Professional Documents
Culture Documents
ART DESCRIPTION
and
APPRECIATION
HUMANITIES
ARTS
Art is very vital in our daily existence. The arts
the concrete evidences in the study of
humanities. The body of arts consists of ideas,
beliefs and values of the past, present and even
of the future. It comes from the Aryan root word,
AR which means to join or to put together. The
Latin terms ARS means everything that is
artificially made or composed by man. According
to Leo Tolstoy, art is a means of union among
all men, a means of communication. To
Aristotle, art has no other end but itself. All arts
are patterned on nature. It is also the right
reason for making things.
Scope of Humanities
The humanities is a many-faceted
subject. It consists of the visual arts,
literature, drama and theater, music
and dance.
Groups
Types of Drama
Tragedy serious in nature in which the
central character comes to some sad and
disastrous ending and also portray.
Melodrama the emphasis is on the
action rather on the character. Action is a
happy ending.
Types of Melodrama
Romantic Comedy light amusing tales of lovers
in some dilemma which is finally solved happily.
Farce light humorous play whose emphasis is on
the jokes, humorous physical actions, ludicrous
situations and impossible characters.
Comedy of Manners drawing room comedy is
sophisticated and sometimes satirical. It uses witty
dialogues and characters are usually high society
types and situations are unreal.
Types of Dances
Ethnologic include folk dancing associated
with national and cultural groups.
Social or Ballroom Dances popular type of dancing
generally performed by pairs.
Ballet a formalized type of dance which originated in
the royal courts of the middle Ages. They may be either
solo or concerted dances and generally built around a
theme or story.
Methods in Presenting
Art Subject
1. Realism presentation of subjects as it
is. It is also the portrayal of objective
reality.
Ex. Audrey Flack:
Queen
Gustace Courbet: The Stone-Breaker
2. Abstraction it means to move away
or to separate. The artist is more
concerned about the presentation of a
part or a portion of a subject.
Types of Abstraction
Elongation subjects are lengthened or stretched
out.
Ex. El Greco: the Resurrection
St Martin and the Beggar
Distortion subjects are in a mishappen condition
Ex. Henry Moore: Recumbent Figure
Cubism the use of geometrical shapes and forms.
Ex. Pablo Picasso: The Three Musicians
Nude in a Rocking Chair
George Brake:
Violet and Palette
Liberty
Sunrise
The Beat
Persistence of
Kinds of Subjects
Painting
The art of applying color or other organic
or synthetic substances to various
surfaces to create a representational,
imaginative or abstract picture or design.
The earliest known paintings were
executed on the walls of caves and rock
shelters some 30,000 years ago during
Paleolithic period. Some may be seen in
Western Europe, Southern and Saharan
Africa and Australia.
Elements of Painting
Line it is a mans own invention; extension of a point.
Vertical lines power, stability, strength
Horizontal lines relaxation, calmness, at peace,
laziness
Diagonal lines movement
Curve lines graceful movements, fluidity, flexibility
Shape it is an area of flat surface enclosed by a line.
Texture it refers to the feel or tactile quality of a
surface of an object; the roughness or smoothness of
an object.
Size it is smallness or largeness of an object.
Color it a series of wave lengths which strike our
retina. Spectrum consists of different colors: red,
orange, blue, indigo and violet.
Physical Property of
Colors
Hue is a quality which gives color its
name. the color of the spectrum are
therefore called hues.
Value is the lightness or darkness of
color.
Intensity is the strength of the
colors hue. Brightness or dullness of
color.
Classification of Colors
The Primary Colors are the original colors which
cannot be derived from any color combination. They
are red, blue and yellow.
The Secondary Colors are the combination of two
primary colors. They are green, orange, and violet.
The Tertiary Colors are the combination of both the
primary and secondary colors. They are yellow green,
yellow orange, blue green, blue violet, red orange, and
red violet.
The Complementary Color scheme is composed of
one of the primary colors and the combination of two
others. For example, the complementary color of red is
green, made by mixing yellow and blue.
