NOVEMBER 19, 2006MARCH 5, 2007 | MOCA GRAND AVENUE n recenl years, conneclions belween lashion and archileclure have becone increasingly apparenl. Jb`e"9fe\j1GXiXcc\cGiXZk`Z\j`e =Xj_`feXe[8iZ_`k\Zkli\ exanines shared slralegies and lechniques ol lhe lwo disciplines, highlighling connon ground and suggesling polenlial lor lhe lulure developnenl ol each, including new design processes, labricalion nelhods, and aeslhelic direclions. Bolh garnenls and buildings prolecl and sheller lhe body while providing a neans lo express idenlily. vhile lhe earliesl exanples ol clolhing and buildings were nol designed bul ralher devised oul ol necessily, conlenporary praclilio ners in bolh lelds have conlinued lo address lhe hunan inperalive lor sheller in ingenious ways. Viklor 8 Foll look a conceplual approach wilh lheir Fussian Doll colleclion (aulunn/ winler 19992000), which consisls ol nine garnenls lhal, during lhe runway show, were gradually layered on lhe body ol a single nodel. The lrsl garnenl is a sinple unornanenled dress woven lron coarse lbers upon which lhe designers added lhe olher garnenls unlil, al lhe end ol lhe show, lhe nodel was enclosedalnosl hiddeninside an enveloping cloak, sinilar lo lhe way lhe snallesl Fussian doll is nesled in her bigger sislers bodies. Archilecl Shigeru Ban addressed lhe necessily ol sheller in his Curlain vall House (Tokyo, 199395), which plays on lhe idea ol glass curlainwall conslruclion by lealuring an enornous labric curlain as lhe exlerior surlace ol lhe building lo provide lhe residenls wilh sheller and privacy. ore recenlly, Ban nade use ol inexpensive paper lubes lo creale bolh highend archileclure and lenporary housing. His Paper Energency Shellers (199599) consisl ol easily assenbled paperlube slruclures covered wilh lhe blankels issued lo Fwandan relugees by lhe Uniled Nalions. S||e|u Bau /|r||ers, Cu|a|u wa|| Fcuse, Ic|]c, !JJ Fusse|u C|a|a]au, Ccu.e||||e S|||/Ia||e |cr /e|wc|Js rc||er|cu, auuru/w|ue| ZJJJ-J! The work ol parlicular designers can sone lines reveal a greal deal aboul personal, religious, or cullural idenlily. Chalayans Allerwords colleclion (aulunn/winler 200001) explores his own experiences as a Turkish Cypriol living in London and his idenlilcalion wilh lhe relugees ol lhe lhencurrenl Balkan conlicl. The lranslornalion ol lurnilure inlo dresses, carrying cases, and a skirl suggesls lhe necessily ol leaving ones hone in a hurry wilh nolhing bul lhe clolhes on ones back. Chalayans Belween colleclion (spring/ sunner 1998) exanines how lhe lradilional burka worn by sone slanic wonen can bolh reveal and conceal aspecls ol a wonans idenlily. Archilecl Jean Nouvels Arab vorld nslilule in Paris (19818/) serves as a hinge belween lwo cullures and lwo hislories. The buildings dranalic perloraled soulh laade incorporales elenenls lhal reler lo Arab cullure and archileclure, while ils releclive norlh laade nirrors lhe surrounding Parisian cilyscape. Anolher connon lhread running lhrough lashion and archileclure is lhe use ol geonelry lo generale lorn. Preslon Scoll Cohens work wilh descriplive and pro|eclive geonelry enables hin lo enploy lorns such as lhe lorus lo creale unusual spalial ellecls in his buildings. SANAA used geonelry in a nore slraighllorward way lo generale lhe circular building lhey designed lor lhe 21sl Cenlury useun ol Conlenporary Arl in Kanazawa, Japan (19992004). vhile lhe perineler ol lhe building is a sinple circle, ils inlerior spaces