You are on page 1of 2

Stranger On A Train

According to me, the model of "the classic cinema" is respected in


the movie
Strangers On a Train. The movie starts on a train, where we are
introduced to
the two main characters, having a conversation. The subject of the
conversation
is basically the most important part of the setup. By listening to
them, we
could predict the direction that the story was going towards.
Throughout the
rest of the introduction, we are introduced to the rest of the important
characters.

The first plot point, as expected, takes place when Bruno murders
the
protagonist's wife. After doing so, he expects the protagonist to do
his part of
the plan, who refuses Bruno's offer because they never had planned it.
The
protagonist's identity is threatened because he's accused of a crime
which he
never committed. We could also see the presence of oedipus complex:
Bruno's
hatred towards his father since his childhood.

According to me, the model of "the classic cinema" is respected in


the movie
Strangers On a Train. The movie starts on a train, where we are
introduced to
the two main characters, having a conversation. The subject of the
conversation
is basically the most important part of the setup. By listening to
them, we
could predict the direction that the story was going towards.
Throughout the
rest of the introduction, we are introduced to the rest of the important
characters.

The first plot point, as expected, takes place when Bruno murders
the
protagonist's wife. After doing so, he expects the protagonist to do
his part of
the plan, who refuses Bruno's offer because they never had planned it.
The
protagonist's identity is threatened because he's accused of a crime
which he
never committed. We could also see the presence of oedipus complex:
Bruno's
hatred towards his father since his childhood.

The object of the protagonist's and the camera's look was usually
women.
When Bruno was committing the murder, we could see only her (the
victim) and the
reflecting light on her glasses. Also by the time when Bruno was
demonstrating
how to strangle by remembering his murder, the eyes of the camera were
on
another woman who looked exactly like his victim. After the second plot
point
took place, the events that occurred led the story back to normal.

The questions that I asked to myself: How is the problem to be


solved? What
will happen next? Is he going to make it? made the movie exciting. The
unrevealed answers made me think and worry. Anxiety in this case was
pleasure.

You might also like