The document discusses a photograph titled "Filipino Farmers in America" taken by Ricardo Ocreto Alvarado. It describes Alvarado's background and how he documented the Filipino community in San Francisco for 20 years. The photograph shows two Filipino farmers posing by a tractor, with the use of perspective emphasizing the subjects over objects in the background. Details are provided on the elements, medium, subject matter, and style of the photograph and how they reflect the photographic techniques and portrayal of immigrant communities in 1950s America.
The document discusses a photograph titled "Filipino Farmers in America" taken by Ricardo Ocreto Alvarado. It describes Alvarado's background and how he documented the Filipino community in San Francisco for 20 years. The photograph shows two Filipino farmers posing by a tractor, with the use of perspective emphasizing the subjects over objects in the background. Details are provided on the elements, medium, subject matter, and style of the photograph and how they reflect the photographic techniques and portrayal of immigrant communities in 1950s America.
The document discusses a photograph titled "Filipino Farmers in America" taken by Ricardo Ocreto Alvarado. It describes Alvarado's background and how he documented the Filipino community in San Francisco for 20 years. The photograph shows two Filipino farmers posing by a tractor, with the use of perspective emphasizing the subjects over objects in the background. Details are provided on the elements, medium, subject matter, and style of the photograph and how they reflect the photographic techniques and portrayal of immigrant communities in 1950s America.
Filipino Farmers in America The Aesthetic Qualities of Selected Photographs The Visual Arts Ricardo Ocreto Alvarado He worked as a janitor and houseboy During World War II, he was a medical technician in Army’s highly decorated First Filipino Infantry Regiment He became a civilian cook in Letterman Army Hospital For 20 years he studied the city and nearby rural areas in his free time with his view camera in hand
His camera gave him entry into large social
functions ― weddings, funerals, baptisms, parties and dances ― as well as intimate family gatherings. Filipino Farmers in America Shooting the tractor from an interesting angle, the machine does not distract the subject of the photograph: two Filipinos looking very hard working, posing for the photograph, the same way a person would have his/her photo taken beside in a Ferrari prestige car. Through the use of perspective, the tractor wheels in front seem bigger than the back wheels. Perspective also shows the mountains and trees in the background smaller than the human figures because they are farther in the camera. The background, foreground and subject are all sharp because of the camera exposure to light. Despite this, the viewers eyes are easily directed to the two men, with faces that shows traces of old age and hard work. Their clothing reveals they are in a foreign land because in tropical Philippines, farmers work in minimal clothing. Photographs of genre subject like this is characteristic of the 1950s where everything is shown in sharp and the main subject in still position. This is due to the limitation of the camera that could not capture movement. Blurring technique was also not possible, since there were not too many apertures and shutter speed options. The Form 1. What are the dominant element? 2. How are these used in the photograph? 3. How is the main subject matter treated in relation to the background? 4. How many space used within the frame? 5. How does the dominant element affect you? 6. Is there a balance of forms or do some objects cover most of the frame? Analysis The dominant principle of organization in the photograph is the use of perspective that shows the difference in the size of the objects in the foreground and in the background. The vast space does not diminish the significance of the object because the tractor, shot in an angular position, leads the viewer's eye to the main subject. Hence, a balance of forms is achieved. The Medium 1. Does the photography as a medium enhance the beauty of the image? 2. How well does the medium selected show the artistic representation? 3. If the artist chose another medium, do you think the same effect will be achieved? Why and how? Analysis Photography is the best medium for the image because it is able to show the details and facial expression realistically which oil painting or other mediums cannot show. The Subject Matter 1. What is the main figure in the artwork? 2. How do the other figures in the artwork affect the main figure? 3. What is the significance of the figure/s to you in terms of personal, historical, social, or political value? Analysis The main figures are two farmers posing while riding the tractor. The objects surrounding them do not conflict with the main figures, rather enhance them as the focal point of the photography. This shows the lifestyle, work and state of being of the Filipinos who migrated to America in the 1950s. The Style 1. What particular characteristics does the artwork have that are also present in the other works by the same artist? 2. Describe the use of art and the principles of organization that identify the artwork with the other works done in the same era or movement? Analysis Clarity, sharpness and detailed representation are the characteristics of Ricardo Alvarado’s photographs, which were all in the same quality of photograph taken in America during 1950s.