Represents the most classic Kerala domestic architecture. It is also the largest wooden palace in india made on sloping roofs, granite and rosewood, teak wood work combinations.
It is one of the best examples of wooden architecture that has
come to symbolise the vernacular architecture of Kerala. The palace complex is a masterpiece - an intriguing play of volumes, scale, spatial planning & courtyards, all of which have a strong underlying cohesiveness. The spaces move from the public spaces on the periphery to the more private spaces as one moves towards the core, reflected through variations in scale & proportion, producing very interesting spaces The antique interiors are replete with intricate rosewood carvings and sculptured decor. The palace also contains 17th and 18th century murals. One can see: the musical bow in mahogany, windows with coloured mica, royal chairs with Chinese carvings, 'Thaikkottaram' or the Queen Mother's palace with painted ceilings, rose wood and teak carved ceilings with 90 different floral
The entrance to the complex is from the west,
through a formal version of the Padipura or the entrance gate, which is common in all the traditional dwellings of Kerala. The central focus of the entire composition is the Mothers palace or the Thai Kottaram, around which all the other spaces are organised. There are separate halls for audiences & gatherings, a large dance hall, feeding halls of various sizes, kitchen, residences for the king & other dignitaries, weapons store, bath houses, offices and even a temple. There is also a 4 storeyed Upprika Malika in the complex, constructed in the 1740s, which is a testament to the technological progress at that time. . A 300 year old clock tower in the palace stands witness to the march of time and is still now in good working condition
Though there is no formal symmetrical spatial layout to
be found as such, there lies a strong organisation
principle, which creates a very coherent & unifying whole.
The various built spaces are interlinked & accessed
through a series of courtyards & open spaces
which vary volumetrically & in scale depending upon the level of privacy required, most often, being very intimate in nature.
The roof forms are the most dominating element in
the whole complex, which through their wonderful
juxtaposition creates an impressive visual composition an ever changing play of light, shadow & mass.
The columns are mainly in wood & stone and support
the wooden roof structure, which has been designed
very creatively to be functional as well as aesthetic.
The Proportioning System of The Mandapas As A Tool For Analyzing Indian Temple Architecture: The Case Study of Kandaria Mahadev Temple, Khajuraho & Ashapuri Temples of India