tool that assures that the proper crimp pressure is applied. The AV Contractor
shall develop a procedure to insure that the crimp tooling is properly checked for compliance with the
manufacturer’s standards, and that it is producing crimp-type connections within the required
tolerances. The frequency for such checks will depend on the amount of usage and on the length of
time a particular tool is anticipated to remain within calibration limits.
Only the manufacturer’s recommended tooling shall be used. Only pins and connectors of the proper
size and design for the cable to which they are to be applied shall be used.
There shall be no abnormal deformation of the contacts during the crimping operation.
There shall be no damage to the contacts during the crimping operation that could interfere with its
retention within the connector shell or mating. There shall be no damage done by the crimping
operation that either severs conductor strands or exposes the individual strand base metal.
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Screw Connections
Conductors shall be stripped prior to installation underneath screw-down terminals.
Insulated crimp-on spade terminals shall be used for the connection of stranded conductor cables to
screw down barrier strips. Multiple gang lugs or ring lugs are categorically unacceptable for this
purpose. It is suggested that stranded conductor wire be “doubled over” on the crimp end prior to
crimping.
Electrical Power
All audio visual racks shall have pre-wired AC power distribution strips within the rack. The
assembled rack internal power strips will conform to the approved testing laboratory specifications.
Each circuit will consist of a “live” wire, a dedicated neutral wire, and a dedicated safety ground wire of
equal current carrying capacity.
The audio visual system will be designed so that power may be supplied or removed smoothly or
abruptly at any time without causing damage to system equipment.
The audio visual system shall be designed to operate on unconditioned power, or the system will
have power-conditioning devices included in the design to accommodate computers or other power
fluctuation sensitive equipment.
EMC
All equipment used in the installation shall have its own EMC approval. The installation as a whole
must also comply with the EMC standards in force at the time. This may be achieved in part, by
adherence to good grounding practice (see below)
Grounding Practices
The Technical Power ground conductor that is provided with the mains supply will service the audio
visual system.
Audio cables shield shall be connected to ground at one point only. This ground point shall be at the
system ground of the destination device, which shall be strapped to the system ground in the rack.
For intra-rack wiring this requires the shield to be connected at both ends, but grounded at only one
end. Exceptions may be made for phantom powered microphones.
All video receptacles shall be insulated from any metallic mounting panel, outlet box, or wire way.
Unless otherwise detailed, this shall be accomplished by using insulated-from-panel type receptacles.
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
The AV Contractor should take care to consider ground references within each device and the
grounding factors on site. Under no circumstances should the mains earth wire be removed from any
piece of equipment.
Pin 1 on both free and fixed XLR’s shall not be connected to the XLR casing anywhere in the
installation to avoid panel earth (which is building earth) from being connected to the clean technical
earth. Any metalwork that is not already earthed through conduit shall be earthed to an approved
point.
Commissioning
Inspection by the Client or their representative shall not commence until the AV Contractor has
completed all his own testing, rectified all faults and can demonstrate a fully working system, including
all modes of control systems.
The AV Contractor shall submit for approval a commissioning schedule at least one week before
commissioning is due to start. This schedule shall include drafts of the test results sheets to be used
to record all tests. Exceptionally the Client may issue a test schedule, which shall form the basis of
the tests.
Systems commissioning shall demonstrate to the Client that the installation has been built in
accordance with the provisions of this Specification or as otherwise agreed. In particular it shall be a
requirement to demonstrate:
Equipment provision.
The installation as quoted has been supplied i.e. all the facilities and equipment included in the tender
return schedule taking into account any amendments made. The AV Contractor shall supply the
Client an updated, as-built, bill of quantities for the Client to use in making this check.
Equipment Set-up
All equipment with adjustable controls shall have their pre-sets marked for recognition following
commissioning. Method of marking is to be approved by the Client prior to being implemented.
Cabling
All cables leaving equipment racks shall be shown to be of correct type and correctly wired. All cable
test results shall be noted on a schedule available for inspection by the Client. A random selection of
cables shall be re-tested during the commissioning period to check the validity of the results.
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Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Functionality
That the installation provides the functionality and usability that was specified or agreed.
Labelling
All parts of the installation are labelled in a satisfactory manner for ease of use e.g. patch panels, floor
boxes, and cables.
Safety
The installations are safe and sound both physically e.g. projector mountings, and electrically e.g. all
metal structures bonded to earth. Any warning notices e.g. mains voltage, should have been posted.
Scenario Testing
After all of the above have proved satisfactory, a number of scenarios shall be developed to test the
installation in real situations.