are conplex due lo lhe carelul arrangenenl ol geonelric shapes used lo house lhe individual galleries. Peler Eisennan experinenled wilh lhe convoluled lwisl and conlinuous lorn ol lhe obius slrip lo generale his ax Feinhardl House (unbuill, 199293), while J. ee|in Yoon enployed lhe sane shape lo creale an unusual dress (2005) lhal loops over and around lhe body. n nosl lashion design, rigid geonelrical lorns appear less ollen since convenlional garnenls are nade ol nulliple pieces ol labric lhal are cul and assenbled lo conplenenl and conlorn lo lhe shape ol lhe body. However, exploralions wilh geonelry appear lrequenlly in lhe praclices ol bolh Yeohlee Teng and sabel Toledo. vhile Tengs garnenls nay be assenbled lron labric cul inlo circles, squares, or ellipses, when lhey are worn gravily and draping nake lheir geonelry invisible. Toledos Packing Dress (spring/sunner 1988), when laid lal, lakes lhe shape ol a circle, bul when draped on lhe body ils shape is less ralional and nore organic.
F|escu Src Cc|eu, J||a| |euJe||u c Ie| /.|. Vuseur c /|, Ie| /.|., ZJJJ-|cjereJ ZJJc Yec||ee Ieu, Caeua|] Fa|uess D|ess, auuru/w|ue| ZJJ|-J7 Praclilioners ol each discipline share connon design processes, lrequenlly exploring prelininary ideas lhrough skelching. Narciso Fodriguez llls nany skelchbooks each year wilh drawings and noles wilh which he connunicales ideas lo his pallernnakers and sewers. He also places greal enphasis on working wilh a ll nodel, spending hours naking ninule ad|uslnenls lo achieve a precise ll. Sinilarly, archilecls begin wilh skelches and lhen conslrucl sludy nodels lron paper, cardboard, wood, or olher nalerials lo explore building varialions. Frank Gehry regularly uses nalerials on handa runpled pillowcase, a crinkled paper bag, a crunpled piece ol velvel lo assisl in connunicaling concepls lo colleagues. The lnal drawings and pallerns used lo conslrucl a lnished building or garnenl are ollen conpulergeneraled. Since bolh archileclure and lashion are es senlially conslrucled lron lal lwodinensional nalerials, il is nol surprising lhal praclilioners in each leld lnd inspiralion in lhe olhers lech niques, lorns, and surlaces. n recenl years, archilecls have adopled lechniques such as prinling, plealing, lolding, draping, and weav ing lo develop nore conplex exlerior surlaces, or skins, lor lheir buildings, while lashion designers have looked lo archileclure lor ways lo conslrucl clolhes wilh grealer volune and inherenl slruclural inlegrily. The lranslalion ol drapery lolds inlo a rigid building skin is seen in Ollce dAs Zahedi House (unbuill, 1998), which lealures a laul surlace ol corrugaled nelal lhal is dislorled and nanipulaled inlo genlle curlainlike lolds on one laade. The play wilh volune can be seen in Gehrys vall Disney Concerl Hall in Los Angeles (198/2003), in which a skin ol slainlesssleel panels creales expressive curved lorns, and in Fei Kawakubos Body eels Dress, Dress eels Body colleclion (spring/sunner 199/), which lealures exaggeraledly nulaled lorns achieved by padding garnenls in unexpecled places. vhile lhese lechniques are ollen used by archilecls lo creale grealer visual inleresl on a buildings exlerior and lo nanipulale lhe volunelric lorns ol lhe inlerior, in lhe case ol vinka Dubbeldan/ArchiTeclonicss Green wich Slreel Pro|ecl in New York (200004), lhe lolded glass laade was also developed as a way lo neel lhe praclical requirenenls ol lhe cilys slricl selback