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Universidade de Aveiro

Licenciatura em Novas Tecnologias da Comunicação

Licenciatura em Tecnologias Informação e Comunicação

Ergonomia Cognitiva

Aulas Tp3 | 2008-09-29 e 2008-10-01

A partir dos resultados da pesquisa, selecionou-se os seguitens recursos:

Título Human factors 101.


Autores Maddox, Michael mmaddox@humancentrictech.com
Fonte Industrial Engineer: IE; Mar/Apr2008, Vol. 40 Issue 3/4, p22-22, 1p
Tipo de documento Editorial
EDITORIALS
HUMAN engineering
Termos do assunto
PERCEPTION
SENSES & sensation
HUMAN information processing
NAICS/Industry Codes 519110 News Syndicates
The author reflects on the aspects of human perception. These
properties are fundamental that most human factors people take it for
granted that everybody understands them. The author outlines a
Resumo short explanation of human perception. He observes that if a person
can not tell the difference, it does not matter. He also mentions that
people perceive things more readily when they change, rather than
wen they are constant. Finally, he focuses on the dynamic range of
human senses.
ISSN 1542894X
Número de acesso 31292943
Link permanente para http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=31
este registro 292943&lang=pt-br&site=ehost-live&scope=site
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Título Brightness and Darkness as Perceptual Dimensions.


Vladusich, Tony thevlad@bu.edu
Autores Lucassen, Marcel P.
Cornelissen, Frans W.
PLoS Computational Biology; Oct2007, Vol. 3 Issue 10, pe179-1858,
Fonte
10p, 2 diagrams, 4 graphs, 1 bw
Tipo de documento Article
BRIGHTNESS perception
VISUAL perception
Termos do assunto
COLOR vision
COLOR
PERCEPTION
Resumo A common-sense assumption concerning visual perception states
that brightness and darkness cannot coexist at a given spatial
location. One corollary of this assumption is that achromatic colors,
or perceived grey shades, are contained in a one-dimensional (1-D)
space varying from bright to dark. The results of many previous
psychophysical studies suggest, by contrast, that achromatic colors
are represented as points in a color space composed of two or more
perceptual dimensions. The nature of these perceptual dimensions,
however, presently remains unclear. Here we provide direct evidence
that brightness and darkness form the dimensions of a two-
dimensional (2-D) achromatic color space. This color space may play
a role in the representation of object surfaces viewed against natural
backgrounds, which simultaneously induce both brightness and
darkness signals. Our 2-D model generalizes to the chromatic
dimensions of color perception, indicating that redness and
greenness (blueness and yellowness) also form perceptual
dimensions. Collectively, these findings suggest that human color
space is composed of six dimensions, rather than the conventional
three. [ABSTRACT FROM AUTHOR]

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Laboratory of Experimental Ophthalmology & BCN NeuroImaging


Centre, School of Behavioural and Cognitive Neurosciences,
Filiações do autor University Medical Centre Groningen, University of Groningen,
Groningen, The Netherlands Department of Human Interfaces, TNO
Human Factors, Soesterberg, The Netherlands
ISSN 1553734X
Número de acesso 27420099
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este registro 420099&lang=pt-br&site=ehost-live&scope=site
Base de dados Academic Search Complete

Audiovisual influences on the perception of visual apparent


Título
motion: Exploring the effect of a single sound.
Bruns, Patrick
Autores
Getzmann, Stephan
Citação Acta Psychologica Oct2008, Vol. 129 Issue 2, p273-283
Ano 2008
Tipo de documento Article
AUDITORY perception
Termos do assunto VISUAL perception
MOTION perception (Vision)
PERCEPTION
Resumo Abstract: Previous research has shown that irrelevant sounds can
facilitate the perception of visual apparent motion. Here the
effectiveness of a single sound to facilitate motion perception was
investigated in three experiments. Observers were presented with
two discrete lights temporally separated by stimulus onset
asynchronies from 0 to 350ms. After each trial, observers classified
their impression of the stimuli using a categorisation system. A short
sound presented temporally (and spatially) midway between the
lights facilitated the impression of motion relative to baseline (lights
without sound), whereas a sound presented either before the first or
after the second light or simultaneously with the lights did not affect
motion impression. The facilitation effect also occurred with sound
presented far from the visual display, as well as with continuous-
sound that was started with the first light and terminated with the
second light. No facilitation of visual motion perception occurred if the
sound was part of a tone sequence that allowed for intramodal
perceptual grouping of the auditory stimuli prior to the critical
audiovisual stimuli. Taken together, the findings are consistent with a
low-level audiovisual integration approach in which the perceptual
system merges temporally proximate sound and light stimuli, thereby
provoking the impression of a single multimodal moving object.
[Copyright 2008 Elsevier]
ISSN 00016918
3 -- Leibniz Research Centre for Working Environment and Human
Endereço/Address
Factors, D-44139 Dortmund, Germany
Base de dados Academic Search Complete (EBSCO) /B-on

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