Manuals
The AV Contractor shall present a sample of the format proposed for Operations and
Maintenance (O&M) documentation for approval by the Client early in the project, before on site work
commences.
Full documentation to guide service and operations is considered an integral part of this project.
The installation will not be deemed complete and handed over until the final issues of the agreed
documentation have been received and approved.
Maintenance Manuals
Hard and soft copies of an A4 format maintenance manual shall be provided. The format of the soft
copy shall be agreed with the client. The manual shall detail:
• A project specific description of the system
• System operational instructions
• Routine care and maintenance requirements
• ‘First level’ fault finding procedures
• Records of settings for all adjustable controls
• Equipment inventory with serial numbers
• A list of accessories provided
• A list of spares provided
A full set of systems reference drawings shall be included within the manual and preferably in A3
format folded to fit in neatly.
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Comprehensive wiring information shall be provided either in the form of cable run sheets organised
according to the alphanumeric cable identification scheme or by prior agreement (lower complexity
installations only) on the schematics. It shall not be sufficient just to state the start and end points of
each cable; details shall be provided of cable type, its core colours and details of pin connections at
each end.
Drawings and cable information shall also be provided in machine-readable form, in a format to be
agreed with the Client.
The front page of the manual shall include contact details (name, addressand telephone, e-mail and
fax numbers) for the AV Contractor.
The AV Contractor shall provide a minimum of three complete sets of the Maintenance
documentation. In addition, a complete set shall be provided for the technician and for the Client's
representative if appointed. Manufacturer's handbooks for all proprietary items shall be provided
bound in a separate file with alphabetical indexing.
On completion of the installation the AV Contractor shall insert in the rear of each main equipment
rack a laminated copy of the system schematic. In addition, each rack shall have a cable schedule
attached to the inside of the rear door. This schedule shall clearly identify all the connections and
numbering of all cables within the rack.
Page (53/104)
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Bill of Quantities
Exhibit Equipment Equipment Unit Price
Reference Exhibit Name Generic equipment description Make Model Quantity in $ Total in $
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Subtotal 1.2
Page (55/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
Stacking frame 1 -
$
Circular filters + mechanical slider 1 -
Page (56/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
Cat.X VGA, Audio and USB extender 1 -
$
Front speakers 3 -
$
Sub-woofer 1 -
$
Surround 6 -
Page (57/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Page (58/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
Brush strip 1 -
$
Mains switch 1 -
1 U Rack Drawer with Monitor, $
keyboard and mouse 1 -
Field equipment
$
Projector 4000 lumens DLP, SX+ 6 -
$
Projector 10000 lumens DLP, SX+ 1 -
Pufferphere with hard ball 1500 mm $
screen 1 -
$
VGA, audio and USB Cat.x extender 7 -
Page (59/104)
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
Speaker bracketry 6 -
$
Mechanical interface 1 -
$
Lighting interface 1 -
$
Start/stop panel 1 -
Subtotal 3
Page (60/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Page (61/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
$
VGA, Audio, USB Cat.x extender 1 -
$
RS232 Cat.x extender 1 -
Field equipment
$
21" LCD Touch monitor Open frame 1 -
$
VGA, Audio, USB Cat.x extender 2 -
$
Type Aqua graphics display all inclusive 1 -
$
RFID reader 1 -
$
Powered Speaker 2 -
$
Speaker brackets 2 -
Subtotal 4.4
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GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
$
Microphone receiver 1 -
$
Overall show controller 1 -
Field equipment
$
Speaker for Car (6 per car) 60 -
$
100 V Speaker for set work 4 -
$
Wireless mic. 1 -
$
Backlight push buttons (2 per car) 20 -
$
Audio player with I/O for the cars 20 -
Subtotal 4.4
Page (63/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
Field equipment
$
Smoke beam sensor 1 -
$
Ride trigger 1 -
$
VGA, Audio, USB Cat.x extender 1 -
$