laws. Designers in bolh lelds have recenlly begun lo develop slruclural skins lhal incorporale lhe bones, or slruclure, inlo lhe surlace ol a building or a garnenl. Toyo los Tods Onolesando Building (200204) and ikinolo Ginza 2 (200405) in Tokyo lealure glass and concrele skins lhal |oin slruclure and laade in a single surlace lo creale a dislinclive and eleganl overall pallern. APOC (A Piece ol Clolh) is a revolulionary induslrial process and producl crealed by lashion designer iyake ssey and design engineer Fu|iwara Dai lhal is a neans lor producing seanless garnenls, conplele pieces ol clolhing lhal do nol require sewing. The blurring ol boundaries belween lashion and archileclure has led lo lhe developnenl ol hybrid praclices. Elena anlerdini enploys archileclural processes by using lhreedinen sional rendering sollware originally developed lor aninalion and archileclural applicalions lo design oneolakind garnenls. Her clolhing is lhen labricaled using nachining sollware lhal laserculs a garnenls individual pieces as well as ils decoralive surlace pallern. Peler Tesla and Devyn veiser conducl exlensive research lo develop buildings ulilizing synlhelic lexliles, which can be conslrucled wilh lradilional lexlile lechniques such as braiding, weaving, lsa|e| Ic|eJc, Far||u D|ess, s||u/surre| !Jcc and knilling. These exanples show lhe ongoing exchange belween lashion and archileclure and enphasize how lhe lwo praclices can draw on and inluence each olher. uch ol lhe work in Jb`e"9fe\j challenges convenlional ways ol lhinking aboul archilec lure and lashion, revealing lhe polenlial lhal can be gained lron an ongoing dialogue belween lhe lwo disciplines. nspired by lhe rich array ol work on view, new generalions ol designers in bolh lelds are sure lo develop even nore inge nious ways ol adapling and adopling lorns and slralegies lron each olher lhal will lranslorn lhe very nalure ol buildings and clolhes. shigeru ban hussein chalayan preston scott cohen comme des garons neil m. denari architects diller scofidio + renfro winka dubbeldam / archi-tectonics eisenman architects alber elbaz for lanvin foreign office architects future systems frank gehry tess giberson zaha hadid herzog & de meuron yoshiki hishinuma toyo ito jakob + macfarlane greg lynn form elena manferdini maison martin margiela alexander mcqueen miralles tagliabue / embt miyake issey morphosis neutelings riedijk jean nouvel office da oma / rem koolhaas narciso rodriguez ralph rucci sanaa nanni strada yeohlee teng testa & weiser olivier theyskens isabel toledo bernard tschumi dries van noten viktor & rolf junya watanabe vivienne westwood wilkinson eyre yohji yamamoto j. meejin yoon / my studio Ic]c lc, IcJ's 0rcesauJc Bu||J|u, Ic|]c, ZJJZ-J+ RELATED EVENTS CE977HJJ7BAI FH;I;DJ;:8O=7BB;HO9 I|ese |uc|ra| J|sruss|cus-|ee w|| ruseur aJr|ss|cu auJ ceu c |e u|||r-a|e |are |u |e e|||||cu's a||e||es a V0C/ C|auJ /.euue uu|ess c|e|w|se uceJ. lhF0 Z!J/|Z!!7+ c| eJura|cu@rcra.c| SuND/Y, N0VEVBER !J, Jr lsabel ard Ruber Icledc, as||cu Jes|ue| auJ a||s CE97=H7D:7L;DK;"7>C7DIED7K:?JEH?KC IFuRSD/Y, DECEVBER !+, |.JJr Yechlee Ierg, as||cu Jes|ue|, YE0FLEE CE97=H7D:7L;DK;"7>C7DIED7K:?JEH?KC IFuRSD/Y, J/Nu/RY !c, |.JJr Brccle hcdge, ru|ac| c Ia_d!8ed[i auJ V0C/ ru|ac| c a|r||eru|e auJ Jes|u SuND/Y, J/Nu/RY Z!, Jr Elera Marferdiri, Jes|ue|, /e||e| Vaue|J|u| CE97=H7D:7L;DK;"7>C7DIED7K:?JEH?KC IFuRSD/Y, J/Nu/RY Z, |.JJr 1. 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