Analogous colors are three neighboring colors in the
color wheel one distinct color among them.
Color interpretation
Mediums of Painting
Pigment is that part of the paint which supplies the color, is fine
powder ground from some clay, stone, or mineral extracted from
vegetable matter.
Encaustic a medium that combines dry pigments with the heatsoftened wax and in modern times. Resin
Tempera earth or mineral pigments mixed with egg yolk and egg
white. Since the paint dries quickly, corrections are difficult to make.
Fresco is the application of earth pigments with water on a plaster
wall while the plaster is still damp. Color then sinks into the surface
and becomes an integral part of the wall.
Watercolor is tempered paint made of pure ground pigment bound
with gum Arabic. It gives a delicate luminous texture to the painting.
Oil the pigment is mixed with linseed oil applied to primed canvas.
It is flexible. Oil paints are slow to dry and the painting can be
changed and worked over a long period of time.
Acrylic synthetic paint using acrylic polymer emulsions as binder
are the newest mediums and the ones that are widely used by todays
painters. They dry quickly like the watercolor and also flexible like the
oil. They do not tend to crack, turn yellow or darken with age.
Hieroglyphics idea of
Frontalism
SCULPTURE
it is a three-dimensional artwork, an art of
producing objects in relief or in the round out
of hard materials by means of chisel, carved
work, art of molding In clay or other paste
materials, figures or objects to be later cast
in bronze or other metals or plaster of Paris.
Sculpture (Latin sculpere, to curve), threedimensional art concerned with the
organization of masses and volumes. The art
or practice of shaping figures or designs in
the round or relief
Mediums of Sculpture
Clay a very fine-grained soil that is plastic when
moist but hard when fired.
Ice is the name given to one of the 14 known solid
phases of water. It is a crystalline solid which can
appear transparent or opaque bluish white color.
Marble a metamorphic rock resulting from regional
or rarely contact metamorphism of sedimentary
carbonate rocks, either limestone or dolostone.
Ivory is ideal for decorative art because it is hard,
close grained, and takes carving and dyes well. its
durable, many specimen survive and provides clues
into the art.
Wood can make many forms, from a tree to a house,
from a piece of furniture to a door, from something
functional to something sculptural.
ICE
CLAY
MARBLE
IVORY
WOOD
Kinds of Sculpture
Relief these are the sculptures which are identifies as embossed sculptures in
which images are set against a flat background.
Alto relievo (Italian for high relief) the figures are sculptured partly or wholly
in the round, that is, they project entirely, or almost entirely, from the surfacr of the
block in which they are cut.
Basso-relievo(Italian for low-relief; French, bas-relief) is a form of surfaceornamentation in which the projection is very slight.
Free-Standing this is the kind of sculpture in the round such as statues and
monuments which are either scaled or done in life size.
Kinetic or Mobile Sculptures these are identified as moving sculptures which in
some cases are suspended in air to move.
Processes in Sculpture
Molding this is the additive wherein the building up of form is done to complete the
artwork.
Carving this is the subtracting method wherein the removal of the unnecessary
portions of the material used is done.
Fabrication this is the putting-together-process wherein welding is an example.
Casting this is setting up the negative mold in order to produce the positive mold.
Historical Background of
Sculpture
Pre-Historic Sculpture
the primitive people produced the so
called fertility statues. It has been
described as giving emphasis on the
female sexual attributes. It
emphasizes the womens wide hips
and opulent breasts. Primitive men
made this for fear of extinction and it
will remind them to go on and on to
produce more offspring.
Egyptian Sculpture
the sphinx is the most popular piece
in Egypt. It is a huge sculpture which
is described as the human head with a
body of a croaching lion. The head of
the Sphinx is symbolic of the pharaoh,
the mighty reler of Egypt, and the
body of the croaching lion is symbolic
of the mighty country Egypt.