Powered Speaker with bracket 2 -
$
Projector 4000 Lumens SX+ 1 -
$
Projector Bracketry etc. 1 -
$
Projector environmental housing 1 -
Rear projection material 2500 mm high by $
2200 mm wide 1 -
Subtotal 5.1
Page (64/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
Ride trigger 1 -
$
Powered Speaker with bracket 4 -
$
Audio DA 1 to 4 1 -
Subtotal 5.2
Page (65/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
$
Show controller 1 -
Field equipment
$
Ride trigger 1 -
$
VGA Cat.x extender 1 -
$
Projector 4000 Lumens SX+ 1 -
$
Projector Bracketry etc. 1 -
Rear projection material 2900 mm high by $
1600 mm wide 1 -
Subtotal 5.4
Page (66/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Subtotal 5.5
Page (67/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
$
VGA, Audio, USB Cat.x extender 1 -
$
Show controller 1 -
Field equipment
$
Ride trigger 1 -
$
VGA, Audio, USB Cat.x extender 1 -
$
Projector 4000 Lumens SX+ 1 -
$
Projector Bracketry etc. 1 -
$
Powered speaker 2 -
Rear projection material 2000 mm high by $
1500 mm wide 1 -
Subtotal 5.6
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GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
4 -
$
Show controller 1 -
$
RS232 Cat.x extender 2 -
Field equipment
$
Ride trigger 1 -
$
VGA, Audio, USB Cat.x extender 4 -
$
Projector 4000 Lumens SX+ 4 -
$
Projector Bracketry etc. 4 -
Rear projection material 2000 mm high by $
2200 mm wide 1 -
Peppers ghost including Mirror, foil, rig $
etc. 3 -
$
Ripple interface 1 -
$
Door interface 1 -
$
RS232 Cat.x extender 2 -
Subtotal 5.7
Page (69/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Page (70/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Page (71/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
HD Media player 1 -
$
VGA, Audio, USB Cat.x extender 1 -
Page (72/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
HD Media player 1 -
$
VGA, USB Cat.x extender 1 -
$
Show controller 1 -
Field equipment
$
Ride trigger 1 -
Page (73/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
3 -
$
Show controller 1 -
Field equipment
$
Ride trigger 1 -
$
VGA, USB Cat.x extender 3 -
$
Projector 4000 Lumens SX+ 3 -
$
Projector Bracketry etc. 3 -
$
Rear projection material 2200 mm wide 3 -
Subtotal 5.12
Page (74/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
$
VGA, USB Cat.x extender 1 -
$
Projector 4000 Lumens SX+ 1 -
$
Projector Bracketry etc. 1 -
Rear projection material 2200 mm high by $
2000 mm wide 1 -
Subtotal 5.13
Page (75/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Page (76/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
zoom lens 2 -
$
Projector bracketry etc. 2 -
$
RFID reader 1 -
Subtotal 6.2
Page (77/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
4 -
$
42" LCD monitor 1 -
$
Monitor bracket 1 -
Subtotal 6.3
Page (78/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
6 -
$
Amplifier 1 -
$
Speaker 2 -
$
Monitor bracket 1 -
Subtotal 6.4
Page (79/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Page (80/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
4 -
Projector 6000 lumens, SX+, with zoom $
lens 1 -
$
Projector bracketry etc. 1 -
$
RFID reader 3 -
$
Mono Amplifier 3 -
$
Speaker built in to set work 3 -
Subtotal 6.6
Page (81/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
$
IR camera and light 1 -
$
Mono amplifier 1 -
$
Speaker 1 -
$
RFID reader 1 -
$
VGA, Audio, USB Cat.x extender 1 -
Subtotal 6.7A
Page (82/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
$
IR camera and light 1 -
$
Mono amplifier 1 -
$
Speaker 1 -
$
RFID reader 1 -
$
VGA, Audio, USB Cat.x extender 1 -
Subtotal 6.7B
Page (83/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
$
IR camera and light 1 -
$
Mono amplifier 1 -
$
Speaker 1 -
$
RFID reader 1 -
$
VGA, Audio, USB Cat.x extender 1 -
Subtotal 6.7C
Page (84/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
$
IR camera and light 1 -
$
Mono amplifier 1 -
$
Speaker 1 -
$
RFID reader 1 -
$
VGA, Audio, USB Cat.x extender 1 -
Subtotal 6.7D
Page (85/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
VGA, USB Cat.x extender 6 -
$
back light button 6 -
$
Button interface 6 -
$
Speaker 6 -
$
Mono amplifier 6 -
$
RFID reader 6 -
$
Monitor bracket 6 -
Subtotal 6.8
Page (86/104)
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Desalination/electricity
6.10A generating model Rack equipment
Page (87/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
Computer 4 -
$
VGA, Audio, USB Cat.x extender 4 -
Field equipment
$
21" LCD touch monitor 4 -
$
Mono amplifier 4 -
$
Speaker 4 -