Therefore it symbolizes the mighty
strengths and protective power of
Egypt.
Greek Sculpture
the Golden Age of Athens was the
complete fulfillment of the term classic
for it was the culmination of the ideals of
the time and of the ancient world as well.
It falls into four classes:
Sculptures created without regard to their
ultimate location or method of display.
Free standing.
Statues identified as kore otherwise
known as female standing sculpture.
Statues identified as kouros otherwise
known a male standing sculpture.
Sculptures designed as ornaments for
specific positions.
Roman Sculpture
Baroque Sculpture
Byzantine Sculpture
Renaissance Sculpture
It showed some traces of classical
influence in the pulpits of the
Cathedrals of Pisa and Sienna. The
great master of this period is
Michaelangelo. His masterpiece was
the Pieta today a treasure of St.
Peters in Rome.
Pieta
ARCHITECTURE
The art and science of building and
erecting buildings.
History of Architecture
When did man start building houses?
From caves, to branches, to
wigwarms, huts, concrete houses,
etc.
The Stonehenge
Stonehenge, a circular arrangement of
large stones located near Salisbury,
England, was a ritual monument for
prehistoric peoples. It was built between
3000 and 1000 BC. Little is known about
Stonehenges function, but many
scholars believe that its structure allowed
its builders to predict solstices,
equinoxes, eclipses, and other events of
the solar calendar.
The Parthenon
The Greek
Orders
The Romanesque
Romanesque Art and Architecture,
arts and architecture of western
Europe from about AD 1000 to the
rise of the Gothic style, in most
regions by the latter half of the 12th
century, in certain regions somewhat
later.
Gothic
Gothic Architecture is a style of architecture, particularly
associated with cathedrals and other churches, which
flourished in Europe during the high and late medieval period.
Beginning in twelfth century France, it was known as the
French Style (Opus Francigenum) during the period, with the
term Gothic first appearing in the Reformation era as a stylistic
insult.
The Gothic style emphasizes verticality and features almost
skeletal stone structures with great expanses of glass, ribbed
vaults, clustered columns, sharply pointed spires, flying
buttresses. In Gothic Architecture the pointed arch is utilized in
every location where a vaulted shape is called for, both
structural and decorative. Gothic openings such as doorways,
windows, arcades and galleries have pointed arches.
Another distinctive feature of Gothic Architecture especially in
churches and cathedrals is the Rose Window (Notre dame). The
North Rose Window of the Notre Dame Cathedral in Paris
(1240-1250) was built by Jean de Chelles. It is designed in the
Rayonnant style, named for the radiating spokes in this type of
window. The center circle depicts the Virgin and Child,
surrounded by the figures of prophets. The second circle shows
32 Old Testament kings, and the outer circle depicts 32 high
priests and patriarchs.
Baroque
Baroque churches were larger in scale that
their predecessors and their interiors more
richly decorated with sculpture and paintings.
Long narrow naves are replaced by broader,
occasionally circular forms. Dramatic use of
light, either strong light-and-shade contrasts,
chiaroscuro effects or uniform lighting by
means of several windows.
Opulent use of ornaments (puttos made of
wood (often glided), plaster or stucco, marble
of faux finishing).
Large-scale ceiling frescoes the interior is
often no more than a shell for painting and
sculpture (especially in the late baroque).
Rococo Style
Rococo Style, style of 18th-century painting and
decoration characterized by lightness, delicacy,
and elaborate ornamentation.
The word rococo is derived from rocaille,
meaning rock work or shell work, a favorite
motif of the time. It stresses purely ornamental,
light, casual, irregular design.
The Rococo style is characterized by pastel colors,
gracefully delicate curving forms, fanciful figures,
and a lighthearted mood (visually and physically).
The essence of Rococo art is light. Extreme
highlights are placed on the subject matter and the
overall work is light in color, effect, and emotion.
Artists paid special attention to fine detail. Form is
characterized by delicacy of color, dynamic
compositions, and atmospheric effects.