$
RFID reader 4 -
$
VGA, Audio, USB Cat.x extender 4 -
$
Light interface 4 -
Subtotal 6.10A
Desalination/electricity
6.10B generating model Field equipment
$
RFID reader 1 -
Subtotal 6.10B
Page (88/104)
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Page (89/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Page (90/104)
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Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
VGA, Audio, USB Cat.x extender 3 -
Rear projection rig with mirror for a 900 x
500 mm screen, from within a 700 mm $
high table 1 -
$
Projector 16:10 format 1 -
$
IR camera and light 1 -
$
LED countdown clock 2 -
Subtotal 6.11
Interactive model of
7.1 Kahramaa Rack equipment
$
Computer 2 -
$
VGA, Audio, USB Cat.x extender 2 -
Field equipment
$
21" Touch LCD Monitor Open frame 2 -
$
VGA, Audio, USB Cat.x extender 2 -
$
Light interface 2 -
RFID reader $
Page (91/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
2 -
Alternatives to fossil
8.1 fuel power generation Rack equipment
$
Computer 5 -
$
VGA, Audio, USB Cat.x extender 5 -
Field equipment
$
19" Touch LCD Monitor Open frame 5 -
$
VGA, Audio, USB Cat.x extender 5 -
$
RFID reader 5 -
$
Mono Amplifier 5 -
Speaker $
Page (92/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
5 -
Subtotal 8.1
Page (93/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Photovoltaic and
electrochemical power
8.4 generation Rack equipment
$
Computer 1 -
$
VGA, Audio, USB Cat.x extender 1 -
Field equipment
$
VGA, Audio, USB Cat.x extender 1 -
$
RFID reader 1 -
$
Mono Amplifier 1 -
$
Speaker 1 -
$
Battery interface 1 -
LED clock $
Page (94/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
Subtotal 8.4
Page (95/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
Other means of
8.8 generating electricity Rack equipment
$
Computer 1 -
$
VGA, Audio, USB Cat.x extender 1 -
Field equipment
Page (96/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
HD media player 8 -
$
VGA Cat.x extender 8 -
Field equipment
Projector 6000 lumens WUXGA with $
standard zoom lens 8 -
$
VGA Cat.x extender 8 -
Translucent screen viewing from both $
sides, 5 metres wide 8 -
$
Screen suspension rig and bracketry 8 -
Exhibit Equipment Equipment Unit Price
Reference Exhibit Name Generic equipment description Make Model Quantity in $ Total in $
$
Projector bracketry 8 -
Subtotal 8.9
Page (97/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
4 -
$
VGA, audio and USB Cat.x extender 4 -
$
Speaker built into set work 4 -
$
Mono amplifier 4 -
$
Lighting interface 4 -
$
RFID reader 4 -
Subtotal 8.10
Page (98/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
9 -
$
Mono amplifier 9 -
$
Web camera 9 -
$
Monitor bracketry 9 -
Subtotal 10.2
Control
Room Rack equipment
$
40 U Rack 12 -
$
Rack doors 12 -
$
Rack side panels 6 -
Exhibit Equipment Equipment Unit Price
Reference Exhibit Name Generic equipment description Make Model Quantity in $ Total in $
$
Rack suiting kit 9 -
$
Mains insulation switch 12 -
$
24 port Network switch 12 -
$
1 Brush strip 12 -
Page (99/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
1 U drawer 11 -
$
2 U drawer 1 -
$
Control Computer with dual network card 1 -
$
Main Show controller 1 -
$
1 U LCD drawer with keyboard and mouse 1 -
Powered speaker for control computer (1 $
pair) 1 -
$
Button panel for manual start/stop 1 -
Subtotal Control room
Total Equipment
$
Project management 1 -
$
System Engineering 1 -
$
System Assembly 1 -
System Test $
Page (100/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
1 -
Delivery cost inclusive of all duties and $
taxes 1 -
$
Onsite Installation 1 -
$
Onsite commissioning 1 -
$
Programming 1 -
$
Handover 1 -
$
Training (1 man week) 1 -
$
Manuals 1 -
Post system completion programming and $
attendance. (1 man week) 1 -
Total Labour
Grand Total
Page (101/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Qatar General Electricity & Water Corporation
TENDER NO. GTC 400/2011
Construction of Kahramaa Awareness Park
$
Options 1 -
$
Day Rate for additional Training 1 -
Page (102/104)
GTC 400/2011 Appendix A: S.O.W & Specs
Sec-11 52 00
Kahramaa Education Park October 2010
We have supplied:-
A project timeline / schedule we are happy to work to that complies with the clients requirements
2 x references from Projects you have carried out that are similar to that tendered in this document.
Any other information about your company which you feel would help differentiate you as the winning
contractor.
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